On Wednesday, OpenAI CEO Sam Altman and Chief Marketing Officer Kate Rouch complained on X after rival AI lab Anthropic released four commercials, two of which will run during the Super Bowl on Sunday, mocking the idea of including ads in AI chatbot conversations. Anthropic’s campaign seemingly touched a nerve at OpenAI just weeks after the ChatGPT maker began testing ads in a lower-cost tier of its chatbot.

Altman called Anthropic’s ads “clearly dishonest,” accused the company of being “authoritarian,” and said it “serves an expensive product to rich people,” while Rouch wrote, “Real betrayal isn’t ads. It’s control.”

Anthropic’s four commercials, part of a campaign called “A Time and a Place,” each open with a single word splashed across the screen: “Betrayal,” “Violation,” “Deception,” and “Treachery.” They depict scenarios where a person asks a human stand-in for an AI chatbot for personal advice, only to get blindsided by a product pitch.

In one spot, a man asks a therapist-style chatbot (a woman sitting in a chair) how to communicate better with his mom. The bot offers a few suggestions, then pivots to promoting a fictional cougar-dating site called Golden Encounters.

In another spot, a skinny man looking for fitness tips instead gets served an ad for height-boosting insoles. Each ad ends with the tagline: “Ads are coming to AI. But not to Claude.” Anthropic plans to air a 30-second version during Super Bowl LX, with a 60-second cut running in the pregame, according to CNBC.

In the X posts, the OpenAI executives argue that these commercials are misleading because the planned ChatGPT ads will appear labeled at the bottom of conversational responses in banners and will not alter the chatbot’s answers.

But there’s a slight twist: OpenAI’s own blog post about its ad plans states that the company will “test ads at the bottom of answers in ChatGPT when there’s a relevant sponsored product or service based on your current conversation,” meaning the ads will be conversation-specific.

The financial backdrop explains some of the tension over ads in chatbots. As Ars previously reported, OpenAI struck more than $1.4 trillion in infrastructure deals in 2025 and expects to burn roughly $9 billion this year while generating about $13 billion in revenue. Only about 5 percent of ChatGPT’s 800 million weekly users pay for subscriptions. Anthropic is also not yet profitable, but it relies on enterprise contracts and paid subscriptions rather than advertising, and it has not taken on infrastructure commitments at the same scale as OpenAI.

In late 2022, when generative AI tools landed in students’ hands, classrooms changed almost overnight. Essays written by algorithms appeared in inboxes. Lesson plans suddenly felt outdated. And across the country, schools asked the same questions: How do we respond — and what comes next?

Some educators saw AI as a threat that enables cheating and undermines traditional teaching. Others viewed it as a transformative tool. But a growing number are charting a different path entirely: teaching students to work with AI critically and creatively while building essential literacy skills.

The challenge isn’t just about introducing new technology. It’s about reimagining what learning looks like when AI is part of the equation. How do teachers create assignments that can’t be easily outsourced to generative AI tools? How do elementary students learn to question AI-generated content? And how do educators integrate these tools without losing sight of creativity, critical thinking and human connection?

Recently, EdSurge spoke with three educators who are tackling these questions head-on: Liz Voci, an instructional technology specialist at an elementary school; Pam Amendola, a high school English teacher who reimagined her Macbeth unit to include AI; and Brandie Wright, who teaches fifth and sixth graders at a microschool, integrating AI into lessons on sustainability.

EdSurge: What led you to integrate AI into your teaching?

Amendola: When OpenAI’s ChatGPT burst onto the scene in November 2022, it upended education and sent teachers scrambling. Students were suddenly using AI to complete assignments. Many students thought, Why should I complete a worksheet when AI can do it for me? Why write a discussion post when AI can do it better and faster?

Our education system was built for an industrial age, but we now live in a technological age where tasks are completed rapidly. Learning at school should be a time of discovery, but education remains stuck in the past. We are in a place I call the in between. In this place, I discovered a need to educate students on AI literacy alongside the themes and structure of the English language.

I reimagined my Macbeth unit to integrate AI with traditional learning methods. I taught Acts I-III using time-tested approaches, building knowledge of both Shakespeare and AI into each act. In Act IV, students recreated their assigned scenes using generative AI to make an original movie. For Act V, they used block-based programming to have robots act out their scenes. My assessment had nothing to do with writing an essay, so it was uncheatable. I encouraged students to work with me to design the lesson so I could determine the best way to help them learn.

Voci: Last fall, I was in a literacy meeting with administrators and teachers where I heard concerns about the new science of reading materials not engaging students’ interest. While the books were highly accessible, students had no interest in reading them. This was my lightbulb moment. If we could use AI tools to develop engaging and accessible reading passages for students, we could also teach foundational AI literacy skills at the same time.

This is where The Perfect Book Project was born. Students work with teachers to develop their own perfect reading book that is both engaging and accessible, learning literary skills alongside how to work with and evaluate AI-generated content. In its pilot, I worked directly with teachers as students conceptualized, drafted, edited and published their books. I spent hundreds of hours creating prompts with content guardrails, accessibility constraints and research-based foundational literacy knowledge to guide students and teachers through the process.

Wright: I’m doing quite a bit of work around the U.N. Sustainable Development Goals, teaching our explorers the impact of our actions not just on ourselves but also on others and the environment. I wanted to see them use AI to deepen their knowledge and serve as a thought partner as they develop solutions to issues like climate change.

I created a lesson called “Investigating Energy Efficiency and Sustainability in Our Spaces.” The explorers went on a sustainability scavenger hunt around campus to find examples of energy-efficient items and sustainable practices. They used AI tools to analyze their findings, interpret and evaluate AI responses for accuracy and potential bias, and reflect on how technology and human decisions work together to create sustainable solutions. The AI in this lesson wasn’t about the tools they used, but more about how AI is viewed in the context of what they are learning.

What shifts in student learning did you observe?

Voci: One eye-opening moment was during my first lesson on hallucinations and bias with a third grade class. After introducing the concepts at a developmentally appropriate level, I had them reread their manuscripts through the lens of an AI hallucination and bias detective. It didn’t take long for the first student to find the first hallucination. There was incorrect scoring in a football game. AI counted a touchdown as one point. One student’s hand flew up; he was so excited to explain to me and the class how the model had incorrectly scored the game.

This discovery lit a fire under the rest of the class to begin looking more closely at every word of their text and not take it at face value. The class went on to find more hallucinations and discover some generalizations that did not represent their intentions.

Wright: I saw the explorers develop their critical thinking as they asked questions about how AI was used, how AI makes its decisions and whether this affects the environment. I truly appreciate that this age group holds onto their creativity and imagination. They don’t want AI to do the creating for them. They still want to draw their own pictures and tell their own stories.

Amendola: It was uncomfortable for my honors students to try something new. They were out of their element and craved the structure of the rubric. I had to let go of traditional grading structures first before I could help them embrace the ambiguity. Their willingness to explore and make mistakes was wonderful. The collaboration helped create a sense of class community that resulted in learning a new skill.

What’s your advice for educators hesitant to explore AI?

Amendola: Don’t be afraid to try new things. Keep in mind that the greatest success first requires a change of mindset. Only then can you open the doors to what generative AI can do for your students.

Voci: Don’t let the fear, weight and speed of AI advancement paralyze you. Find small, intentional steps that are grounded in human-centered values to move forward with your own knowledge, and then find ways to connect your new knowledge to support student learning. In this age of AI, we need to give our fellow educators the same resources, scaffolding and grace.

Wright: Jump in!

Join the movement at https://generationai.org to participate in our ongoing exploration of how we can harness AI’s potential to create more engaging and transformative learning experiences for all students.

X is experimenting with a new way for AI to write Community Notes. The company is testing a new “collaborative notes” feature that allows human writers to request an AI-written Community Note.

It’s not the first time the platform has experimented with AI in Community Notes. The company started a pilot program last year to allow developers to create dedicated AI note writers. But the latest experiment sounds like a more streamlined process.

According to the company, when an existing Community Note contributor requests a note on a post, the request “now also kicks off creation of a Collaborative Note.” Contributors can then rate the note or suggest improvements. “Collaborative Notes can update over time as suggestions and ratings come in,” X says. “When considering an update, the system reviews new input from contributors to make the note as helpful as possible, then decides whether the new version is a meaningful improvement.”

X doesn’t say whether it’s using Grok or another AI tool to actually generate the fact check. If it was using Grok, that would be in-line with how a lot of X users currently invoke the AI on threads with replies like “@grok is this true?”

Community Notes has often been criticized for moving too slowly so adding AI into the mix could help speed up the process of getting notes published. Keith Coleman, who oversees Community Notes at X, wrote in a post that the update also provides “a new way to make models smarter in the process (continuous learning from community feedback).” On the other hand, we don’t have to look very far to find examples of Grok losing touch with reality or worse.

According to X, only Community Note Contributors with a “top writer” status will be able to initiate a collaborative note to start, though it expects to expand availability “over time.”

Amazon has refreshed its Fire TV lineup in the UK, with three new ranges available to buy right now.

The updated Fire TV 2-Series, Fire TV 4-Series, and Fire TV Omni QLED promise slimmer designs, faster performance and smarter picture tech. All of this is aimed at getting you to your shows quicker.

from the the-chilling-effects-are-real dept

For years, we’ve been subjected to an endless parade of hyperventilating claims about the Biden administration’s supposed “censorship industrial complex.” We were told, over and over again, that the government was weaponizing its power to silence conservative speech. The evidence for this? Some angry emails from White House staffers that Facebook ignored. That was basically it. The Supreme Court looked at it and said there was no standing because there was no evidence of coercion (and even suggested that the plaintiffs had fabricated some of the facts, unsupported by reality).

But now we have actual, documented cases of the federal government using its surveillance apparatus to track down and intimidate Americans for nothing more than criticizing government policy. And wouldn’t you know it, the same people who spent years screaming about censorship are suddenly very quiet.

If any of the following stories had happened under the Biden administration, you’d hear screams from the likes of Matt Taibbi, Bari Weiss, and Michael Shellenberger, about the crushing boot of the government trying to silence speech.

But somehow… nothing. Weiss is otherwise occupied—busy stripping CBS News for parts to please King Trump. And the dude bros who invented the “censorship industrial complex” out of their imaginations? Pretty damn quiet about stories like the following.

Taibbi is spending his time trying to play down the Epstein files and claiming Meta blocking ICE apps on direct request from DHS isn’t censorship because he hasn’t seen any evidence that it’s because of the federal government. Dude. Pam Bondi publicly stated she called Meta to have them removed. Shellenberger, who is now somehow a “free speech professor” at Bari Weiss’ collapsing fake university, seems to just be posting non-stop conspiracy theory nonsense from cranks.

Let’s start with the case that should make your blood boil. The Washington Post reports that a 67-year-old retired Philadelphia man — a naturalized U.S. citizen originally from the UK — found himself in the crosshairs of the Department of Homeland Security after he committed the apparently unforgivable sin of… sending a polite email to a government lawyer asking for mercy in a deportation case.

Here’s what he wrote to a prosecutor who was trying to deport an Afghani man who feared the Taliban would take his life if sent there. The Philadelphia resident found the prosecutors email and sent the following:

“Mr. Dernbach, don’t play Russian roulette with H’s life. Err on the side of caution. There’s a reason the US government along with many other governments don’t recognise the Taliban. Apply principles of common sense and decency.”

That’s it. That’s the email that triggered a federal response. Within hours — hours — of sending this email, Google notified him that DHS had issued an administrative subpoena demanding his personal information. Days later, federal agents showed up at his door.

Showed. Up. At. His. Door.

A retired guy sends a respectful email asking the government to be careful with someone’s life, and within the same day, the surveillance apparatus is mobilized against him.

The tool being weaponized here is the administrative subpoena (something we’ve been calling out for well over a decade, under administrations of both parties) which is a particularly insidious instrument because it doesn’t require a judge’s approval. Unlike a judicial subpoena, where investigators have to show a judge enough evidence to justify the search, administrative subpoenas are essentially self-signed permission slips. As TechCrunch explains:

Unlike judicial subpoenas, which are authorized by a judge after seeing enough evidence of a crime to authorize a search or seizure of someone’s things, administrative subpoenas are issued by federal agencies, allowing investigators to seek a wealth of information about individuals from tech and phone companies without a judge’s oversight.

While administrative subpoenas cannot be used to obtain the contents of a person’s emails, online searches, or location data, they can demand information specifically about the user, such as what time a user logs in, from where, using which devices, and revealing the email addresses and other identifiable information about who opened an online account. But because administrative subpoenas are not backed by a judge’s authority or a court’s order, it’s largely up to a company whether to give over any data to the requesting government agency.

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The Philadelphia retiree’s case would be alarming enough if it were a one-off. It’s not. Bloomberg has reported on at least five cases where DHS used administrative subpoenas to try to unmask anonymous Instagram accounts that were simply documenting ICE raids in their communities. One account, @montcowatch, was targeted simply for sharing resources about immigrant rights in Montgomery County, Pennsylvania. The justification? A claim that ICE agents were being “stalked” — for which there was no actual evidence.

The ACLU, which is now representing several of these targeted individuals, isn’t mincing words:

“It doesn’t take that much to make people look over their shoulder, to think twice before they speak again. That’s why these kinds of subpoenas and other actions—the visits—are so pernicious. You don’t have to lock somebody up to make them reticent to make their voice heard. It really doesn’t take much, because the power of the federal government is so overwhelming.”

This is textbook chilling effects on speech.

Remember, it was just a year and a half ago in Murthy v. Missouri, the Supreme Court found no First Amendment violation when the Biden administration sent emails to social media platforms—in part because the platforms felt entirely free to say no. The platforms weren’t coerced; they could ignore the requests and did.

Now consider the Philadelphia retiree. He sends one polite email. Within hours, DHS has mobilized to unmask him. Days later, federal agents are at his door. Does that sound like someone who’s free to speak his mind without consequence?

Even if you felt that what the Biden admin did was inappropriate, it didn’t involve federal agents showing up at people’s homes.

That is what actual government suppression of speech looks like. Not mean tweets from press secretaries that platforms ignored, but federal agents showing up at your door because you sent an (perfectly nice) email the government didn’t like.

So we have DHS mobilizing within hours to identify a 67-year-old retiree who sent a polite email. We have agents showing up at citizens’ homes to interrogate them about their protected speech. We have the government trying to unmask anonymous accounts that are documenting law enforcement activities — something that is unambiguously protected under the First Amendment.

Recording police, sharing that recording, and doing so anonymously is legal. It’s protected speech. And the government is using administrative subpoenas to try to identify and intimidate the people doing it.

For years, we heard that government officials sending emails to social media companies — emails the companies ignored — constituted an existential threat to the First Amendment. But when the government actually uses its coercive power to track down, identify, and intimidate citizens for their speech?

Crickets.

This is what a real threat to free speech looks like. Not “jawboning” that platforms can easily refuse, but the full weight of federal surveillance being deployed against anyone who dares to criticize the administration. The chilling effect here is the entire point.

As the ACLU noted, this appears to be “part of a broader strategy to intimidate people who document immigration activity or criticize government actions.”

If you spent the last few years warning about government censorship, this is your moment. This is the actual thing you claimed to be worried about. But, of course, all those who pretended to care about free speech really only meant they cared about their own team’s speech. Watching the government actually suppress critics? No big deal. They probably deserved it.

Filed Under: 1st amendment, administrative subpoenas, bari weiss, chilling effects, dhs, donald trump, free speech, matt taibbi, michael shellenberger

Companies: google, meta

From 6-22 February, the 2026 Winter Olympics in Milan-Cortina d’Ampezzo, Italy will feature not just the world’s top winter athletes but also some of the most advanced sports technologies today. At the first Cortina Olympics in 1956, the Swiss company Omega—based in Biel/Bienne—introduced electronic ski starting gates and launched the first automated timing tech of its kind.

At this year’s Olympics, Swiss Timing, sister company to Omega under the parent Swatch Group, unveils a new generation of motion analysis and computer vision technology. The new technologies on offer include photofinish cameras that capture up to 40,000 images per second.

“We work very closely with athletes,” says Swiss Timing CEO Alain Zobrist, who has overseen Olympic timekeeping since the winter games of 2006 in Torino “They are the primary customers of our technology and services, and they need to understand how our systems work in order to trust them.”

Using high-resolution cameras and AI algorithms tuned to skaters’ routines, Milan-Cortina Olympic officials expect new figure skating tech to be a key highlight of the games. Omega

Figure Skating Tech Completes the Rotation

Figure skating, the Winter Olympics’ biggest TV draw, is receiving a substantial upgrade at Milano Cortina 2026.

Fourteen 8K resolution cameras positioned around the rink will capture every skater’s movement. “We use proprietary software to interpret the images and visualize athlete movement in a 3D model,” says Zobrist. “AI processes the data so we can track trajectory, position, and movement across all three axes—X, Y, and Z”.

The system measures jump heights, air times, and landing speeds in real time, producing heat maps and graphic overlays that break down each program—all instantaneously. “The time it takes for us to measure the data, until we show a matrix on TV with a graphic, this whole chain needs to take less than 1/10 of a second,” Zobrist says.

A range of different AI models helps the broadcasters and commentators process each skater’s every move on the ice.

“There is an AI that helps our computer vision system do pose estimation,” he says. “So we have a camera that is filming what is happening, and an AI that helps the camera understand what it’s looking at. And then there is a second type of AI, which is more similar to a large language model that makes sense of the data that we collect”.

Among the features Swiss Timing’s new systems provide is blade angle detection, which gives judges precise technical data to augment their technical and aesthetic decisions. Zobrist says future versions will also determine whether a given rotation is complete, so that “If the rotation is 355 degrees, there is going to be a deduction,” he says.

This builds on technology Omega unveiled at the 2024 Paris Olympics for diving, where cameras measured distances between a diver’s head and the board to help judges assess points and penalties to be awarded.

At the 2026 Winter Olympics, ski jumping will feature both camera-based and sensor-based technologies to make the aerial experience more immediate and real-time. Omega

Ski Jumping Tech Finds Make-or-Break Moments

Unlike figure skating’s camera-based approach, ski jumping also relies on physical sensors.

“In ski jumping, we use a small, lightweight sensor attached to each ski, one sensor per ski, not on the athlete’s body,” Zobrist says. The sensors are lightweight and broadcast data on a skier’s speed, acceleration, and positioning in the air. The technology also correlates performance data with wind conditions, revealing environmental factors’ influence on each jump.

High-speed cameras also track each ski jumper. Then, a stroboscopic camera provides body position time-lapses throughout the jump.

“The first 20 to 30 meters after takeoff are crucial as athletes move into a V position and lean forward,” Zobrist says. “And both the timing and precision of this movement strongly influence performance.”

The system reveals biomechanical characteristics in real time, he adds, showing how athletes position their bodies during every moment of the takeoff process. The most common mistake in flight position, over-rotation or under-rotation, can now be detailed and diagnosed with precision on every jump.

Bobsleigh: Pushing the Line on the Photo Finish

This year’s Olympics will also feature a “virtual photo finish,” providing comparison images of when different sleds cross the finish line over previous runs.

Omega’s cameras will provide virtual photo finishes at the 2026 Winter Olympics. Omega

“We virtually build a photo finish that shows different sleds from different runs on a single visual reference,” says Zobrist.

After each run, composite images show the margins separating performances. However, more tried-and-true technology still generates official results. A Swiss Timing score, he says, still comes courtesy of photoelectric cells, devices that emit light beams across the finish line and stop the clock when broken. The company offers its virtual photo finish, by contrast, as a visualization tool for spectators and commentators.

In bobsleigh, as in every timed Winter Olympic event, the line between triumph and heartbreak is sometimes measured in milliseconds or even shorter time intervals still. Such precision will, Zobrist says, stem from Omega’s Quantum Timer.

“We can measure time to the millionth of a second, so 6 digits after the comma, with a deviation of about 23 nanoseconds over 24 hours,” Zobrist explained. “These devices are constantly calibrated and used across all timed sports.”