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The perfect soundbars for small spaces

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Not everyone has the space for a surround sound system or even a full-sized soundbar. If that’s your situation, we’ve come up with several small options that will work for your crowded space.

We’ve tried to ensure with this list of the best small soundbars that even though they’re small, there’s still an option that will suit every need.

We’ve chosen Dolby Atmos soundbars, soundbars that work with older TVs that don’t have HDMI ports, or models that come with subwoofers. We’ve got an array of options to choose from.

Any soundbar we look at, we do so by watching lots of movies and listening to plenty of music. We examine how well each model handles dialogue, effects, and different genres of music. From these tests, we determine which ones are worth your cash.

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Keep reading to discover all the best small soundbars available right now. We have other guides to have a look too which includes our best soundbars and the best Dolby Atmos soundbars.

We’ve also narrowed down the best surround sound systems for those with the space and budget to create a bigger sound system.

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Best small soundbars at a glance

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Learn more about how we test soundbars

Soundbars were created to boost TV sound quality – which means we end up watching a lot of TV. We play everything – news reports for voices, movies for scale and effects steering – to ensure that the soundbars that come through the doors at Trusted Reviews are given a proper challenge. We’ll play different genres of music, too, since a good soundbar should be capable of doubling-up as a great music system.

More complex soundbars feature network functionality for hooking up to other speakers and playing music around the home, so we test for connectivity issues and ease of use. We cover the spectrum of models available, everything from cheap soundbars costing less than £100 to those over £1000, to ensure our reviews benefit from our extensive market knowledge. Every product is compared to similarly priced rivals, too.

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  • Clean and balanced sound

  • Upgradeable

  • Excellent size

  • Amazon Alexa and Google Assistant support

  • HDMI eARC input only

  • Limited DTS support

Compared to the original Beam, the Beam Gen 2  comes with addition of an eARC HDMI port that allows it to play full-fat lossless Atmos soundtracks.

That also means you’ll need an eARC compatible TV to get the best out of it.

Otherwise, things remain the same with the Beam 2nd Gen, with it best suited for TVs up to and including 49-inches.

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The current Beam supports Wi-Fi and the Sonos S2 app, which offers access to a multitude of streaming services such as Tidal, Deezer and Qobuz, as well as Sonos’ own Radio service.

You can also call on voice assistance in Google Assistant and Amazon Alexa, as well as initiate Trueplay (as long as you’ve got an iOS device), which optimises the Beam’s audio performance according to the environment it is in.

During testing we found it produced an excellent audio performance, offering a solid low end and a generally balanced sound across the frequency range.

It also handled music impressively, with no noticeable distortion, handling more subtle elements with nuance. The addition of Dolby Atmos isn’t achieved through upfiring speakers but through virtual processing, and it offers a good performance with a decent sense of dimensionality when we watched Captain Marvel on Disney+.

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The Beam 2 doesn’t have fully-featured DTS support but the similarly compact Polk Magnifi Mini AX and Denon Home Sound bar 550 do support DTS:X.

Like the Sonos both can be paired with a subwoofer for added ‘oomph’. A slightly more expensive but still impressive alternative is the Sennheiser Ambeo Mini.

While the Beam 2 is not perfect, as a means of getting Atmos into the home in a small form factor, the Sonos Beam Gen 2 is a very good way of doing so.

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  • Sharp, clear and spacious sound

  • Small footprint

  • Affordable at its current price

  • Wall-mount brackets included

  • LED menu is practically invisible from a seated position

  • No HDMI eARC

The Samsung HW-S61B is still going and serves as an excellent, affordable rival to the Sonos Beam Gen 2.

Its a compact speaker cabale of producing a crisp, clear and punchy sound. It offers plenty of energy and outright attack that easily betters anything a TV can produce.

Its built-in subwoofer provides impact to action scenes, and with Atmos content, the soundstage is bigger than the dimensions of the bar and TV, producing plenty of size and scale to go with Hollywood blockbusters.

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It’s pretty solid performer with music content whether over Wi-Fi or Bluetooth, though the former produces a clearer, more detailed performance. The lack of HDMI eARC is a disappointment as it means you won’t be getting the highest quality Dolby Atmos sound possible, and we’re not big fans of the design when it comes to placement of the LED screen. We can barely see it at the best of times given how small it is.

Features include Amazon Alexa voice control, though this would need another connected speaker to be able to use. AirPlay 2 is another means of playing audio to the system, while if you have a Samsung Galaxy smartphone, you can tap it on the surface of the soundbar and play music to it.

If after you’ve bought the speaker, you’re looking to upgrade and add more, the S61B does support the SWA-9200S wireless rear speaker system.

If you have a Samsung Q-Symphony compatible TV can also take advantage of that feature, whereby the TV and soundbar speakers combine for a bigger sound.

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There are other options in the market if you are looking for a soundbar and subwoofer combo, most notably the Polk MagniFi Mini AX, but its Atmos performance isn’t as convincing as the Samsung.

New models have launched this one first went on sale, and we’ll be hoping to get reviews of those models at some point.

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  • Clean and powerful TV audio

  • Surprising amount of bass

  • Wide soundstage

  • Optional surround sound

  • Remote setup can be fiddly

  • Better at TV than music

If you’re something with an older TV (say a Pioneer Kuro) or have a second, smaller TV without HDMI inputs, the Sonos Ray is tailor made for you.

It only supports audio through an optical connection, so you won’t have to worry about HDMI handshake issues.

Audio through an optical connection keeps things simple enough, though you do miss out on advanced 3D audio like Dolby Atmos and DTS:X. There’s only enough bandwidth for Dolby Digital and DTS soundtracks.

There’s no built-in microphones for voice control from the likes of as Amazon Alexa and Google Assistant. You can still have those smart features, but you’ll need to connect the Ray to another smart speaker.

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The design looks a little different from other Sonos soundbars with its lozenge-shaped look and curved ends. Our reviewer felt it was a less in-your-face design that makes the Ray better to blend in with its surroundings more. You can also fit it into an AV rack if you wanted to conceal it from view.

The sound is surprisingly wide for its size, with effective bass performance too. It offers a clear and obvious improvement on a TV with dialogue making audio tracks much easier to understand. With music we felt it sounded decent, perhaps not quite as good as it is with TV series and films, but passable enough. For its primary job of making audio clearer, the Sonos Ray does a brilliant job.

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  • Exciting, dynamic sound (in the right mode)

  • Ultra-compact dimensions

  • Comes with a subwoofer

  • Good range of connections

  • Sub can hog the attention at times

  • Not truly immersive

While a small soundbar is helpful in terms of reducing space, its size isn’t always great for producing a more cinematic sound, especially when it comes to bass. The Polk MagniFi Mini AX has you covered in that respect.

This an ultra-compact Dolby Atmos/DTS:X soundbar from American brand Polk, and it differs from other options on this list in that it is not just an all-in-one effort but one that comes with sizeable subwoofer.

This allows it produce and energetic and dynamic performance, and given the weight and power behind the subwoofer’s performance, it’s probably one that’s sure to alert the neighbours to what you’re watching.

In our opinion the Polk doesn’t full suffice as an immersive soundbar but performs better than the Creative Stage 360. It can do a decent impression of height effects but not with the greatest sense of definition, while its soundstage is front heavy, though you can add Polk’s SR2 surround speakers as real channels for a greater sense of space.

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Dialogue can be enhanced with Polk’s VoiceAdjust technology, although we found that while it did its job of boosting voices, it also had a tendency to raise surrounding noise as well.

Tonally we felt the soundbar sounded accurate and there’s good levels of detail and clarity to enjoy when the soundbar is put into its 3D mode, which also gives a bigger, wider soundstage to Atmos and DTS:X soundtracks.

With music it’s a solid performer, playing music with a crispness that we found avoided sibilance or harshness.

With Chromecast available along with Bluetooth, AirPlay 2, Spotify Connect and a USB connection that can play MP3 music. With Atmos and DTS:X support for the same price as the Sonos Sub Mini, this is a good value soundbar/subwoofer combination.

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  • Impressive nearfield Dolby Atmos effect

  • Clear, articulate voices

  • Solid feature set

  • Versatile footprint

  • Classy design

  • Short on meaningful bass

  • Fussy indicator light arrangement

Measuring in at 52 x 72 x 110cm (WHD) and weighing under 2kg, the SB700 is stocky yet lightweight enough to carry from room to room, which means it can double as both a sonic enhancer for small TVs and a companion for a workstation. We would advise against relying on the SB700 as the main audio source for a living room, though.

Included with the SB700 is a useful remote control that sports treble and bass controls, input selection and all the various EQ modes including voice, movie, music, night and neutral. Sharp also usefully throws in an HDMI cable, which plugs easily into the soundbar’s rear and shares a port alongside optical, USB (service) and 3.5-mm audio inputs.

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Powering the four onboard 1.75-inch drivers is a Class D-based 140W of peak power. Plus, as well as Dolby Atmos decoding, the Sharp processes a 3D mode, also known as DAP (Dolby Atmos Processing). We especially appreciate how the SB700 is a plug-and-play device and supports Bluetooth 5.3 connectivity too.

Overall we were impressed with the SB700’s audio quality. While it does struggle with bass and doesn’t quite offer a satisfying loud movie night, it still offers plenty of prowess with midrange and high frequencies too. Plus dialogue sounds clear too.

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  • Clear, detailed sound with decent bass

  • Decent with music

  • Neat and tidy design

  • Impressive SuperWide feature

  • Odd volume issues with sources

What the Creative Stage Pro lacks in features, it more than makes up for in terms of sound and design quality.

While the Stage Pro feels more like a desktop soundbar rather than a cinema bar, it does sport a smart appearance with a useful display at its front that can be seen from the sofa. Although undoubtedly compact, its height can block the TV’s IR receiver which means you might struggle to use your remote control with your TV.

Otherwise, the bar is paired with a similarly unassuming subwoofer that relies on a wired connection to the soundbar. Usefully, as it’s front-firing, you’re free to place it anywhere.

As mentioned earlier, despite its “Pro” moniker, there aren’t many features at play here. While there is Bluetooth 5.3 and support for Dolby Audio and Dolby Digital+ soundtracks, there’s no Wi-FI. Even so, it still covers the basic connections including an optical input, DMI ARC, USB-C and even an auxiliary input.

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Having said that, there is one notable feature: SuperWide. This expands the size of the Stage Pro’s sound and pushes audio out wide in a way that’s much bigger than the speaker. Depending on how close you’re sitting to the speaker, you can choose between Near-Field and Far-Field too. The latter is especially impressive as it manages to keep voices clear while expanding the width of the soundstage.

Overall, although it’s not an immersive soundbar, we were pretty impressed with the sense of the height it can provide. Otherwise, the subwoofer does a good job at providing a punchy sense of bass.

We did struggle with the soundbar’s volume levels, especially when switching between sources, as the Stage Pro can veer from excessively loud to surprisingly quiet. It’s frustrating, as it seems as if there’s no way to minimise those swings in volume.

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FAQs

Does a soundbar have to match your TV size?

No, but it’s best for them to at least be similar in size. For a full-size soundbar, it’s best to partner them with TVs 50-inches and above. With compact soundbars that TVs’ 49-inches and smaller would be the best fit.

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Do soundbars have to be the same brand as the TV?

No, you won’t need a soundbar that’s the same brand as the TV. Any soundbar can work with any TV it is connected to. Where you may want to consider is whether the soundbar and TV have been optimised to work best with each other. LG and Sony both have soundbars that share features with their respective TVs.

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Full Specs

  Sonos Beam (Gen 2) Review Samsung HW-S61B Review Sonos Ray Review Polk MagniFi Mini AX Review Sharp HT-SB700 Review Creative Stage Pro Review
UK RRP £449 £329 £279 £429 £199 £129
USA RRP $449 $349 $279 $499 $169.99
EU RRP €499 €419 €298 €479
CA RRP CA$559 CA$499 CA$699
AUD RRP AU$699 AU$599
Manufacturer Sonos Samsung Sonos Polk Sharp Creative
Size (Dimensions) 651 x 100 x 69 MM 670 x 105 x 62 MM 559 x 95 x 71 MM 366 x 104 x 79 MM x 110 x MM 420 x 265 x 115 MM
Weight 2.8 KG 2.7 KG 1.95 KG 1.9 KG
ASIN B09B12MGXM B09W66KSXN B09ZYCBWYF B09VH9C5VV B0CR6M8RW3
Release Date 2021 2022 2022 2022 2024 2025
First Reviewed Date 30/09/2021 31/05/2022
Model Number Sonos Beam (2nd Gen) HW-S61B/XU Sonos Ray MagniFi Mini AX HT-SB700
Model Variants Black or white S60B
Sound Bar Channels 5.0 5.1 2.0.2 2.1
Driver (s) 1x tweeter, 4x mid-woofers, 3x passive radiators Centre, two side-firing 2 x tweeters, 2 x mid-woofers, 2 x low-velocity ports two 19mm tweeters, three 51mm mid-range, 127mm × 178mm woofer 2 x 1.75-in full-range forward-facing drivers plus 2 x 1.75-in full-range up-firing drivers
Audio (Power output) 140 W 80 W
Connectivity HDMI eARC, Optical S/PDIF (via adaptor) Optical S/PDIF AirPlay 2, Bluetooth 5.0, Chromecast, Spotify Connect Bluetooth 5.3 Bluetooth 5.3
ARC/eARC ARC/eARC ARC N/A ARC/eARC eARC ARC
Colours Black, white White, Black Black and white Black Matt black Black
Voice Assistant Amazon Alexa, Google Assistant Works with Amazon Alexa, Google Assistant, Bixby N/A
Audio Formats Dolby Digital, Dolby Digital Plus, Dolby True HD, Dolby Atmos, PCM Dolby Atmos (Dolby Digital Plus), DTS Virtual:X, AAC, MP3, FLAC, ALAC, WAV, OGG, AIFF DTS, Dolby Digital, Stereo PCM Dolby Atmos, Dolby Audio, DTS:X, DTS Dolby Audio, Dolby Atmos
Power Consumption 31 W
Subwoofer Yes Yes
Rear Speaker Optional Optional Optional Optional No No
Multiroom Yes (Sonos) Yes (Sonos mesh)

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Winter Olympics 2026: Omega’s Quantum Timer Precision

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From 6-22 February, the 2026 Winter Olympics in Milan-Cortina d’Ampezzo, Italy will feature not just the world’s top winter athletes but also some of the most advanced sports technologies today. At the first Cortina Olympics in 1956, the Swiss company Omega—based in Biel/Bienne—introduced electronic ski starting gates and launched the first automated timing tech of its kind.

At this year’s Olympics, Swiss Timing, sister company to Omega under the parent Swatch Group, unveils a new generation of motion analysis and computer vision technology. The new technologies on offer include photofinish cameras that capture up to 40,000 images per second.

“We work very closely with athletes,” says Swiss Timing CEO Alain Zobrist, who has overseen Olympic timekeeping since the winter games of 2006 in Torino “They are the primary customers of our technology and services, and they need to understand how our systems work in order to trust them.”

Live data capture of a figure skater's performance, with a 3D rendering of the athlete, jump heights and more. Using high-resolution cameras and AI algorithms tuned to skaters’ routines, Milan-Cortina Olympic officials expect new figure skating tech to be a key highlight of the games. Omega

Figure Skating Tech Completes the Rotation

Figure skating, the Winter Olympics’ biggest TV draw, is receiving a substantial upgrade at Milano Cortina 2026.

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Fourteen 8K resolution cameras positioned around the rink will capture every skater’s movement. “We use proprietary software to interpret the images and visualize athlete movement in a 3D model,” says Zobrist. “AI processes the data so we can track trajectory, position, and movement across all three axes—X, Y, and Z”.

The system measures jump heights, air times, and landing speeds in real time, producing heat maps and graphic overlays that break down each program—all instantaneously. “The time it takes for us to measure the data, until we show a matrix on TV with a graphic, this whole chain needs to take less than 1/10 of a second,” Zobrist says.

A range of different AI models helps the broadcasters and commentators process each skater’s every move on the ice.

“There is an AI that helps our computer vision system do pose estimation,” he says. “So we have a camera that is filming what is happening, and an AI that helps the camera understand what it’s looking at. And then there is a second type of AI, which is more similar to a large language model that makes sense of the data that we collect”.

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Among the features Swiss Timing’s new systems provide is blade angle detection, which gives judges precise technical data to augment their technical and aesthetic decisions. Zobrist says future versions will also determine whether a given rotation is complete, so that “If the rotation is 355 degrees, there is going to be a deduction,” he says.

This builds on technology Omega unveiled at the 2024 Paris Olympics for diving, where cameras measured distances between a diver’s head and the board to help judges assess points and penalties to be awarded.

Three dimensional rendering of a ski jumper preparing for dismount on a tall slope. At the 2026 Winter Olympics, ski jumping will feature both camera-based and sensor-based technologies to make the aerial experience more immediate and real-time. Omega

Ski Jumping Tech Finds Make-or-Break Moments

Unlike figure skating’s camera-based approach, ski jumping also relies on physical sensors.

“In ski jumping, we use a small, lightweight sensor attached to each ski, one sensor per ski, not on the athlete’s body,” Zobrist says. The sensors are lightweight and broadcast data on a skier’s speed, acceleration, and positioning in the air. The technology also correlates performance data with wind conditions, revealing environmental factors’ influence on each jump.

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High-speed cameras also track each ski jumper. Then, a stroboscopic camera provides body position time-lapses throughout the jump.

“The first 20 to 30 meters after takeoff are crucial as athletes move into a V position and lean forward,” Zobrist says. “And both the timing and precision of this movement strongly influence performance.”

The system reveals biomechanical characteristics in real time, he adds, showing how athletes position their bodies during every moment of the takeoff process. The most common mistake in flight position, over-rotation or under-rotation, can now be detailed and diagnosed with precision on every jump.

Bobsleigh: Pushing the Line on the Photo Finish

This year’s Olympics will also feature a “virtual photo finish,” providing comparison images of when different sleds cross the finish line over previous runs.

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Red Omega camera with large lens, under a sleek hood, set against a black background. Omega’s cameras will provide virtual photo finishes at the 2026 Winter Olympics. Omega

“We virtually build a photo finish that shows different sleds from different runs on a single visual reference,” says Zobrist.

After each run, composite images show the margins separating performances. However, more tried-and-true technology still generates official results. A Swiss Timing score, he says, still comes courtesy of photoelectric cells, devices that emit light beams across the finish line and stop the clock when broken. The company offers its virtual photo finish, by contrast, as a visualization tool for spectators and commentators.

In bobsleigh, as in every timed Winter Olympic event, the line between triumph and heartbreak is sometimes measured in milliseconds or even shorter time intervals still. Such precision will, Zobrist says, stem from Omega’s Quantum Timer.

“We can measure time to the millionth of a second, so 6 digits after the comma, with a deviation of about 23 nanoseconds over 24 hours,” Zobrist explained. “These devices are constantly calibrated and used across all timed sports.”

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Are Duracell Batteries Better Than Energizer? What Consumer Reports Data Says

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We may receive a commission on purchases made from links.

With some product segments, two rival companies dominate the market space. Boeing and Airbus sometimes even use the same engines, and chances are good you’re reading this on a mobile phone running software created by either Apple or Google. When it comes to alkaline batteries, the two most recognizable premium brands are Duracell and Energizer.  Consumer Reports tested 15 different AA batteries and rated the Duracell Quantum AA highest among alkaline batteries and equal in perfomance to Energizer Ultimate lithium batteries. Rayovac Fusion Advanced AA batteries also performed well, coming in just ahead of Energizer Advanced lithium and Duracell Copper top alkaline cells. Energizer EcoAdvanced and Max+ PowerSeal alkaline batteries scored a little lower; in the company of retailer-branded batteries from Amazon, CVS, Walgreens, and Rite Aid.

This round of Consumer Reports testing covered only disposable alkaline and lithium batteries. SlashGear’s ranking of rechargeable batteries also placed Duracell just ahead of Energizer, although EBL and Eneloop batteries topped our list. Energizer and Duracell batteries cost more than most generic competitors, but expensive name-brand batteries usually last longer than cheaper ones.

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Most tests (including this one from Consumer Reports) find Duracell and Energizer batteries to be more or less equal in terms of performance, although the Duracell Quantum was a top performer here. Energizer Ultimate lithium batteries more or less matched the Quantum’s performance benchmarks, and Energizer Advanced lithium cells tested slightly better than Duracell Copper Top alkalines. Both brands are highly recommended by SlashGear and Consumer Reports with impressive performance that separates them from the rest of the pack, so buy either with confidence.

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How to make batteries last longer

Consumer Reports tested this battery of batteries by measuring runtime in toys and flashlights, but use across a variety of devices might return different results. For example, a TV remote control doesn’t require that much power to function and is used intermittently, so drain on batteries is low. That’s why you may not need to change them for months, or even years. In contrast, Xbox controllers drain batteries very quickly because features like haptic feedback and wireless connectivity draw lots of power.

There are a couple things you can do to get the most out of your batteries. First, pay attention to the stamped expiration date if you’re buying them in a store. If the batteries aren’t going straight to use in a device, keep them in their original packaging in a cool, dry place. Contrary to a common myth, storing batteries in the fridge or freezer is a bad idea; condensation can form inside the packaging. Put them in an interior closet or water-resistant toolbox, and remove batteries from devices you don’t plan on using for a while. Be careful not to store batteries loose in a box or drawer with other batteries or metal objects; short-circuits could drain your batteries or even cause a fire. A plastic battery organizer will protect batteries when not in use and can be stored in a closet or cabinet. Stacking batteries upright will prevent terminal-to-terminal contact, and always recycle used batteries according to local guidelines.



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Anthropic’s Claude Opus 4.6 brings 1M token context and ‘agent teams’ to take on OpenAI’s Codex

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Anthropic on Thursday released Claude Opus 4.6, a major upgrade to its flagship artificial intelligence model that the company says plans more carefully, sustains longer autonomous workflows, and outperforms competitors including OpenAI’s GPT-5.2 on key enterprise benchmarks — a release that arrives at a tumultuous moment for the AI industry and global software markets.

The launch comes just three days after OpenAI released its own Codex desktop application in a direct challenge to Anthropic’s Claude Code momentum, and amid a $285 billion rout in software and services stocks that investors attribute partly to fears that Anthropic’s AI tools could disrupt established enterprise software businesses.

For the first time, Anthropic’s Opus-class models will feature a 1 million token context window, allowing the AI to process and reason across vastly more information than previous versions. The company also introduced “agent teams” in Claude Code — a research preview feature that enables multiple AI agents to work simultaneously on different aspects of a coding project, coordinating autonomously.

“We’re focused on building the most capable, reliable, and safe AI systems,” an Anthropic spokesperson told VentureBeat about the announcements. “Opus 4.6 is even better at planning, helping solve the most complex coding tasks. And the new agent teams feature means users can split work across multiple agents — one on the frontend, one on the API, one on the migration — each owning its piece and coordinating directly with the others.”

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Why OpenAI and Anthropic are locked in an all-out war for enterprise developers

The release intensifies an already fierce competition between Anthropic and OpenAI, the two most valuable privately held AI companies in the world. OpenAI on Monday released a new desktop application for its Codex artificial intelligence coding system, a tool the company says transforms software development from a collaborative exercise with a single AI assistant into something more akin to managing a team of autonomous workers.

AI coding assistants have exploded in popularity over the last year, and OpenAI said more than 1 million developers have used Codex in the past month. The new Codex app is part of OpenAI’s ongoing effort to lure users and market share away from rivals like Anthropic and Cursor.

The timing of Anthropic’s release — just 72 hours after OpenAI’s Codex launch — underscores the breakneck pace of competition in AI development tools. OpenAI faces intensifying competition from Anthropic, which posted the largest share increase of any frontier lab since May 2025, according to a recent Andreessen Horowitz survey. Forty-four percent of enterprises now use Anthropic in production, driven by rapid capability gains in software development since late 2024. The desktop launch is a strategic counter to Claude Code’s momentum.

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According to Anthropic’s announcement, Opus 4.6 achieves the highest score on Terminal-Bench 2.0, an agentic coding evaluation, and leads all other frontier models on Humanity’s Last Exam, a complex multi-discipline reasoning test. On GDPval-AA — a benchmark measuring performance on economically valuable knowledge work tasks in finance, legal and other domains — Opus 4.6 outperforms OpenAI’s GPT-5.2 by approximately 144 ELO points, which translates to obtaining a higher score approximately 70% of the time.

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Claude Opus 4.6 leads or matches competitors across most benchmark categories, according to Anthropic’s internal testing. The model showed particular strength in agentic tasks, office work and novel problem-solving. (Source: Anthropic)

Inside Claude Code’s $1 billion revenue milestone and growing enterprise footprint

The stakes are substantial. Asked about Claude Code’s financial performance, the Anthropic spokesperson noted that in November, the company announced that Claude Code reached $1 billion in run rate revenue only six months after becoming generally available in May 2025.

The spokesperson highlighted major enterprise deployments: “Claude Code is used by Uber across teams like software engineering, data science, finance, and trust and safety; wall-to-wall deployment across Salesforce’s global engineering org; tens of thousands of devs at Accenture; and companies across industries like Spotify, Rakuten, Snowflake, Novo Nordisk, and Ramp.”

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That enterprise traction has translated into skyrocketing valuations. Earlier this month, Anthropic signed a term sheet for a $10 billion funding round at a $350 billion valuation. Bloomberg reported that Anthropic is simultaneously working on a tender offer that would allow employees to sell shares at that valuation, offering liquidity to staffers who have watched the company’s worth multiply since its 2021 founding.

How Opus 4.6 solves the ‘context rot’ problem that has plagued AI models

One of Opus 4.6’s most significant technical improvements addresses what the AI industry calls “context rot“—the degradation of model performance as conversations grow longer. Anthropic says Opus 4.6 scores 76% on MRCR v2, a needle-in-a-haystack benchmark testing a model’s ability to retrieve information hidden in vast amounts of text, compared to just 18.5% for Sonnet 4.5.

“This is a qualitative shift in how much context a model can actually use while maintaining peak performance,” the company said in its announcement.

The model also supports outputs of up to 128,000 tokens — enough to complete substantial coding tasks or documents without breaking them into multiple requests.

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For developers, Anthropic is introducing several new API features alongside the model: adaptive thinking, which allows Claude to decide when deeper reasoning would be helpful rather than requiring a binary on-off choice; four effort levels (low, medium, high, max) to control intelligence, speed and cost tradeoffs; and context compaction, a beta feature that automatically summarizes older context to enable longer-running tasks.

long-context retrieval anthropic

Opus 4.6 dramatically outperformed its predecessor on tests measuring how well models retrieve information buried in long documents — a key capability for enterprise coding and research tasks. (Source: Anthropic)

Anthropic’s delicate balancing act: Building powerful AI agents without losing control

Anthropic, which has built its brand around AI safety research, emphasized that Opus 4.6 maintains alignment with its predecessors despite its enhanced capabilities. On the company’s automated behavior audit measuring misaligned behaviors such as deception, sycophancy, and cooperation with misuse, Opus 4.6 “showed a low rate” of problematic responses while also achieving “the lowest rate of over-refusals — where the model fails to answer benign queries — of any recent Claude model.”

When asked how Anthropic thinks about safety guardrails as Claude becomes more agentic, particularly with multiple agents coordinating autonomously, the spokesperson pointed to the company’s published framework: “Agents have tremendous potential for positive impacts in work but it’s important that agents continue to be safe, reliable, and trustworthy. We outlined our framework for developing safe and trustworthy agents last year which shares core principles developers should consider when building agents.”

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The company said it has developed six new cybersecurity probes to detect potentially harmful uses of the model’s enhanced capabilities, and is using Opus 4.6 to help find and patch vulnerabilities in open-source software as part of defensive cybersecurity efforts.

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Anthropic says its newest model exhibits the lowest rate of problematic behaviors — including deception and sycophancy — of any Claude version tested, even as capabilities have increased. (Source: Anthropic)

Sam Altman vs. Dario Amodei: The Super Bowl ad battle that exposed AI’s deepest divisions

The rivalry between Anthropic and OpenAI has spilled into consumer marketing in dramatic fashion. Both companies will feature prominently during Sunday’s Super Bowl. Anthropic is airing commercials that mock OpenAI’s decision to begin testing advertisements in ChatGPT, with the tagline: “Ads are coming to AI. But not to Claude.”

OpenAI CEO Sam Altman responded by calling the ads “funny” but “clearly dishonest,” posting on X that his company would “obviously never run ads in the way Anthropic depicts them” and that “Anthropic wants to control what people do with AI” while serving “an expensive product to rich people.”

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The exchange highlights a fundamental strategic divergence: OpenAI has moved to monetize its massive free user base through advertising, while Anthropic has focused almost exclusively on enterprise sales and premium subscriptions.

The $285 billion stock selloff that revealed Wall Street’s AI anxiety

The launch occurs against a backdrop of historic market volatility in software stocks. A new AI automation tool from Anthropic PBC sparked a $285 billion rout in stocks across the software, financial services and asset management sectors on Tuesday as investors raced to dump shares with even the slightest exposure. A Goldman Sachs basket of US software stocks sank 6%, its biggest one-day decline since April’s tariff-fueled selloff.

The selloff was triggered by a new legal tool from Anthropic, which showed the AI industry’s growing push into industries that can unlock lucrative enterprise revenue needed to fund massive investments in the technology. One trigger for Tuesday’s selloff was Anthropic’s launch of plug-ins for its Claude Cowork agent on Friday, enabling automated tasks across legal, sales, marketing and data analysis.

Thomson Reuters plunged 15.83% Tuesday, its biggest single-day drop on record; and Legalzoom.com sank 19.68%. European legal software providers including RELX, owner of LexisNexis, and Wolters Kluwer experienced their worst single-day performances in decades.

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Not everyone agrees the selloff is warranted. Nvidia CEO Jensen Huang said on Tuesday that fears AI would replace software and related tools were “illogical” and “time will prove itself.” Mark Murphy, head of U.S. enterprise software research at JPMorgan, said in a Reuters report it “feels like an illogical leap” to say a new plug-in from an LLM would “replace every layer of mission-critical enterprise software.”

What Claude’s new PowerPoint integration means for Microsoft’s AI strategy

Among the more notable product announcements: Anthropic is releasing Claude in PowerPoint in research preview, allowing users to create presentations using the same AI capabilities that power Claude’s document and spreadsheet work. The integration puts Claude directly inside a core Microsoft product — an unusual arrangement given Microsoft’s 27% stake in OpenAI.

The Anthropic spokesperson framed the move pragmatically in an interview with VentureBeat: “Microsoft has an official add-in marketplace for Office products with multiple add-ins available to help people with slide creation and iteration. Any developer can build a plugin for Excel or PowerPoint. We’re participating in that ecosystem to bring Claude into PowerPoint. This is about participating in the ecosystem and giving users the ability to work with the tools that they want, in the programs they want.”

Claude in Powerpoint

Claude’s new PowerPoint integration, shown here analyzing a market research slide, places Anthropic’s AI directly inside a flagship Microsoft product — despite Microsoft’s major investment in rival OpenAI. (Source: Anthropic)

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The data behind enterprise AI adoption: Who’s winning and who’s losing ground

Data from a16z’s recent enterprise AI survey suggests both Anthropic and OpenAI face an increasingly competitive landscape. While OpenAI remains the most widely used AI provider in the enterprise, with approximately 77% of surveyed companies using it in production in January 2026, Anthropic’s adoption is rising rapidly — from near-zero in March 2024 to approximately 40% using it in production by January 2026.

The survey data also shows that 75% of Anthropic’s enterprise customers are using it in production, with 89% either testing or in production — figures that slightly exceed OpenAI’s 46% in production and 73% testing or in production rates among its customer base.

Enterprise spending on AI continues to accelerate. Average enterprise LLM spend reached $7 million in 2025, up 180% from $2.5 million in 2024, with projections suggesting $11.6 million in 2026 — a 65% increase year-over-year.

a16z LLM Vendor Usage Over Time chart

OpenAI remains the dominant AI provider in enterprise settings, but Anthropic’s share has surged from near zero in early 2024 to roughly 40 percent of companies using it in production by January 2026. (Source: Andreessen Horowitz survey, January 2026)

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Pricing, availability, and what developers need to know about Claude Opus 4.6

Opus 4.6 is available immediately on claude.ai, the Claude API, and major cloud platforms. Developers can access it via claude-opus-4-6 through the API. Pricing remains unchanged at $5 per million input tokens and $25 per million output tokens, with premium pricing of $10/$37.50 for prompts exceeding 200,000 tokens using the 1 million token context window.

For users who find Opus 4.6 “overthinking” simpler tasks — a characteristic Anthropic acknowledges can add cost and latency — the company recommends adjusting the effort parameter from its default high setting to medium.

The recommendation captures something essential about where the AI industry now stands. These models have grown so capable that their creators must now teach customers how to make them think less. Whether that represents a breakthrough or a warning sign depends entirely on which side of the disruption you’re standing on — and whether you remembered to sell your software stocks before Tuesday.

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The Nintendo Switch 2 proved me wrong in several ways, and it’s why I’d suggest buying it now before price hikes

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I’ve been critical of the Nintendo Switch 2 in previous stories, given the price of its games and, to a lesser extent, the handheld’s price itself, but after giving it a shot, it’s a strong recommendation. You can now grab the Nintendo Switch 2 bundle on Best Buy for $629.95 (was $684.95).

The bundle includes Mario Kart World and Donkey Kong Bananza, two exclusive Switch 2 titles that showcase the fun ready to be had with the console this President’s Day. I’ve bought and played both games (not for $80), and I can say that they serve as perfect introductions to the Switch ecosystem, especially if you’ve not played many Nintendo games.

potential price increase. Multiple reports suggest the threat is from a combination of tariffs and the ongoing RAM crisis.

Since Valve is also hesitant to announce prices for the Steam Machine’s launch due to the high cost of memory, Nintendo will likely announce a price increase for its Switch 2 soon.

That makes now the best time to make a move if you’ve been considering a Switch 2 – and I can attest to it being worth every cent, especially since its life cycle has only just begun. Expect to see several exclusives launch later down the line, and The Duskbloods is already one that’s caught my eye.

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DIY Macropad Rocks A Haptic Feedback Wheel

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Macropads can be as simple as a few buttons hooked up to a microcontroller to do the USB HID dance and talk to a PC. However, you can go a lot further, too. [CNCDan] demonstrates this well with his sleek macropad build, which throws haptic feedback into the mix.

The build features six programmable macro buttons, which are situated either on side of a 128×64 OLED display. This setup allows the OLED screen to show icons that explain the functionality of each button. There’s also a nice large rotary knob, surrounded by 20 addressable WS2811 LEDs for visual feedback. Underneath the knob lives an an encoder, as well as a brushless motor typically used in gimbal builds, which is driven by a TMC6300 motor driver board. Everything is laced up to a Waveshare RP2040 Plus devboard which runs the show. It’s responsible for controlling the motors, reading the knob and switches, and speaking USB to the PC that it’s plugged into.

It’s a compact device that nonetheless should prove to be a good productivity booster on the bench. We’ve featured [CNCDan’s] work before, too, such as this nifty DIY VR headset.

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Anthropic’s Powerful Claude Opus AI Model Is Getting an Upgrade

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Anthropic’s most powerful Claude model is leveling up, with the company saying in a blog post Thursday that Claude Opus 4.6 will be even better at coding and creating projects on the first go.

Claude Opus 4.5 is already a powerful coding model, with its release in November setting up Claude Code’s viral vibe-coding moment over the holidays. Claude’s proven coding prowess and new Cowork feature have Wall Street anxious, with many tech stocks falling in recent weeks, over concerns that people won’t need software products in the future.

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Anthropic said the new model is more focused on solving the biggest challenges, like the inner workings of complex apps, while also handling the easy steps more quickly. As a reasoning model, Opus 4.6 works by breaking down the steps it needs to take to do what you ask it to and putting together a plan before starting on it. It’ll also go back and check its work on those steps, sometimes making multiple attempts without you asking for it.

Sometimes the model can spend too much effort on a task, which Anthropic said can be resolved by reducing its effort level from the default “high” setting.

Read more: Anthropic Super Bowl Commercials Pinky Promise No Ads in Claude

The Claude Opus models are available for paying Claude users on the Pro, Max, Team and Enterprise plans. The cheapest of those, Pro, costs $20 a month (or $17 a month if you pay annually). The Pro plan comes with usage limits for Opus, which users can hit after a few hours of vibe coding and then have to wait several hours for it to reset.

Aside from Opus, Anthropic has smaller, less powerful models in Sonnet 4.5 and Haiku 4.5.

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One of Europe’s largest universities knocked offline for days after cyberattack

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The computer systems of La Sapienza in Rome, one of the largest universities in Europe with around 120,000 students, have been down for three days following an apparent ransomware attack. 

In a post and stories on Instagram published Tuesday, the university said that it took down its systems out of precaution following the cyberattack, that it was investigating the incident and working on restoring all digital services, and that some communication channels such as email and workstations are “partially limited.” 

The school also said that it was working to restore systems based on backups, which were not affected by the hack. 

As of this writing the Sapienza website remains down. 

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Italian daily news outlet Il Corriere della Sera reported this week that the disruption is due to a ransomware attack, something that the school nor other authorities have confirmed so far. The hackers allegedly sent the university a link to a request for a ransom, which has a countdown of 72 hours, which would start only once the link is clicked. 

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Do you have more information about this attack, or the Femwar02 ransomware gang? From a non-work device, you can contact Lorenzo Franceschi-Bicchierai securely on Signal at +1 917 257 1382, or via Telegram, Keybase and Wire @lorenzofb, or email.

La Sapieza did not respond to TechCrunch’s request for comment sent via email. It’s unclear if the university is able to accept email at the time we reached out.

Spokespeople for Italy’s national cybersecurity agency, Agenzia per la Cybersicurezza Nazionale (or ACN), which is investigating the incident, did not immediately respond to a request for comment, asking for more information and if the attack was caused by ransomware.

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In another article on Wednesday, Il Corriere reported that the hacking group behind the attack is called “Femwar02,” which was previously unknown prior to this incident. The gang used the BabLock malware, which was discovered in 2023 and is also known as Rorschach, according to the report.

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La Sapienza said that exams are proceeding as normal, but students who want to sign up for exams must do so directly with professors. The school also set up “infopoints” on several locations on campus to provide information to students. 

Like other types of organizations, universities and schools are frequent targets of hackers. Last year, the notorious hacking group ShinyHunters hacked Harvard University and University of Pennsylvania and stole data — without using malware to encrypt its systems — in an effort to extort the schools. The hackers revealed this week that the schools did not pay the ransom.

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Intel has a new chief architect working on GPUs for AI data centers

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During the recent Cisco AI Summit, Intel CEO Lip-Bu Tan announced that the company has appointed a new “chief GPU architect.” Tan did not disclose the executive’s name at the event, but subsequent reports confirmed that former Qualcomm executive Eric Demmers will lead the new venture.
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AstellKern’s doubles down on luxury with its SP4000 music player

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Astell&Kern is doubling down on the high-end with the launch of its most premium portable music player yet. It also comes with a suitably luxurious way to store it.

The company has unveiled the A&ultima SP4000 Copper, a limited-edition flagship digital audio player. It is launching the SP4000 alongside the Collector’s Atelier, a leather valet designed for serious head-fi collectors.

The headline act here is the SP4000 Copper. It’s based on Astell&Kern’s existing SP4000 platform but rebuilt using 99.98% pure copper. This is a material prized for its audio properties and notoriously difficult to work with.

According to Astell&Kern, the player requires a multi-layer stabilisation process and extremely precise machining to ensure long-term durability. All this is in the name of cleaner signal transfer and better shielding.

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AstellKern SP4000 CopperAstellKern SP4000 Copper
Image Credit (Astell&Kern)

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Under the hood, it keeps the same class-leading internals as the standard SP4000, including a quad-DAC setup and octa-circuit architecture. However, Astell&Kern says the copper chassis directly shapes the sound with the result described as deeper, more authoritative bass, a richer midrange, and treble that decays more naturally. The device is tuned for listeners who want recordings to sound as close to the original performance as possible.

As you’d expect, exclusivity comes at a price. The A&ultima SP4000 Copper is a limited edition and is available now with a suggested retail price of £3999 / $4499 / €4699.

AstellKern SP4000 Atelier caseAstellKern SP4000 Atelier case
Image Credit (Astell&Kern)

Alongside it, Astell&Kern has introduced the Collector’s Atelier, a premium leather valet designed to house a player, earphones and accessories. It’s made using Perlinger leather, sourced from a German tannery that’s been operating since 1864.

The leather undergoes a specialised shrinking process that preserves its natural grain while improving durability. This means it should age gracefully with use rather than looking worn out. The Collector’s Atelier is available now for £229 / $260.

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Rounding out the launch are two previously announced products that are now officially on sale. The AK HC5, a compact USB DAC priced at £399, targets portable listening setups. Meanwhile, STELLA, a reference-grade earphone developed with Volk Audio and Grammy-winning mastering engineer Michael Graves, sits at the very top of Astell&Kern’s in-ear lineup.

Taken together, it’s a clear statement of intent from Astell&Kern. This isn’t about mass appeal — it’s about pushing materials, sound quality and craftsmanship as far as possible for listeners who want the absolute best, even on the move.

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The Latest Apple Watch Is $100 Off

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Is it finally time to upgrade that aging Apple Watch that you’re charging twice a day? I have some great news for you! The Apple Watch Series 11 is marked down at major retailers like Amazon and Best Buy to as low as $300 for the base version, or $400 for the upgraded GPS + Cellular version, depending on your finish and included band choice.

While we’ve enjoyed previous generations of Apple Watch, the Series 11 made one of the most major improvements yet to the popular line of smartwatches. With the upgraded battery and extra optimization features, the standard Apple Watch can now last an entire day and then some on a single charge. That’s great news for anyone who wants to get the most out of their watch during the day, and then use it to track their sleep at night.

That improved battery life also lets you take advantage of all the updated health tracking features found on the Apple Watch Series 11. The biggest new feature is monitoring for high blood pressure, which will keep track of your vitals over a two week period before alerting you if it thinks you should see a doctor. While it isn’t an official medical device, it’s cleared by the FDA, and at least gives you some helpful information from information it was already gathering anyway.

Otherwise, it has all the features you’d expect from an Apple Watch, including sleep tracking, fitness features for different sports and activities, and a close connection to your iPhone for messages and notifications. If you opt for the version that includes a cellular connection, it features both satellite and 5G messaging, with helpful tips for getting the best connection right on the watch.

I spotted the marked down GPS-only Apple Watch Series 11 at Amazon and Best Buy, with quite a few color and band options in stock at both retailers. Both Amazon and Best Buy also had the versions that support a cellular connection as well, albeit with fewer options at the discounted price. If you’re curious about all the changes to the latest version, make sure to swing by our full review for a complete hands-on experience.

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