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The 2026 Audi Q3 Is Better Than It Needs To Be

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Exclusivity is a part of luxury, but luxury automakers have found that a more egalitarian approach is good for the bottom line. The Audi Q3 is one of numerous pint-sized crossover SUVs (as well as a few sedans and coupes) from luxury brands that appeal to budget-conscious new car shoppers and thus represent a major opportunity for cynicism. A customer who won’t look past the brand name can end up with an underwhelming car built down to a price. What’s a reputation when image-conscious shoppers don’t know (or care about) the difference?

The redesigned 2026 Audi Q3 naturally incorporates elements from other new or recently-updated Audi models like the Q5 and Q6 e-tron crossovers. But Audi is also dispensing with the bovine excrement and offering a single well-equipped version (with a few options) that’s more expensive than before, but also offers more of everything and ensures customers will get more than just a prestige badge.

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It looks more like an SUV than before

This third-generation Q3 retains the Volkswagen Group MQB architecture used by the outgoing model, as well as the Audi A3 sedan and most of VW’s U.S. lineup, but clothes it in something different. Audi put it on a whey and protein diet, creating more visual bulk in order to make the Q3 look less like a lifted hatchback and more like a traditional SUV. It also looks like a mini version of the Audi Q5, which fits perfectly with its aspirational mission.

That doesn’t mean the new Q3 is nice to look at. The tall front end and body sides left a lot of space that needed to be filled with fussy styling details. The headlights and LED daytime running lights (with three programmable styles) are stacked atop pillar-like air intakes that are mostly blanked off (there’s a small secondary radiator intake below the passenger-side headlight, and slats for to direct air around the outside of the wheel wells to reduce drag).

Things are better in profile view, where sheetmetal character lines nicely break up the body-side surfaces and a longer hood makes the front end look less stubby than before. A strip of textured plastic clutters the back end, but is necessary to camouflage the girth of the rear bumper. Optional OLED taillights have programmable styles like the DRLs, but that required a split arrangement similar to that of the 2026 Audi A6 to meet federal regulations.

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Form meets function

The interior is perfectly calibrated for the price point. Standard wood dashboard trim provides a nice bit of contrast, while the dash itself has a distinctive concave shape. The overall aesthetic is clean but a bit sterile, like a new apartment in a freshly gentrified neighborhood, the kind of place many Q3 owners will likely call home. Even the plastics are presentable, although there’s an unfortunate moat of piano black around the cupholders, where it’s likely to get stained by coffee drips.

Designers also made sure aesthetics didn’t get in the way of functionality. The door handles are placed high and are easy to grab, a simple detail many other automakers nonetheless miss. The doors also have seemingly endless space for water bottles, and the wireless phone charger on the center console is now standard equipment. To free up more space, Audi also replaced the shifter and the wiper/turn signal stalks with small tabs on either side of the steering wheel. They don’t take much getting used to, although it is easy to accidentally brush the touchpads on the wheel spokes when using them.

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The new Q3 isn’t much bigger than the old version: Audi increased cargo space by 5.3 cubic feet with rear seats up and 2.0 cubic feet with the rear seats folded, to 29.0 and 50.0 cubic feet, respectively. That gives the Audi more cargo space than rivals with the rear seats in place. Headroom and legroom aren’t as remarkable, but are respectable.

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Important tech updates

As the least-expensive Audi SUV, one might expect the Q3 to have a watered-down version of the tech seen in its pricier siblings. But in some respects, the Q3 is a step ahead.

The standard touchscreen grows from 10.25 inches to 12.8 inches, while the digital instrument cluster grows from 8.8 inches to 11.9 inches. They’re arranged in the same Digital Stage style as other recent Audi models, meaning in an oversized housing that curves around the driver’s seat. The instrument cluster in particular is much smaller than the bezel around it. That looks chintzy, a word that also describes the sound of the optional 12-speaker Sonos audio system.

However, the Q3 launches with an updated interface that isn’t available on other Audi models yet. This returns the map view to the gauge cluster, and populates both the cluster and touchscreen with large gray icons that are easier to read than the previous version. The underlying Android-based software still provides snappy responses, while incorporating wireless Apple CarPlay and Android Auto.

The voice recognition system is augmented with ChatGPT, allowing the car to answer trivia questions, although when we asked it to tell us a joke it demurred (perhaps because this is a German car). It was also able to make recommendations, although we were unable to confirm the quality of the Mexican food at the place the system suggested due to time constraints. More mundane tasks, such as adjusting temperature and adjusting seat heaters, were easily handled.

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It’s quicker and more powerful than before

Like the vehicle architecture, the engine carries over and will be familiar to fans of Audi and its parent Volkswagen brand. It’s the EA888 (here in Evo 4 spec) 2.0-liter turbocharged inline-four. Versions of this engine are used in everything from the VW GTI hot hatchback to the Atlas midsize SUV. In the 2026 Q3, it gets a substantial power bump of 27 horsepower and 22 pound-feet of torque, bringing the totals up to 255 hp and 273 lb-ft.

That extra power means, according to Audi, the Q3 will now do zero to 60 mph in 5.5 seconds instead of 7.1 seconds. That’s quicker than a BMW X1 xDrive28i or Mercedes-Benz GLA 250 4Matic—the base all-wheel drive versions of the Audi’s German rivals—where the opposite was the case previously. And it leaves other subcompact crossovers behind as well. BMW and Mercedes offer quicker versions, though, whereas the Q3 is only available in a single spec for now. Audi engineered RS Q3 performance versions of the previous two generations, but not for the U.S.

Naturally for Audi, all-wheel drive is standard. That’s far for a given in the segment, despite the premium brands playing in it. However, this redesign swaps the eight-speed automatic transmission for a seven-speed dual-clutch unit, like that used in the Q5 and A5. And as in those models, it’s not very well calibrated. There’s significant hesitation at throttle tip-in, and a bit of clunkiness after that.

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But more power doesn’t equal more fun

The transmission wasn’t the only thing that needed a bit more fine-tuning. Audi fitted the latest Q3 with its “progressive” steering rack, which is supposed to quicken up responses as the wheel is turned more. But that effect wasn’t apparent when maneuvering on urban streets. Combined with the slow-reacting transmission, it made this subcompact crossover feel clumsy in an area where it should excel. Outward visibility is at least better than in bigger traditional SUVs, at least.

Unshackled from stop-and-go traffic, the Q3 felt more composed, and indeed refined enough to justify its prestige badge. It may share components with humble Volkswagen models, but the comfortable ride (even on optional 20-inch wheels) shows just how well-engineered those components are. Audi also added acoustic laminated glass to the front-door windows for 2026, lowering the amount of wind noise significantly. The crashing of the 20-inch wheels against surface imperfections was still apparent, but that could be cured with smaller wheels.

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What’s missing is excitement. Audi dialed up the power, but it didn’t do the same with anything else. The Q3 goes around corners without embarrassing itself, and it has autobahn-worthy solidity at highway speeds. But this isn’t a car that encourages you to take the long way home. Most shoppers probably aren’t looking for that from their entry-level crossover, even if Audi laid the foundation for something sportier with the Q3’s added power.

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2026 Audi Q3 verdict

Audi’s decision to offer the 2026 Q3 in one well-equipped spec means it’s more expensive than before, but it’s still a good value. The base price of $44,995 is $3,900 higher than the outgoing model, but Audi claims that $3,699 worth of previously-optional equipment is now standard. Factor in the added power, cargo space, and screen size, and the price increase is (for once) justified.

Several option packages are available, which can boost the price to $51,790 for a fully-loaded model. That’s not an enormous step up from the starting price, showing that Audi really did cover the bases with standard equipment. Many of the added features are design-related or, like the lackluster Sonos audio system, don’t dramatically change the experience. The Q3 is also still priced close to all-wheel drive versions of its BMW X1 and Mercedes GLA-Class rivals, as well as the Volvo XC40. The Acura ADX and Lexus UX are cheaper, but also less appealing.

The Q3 won’t make these rivals obsolete, but it will deliver what customers attracted to its four-ring badge should expect. Its refined driving experience and long list of features provide solid reasons to choose a Q3 over something more mainstream, even if its handling and styling aren’t as stirring as they should be. It could be better but, by delivering a true budget-friendly dose of luxury, it’s probably already better than it needed to be.

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Judge rules that Krafton must rehire fired Subnautica director

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A judge has ruled that publisher Krafton must reinstate Ted Gill as CEO of Unknown Worlds Entertainment, . The company fired Gill and two other co-founders last year as part of a shakeup .

The Delaware judge said Krafton had violated the terms of its contract with Unknown Worlds when it fired the executives. “To remedy these breaches, Gill is reinstated as CEO of Unknown Worlds with full operational authority over the studio,” wrote judge Lori W. Will.

A Krafton spokesperson said in a statement that “we respectfully disagree with today’s ruling” and that “we are evaluating our options as we determine our path forward.” Further litigation over potential damages is still pending.

This legal battle has been brewing for a while. Krafton bought Unknown Worlds back in 2021 and the contract stipulated that executives and staff would get to share in a $250 million bonus if they hit certain revenue targets by 2025. Those targets were not reached, and could not be reached, because .

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According to the pre-trial brief, Krafton CEO Changham Kim allegedly nixed the payout because it would be a “professional embarrassment” and make him look like a “pushover.” He reportedly to ask about ways to avoid paying the bonus and, oddly, seemed to consider a hostile takeover by a newly-formed entity.

Judge Will dinged the CEO on both counts, saying that Kim regretted committing to the payout and “consulted an artificial intelligence chatbot to contrive a corporate ‘takeover’ strategy.” Engadget reached out to Krafton and the company re-emphasized it was displeased with the ruling but said that it doesn’t resolve the ongoing litigation.

As for the game, Krafton says Subnautica 2 is coming sooner rather than later. We’ve heard that one before.

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Apple Drops AirPods Max 2 After Five Years of Silence, and Here’s Every Upgrade Explained

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Apple AirPods Max 2 Reveal
Five years have passed since Apple initially began selling its over-ear headphones, and many people were left wondering if a true update would ever happen. The wait is over for AirPods Max 2, and most of the changes trace back to one quiet upgrade.



Powering the whole thing is the new H2 chip, a single component responsible for some meaningful improvements across the board. Noise cancellation has taken a significant step forward, blocking out twice as much background noise as the previous generation. Jet engines and train rumble are dealt with far more convincingly now, which should make long haul travel considerably more bearable. Transparency mode has also been sharpened up considerably, with voices and ambient sound coming through with noticeably less distortion and a much greater sense of clarity and precision than before.

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Sound quality has taken a step forward across the board, helped along by a new amplifier that keeps the output clean and consistent even at higher volumes. Instruments sit exactly where they should in the mix, the bass is tight and controlled, and the mids and highs carry a natural warmth without any harshness creeping in. Plugging in via USB-C unlocks lossless audio at full 24 bit, 48 kilohertz resolution, and wireless gaming gets a notable boost as well, with the gap between on screen action and audio response cut down significantly.

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The H2 chip also unlocks a handful of genuinely useful listening modes. Adaptive audio uses the built-in microphones to read the environment around you and adjust noise control levels on the fly without any input needed. Conversation awareness picks up when someone nearby starts talking and eases the volume down while softening background noise so you can engage naturally without pulling the headphones off. Calls benefit from voice isolation, which keeps your voice front and center while pushing room noise well into the background. Personalized volume learns your preferences over time and adjusts levels automatically, and in particularly loud environments the AirPods Max 2 will gently dial things back while keeping the character of the music intact.

Apple AirPods Max 2 Reveal Colors
Live translation is one of the more exciting additions for anyone who travels frequently or works across language barriers. It handles real time translation during face to face conversations, letting you speak in one language and hear the response in another without any awkward pauses or reaching for your phone. An up to date iPhone or iPad running the latest software is required, and it is worth noting that the feature is still in its early stages, currently supporting a limited number of languages with a gradual regional rollout underway.

Creators get some useful tools to work with as well. The microphones are capable of capturing studio quality audio, making them a solid option for podcasts or voiceover work without needing dedicated recording gear. A single press of the digital crown triggers the camera shutter or starts and stops video recording in both the native camera app and supported third party options. Siri integration has also picked up a neat trick, letting you nod to confirm or shake your head to decline without having to say a word out loud, which turns out to be more useful than it sounds.

Battery life stays at twenty hours with noise cancellation running, matching the original model. The over-ear design and headband carry over unchanged as well, and the color lineup keeps things consistent with the rest of Apple’s range, spanning midnight, starlight, orange, purple, and blue. Recycled materials feature heavily throughout, with the magnets, ear cushions, and circuit boards all made entirely from reclaimed components. The smart case keeps its familiar folding design, compact and easy to slip into a bag without taking up much room.

The price has stayed the same at $549 and pre-orders are opening on March 25 with delivery starting early April in the US and more than thirty other countries. If you buy some new Max 2s you can also add in optional AppleCare+ protection, but they do come with a three month trial of Apple Music.

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Apple acquires popular video editing software company MotionVFX

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Apple’s latest acquisition could be a hint towards improvements for Final Cut Pro. The tech giant acquired MotionVFX, as seen on the company’s website and first reported by MacRumors, which is known for providing plugins, templates, visual effects and more to video editors. MotionVFX currently offers its software for a handful of video-editing apps, like DaVinci Resolve and Adobe Premiere, but is also listed as a trusted Apple partner and found in the Final Cut Pro ecosystem of third-party products.

Apple hasn’t revealed an acquisition price nor details of the deal. On its website announcement, MotionVFX wrote that it’s “thrilled to embrace” similar values seen with Apple products and that it’s the “beginning of something wonderful.”

Considering a lot of MotionVFX’s tools are designed for Final Cut Pro and Apple’s Motion app, we could see native integration of popular visual effects and templates into Apple’s app interfaces. It’s worth noting that MotionVFX already offers an extension that creates a panel directly in Final Cut Pro for users to browse, download and apply visual effects from its repository. The acquisition could also hint at Apple trying to make its Creator Studio more enticing in the future, since it includes both Final Cut Pro and Motion. However, there hasn’t been any clarity on what will happen to MotionVFX’s monthly or annual subscription plans, nor its support for competing products.

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No Oscar nods for Amazon this year, but company is among tech targets from host Conan O’Brien

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Academy Awards host Conan O’Brien. (ABC via YouTube)

Amazon has a solid record of success at the Academy Awards, scoring dozens of Oscar nominations and a handful of wins for its studio business over the past nine years.

Amazon MGM Studios was shut out of the race this year, but the tech giant still got a mention in host Conan O’Brien’s monologue to open the show on Sunday night.

“Amazon Studios didn’t receive any nominations this year,” O’Brien said (at the 6:44 mark in the video below). “Yeah. Also, shut out: Walmart, Alibaba, and Chewy. Why isn’t the website I order toilet paper from winning more Oscars!?”

Amazon’s rise from e-commerce juggernaut to real Hollywood player began in earnest more than 10 years ago, and it was the first streaming service to win an Oscar in 2017, when the studio took home three awards.

Sunday was not the first time the company has ended up in O’Brien’s Oscars crosshairs. Last year, the host joked about Amazon’s takeover of the James Bond franchise and founder Jeff Bezos’ arrival at the ceremony in an Amazon box. At least Bezos and wife Lauren Sánchez did manage to get photobombed by Nicole Kidman on Sunday at the Vanity Fair after-party.

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Sunday’s show was peppered with a number of tech references, including how artificial intelligence can’t replace the human creators behind animation, as well as a look at how classic films can be cropped for the smartphone generation.

O’Brien took a shot at another streamer with a joke about Netflix and CEO Ted Sarandos, who was in attendance. “It’s his first time in a theater!” O’Brien said, before mocking Sarandos’ fake take (below) on why people would gather in such a place.

In a bid to preserve classic films for the smartphone generation, O’Brien spotlighted a studio named Ventura Crossroads, which is committed to “making movies very tall and very skinny.”

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It’s not easy to reach a younger audience addicted to screens, especially with a broadcast television event dedicated to films they didn’t see in a theater. O’Brien lowkey tried anyway.

The Oscars are moving to YouTube in 2029 and O’Brien showed what that could look like for viewers who aren’t used to such abrupt commercial interruptions.

And finally, Oscar nominee Leonardo DiCaprio — the “King of Memes” — did it again, and again, with a little help from O’Brien.

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Amazon drops Apple's iPad 11 to $299 with March markdowns

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Amazon’s March iPad sale delivers prices as low as $299, with discounts of up to $300 off new and closeout models across Apple’s tablet line.

Pink iPad 11 on wooden surface displaying colorful home screen widgets and apps, against a light brick wall background, with a black badge reading DEAL OF THE WEEK on the left
Get Apple’s iPad 11 for just $299 at Amazon.

Steeper discounts on Apple’s iPad line are in effect at Amazon as March hits the midway point, with Apple’s 11-inch iPad available for $299 thanks to a $50 discount in three colors.
Buy iPad 11 for $299
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JBL’s Best Wireless Headphones Are $170 Off at Walmart

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JBL makes a lot of headphones, but its Tour One M3 sit at the top of the stack. To borrow a phrase from Bill Hader’s indelible character, Stefon, these headphones have everything: quality sound and noise canceling, incredible comfort, immaculate calling performance, and this weird little transmitter device that lets you control them wirelessly and even transmit audio from wired sources like a turntable. Even if you never use the transmitter, the M3 are great, and for some reason, the Mocha colorway is on super sale at Walmart for $170 below retail price.

Image may contain: Electronics, Mobile Phone, Phone, and Headphones

The Tour One M3’s blitz of features might be intimidating to some, but these noise cancelers also stand on their own for basic use. The sound performance isn’t the best I’ve heard at their price point, but it’s still quite good, with brilliant instrumental separation and enough detail to surface new moments in songs you’ve heard dozens of times. The noise canceling is even more impressive, able to suppress low-end sounds like airplane drones and midrange noises like vocal chatter as well or better than some of the best noise cancelers out there.

Features include everything from a volume limiter to keep your hearing safe to Smart Talk that pauses sound when you speak, and a Sound Level optimizer that evens out voices on calls. Speaking of calling, the Tour One M3’s excellent microphones and software combine for impressively clear calls that reduce noises around you as well as any pair in their class.

As for the transmitter device, it can feel a little gimmicky when it comes to controlling the headphones, since you can just as easily control settings in the app, but connecting it to wired sources offers real value. That’s especially true if you want to listen wirelessly to legacy audio sources like an older amplifier or turntable. What’s more, the system uses a new Bluetooth protocol called Auracast, which lets you share audio lag-free with an unlimited number of supported devices, including other JBL headphones and Bluetooth speakers like the Flip 7.

Getting back to basics, JBL’s Tour One M3 are convenient to use, and their thick foam pads offer a fit as comfortable as any headphones I’ve tested in recent memory. The Mocha version may not be everyone’s cup of tea, but it’s been holding at its low price for some time now, so it’s worth hopping on the deal now if you’ve been considering a new pair. If you’re looking for the best deal around on a pair of great noise-canceling headphones, this one will be very hard to beat.

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Encyclopedia Britannica sues OpenAI for copyright and trademark infringement

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OpenAI has been hit with another lawsuit. This time, Encyclopedia Britannica took legal action against OpenAI, accusing the company of copyright and trademark infringements, as first reported by Reuters. More specifically, Britannica alleged that OpenAI illegally used its “copyrighted content at a massive scale” when training its AI models. Not just with training, the encyclopedia company claimed that ChatGPT’s responses to user queries sometimes contain “full or partial verbatim reproductions of [Britannica’s] copyright articles.”

Along with claims of copyright violations, Britannica argued that OpenAI was also responsible for trademark infringement. According to the lawsuit, ChatGPT generates “made-up content or ‘hallucinations‘ and falsely attributes them” to Encyclopedia Britannica. The lawsuit doesn’t specify an amount for monetary damages, but Britannica is also seeking an injunction to prevent OpenAI from repeating these accusations.

When reached out for comment, a spokesperson for OpenAI told Engadget that, “ChatGPT helps enhance human creativity, advance scientific discovery and medical research, and enable hundreds of millions of people to improve their daily lives. Our models empower innovation, and are trained on publicly available data and grounded in fair use.”

It’s not the first time that Britannica has filed a lawsuit against an AI company. In September, the company, which owns Merriam-Webster, also sued Perplexity for similar reasons. On the other side, OpenAI is still embroiled in a legal battle with The New York Times, which also sued the AI giant for copyright infringement.

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Microsoft Exchange Online outage blocks access to mailboxes

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Exchange Online

Microsoft is working to address an ongoing Exchange Online outage that is preventing customers from accessing their mailboxes and calendars.

“We’re investigating reports of some users experiencing issues when accessing their Exchange Online mailbox via one or more connection methods,” Microsoft said when it acknowledged the issue at 06:42 AM UTC.

As Microsoft explained in a Microsoft 365 admin center update under EX1253275, Outlook on the web, Outlook desktop, Exchange ActiveSync, and other Exchange Online connection protocols are all affected by this outage.

While the company said that “telemetry continues to show the issue is no longer occurring for affected users” and that its engineers are “continuing to monitor service health to assess whether any additional actions are required to ensure sustained recovery,” customers are still reporting issues accessing their email.

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Right before publishing, the Office.com web portal was down and displayed the message “We are sorry, something went wrong. Please try refreshing the page in a few minutes.”

office.com down
Office.com down (BleepingComputer)

​Microsoft is also investigating a separate outage affecting the Microsoft 365 Copilot web sign‑in page and Copilot web clients at office.com/chat and m365.cloud.microsoft, m365.cloud.microsoft/chat, and copilot.cloud.microsoft.

Customers who need to use Microsoft Copilot are advised to use one of the application-based Microsoft Copilot services, including the Microsoft Copilot desktop app, Copilot in Microsoft Teams, or Copilot in Office apps.

“We’ve identified that a section of service infrastructure is not processing traffic efficiently. We’re making configuration changes to remediate impact,” the company said in an admin center service alert (MO1253428).

In January, Microsoft mitigated another Exchange Online service outage that intermittently blocked users from accessing their mailboxes via the Internet Mailbox Access Protocol 4 (IMAP4).

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Microsoft addressed a similar outage in November that blocked customers’ access to Exchange Online emails via the classic Outlook desktop client.

This is a developing story…

Malware is getting smarter. The Red Report 2026 reveals how new threats use math to detect sandboxes and hide in plain sight.

Download our analysis of 1.1 million malicious samples to uncover the top 10 techniques and see if your security stack is blinded.

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PC buyers face shrinking choices as memory shortages and rising component prices threaten global shipments in 2026

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  • Global PC shipments set for sharp decline as component shortages intensify
  • Memory and storage prices surge, forcing vendors to rethink PC strategies
  • Budget computers face the steepest shipment losses amid tightening component supply

Anyone planning to purchase a new work PC in the coming months may encounter shrinking availability as supply pressures deepen across the industry, experts have warned.

Research from Omdia indicates global shipments of desktops, notebooks, workstations, and even some mini PC designs could drop sharply in 2026.

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GIMP 3.2 arrives with performance improvements and workflow refinements

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Popular Photoshop alternative GIMP has been updated to feature non-destructive Link and Vector Layers, an upgraded MyPaint Brush tool, and expanded file format support including SVG export. The update also brings UI and stability improvements.

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