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SheBuilds on Lovable’s 2026 call to create

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On March 8, 2026, in honour of International Women’s Day, a new edition of SheBuilds on Lovable invited builders from around the world to a 24-hour global, powered by Anthropic. On top of that, participants in the SheBuilds campaign receive $100 in Anthropic API credits and $250 in Stripe fee credits to kickstart their builds and remove early-stage barriers to creation.

This isn’t just another hackathon; it’s a campaign that blends community, technology, and real output. It asks a simple question of the tech industry and its marketers: do we want participation, or just talk about it?

If I’m honest, I have mixed feelings. We need a stronger community and louder voices for women in tech not just on a specific international day, but every day. I’d like to believe we are beyond the stereotype of what jobs women can or cannot do, and what is left for men. Beyond any single campaign, we should advocate for women as builders in the tech world every day.

Still, every time I see a campaign like this, it sparks some hope inside me. It reminds me that we are not reduced to specific skills on a specific day, and that progress is possible.

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Returning to SheBuilds, which is rooted in a longer tradition: the 48-hour virtual buildathons Lovable has run for women founders and builders, where ideas become real applications over an intense weekend of collaboration.

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In October 2025, 60 women joined a remote, AI-enabled sprint to design, prototype, and launch working products in 48 hours, and the resonant element wasn’t speed, it was agency

In 2026, the campaign took this idea further. Instead of being constrained to a single track, it anchored itself to a global cultural moment where women’s participation in tech isn’t just acknowledged but activated, with free build credits, peer connection, live sessions, and an open invitation to anyone who wants to make rather than debate what innovation should look like

We have been talking in tech about inclusion and diversity for years. Many initiatives generate reports, webinars, and packs of aspirational slides. SheBuilds does something different: it creates the conditions for output. In the world of software, execution matters. A founder funded or a product launched is a literal piece of industry change, unlike any promise that never materialises.

SheBuilds lowers barriers in two ways. First, it reshapes access to execution. Participants don’t need traditional engineering skills; they need a laptop, an idea, and the willingness to build it. Second, by connecting creation to a broader cultural moment, International Women’s Day, it reframes participation as both a personal achievement and a public conversation about who gets to shape tech. 

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There’s good evidence that this model matters. Across the Lovable community, builders report that the ritual of building, not discussing, changes how they see themselves in technology. For many, shipping a live prototype in 48 hours meant moving from being stuck in ideas to being recognized as a doer; more than that, it positioned them within a network that values rapid iteration and real product agency. 

From the industry’s perspective, this matters because it accelerates user engagement in a genuinely participatory way. Rather than positioning a platform as something to use someday, the SheBuilds campaign positions it as something you use now. When marketers tie campaigns to output, not just signup counts, they create moments of meaningful interaction. That’s both a brand story and a user experience strategy.

Lovable’s move to embrace International Women’s Day isn’t a gesture; it’s a strategic campaign. By hosting SheBuilds events tied to a global calendar, the company amplifies its mission, and invites participation on a broader scale. It embodies a shift in how tech platforms engage builders: merging community activation with cultural moments, and showing that building isn’t reserved for a subset with coding degrees. 

If the tech industry wants to look past fancy words like diversity and equity, it needs campaigns that exchange words for workshops, panels for platforms, and theories for tools. That’s the real invitation SheBuilds extends to its participants, and the lesson it offers marketers who want to tell meaningful stories about making things.

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The tech world still doesn’t reflect the people it serves. Women make up far less than half of technical roles and leadership positions, and the gap shows up in boardrooms, engineering teams, and the very products we use every day. Representation isn’t a nice-to-have statistic; it shapes what technology looks like and who gets to steer it. 

From where I stand, SheBuilds on Lovable isn’t just another event. It is a call to action that meets a long-standing need, a space where women are not only welcomed but empowered to create, ship, and be seen. It turns invisible potential into visible impact, inviting women to bring their solutions into the world rather than waiting for permission to do so. 

When women build, the whole industry becomes richer in ideas, perspective, and purpose. Moments like this, tied to real creative work, are not symbolic gestures. They are steps toward a tech ecosystem where women aren’t exceptions but equals. 

Let the world know the builder you are! Celebrate your voice here! Isn’t this lovable?

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What One-Winged Squids Can Teach The Airship Renaissance

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It’s a blustery January day outside Lakehurst, New Jersey. The East Coast of North America is experiencing its worst weather in decades, and all civilian aircraft have been grounded the past four days, from Florida to Maine. For the past two days, that order has included military aircraft, including those certified “all weather” – with one notable exception. A few miles offshore, rocking and bucking in the gales, a U.S. Navy airship braves the storm. Sleet pelts the plexiglass windscreen and ice sloughs off the gasbag in great sheets as the storm rages on, and churning airscrews keep the airship on station.

If you know history you might be a bit confused: the rigid airship USS Arkon was lost off the coast of New Jersey, but in April, not January. Before jumping into the comments with your corrections, note the story I’ve begun is set not in 1933, but in 1957, a full generation later.

The airship caught in the storm is no experimental Zeppelin, but an N-class blimp, the workhorse of the cold-war fleet. Yes, there was a cold war fleet of airships; we’ll get to why further on. The most important distinction is that unlike the last flight of the Arkon, this story doesn’t end in tragedy, but in triumph. Tasked to demonstrate their readiness, five blimps from Lakehurst’s Airship Airborne Early-Warning Squadron 1 remained on station with no gaps in coverage for the ten days from January 15th to 24th. The blimps were able to swap places, watch-on-watch, and provide continuous coverage, in spite of weather conditions that included 60 knot winds and grounded literally every other aircraft in existence at that time.

Rigid? Count (Zeppelin) Me Out

Airships come in multiple types: rigid, non-rigid, and semi-rigid. Most people — my past self included — assume that the rigid type is more advanced. Unlike rigid airships, which are stabilized by an aluminum skeleton (or a wooden one, in the case of the Schütte-Lanz ships of the Great War), a blimp’s shape is maintained by gas pressure alone. Just a balloon with motors, if we’re being uncharitable. This limits the maximum speed, as the aerodynamic pressure of moving through the atmosphere increases with the square of the airspeed, and must always be lower than the internal pressure of the gas bag. You can’t even pressurize the gas bag much to compensate, because then the density of the lift gas gets too high to actually, well, lift.

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Putting a skeleton inside your airship– like this one in USS Arkon– seems like such a good idea, but history suggests otherwise. Image: US Navy

Put a skeleton in there, and your airship can be much, much larger. It can go much faster. It can become a flying aircraft carrier, like the ill-fated USS Arkon, and its ill-fated sister ship, USS Macon. The U.S. Navy has only ever fielded five rigid airships; only one survived long enough to be decommissioned. It is with no disrespect to the brave men and women who served– and lost their lives– aboard those silver giants that we dismiss them from our narrative here. They were a worthy experiment, but a failed one. By contrast, the U.S. Navy fielded 166 blimps in the Second World War, and only a handful were lost, mostly during ground handling, and one to enemy action.

So, how was an N-class blimp, also known as a ZPG-2, in the designation system of the day, or SZ-1A after 1962, able to ride out a storm much worse than the one that sank its rigid-framed predecessors? It’s probably precisely because it lacked that rigid frame. The non-rigid envelope of the blimps could bend, buckle, twist, and alter their shape in response to strains that would break the keel of a Zeppelin. Non-rigid airships can quite literally flex on their rigid cousins when it comes to airworthiness.

The flexing skin of a blimp turns the entire gas-bag into one giant de-icing boot to boot, keeping yet another weather hazard at bay. Icing is a great danger to aircraft: when conditions are just wrong, like during the January storm described above, it’s easy for the weight of ice to build up and bring down any aircraft without an effective de-icing system. De-icing boots are one such system: rubber membranes, typically on the leading edge of the wing and tail surfaces of an airplane, that are inflated to flake off ice. On airplanes, they’re addons, but it’s a built-in bonus to flying a blimp.

Of course another key advantage of non-rigid airships is that they’re just plain cheaper. Being smaller, they require less crew, less ground crew, and smaller hangers, but a small rigid would have the same advantage. More importantly, especially during wartime, is that a Zeppelin requires everything you’d use to build the equivalent blimp, plus all the Duraluminum (or other material) going into its rigid frame. Logistically speaking, blimps were a no-brainer if the US wanted to field a lot of airships, and at one point they certainly did.

This hangar was designed for two Zeppelins, but fit a lot more blimps during the war.
Image: US Navy

But Why?

Unlike a certain (in)famous penguin, the US Navy knew exactly what it was doing when it ordered the N-class airships after World War Two. As stated, they had over a hundred blimps in service during that conflict, and racked up more Lighter-Than-Air (LTA) flight time than any other organization has before or since: 550,000 hours split over 55,900 sorties in both the Atlantic and Pacific theaters. While the institutional knowledge is long gone, it’s safe to say that in those days nobody knew airships like the U.S. Navy knew airships.

A blimp overflying the sinking MT Persephone
The one ship escorted by blimp was torpedoed by U-boat. That’s a pretty good record.
Image: US Navy

The vast majority of the wartime fleet — some 135 examples — were of the K-class. These ships were designed with a specific mission in mind: antisubmarine warfare. Blimps vs subs wasn’t a new idea; the Americans had worked with the Royal Navy’s u-boat hunting blimps in the First World War. Though the Royal Navy gave up on the idea after the conflict, interest remained on the other side of the Atlantic, and history shows the Yanks were right to persist with it. Of roughly 89,000 ships in blimp-escorted convoys, only one, the tanker Persephone, was sunk, ironically off the coast of New Jersey, not terribly far from the Lakehurst home of LTA.

The sub-hunting blimps were perhaps making it up as they went along. On paper, though, the airship is ideal for the role: without needing to burn fuel to stay airborne, it can have absurdly long loiter times. Its low speed is of no issue when shadowing convoys that have to move at the speed of the slowest merchant vessel– even the HX series “fast convoys” didn’t exceed 13 knots (24 km/h). Blimps of the K-class could cruise at 50 kn (92 km/h), and dash at up to 68 kn (125 km/h), which proved more than sufficient to keep up.

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When the class was designed in 1937, its ability to cruise low and slow was ideal for hunting submarines with the Mk.I eyeball, but by the time the K-class was fielded in numbers in 1942, they were also equipped with first-generation radar, magnetic detection coils, and even primitive sonoboys after 1943. The class proved flexible and continued to be upgraded with the latest equipment until the last “K-ship” was retired from active duty in 1959.

Mocked up in yellow, the sonoboys and bombs are easy to spot on this surviving gondola at the National Museum of Naval Aviation.
Image: “Blimp” by Pedro Vera, CC-BY-2.0

At 251 ft 8 in (76.73 m) long, with a gas-bag diameter of 57 ft 10 in (17.63 m), the K-ships could lift a crew of 9 in relative comfort, with fuel to feed their twin Pratt & Whitney R-1340 radials for 38 hours of normal operation. Idling the engines and making use of air currents could extend that number by quite a lot compared to cruising steadily, of course. As stated above, in wartime the K-ships carried magnetic detectors, sonobouys and radars for U-boat detection, along with four depth bombs and a .50 cal machine gun for weapons.

If four bombs doesn’t sound like much, well, that’s probably why no U-boats were recorded killed by Navy airships. On the other hand, the main mission of the blimps was to protect convoys, not to sink subs. “Damaged and driven off” was good enough, especially when the blimp could track the wounded u-boat from above and direct other assets like destroyers to make the kill, as often happened. There was a larger M-class designed during the war that was half again the size of the K-ships and could thus carry eight depth charges, but only four were built before the conflict ended.

K-ship "Puritan" all decked out in lights. The sign reads "BULLETIN"
While it had perhaps not the most dignified post-war career, Puritan’s control car survives at the New England Air Museum.
Image: Akron Beacon Journal, via The Lighter than Air Society.

Post-war, one K-ship by the name Puritan was sold back to Goodyear and equipped with 1,820 incandescent light bulbs to serve as a floating ad ticker, which perhaps shows the versatility of the design. Alas, ad revenues did not cover the cost of keeping the 425,000 ft³ (12,035 m³) envelope filled with precious helium. Civilian blimps since have been of more modest size.

The LTAs that Aren’t

Speaking of precious helium, in order to conserve that lift gas, the Navy actually operated their blimps as Lighter-Than-Air craft as little as they possibly could, both during and after the war. An annoying thing about airships is that they get lighter the longer they fly as they run down their gas tanks. It is possible to run an engine on a hydrocarbon gas with a density similar to air, like the “blau gas” used by the Graf Zeppelin in the 1920s, but this has one major drawback: it’s a major logistical headache to require a special fuel for a relatively small number of units. Though there was one prototype with a blau gas style fuel in the 30s, the US Navy put logistics first. For the war and several years afterwards, everything that the Navy flew would burn AvGas, at least until the jet age made things annoyingly complicated for quartermasters.

Landings– like this one on CVE-120–were a lot easier when you weren’t fighting the full lift potential of that big gas bag.
Image: US Navy

Without special fuel, the issue of excess lift can be mitigated by condensing water from the exhaust, but that doesn’t quite balance out, so the problem still remains on long flights. Eventually one must either vent helium to reduce lift, which is wasteful, or take on ballast to make up for lost mass, which can disrupt operations. The alternative the US Navy preferred was to fly “heavy”.

Yeah, it turns out hybrid airships– craft that combine lift gas with aerodynamic lift–aren’t a new idea. You might not think of the teardrop-shaped gas bag of a classic blimp as an airfoil, but with a little airspeed just a modest nose-up attitude– what a pilot would call ‘angle of attack’–the blimp can get considerable dynamic lift. By accepting the tradeoff of requiring a takeoff run, the blimps could get into the air with enough dynamic lift to account for the expected fuel burn, and come back to base with only so much lift capacity that could be cancelled out by trimming the ship downwards.

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The Cold War Era

Photo of a crashed blimp with a mushroom cloud in the backround.
Even in death, they served. This K-ship proved that 5 miles was too close to 5 kT in the Plumbob-Stokes test.
Photo courtesy of National Nuclear Security Administration / Nevada Field Office

After the war, most of the K-ships were crated-up and decommissioned, and their air and ground crews were amongst the first to be demobilized. “Most” does not mean “all”, and once the thrill of peace turned into the uneasy truce of the Cold War, Uncle Sam was glad to have those airships. The Soviets had submarines, too, after all.

Rather than continue with building more of the M-class, the decision was made to update the existing stocks and produce improved K-class ships for the immediate post-war period. The wartime ships that were not decommissioned were updated with better electronics and a 20% larger gas bag, getting the designation ZPK2 and then a further upgrade to ZPK3 standard. Fifteen new K ships were built by Goodyear after the war and delivered starting in 1953 under the designation ZPK-4. The last revision of that design, ZPK-5, was built with an inverted “Y” tail instead of the standard cruciform to allow for greater nose-up attitude during the ‘heavy’ takeoffs mentioned above. Twelve ZPK-5s were built by Goodyear and delivered from 1955.

While the K-class was being modernized with better sensors and weapons, the US Navy’s LTA program recognized that it could not simply coast on legacy wartime engineering.They therefore commissioned Goodyear for a clean-sheet design that would be another 50% larger than even the four M-ships, which were kept in service until 1956. These new airships would become the N-class whose all-weather adventures this article opened with.

Diagram of a ZPG-2W N-class blimp. The antisubmarine ZPG-2 lacked the height-finding radar on top of the gas bag, but had the same dimensions otherwise. Image: US Navy

While the ZPG-2W whose triumph we described above were built to serve the airborne early warning role, most– twelve out of seventeen–of the “Nan ships”, as the class was called, were initially designed as bigger, badder sub-killers in case war broke out with the Soviets.

They had better down-looking radars– the AN-20, the best available at the time–much improved sonobouys, more sensitive magnetic anomaly sensors, and homing torpedoes. In war games against US and allied diesel-electric subs, like the GUPPY class, they proved very effective indeed, as did the improved K-ships. Against the new, nuclear-powered USS Nautilus, they were much less successful, but so were fixed-wing and helicopter assets. Doctrine that relied on spotting subs while recharging at snorkel or on surface was ill-suited to deal with a ship that could run submerged for months.

Improving on the control arrangement of the ZPK-5s, the Nan ships were built with an X-shaped tail to allow for even greater pitch angles during takeoff without tailstrikes. The ruddervators on the X-tail could also be controlled by one pilot, compared to earlier blimps which needed separate operators for elevator and rudder. The largest difference in design was perhaps the buried engines: unlike previous Navy blimps, which used radial engines hung from the gondola, the ZPG-2 Nan ships kept their two 800 HP Wright Cyclones indoors. This was supposed to allow for maintenance during flight, and it allowed the engines to be coupled together via a clutch, allowing single-engine cruising. As the air-early-warning blimps proved in 1957, these were all-weather craft.

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The Anti-Submarine Warfare (ASW) squadrons gave a similar demonstration in 1960 with “Operation Whole Gale” during which the Nan ships provided 24/7 coverage for two full months, again in the teeth of winter’s worst weather. In spite of their best efforts to make use of wind and storms, no submarine got past the blimps during the operation.

ZPG-2 “Snow Bird”, departing NAS South Weymouth, Mass. on its record-setting flight in March 1957. Image: US Navy

The post-war record of the US Navy’s blimps is full of such impressive moments. The service was very much looking to prove itself, and so jumped at opportunities to demonstrate the blimps’ capabilities. Arctic expeditions? A Nan-ship proved its worth on 24-hour patrols between Churchill, Manitoba and Resolute, Baffin Island– the last airship to cross the Arctic Circle. Another stunt in 1957 set a record for unrefueled flight: a circumnavigation of the Atlantic basin from Massachusetts to Portugual, North Africa, and finally ending in Florida that took 264 hours and spanned 9,448 nautical miles (17,500 km). Guinness will tell you that Graf Zepplin’s 71-hour 6,384.5 km trip from Fedrickshaven to Lakehurst holds the record for airship flight, but that’s seriously out-of-date. For a rigid, sure, that’s the record, but for any LTA? Blimps win. Blimps actually win all the airship records save for speed and size, and none of those records stand from the “golden age” of the 1930s.

Takeways

That’s maybe the lesson here. Blimps win. I consider myself something of an aviation geek, and have multiple books on airships. All of them tell the same story: blimps were a sideshow, Zeppelins were the pinnacle of airship engineering, and it all ended with the Hindenburg. That’s the story everyone knows, just like everyone knows that airships are useless in any kind of bad weather.

What everyone knows is wrong. The problem with the story we all know is that it ends 24 years early, and leaves out more flights than it includes. Add in those 24 extra years of innovation, and the blimps come off looking a lot better in comparison.

The last flight of a US Navy dirigible with a US Navy crew was in August 1961. The ZPG-2 Nan ships were followed by a larger ZPG-3: bigger again, with a larger, more capable AN-70 radar hiding in the gasbag, the ZPG-3 was the largest blimp ever fielded. Its capability didn’t matter– there was no money for blimps. Imagine a line of Admirals standing before the US Congress, hats in hand, and one asks for money for nuclear-powered submarines to smite the enemies of Uncle Sam with Intercontinental Ballistic Missiles wielding atomic fire, and the next man in line wants money for blimps. Airships seemed positively old-fashioned in comparison, and money was tight. The blimps were cut.

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A giant ZPG-3W  sits at its mooring mast, while a ZPG-2W takes off and a K-ship hovers in the background. Only two ZPG-3s were ever built. Image: US Navy

Yes, they provided an all-weather ASW and AEW capability nothing else could match… but other assets, ships and airplanes and helicopters, could do 90% of the job without requiring the expensive, dedicated infrastructure the blimps did. Airships were cut from the U.S. Navy the same year as seaplanes and the Regulus cruise missile program. You might say they’re the only things ever destroyed by the Polaris missile subs, but that’s arguably a good thing.

All the hot venture capital money is being sucked up by the AI bubble right now, and even if it wasn’t, the trendy thing in aviation is electric vertical takeoff and landing. That doesn’t mean there isn’t an airship renaissance just around the cornerthere is always an airship renaissance just around the corner. That it never results in anything but prototypes is irrelevant. LTA is just too enticing a technology to ever give up. If we ever are to get that renaissance to bear fruit, though, we’re going to have to have better stories.

If you’re focused on the Hindenburg going down in flames, or the Akron and Macon breaking up over water, airships seem like a bad bet. If you remember the Nan ships bouncing and wiggling their way through January snowstorms when everyone else was grounded, then LTA starts to sound more reasonable.

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Talk to Your Own Personal Isaac Newton With Ailias’s Hologram Avatars

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It’s the classic awkward icebreaker: If you could invite anyone, dead or alive, to a dinner party, who would it be? Aristotle? Ailias is a company based in Surrey, UK, which promises to make that hypothetical a reality. It can reanimate historical and current legends with 3D hologram avatars that are fully conversational, knowledgeable, and can be delivered to you in a box.

The technology isn’t bespoke. Many companies provide life-size hologram displays for events and parties, everything from floating 3D displays of Santa’s sleigh or 3D Holo-Trucks. The physicist Dennis Gabor even won a Nobel Prize in 1971 for his work that led to holography, even though a life-size Elon Musk isn’t probably the result that he (or anyone) had in mind.

What sets Ailias apart is the company’s playful focus on history and education, which the company describes as “ultra character creation.” The company focuses on animating dead notable personalities into real-feeling conversational holograms, designed for interaction rather than spectacle. Ailias’ holograms can juggle, do squats, or even breakdance, making your party, exhibition or just about any event an extra special occasion.

Man in the Box

Video: Dulcie Godfrey

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Ailias offers pricing on request, with costs varying depending on whether clients opt for rental, purchase, or whether you’re seeking bespoke characters and activation. When I visited the offices, director Adrian Broadway noted that a minimum week’s rental would run into the thousands of pounds, which includes software subscription costs, delivery, and installation.

Ailias’ current roster has over 70 characters that could be staged in their bespoke boxes, including Henry VIII, Beethoven, Julius Caesar, and a suspiciously sexy Cleopatra. That these are mostly historical figures is no coincidence—Broadway describes these boxes as great for educational settings or museum exhibitions, but admits it also has to do with copyright restrictions on characters as well.

In the United Kingdom, the use of someone’s identity for commercial purposes is treated as a trademark. (In the United States, the right to publicity is protected in some form in most states.) That is to say, if Ailias used a well-known or living celebrity, that would likely land the company in court. But a long-dead historical figure like Henry VIII is unlikely to cause trouble.

In this instance, Ailias had cleared the copyright concerns for the 7-foot-tall AI Albert Einstein, so after hitting the Start Chat button, I talked to Einstein about a wide range of topics, everything from science, music, to his thoughts on Elon Musk. He had a pleasant, soft German accent, and I was impressed at the response speed. Ailias notes that it takes under two seconds for each avatar to respond, which feels about right.

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Image may contain Albert Einstein Adult Person Clothing Long Sleeve Sleeve Face Head Photography and Portrait

Photograph: Dulcie Godfrey

For an educational hologram, I often found myself answering more questions than I was asking. There were times Einstein felt like a large, animated ChatGPT conversation but with a German accent. This is to be expected, as Ailias relies on open source AI and third-party generative video to create the conversations. But there’s no sense of verisimilitude anyway, since Einstein wasn’t really 7 feet tall. I took the opportunity to ask, like an 11-year-old boy would, “Who would win in a fight, you or Isaac Newton?”

It held up as any AI language model would, deflecting back to its area of expertise by settling on a sensible, “It would be more of a fight of ideas.” In the aim of being at least semi-professional, that’s as far as I went. But I’d imagine the language model would do fine with most things a preteen could throw at it.

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Xiaomi 17 Series & Pad 8 Confirmed to Launch in India on February 28

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Xiaomi has officially confirmed that the Xiaomi 17 series will launch on February 28, 2026, at the Mobile World Congress (MWC) in Barcelona. The Chinese smartphone maker will debut the devices in India on the same day as the global unveiling. The company will begin the event at 2 PM Barcelona time (6:30 PM IST) and will likely livestream it for viewers worldwide. Alongside the new smartphones, Xiaomi will also introduce the Xiaomi Pad 8 in India.

A key highlight of the Xiaomi 17 lineup is its upgraded camera partnership with Leica. The companies have shifted from simple collaboration to a strategic co-creation approach. In practical terms, Leica is now more involved in camera design and tuning. Moreover, the goal is to offer users a more refined photography experience with improved lighting, natural colors, and professional-level output.

Xiaomi 17 Ultra

image for Xiaomi 17

The Xiaomi 17 Ultra will be the star of the show. That’s because it’ll come with a massive 6.9-inch AMOLED display with 1.5K resolution, a 120Hz refresh rate, and a brightness of up to 3500 nits. In terms of performance, the Snapdragon 8 Elite Gen 5 chipset will be the beating heart, with variants up to 16GB of RAM and 1TB of internal storage.

Additionally, it includes a 200MP periscope sensor to deliver high-quality zoom shots. The phone also houses a 6800mAh battery with 90W fast charging. The company uses leather and matte finishes in the design, taking inspiration from classic Leica cameras.

Xiaomi 17 & Pad 8

Different color variants of the Xiaomi 17

The Xiaomi 17 will debut alongside the Ultra version at the same event. It features a 6.3-inch AMOLED display and a 50MP triple-camera setup on the back. The phone is powered by the Snapdragon 8 Elite Gen 5 processor and features a 7000mAh battery.

Alongside the smartphones, Xiaomi is expected to introduce the Xiaomi Pad 8 in India. The tablet comes with an 11.2-inch 3.2K LCD screen supporting a 144Hz refresh rate. Furthermore, it runs on the Snapdragon 8 Elite processor and offers up to 16GB RAM. For photography and video calls, it features a 50MP rear camera and a 32MP selfie camera. The device features a 9200mAh battery.

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Expected Price

The company has not revealed India-specific pricing so far. In global markets, Xiaomi plans to launch the Xiaomi 17 Ultra at around €1,499 and the regular Xiaomi 17 at about €999. Pricing in India may change depending on local taxes and import costs.

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Spotify can reorder your playlists by BPM and key

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Spotify is rolling out a new feature that’s meant to make transitions in between tracks even smoother. If you’ll recall, the streaming service released the ability to create customized transitions within playlists in August last year. It gave people a way to create uninterrupted progressions and eliminate awkward silences between songs. Now, Premium users will be able to make sure the songs in their playlists flow seamlessly even further by reordering tracks based on their keys and BPM or beats per minute.

The new feature can rearrange playlists with one tap. All paying users have to do is tap Mix on one of their playlists and then tap the Edit button. From there, they can scroll down to find the Smart Reorder option. Tapping Smart Reorder will automatically rearrange songs according to their keys and BPM without users having to do anything else. They just have to click Save so that the change to their playlist takes effect.

Spotify says users have streamed over 220 hours of their mixed playlists since it introduced custom transitions last year. It also listed some of the most popular ones on the platform, including The Weeknd’s Wake Me Up transitioning into After Hours and Flo Rida’s Low into Rihann’s S&M.

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Bridging the AI-CRM Gap: How mid-market businesses can get ahead in 2026

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The disconnect between AI enthusiasm and practical implementation has never been more apparent. While 90% of UK business leaders report using AI regularly, only 16% have successfully integrated it into their CRM systems[1]—the very platforms that power their customer relationships and revenue generation.

This gap represents both a challenge and an opportunity for mid-market businesses in 2026. As artificial intelligence moves from experimental to essential, organisations that master CRM integration will gain significant competitive advantages in sales efficiency, customer engagement, and revenue growth.

headshot of John Cheney
John Cheney

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How Apple will target consumers with a lower-cost MacBook — again

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Apple’s expected less-expensive MacBook is one of the company’s worst-kept secrets, but if it’s priced right, it could become a huge hit — just as certain previous MacBooks did.

Closed white Apple MacBook laptop viewed from the front on a white background, with bold text above reading Introducing the all-new MacBook
The original MacBook from 2006 — image credit: Apple

This anticipated new MacBook is expected to be significant because it will use an iPhone processor instead of the Mac‘s now usual M-series ones. It is that lower-cost processor that means Apple may be able to compete with Chromebooks.
That’s key now, and it was important when Apple would release a MacBook range in 2015. But back in 2006 with the follow up to the iBook, the MacBook, the budget-priced and low specification Chromebook was five years away.
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Uber previews its Dubai air taxi service

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Uber is one step closer to going airborne. On Wednesday, the company previewed its air taxi booking service ahead of an expected launch in Dubai later this year. The inaugural Uber Air program will let travelers book Joby Aviation’s electric air taxis through a familiar process in the Uber app.

The experience of booking an air taxi will be much like reserving a four-wheeled Uber. In the app, after entering your destination, Uber Air will appear as an option for eligible routes. The Uber app will book a flight and an Uber Black to pick you up and drop you off at a Joby “vertiport.”

Three phone screens, showing the process of booking an air taxi in the Uber app

The process of booking a flying taxi will be instantly familiar. (Uber)

Joby’s air taxis, built exclusively for city travel, can accommodate up to four passengers and luggage. (Uber says size and weight guidelines will be announced closer to launch.) The interior is about the size of an SUV and has “comfortable seating” with panoramic windows. They can travel up to 200 mph and have a range of up to 100 miles. Four battery packs and a triple-redundant flight computer are onboard for safety purposes.

The air taxis aren’t (yet) autonomous and will each have a human pilot onboard. That would at least suggest high prices. After all, pilots aren’t nearly as cheap as Uber’s legion of independent-contractor drivers. But the company insists its air taxi rides will somehow be around as expensive as an Uber Black trip.

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A person looks out the window of an air taxi, viewing the city below.

Joby’s air taxis have “panoramic” windows with a view of the city below. (Joby)

Dubai is only the beginning of the companies’ plans. The US-based Joby says it’s in the final stage of FAA type certification and hopes to launch service in New York and Los Angeles. Globally, it’s targeting the UK and Japan as well.

As for how realistic a US launch is anytime soon, well, that’s up for debate. On one hand, President Trump signed executive orders last year that would create a pilot program to test such aircraft. But safety and cost considerations may require a grounding of expectations.

View from above of a Joby air taxi sitting on the ground

The aircraft requires a human pilot, at least in these early stages. (Joby)

In November, Robert Ditchey, a Los Angeles-based aviation expert and test pilot, told NBC News that he didn’t think air taxi service “was ever going to happen” in American cities. “They’re dangerous,” he warned. “We have had helicopters fail and crash on top of buildings in Los Angeles. We’ve had helicopters fail at takeoff and landing in airports. They’re dangerous not from a fire point of view but in terms of landing on top of people and buildings.” In addition, he warned that air taxis can’t be developed in sufficient numbers to make them economically viable “unless they are subsidized by a government.”

Uber and Joby have partnered since 2019. In 2021, Joby bought the Uber Elevate ride-hailing division, which essentially integrated the companies’ services. Last year, Joby acquired Blade Air Mobility’s passenger business, which could open the door to eventually electrifying Blade’s routes.

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The video below shows one of Joby’s air taxis taking a test flight in Dubai.

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Apple’s Touch-Screen MacBook Pro To Have Dynamic Island, New Interface

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Apple’s forthcoming touch-screen MacBook Pro models — the company’s first-ever laptops to support touch input — will feature the iPhone’s Dynamic Island at the center top of their OLED displays and a new interface that dynamically adjusts between touch and point-and-click controls, according to a Bloomberg report citing people familiar with the plans.

The 14-inch and 16-inch models, code-named K114 and K116, are slated for release toward the end of 2026 and won’t be part of Apple’s product announcements in the first week of March. The redesigned interface brings up a contextual menu surrounding a user’s finger when they touch a button or control, and enlarges menu bar items when tapped, adapting the available controls based on whether the input is touch or click.

Apple does not plan to position the machines as iPad replacements or describe them as touch-first; the physical design retains the full keyboard and large trackpad of the current MacBook Pro. Last year’s Liquid Glass redesign in macOS Tahoe, which added more padding around icons and touch-optimized sliders in the control center, was partly groundwork for this shift.

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Sonos apparently has yet another app overhaul in the works, hopes you’ve forgotten 2024

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  • Bloomberg says a new Sonos app refresh is in the works
  • A key feature is extra iOS compatibility
  • Anyone else getting déjà vu?

The Sonos calendar may well have skipped 2025 in terms of that ‘two new product releases annually’ promise, although the company did release a new amplifier at the start of the year – and apparently 2026 will be a much busier year for the brand. So shall we see what shiny new gifts Sonos Clause (sorry) has wrapped up for us in his sack? It’s… an app overhaul. Another one.

According to Bloomberg, the company is planning to rework and refresh its app offering in the next few months, with an early version apparently already working internally. It’s unclear if that means the Sonos app is merely working, or really workable for the many customers still disgruntled over the last update. Apparently, the changes will be optional, and slowly integrated into the app rather than presented as one big push. (Lesson learned there, it seems.)

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LG Expands will.i.am xboom Line with Buds Plus and Buds Lite Wireless Earbuds

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LG Electronics is doubling down on its partnership with will.i.am, expanding the xboom lineup with the new Buds Plus and Buds Lite. The additions join the existing xboom Buds and continue the “xboom by will.i.am” collaboration, which positions the nine-time Grammy winner not just as a marketing face, but as what the company calls its “experiential architect.”

According to LG, the new models were tuned and approved by will.i.am and carry forward the series’ sonic profile—balanced, warm, and designed for everyday listening rather than exaggerated flash. The Buds Plus and Buds Lite also retain the core design philosophy of the xboom range, focusing on stable performance, accessible pricing, and a foundation aimed at delivering consistent, high-quality wireless audio.

LG xboom Buds Plus

lg-xboom-buds-plus-with-case

At the top of the xboom earbuds lineup, the $179.99 Buds Plus steps things up with a UVnano+ charging case. The case uses UV-C light to help reduce bacteria on the earbud mesh, underscoring a user-focused approach that goes beyond sound quality and into everyday hygiene. Wireless charging support is included as well, keeping the feature set in line with what buyers now expect at this tier.

With up to 30 hours of total battery life, the earbuds deliver 10 hours of continuous playback on a single charge, with another 20 hours available from the charging case. That kind of stamina supports longer listening sessions, enhanced by 3D Spatial Audio designed to create a more immersive and dimensional soundstage.

Active Noise Cancelling (ANC) is onboard, supported by a six-microphone array designed to reduce external noise and improve call clarity. The result is a more focused, distraction-free listening experience. Stabilizing fins are also included to help ensure a secure, comfortable fit during longer sessions.

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The Buds Plus also offers multi-point connection for seamless switching between devices and an IPX4 rating for water and sweat resistance, making them ideal for both focus and fitness. 

Customizable EQ settings allow users to further personalize audio.

LG xboom Buds Plus also supports Auracast and includes a built-in Bluetooth transmitter, expanding its wireless flexibility. This allows users to connect to a broader range of compatible devices and share audio more seamlessly across supported platforms.

LG xboom Buds Lite

lg-xboom-buds-lite-with-case

Occupying the entry-level position in the xboom lineup, the $69.99 Buds Lite aim squarely at value-conscious buyers without stripping things down to the bare minimum. The compact, lightweight design makes them easy to live with day to day, but LG hasn’t ignored performance.

Battery life is actually one of their stronger plays: up to 35 hours total, with 11.5 hours of continuous playback from the earbuds and another 23.5 hours from the charging case. That’s more than enough for commuting, workdays, and a few workouts in between.

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Despite being the smallest model in the xboom range, the Buds Lite retain several premium touches, including an IPX4 water resistance rating and customizable EQ settings, giving users some control over their sound rather than locking them into a single tuning.

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Comparison

lg-xboom-plus-lite-buds
Buds Plus (2026) Buds Lite (2026) Buds (2025)
Product Type  Wireless Earbuds Wireless Earbuds Wireless Earbuds
Price $179.99 $69.99 $109.99
Drivers Dynamic 10Φ (graphene coated) Dynamic 10Φ (graphene coated) Dynamic 10Φ (graphene coated)
Connectivity Google Fast Pair

Multi Pairing

Swift Pairing (PC) 

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Multi Pairing

Swift Pairing (PC) 

Google Fast Pair

Multi Pairing

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Swift Pairing (PC) 

Features Voice Command via Smartphone (Google Assistant, Siri) 

Auracast LE Audio

Active Noise Cancellation 

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Fast Charging 

Water Resistant IPX4

Wireless Charging

LG EQ

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3D Spatial Audio

Multipoint Connection

Voice Command via Smartphone (Google Assistant, Siri) 

Active Noise Cancellation 

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Fast Charging 

Water Resistant IPX4

LG EQ

Voice Command via Smartphone (Google Assistant, Siri) 
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Auracast LE Audio

Active Noise Cancellation 

Ambient Sound 

Fast Charging 

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Water Resistant IPX4

LG EQ

Convenience Touch Control

Wear Sensor

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App charging status (Earbud)

App charging status (Cradle)

Companion App(Android/iOS

Not indicated Touch Control
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Wear Sensor

App charging status (Earbud)

App charging status (Cradle)

Companion App(Android/iOS)

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NOT 5.4 5.4 5.4
Bluetooth Audio Codec AAC
SBC
AAC
SBC
LC3
AAC
SBC
MIC System 3 Mic system

Calls

ANC
Noise Reduction

1 Mic 3 Pairs MEMS (each ear) 
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2 pairs for calls

2 pairs for ANC

Noise Reduction/Echo Cancellation

Battery Type Lithium + ion Lithium + ion Lithium + ion
Battery Charging Time Charging Case Within 2.5 hours
Earbud Within 1 hour
Charging Case Within 2.5 hours
Earbud Within 1 hour
Within 1 hour
Battery Life/Music Playtime Battery Life (Playing Music on Earbuds)
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10 hours (without ANC)
7.5 hours(with ANC)

Music Play Time (Earbuds/With harging Case)

30 hours (without ANC)
24 hours (with ANC)

Battery Life (Playing Music on Earbuds)
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11.5 hours (without ANC)
8.5 hours (ANC)

Music Play Time (Earbuds/With Charging Case)

35 hours (without ANC)
27 hours (ANC)

Battery Life (Playing Music on Earbuds)
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7.5 hours (with ANC) 
10 hours (without ANC)

Music Play Time (Earbuds/With Charging Case)
 
24 hours (with ANC)
30 hours (without ANC)

Dimensions (WHD) Charging Case
2.48″ x 1.29″ x 1.23″

Earbuds
0.99″ x 0.82″ x 0.94″

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Charging Case
2.48″ x 1.29″ x 1.23″

Earbuds
0.99″ x 0.82″ x 0.94″

Charging Case 2.48″ x 1.29″ x 1.23″ 

Earbuds 0.99″ x 0.82″ x 0.94″

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Weight Charging Case 1.39 oz

Earbuds: .4.8 oz

Charging Case 1.27 oz

Earbuds: .3.2 oz

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Charging Case 1.27 oz 

Earbuds: .1.9 oz

In The Box Extra Ear-Gels

Stabilizing Fins

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Quick Start Guide

Extra Ear-Gels

Quick Start Guide

Stabilizing Bands S/M Eargels 
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Extra Ear-Gels

Stabilizing Fins 

Quick Start Guide 

Charging Only Cable

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The Bottom Line 

The wireless earbud space is brutally competitive. At $69.99, the Buds Lite go straight at models like the SOUNDPEATS Clip1 Open ($69.99), Skullcandy Method 360 ($99.99), and J-Lab Epic Sport ANC 3 ($99.99). The Buds Plus step into a tougher lane alongside the Beats Powerbeats Fit ($199), SOUNDPEATS H3 ($129), and Edifier NeoDots ($129.99).

LG’s angle isn’t just specs. The will.i.am partnership is positioned as hands-on, shaping the tuning and overall identity of the xboom line. Add features like UVnano+ hygiene tech, Auracast, a built-in Bluetooth transmitter, strong battery life, and spatial audio, and the Buds Plus in particular look well equipped for their tier.

Buds Lite are for everyday listeners who want long battery life and useful features at a sharp price. Buds Plus target buyers who want more connectivity and ANC without drifting into $250 territory.

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