Fashion
PARIS HAUTE COUTURE WEEK S/S 2026
SCHIAPARELLI, CHRISTIAN DIOR, CHANEL, VALENTINO and VIKTOR & ROLF.
Birds of Paradise or Birds of Prey? ‘Flight’ and ‘Escapism’ is a Recurring Theme, with Feathers Featuring in Many Offerings.
At Schiaparelli
Image Credit Paris Haute Couture Week, Page Six and WWD
Hands down the most glamorous of the all of Fashion Week Season, Paris Haute Couture Week exploded across the City of Light with celebrities, fashionistas and their seductive groupies lighting up every Paris street and historic venue. All looking (almost) as striking as the shows they dressed up to be seen at! (Do see our little collection of celebrities and their frocks!)
Schiaparelli kicked off events, laying the foundation for a week of unadulterated creativity, artistry and sheer fantasy.
Jonathan Anderson’s very first show for Christian Dior was a highly anticipated event, and one that set the tone for a week of the most wonderous, hand-crafted couture imaginable.
Day 2 saw legendary couture houses Chanel and Armani telling their stories through unrivalled imagination, wizard-like construction, hundreds and hundreds of hours of meticulous hand-stitching and nimble finger-work, bringing the already fabulous silks, satins and sequins to life on the runway.
Day 3 delivered a dose of hauntingly beautiful nostalgia when the House of Valentino paid tribute to their founder who passed away a few days prior to the show. It was a collection that properly got the chins wagging, and one that will no doubt go down in the fashion history books as simply epic.
Quirky Dutch duo Viktor & Rolf (who made ‘the bow’ famous a few decades ago now – and thankfully never stopped showcasing that festive accessory) pulled off a most memorable show with dramatic black silhouettes and, yes, that bow making a cameo appearance again.
All in all, the poetry, the romance, the magic and avant-garde nature of the shows made for a week that allowed the average mortal to drool, to dream, to be inspired and to escape to a world of blissful fantasy.
Long live fabulous couture, long live the folks who take their time to create it… and of course, a huge thumbs up to those who wear these beautiful works of art.
VALENTINO
Watch Valentino’s Show here:
Creative director Alessandro Michele pulled off a show that left the chins wagging well after the shows. Legendary founder of the House of Valentino, Valentino Garavani, passed away only days before the shows, and as the fashion world mourns the loss of yet another stalwart, they were somewhat consoled by a collection that remembered the very best of Valentino’s offerings over the decades.
To say it was a glamorous affair would not begin to do justice to a collection that was so over the top it will no doubt go down in fashion history. This while ‘voyeurs’ took a sneaky look though tiny windows at the runway.
Elizabethan collars and cuffs, oversized bows, headpieces that will make any epic 50s Hollywood film pale in comparison…. It was simply a spectacle to behold, with one piece outdoing the next in ‘wow’-factor.
Think Elizabeth Taylor in the epic film Cleopatra, with an infinite wardrobe of frocks, capes and accessories to choose from, and you’ll have nailed the essence of the offering.
There was simply no end to the enchanting array of cloaks, feather trims, fringing, sequins and other deliciously outrageous extravagances.
And above all, the haute couture essence of the collection didn’t go unnoticed: one could only imagine the hundreds of hours that went into creating these OTT theatrical pieces: the endless hand beading, the stitching on of infinite boa feathers and the weeks and months of hand-embroidery, to present us with this unbeatable otherworldly feat.
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SCHIAPARELLI
Watch Schiaparelli’s Show here:
That creative director Daniel Roseberry was inspired by the ceiling Michelangelo’s Sistine Chapel as well as the film Alien, was evident throughout a collection that posed the difficult question, what do we do when our world erupts into chaos – as it seems to have done already?
The collection was an eternal juxtaposition between the beautiful and the scary.
Rather than showcasing the ‘tame’ flower kingdom – a conventional subject for inspiration when it comes to haute couture – Roseberry turned instead to fauna, the animal kingdom, with its beauty and cruelty, its culture of being either predator or prey, hunter or hunted.
Scary alligator and venomous scorpion tails, the feathered wings of birds of prey, ominous-looking beaks and horns were incorporated into tailored jackets and dresses, to jaw-dropping effect.
Fish (a poisonous blowfish to be exact) inspired an organza suit that exploded into oversized shoulder spikes, and exaggerated bird beaks decorated (if that’s the term!) the front and back of jackets. A black jacket ended in a huge curled scorpion tail while a crocodile spine formed the front of a black ballgown.
If food for thought in today’s topsy-turvy world was the intention of this collection, Roseberry certainly succeeded. Beauty mixed with fear and anger is indeed a recipe that’s unforgettable! Hence silhouettes were uber-shapely, body-hugging (or rather, body-squeezing) and sharp.
Roseberry explained his philosophy for the collection by quoting philosopher David Whyte, “Anger is the deepest form of compassion, for another, for the world, for the self, for a life, for the body, for a family, and for all our ideals, possibly about to be hurt.”
Looking past the collection’s philosophy, the actual nitty gritty of the craftsmanship was awe-inspiring. As for man/woman hours, allegedly it took in access of 8000 hours to sew – by hand of course – 65000 raw silk electric blue feathers onto a floor-sweeping gown. And that’s just one of the pieces!
At Schiaparelli
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CHRISTIAN DIOR
Watch Christian Dior’s Show here: https://www.fhcm.paris/en/collection/christian-dior-haute-couture-springsummer-2026
Everything came up roses for Jonathan Anderson in his debut creative directorship for the House of Christian Dior. In fact, the collection was blooming marvelous! (It must’ve been quite something to have one of your ultimate fashion heroes, John Galliano, sitting front row, too.) A star-studded crowd that included Brigitte Macron, Jeff Bezos and Lauren Sanchez, was in attendance.
The show kicked off one hour late, with a set of sexy pleated dresses that paid tribute to a Kenyan-born artist, Magdalene Odundo – as soon as Rihanna, who was (very) fashionably late, arrived!
The collection was classic Dior, but a delightfully modernized version thereof: silhouettes were fluid and light – utterly wearable, and lo and behold, not a typical Dior corset in sight!
Transparent vests were juxtaposed with voluminous urn-shaped draped skirts (reminding one a little of Donna Karan’s 1990s silhouette), soft exaggerated bows decorated waistlines, bell-shaped skirts looked super elegant and silvery metallics were both fluid and structured at the same time.
The most striking accessories were the oversized floral earrings and elegant clutch bags.
Pops of colour – the likes of a tangerine shawl and lime green scarf – transformed the soft, pastel-based frocks. Loafers were made from antique cloth – sheer perfection!
This is a collection that achieves what few couture offerings can: it’s fresh, super elegant and avant-garde, but can quite easily be dressed down. What more can one ask for?
Christian Dior
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CHANEL
Watch Chanel’s Show here: https://www.fhcm.paris/en/collection/chanel-haute-couture-springsummer-2026
It was impossible not to notice the giant, colourful toadstools that filled the runway at Matthieu Blazy’s first couture show for Chanel. An enchanted garden was created to host this first offering.
This set the tone for a show that, in many respects, required the Chanel woman to go right back to the roots of the brand, and pay tribute to Coco Chanel who championed freedom, emancipation and who famously said, “before you leave the house, look in the mirror and take one thing off.”
The designer played with that idea throughout the collection, stripping pieces to barely there, light and breezy garments. In fact, in some pieces the fabric was cut away so that skin and underwear were clearly visible, emphasizing the flimsiness of not just the garments, but to be philosophical, perhaps also our very existence?
The theme of birds, and flight, also surfaced throughout, and some pieces were covered in feathers, others boasted printed feather motifs. Some pieces were raven black, others depicted the strong red, purple, chocolate brown and charcoal plumage. Peacock feathers and the dull grey shades of the humble pigeon were to be seen in many pieces.
There wasn’t a typical Chanel’ tweed or boucle, or even Carl Lagerfeldt’ signature accessory, the camellia, to be seen. And yet… it was unmistakably Chanel – from the soft and nude pastels and black, to the many plain and printed chiffon pieces. A quilted handbag perhaps vaguely reminded one of ‘old’ Chanel.
In a collection that evidently wanted to emphasise the psychedelic and the idea of a flight into escapism, Blazy certainly managed to kill two birds with one stone – excuse the pun!
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VIKTOR & ROLF
Watch Viktor & Rolf’s Show here:
The idea of lightness of being, also surfaced at Dutch duo Viktor & Rolf’s Spring/Summer presentations. This seems to have been a theme among designers this season – and how can we blame them for proposing some escapism if we look around us at what’s happening in our world?
Intrinsic to the mostly black collection that Viktor & Rolf presented, was the idea of flight.
In fact, one of the garments depicted a kite, with its connotations of lightness, freedom and the idea of being at the mercy of the elements.
And of course they also championed the idea of ‘general upliftment’ of one’s spirits, which can so easily be achieved by the mere addition of a spot of colour in the shape of a bow, a peplum, a ruffled neck piece, a row of colourful buttons or a decorative sleeve.
A simple addition can indeed transform a simple black outfit into something joyous.
It seems Viktor and Rolf gave us the option to ‘be normal’ and wear the basics, or be somewhat adventurous by layering and adding a touch of magic. The choice is yours!
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Last but not least, here’s what our favourite CELEBRITIES chose to wear…
Image Credit Page Six
Tyla at Valentino
Image Credit Page Six
Dua Lipa at Chanel
Image Credit Page Six
Tilda Swinton at Chanel
Image Credit Page Six
Alexa Cheung at Bulgari
Image Credit Page Six
Carlie Kloss at Dior
Image Credit Page Six
Dakota Johnson at Valentino
Image Credit Page Six
Kate Moss at Saint Laurent
Image Credit Page Six
For any questions/feedback regarding the above mentioned products/brands, please do contact us anytime by clicking here
A cross-country move has a way of cutting through noise. It is not symbolic. It is practical. Boxes cost money. Trucks have limits. Time runs out faster than expected. At some point, every item you own is held up and judged with a straightforward question: Is this worth taking with me?
That question changes how you see your belongings, especially your clothes. Personal style stops being aspirational and starts being honest. What you keep reveals what you actually wear, rely on, and feel like yourself in, moving forces clarity in a way few other life events do.
This is not about minimalism for its own sake. It is about alignment. When space, money, and energy are finite, style becomes less about options and more about intention.
Moving Strategy: How Logistics Force Style Decisions
Even before anything touches a box, a plan is already in motion. Moving things across the country is expensive. Each additional weight adds up fast. That’s why an experienced cross-country moving company doesn’t just move belongings. It forces decisions. Now, here’s something. A coat sitting alone in the closet isn’t taking up space anymore. It carries a price tag.
Here’s how it works. Personal taste connects with real-life needs. A shift happens in how you see things. Pieces start forming into clusters. What matters is how much something is worth, how often you reach for it, plus how deeply it affects your emotions. Certain items instantly earn a place. Others stay stuck in doubt, caught between choices, until life finally decides for them.
Habits show up through the routine. A shirt worn once sits in a box afterward. Outfits purchased just for a single date. Shoes held tight even though they’ve lost their reason. Things that used to show who you really were. When life moves on, there’s no room to keep what might have been. Choices become necessary.
Under pressure from weight, choice becomes practical. In the end, it’s not about fit theories. It’s results in actual settings.
Editing Ruthlessly: What You Learn When You Can’t Take Everything
Finding flaws never sits well. At the beginning, it looks like giving something up. Still, that act also shows truth.
Take away too much, and things start showing up. Silhouettes catch your eye, ones you come back to frequently. There’s fabric here you already know works. Repeated hues jump out, too. The imaginary objects become obvious fast. These need a reason behind them.
Away from home, how someone dresses shows where their real world fits. Letting that difference go is hard. Still, it might loosen what holds you back.
Left behind isn’t luck. It quietly tells how you’ve lived. Slowly, clarity comes; your look never really changed. Beneath all those choices, it sat quietly.
Climate, Culture, and Lifestyle Shifts
Outside shifts affect fabric behavior. Storms alter material response. Societal norms reshape object meaning. When life changes, what we need every day often shifts too.
One season’s clothes can seem out of place elsewhere. That doesn’t prove your choices were bad, just how context shapes taste. What stays central shifts how it shows up.
What stands in the way isn’t swapping everything right away. It’s about translating what already exists into something new. Over time, you see what pieces of your look truly count, while others come just by chance. Often, it’s the way things are laid out, how clean or full they look, or whether they bring calm or attention that makes the difference, not the exact items themselves.
Shifting places trains adaptability, yet keeps nothing lost. Not disappearing entirely matters just as much as refusing transformation does. Acting with purpose shapes each shift.
Quality Over Quantity Becomes Non-Negotiable
When shifted, weak materials often fail to withstand the load. Shipped versions might bend, crack, or seem useless once the room runs thin. Strong constructions last longer. These keep their place by reason.
Such a change unfolds on its own. After managing each piece, packing, unpacking, and making room, the real character shows up. Not some idea pulled from books, a truth shaped by doing.
What sticks changes, too. Things that actually help start meaning more than ones that seem nice at first glance. What matters shifts toward what works without fail.
What stays changes size but gains depth over the years. This happens through learning rather than control.
Rebuilding Intentionally After the Move
Once the shift occurs, some feel pressured to act quickly. A fresh place means new shops, maybe even a different life. Yet slowing down can make sense. Rushing may miss deeper reasons behind the change.
What’s missing in your clothes matters more than you think. That space reveals real needs today, shaped by where you are and what you do. Buying fast to cover gaps often ends poorly, like chasing shadows.
Start by watching how things unfold. See which moments you later crave. Notice the shortcuts, the tweaks, the borrowed ideas. Let reality shape what comes next.
Nowadays, how someone dresses turns into something like a framework. Not so much about reacting. More about thinking ahead. Buying things now slips under the radar. Feels firmer, somehow.
Personal Style as a System, Not a Closet
Cross-country moving reframes style as infrastructure. It supports your life. It should reduce friction, not add to it.
When you see style this way, accumulation loses its appeal. Efficiency matters. So does coherence. You stop shopping for novelty and start refining a framework.
This approach extends beyond clothing. The same principles apply to how you organize your home, your time, and your priorities. Moving makes these connections visible.
Style stops being decorative. It becomes functional self-knowledge.
Conclusion: Moving as a Shortcut to Self-Knowledge
Major transitions accelerate learning. Cross-country moving compresses years of reflection into weeks of decision-making.
By the end, you own less. But you understand yourself more clearly. Your personal style feels steadier, not because it is fixed, but because it is rooted.
What you carry forward is not just a wardrobe. It is discernment. And that is something worth moving with.
This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.
Navy belts can be hard to find, but I really like this one from Talbots.
Now, of course, you don’t have to wear a navy belt with navy pants — the general rule I’ve always heard is to match your belt to your shoes. I often think of tan leather as great to wear with navy, but you can obviously wear black with navy also!
(We’ve also talked about what color tights to wear with navy skirts!)
Still, if you’re on the hunt for a navy leather belt it can be tricky to find one. This one from Talbots looks perfect — and I like that the belt buckle is covered in the same leather so it’s muted.
The belt is $79.50 at Talbots, and comes in sizes XS-XL and in colors black and brown. You can take 25% off today (discount in bag).
Sales of note for 1/27:
This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.
Here’s something we haven’t discussed in too long that’s always a fun topic: what are your work outfit workhorses? Which accessories, third pieces, and more have you found to be surprisingly versatile and otherwise something you reach for more than you thought you would?
When we last discussed surprise basics for workwear and workhorses for your working wardrobe, I’ve called out my love of colorful purses, olive-colored pants, a good watch, and of course purple heels as things that I was surprised to find myself wearing a ton.
I’ve also written of other things that are outside the usual “must have” lists, including very light gray pants instead of summer whites, velvet blazers for festive in-office holiday lunches, huggie earrings like these, light blue blazers, and purple pumps. It also came up a bit with our discussion of light blue suits, with lots of readers noting that they often wear a pair of colorful blue trousers or a colorful blue blazer (but not together).
Those discussions were a while ago, though, so let’s discuss — what are you finding a surprise workhorse in 2026? (Has anything that you used to love, like olive pants, become less versatile with the fashions of today?) What items have you had a hard time finding, and what are you replacing them with?
Fashion
Cardi B Storms Saturday Night Live Wearing Rowen Rose Burgundy Patent Look, Custom Bryan Hearns, and Leather Candice Cuoco
Cardi B delivered a full fashion rollout during her appearance on Saturday Night Live, stepping out in a series of bold looks that carried her from arrival to performance to post-show exit.
The rapper first arrived at Rockefeller Center wearing a burgundy patent ensemble by Rowen Rose. The high-shine look featured a belted jacket with a deep neckline paired with a coordinating midi skirt, styled with black pointed-toe boots and a mini top-handle Hermes bag. The glossy finish and structured tailoring gave the entrance look a sharp, statement-making presence. The outfit was styled by Kollin Carter.
For her SNL performance, Cardi B changed into a custom leather look by Candice Cuoco, again styled by Kollin Carter. Cuoco said, “This one was fun. I drew [inspiration] from Cardi and her love for her culture, I drew inspo from the beautiful Dominican folkloric pollera. Creating custom embossed hand painted floral leather corset with leather ruffles throughout the skirt and corset. Mixed in with tiers of pleated silk chiffon, ruffled laces, satin ribbons and skirt layers of flounce cut leather for the tiers of the skirt.” Cuoco also shared that part of the look was constructed at KidSuper Studios.
Cardi also performed in a custom Bryan Hearns look, replete with rings and leather details:
After the show, Cardi B greeted fans wearing a custom trench coat by Bryan Hearns. The outerwear maintained the evening’s leather-forward aesthetic while offering a more streamlined silhouette for her exit, closing out the night with another polished fashion moment.
Hot! Or Hmm..?
🎥: NBCSNL
Max Mara Coat (old, similar here and here), Toteme Sweater (old, similar here, here and here), La Ligne Jeans, Le Monde Beryl Boots, Similar Scarf (and here), Agnelle Gloves, Dior Sunglasses
Cold weather challenges wardrobes to earn their credibility. This edit centers on pieces with presence, outerwear and layers defined by material, construction, and detail. These aren’t everyday basics. They’re specialty buys: shearling and calf hair that bring texture, tailored coats with intentional proportion, statement knits, and jackets finished with trims, embroidery, or sculptural shapes. Each piece offers something beyond function, whether it’s craftsmanship, fabric story, or silhouette.
The focus is on quality you can see and feel. Substantial weight. Thoughtful construction. Finishes that elevate even the most minimal outfit. A great coat should hold its own. A sweater should bring dimension through color, stitch, or pattern. Accessories should introduce contrast through texture and form.
These are pieces you buy now, wear immediately, and return to next winter without hesitation, investment dressing built for longevity, not a single season. Designed for repeat wear, they move easily between polished looks and relaxed days while maintaining their character. Let the details carry the season.
Leopard Hat
This leopard print hat brings depth to simple looks; works equally well with tailoring, denim, or evening layers.
Fur Trim Parka
An oversized cotton parka with dropped shoulders and removable shearling collar, blending relaxed tailoring with utilitarian polish.
Fashion
Top 5 Looks of January: Cardi B in a Burgundy Patent Rowen Rose Look, Elton John in a Lime Green Set, Teyana Taylor in Schiaparelli & More!
It’s a new year and the month of January set the tone for fashion in 2026 with modern silhouettes and luxurious fabrics. We’ve curated our ‘TOP 5’ looks of the month based on views and impressions so check out who made the cut!
Cardi B in Rowen Rose- 2,496,054 Views
We love Cardi B dowwwwn, and her latest appearance on Saturday Night Live solidified her as a style trailblazer. The ‘Imaginary Players” rapper arrived to the SNL studio in a patent leather burgundy look that was one for the books. One thing about Cardi B’s team is that they’re going to EAT every single time, and this look was absolutely sickening.
Elton John in Lime Green Set- 1,126,052 Views
The legend himself Elton John was captured in Paris this past month alongside his partner David Furnish in a lime green pleated set that was ravishing on the music star. Known for his flamboyant style, he’s fearless when it comes to wearing bold colors, statement outfits, and extravagant accessories. Elton layered his lime green ensemble over a black crewneck shirt, and styled it with an oversized diamond cross and black shades. Opting for comfy footwear, his sneakers with lime green laces complimented his outfit.
Teyana Taylor in Schiaparelli – 1,055,677 Views
Teyana Taylor is exactly who she thinks she is, and while in Paris, the multifaceted artist was photographed in a full Schiaparelli look that was to die for. Her asymmetrical fur coat was characterized with long sleeves, and gave main character energy with a detachable collar. Her layered belts were right on trend with what we’ve seen on the runways, and her black leather pants added an edgy element. Not to mention her gold eyelash Schiaparelli sunglasses that were a game changer.
Izzy Azalea in a Black Dress- 801,589 Views
Australian artist Iggy Azalea has been missing in action since her departure from the music scene. During the Grammys festivities, she was photographed at an event in a black bodycon dress that was hip-hugging, and seductive. With a super long blonde sleek “buss down“, and a mean face beat that flawlessly enhanced her features, Iggy looks like she’s ready to make a returning debut.
Oladria Carthen In Rahul Mishra- 662,672 Views
Olandria! Olandria! Olandria! If anyone has been stepping on people’s necks, it’s this girl who is proving to be the perfect muse. During Paris Haute Couture Week, Olandria looked like a masterpiece in a Rahul Mishra ensemble that was a work of art. Her architectural dress told a rich story, and we all know that when beauty and art collides, it can become a monumental moment.
What say you? Hot! Or Hmm…?
Photo Credit: IG/Reproduction, @freshmadeit, @jairo.media, @getty, @backgrid
This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.
I was thinking, how I’m always amused to stumble on older pieces that we’ve featured here on Corporette® … sometimes they still look good, or I remember liking them. Other times, the styling or the featured piece of clothing is just… fug.
Anyway, I started thinking… it might be fun to share some previously featured pictures with you guys, and discuss — would you wear these items today? If so, how would you style them in 2025? If you’ve replaced items like this in your closet, what are you wearing instead of them?
First up, some of the things we featured on February 2 over the years…
What We Wore to Work in February (Over the Years)
2009: A Kimono Dress from Aquascutum
I feel like there were a lot of “kimono dresses” around this time period — there was a specific one the readers loved that I’m totally blanking on. Hmmn. (Maybe this one from ASOS?)
Anyway: we featured this gorgeous dress from Aquascutum was at NET-A-PORTER for $1115. Maybe it’s me but I still think it’s absolutely gorgeous, and unique enough that it wouldn’t be overly dated.
Aw, there were exactly 7 comments on the Splurge TPS report. Early days for the blog!
Similar Dresses with Cool Structural Details
2010: Eileen Fisher Stand Collar Jacket
This was an early sweater jacket — made from lambswool and cashmere, with that regular blazer shape. Sweater jackets had been a bit shrunken in the previous years (I had one from Iisli that I loved so much I took engagement pictures in it — similar to this one), so this longer length one was a bit different so we featured it. (I blame Wedding Bee for the weird poses.)
Similar Sweater Blazers for 2026
I usually stick to the morning workwear reports for these (originally called TPS reports because there was an obscure reference to the movie Office Space, then we went with “The Personal Shopper,” and then we dropped all of it for “Workwear Report”) — ANYWAY this brown leather bag was featured somehow on a Pin or something and, for years, we would get traffic back to the blog because of this tote. (The good old days!) It’s still really gorgeous…
Similar North/South Leather Totes
We rounded up north/south totes a while ago — if you’re looking for something extremely similar, check out this affordable leather bag or this Amazon seller.
Some of our favorite north-south totes for work in 2026 include options from Madewell, Cuyana, BÉIS, MZ Wallace, Tumi, and Everlane — this convertible north-south tote from Bellroy looks great also.
2012: Cardigan From Charles Tyrwhitt
Aw, I haven’t thought about Charles Tyrwhitt in years, and a quick check tells me they’ve stopped making women’s wear entirely. For a while though they were sort of a competitor to Brooks Brothers for button-front shirts and the like. This merino cardigan was on a great sale, $200 to $60.
Cardigans We Love in 2026
2015: Narcisso Rodriguez Blazer
Hmmn… I’m not a fan of this one. I suppose it is unusual, though. The blazer was $2195 at Nordstrom, as we noted in the post.
2016: Pintuck Dress from Reiss
I loved this Reiss dress then and I still love it now. It actually reminds me of a super old Calvin Klein dress that had a similar starburst pattern and was around for years. (It’s still at Amazon in lucky sizes!)
2017: Hideous Ponte Blazer
Yeah… I’m not sure what I was thinking with this one, because there are much better blazers to be found for under $50. I do like the color here, and I suppose it was trendy at the time…. This was an LC Lauren Conrad Ponte Blazer at Kohl’s.
Affordable Blazers Under $50
2018: Satin Shell from Loft
Gosh… I’m not in love with this one either. The buttons seem out of place, and as far as sleeveless tops go I really don’t like it. But: it was Loft, and was Frugal Friday, so there you go. (Interestingly, in the post we mentioned that Loft Plus was coming soon, with sizes up to 26 — I had completely forgotten they had plus sizes for a hot second.)
I’ll post some of our preferred sleeveless shells below, but do note that we also just rounded up shirts with interesting collars late last year.
Sleeveless Shells in 2026
2021: Sheath Dress from Of Mercer (RIP)
Of Mercer has unfortunately gone out of business, but this dress reminds me a lot of what they did right — interesting details but still appropriate for work. If memory serves they offered sizes up to 22 at least, and the occasional maternity dress. You can still find the brand on the resale sites… we featured it in 2021, when Elizabeth was still frequently working from home.
Asymmetrical Power Dresses in 2026
One of the classic asymmetrical power dresses is the Black Halo Jackie dress; this affordable option at Nordstrom Rack also works. Stay tuned for a roundup of more!
2022: Athleta Pants
Comfort was the name of the game in 2022 as people returned to the office (well, some did)… these Eastside pants from Athleta were popular among readers.
For 2026, I’ve heard more chatter about these Athleta pants or these…
More Pull-On Comfortable Work Pants
Any favorites you remember from February workwear reports, readers?
(Psst: you can see previous installments of this occasional series here!)
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