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The perfect soundbars for small spaces

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Not everyone has the space for a surround sound system or even a full-sized soundbar. If that’s your situation, we’ve come up with several small options that will work for your crowded space.

We’ve tried to ensure with this list of the best small soundbars that even though they’re small, there’s still an option that will suit every need.

We’ve chosen Dolby Atmos soundbars, soundbars that work with older TVs that don’t have HDMI ports, or models that come with subwoofers. We’ve got an array of options to choose from.

Any soundbar we look at, we do so by watching lots of movies and listening to plenty of music. We examine how well each model handles dialogue, effects, and different genres of music. From these tests, we determine which ones are worth your cash.

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Keep reading to discover all the best small soundbars available right now. We have other guides to have a look too which includes our best soundbars and the best Dolby Atmos soundbars.

We’ve also narrowed down the best surround sound systems for those with the space and budget to create a bigger sound system.

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Best small soundbars at a glance

SQUIRREL_ANCHOR_LIST

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Learn more about how we test soundbars

Soundbars were created to boost TV sound quality – which means we end up watching a lot of TV. We play everything – news reports for voices, movies for scale and effects steering – to ensure that the soundbars that come through the doors at Trusted Reviews are given a proper challenge. We’ll play different genres of music, too, since a good soundbar should be capable of doubling-up as a great music system.

More complex soundbars feature network functionality for hooking up to other speakers and playing music around the home, so we test for connectivity issues and ease of use. We cover the spectrum of models available, everything from cheap soundbars costing less than £100 to those over £1000, to ensure our reviews benefit from our extensive market knowledge. Every product is compared to similarly priced rivals, too.

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  • Clean and balanced sound

  • Upgradeable

  • Excellent size

  • Amazon Alexa and Google Assistant support

  • HDMI eARC input only

  • Limited DTS support

Compared to the original Beam, the Beam Gen 2  comes with addition of an eARC HDMI port that allows it to play full-fat lossless Atmos soundtracks.

That also means you’ll need an eARC compatible TV to get the best out of it.

Otherwise, things remain the same with the Beam 2nd Gen, with it best suited for TVs up to and including 49-inches.

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The current Beam supports Wi-Fi and the Sonos S2 app, which offers access to a multitude of streaming services such as Tidal, Deezer and Qobuz, as well as Sonos’ own Radio service.

You can also call on voice assistance in Google Assistant and Amazon Alexa, as well as initiate Trueplay (as long as you’ve got an iOS device), which optimises the Beam’s audio performance according to the environment it is in.

During testing we found it produced an excellent audio performance, offering a solid low end and a generally balanced sound across the frequency range.

It also handled music impressively, with no noticeable distortion, handling more subtle elements with nuance. The addition of Dolby Atmos isn’t achieved through upfiring speakers but through virtual processing, and it offers a good performance with a decent sense of dimensionality when we watched Captain Marvel on Disney+.

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The Beam 2 doesn’t have fully-featured DTS support but the similarly compact Polk Magnifi Mini AX and Denon Home Sound bar 550 do support DTS:X.

Like the Sonos both can be paired with a subwoofer for added ‘oomph’. A slightly more expensive but still impressive alternative is the Sennheiser Ambeo Mini.

While the Beam 2 is not perfect, as a means of getting Atmos into the home in a small form factor, the Sonos Beam Gen 2 is a very good way of doing so.

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  • Sharp, clear and spacious sound

  • Small footprint

  • Affordable at its current price

  • Wall-mount brackets included

  • LED menu is practically invisible from a seated position

  • No HDMI eARC

The Samsung HW-S61B is still going and serves as an excellent, affordable rival to the Sonos Beam Gen 2.

Its a compact speaker cabale of producing a crisp, clear and punchy sound. It offers plenty of energy and outright attack that easily betters anything a TV can produce.

Its built-in subwoofer provides impact to action scenes, and with Atmos content, the soundstage is bigger than the dimensions of the bar and TV, producing plenty of size and scale to go with Hollywood blockbusters.

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It’s pretty solid performer with music content whether over Wi-Fi or Bluetooth, though the former produces a clearer, more detailed performance. The lack of HDMI eARC is a disappointment as it means you won’t be getting the highest quality Dolby Atmos sound possible, and we’re not big fans of the design when it comes to placement of the LED screen. We can barely see it at the best of times given how small it is.

Features include Amazon Alexa voice control, though this would need another connected speaker to be able to use. AirPlay 2 is another means of playing audio to the system, while if you have a Samsung Galaxy smartphone, you can tap it on the surface of the soundbar and play music to it.

If after you’ve bought the speaker, you’re looking to upgrade and add more, the S61B does support the SWA-9200S wireless rear speaker system.

If you have a Samsung Q-Symphony compatible TV can also take advantage of that feature, whereby the TV and soundbar speakers combine for a bigger sound.

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There are other options in the market if you are looking for a soundbar and subwoofer combo, most notably the Polk MagniFi Mini AX, but its Atmos performance isn’t as convincing as the Samsung.

New models have launched this one first went on sale, and we’ll be hoping to get reviews of those models at some point.

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  • Clean and powerful TV audio

  • Surprising amount of bass

  • Wide soundstage

  • Optional surround sound

  • Remote setup can be fiddly

  • Better at TV than music

If you’re something with an older TV (say a Pioneer Kuro) or have a second, smaller TV without HDMI inputs, the Sonos Ray is tailor made for you.

It only supports audio through an optical connection, so you won’t have to worry about HDMI handshake issues.

Audio through an optical connection keeps things simple enough, though you do miss out on advanced 3D audio like Dolby Atmos and DTS:X. There’s only enough bandwidth for Dolby Digital and DTS soundtracks.

There’s no built-in microphones for voice control from the likes of as Amazon Alexa and Google Assistant. You can still have those smart features, but you’ll need to connect the Ray to another smart speaker.

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The design looks a little different from other Sonos soundbars with its lozenge-shaped look and curved ends. Our reviewer felt it was a less in-your-face design that makes the Ray better to blend in with its surroundings more. You can also fit it into an AV rack if you wanted to conceal it from view.

The sound is surprisingly wide for its size, with effective bass performance too. It offers a clear and obvious improvement on a TV with dialogue making audio tracks much easier to understand. With music we felt it sounded decent, perhaps not quite as good as it is with TV series and films, but passable enough. For its primary job of making audio clearer, the Sonos Ray does a brilliant job.

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  • Exciting, dynamic sound (in the right mode)

  • Ultra-compact dimensions

  • Comes with a subwoofer

  • Good range of connections

  • Sub can hog the attention at times

  • Not truly immersive

While a small soundbar is helpful in terms of reducing space, its size isn’t always great for producing a more cinematic sound, especially when it comes to bass. The Polk MagniFi Mini AX has you covered in that respect.

This an ultra-compact Dolby Atmos/DTS:X soundbar from American brand Polk, and it differs from other options on this list in that it is not just an all-in-one effort but one that comes with sizeable subwoofer.

This allows it produce and energetic and dynamic performance, and given the weight and power behind the subwoofer’s performance, it’s probably one that’s sure to alert the neighbours to what you’re watching.

In our opinion the Polk doesn’t full suffice as an immersive soundbar but performs better than the Creative Stage 360. It can do a decent impression of height effects but not with the greatest sense of definition, while its soundstage is front heavy, though you can add Polk’s SR2 surround speakers as real channels for a greater sense of space.

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Dialogue can be enhanced with Polk’s VoiceAdjust technology, although we found that while it did its job of boosting voices, it also had a tendency to raise surrounding noise as well.

Tonally we felt the soundbar sounded accurate and there’s good levels of detail and clarity to enjoy when the soundbar is put into its 3D mode, which also gives a bigger, wider soundstage to Atmos and DTS:X soundtracks.

With music it’s a solid performer, playing music with a crispness that we found avoided sibilance or harshness.

With Chromecast available along with Bluetooth, AirPlay 2, Spotify Connect and a USB connection that can play MP3 music. With Atmos and DTS:X support for the same price as the Sonos Sub Mini, this is a good value soundbar/subwoofer combination.

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  • Impressive nearfield Dolby Atmos effect

  • Clear, articulate voices

  • Solid feature set

  • Versatile footprint

  • Classy design

  • Short on meaningful bass

  • Fussy indicator light arrangement

Measuring in at 52 x 72 x 110cm (WHD) and weighing under 2kg, the SB700 is stocky yet lightweight enough to carry from room to room, which means it can double as both a sonic enhancer for small TVs and a companion for a workstation. We would advise against relying on the SB700 as the main audio source for a living room, though.

Included with the SB700 is a useful remote control that sports treble and bass controls, input selection and all the various EQ modes including voice, movie, music, night and neutral. Sharp also usefully throws in an HDMI cable, which plugs easily into the soundbar’s rear and shares a port alongside optical, USB (service) and 3.5-mm audio inputs.

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Powering the four onboard 1.75-inch drivers is a Class D-based 140W of peak power. Plus, as well as Dolby Atmos decoding, the Sharp processes a 3D mode, also known as DAP (Dolby Atmos Processing). We especially appreciate how the SB700 is a plug-and-play device and supports Bluetooth 5.3 connectivity too.

Overall we were impressed with the SB700’s audio quality. While it does struggle with bass and doesn’t quite offer a satisfying loud movie night, it still offers plenty of prowess with midrange and high frequencies too. Plus dialogue sounds clear too.

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  • Clear, detailed sound with decent bass

  • Decent with music

  • Neat and tidy design

  • Impressive SuperWide feature

  • Odd volume issues with sources

What the Creative Stage Pro lacks in features, it more than makes up for in terms of sound and design quality.

While the Stage Pro feels more like a desktop soundbar rather than a cinema bar, it does sport a smart appearance with a useful display at its front that can be seen from the sofa. Although undoubtedly compact, its height can block the TV’s IR receiver which means you might struggle to use your remote control with your TV.

Otherwise, the bar is paired with a similarly unassuming subwoofer that relies on a wired connection to the soundbar. Usefully, as it’s front-firing, you’re free to place it anywhere.

As mentioned earlier, despite its “Pro” moniker, there aren’t many features at play here. While there is Bluetooth 5.3 and support for Dolby Audio and Dolby Digital+ soundtracks, there’s no Wi-FI. Even so, it still covers the basic connections including an optical input, DMI ARC, USB-C and even an auxiliary input.

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Having said that, there is one notable feature: SuperWide. This expands the size of the Stage Pro’s sound and pushes audio out wide in a way that’s much bigger than the speaker. Depending on how close you’re sitting to the speaker, you can choose between Near-Field and Far-Field too. The latter is especially impressive as it manages to keep voices clear while expanding the width of the soundstage.

Overall, although it’s not an immersive soundbar, we were pretty impressed with the sense of the height it can provide. Otherwise, the subwoofer does a good job at providing a punchy sense of bass.

We did struggle with the soundbar’s volume levels, especially when switching between sources, as the Stage Pro can veer from excessively loud to surprisingly quiet. It’s frustrating, as it seems as if there’s no way to minimise those swings in volume.

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FAQs

Does a soundbar have to match your TV size?

No, but it’s best for them to at least be similar in size. For a full-size soundbar, it’s best to partner them with TVs 50-inches and above. With compact soundbars that TVs’ 49-inches and smaller would be the best fit.

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Do soundbars have to be the same brand as the TV?

No, you won’t need a soundbar that’s the same brand as the TV. Any soundbar can work with any TV it is connected to. Where you may want to consider is whether the soundbar and TV have been optimised to work best with each other. LG and Sony both have soundbars that share features with their respective TVs.

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Full Specs

  Sonos Beam (Gen 2) Review Samsung HW-S61B Review Sonos Ray Review Polk MagniFi Mini AX Review Sharp HT-SB700 Review Creative Stage Pro Review
UK RRP £449 £329 £279 £429 £199 £129
USA RRP $449 $349 $279 $499 $169.99
EU RRP €499 €419 €298 €479
CA RRP CA$559 CA$499 CA$699
AUD RRP AU$699 AU$599
Manufacturer Sonos Samsung Sonos Polk Sharp Creative
Size (Dimensions) 651 x 100 x 69 MM 670 x 105 x 62 MM 559 x 95 x 71 MM 366 x 104 x 79 MM x 110 x MM 420 x 265 x 115 MM
Weight 2.8 KG 2.7 KG 1.95 KG 1.9 KG
ASIN B09B12MGXM B09W66KSXN B09ZYCBWYF B09VH9C5VV B0CR6M8RW3
Release Date 2021 2022 2022 2022 2024 2025
First Reviewed Date 30/09/2021 31/05/2022
Model Number Sonos Beam (2nd Gen) HW-S61B/XU Sonos Ray MagniFi Mini AX HT-SB700
Model Variants Black or white S60B
Sound Bar Channels 5.0 5.1 2.0.2 2.1
Driver (s) 1x tweeter, 4x mid-woofers, 3x passive radiators Centre, two side-firing 2 x tweeters, 2 x mid-woofers, 2 x low-velocity ports two 19mm tweeters, three 51mm mid-range, 127mm × 178mm woofer 2 x 1.75-in full-range forward-facing drivers plus 2 x 1.75-in full-range up-firing drivers
Audio (Power output) 140 W 80 W
Connectivity HDMI eARC, Optical S/PDIF (via adaptor) Optical S/PDIF AirPlay 2, Bluetooth 5.0, Chromecast, Spotify Connect Bluetooth 5.3 Bluetooth 5.3
ARC/eARC ARC/eARC ARC N/A ARC/eARC eARC ARC
Colours Black, white White, Black Black and white Black Matt black Black
Voice Assistant Amazon Alexa, Google Assistant Works with Amazon Alexa, Google Assistant, Bixby N/A
Audio Formats Dolby Digital, Dolby Digital Plus, Dolby True HD, Dolby Atmos, PCM Dolby Atmos (Dolby Digital Plus), DTS Virtual:X, AAC, MP3, FLAC, ALAC, WAV, OGG, AIFF DTS, Dolby Digital, Stereo PCM Dolby Atmos, Dolby Audio, DTS:X, DTS Dolby Audio, Dolby Atmos
Power Consumption 31 W
Subwoofer Yes Yes
Rear Speaker Optional Optional Optional Optional No No
Multiroom Yes (Sonos) Yes (Sonos mesh)

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Three-Monitor Ridge Racer Machine Emulated In MAME

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When Ridge Racer hit the arcades in the early 1990s, it came in a few different versions. The last variant used three large CRTs to create a wraparound display for the player. Incredibly rare, it’s believed that only a single-digit number of machines remain in existence. [beaumotplage] has secured a remaining example, and been working to preserve this historical artifact.

The first mission when it comes to this machine was to dump the ROMs, which have thus far not been preserved in any major archive. With that done, [beaumotplage] worked to hack a version of MAME that could emulate the Three Monitor Version’s unique mode of operation. As it turns out, each screen is driven by its own arcade board, with the three boards linked via C139 serial links. To emulate this, the trick was simply to write some C139 linkup code and run three versions of MAME all at once, letting them communicate with each other as the original boards would have. It’s a little janky in operation right now, but it does work!

You can download the hacked version of MAME for three-monitor operation here, though note that this does not include the ROM dumps from the machine itself. We look forward to seeing if the hardware ends up getting a full restoration back to operational standard, too.

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Overall, this work goes to show that arcade preservation and archival work sometimes requires getting deep into the nitty-gritty technical stuff.

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IPv6 traffic reaches parity with IPv4 for the first time, Google data shows

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Statistics from Google show a steady rise in global IPv6 usage, climbing from near zero in early 2012 to 50.1% on March 28, briefly surpassing IPv4. Although the milestone did not hold, usage now hovers between 45% and 50%.
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Apple avoids a second import ban for its redesigned smartwatches in latest court ruling

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Apple has secured a major victory for its redesigned smartwatches as per the latest decision from the US International Trade Commission. The federal agency ruled against reinstating an import ban on Apple Watches, allowing the tech giant to continue selling its devices with a reworked blood-oxygen monitoring technology.

The ITC decided to terminate the case and refer to a preliminary ruling from one of its judges in March that claimed that Apple’s redesigned smartwatches don’t infringe on patents held by Masimo, the medical tech company that has long been embroiled in lawsuits surrounding the Apple Watch. Apple thanked the ITC in a statement, adding that “Masimo has waged a relentless legal campaign against Apple and nearly all of its claims have been rejected.” We reached out to Masimo for comment and will update the story when we hear back.

The latest decision could offer some closure to the longstanding legal feud between Masimo and Apple. The patent battle dates back to 2021 with Masimo’s first filing against Apple that requested an import ban on Apple Watches. The ITC ended up ruling that Apple violated Masimo’s patents, resulting in the previous import ban and the Apple Watch maker redesigning the blood-oxygen reading feature in certain models. However, Masimo wasn’t satisfied with this conclusion and sought another import ban on the updated Apple Watch models. Now that the ITC has ruled against that, Masimo is left with the option to appeal the decision with the US Court of Appeals for the Federal Circuit.

While Masimo may currently be on the losing side of this legal battle, it’s confronting Apple on multiple fronts. In November, a federal jury sided with Masimo and ruled that Apple has to pay $634 million in a separate patent infringement case.

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Judge sides with creators of banned ICE trackers who allege DHS and DOJ violated their First Amendment rights

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A judge has granted the makers of the “ICE Sightings – Chicagoland” Facebook group and the Eyes Up app a preliminary injunction to stop the Trump administration from coercing platforms to take these projects down. Judge Jorge L. Alonso of the United States District Court for the Northern District of Illinois found that the plaintiffs, Kassandra Rosado and Kreisau Group, are likely to succeed in their case, which alleges that the government suppressed protected speech under the First Amendment by strong-arming Facebook and Apple into removing ICE monitoring efforts.

Both Eyes Up and ICE Sightings – Chicagoland use publicly available information to keep tabs on ICE activity. But after pressure from Trump officials, they were removed from Apple’s App Store and Facebook, respectively. Similar apps including ICEBlock and Red Dot were also taken down from the App Store and Google Play. The lawsuit cites social media posts by former US Attorney General Pam Bondi and former Secretary of Homeland Security Kristi Noem that demanded and took credit for the removal of these apps. In a document filed on Friday, Alonso called these posts “thinly veiled threats.”

The Foundation for Individual Rights and Expression (FIRE), which is defending the plaintiffs, wrote in a post on X that it is “extremely encouraged by this ruling.” It continued, “Even though it’s not the end of the case, it bodes well for the future of our legal fight to ensure that the First Amendment protects the right to discuss, record, and criticize what law enforcement does in public.”

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Old Cars ‘Tell Tales’ by Storing Data That’s Never Wiped

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Slashdot reader Bismillah shared this report from ITNews:

Research and development engineer Romain Marchand of Paris headquartered Quarkslab obtained a telematic control unit (TCU) from a salvage yard in Poland… Marchand tore down the TCU, which is based on a Qualcomm system on a chip, and extracted the Linux-based file system from the Micron multi-chip package (MCP) which contained NAND-based non-volatile storage memory. The non-volatile storage contained sensitive information, including system configuration data and more importantly, logs that revealed the vehicle’s GPS positions over time.

None of that information was encrypted, Marchand told iTnews, which made it possible to collect and retrieve sensitive data of interest. What’s more, the global navigation satellite system (GNSS) logs with GPS positions covered the BYD’s full journey from the factory in China to its operational life in the United Kingdom, and to its final wrecking in Poland, Marchand explained in an analysis… The issue is not restricted to BYD, and Marchand added that the hardware architecture of the Chinese car maker’s TCU is broadly similar to what can be found in other brands.

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SNK’s Neo Geo console remake works with original cartridges and HDMI

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Not everyone had the money for the original Neo Geo Advanced Entertainment System when it released in the ’90s, but there’s still a chance to experience it as an adult with disposable income. SNK and Plaion Replai, who is also behind the all-black remake of the Commodore 64, announced a faithful remake of the high-end retro console, called the Neo Geo AES+.

To bring the original console into the modern day, the collaborating companies added HDMI compatibility for resolutions up to 1080p and DIP switches on the bottom of the console to allow for language selection, overclocking and switching display modes. Rounding out the upgrades, SNK and Plaion Replai included a permanent way to retain high scores on a memory card and a low-power usage mode. For the purists out there, the Neo Geo AES+ still works on those chunky CRT displays since it has the original AV output.

Preorders are currently open for two versions of the Neo Geo AES+, including an all-white 35th anniversary edition bundle that includes an Arcade Stick, a limited-edition Metal Slug game cartridge and a memory card, for $349.99. The standard edition in classic black will only come with an arcade stick, but will be available for $249.99. Coinciding with the console release, Replai Plaion will release 10 modernized game cartridges, including Metal Slug, The King of Fighters 2002 and other classics, for $89.99 each. If you think those prices are high, don’t forget the original Neo Geo AES’ release price was $649.99. The Neo Geo AES+ is set to start shipping on November 12.

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Price war: Apple's 1TB M5 MacBook Pro dips to $1,580

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Apple retailers are embroiled in a MacBook Pro price war this Thursday, resulting in the 1TB M5 14-inch model falling to $1,580.

Open Space Black MacBook Pro laptop with abstract dark screen pattern on a blue gradient background, overlaid large white text reading M5 1TB $1,580
Grab a 1TB MacBook Pro 14-inch for $1,580 at Amazon – Image credit: Apple

You can pick up the 1TB 14-inch MacBook Pro for $1,580 at Amazon in Silver, while the Space Black version is on sale for $1,599 at both B&H and Amazon.
Buy M5 MacBook Pro for $1,580
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Today’s NYT Connections: Sports Edition Hints, Answers for April 19 #573

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Looking for the most recent regular Connections answers? Click here for today’s Connections hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle and Strands puzzles.


Today’s Connections: Sports Edition gets a bit wild in the blue and purple categories. If you’re struggling with today’s puzzle but still want to solve it, read on for hints and the answers.

Connections: Sports Edition is published by The Athletic, the subscription-based sports journalism site owned by The Times. It doesn’t appear in the NYT Games app, but it does in The Athletic’s own app. Or you can play it for free online.

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Read more: NYT Connections: Sports Edition Puzzle Comes Out of Beta

Hints for today’s Connections: Sports Edition groups

Here are four hints for the groupings in today’s Connections: Sports Edition puzzle, ranked from the easiest yellow group to the tough (and sometimes bizarre) purple group.

Yellow group hint: Play ball!

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Green group hint: Gridiron roles.

Blue group hint: Like Ted Lasso.

Purple group hint: LA team that came from Brooklyn.

Answers for today’s Connections: Sports Edition groups

Yellow group: AL East teams.

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Green group: First words of football positions.

Blue group: Premier League managers.

Purple group: Nicknames for the Dodgers franchise, over time.

Read more: Wordle Cheat Sheet: Here Are the Most Popular Letters Used in English Words

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What are today’s Connections: Sports Edition answers?

completed NYT Connections: Sports Edition puzzle for April 19, 2026, #573

The completed NYT Connections: Sports Edition puzzle for April 19, 2026.

NYT/Screenshot by CNET

The yellow words in today’s Connections

The theme is AL East teams. The four answers are Blue Jays, Orioles, Rays and Yankees.

The green words in today’s Connections

The theme is first words of football positions. The four answers are defensive, running, tight and wide.

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The blue words in today’s Connections

The theme is Premier League managers. The four answers are Emery, Guardiola, Moyes and Slot.

The purple words in today’s Connections

The theme is nicknames for the Dodgers franchise, over time. The four answers are Bridegrooms, Dodgers, Robins and Superbas.

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Deepfake nonconsensual porn apps are advertising in the App Store

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Users looking to create nonconsensual deepfakes of unknowing individuals can simply perform an App Store search. If App Review has a job, it clearly isn’t doing it.

Smartphone screen showing App Store search results for Deepfake, highlighting a face swap video app with promotional screenshots of altered faces and a prominent Get button on a dark background
It is trivially easy to search for deepfake tools when they take out ads

It isn’t just the Grok app that lets users create nonconsensual deepfake nudes and pornography. Apple did remove at least 28 such apps in January, and even threatened xAI with a Grok removal, but that clearly hasn’t been enough.
According to a report from The Tech Transparency Project that was first shared by 9to5Mac, “nudify” apps are appearing in search ads and suggestions in the App Store. Pornography isn’t banned from the App Store if it isn’t the app’s sole purpose, but illegal or harmful products are.
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This One Has The Best ANC And Sound Quality

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If you own a Samsung smartphone and want earbuds to go along with it, the company’s Galaxy Buds are a tempting option. They have several features that only work with Samsung products, and they can often be included for free with the purchase of a new phone. Moreover, they sound good, too, especially the premium Galaxy Buds Pro — possibly thanks to Samsung’s ownership of some of the most respected audio brands on the market, including Harman International, Bowers and Wilkins, and JBL.

Samsung recently launched the Galaxy Buds4 Pro, the fourth generation of its premium true wireless earbuds, for $249. However, the Buds3 Pro, which launched in mid-2024, are still available for purchase, as are the Buds2 Pro and the original Buds Pro. All support active noise cancellation (ANC) and transparency mode, as well as a range of smart features. Sure, the newer products have a few extra tricks, like the live translation feature exclusive to the Buds3 series and up, or the ability to use head gestures, which is exclusive to the Buds4 Pro. With only minor differences, though, you might wonder whether you really need the latest and greatest, or whether you can skate by on a budget by scooping up an older pair of Galaxy Buds Pro.

To put that question to rest, I picked up all four pairs of Samsung’s top-line true wireless earbuds and put them through their paces. After comparing their ANC performance and sound quality, I found some surprising results.

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Which pair of Galaxy Buds Pro has the best ANC?

To gauge the relative active noise canceling abilities of each, I used my studio reference monitors to play simulated jet cabin noise at 90 decibels, which is around the upper range of what you’ll experience at cruising altitude. I also used each pair of earbuds at my favorite coffee shop during the mid-afternoon rush.

Across the board, the original Galaxy Buds Pro had the worst ANC performance. It performed reasonably well in the airplane test, at least for lower frequencies and engine rumble, but it wasn’t so good at the higher-pitched whine. In the cafe setting, they did a decent job tamping down on the sound of an espresso machine, but couldn’t consistently mask sudden noises like chairs shifting or people laughing.

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The best performer was the Galaxy Buds4 Pro. They muffled a much wider range of airplane engine noise and greatly reduced the most problematic noises at the cafe. However, it’s hard to say they’re that much better than the Galaxy Buds3 Pro. I had to A/B test both for several minutes before the differences became obvious to me. The Buds2 Pro is no slouch, either. Although ANC performance is a step behind the Buds3 Pro, they have longer eartips that protrude deeper into my ear canal, creating a better passive seal in my ears.

It’s worth noting that I used foam eartips from Comply instead of the standard ones. I cannot stand silicone eartips and prefer the superior comfort and sound isolation of foam. This likely affected my testing, but since foam tips were used for all tests, the relative results should be unaffected.

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The Galaxy Buds Pro lineup sounds great across the board

When it comes to sound quality, the original Samsung Galaxy Buds Pro sounded the worst in my tests. That’s not to say they sound bad; none of these earbuds do. They are, however, less refined and do not support high-resolution Bluetooth on Samsung devices like the other models. The Galaxy Buds2 Pro are where Samsung’s earbuds graduate from good to great. They sound delightful, tracking closely to the Harman 2025 preference target aside from some elevated low-end and a large peak around 12,000 Hz.

When it comes to the Buds3 Pro and Buds4 Pro, things aren’t as simple. Both of these earbuds sound excellent, so which ones you’ll prefer likely comes down to taste. Samsung started using dual drivers with the Buds3 Pro, meaning there’s both a woofer and a tweeter inside; I found them to have the most V-shaped, or “exciting,” response. If you enjoy heavy, clear bass with a parallel emphasis on the upper range, the Buds3 Pro are your winners. They excel in genres such as dubstep and other EDM, pop, and some hip hop, but can be less impressive for rock n’ roll or country. However, I did notice some distortion at higher volumes.

The Buds4 Pro are a refinement of that approach, and my overall pick for sound quality. Samsung enlarged the dual drivers this year, but the V-shaped response is more toned down compared to the Buds3 Pro. Bass is far less forward, and there’s less excitement in the highs. It’s a much more balanced (but less fun) sound, and the Samsung app’s nine-band adaptive EQ makes it easier to tune them.

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Fit and build quality vary across models

Build quality and fit vary across the models. The Buds Pro and Buds2 Pro use an in-ear design with fins to help them stay put. The Buds3 Pro and Buds4 Pro use a stemmed “elephant trunk” design similar to Apple AirPods. It’s a tradeoff. The stemless design of the first two models is harder to knock loose with a finger or bike helmet strap, but the touch controls are finicky, and I often paused music by accident while adjusting them. The stem on the later models reduces unintentional inputs, but makes them easier to dislodge accidentally.

The first two models use charging cases with identical external dimensions, like a ring box that opens clamshell style. This pattern is interrupted by the Buds3 Pro, which has a more AirPods-esque case. It’s by far the most pocketable, but it tends to open a bit in the pocket. It is also plagued by charging issues that afflicted my unit, and I often found one bud close to dead when I pulled them out. The Buds4 Pro returns to the ring box case, but is slightly larger and more squared off. It also has a clear plastic top so you can see the buds inside.

Where the original Buds Pro and Buds3 Pro use glossy finishes, the Buds2 Pro have a matte finish on the case and the buds themselves. It can begin to discolor over time (especially the lovely, lilac-colored version I own), but does not get disgustingly oily during use. Conversely, the Buds3 are especially nasty after a long listening session. The Buds4 Pro split the difference with a recycled plastic that isn’t too shiny, nor too matte. The material doesn’t get dirty easily.

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Some features are exclusive to newer Galaxy Buds

Lastly, I investigated the difference in smart features across Galaxy Buds Pro models. All four have ANC and ambient mode, but the Buds3 and Buds4 Pro can automatically switch to ambient mode when they detect voices or emergency sirens. They are also the only models with voice controls — a feature I frankly cannot live without any longer. It’s simply too convenient to say, “Next song” or “Volume up” while I have wet or dirty hands. The Buds4 Pro also support head gestures, letting you nod or shake to answer or reject calls. Since my Samsung devices do not yet have the One UI 8.5 update, I wasn’t able to test this.

Although all four pairs of earbuds can automatically switch between your Samsung devices and Windows PCs with the Galaxy Buds app installed, the feature is inconsistent on all but the Buds4 Pro. I could rarely get the other three to notice when I stopped music on my phone to start a video on my tablet, but the latest model did much better. It only failed when trying to switch from my Windows PC back to a mobile device, an issue I attribute to Windows 11, not to Samsung.

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All four Buds Pro models have 360-degree audio, a feature I’ve always found gimmicky. It’s hard to find many songs mixed in Dolby or other spatial formats, and their stereo mixes are usually superior, anyway. As for other media, I don’t watch movies or TV on my phone. All said, the Buds4 Pro win out for their more consistent performance.

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The Galaxy Buds4 Pro are peak Samsung, but the Buds2 Pro are a value pick

After two full weeks of side-by-side testing, I’m going to hang onto the Samsung Galaxy Buds4 Pro as my main true wireless earbuds. They outperform their predecessors in terms of ANC, smart features, and battery life (which is excellent  and beats Samsung’s estimates in my testing). Sound quality is subjective, but I think Samsung gave the Buds4 Pro a balanced, yet consumer-friendly sound that almost everyone will appreciate. Previous models sound good, but perform best with music that leans into their respective strengths. Fit, while very personal, is passable, and their build quality is the best overall.

While the Buds4 Pro are great, budget-conscious consumers should strongly consider the Buds2 Pro. Samsung no longer sells them directly, but you can pick up a renewed pair on Amazon for just $55 at the time of this writing. With Amazon’s notoriously generous return policy, that’s a deal worth rolling the dice on. Considering how little you’re missing out on compared to the brand-new Buds4 Pro, you should pick the Buds2 Pro up if you can find a new or factory-certified pair for under $100. I suggest checking local retailers for old stock, as well.

If you’ve already got the Buds2 Pro or Buds3 Pro and aren’t experiencing issues, there’s not a ton compelling you to upgrade (unless you buy a new Galaxy S26 and get the Buds4 Pro bundled for free). Those still using the original Galaxy Buds Pro, though, are likely to appreciate the improvements Samsung has made over the years.

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