TL;DR
Brazil’s civil defense alert system was hacked, sending fake extreme alerts with the word “misantropi4” to millions of phones before the platform was shut down.
Samsung’s innovative new ‘convertible’ soundbar somehow manages to sound like it’s using an external subwoofer even when it isn’t, while still delivering all the power, detail and sound stage craft we’ve come to expect from Samsung soundbars. Regardless of whether you’re using it on a wall or tabletop
Outstanding sound quality in both of its convertible set up configurations
Excellent with music as well as movies
Great value for what it offers
Headline multi-placement feature is potentially niche
Occasionally over-bright detailing
No rear channel sound without adding extra speakers
Review Price:
£899
Perfect for walls or table tops
The QS90H can reconfigure which sound channels emerge from each of its speakers depending on whether the soundbar is wall mounted or sat on a stand under your TV
Great for music and movies
Despite creating a brilliantly detailed, aggressive and powerful multi-channel sound scape for movie playback, the HW-QS90H can also adapt itself unusually well to stereo music
Wi-Fi streaming support
The QS90H is compatible with Google Cast, AirPlay 2, Spotify Connect, and Tidal Connect, as well as being Roon Ready
While most soundbars technically support wall mounting, even sometimes including wall brackets in their boxes, that support is typically compromised in both design and sound quality terms.
Soundbars designed to lie flat on a table, for instance, like the vast majority are, usually jut out awkwardly from walls, while their sound can be affected by how high they’re sat when wall hung versus a typical desktop placement.
Cue Samsung’s HW-QS90H: A soundbar that can actually reconfigure its speakers deliver which channels of sound depending on whether its sitting flat on a table or hanging flat against a wall.
This isn’t Samsung’s first stab at such a ‘convertible’ soundbar; that honour belongs to the 2025-launched HW-QS700F. The QS90H is Samsung’s first convertible soundbar to offer a 7.1.2 channel count – while simultaneously daring to ship without the external subwoofer the QS700F provided.
Can a one-bar sound solution really deliver so many unusual and premium features without its sound quality suffering?
The HW-QS90H closely tracks Samsung’s other recent premium soundbar designs. So there’s the same hard black plastic finish, the same engaging mix of a striped effect on its top edge and circular perforation effect on its sides, and the same crisp, rectangular shape – only without the double-angled left and right ends you get with Samsung’s flagship soundbar designs.
The QS90H’s measurements of 1245(w) x 68.8(h) x 125(d)mm are fairly substantial by most one-bar solution standards. The fact that it rests on its flat bottom edge regardless of whether it’s lying down or hanging on a wall, though, gives it a relatively minimal profile.


You don’t have to accommodate an external subwoofer, either, and actually, once you start to listen to it its size suddenly starts to feel pretty small in the context of the epic soundstage it can create.
Looking at the QS90H in its table-top configuration, two speakers set at different angles in its left and right edges enable the soundbar to deliver separate side left/right and front side left/right channels, while the long straight front edge holds the more typical left and right channels, plus a centre channel speaker that unusually sits right at the top of the front edge.
There are also two drivers in the top edge (again, remember, we’re talking about the tabletop profile here) for delivering height/overhead effects.
To compensate for not having an external subwoofer, the QS90H also somehow finds space for four bass woofers within its compact design.


It’s all change if you want to wall hang the soundbar. To adapt it for wall hanging you have to stand the QS90H on its edge and then turn it through 180 degrees so that the control buttons are sitting along what is now the soundbar’s bottom edge. The flat edge that was the underside of the soundbar in its table top stance becomes the rear edge that lies against the wall, meaning the soundbar only sticks out 68.8mm rather than the 125mm if it was fastened to a wall in the same orientation it uses on a desktop.
The speakers that were the front left and right speakers become the two up-firing speakers, while the two speakers that were the up-firers in the QS90H’s desktop setup become the front left and right. The centre channel speaker’s unusual high position in a tabletop set up now makes sense, as it means it can continue as the centre speaker in the vertical orientation too.
The ability of the QS90H to deliver a slender profile in both its setup positions puts it in very rarified company indeed. There are a few dedicated wall hanging soundbars out there, but soundbars that can truly adopt their sound and design for both flat or vertical orientations are incredibly few and far between.


The on-bar controls I mentioned earlier offer voice control mic on/off buttons, as well as simple up and down volume adjustments. The only other disruption to the sleek black finish comes from a little row of LEDs designed to help you figure out roughly what volume you’ve selected and which input you’re using. These are a poor second, though, to the full LED display you get on Samsung’s HW-Q990H.
The HW-QS90H’s connections comprise a one in, one out HDMI pass-through, eARC support on the HDMI output, an optical digital audio input, and the now inevitable Bluetooth and Wi-Fi support.
I’ve pretty comprehensively covered the QS90H’s most unique feature: Its support for flat-profile desktop or wall-hanging placement. There’s plenty more to get our teeth into besides.
Starting with the fact that it uses its 13 built-in drivers to deliver an impressive 7.1.2 channels of sound. This is an impressive channel count for a single bar soundbar, delivering front left, front right, front centre, front left side, front right side, left side, right side and two up-firing channels, with a quartet of woofers squeezed in to deliver low frequency sounds. Which drivers deliver which channels is, of course, fluid, based on the soundbar’s orientation.


It’s worth noting at this point that a built-in gyroscope automatically informs the HW-QS90H whether it’s been used in its horizontal or vertical configuration; you don’t need to tell it manually.
Inevitably as a single-bar solution, the QS90H doesn’t deliver any surround sound effects. You can add extra speakers to it, though, using either Samsung’s SWA-9500S optional wireless rear speaker package, or up to four of Samsung’s startlingly powerful new Music Studio speakers.
As with all recent Samsung soundbars, the QS90H can also join forces with (rather than just replacing) the speakers in pretty much all of Samsung’s recent TVs thanks to Samsung’s Q Symphony feature, creating a bigger and more detailed centre channel sound.
Q Symphony can work via HDMI eARC or wirelessly, with further wireless functionality coming in the shape of wireless Dolby Atmos reception from suitably capable Samsung TVs.


The Dolby Atmos support is joined by support for both the DTS:X format and the Eclipsa Audio open-source format developed by Samsung and Google.
You can get any sound format, even stereo music, to take advantage of the HW-QS90H’s full channel count if you choose a provided Surround Sound audio preset. Purists can rest assured that the soundbar’s Standard preset will play any format in its native form – including simple two-channel stereo.
The HW-QS90H also leans in to Samsung’s love of AI with an Adaptive mode, which analyses the incoming sound so that it can recognise the type of content and optimise the way the soundbar presents the audio accordingly. AI is in play with a dialogue enhancement feature that can isolate vocal tracks and give them more emphasis in response to detected increases in ambient noise levels in your room.
The QS90H’s Wi-Fi capabilities include integrated support for AirPlay, Google Cast, Spotify Connect and Tidal Connect, and it’s also Roon Ready. Accessing all these sound systems is made easy if you’re using the Samsung SmartThings or new Samsung Sound apps to control the soundbar rather than the sleek but basic provided remote control. The same apps also streamline initial set up, helping you get your soundbar online and update its software with minimal fuss.


The apps provides exclusive access to a couple of handy set up aids: An adaptive bass feature that automatically monitors the sound for potential bass-related distortions, correcting the sound profile to correct for this if required, and a Space Fit system that continually optimises the soundbar’s presentation to your room conditions.
The QS90H’s HDMI pass-through supports HDR10+ and Dolby Vision HDR formats, as well as the more basic HDR10 and HLG formats. The HDMI pass-through system does also deliver arguably the only real feature disappointment with the QS90H, though, as it turns out that it doesn’t join Samsung’s HW-Q990H flagship soundbar’s loop through in supporting 4K/120Hz signals.
You can only get 120Hz frame rates through the soundbar if you settle for a 1440p resolution and don’t mind losing high dynamic range support. If you want 4K and HDR, you’ll have to set your game source to 4K/60Hz. The soundbar does support pass-through of variable refresh rates with both 60 and 120Hz signals, and carries a Game Pro sound setting that emphasises channel steering to make gaming worlds feel more intense and help you detect where enemies might be attacking from.
Before getting into the specific ins and outs of how well the HW-QS90H delivers on its headline multi-placement ‘convertible’ feature, let’s get some general performance features out of the way.
Starting with the fact that it copes incredibly well without the external subwoofer shipped with 2025’s QS700F convertible soundbar debutante. The bass woofers crammed into the QS90H’s single-bar form sound anything but crammed in, rolling out some of the very deepest frequencies I’ve ever heard from an all-in-one soundbar option without the bass bottoming out, lagging behind the rest of the mix or succumbing to chuffing/crackling distortions or drop outs.
Unless you increase the soundbar’s volumes to levels far beyond anything the average human ear will be able to cope with.


The QS90H’s bass spreads far and wide so smoothly, that it delivers exactly the sort of non-directional presence you want from any good movie bass system. It does all this without the bass overwhelming the rest of a movie mix.
In fact, the QS90H maintains levels of detail, power, effects placement and channel steering that precious few other single-bar soundbars can even get close to – exactly as I’ve come to expect with Samsung’s premium soundbars. The bass is just a beautifully weighted but also surprisingly nimble counterpoint to everything else that’s going on rather than any sort of ‘dead weight’ dragging the sound down.
Trebles never sound harsh or warbly either, and the speakers are sensitive enough to not only pick every sound detail out, no matter how subtle, but also present each of those sound effects with the correct level of prominence. There are no moments where subtle background ambient effects surge into the foreground, or birds tweeting suddenly sound on a par with key dialogue.
Dialogue, now I’ve mentioned it, is always clear and clean, regardless of how deep or shrill the talker’s voice might be, and the soundbar gives vocals a nice vertical lift so that they sound like they’re coming from the onscreen action rather than the soundbar below the screen.
There’s even an ‘Elevate’ option that does a good job of lifting the vertical position of dialogue higher should you be using the soundbar with a truly huge screen, or you’ve got a bigger vertical gap than usual between your screen and soundbar below. Which can happen with wall hung setups, or if you’ve got the soundbar sat on a sideboard with a wall mounted screen above it.


The channel steering that’s been such a consistent Samsung soundbar strength for years now is exceptionally well deliver by the HW-QS90H, creating a truly three-dimensional and immersive sound space between you and your screen. You truly feel the impact of the 7.1.2 channel count in the dynamism, fullness and expansive scale of the sound the QS90H creates.
So good is the QS90H’s staging, in fact, that it had me yearning for some surround sound speakers, so that I could find myself right at the heart of the audio action. The idea that a one-bar soundbar might be good enough to seriously tempt you to splash out on further speakers to create a true surround sound system is hardly a weakness!
Though there could be an argument here for stepping up to Samsung’s full surround sound HW-Q990H soundbar package instead.
All of the strengths explained so far are underpinned by phenomenal amounts of power by mid-range soundbar standards, and are achieved regardless of whether the QS90H is used in a vertical or horizontal stance.
Some differences in the sound do become apparent as you switch the HW-QS90H from a horizontal to a wall mounted position. On the downside, the wall-mounted sound doesn’t push forward with quite as much force. This means the wall-mounted sound stage feels a bit less three-dimensional, and hard impact sounds – while still clean and crisp – lack a little of the visceral potency you get in the QS90H’s horizontal stance.
Bass is a little less potent when the QS90H is wall mounted, too – though it’s still plenty powerful enough to leave the bass from many rival soundbars sounding either coarse or thin.
Height effects are delivered with actually slightly more clarity and emphasis in the QS90H’s wall mount mode than you get from its tabletop set up, though.


Dialogue sounds slightly more rounded and smooth from a wall-mounted QS90H, too, and the sound impressively radiates down as well as up from the soundbar’s relatively elevated wall-mount position, avoiding that ‘the only way is up’ effect you often get if you wall mount regular soundbars at higher positions than they’re truly designed to suit.
The HW-QS90H isn’t just a beast of a soundbar with film soundtracks. In both of its placement configurations it also handles stereo music remarkably well, subtly shifting to nimbler, less bombastic bass handling and beautifully recalibrating its multi-channel scale down to simple two-channel stereo without the results sounding crowded or over-aggressive.
Stereo separation is bold but not forensic or forced, and vocals of every type are beautifully located at the heart of the mix without ever becoming either too shrill or too soupy.
There’s a musicality here, in fact, that you’d normally only expect to hear from soundbars from established heritage hi-fi brands.
There are a couple of issues to mention beyond the small differences between the vertical and horizontal profiles covered earlier. One is that just occasionally, especially in the tabletop stance, voices can sound a little too prominent and bright. Such moments truly are rare, and even at their worst voices don’t actually sound brittle or completely lose their context.
Perhaps related to this, while ambient effects never gain too much weight in the mix, occasionally relatively high-pitched background sounds can – again only very occasionally – sound a touch sibilant.
Finally, again incredibly rarely, particularly violent and deep extended bass sounds can cause the QS90H’s bass speakers to start sounding just a little rough around the edges. Though they don’t succumb to outright distortion and breakdown.
Thanks to its compact single-bar design and rare ability to reconfigure its speakers to different channels depending on whether it’s resting against a wall or sitting on a desktop, the QS90H can work in basically any and every room environment.
While you can add speakers to the QS90H, in its default form it only creates a sense of three-dimensional sound in front of you, rather than all around you.
The HW-QS90H is a fantastic soundbar for its money. Far from being a gimmick, its convertible design works amazingly well, enabling it to work in pretty much any room setup.
Its sound is as powerful as anything I’ve ever heard from a single-bar soundbar solution, and it delivers a dynamic range that leaves most rivals sounding thin and weedy by comparison. Especially in the bass department.
It’s able to create a huge, detailed and engaging sound stage for movies, but also manages to rein itself in with stereo music, sounding truly musical without losing the power that’s now a Samsung soundbar trademark.
The number of individual households who specifically take advantage of the QS90H’s convertible design might be small, I guess. Surely the key point, though, is that the QS90H’s flexibility means that it’s an outstanding option for absolutely anyone in the market for a one-bar soundbar, regardless of where their TV might be positioned. And really powerful true wall-mounted soundbars, in particular, are as rare as hen’s teeth.
We test every soundbar we review thoroughly over an extended period of time. We use industry-standard tests to compare features properly.
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Find out more about how we test in our ethics policy.
Yes. You can add up to four of Samsung’s Music Studio single speakers to create a surround experience, or you can add Samsung’s dedicated SWA-9500S rear speaker package.
The HW-QS90H supports HDMI’s eARC feature, where an eARC-capable TV (which most modern TVs are) can pass sound including Dolby Atmos through to the soundbar. It also lets you connect a single external source to it that it can then pass the pictures of through to the TV, and it can take sound in via an optical digital audio input. If you have a recent Samsung TV, the QS90H can even receive Dolby Atmos sound from the TV wirelessly.
| Samsung HW-QS90H Review | |
|---|---|
| UK RRP | £899 |
| USA RRP | $999 |
| EU RRP | €849 |
| Manufacturer | Samsung |
| Size (Dimensions) | 1245 x 125 x 68.8 MM |
| Weight | 8.9 KG |
| Release Date | 2026 |
| Sound Bar Channels | 7.1.2 |
| Driver (s) | 13 in total, including four bass woofers |
| Connectivity | Airplay 2, Google Cast, Spotify Connect and Tidal Connect |
| ARC/eARC | ARC/eARC |
| Colours | Black |
| Audio Formats | Dolby Atmos, DTS:X, Eclipsa Audio |
| Rear Speaker | Optional |
The Wall Street Journal reports on internet-connected devices — and how every year millions of them “can contain a secret digital backdoor that opens up access to your home internet, so that anyone… can surf the web as if they were you.” (And this is especially true for “knockoffs that you buy online”…)
In a video report this week they tested two digital picture frames from Amazon and three streaming devices from Walmart “because we heard that they often ship with backdoor software used in cyberattacks. Security experts believe manufacturers are being paid to add this malware, but many people also get tricked into downloading the software onto their phones or computers… Within minutes of turning the devices on, there was a surge of internet traffic… Visits to gambling, porn, cryptocurrency and loads of other sketchy web sites started pouring in from users around the world.” (And remote visitors also tried to access Outlook and Gmail accounts…)
Residential proxy companies even rent out access to “tens of millions of home networks around the world,” according to the report. “But the problem is actually worse than that. Hackers figured out a way to seize control of these backdoors, and they started taking over these residential networks. Last month authorities arrested a 23-year-old Ottawa man, saying he’d taken control of more than a million devices to launch some of the largest cyberattacks anyone had ever seen..”
After a couple months the Journal’s reporter collected logs of all the traffic, and sent it to an investigator at Comcast, who said both were conducting DDoS attacks. But estimate for the number of infected devices are as low as tens of millions or as high 500 million-plus. “We’ve seen nation state attacks launched through these kind of endpoints, which means your device sitting in your house is part of a nation state attack against another nation state… We’ve seen ad fraud, we’ve seen ticket scalping, we’ve seen financial fraud.”
But more importantly, “We have seen some of the largest computer attacks — meaning computers attacking other computers at human request — ever recorded in our digital history in the last several months.” At cybersecurity conferences, some are warning “there are much larger ones on the horizon if we don’t get a hold of this problem.”
The company making the picture frame “couldn’t be reached for comment,” while Amazon said it’s been out of stock since last year. Both Amazon and Walmart said they take action when they confirm malware on a third-party product.
The takeaway: New research is challenging a basic assumption about espresso: that it has to be made with hot water. Instead of relying on near-boiling water, researchers have shown that high-frequency sound waves can produce an espresso-style shot with similar strength and taste – no heat required.
Developed by engineers and food scientists at UNSW Sydney, this new method is called “ultrasonic espresso” and replaces heat with mechanical energy. It runs at room temperature, using sound waves to pull flavor from finely ground coffee, and reaches espresso-level intensity in under three minutes despite the cold-water start.
The setup still begins with a standard espresso basket. A small metal transducer is mounted against its wall, and once activated, it emits ultrasound – sound waves above the range of human hearing – that travel through the water and coffee bed.
What happens next is the key step.
The sound waves trigger acoustic cavitation, a process where tiny bubbles form in the liquid and collapse in rapid succession. When those bubbles implode near coffee particles, they generate microscopic bursts of force that chip away at the grounds, speeding up the release of oils, flavor compounds, and caffeine into the water.
In effect, the system swaps heat for controlled agitation at a microscopic level, using pressure changes and localized mechanical action instead of temperature to drive extraction.
That distinction matters more at scale than it does on a kitchen counter. For a home user, skipping the heating step might not move the needle much. But in industrial settings – particularly ready-to-drink coffee production – energy consumption becomes a central concern, and the researchers estimate that eliminating the need to heat water could cut energy use by up to 75%.
The process also introduces some logistical flexibility. Because the coffee is produced at room temperature, it can go straight into bottled drinks or milk-based products, or be shipped as a concentrated liquid and diluted later, potentially simplifying production and distribution.
Ultrasound is not entirely new to coffee science. Earlier work from the same UNSW team explored its ability to speed up cold brewing, compressing what is typically a 12 to 24-hour process into a matter of minutes. But espresso presents a different challenge: it is not just about extracting caffeine or basic flavor, but about achieving a specific balance of bitterness, aroma, and body typically associated with high heat and pressure.
To hit that target, the researchers, led by Dr. Francisco Trujillo, fine-tuned several variables. Grind size played a clear role, with finer particles allowing faster extraction. The water-to-coffee ratio had to be carefully controlled to avoid under-extraction or dilution, and timing proved equally important, with the optimal window landing between two-and-a-half and three minutes of ultrasonic exposure.
Matching the chemistry of espresso is only part of the equation, though. The more practical question is whether people can actually taste the difference.
To test that, the team ran a blind evaluation with about 100 regular coffee drinkers, those findings are published in the Journal of Food Engineering. Participants sampled four coffees: traditional espresso, ultrasonic espresso, and both traditional and ultrasonic filter coffee, served at the same temperature and in random order.
The results were strikingly close. Participants couldn’t reliably distinguish between the traditional espresso and the ultrasonic version, with the two performing nearly identically across aroma, flavor, bitterness, and overall preference. In the filter category, the ultrasonic version was actually favored, with tasters describing its bitterness as more balanced.
The findings suggest that heat may not be as essential to espresso as long assumed. By using ultrasound to accelerate extraction, the process reproduces the defining characteristics of espresso while significantly reducing energy input. For an industry built around heat-driven methods, this opens up a different way of thinking about how coffee can be made.
Image credit: The Conversation
The most controversial feature is Simultaneous Opposing Cardinal Direction (SOCD) customization. This allows one key to override another rather than registering both simultaneously, which is ideal for strafing in tactical shooters like Counter-Strike 2 and Valorant. The difference in reaction speed is immediately noticeable, making quick peeks far more consistent. However, because of the distinct advantage it provides, the feature has been banned in some competitive games because it reduces the delay between directional movement to near-zero levels without requiring any additional skills.
Testing these features across a variety of shooters and racing games, I was consistently impressed by the level of fine-tuning Wootility offers—something not possible on a traditional mechanical keyboard.
The gaming experience of this keyboard is simply impressive. The switches are incredibly smooth and consistent, offering granular control with near-instantaneous, low-latency inputs. While older Hall Effect keyboards from competitors like Keychron and Asus often lacked the tactile feel of traditional mechanical designs, Wooting’s Lekker switches easily bridge the gap.
The RGB lighting also looks great and is deeply customizable. Like most LEDs, it tends to lean slightly blue, but this is easily corrected in the software (I set mine to 203/192/180 for a true white). It is a minor quirk in an otherwise impressive lighting setup.
Photograph: Henri Robbins
The 60HE v2’s simple internal design makes repairs easy, allowing the keyboard to be disassembled in seconds. Despite this ease of access, Wooting’s solid construction ensures everything stays securely in place. Inside, you will find a plate, switches, a silicone layer, a PCB with rubber feet on the underside, your choice of sound dampening layer, and the case.
Switch compatibility is often a weak point for analog keyboards, but the 60HE v2 easily outpaces competitors from Keychron, Razer, and ROG, which typically only support two or three options. By adopting the widely used KS-20 design, the 60HE v2 works with switches from Gateron, Geon, and several other manufacturers, giving users a constantly growing range of options.
My only real complaint is the adherence to the standard GH60 form factor, which places the USB-C port directly on the left side of the PCB. While I would prefer a centered port on a separate daughterboard for convenience and repairability, I understand the choice. The benefits of standardization for both consumers and manufacturers ultimately outweigh this minor design gripe.
I’m impressed by how well this keyboard performs across every metric. The build quality is robust, the switches are smooth and consistent, and nearly every aspect can be tailored to the individual player. Aside from the lack of wireless connectivity, it leaves nothing to be desired.
The 60HE v2 is easily one of the best gaming keyboards available today. While it is currently backordered, if you are willing to be patient, it is absolutely worth the $240 price tag.
Day 2 of the BMPS Grand Finals was truly the day of comebacks, with teams like GDR and Victoris Summus making the largest leap, and occupying the second and third place in the rankings, respectively. While there was plenty of action from the bottom dwellers, Divine held their 30-point lead, thanks to clever strategies that put them in the top five of almost every match consistently. Here’s what the schedule will look like for day 3 of the BMPS Grand Finals.
The live broadcast will begin at 2:45 PM IST. Fans can catch the games like on Krafton’s YouTube channel in Hindi, English, and a few other regional languages. Or, if you want to support your team live, head over to the Jaipur Convention Center. Tickets are available on the District app. Maps for today will include:
A total of 18 matches will be played over the course of this weekend. And the format is pretty simple. Points are awarded for each finish, and also for how long a team survives. In the end, the team with the most total points (position + finish) will be the winners.
| Rank | Team | WWCD | Finish Points | Position Points | Total Points |
|---|---|---|---|---|---|
| 1 | DIVINE | 2 | 83 | 47 | 130 |
| 2 | GDR | 1 | 65 | 28 | 93 |
| 3 | VS | 2 | 55 | 36 | 91 |
| 4 | GODL | 1 | 58 | 32 | 90 |
| 5 | GENS | 0 | 63 | 27 | 90 |
| 6 | iQOOORGE | 2 | 40 | 38 | 78 |
| 7 | NBE | 1 | 52 | 25 | 77 |
| 8 | VASISTA | 1 | 52 | 24 | 76 |
| 9 | iQOOSOUL | 1 | 46 | 23 | 69 |
| 10 | iQOO8BIT | 0 | 45 | 24 | 69 |
| 11 | iQOOxTT | 0 | 49 | 19 | 68 |
| 12 | iQOORNTX | 0 | 47 | 15 | 62 |
| 13 | 7GODS | 1 | 35 | 20 | 55 |
| 14 | iQOOxOG | 0 | 37 | 17 | 54 |
| 15 | TAG | 0 | 45 | 2 | 47 |
| 16 | MYTH | 0 | 33 | 7 | 40 |

British World Rally Championship (WRC) driver Louise Cook recently climbed into Forza Horizon 6 with an enthusiast-grade Direct Drive (DD) wheel setup, triple screen monitor rig, and a digital 1986 Audi Quattro rally car. She is most likely using dialed in custom force feedback values, before threading the car through narrow mountain roads, tunnels, and tight corners with pro racer precision.
Playground Games launched the latest installment in Japan, and the setting is better suited to the franchise than any previous location. The map covers a variety of biomes, including actual elevation fluctuations. You have snow-capped alpine passes rising over the verdant highlands and coastal highways, and then there’s Tokyo City, which is five times larger than anything they’ve done before, with distinct districts that change character as you walk around them. So you’ll be passing through cherry blossom tunnels one minute and neon-lit streets the next, before returning to peaceful (yet narrow) alleyways. The seasonal weather does a fantastic job of adjusting grip and visibility without making each drive difficult. They’ve also included a few vertical slopes and hairpin sequences to test your ability to use momentum rather than pure power.
The game has approximately 550 cars, with the majority of them being Japanese vehicles, ranging from everyday icons like the Nissan Cedric to legends like the R32 Skyline, S15 Silvia, and Honda NSX. You also have some recent standouts, such as the Toyota Land Cruiser and the GR GT Prototype (on the cover). Of course, you’ll come across some barn treasures that will surprise you, like a vintage Toyota 2000GT hidden away on a dirt track. The tuning depth has also been increased, with engine swaps, aero options, and visual layers now available, and community-shared tunes and liveries provide an excellent way to skip some of the grind while still customizing cars for certain routes or events.

The handling has also been dramatically enhanced, with cars transmitting weight more convincingly around corners and steering inputs feeling noticeably sharper than in the last game. Drifting down the winding roads of the Highlands is no longer a source of frustration, but rather a delight. They’ve also introduced a new simulation steering mode to help prevent understeer in controller configurations. Wheel support has also been significantly improved, with more detailed force feedback and cockpit animations displaying a complete 540 degrees of rotation.
Brazil’s civil defense alert system was hacked, sending fake extreme alerts with the word “misantropi4” to millions of phones before the platform was shut down.
Hackers breached Brazil’s national civil defense alert system overnight, sending fake “Extreme Alert” notifications containing the word “misantropi4” to millions of mobile phones across at least seven states. The Civil Defense Alert platform was taken offline at 1:30 am on Saturday after the Ministry of Integration and Regional Development confirmed the intrusion.
The Federal Police has been activated to investigate. No timeframe has been given for when the platform will be restored.
The first unauthorized alert was registered around 11:40 pm on Friday, 19 June, in Paraná. Within hours, the same emergency sound, the type that bypasses silent mode and overrides whatever is on screen, reached phones in São Paulo, Rio de Janeiro, Brasília, Bahia, Pará, Mato Grosso do Sul, and Acre.
National Secretary of Protection and Civil Defense Wolnei Wolff told a press conference that 10 alerts were tracked across various Brazilian states, with most sent via Cell Broadcast and at least one via SMS. The total number of phones affected was not officially disclosed, though German outlet Ad-hoc-News reported an estimate of approximately 30 million people reached.
“It’s difficult to say whether one or more people participated in this criminal act,” Wolff said. He added that the incident was “very bad for the system, considering that we are dealing with people’s safety when we issue the alert.”
Phones displayed “Defesa Civil: misantropi4,” with the final letter “a” in the Portuguese word “misantropia” replaced by the number 4, a substitution common in leetspeak. Misantropia translates to misanthropy, meaning hatred or aversion to humanity.
No dangerous instructions accompanied the message, but the use of the most severe alert category, which is reserved for imminent natural disasters, caused widespread alarm. Recipients across seven states were jolted awake by the emergency sound.
Wolff confirmed that the attackers managed to regain access after an initial blocking attempt. The platform was ultimately shut down entirely at 1:30 am The system will remain suspended until all digital security conditions are re-established, according to the ministry.
Brazil’s Cell Broadcast system is relatively new. It was mandated by telecommunications regulator Anatel in 2022, piloted in 11 cities beginning in August 2024, and expanded to cover the entire national territory by October 2025.
The technology broadcasts alerts to all devices within a cell tower’s range without requiring phone numbers or prior registration. The four operators that deliver the service, Algar, Claro, TIM, and Vivo, were involved in the overnight response alongside Anatel.
The vulnerability exploited in the attack has not been publicly disclosed, and the investigation is ongoing. Security researchers have noted that Cell Broadcast systems globally lack cryptographic authentication, meaning devices cannot independently verify whether an alert was genuinely sent by civil defense authorities.
Academic research since 2019 has demonstrated that fake alerts can be transmitted using relatively inexpensive equipment, including software-defined radios. Whether the Brazilian attack exploited the central platform, as the government’s statement implies, or used a clandestine transmitter remains unclear.
A person claiming responsibility for the attack posted on X (formerly Twitter) before the posts were removed by the platform, according to Brazilian tech outlet TecMundo. The Federal Police has not confirmed whether this individual is a genuine suspect.
The incident echoes a pattern of critical infrastructure alert systems being compromised through surprisingly basic attack vectors. In Taiwan last month, a 23-year-old student triggered emergency braking on four high-speed trains using a laptop and a cheap software-defined radio, exploiting cryptographic keys that had not been changed in 19 years. The European Commission was breached in March through a poisoned open-source security tool, resulting in 92 gigabytes of stolen data.
The immediate concern for Brazil is the erosion of public trust. The Cell Broadcast system was built to save lives during floods, landslides, and severe weather events.
If citizens learn to associate the emergency sound with pranks rather than genuine warnings, they may ignore future alerts when a real disaster is unfolding. That risk, more than any technical vulnerability, is the lasting damage of a hack that woke up a country with a single strange word.
Looking for the most recent Strands answer? Click here for our daily Strands hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle, Connections and Connections: Sports Edition puzzles.
Today’s NYT Strands puzzle was a bit challenging, but the words make sense once you figure out the theme. Some of the answers are difficult to unscramble, so if you need hints and answers, read on.
I go into depth about the rules for Strands in this story.
If you’re looking for today’s Wordle, Connections and Mini Crossword answers, you can visit CNET’s NYT puzzle hints page.
Read more: NYT Connections Turns 1: These Are the 5 Toughest Puzzles So Far
Today’s Strands theme is: That’s included!
If that doesn’t help you, here’s a clue: More than just a bed.
Your goal is to find hidden words that fit the puzzle’s theme. If you’re stuck, find any words you can. Every time you find three words of four letters or more, Strands will reveal one of the theme words. These are the words I used to get those hints but any words of four or more letters that you find will work:
These are the answers that tie into the theme. The goal of the puzzle is to find them all, including the spangram, a theme word that reaches from one side of the puzzle to the other. When you have all of them (I originally thought there were always eight but learned that the number can vary), every letter on the board will be used. Here are the nonspangram answers:
The completed NYT Strands puzzle for June 21, 2026.
Today’s Strands spangram is HOTELAMENITIES. To find it, start with the H that’s three letters down on the far-left vertical row, and wind down and over.
Here are some of the Strands topics I’ve found to be the toughest.
#1: Dated slang. Maybe you didn’t even use this lingo when it was cool. Toughest word: PHAT.
#2: Thar she blows! I guess marine biologists might ace this one. Toughest word: BALEEN or RIGHT.
#3: Off the hook. Again, it helps to know a lot about sea creatures. Sorry, Charlie. Toughest word: BIGEYE or SKIPJACK.
security
Campaigners say tech is unable to reliably distinguish between kids and adults at the boundary where use is planned
More than 60 rights groups have told the UK government to scrap plans to use AI-powered facial age estimation on asylum-seeking children, warning the technology is biased, inaccurate, and potentially unlawful.
In an open letter sent to border security and asylum minister Alex Norris, 62 organizations, including Amnesty International, Human Rights Watch, Liberty, the Electronic Frontier Foundation, Foxglove, and the Open Rights Group, called on the Home Office to halt deployment of facial age estimation (FAE) technology, currently slated for rollout from 2027.
The intervention comes after the Home Office unveiled plans to use AI-powered facial age estimation to help immigration officers decide whether someone claiming to be a child is likely to be over or under 18. Ministers insist the technology will support, rather than replace, human decision-making.
But the coalition behind the letter is unconvinced.
“There are substantial and well-founded concerns about the bias of FAE,” the groups wrote, arguing that the technology has “baked-in failures and discrimination,” particularly affecting women and people of color.
The groups also highlighted an uncomfortable detail in the Home Office’s own guidance: the technology’s performance varies by ethnicity and skin tone. That makes it difficult to see why officials believe it will be reliable for assessing asylum-seeking children, who are predominantly people of color, they argued.
The organizations also took aim at what may be the technology’s biggest practical problem: age estimation systems are least precise around the exact boundary the Home Office wants them to assess.
“The Home Office admits FAE systems are imprecise at the crucial 16-to-18-year-old boundary,” the letter notes, citing government figures showing even the best-performing systems have an error margin of roughly 2.5 years in that range.
The groups argue that the technology may fare even worse on asylum-seeking children. Their letter says trauma, violence, malnutrition, dehydration, sleep deprivation, and long journeys can leave children looking older than they are, potentially skewing the results.
“As such… we can see no basis upon which the Home Office has concluded this technology will increase the accuracy of its decision making,” the groups wrote.
The coalition also raised questions about the data used to develop and test the systems and demanded details about the images and datasets used for training, arguing it is unclear how consent could lawfully have been obtained if asylum-seeking children were included.
The Register asked the Home Office to comment.
The Home Office has so far released only limited details about its testing program. The groups noted that officials have yet to publish detailed results, methodologies, or impact assessments that would allow independent scrutiny of the technology’s performance. The letter also noted that no Equality Impact Assessment or Data Protection Impact Assessment has been made public.
The groups have given the department 21 days to respond to a series of questions covering testing methods, training data, safeguards, appeal mechanisms, and how facial age estimates would ultimately influence asylum decisions.
The row also exposes a broader disagreement over age assessments. While the Home Office has emphasized cases involving adults claiming to be children, campaigners argue the greater risk is that vulnerable children end up being treated as adults.
Until then, the government’s AI age guesser remains a technology it says works, but has yet to fully show its workings. ®
The clock is ticking for Windows and Linux users to update cryptographic keys that protect their systems against firmware-based UEFI infections, a pernicious form of malware that loads before operating system and antimalware protections start.
Beginning June 24, three certificates that cryptographically verify that each piece of firmware and software that loads during system boot will expire. The Microsoft-signed certificates are the linchpins of Secure Boot, a Microsoft-designed chain of trust. Secure Boot checks the digital signatures of all firmware that loads during system startup to ensure it originates from a trusted provider, such as the manufacturer of the motherboard the system runs on.
Secure Boot is designed to thwart UEFI bootkits, a form of malware that alters the Unified Extensible Firmware Interface, the successor to the BIOS, both of which begin the initial boot sequence. Because these bootkits load before the OS and most other code, they can be difficult to detect. Once installed, they typically load malware onto the OS that steals credentials, backdoors the system, or performs other malicious actions. Even when the OS is disinfected, the bootkit can reinfect the system. Bootkits survive OS reinstallations as well.
The genesis of bootkits dates back to the early 1980s with the creation of several pieces of malware that targeted Apple II machines during the boot process. They spread in the wild through floppy disks that ostensibly contained pirated games.
Windows bootkits gained notice in the early 2000s as proofs of concept developed by researchers of offensive security. BootRoot, a bootkit demonstrated at the 2005 Black Hat security conference, is likely the first such instance. The malware infected the Network Driver Interface, which streamlined communications between network protocol drivers enabling service such as TCP/IP network adapter drivers. In the years following, similar PoCs included Vbootkit, the Stoned Bootkit, and Mebroot. There were many more.
In 2012, a new form of bootkit was demonstrated. Instead of targeting machines through the BIOS or master boot record, one such bootkit attacked Mac OS X systems by infecting the EFI, a package of firmware that started the boot process. A second very primitive bootkit targeted Windows 8 machines by infecting the UEFI bootkit, the predecessor to the UEFI. Around 2013, a researcher demonstrated a more advanced UEFI bootkit for Windows named Dreamboat.
The first known case of a real-world attack targeting the UEFI came in 2018 with the discovery of malware dubbed LoJax. A repurposed version of legitimate anti-theft software known as LoJack, it was created by the Kremlin-backed hacking group tracked under names including Sednit, Fancy Bear, and APT 28. The malware was installed remotely using malware tools that can read and overwrite parts of the UEFI firmware’s flash memory.
In 2020, researchers unearthed the second known instance of real-world malware attacking the UEFI. Each time an infected device rebooted, its UEFI checked whether a malicious file was present in the Windows startup folder and, if not, installed it. Researchers from Kaspersky, the security provider that discovered the malware, named it “MosaicRegressor.” Researchers have yet to determine how the compromised UEFIs became infected. Since then, a handful of new UEFI bootkits have come to light. They are tracked under names including ESpecter, FinSpy, and MoonBounce.
In response to the more menacing threat of UEFI bootkits, Microsoft worked with device makers to develop Secure Boot, an industry-wide standard that uses cryptographic signatures to ensure that each piece of firmware loaded during startup is trusted by a computer’s manufacturer. Secure Boot is designed to create a chain of trust that prevents attackers from replacing the intended bootup firmware with malicious firmware. If a single link in the startup chain isn’t recognized, Secure Boot will prevent the device from starting.
Then in 2023, researchers discovered LogoFail, a series of critical vulnerabilities found UEFIs booting up just about every Windows and Linux system in the world. An image-parsing bug in the software that presented hardware manufacturers’ logos during bootup allowed attackers to bypass Secure Boot and infect the UEFI with malicious firmware.
CNET Labs found AirPods Pro 3 averaged 1.67% heart rate error vs a Polar H10 chest strap, second only to Apple Watch at 0.98%.
Apple’s AirPods Pro 3 heart rate sensor averaged 1.67% error compared to a medical-grade Polar H10 chest strap in testing by CNET Labs, making the earbuds the second most accurate consumer heart rate device the publication has measured. Only the Apple Watch Series 11 performed better, averaging 0.98% error in the same test protocol.
The results, published by CNET this week, place AirPods Pro 3 ahead of every smartwatch and fitness tracker the lab has tested except Apple’s own watch. CNET’s methodology used a four-lap track protocol with the Polar H10 as the gold standard reference, a setup consistent with how exercise physiology labs validate optical heart rate sensors.
The AirPods Pro 3 use a photoplethysmography (PPG) sensor that fires infrared light at 256 times per second to detect blood volume changes in the ear canal. Apple says the sensor was trained on more than 50 million hours of data from the Apple Health Study, and the company describes it as the smallest heart rate sensor it has ever built.
A peer-reviewed study published in PLOS Digital Health in April 2026 independently corroborates the accuracy claims. Researchers tested 40 adults across 16,735 paired heart rate measurements and found the AirPods Pro 3 averaged 2.02% deviation from a reference device. The study noted that the ear canal offers a more stable optical reading environment than the wrist because there is less ambient light interference and less motion artifact during exercise.
The PLOS study did flag wider epoch-to-epoch variability at higher exercise intensities, meaning individual readings became less consistent even as the overall average remained close to the reference. This is a known limitation of all optical heart rate sensors, including wrist-worn devices, and it means the AirPods are more reliable for steady-state activities than for interval training with rapid heart rate swings.
CNET’s testing has important caveats. The publication completed only two full AirPods runs in its protocol, a smaller sample than it typically uses for smartwatch reviews. CNET is also the primary source for the comparative ranking that places AirPods Pro 3 above other smartwatches, as no other lab has published equivalent side-by-side testing across this many devices using the same methodology.
The ear as a location for biometric sensing is not new in research, but Apple is the first company to ship it at mass-market scale in a consumer audio product. The ear canal’s vasculature sits closer to the skin surface than the wrist, which is why PPG sensors placed there can achieve comparable or better accuracy with a smaller sensor footprint. The trade-off is that health tracking is expanding beyond the wrist into ears, fingers, and other body locations, each with distinct physiological advantages.
At $250, the AirPods Pro 3 are $150 cheaper than the $400 Apple Watch Series 11, and they serve a primary function as earbuds. For users who want heart rate data during workouts but do not want a smartwatch, the accuracy gap between the two devices is small enough that the AirPods represent a credible alternative.
Apple does not position the AirPods as a medical device and the heart rate feature is not FDA-cleared for clinical use. The Apple Watch, by contrast, has FDA clearance for its ECG and irregular rhythm notification features, capabilities the AirPods lack entirely. The AirPods measure heart rate only, they do not detect arrhythmias, blood oxygen levels, or other clinical markers.
The broader trend is that health wearables are shrinking and diversifying in form factor. Oura’s Ring 5 measures heart rate, temperature, and respiratory rate from a finger. Whoop tracks recovery from a screenless wrist band, and Google’s Fitbit Air launched at $99 with AI health coaching.
Apple now has accurate heart rate sensing in both a watch and a pair of earbuds, giving it two data collection points on the same user.
The dual-device approach matters because heart rate data from two locations can improve accuracy through cross-referencing. Apple has not announced plans to fuse data from AirPods and Apple Watch in real time, but the infrastructure exists. The Apple Health app already aggregates heart rate data from multiple sources, and the company’s machine learning teams have published research on multi-sensor fusion.
For competitors, the AirPods result raises the bar. Samsung, Google, and Xiaomi all sell earbuds, and none currently offer heart rate monitoring that approaches the accuracy Apple has demonstrated. The PPG technology underlying all optical heart rate sensors is well understood, but Apple’s advantage appears to come from the training data volume and the sensor’s sampling rate rather than a fundamentally different approach.
Whether earbuds can eventually replace a smartwatch for health tracking depends on what users actually need. Heart rate is one metric. The Apple Watch also measures blood oxygen, skin temperature, and takes electrocardiograms.
AirPods cannot do any of those things today. But for the single most requested health metric, heart rate during exercise, the AirPods Pro 3 deliver results that are close enough to the Apple Watch to matter.
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