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The best digital frames for 2026

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A digital photo frame shouldn’t be complicated. At its best, it’s just a good-looking screen that can be set up quickly that reliably shows the photos you care about. Unfortunately, that’s not always how things play out. The market is flooded with cheap digital frames that promise simplicity but end up delivering washed-out displays, clunky apps and a frustrating experience — leading you to abandon it after a week.

That’s a shame, because a good digital frame can be really enjoyable. Most of us have thousands of photos sitting on our phones that never make it beyond the camera roll, even though they’re exactly the kind of moments worth seeing every day. A solid frame gives those images a permanent home, whether it’s family photos cycling in the living room or shared albums updating automatically for relatives across the country. We’ve tested a range of smart photo frames to separate the genuinely useful options from the forgettable junk, and these are the ones that are actually worth putting on display.

Best digital picture frames for 2026

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AURA

Using an Aura frame felt like the company looked at the existing digital photo frame market and said “we have to be able to do better than this.” And they have. The Carver Mat is extremely simple to set up, has a wonderful screen, feels well-constructed and inoffensive and has some smart features that elevate it beyond its competitors (most of which don’t actually cost that much less).

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The Carver Mat reminds me a little bit of an Amazon Echo Show in its design. It’s a landscape-oriented device with a wide, angled base that tapers to a thin edge at the top. Because of this design, you can’t orient it in portrait mode, like some other frames I tried, but Aura has a software trick to get around that (more on that in a minute). The whole device is made of a matte plastic in either black or white that has a nice grip, doesn’t show fingerprints and just overall feels like an old-school photo frame.

The 10.1-inch display is the best I’ve seen on any digital photo frame I’ve tested. Yes, the 1,280 x 800 resolution is quite low by modern standards, but it provides enough detail that all of my photos look crisp and clear. Beyond the resolution, the Carver’s screen has great color reproduction and viewing angles, and deals well with glare from the sun and lights alike. It’s not a touchscreen, but that doesn’t bother me because it prevents the screen from getting covered in fingerprints — and the app takes care of everything you need so it’s not required.

One control you will find on the frame is a way to skip forwards or backwards through the images loaded on it. You do this by swiping left or right on the top of the frame; you can also double-tap this area to “love” an image. From what I can tell, there’s no real utility in this aside from notifying the person who uploaded that pic that someone else appreciated it. But the swipe backwards and forwards gestures are definitely handy if you want to skip a picture or scroll back and see something you missed.

Setting the frame up was extremely simple. Once plugged in, I just downloaded the Aura app, made an account and tapped “add frame.” From there, it asked if the frame was for me or if I was setting it up as a gift (this mode lets you pre-load images so the device is ready to go as soon as someone plugs it in). Adding images is as simple as selecting things from your phone’s photo library. I could see my iPhone camera roll and any albums I had created in my iCloud Photos library, including shared albums that other people contribute to. You can also connect your Google Photos account and use albums from there.

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One of the smartest features Aura offers is a continuous scan of those albums — so if you have one of your kids or pets and regularly add new images to it, they’ll show up on your frame without you needing to do anything. Of course, this has the potential for misuse. If you have a shared album with someone and you assign it to your Aura frame, any pictures that someone else adds will get shared to your frame, something you may not actually want. Just something to keep in mind.

My only main caveat for the Carver Mat, and Aura in general, is that an internet connection is required and the only way to get photos on the device is via the cloud. There’s a limited selection of photos downloaded to the device, but the user has no control over that, and everything else is pulled in from the cloud. Aura says there are no limits on how many images you can add, so you don’t need to worry about running out of storage. But if you don’t want yet another device that needs to be online all the time, Aura might not be for you. Most other frames I tested let you directly load photos via an SD card or an app.

The Aura app also lets you manage settings on the frame like how often it switches images (anywhere from every 30 seconds to every 24 hours, with lots of granular choices in between) or what order to display photos (chronologically or shuffled). There’s also a “photo match” feature, which intelligently handles the issue of having lots of images in both portrait and landscape orientation. Since the Carver Mat is designed to be used in landscape, the photo match feature makes it so portrait pictures are displayed side-by-side, with two images filling the frame instead of having black bars on either side. It also tries to pull together complementary pairs of images, like displaying the same person or pulling together two pics that were shot around the same time.

Overall, the Carver Mat checks all the boxes. Great screen, simple but classy design, a good app, no subscription required. Yes, it’s a little more expensive than some competing options, but all the cheaper options are also noticeably worse in a number of ways. And if you don’t want a mat, there’s a standard Carver that costs $149 and otherwise has the same features and specs as the Caver Mat I tested.

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Pros
  • High-quality display with minimal reflections
  • App makes set-up and management of your photos simple
  • You can store an unlimited number of pictures in Aura’s cloud
  • Good integration with Apple iCloud Photos and Google Photos
  • Elegant, well-constructed design
  • Smartly displays two portrait photos side-by-side on the landscape display
  • No subscription required
Cons
  • A little pricey
  • Aura’s app and cloud are the only way to get photos on the frame
  • Can’t be set up in portrait orientation
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PhotoSpring

If you’re looking to spend less, PhotoSpring’s Classic Digital Frame is the best option I’ve seen that costs less than $100 (just barely at $99). The PhotoSpring model comes with a 10.1-inch touchscreen with the same 1,280 x 800 resolution as the Carver Mat. The screen is definitely not as good as the Carver, though, with worse viewing angles and a lot more glare from light sources. That said, images still look sharp and colorful, especially considering you’re not going to be continuously looking at this display.

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PhotoSpring’s frames are basically Android tablets with some custom software to make them work as single-purpose photo devices. That means you’ll use the touchscreen to dig into settings, flip through photos and otherwise manipulate the device. Changing things like how often the frame changes images can’t be done in the app. While doing things on the frame itself are fine, I prefer Aura’s system of managing everything on the app.

However, PhotoSpring does have a good advantage here: you can pop in a microSD card or USB drive to transfer images directly to the frame, no internet connection required. You can also use the PhotoSpring app to sync albums and single images as well, which obviously requires the internet. But once those pics have been transferred, you’re good to go. Additionally, you can upload pictures on a computer via the PhotoSpring website or sync Google Photos albums.

As for the PhotoSpring hardware itself, it looks good from the front, giving off traditional photo frame vibes. The back is rather plasticky and doesn’t feel very premium, but overall it’s fine for the price. There’s an adjustable stand so you can set the frame up in portrait or landscape mode, and you can set the software to crop your photos or just display them with borders if the orientation doesn’t fit.

PhotoSpring also has a somewhat unusual offering: a frame that has a rechargeable battery. The $99 model just uses AC power, but a $139 option lets you unplug the frame and pass it around to people so they can swipe through your photos albums on the device. This feels like a niche use case, and I think most people will be better served saving their $40, but it’s something to consider.

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One of my favorite things about PhotoSpring is that they don’t nickel-and-dime you with subscription services. There aren’t any limits on how many images you can sync, nor are things like Google Photos locked behind a paywall. The combo of a solid feature set, a fine display and a low entry price point make the PhotoSpring a good option if you want to save some cash.

Pros
  • Solid display
  • Works in portrait or landscape orientation
  • Lets you load pictures from multiple sources, including the PhotoSpring app, an SD card, USB drive or via Google Photos
  • Inoffensive design
  • No subscription required
Cons
  • Touchscreen controls mean the display is prone to picking up fingerprints
  • Display picks up more reflections than the Aura
  • Feels a little cheap
  • Software isn’t the most refined
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Google

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If you want a device that works great as a digital photo frame that can do a lot more than the above options, consider Google’s Nest Hub Max. It has a 10-inch touchscreen with a 1,280 x 800 resolution and can connect to a host of Google services and other apps to help you control your smart home devices. It also works great for playing videos from YouTube or other services, or streaming music thanks to its large built-in speaker. At $229, it’s significantly more expensive than our other options, but there’s no question it can do a lot more.

From a photos perspective, you’ll need to use Google Photos. If you’re not already using the app, switching your library over might be too much of a task to make it worthwhile. But if you do use Google Photos, signing in with your Google account when you set up the Hub Max makes accessing your images quite simple. You can pick specific albums, have it stream your entire library or pull things from various recommendations it offers up.

Once that’s set up, you can customize the slideshow as you’d expect — I set mine to come up by default after the Hub Max was dormant for a few minutes. I also removed everything from the display except the photos. By default, it shows you a clock and the weather forecast, but I wanted to just focus on the pictures. I do like the option to show a little more info, though.

As for the screen itself, it has the same relatively low resolution of the other digital photo frames I tried, but it handles glare very well. And the built-in ambient light sensor automatically adjusts brightness and color temperature, which I enjoy. It keeps the Hub Max from feeling like an overly bright screen blasting you with light; it recedes into the background well.

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Of course, the Nest Hub Max has a lot of voice-activated tricks via the Google Assistant. My big question is how long the Hub Max will be supported, as Google is clearly planning to phase out the Assistant in favor of Gemini, and I’m not convinced that the Hub Max will ever support that new AI-powered tool. Beyond the Assistant, you can get a variety of apps on it like Netflix and YouTube, stream music from a bunch of apps, see video from your Nest Cam or make video calls via the built-in camera.

If you’re going to buy a Nest Hub Max, it shouldn’t be just for its digital photo frame features, even though those are quite solid. It’s best for someone well-entrenched in the Google ecosystem who wants a more multi-purpose device. If you fit the bill, though, the Nest Hub Max remains a capable device, even though it’s been around for almost five years.

Pros
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  • Good display quality with auto-brightness and warmth settings
  • Getting images on it is a piece of cake, provided you use Google Photos
  • Plenty of ways to control smart home devices
  • Good-sounding speaker
Cons
  • Almost five years old
  • Google Assistant’s days are likely numbered
  • More expensive than a standard digital photo frame
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AURA

The Aura Aspen frame is a step-up from our top pick in terms of overall quality and, unfortunately but predictably, price. For $229, you get a 1,600 x 1,200 resolution, 11.8-inch display that supports 169 pixels per inch, and the frame can be positioned in either portrait or landscape mode. There’s a physical button and touchbar on the frame’s edge that let’s you swipe through photos or change what’s currently displayed, but you can also do that remotely with Aura’s mobile app. All of the same great app features present in the Carver are here for the Aspen, including inviting others to contribute photos to your frame. The kicker here, like with all Aura frames, is the lack of a subscription necessary to keep your frame filled to the brim with updated photos. That alone may be worth paying the higher price tag for some when picking out a frame you want to be able to use freely for years to come. — Valentina Palladino, Deputy Editor

Pros
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  • Elegant design
  • 1,600 x 1,200 resolution display
  • Easy-to-use Aura app
  • Can invite others to add photos via mobile app
  • No subscription required

What to look for in digital picture frames

While a digital photo frame feels like a simple piece of tech, there are a number of things I considered when trying to find one worth displaying in my home. First and foremost was screen resolution and size. I was surprised to learn that most digital photo frames have a resolution around 1,200 x 800, which feels positively pixelated. (That’s for frames with screen sizes in the nine- to ten-inch range, which is primarily what I considered for this guide.)

But after trying a bunch of frames, I realized that screen resolution is not the most important factor; my favorite photos looked best on frames that excelled in reflectivity, brightness, viewing angles and color temperature. A lot of these digital photo frames were lacking in one or more of these factors; they often didn’t deal with reflections well or had poor viewing angles.

A lot of frames I tested felt cheap and looked ugly as well, which isn’t something you want in a smart device that sits openly in your home. That includes lousy stands, overly glossy plastic parts and design decisions I can only describe as strange, particularly for items that are meant to just blend into your home. The best digital photo frames don’t call attention to themselves and look like an actual “dumb” frame, so much so that those that aren’t so tech-savvy might mistake them for one.

Perhaps the most important thing outside of the display, though, is the software. Let me be blunt: a number of frames I tested had absolutely atrocious companion apps and software experiences that I would not wish on anyone. One that I tried did not have a touchscreen, but did have an IR remote (yes, like the one you controlled your TV with 30 years ago). Trying to use that with a Wi-Fi connection was painful, and when I tried instead to use a QR code, I was linked to a Google search for random numbers instead of an actual app or website. I gave up on that frame, the $140 PixStar, on the spot.

Other things were more forgivable. A lot of the frames out there are basically Android tablets with a bit of custom software slapped on the top, which worked fine but wasn’t terribly elegant. And having to interact with the photo frame via touch wasn’t great because you end up with fingerprints all over the display. The best frames I tried were smart about what features you could control on the frame itself vs. through an app, the latter of which is my preferred method.

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Another important software note: many frames I tried require subscriptions for features that absolutely should be included out of the box. For example, one frame would only let me upload 10 photos at a time without a subscription. Others would let you link a Google Photos account, but you could only sync a single album without paying up. Yet another option didn’t let you create albums to organize the photos that were on the frame — it was just a giant scroll of photos with no way to give them order.

While some premium frames offer perks like unlimited photos or cloud storage, they often come at a cost. I can understand why certain things might go under a subscription, like if you’re getting a large amount of cloud storage, for example. But these subscriptions feel like ways for companies to make recurring revenue from a product made so cheaply they can’t make any money on the frame itself. I’d urge you to make sure your chosen frame doesn’t require a subscription (neither of the frames I recommend in this guide need a subscription for any of their features), especially if you plan on giving this device as a gift to loved ones.

How much should you spend on a digital picture frame

For a frame with a nine- or ten-inch display, expect to spend at least $100. Our budget recommendation is $99, and all of the options I tried that were cheaper were not nearly good enough to recommend. Spending $150 to $180 will get you a significantly nicer experience in all facets, from functionality to design to screen quality.

Digital frames FAQs

Are digital photo frames a good idea?

Yes, as long as you know what to expect. A digital picture frame makes it easy to enjoy your favorite shots without printing them. They’re especially nice for families who want to display new photos quickly. The key is understanding the limitations. Some frames have lower resolution displays or need a constant Wi-Fi connection to work properly, so they’re not a perfect replacement for a high-quality print on the wall. But if you want a simple way to keep memories on display and up to date, they’re a solid choice.

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Can you upload photos to a digital frame from anywhere?

Most modern digital frames let you do this, but it depends on the model. Many connect to Wi-Fi and use apps, cloud storage or email uploads, so you can add photos from your phone no matter where you are. Some even let family members share directly, which is great for keeping grandparents updated with new pictures. That said, a few budget models only work with USB drives or memory cards, so check how the frame handles uploads before buying.

Georgie Peru contributed to this report.

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Anthropic’s new Cowork plugins prompt sell-off in software shares

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Anthropic’s new plug-ins for Cowork announced on Friday are sparking jitters in the markets with software, professional services and analytics companies seeing the largest sell-offs.

Last month, Anthropic launched its Cowork model, a “simpler version of Claude Code” prompting concerns among those heavily invested in software companies. Friday’s (30 January) launch of new plug-ins seems to have accelerated the concerns.

This week has seen a strong sell-off in US and European software, professional services and data analytics companies, with the trend continuing yesterday (3 February) and contagion in Asian markets. Commentators are blaming the release of Anthropic’s plugins for Cowork which the AI player says will automate tasks across legal, sales, marketing and data analysis.

The legal space is where organisations like Thomson Reuters makes much of its revenue, so it was one of the players to see an 18pc slump in its share price yesterday, according to Reuters itself, which added that its shares are now down 33pc just this year, having dropped by 22pc in 2025, as fears rise around AI disruption in the legal sector.

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Other providers of legal analytics also dropped with the UK’s RELX falling 14pc and Dutch company Wolters Kluwer seeing a drop of 13pc.

And the contagion spread to other software companies and the broader market as AI fuels concerns among investors who are struggling to figure out who the winners and losers will be in the current AI-fuelled economy. According to Bloomberg, a Goldman Sachs basket of US software stocks fell 6pc yesterday – its sharpest one-day drop since the sell-off that followed the initial US tariffs announcements in April.

When Anthropic launched Cowork on 12 January, it described it as a simpler version of Claude Code for non-coding related tasks. It said this new model has more agency – it can read, edit and re-organise files, taking on many of same tasks Claude Code can, but in a more “approachable” form.

Cowork seems firmly targeted at the enterprise market with its promise to make using Claude “for work” easier. Now, the new sector-specific plugins are seen as a particular threat to existing analytics players.

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Microsoft releases urgent Office patch. Russian-state hackers pounce.

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Russian-state hackers wasted no time exploiting a critical Microsoft Office vulnerability that allowed them to compromise the devices inside diplomatic, maritime, and transport organizations in more than half a dozen countries, researchers said Wednesday.

The threat group, tracked under names including APT28, Fancy Bear, Sednit, Forest Blizzard, and Sofacy, pounced on the vulnerability, tracked as CVE-2026-21509, less than 48 hours after Microsoft released an urgent, unscheduled security update late last month, the researchers said. After reverse-engineering the patch, group members wrote an advanced exploit that installed one of two never-before-seen backdoor implants.

Stealth, speed, and precision

The entire campaign was designed to make the compromise undetectable to endpoint protection. Besides being novel, the exploits and payloads were encrypted and ran in memory, making their malice hard to spot. The initial infection vector came from previously compromised government accounts from multiple countries and were likely familiar to the targeted email holders. Command and control channels were hosted in legitimate cloud services that are typically allow-listed inside sensitive networks.

“The use of CVE-2026-21509 demonstrates how quickly state-aligned actors can weaponize new vulnerabilities, shrinking the window for defenders to patch critical systems,” the researchers, with security firm Trellix, wrote. “The campaign’s modular infection chain—from initial phish to in-memory backdoor to secondary implants was carefully designed to leverage trusted channels (HTTPS to cloud services, legitimate email flows) and fileless techniques to hide in plain sight.”

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The 72-hour spear phishing campaign began January 28 and delivered at least 29 distinct email lures to organizations in nine countries, primarily in Eastern Europe. Trellix named eight of them: Poland, Slovenia, Turkey, Greece, the UAE, Ukraine, Romania, and Bolivia. Organizations targeted were defense ministries (40 percent), transportation/logistics operators (35 percent), and diplomatic entities (25 percent).

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Netflix Says if the HBO Merger Makes It Too Expensive, You Can Always Cancel

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There is concern that subscribers might be negatively affected if Netflix acquires Warner Bros. Discovery’s streaming and movie studios businesses. One of the biggest fears is that the merger would lead to higher prices due to less competition for Netflix.

During a US Senate hearing Tuesday, Netflix co-CEO Ted Sarandos suggested that the merger would have an opposite effect.

Sarandos was speaking at a hearing held by the US Senate Judiciary Committee’s Subcommittee on Antitrust, Competition Policy, and Consumer Rights, “Examining the Competitive Impact of the Proposed Netflix-Warner Brothers Transaction.”

Sarandos aimed to convince the subcommittee that Netflix wouldn’t become a monopoly in streaming or in movie and TV production if regulators allowed its acquisition to close. Netflix is the largest subscription video-on-demand provider by subscribers (301.63 million as of January 2025), and Warner Bros. Discovery is the third (128 million streaming subscribers, including users of HBO Max and, to a smaller degree, Discovery+).

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Speaking at the hearing, Sarandos said: “Netflix and Warner Bros. both have streaming services, but they are very complementary. In fact, 80 percent of HBO Max subscribers also subscribe to Netflix. We will give consumers more content for less.”

During the hearing, Democratic senator Amy Klobuchar of Minnesota asked Sarandos how Netflix can ensure that streaming remains “affordable” after a merger, especially after Netflix issued a price hike in January 2025 despite adding more subscribers.

Sarandos said the streaming industry is still competitive. The executive claimed that previous Netflix price hikes have come with “a lot more value” for subscribers.

“We are a one-click cancel, so if the consumer says, ‘That’s too much for what I’m getting,’ they can cancel with one click,” Sarandos said.

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When pressed further on pricing, the executive argued that the merger doesn’t pose “any concentration risk” and that Netflix is working with the US Department of Justice on potential guardrails against more price hikes.

Sarandos claimed that the merger would “create more value for consumers.” However, his idea of value isn’t just about how much subscribers pay to stream but about content quality. By his calculations, which he provided without further details, Netflix subscribers spend an average of 35 cents per hour of content watched, compared to 90 cents for Paramount+.

The Netflix stat is similar to one provided by MoffettNathanson in January 2025, finding that in the prior quarter, on average, Netflix generated 34 cents in subscription fees per hour of content viewed per subscriber. At the time, the research firm said Paramount+ made an average of 76 cents per hour of content viewed per subscriber.

Downplaying Monopoly Concerns

Netflix views Warner as “both a competitor and a supplier,” Sarandos said when subcommittee chair Republican senator Mike Lee of Utah asked why Netflix wants to buy WB’s film studios, per Variety. The streaming executive claimed that Netflix’s “history is about adding more and more” content and choice.

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During the hearing, Sarandos argued that streaming is a competitive business and pointed to Google, Apple, and Amazon as “deep-pocketed tech companies trying to run away with the TV business.” He tried to downplay concerns that Netflix could become a monopoly by emphasizing YouTube’s high TV viewership. Nielsen’s The Gauge tracker shows which platforms Americans use most when using their TVs (as opposed to laptops, tablets, or other devices). In December, it said that YouTube, not including YouTube TV, had more TV viewership (12.7 percent) than any other streaming video-on-demand service, including second-place Netflix (9 percent). Sarandos claimed that Netflix would have 21 percent of the streaming market if it merged with HBO Max.

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Bipartisan SCAM Act would require online platforms to crack down on fraudulent ads

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Without meaningful deterrents, Big Tech companies will do what’s profitable, regardless of the cost to consumers. But a new bipartisan bill could add a check that would make them think twice, at least in one area. On Wednesday, Senators Ruben Gallego (D-AZ) and Bernie Moreno (R-OH) introduced legislation that would require social platforms to crack down on scam ads.

The Safeguarding Consumers from Advertising Misconduct (SCAM) Act would require platforms to take reasonable steps to prevent fraudulent or deceptive ads that they profit from. If they don’t, the Federal Trade Commission (FTC) and state attorneys general could take civil legal action against them.

L: Arizona Sen. Ruben Gallego, R: Ohio Sen. Bernie Moreno

The bill’s sponsors, Ruben Gallego (L) and Bernie Moreno (Ruben Gallego (Bluesky) / Bernie Moreno)

The backdrop to the SCAM Act is a Reuters report from last November. Meta reportedly estimated that up to 10 percent of its 2024 revenue came from scam ads. The company is said to have calculated that as much as $16 billion of its revenue that year was from scams, including “fraudulent e-commerce and investment schemes, illegal online casinos and the sale of banned medical products.”

Making matters worse, Meta reportedly refused to block small fraudsters until their ads were flagged at least eight times. Meanwhile, bigger spenders were said to have accrued at least 500 strikes without being removed. Executives reportedly wrestled with how to get the problem under control — but only without affecting the company’s bottom line. At one point, managers were told not to take any action that could cost Meta more than 0.15 percent of its total revenue. (See what I mean about needing meaningful deterrents?)

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According to the FTC, Americans’ estimated total loss from fraud in 2024 (adjusted for underreporting) was nearly $19 billion. An estimated $81.5 billion of that came from seniors.

“If a company is making money from running ads on their site, it has a responsibility to make sure those ads aren’t fraudulent,” Sen. Gallego said in a statement. “This bipartisan bill will hold social media companies accountable and protect consumers’ money online.”

“It is critical that we protect American consumers from deceptive ads and shameless fraudsters who make millions taking advantage of legal loopholes,” Moreno added. “We can’t sit by while social media companies have business models that knowingly enable scams that target the American people.”

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Plasma engines are emerging as the next frontier in deep-space propulsion

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Plasma propulsion transforms an inert propellant – often hydrogen – into plasma, a superheated mix of ions and electrons. Magnetic fields then funnel and accelerate the plasma to extreme velocities, generating thrust.
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Kingpin of dark web-based drug marketplace "Incognito Market" sentenced to 30 years

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Clayton described Lin as one of the world’s most prolific online narcotics traffickers. For at least four years, the Taiwan-born man managed a massive volume of e-commerce transactions totaling hundreds of millions of dollars. Lin launched the Incognito Market website in October 2020, exploiting the Tor browser’s anonymous network in…
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Uber plans robotaxi expansion in London, Madrid and Munich

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The company expects AVs to unlock a ‘multitrillion-dollar’ opportunity.

Uber said it will roll out autonomous vehicles (AV) in London, Madrid, Munich, Hong Kong and a number of US cities, including in California, as the ride-hailing platform eyes leadership in robotaxi services by 2029.

The announcement came alongside a reasonably strong quarter from the company. Revenue for Q4 2025 grew by 20pc to $14.4bn – though short of analyst expectations – while its consumer base grew to more than 200m monthly users completing more than 40m trips daily.

“We enter 2026 with a rapidly growing topline, significant cash flow, and a clear path to becoming the largest facilitator of AV trips in the world,” said Uber CEO Dara Khosrowshahi. The company expects AVs to unlock a “multitrillion-dollar” opportunity.

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Uber currently operates its AVs in Abu Dhabi, Dubai and Riyadh, alongside US cities Atlanta, Austin and Dallas. It reported that AV operations in Austin and Atlanta are among its fastest-growing areas in the US.

The expansion marks Uber’s full entry into Europe and Asia with its self-driving taxis. An Uber spokesperson told Bloomberg that the company will partner with previously announced technology providers.

Uber has existing partnerships with the US’s May Mobility, Lucid, and Nuro, China’s Baidu and WeRide, and the UK’s Wayve to test and deploy AVs across metropolitan areas worldwide. It also works with Nvidia – which recently unveiled open-source AI models for self-driving vehicles – to develop the tech behind its robotaxis.

Uber benefits from its established identity as a ride-hailing service provider, but it faces competition in the AV space. Earlier this week, self-driving car company Waymo announced a $16bn funding round, taking it to a $126bn valuation. It plans to grow its services within the US and expand internationally to 20 new cities, including London and Tokyo.

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This came after a San Francisco power cut last December shut down Waymo cars in the city, causing gridlock.

Meanwhile, Tesla reported a quarterly revenue drop of 3pc, the first time it has ever reported a revenue decline. The company has been slow to experiment with self-driving taxis, launching a pilot service in Austin last year complete with human safety supervisors. Last month, the company said that it had removed some of the supervisors from its Austin fleet.

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Tribute for Finite Element Field Computation Pioneer

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MVK Chari, a pioneer in finite element field computation, died on 3 December. The IEEE Life Fellow was 97.

Chari developed a finite element method (FEM) for analyzing nonlinear electromagnetic fields—which is crucial for the design of electric machines. The technique is used to obtain approximate solutions to complex engineering and mathematical problems. It involves dividing a complicated object or system into smaller, more manageable parts, known as finite elements, according to Fictiv.

As an engineer and technical leader at General Electric in Niskayuna, N.Y., Chari used the tool to analyze large turbogenerators for end region analysis, starting with 2D and expanding its use over time to quasi-2D and 3D.

During his 25 years at GE, he established a team that was developing finite element analysis (FEA) tools for a variety of applications across the company. They ranged from small motors to large MRI magnets.

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Chari received the 1993 IEEE Nikola Tesla Award for “pioneering contributions to finite element computations of nonlinear electromagnetic fields for design and analysis of electric machinery.”

A career spanning industry and academia

Chari attended Imperial College London to pursue a master’s degree in electrical engineering. There he met Peter P. Silvester, a visiting professor of electrical engineering. Silvester, a professor at McGill University in Montreal, was a pioneer in understanding numerical analysis of electromagnetic fields.

After Chari graduated in 1968, he joined Silvester at McGill as a doctoral student, applying FEM to solve electromagnetic field problems. Silvester applied the method to waveguides, while Chari applied it to saturated magnetic fields.

Chari joined GE in 1970 after earning his Ph.D. in electrical engineering. He climbed the leadership ladder and was a manager of the company’s electromagnetics division when he left in 1995. He joined Rensselaer Polytechnic Institute in Troy, N.Y., as a visiting research and adjunct professor in its electrical, computer, and systems engineering department. Chari taught graduate and undergraduate classes in electric power engineering and mentored many master’s and doctoral students. His strength was nurturing young engineers.

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He also conducted research on electric machines and transformers for the Electric Power Research Institute and the U.S. Department of Energy.

In 2008 Chari joined Magsoft Corp., in Clifton Park, N.Y., and conducted advanced work on specialized software for the U.S. Navy until his retirement in 2016.

Remembering a friend

Chari successfully nominated one of us (Hoole) to be elevated to IEEE Fellow at the age of 40. He helped launch Haran’s career when Chari sent his résumé to GE hiring managers for a position in its applied superconductivity lab.

Chari’s commitment to people came from his family background. His father—M.A. Ayyangar—was known throughout India as a freedom fighter, mathematician, and eventually the speaker of the Indian Parliament’s lower house under Prime Minister Nehru. Chari’s wife, Padma, was a physician in New York.

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From Chari’s illustrious family, he was at the peak of South India (Tamil) society.

Chari would fondly and cheerfully tell us the story behind his name. Around the time of his birth, it was common in Tamil society not to have formal names. He went by the informal “house name” Kannah (a term of endearment for Krishna). When it was time for Chari to start school, an auspicious uncle enrolled him. But Chari had no formal name, so the uncle took it upon himself to give him one. He asked Chari if he would like a long or short name, to which he said long. So the uncle named him Madabushi Venkadamachari.

When Chari moved to North America, he shortened his name to Madabushi V.K.

He could also laugh at himself.

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A stellar scientist, he also was a role model, guide, and friend to many of us. We thank God for him.

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Hackers compromise NGINX servers to redirect user traffic

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Hackers compromise NGINX servers to redirect user traffic

A threat actor is compromising NGINX servers in a campaign that hijacks user traffic and reroutes it through the attacker’s backend infrastructure.

NGINX is open-source software for web traffic management. It intermediates connections between users and servers and is employed for web serving, load balancing, caching, and reverse proxying.

The malicious campaign, discovered by researchers at DataDog Security Labs, targets NGINX installations and Baota hosting management panels used by sites with Asian top-level domains (.in, .id, .pe, .bd, and .th) and government and educational sites (.edu and .gov).

Wiz

Attackers modify existing NGINX configuration files by injecting malicious ‘location’ blocks that capture incoming requests on attacker-selected URL paths.

They then rewrite them to include the full original URL, and forward traffic via the ‘proxy_pass’ directive to attacker-controlled domains.

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The abused directive is normally used for load balancing, allowing NGINX to reroute requests through alternative backend server groups to improve performance or reliability; hence, its abuse does not trigger any security alerts.

Request headers such as ‘Host,’ ‘X-Real-IP,’ ‘User-Agent,’ and ‘Referer’ are preserved to make the traffic appear legitimate.

The attack uses a scripted multi-stage toolkit to perform the NGINX configuration injections. The toolkit operates in five stages:

  • Stage 1 – zx.sh: Acts as the initial controller script, responsible for downloading and executing the remaining stages. It includes a fallback mechanism that sends raw HTTP requests over TCP if curl or wget are unavailable.
  • Stage 2 – bt.sh: Targets NGINX configuration files managed by the Baota panel. It dynamically selects injection templates based on the server_name value, safely overwrites the configuration, and reloads NGINX to avoid service downtime.
  • Stage 3 – 4zdh.sh: Enumerates common NGINX configuration locations such as sites-enabled, conf.d, and sites-available. It uses parsing tools like csplit and awk to prevent configuration corruption, detects prior injections via hashing and a global mapping file, and validates changes using nginx -t before reloading.
  • Stage 4 – zdh.sh: Uses a narrower targeting approach focused mainly on /etc/nginx/sites-enabled, with emphasis on .in and .id domains. It follows the same configuration testing and reload process, with a forced restart (pkill) used as a fallback.
  • Stage 5 – ok.sh: Scans compromised NGINX configurations to build a map of hijacked domains, injection templates, and proxy targets. The collected data is then exfiltrated to a command-and-control (C2) server at 158.94.210[.]227.
Overview of the hijacking attack
Overview of the hijacking attack
Source: Datadog

These attacks are hard to detect because they do not exploit an NGINX vulnerability; instead, they hide malicious instructions in its configuration files, which are rarely scrutinized.

Also, user traffic still reaches the intended destination, often directly, so the passing through attacker infrastructure is unlikely to be noticed unless specific monitoring is performed.

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Most Popular EdSurge Early Education Stories of 2025

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Changes — and subsequent confusion and concern — largely defined the early childhood education sector in 2025. Multiple social programs including Head Start and hunger assistance programs were in flux. Rising costs of living were coupled with the rising costs of child care. And many EdSurge readers were left searching for answers, as seen in our most-read stories of the year.

There was also plenty of innovation in the field, from transforming empty school buildings, adding apprenticeship programs and introducing play into teaching math. There will be more of that undoubtedly in 2026 and EdSurge aims to bring you more answers as questions continue to arise about the future of early learning and child care.

Here are the most popular early childhood education stories, in descending order. You can see our most-read stories covering the K-12 sector here.

10. More Than Half of Child Care Providers Have Gone Hungry, New Report Finds

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By Lauren Coffey

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Child care providers struggling is nothing new, and many left the field postpandemic due to its low pay and long, unstable hours. But the struggle to survive came to a head last year, as the cost of living continued to rise and multiple social programs — namely SNAP, formerly known as food stamps — were temporarily paused. A report from the RAPID Survey Project at the Stanford Center on Early Childhood found that basic needs may be greater than ever, with 58 percent of child care providers stating they experienced hunger in 2025.

9. Could Play Boost Students’ Math Performance?

By Daniel Mollenkamp

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Early education often conjures images of games, bright colors and plenty of play time. But often those associations stop when it comes to math class. EdSurge spoke with experts across the nation looking to marry the two. But similar to the curriculum at ever-popular Montessori schools, “play” is not a free-for-all. When it comes to math instruction, there is a fine line between board and dice games and lessons about larger concepts.

8. What Will Kids Lose If PBS Gets Cut?

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By Lauren Coffey

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Calls to cut funding for PBS began in the spring of 2025, culminating in multiple slashed grants that more than likely spelled the end for many local public broadcasting affiliates. The cut goes beyond easily accessing beloved shows like “Daniel the Tiger” and “Arthur.” Many experts voiced concerns that the loss of programming, which puts educational guidelines at the forefront, could hit rural and lower-income families particularly hard.

7. As Apprenticeships Expand in Early Childhood, These States Are Training the Field’s Future Leaders

By Emily Tate Sullivan

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The leap between early childhood educator and director of an early child care center is often so intimidating that many educators do not attempt to move up, despite it often providing better pay and hours. Registered apprenticeship programs began booming to fix that gap, offering a pathway to train educators for leadership roles. Notably, Kentucky, Massachusetts and New Hampshire offer programs specifically made for emerging leaders in the early education field — and the impact is already being seen.

6. What Will Districts Do With All Those Empty School Buildings? Some Look to Fill Them With Younger Kids

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By Emily Tate Sullivan

Two children play in a pretend kitchen inside the Brichta Infant and Early Learning Center, a converted former elementary school in Tucson Unified School District. Photo courtesy of Tucson Unified School District.

Enrollment continues to decline in traditional public schools, due in part to the rise of popularity in virtual schools and charter schools buoyed by voucher programs. The outcome: a lot of large, empty school buildings. But some districts, like in Oklahoma City and Tucson, are overhauling them to house early learning programs instead. What follows is a way to address the rising need for child care and a way to lure in early childhood educators, thanks to district benefits.

5. Head Start’s Future Is Uncertain. Rural Americans Aren’t Ready for What Happens Next.

By Claire Woodcock

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As the Head Start program turned 60 in 2025, questions swirled about its future. The program, which has long helped families living at or below the poverty level access affordable child care and services, saw half of its regional offices close this year. For most of the year, the fate of its funding was unknown. While Head Start funding was later approved, there was no increase from previous years — bringing concern from many. There is a particular worry about the consequences for rural communities, where 1 in 3 child care programs is backed by Head Start.

4. Study: Kids Suffer as Nearly Half of U.S. Families Struggle to Meet Basic Needs

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By Marianna McMurdock

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Similarly to our No. 8 story of the year focusing on child care providers, families themselves also struggled this year to make ends meet. A report showed 4 in 10 families are experiencing material hardship, which goes beyond short-term stress: It can hurt children’s learning long-term. Parents’ stress can seep to their children, causing depression and anxiety. It can also cause an overreliance on screen time. The result: children can have a learning gap of up to a year compared to those not experiencing hardship.

3. Why the Dire State of the Early Learning Workforce Is ‘Alarming and Not Surprising’

By Emily Tate Sullivan

Krakenimages.com / Shutterstock

Rising costs, staff shortages and low morale brought the early childhood educator crisis to a head in 2025. According to a report by the National Association for the Education of Young Children, high rents and an uptick in property and liability insurance rates has caused stagnant or low revenue for providers, prompting many programs to shutter. Those working in the early childhood world are not surprised by these findings, but do believe more funding and action — versus inaction — is needed.

2. Idaho Moves to Deregulate Child Care in First-of-Its-Kind Legislation

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By Emily Tate Sullivan

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Idaho made major waves at the start of the year when it attempted to become the first in the nation to eliminate state-mandated child-to-teacher ratios, in a move it believed would help the severe shortage of child care openings. Many experts were quick to defend the ratios as essential to helping with the health of children and the quality of child care. The amended bill ultimately tweaked the ratio proposals, loosening, versus ridding, the requirements.

1. Why Don’t Early Childhood Programs Have Access to Substitute Teachers?

By Emily Tate Sullivan

Krakenimages.com / Shutterstock

As winter swings on, bringing with it inevitable sickness, the K-12 system can rely on its large infrastructure of substitute teachers, but the early childhood sector has no such programming. Beyond cold and flu season, this makes it difficult for the already-burned-out teachers in early learning to take a sick day or vacation. However, there are some efforts under way, with many turning toward future full-time educators to fill the gap.


You may see some of my bylines above, and you’ll be seeing more of those in 2026 as I cover more early childhood education for EdSurge. If you have any tips, or just want to say hello, feel free to shoot me a note at lauren@edsurge.com.

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