Roomies, the news cycle just hit different this week. President Donald Trump is back at the center of conversation as former FBI Director Robert Mueller III has passed away at 81, and the timeline is already buzzing. Known for leading the investigation into Trump’s alleged Russia ties, Mueller’s death is prompting headlines that blend somber reflection with reactions that have people talking.

RELATED: Boosie Claps Back After Critics Call Him Out For Requesting Presidential Pardon From Donald Trump (PHOTOS)

Robert Mueller Passes Away And Trump Weighs In

Robert Mueller III’s family confirmed his passing on Friday via a statement shared by AP News. He served as FBI director from 2001 to 2013 and was appointed special counsel in 2017 to oversee the high-profile investigation. Following the announcement, Trump weighed in on Truth Social, writing, “Robert Mueller just died. Good, I’m glad he’s dead. He can no longer hurt innocent people.” As expected, the post immediately sparked reactions online, with folks debating everything from Mueller’s legacy to Trump’s controversial response.

The Timeline Explodes Over Blunt Comment

As soon as the web caught wind of Trump’s comments, folks ran straight to The Shade Room’s Instagram comment section to sound off. Some called it horrible to speak that way about someone who just passed. Meanwhile, others shrugged, saying people will talk about Trump like this when the time comes. Of course, a whole crew reminded the timeline how former President Obama got roasted for wearing a tan suit, proving the double standards are real.

One Instagram user @msblingmiami said, “The way he speaks of the💀 is disturbing. He must think he’s immortal. 🤦🏽‍♀️”

This Instagram user @wecanseeitnow added, “Our president is smoking on Robert Mueller while we pay $5.60/Gal💔😭”

And, Instagram user @prettyk1206 shared, “Never forgot, all Obama did was rock the tan suit and that was enough for THEM. 💯”

Meanwhile, Instagram user @rawest.ariesss commented, “Lmaoooo😭😭😭”

And, Instagram user @pablokitchen_ wrote, “Let me screenshot this for when his time come.“

Lastly, Instagram user @kiyacole added, “MADNESS!!!! Who TF says some sh!t like this?!“

What’s Trump Been Up To Lately?

Roommates, Trump’s timeline has been going off lately. While Iran deals with reports of tragic strikes, Donald Trump hopped on Truth Social to weigh in. In an eight-minute video dropped a few weeks ago, he addressed U.S. airstrikes and framed Iran’s nuclear ambitions and missile programs as a direct threat to the U.S.He didn’t hold back, telling Iranian citizens to “take over your government,” and naturally, the clip immediately had the internet buzzing.

RELATED: Donald Trump Addresses Major Military Operation As US And Israel Attack Iran, At Least 50 Dead (VIDEO)

Revenge thrillers are a tale as old as time. Alexandre Dumas‘ 1844 novel The Count of Monte Cristo might not be quite as ancient by comparison, but the literary touchstone’s immense popularity has never gone out of style, either. Dozens of global adaptations have riffed on Dumas’ vengeance quest for well over a century, ranging from film and television to theater, from historically accurate to loosely modernized. France’s latest reboot was a box office smash in 2024, while just last year, Regé-Jean Page (Bridgerton) announced plans to both produce and star in an upcoming film adaptation.

Another adaptation hit European screens in late 2024 before inching its way across the ocean toward PBS Masterpiece. Although this staggered release strategy means some intrigued viewers have waited a long time for the promise of a limited series anchored by leading man Sam Claflin (Daisy Jones & The Six) and living legend Jeremy Irons, it also reflects this particular Count‘s international identity: an English-language French-Italian co-production overseen by two-time Palme d’Or-winning Danish director Bille August, filmed in France, Malta, and Italy, and performed by a cast assembled from across Europe.

As someone who split their childhood between reading classic swashbucklers and devouring historical BBC miniseries, I counted myself among those who had a sight-unseen bias toward the idea of one of my favorite epics arriving via a beloved format. Thankfully, The Count of Monte Cristo sets a near-perfect new standard both for luxurious period dramas and for modern re-imaginations that preserve the text’s essence.

What Is ‘The Count of Monte Cristo’ About?

Image via PBS Masterpiece

In 1815, as dethroned Emperor Napoleon Bonaparte prepares to make his final grab for power, young sailor Edmond Dantès (Claflin) reunites with his one true love, Mercédès Herrera (Ana Girardot), following an arduous voyage. He’s ready to embrace a devoted future at his fiancée’s side, a prospect buoyed by his recent promotion. Unfortunately, the unassumingly earnest, hardworking man has earned enemies for being precisely that. Danglars (Blake Ritson), Edmond’s jealous shipmate, and Fernand Mondego (Harry Taurasi), a soldier who covets his cousin Mercédès’ affections, conspire to frame Edmond for treason against King Louis XVIII.

In a perfect storm of terrible people determined to advance their interests, Marseille prosecutor Gérard de Villefort (Mikkel Boe Følsgaard) becomes the final nail in Edmond’s proverbial coffin. As the next 15 years elevate the guilty trio into Parisian high society, Edmond languishes under a life sentence in the impenetrable island fortress of Château d’If. He only survives, escapes, and conducts his exacting revenge scheme — disguised as the exorbitantly wealthy Count of Monte Cristo — thanks to a cocktail of resilience, bitterness, and literal buried treasure.

‘The Count of Monte Cristo’s Exquisite Production Value and Detailed Storytelling Shine

Image via PBS Masterpiece

An early Variety report described The Count of Monte Cristo as “a [lifelong] passion project for Carlo Degli Esposti,” the founder of the Palomar production company, and the sentiment shows. A long-form miniseries naturally allows for the methodical pacing Dumas’ gargantuan page-turner deserves, and although this Count makes normal adaptation decisions (simplifying the moving parts, reducing extraneous clutter), it closely hews to the ingenuity behind Edmond’s Machiavellian puppeteering — a tension-filled detail which the feature films understandably yet regrettably lose.

This fidelity also means this year’s adaptation isn’t as action-packed as even the most entertaining Hollywood remakes. The corresponding payoff, however, means it’s just as cinematic. Viewers are unlikely to find anything quite as visually sumptuous outside of The Gilded Age. However, while HBO Max’s production value favors the high-spectacle brand of period drama, Count of Monte Cristo is immersive for its location-based naturalism and narrative texture, not its opulence. One can practically feel the Mediterranean sand and the harsh sea spray, only for that lived-in warmth to turn frigid once the locations shift to the stony Château d’If’s solitary confinement and the emotionally vacant trappings of Parisian aristocracy.

Related

Apple TV’s 2-Part Period Drama Is Officially Netflix’s Best ‘Bridgerton’ Replacement

Another romance to sweep you off your feet.

Clocking in just shy of eight hours (all of which were provided for review) still isn’t enough to cover the entire source material, but familiarity with Dumas’ ins-and-outs isn’t required to partake in this adaptation’s riches. In any form, The Count of Monte Cristo is a lasting thriller and an anti-coming-of-age epic that concerns itself with love, redemption, healing, and forging something new from the ashes of manifold loss (family, independence, innocence, hope). At the same time, it tackles themes of class oppression, corruption, and vengeance-as-justice. Thanks to those eight hours, Count of Monte Cristo emphasizes the psychological richness of all involved parties, and across two generations, to boot. Edmond Dantès is one of the definitive deceptive masterminds, adeptly turning friends and foes alike into his pawns — yet no matter how much punishment Edmond’s offenders arguably deserve, his cat-and-mouse revenge makes for a self-destructive tonic.

‘The Count of Monte Cristo’s Spectacular Cast Conveys Complex Emotional Weight

To that end, Claflin delivers a delicately emotive performance that marks one of his best turns yet. Although he shifts into less overtly visceral territory during the second half, such reserve reflects the steep damage that two decades of trauma and Edmond’s ruthless pursuit have inflicted upon his deteriorating soul. Claflin affords enough glimpses underneath Edmond’s enigmatic mask to reveal equal parts tenacity and frailty — a man held together by fraying strings. Irons’ political dissident, Abbé Faria, is a fount of encouraging warmth and wisdom beyond just his scholarly knowledge. The character’s bittersweet brevity makes Irons’ appearance more of a grace note, but as Faria and Edmond heal each other’s wounds through their companionship, they become the series’ most intimate anchor.

As for Edmond’s adversaries, they range from mustache-twirling relish (Ritson) and malevolent narcissism (Mondego) to flickers of wavering conflict (Følsgaard). Similarly, the villainous women are selfish connivers, whereas the virtuous ones, like Mercédès and the orphaned Haydée (Karla-Simone Spence), are almost as wronged as Edmond. Even though one craves a touch more depth in this regard, the moral-opposites tactic isn’t egregiously two-dimensional, and even the most underutilized women benefit from enhanced autonomy and insight. Edmond’s assembled crew of 19th-century Avengers is also fleshed out with an eye for nuance, especially the rogueishly delightful Jacopo (Michele Riondino) and the guilt-ridden Caderousse (Jason Barnett).

The quibbles with this adaptation are few and far between. The moments it plays against second-screen viewing habits by doubling down on dialogue and repetitious flashbacks aren’t off-putting. The ultimate result straddles a successful line between wide-ranging accessibility and not talking down to its audience’s intelligence. And while the finale’s emotional arcs are far from unearned, the catharsis also could’ve benefited from a longer denouement. Overall, this rendition of a timeless classic, inspired by the bones of the great period dramas that have come before, is as painstakingly faithful and exquisitely exciting as you could hope for.

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Release Date

2026 – 2024-00-00

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Network

Rai 1, France Télévisions Jeunesse

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Directors

Bille August

Writers

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Greg Latter

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Pros & Cons

• The cast deliver superb performanaces from top to bottom, with Sam Claflin and Jeremy Irons as particular highlights.
• Shooting on location creates an immersive viewing experience.
• The supporting characters, especially the women, are expanded beyond their more limitating book counterparts.
• The methodical pacing gives the story’s ins-and-outs ample time to shine.

• Although empowered, some female characters still could have received more depth and screentime.
• The final episode might have needed a little more time to breathe.

Kim Kardashian is definitely supportive of her 10-year-old son Saint West’s latest hobby.

The All’s Fair actress, 45, showed off son Saint popping a wheelie on a dirt bike via her Instagram account on Saturday, March 21. The photo captured Saint in action with his off-road bike in a vertical position, with one wheel fairly high off the ground.

“BIKER BOY SAINT,” Kardashian captioned the photo.

Saint got lots of love for his dirt biking via his mom’s Instagram comment section, with singer and streamer Morgan Westbrooks replying: “Let me pull up [and] show him how to do some wheelies… he’s dope.”

“OK saintttt we see you,” another follower added, with a third chiming in, “Let’s goooo, saint!”

Saint is one of Kardashian’s four children with her ex-husband Kanye West. The former couple also share North West, 12, Chicago West, 8, and Psalm West, 6. (Kardashian and West, 48, split in early 2021 after seven years of marriage and finalized their divorce the following year. She was previously married to producer Damon Thomas from 2000 to 2004 and later to NBA star Kris Humphries for a brief period in 2011.)

The Kardashians star frequently supports her kids’ hobbies via her social media. Last October, Kardashian came to daughter North’s defense when her daughter showed off an edgy new look via TikTok. North amassed millions of TikTok views by debuting a faux star tattoo under her eye and her name written in cursive on her cheek, as well as a fake septum piercing and a black grill over her teeth.

When some TikTok commenters suggested the new look was inappropriate for a child, Kardashian seemingly clapped back, “This is such a non-issue.”

Related: Kim Kardashian Celebrates Son Saint’s Birthday: ‘One of My Soulmates’

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Courtesy of Kim Kardashian/Instagram Kim Kardashian and Kanye West’s oldest son, Saint, celebrated his ninth birthday on Thursday, December 5, and his proud mom let the world know via her Instagram account. In a heartfelt post, Kardashian, 44, shared a carousel of photos showing her and Saint over the years, including the pair smiling, snuggling […]

In a subsequent video for Complex with her All’s Fair costar Niecy Nash-Betts, Kardashian clarified that she personally regulates all of North’s TikTok videos.

“North, if she ever posts a TikTok, it’s on my phone, so she has to ask my approval, and then I post it,” Kardashian said on November 5, 2025. “The comments, all that’s on my phone.”

The reality star went on, “Her and her girlfriends, they love doing costumes, they love doing looks, and so, it’s Halloween season, so they put on fake tattoos on their face, fake piercings, they all had their colored hair. They looked like an opium Powerpuff Girls … [that’s] what they were going for.”

Kardashian confirmed that North was actually the one responsible for her clapback to the TikTok backlash.

“She was like, ‘I don’t get it. It’s a Halloween costume. It’s all fake,’” Kardashian recalled. “So, she takes my phone, and she writes back to a comment, and she goes, ‘This is such a non-issue.’ Then online, it was like, ‘Kim defends North to the end on this look.’”

Related: Kim Kardashian Says North and Saint Are Bonding Over His YouTube Channel

Kim Kardashian’s son Saint is bonding with his sister North over his new YouTube channel. “I will say it has brought him and North closer together because she’s filming his content and making him do challenges,” Kardashian, 43, told Entertainment Tonight at the Kering for Women dinner in New York City on Monday, September 9. […]

She then quipped, “That’s a good clapback.”

Meanwhile, Kardashian turned heads on the red carpet at the Vanity Fair Oscars afterparty on Sunday, March 15, when she arrived wearing blue contacts and a skin-tight gold ball gown by Gucci. Among those impressed by her awards season look was rumored love interest Lewis Hamilton, who left a flirty comment via Kardashian’s Instagram account.

Apple TV has built one of the most impressive catalogs in streaming over the years. Their shows reflect a dedication and quality that’s tough to see anywhere else; perhaps even statistically, Apple TV has the least amount of criticized original programming, and though their volume is disproportionate compared to other streamers, it’s commendable to see a deliberateness in a streamer’s release schedule.

Though Apple TV is known for its versatile drama content, it has a range of genres across all shows; not all of them are exciting, but some are so fun and easy to watch that they’re worth a binge-watch. From dystopian thrillers to spy dramas and historical epics, these are the most exciting Apple TV shows to binge-watch.

10

‘Bad Sisters’ (2022–2024)

Image via Apple TV

Bad Sisters is exciting because it’s one of the rare shows that prepares you for what is about to happen. It doesn’t spare its leads any trauma or heavy-hitting truths, showing them as more than just heroes of a story but rather as very regular people, humans who try to do the right thing. Bad Sisters was co-created by and stars Sharon Horgan, known for her dry, sarcastic humor; she’s surrounded by other Irish actors in this adaptation of the Belgian series Clan, adding her stamp of dark humor into the story. With two seasons and 18 episodes so far, this is one of the easiest shows to binge-watch over a long weekend.

Bad Sisters is a black comedy-thriller that follows the five Garvey sisters—Eva, Grace, Ursula, Bibi, and Becka—who become inescapably drawn together by the untimely “accidental” death of Grace’s (Anne-Marie Duff) abusive husband, John Paul (Claes Bang). The first season flashes between past and present as two life insurance investigators (Brian Gleeson and Daryl McCormack) look into John Paul’s death, revealing the sisters’ various attempts to kill the monstrous man who made their lives hell. The second season jumps ahead two years, exploring the guilt and consequences of their actions. The chemistry between the sisters feels genuine, and while Season 2 may lack the oomph of the first, Bad Sisters is one of the best original series on Apple TV.

9

‘The Studio’ (2025–Present)

Image via Apple TV

The Studio may not be the first thing you think of when you hear “exciting,” since this adjective is typically attributed to thrillers and action. However, one look at The Studio‘s pilot episode will make you realize just why this black comedy/satire is so fun. There’s one episode that was fully filmed as a single take (aptly called “The Oner”), and some extended scenes and episodes throughout the show are also continuous, or at least appear to be, to achieve the perfect flow of events. This is why The Studio is so exciting—so much happens in a span of 20–30 minutes, and it avalanches into incredible slapstick events.

The Studio follows Matt Remick (Seth Rogen), the newly appointed head of a fictional movie studio, Continental. It’s a clever Hollywood satire that explores the tension between artistic integrity and corporate demands, with Matt representing integrity and the increasing demand for IP-focused content symbolizing the industry’s urgency to keep up with trends. People around Rogen are just as ridiculous and brilliant, from Kathryn Hahn to Catherine O’Hara, who passed away before getting the chance to star in Season 2. You’ll finish The Studio within a single day, for sure.

8

‘Your Friends and Neighbors’ (2025–Present)

Image via Apple TV+

For anyone chronically online, you must have seen that meme of Jon Hamm dancing in a nightclub under some blue lights to a 2010s house tune; that scene is from Your Friends and Neighbors, one of the quietest and most underrated bangers streaming on Apple TV right now. Many consider this to be Hamm’s best role since Mad Men, as he delivers sharp comedic timing and drama, leaning into the absurdist and black comedy nature of the show. With Season 2 premiering in April 2026, Season 3 has already been ordered, too; Jonathan Tropper‘s series is gearing up to be one of the most consistent shows on TV, though that’s not surprising for Tropper.

Your Friends and Neighbors follows Andrew “Coop” Cooper (Hamm), a hedge fund manager who loses his job when a consensual hookup with a coworker becomes an HR violation. This gives Coop’s ruthless boss a convenient excuse to lay him off while keeping his clients. Losing his job makes Coop resort to robbing his wealthy neighbors’ mansions to maintain his lifestyle, and what begins as a caper comedy evolves into a deep dive into themes of family, class privilege, and toxic masculinity. You can binge-watch the first season just ahead of the second to prepare for Coop’s new adventures.

7

‘Dark Matter’ (2024–Present)

Image via Apple TV+

Some viewers have called Dark Matter Apple TV’s best sci-fi show since Severance. Competition is tight in that category on Apple TV, so this isn’t for nothing; Dark Matter may be slow at some points, but it’s incredibly exciting as soon as we—and the protagonist—get the hang of the physics. Blake Crouch adapted his book into nine episodes, while Joel Edgerton is fantastic in playing two versions of the same man. As a bonus, the show uses Chicago’s urban landscape beautifully, giving noir-esque night sequences, in particular, a breathtaking atmosphere.

Dark Matter follows college physics professor Jason Dessen (Edgerton), who is a happy family man living with his wife Daniela (Jennifer Connelly) and their teenage son, Charlie (Oakes Fegley). One evening, he’s abducted by a strange man and sent into an alternate version of his life; as it turns out, Jason’s place has been taken by his doppelgänger from another dimension. Jason must go through numerous parallel realities to return to his true family, facing the most terrifying enemy imaginable: himself. Captivating from the first episode, Dark Matter is a mind-bending hard sci-fi series that roots its emotional weight in Jason’s motivation and emotions. It’s a pretty cool mix of paranoid thriller elements and complex scientific ideas.

6

‘Silo’ (2023–Present)

Silo has an interesting position on Rotten Tomatoes: it has 90% critics’ approval and only 68% audience approval; yet, when viewers discuss Silo, they’re typically very enthusiastic about the show, enjoying its layered themes, dystopian sci-fi setting, and impeccable set design and production. Silo was based on Hugh Howey‘s novel trilogy of the same name, and showrunners had planned it to be a four-part series from the start; we’re now two seasons in, awaiting the third and fourth.

Silo is set in a dystopian, devastated future, where humanity lives in a massive underground silo, a 144-story structure housing 10,000 people who believe the outside world is uninhabitable. Juliette (Rebecca Ferguson), an engineer with a rebellious nature, begins to uncover secrets about the silo’s origins and the reasons people cannot ever leave it, as well as why those who do simply never return. Silo is another series you might deem a bit slow, but this gives the narrative more tension and depth, filling the atmosphere of the show with uncertainty. Once the plot deepens, you’ll find it impossible to put this series down.

5

‘Monarch: Legacy of Monsters’ (2023–Present)

Image via Apple TV

Monarch: Legacy of Monsters isn’t a widely discussed show, so we’ll summarize it with a few words: it’s a clever expansion of the MonsterVerse without asking its viewers to be experts on the subject matter. If you like the Japanese kaiju movies (Godzilla, etc.), Monarch plays on that well, though, admittedly, the monster scenes are rather limited. However, they’re completely spectacular when they arrive, keeping viewers hooked on watching; the human drama is also compelling enough to carry the episodes between monster appearances, and it’s guided by Wyatt Russell and his father, legendary actor Kurt Russell.

Monarch: Legacy of Monsters is set in 2015, after the battle between Godzilla and the Titans in San Francisco (as shown in 2014’s Godzilla); the story follows two siblings, Cate Randa (Anna Sawai) and Kentaro, who begin tracing their father’s footsteps to uncover their family’s connection to the secretive organization named Monarch. The narrative jumps between the 1950s and the present day, with Kurt and Wyatt Russell playing the same character, Lee Shaw, at different ages. Monarch is an intriguing, character-driven conspiracy thriller that happens to feature giant monsters, and it’s a show you won’t just stop watching so easily—it’ll pull you in almost instantly. Season 2 has just started, too, so you’ll surely catch up quickly.​

4

‘Chief of War’ (2025–Present)

Image via Apple TV+

Jason Momoa returns to Apple TV to produce a groundbreaking series that we can safely claim hasn’t been done in such a manner until now. Chief of War is his decade-long passion project, and it’s unique because it’s performed almost entirely in the Hawaiian language, with costumes and weapons crafted to historical specifications. Beyond that, experts translated dialogue, the cast learned to speak the language, and filming took place in New Zealand and Hawaii with minimal CGI; as a cherry on top, Hans Zimmer and James Everingham provided the cinematic, epic score.

Chief of War was based on true events, set during a time of war between the four big Hawaiian islands—Hawai’i, Maui, O’ahu, and Kaua’i—and follows the warrior chief Ka’iana (Momoa) of Maui as he tries to unify the Hawaiian islands before Western colonization in the late 18th century. It’s an ambitious and epic production, violent but human all at once, showing exceptional storytelling and even greater action, depicting Ka’iana’s ambitions, struggles, and dominance while his people learn how to trust him. You can watch the nine episodes of Chief of War instantly, since the show is incredibly immersive, and you can do it before a potential Season 2 and even 3 are announced.

3

‘Black Bird’ (2022)

Image via ©AppleTV+/ Courtesy Everett Collection

Black Bird is one of the most intense and thrilling cat-and-mouse chases ever made for TV, and the fact that it’s a miniseries makes it all the better. Why? Because it’s a fully wrapped-up story, and all that’s left for you, after binge-watching it, is to give it a rewatch and enjoy all the nuances of Taron Egerton and Paul Walter Hauser‘s character work. Egerton dials up his charm as the arrogant Jimmy Keene, but the real revelation is Hauser, who delivers a career-best performance as the unsettling Larry Hall. Hauser won a Golden Globe and an Emmy for his performance, and the series truly is one of the best Apple TV has ever offered its viewers.

Black Bird was based on true events, and this six-episode series follows Jimmy Keene (Egerton), a charismatic drug dealer sentenced to 10 years in a minimum security prison. The FBI offers him a deal: transfer to a maximum-security prison, befriend suspected serial killer Larry Hall (Hauser), and get him to confess to multiple murders, including revealing where the bodies are buried. In return, Jimmy walks free, and the charges are dropped. The pacing feels deliberately slow, made to amp up the dread while giving insight into who Keene and Hall truly are. Dennis Lehane‘s masterful script makes Black Bird a well-written show, but the performances elevate it to a higher level of brilliance.

2

‘Slow Horses’ (2022–Present)

Image via Apple TV

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Slow Horses is an interesting breed: having started in 2022, the show has so far stacked five magnificent seasons that maintain the same level of quality throughout. Slow Horses may have a lot of episodes, but you’ll find yourself welcome at Slough House as much as anyone possibly can by the time your weekend is over. The beauty of Slow Horses is how well it can move from agents cleverly uncovering an elaborate threat to public safety to its main spies accidentally dropping a can of paint on a vital political figure without a dramatic change in tone.

Slow Horses was based on Mick Herron‘s novel series called Slough House (which is even funnier source material), which is the name of the “dumping ground” for MI5 agents who’ve screwed up so badly they can’t be fired, just banished to administrative hell (known as “slow horses”). Slough House is run by Jackson Lamb (Gary Oldman), a flatulent, disheveled, and brilliantly rude spy who was once legendary. These “slow horses” keep getting dragged back into real espionage, often because Lamb is several steps ahead of everyone else, often including the criminals. Oldman’s Lamb is one of television’s greatest creations, and Slow Horses is smart, cynical, and utterly addictive.

1

‘Severance’ (2022–Present)

Image via Apple TV

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Severance is an incredibly ambitious series, and it works in all the ways it tries to. Set in modern times, yet somehow pristinely decorated in retro-futuristic sets and motifs, Severance deliberately feels claustrophobic, sterile, and confusing. You’re meant to get lost in the world of the “severed” before you’re rudely cut away and sent somewhere else, which turns out to be their “real life.” The show works on multiple levels: as workplace satire, a philosophical exploration of identity, and a mystery-box thriller. The Season 1 finale is one of the most compelling hours of television in recent memory, while Season 2 episodes range from great to near perfection.

Severance is set in the offices of Lumon Industries, where employees can undergo a “severance” procedure that surgically divides their memories: their “innie” exists only at work, and their “outie” remembers nothing of the job. Mark S. (Adam Scott) leads a team of innies who perform mysterious, repetitive tasks while his outie, Mark, lives blissfully unaware of his own job. When a former colleague starts leaving the team cryptic messages, they begin questioning everything, and Severance unravels into thriller territory. You will likely need roundtable discussions with friends after every episode, because Severance is television at its most ambitious and most rewarding.

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Severance

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Release Date

February 17, 2022

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Apple TV

Showrunner

Dan Erickson, Mark Friedman

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Outside of maybe Brendan Fraser, Keanu Reeves is comfortably one of the most universally beloved actors working in Hollywood today. That’s why it was savvy, if a little obvious, to have him play a beloved Hollywood star in the upcoming Apple comedy Outcome. But that’s not the first movie to play on Reeves’ likability, because there’s also the 2015 home invasion thriller Knock Knock (streaming now on Prime Video).

Directed by divisive horror filmmaker Eli Roth, Knock Knock came out right after John Wick kicked off Reeves’ career renaissance (which was a few years after a viral image of Reeves looking sad on a park bench convinced the internet that we should all be a lot nicer to him). Knock Knock doesn’t so much weaponize his likability as it does exploit it, making a point about Hollywood’s conception of what a victim looks like that a lot of viewers and critics weren’t especially on board with. To come right out and say it: The movie only has a 37 percent on Rotten Tomatoes, but it seems well-positioned for an eventual reappraisal.

What Is ‘Knock Knock’ About?​​​​​​​

Image via Lionsgate Premiere

Reeves plays Evan, an architect who stays home to work while his wife and kids go on a vacation together. During a rainstorm one night, two young women — played by Ana de Armas (Reeves’ future Ballerina co-star) and Lorenza Izzo — knock on his door and ask to use his phone. He invites them in so they can dry off and he orders them an Uber, but instead of leaving, they get naked and seduce him. The next morning, they not only refuse to leave but lie to Evan that they’re underage and threaten to call the police on him.

From there, things escalate in sort of a Funny Games way, though Knock Knock was based on a ‘70s exploitation thriller called Death Game that predates Funny Games. It’s also more about the psychological torture that Reeves’ Evan undergoes than it is about actual serial killer violence. The argument could also be made that it’s not even a home invasion thriller, since Evan does invite the two girls in and willingly sleeps with them (at least at first). It’s not a The Strangers-style random act of terror; they’re punishing him and they believe that he deserves it.

Why Does ‘Knock Knock’ Keep Getting Better As Time Passes?

Image via Lionsgate

There’s a YouTube comment on the Knock Knock trailer from 10 years ago that says “Imagine if the genders were flipped.” At the risk of being reductive, yeah, that seems like the point. It’s pretty common in horror/thriller films for women to be abused by men, whether it’s in something like Last House on the Left where the horror is grotesque or in Friday the 13th where teenagers are killed for having sex and the audience hoots and hollers.

You watch it happen to a man, specifically a man who just played John Wick and who everyone has a soft spot for, and you’re just waiting for him to turn the tables and get revenge. The punishment he’s getting doesn’t seem fair, surely he’s going to lock in and defeat them, right? That would be a more satisfying story, and one that would probably get more than a 37 percent on Rotten Tomatoes, but — to its credit — this movie doesn’t back down from a story that seems designed to make some people frustrated. As time goes on, and Knock Knock’s legacy changes (and as everyone continues to love Keanu Reeves), more people might come around to what it’s trying to do.

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October 9, 2015

Runtime

96minutes

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Chuck Norris’ fans have left flowers and mementos at his Hollywood Walk of Fame star following the action star’s death at age 86.

Us Weekly exclusively obtained a photo of the makeshift memorial created by fans on Hollywood Boulevard, which includes multiple bouquets of flowers and even a miniature replica Academy Award. Norris received his Hollywood Walk of Fame star in December 1989 in recognition of his contributions to the movie industry.

Countless eulogies and remembrances have been shared since Norris’ family confirmed his death on Friday, March 2020. Norris was hospitalized in Hawaii for an undisclosed medical emergency the previous day but no cause of death has yet been disclosed.

“It is with heavy hearts that our family shares the sudden passing of our beloved Chuck Norris yesterday morning,” his family said in an Instagram tribute. “While we would like to keep the circumstances private, please know that he was surrounded by his family and was at peace. To the world, he was a martial artist, actor and a symbol of strength. To us, he was a devoted husband, a loving father and grandfather, an incredible brother and the heart of our family.”

Their statement continued, “He lived his life with faith, purpose and an unwavering commitment to the people he loved. Through his work, discipline and kindness, he inspired millions around the world and left a lasting impact on so many lives. While our hearts are broken, we are deeply grateful for the life he lived and for the unforgettable moments we were blessed to share with him.”

“The love and support he received from fans around the world meant so much to him, and our family is truly thankful for it. To him, you were not just fans, you were his friends,” the Norris’ statement concluded.

Norris had a near six-decade Hollywood career as a martial artist and star of classic action movies such as Missing in Action, The Delta Force and The Expendables 2. In the 1990s, he starred in more than 200 episodes of the Western TV series Walker, Texas Ranger.

Related: Chuck Norris Through the Years: Look Back at His Iconic Moments

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Chuck Norris was known for his work on the small and big screens — as well as his impressive martial arts talent — before his March 2026 death. Born in Oklahoma, Norris discovered his passion for martial arts while overseas in Asia as a member of the United States Air Force. He trained in Tang […]

The Hollywood icon was a father of five children — sons Mike and Eric Norris from his first marriage to Dianne Holechek, a daughter named Dina Norris from another relationship in the 1960s, and twins Dakota and Danilee Norris with his second wife, Gena O’Kelley.

His twins Dakota and Danilee posted heartfelt messages in honor of their late father a few hours after his death was announced on Friday.

“Dad, it’s hard to find the right words for this, but I’ll do my best,” Dakota, 24, wrote via Instagram. “You’ve been the man I looked up to my whole life. Your generosity, your kindness, your courage, your integrity, your strength, your discipline, and your faith in the Lord were just a handful of things I always admired about you. You lived your life with purpose and with love for all people.”

Danilee, 24, added via her own Instagram account, “My dad was my protector the moment I was born and as soon as he took me in his arms, I’ve been his little girl. That was something I would always acknowledge even when I was too big to be cradled properly.”

“My dad loved so deeply and cared for every single person in his life with so much tenderness,” she went on. “He may have a warrior exterior, but his heart was so full of love and I’m so grateful that is something he and my mom passed down to me.”

Related: Chuck Norris Was Boxing in 86th Birthday Video Days Before His Death

Chuck Norris showed off his boxing skills on Instagram nine days before his death. The actor celebrated his 86th birthday on March 10 with a social media video telling fans, “I don’t age, I level up,” alongside clips of him sparring with a partner. “I’m 86 today! Nothing like some playful action on a sunny […]

Chuck’s granddaughter Greta Norris — whose father is the actor’s son Mike — remembered his humanity even after spending decades as an action hero.

“If you got the opportunity to meet him you knew he is the most down-to-earth person ever,” Greta wrote via Instagram on Friday. “In a room full of people he would make it known that he was listening to you and only you. He made everyone he met feel like a friend.”

She added, “I am forever grateful and proud that I am his granddaughter. Papa, I love you so much. Thank you for everything. The world truly lost an icon and I lost my grandpa.”

Scrubs’ return to television saw the kind of ratings that most broadcast comedies only dream of, proving that the show still held a very special place in the hearts of loyal fans. Starring Zach Braff, Donald Faison, Sarah Chalke, and Judy Reyes, the reunification of the original cast started off as one of the strongest shows on television, but may be losing some of its audience.

Scrubs is being billed as less of a reboot and more of a continuation of the original series, which wrapped up in 2009. It follows the lives of JD and Elliot after their divorce as they navigate their working relationship, with JD taking over as the chief of medicine and Elliot working as a doctor mentoring younger people in the hospital in the simulation lab. When the series picks back up, Carla and Turk are still married, with Carla working as a nurse and Turk serving as chief of surgery. There’s a new group of attendees that need mentors, which is where the original cast comes into play, similarly to how the show started back in 2001.

The Premiere Proved ‘Scrubs’ Still Has Fan Loyalty

The revival of the show absolutely crushed its competition at first. It brought in more than 11 million cross-platform viewers in the first five days of its February 25 premiere. Disney announced it marked ABC’s biggest comedy episode and most-streamed series premiere in over a year. So clearly, Disney knew what it was doing when it decided to bring Scrubs back after 17 years.

The show takes viewers to familiar places. It’s been embraced by longtime fans and was praised for being a “heart-warming homecoming” that preserved the core of the original series. The writing, characters and emotion are reminiscent of the series that people loved for so many years. While the characters have gotten older, their cadence of speech, their jokes and the core attributes that make them, well, them, have stayed the same. They’ve also been able to preserve the chemistry between the cast right from the start, something other reboots have needed several episodes to work out.

It all makes sense as to why so many people would tune into the premiere. Viewers – likely particularly millennials – wanted to see the characters they grew to love in their youth back on their screens again. And the first episode delivered on that. It was inoffensive, had the right mix of light-heartedness and deep emotion, and it didn’t stray far from the original series. But, that which was a strength for the premiere, may be an issue for the lifespan of the series.

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After 16 Years Away, ‘Scrubs’ Returns With Record-Shattering Ratings on ABC

We need champagne in here, stat!

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‘Scrubs’ Nostalgia Can Only Go So Far

Scrubs’ reboot premiere ratings were likely heavily impacted by nostalgia. There’s a reason the show was on for so many seasons and people were excited to get some of those good vibes back. But, the revival’s greatest strength may also be one of its biggest limitations.

It’s a deeply comforting show. It gives viewers familiar characters, emotions and a rhythm to the show that we loved the first time around. While that formula works well for bringing viewers in for a premiere, it’s not the best strategy when it comes to generating urgency with a weekly release show. Scrubs is asking viewers to remember to tune in each week almost purely for vibes, not plot lines, which is a hard sell.

Despite ABC’s continual hyping up of the premiere ratings, the network has been noticeably quiet in the weeks since. Just five episodes in, the early glow of the show has started to fade. Viewers have dropped by about 30 percent since the strong start, with the 18–49 demographic falling by 40 percent. And, the show hasn’t ever made it into Hulu’s top 10, indicating that the new season isn’t gaining significant viewers on Hulu and also isn’t driving people to rewatch earlier seasons, either.

‘Scrubs’ Reboot Gives Viewers Little Reason to Keep Watching

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With only nine episodes, Scrubs the reboot is essentially a limited series and has significantly fewer episodes than the 20 or so that viewers regularly got in each season of the original run. The shorter episode series gives networks ways to test a show without committing to a full run. And in some ways, Scrubs has delivered enough to get a season two. It gave a boost to ABC’s comedy slate and got a lot of attention with the premiere. It also gave ABC something to brag about with its initial ratings.

But, if the goal was a true comeback, Scrubs might not have enough juice. With a decrease in viewership and no strong plot lines. Fans don’t have strong reasons to keep coming back. Scrubs is the kind of sitcom that fans will rewatch when they want something familiar and mindless. And without a good reason to watch the new season, fans could rewatch old episodes and get the same good vibes.

People involved in the show are hoping for a season two and the show is going to get viewers just by the nature of the fan base of the original run. And, to be fair, Scrubs was a hit, although that doesn’t necessarily mean it has a future. To have longevity, Scrubs needs to say something new and give viewers a reason to love this new season beyond just loving Scrubs years ago. If they don’t, it’s just a reminder of what viewers already loved, which might not be enough to keep the show going.

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Release Date

February 25, 2026

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Writers

Aaron Lee, Amy Pocha, Aseem Batra, Mathew Harawitz, Michael Hobert, Seth Cohen, Tim Hobert

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Cast

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  Donald Faison

  Christopher Turk

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