Related: Cheryl Hines Reveals ‘Painful’ Friendship Fallouts Over RFK Jr. Marriage
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Cheryl Hines has responded to Chelsea Handler’s allegations that the Curb Your Enthusiasm alum sold her a “toxic” house.
“She bought this house five years ago and she’s just now complaining about it,” Hines, 60, said on the latest episode of OutKick’s “Tomi Lahren Is Fearless” podcast. “She’s buying a $6 million house and talking about how she feels duped and that we tried to sell her a house that was — her word — toxic, which also doesn’t make sense.”
Handler, 51, claimed on the March 5 episode of her “Dear Chelsea” podcast that she previously bought the property that belonged to Hines and her husband, Robert F. Kennedy Jr. The comedian added that she still hasn’t been able to move in after contractors discovered issues in the foundation.
“The story doesn’t really hold water,” Hines told podcast host Tomi Lahren. “I did write her a personal note when she moved in, just saying how much we love the house, and I hope that she has a beautiful life in this house. And if you need anything, call me, and I left my number.”
She continued, “So, I don’t know if we were trying to unload a toxic house on her. I wouldn’t have left my number, so I think she’s just trying to get attention and it’s probably fun for her to make fun of Bobby. What are you going to do? She’s trying to get a laugh, I guess, and some likes.”
When Handler initially revealed her real estate saga, she mentioned that she was “totally over” it while “still working through it.”
“I did not know I was buying it from him. It was anonymous [through a trust]. It was all private … [but] I still have not lived in this house. That’s how f***ed up this house was,” Handler quipped at the time. “The idea that this guy is in charge of the health of our country when he didn’t even have a proper foundation at his house?”
According to Handler, building inspectors found multiple foundational issues on the property.
“When they opened up the house, they were like, ‘This house is the most toxic environment. You cannot live here for at least two years.’ I’m not exaggerating any of this,” Handler claimed. “It was a disaster, and I didn’t know it going in because everything was, you know, under wraps.”
Handler further joked that three separate contractors have told her the “house is cursed.”
“In the last week of inspection, they came in. Everything’s been redone, redone, redone,” she recalled. “They’re like, ‘Oh, there’s a little outdoor storage unit that’s been there since I bought the property, and they’re like, ‘This is illegal.’ … I’m, like, ‘How did they not find this upon the first inspection?’”
Influencer Courtney Parchman knows she “changed so much.”
Parchman, 30, took to Instagram on Thursday, March 26, to poke fun at her recent breast augmentation announcement. She reposted a tweet about her boob job, which she teased as a twin pregnancy reveal. “Courtney Parchman revealed the results of her boob job in the style of a pregnancy announcement,” the tweet read. Parchman then posted a hilarious zoomed-in selfie, which she captioned, “Yethhhh thir! I thur did!”
In her breast augmentation reveal, Parchman sat down with her camera and told fans she “knew” it had been a long time since she talked, noting there were “really big changes” she was going through behind the scenes.
“I’m ready to talk about it and address it head-on,” Parchman said, as emotional music played in the background. “I am a mother to two new girls,” she revealed, cutting the camera to a shot of her cradling her own chest. “They are twins!”
“I love them. The girls are always looking absolutely amazing,” she added. “I’m very mindful of them. I only put them in the best,” she added over a clip of herself wearing a lace bra.
Parchman detailed the size she opted for and more, telling her followers that she got 175cc silicone implants and went under the muscle. “I’m just so excited that you guys finally get to meet them. I’ve been waiting and waiting. They’re absolutely perfect.” Parchman joked that she actually “would have gone bigger.” She noted, “But this feels like the best way.”
@averagefashionblogger Finally addressing it and thank you for understanding ❤️
“Finally addressing it and thank you for understanding ❤️,” she captioned the hilarious post. Her fans praised her reveal in the comments section.
“You’re so brave, thank you for being so transparent!!❤,” one wrote. A second added, “I’ve never been happier for someone I don’t know! 🥹.” A third follower commented, “Thank you for sharing your truth.”
A Bahamian police official has been charged with murder following his involvement in the fatal shooting of a Florida man, which he claimed was an act of self-defense.
Berneil Pinder has been charged with the murder of Cody Castillo, an employee of Pike Electric. Castillo was working on a major infrastructure project for Bahamas Power and Light at the time of his death.
Pinder, 51, appeared in court on Wednesday, March 25, before Acting Chief Magistrate Ancella Evans and he was formally charged, according to the Tallahassee Democrat.
Media outlets in the Bahamas reported that Pinder, who serves as superintendent for the Royal Bahamas Police Force, was denied bail. He was also reportedly ordered to return to court on July 23 for the presentation of a voluntary bill of indictment.
Pinder appeared in court just four days after Castillo was fatally shot outside of popular beach spot Da Plantation Bar and Grill.
The RBPF initially said in a news release that the altercation started inside the bar and grill, though the men eventually went outside. Police said that Castillo drove his truck toward Pinder “in a threatening manner,” and Pinder fired a single shot as he feared “for his life.” The single shot eventually led to Castillo’s death.
However, officials later obtained video footage of the incident that seemingly contradicted Pinder and the RBPF’s account of the incident.
Before Pinder was arrested, the U.S. Embassy in the Bahamas issued a statement expressing the “deepest concern” about media reports that stated Pinder followed an unarmed Castillo to his vehicle before he fatally shot him.
“We urge the Government of The Bahamas to ensure the victim receives justice in this case without delay,” an embassy spokesperson said in the statement.
It is not currently clear if Castillo has entered a plea or retained legal representation following his arrest.
Following Castillo’s death, a loved one set up a GoFundMe page to help his wife, Makayla. The page explained that the couple was expecting their first child together in August.
“Makayla is now facing the unimaginable: grieving her husband while preparing to bring their son into the world alone,” the post read. “She’s overwhelmed by the sudden loss, the weight of funeral expenses and the uncertainty of how she’ll manage living costs and care for her baby without Cody by her side. The pain and fear are real, and she needs help from anyone who can offer it.”
Bahamas Prime Minister Philip “Brave” Davis said that authorities are taking the investigation seriously.
“I have asked for a full and transparent investigation, and where the evidence supports criminal charges, the law must move swiftly,” Davis said on Tuesday, March 24, per the Tallahassee Democrat. “The badge can never place anyone above the law.”
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The actress, who was released due to “insufficient evidence,” played opposite Martin Lawrence and Will Smith in three ‘Bad Boys’ films.
Editor’s note: The below contains spoilers for The Pitt Season 2 Episode 12.
Much of the drama on The Pitt Season 2 has revolved around the mental health status of Dr. Michael “Robby” Robinavitch (Noah Wyle). He was on the verge of a nervous breakdown for the entirety of Season 1, but it felt like he would be on the path to healing in Season 2. Instead, Robby is faring even worse — and it’s gotten so bad that some fans are even wondering if The Pitt would go so far as to kill off its lead character.
Robby isn’t the only one struggling, either. Charge nurse Dana Evans (Katherine LaNasa) arguably keeps the ER running, but what she’s experienced, not just during this shift but in Season 1, is starting to drag her down. In Season 2’s latest episode, “6:00 P.M.,” Dana finally raises her concerns about everything she’s been seeing from Robby over the last several hours, but Robby is quick to call her out in exchange. No two characters matter more to The Pitt, yet they’re the ones who may have finally reached their breaking point.
Every doctor and nurse in the Pitt holds Dr. Robby in high regard as senior attending, and although they might notice him struggling, there’s nothing they can do to get through to him. Dr. Jack Abbot (Shawn Hatosy) has already expressed his concern for what his friend is going through, but the only other character who seems willing to call it like she sees it is Dana. Given her longtime friendship with Robby, it’s no surprise that these two are willing to broach more uncomfortable topics with each other.
‘The Pitt’s Most Intense Med Student Breakdown Has a Much Deeper Hidden Meaning
Shabana Azeez explains how Javadi’s experience in Episode 9 mirrors the real-life pressures med students face every day.
When Emma Nolan (Laëtitia Hollard) is attacked by a patient, Dana intervenes, drugging the assailant with a syringe she conveniently had in her pocket — only Robby suspects it wasn’t so convenient, and that Dana has been carrying that syringe around ever since being assaulted by a patient in Season 1. Robby’s role as attending also puts him in a tough spot where he has to consider the potential legal repercussions of Dana giving a patient a sedative that wasn’t originally prescribed.
The first time the two argue, Dana cuts the conversation short by walking away, but Robby isn’t willing to let the subject drop. He’s concerned that she’s not acting like herself today, which is exactly how she feels about him. Their conversation ends with Dana declaring, “It’s like you’re just tempting death ’cause you don’t give a shit anymore.” It’s a brutal truth that is made obvious from the first scene of Season 2, when Robby is shown riding his motorcycle to work without a helmet. Robby’s so far gone that when Dana calls him out, it doesn’t even phase him, whether because he’s lying to himself or simply no longer cares.
In the aftermath of The Pitt‘s latest patient attack, Dr. Frank Langdon (Patrick Ball) tells Dana she did what she had to, but the fear in her eyes speaks volumes; she’s scared that she may have messed up in a way she can never come back from. With how little attention he pays to his next patient, Robby is wondering the same.
The leaders of this hospital are having a hellish day on top of the trauma they already carry. Patients have died, the computers are down, and ICE agents have one of their own away in handcuffs. By the end of The Pitt‘s latest hour, Robby mentions not knowing whether he can leave the ER in its current state, but Dana boldly asserts that the hospital can survive without them, just as it did after Robby’s mentor passed.
As Dana storms off, Robby is stunned into silence. It’s a heartbreaking conversation to witness, but one that needed to happen. The Pitt‘s two best characters are teetering on the brink and could still fall over the edge by the end of this shift. Let’s just hope they’re both still strong enough to endure whatever comes next.
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Christopher Jackson, who originated the role of George Washington in Lin-Manuel Miranda’s Broadway smash, hit a lyrical mishap on opening day of the MLB season.
Latto has all her friends in their feels over her pregnancy announcement. Flo Milli is the latest to react to Big Mama’s BIG news, and her response has fans getting emotional.
Recently, Flo Milli came through with the ultimate throwback photo showing love to Latto amid her pregnancy reveal. Flo dropped a photo of her and Latto posing together while she was pregnant in 2025. The ‘Never Lose Me’ rapper gave birth to a baby boy in April last year. In one pic Flo shared, Latto held her growing belly — now it’s flipped, with Flo holding Latto’s baby bump in a new pic she posted on X. Flo got emotional in her caption, saying she can’t wait for their babies to meet. “Who would’ve thought we would both become big mamas together cant wait for our babies to meet ! I love y’all @Latto.” The ladies linked up in Atlanta on March 25 to celebrate Big Mama’s new Paper magazine cover. Nene Leakes and Phaedra Parks were also in the building, with footage showing them posing alongside the soon-to-be mom.
After The Shade Room posted the pics of Latto and Flo, fans flooded the comment section with heart-eye emojis. Some said they love seeing the rap girls supporting each other, while others said they can’t wait to see their kids meet one day.
Instagram user @glamourgirlree wrote, “I just love the girlies loving on each other instead of hating soo cute 😍”
Instagram user @sashasleigh wrote, “the fact that latto got the same hair style in both pics lol i love that! so cute.”
While Instagram user @sashasleigh wrote, “Capricorn mommies 😍😍 literal goats!!”
Another Instagram user @lavish.v_ wrote, “Latto having a girl. I can tell.”
Instagram user @laceyy88 wrote, “congrats big mamaaaaa baby gonna be beautifulllll😍”
Then instagram user @f4i1hhh wrote, “Yessss they hopefully can show their kids this one day 😍😍😍”
Lastly, Instagram user @___lizzzieee wrote, “Awwwwww 😍”
Flo Milli isn’t the only one showering Big Mama with love. 21 Savage had the internet shook when he gave the expecting rapper a shoutout on his Instagram Story. In the now-deleted post, he shared Latto’s Paper magazine cover alongside the message, “Big Mama Not The Little 1.” Fans have been working overtime trying to figure out if 21 is the father of Latto’s unborn child. So far, neither of them have confirmed, but folks have been speculating about their relationship for years. However, Latto seemingly sealed their status in 2025. When TMZ asked if she ever gets tired of hearing his name, she said, “Nope! My man, my man, my man.”
What Do You Think Roomies?
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Joseph Duggar was arrested last week on child molestation charges.
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“That’s when I think I really took it in, you know, what these shows do mean to us,” the “Comeback” star said.
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The singer attended the show in Los Angeles, where she is nominated for Artist and Song of the Year.
Violence in television can take many forms, yet some miniseries leave a deeper mark because they refuse to soften what they are showing. These miniseries are brutal, not simply because of the presence of violence. The real weight comes from the situations surrounding it. A wrongful conviction slowly reshapes a young life. A government disaster exposes the danger of secrecy. Soldiers experience the psychological toll of combat that continues long after the fighting ends.
Because the episodes are limited, the creators can focus closely on the emotional and human cost of each event without stretching the story unnecessarily. Here are some of the most brutal series of all time that hit all the right chords.
Some historical tragedies feel distant with time, yet the events in Waco still carry a heavy sense of unease. The miniseries revisits the 1993 siege between federal agents and the Branch Davidians in Texas, a conflict that unfolded slowly and painfully in front of national television. Instead of rushing toward the outcome, the show spends time with the people on both sides.
At the center of the compound stands David Koresh (Taylor Kitsch), a religious leader who believes he must protect his followers from outside authority. Across the barricade, negotiator Gary Noesner (Michael Shannon) tries to find a peaceful way out before the situation collapses. As days turn into weeks, families inside the compound grow more fearful while federal agents face pressure to end the standoff. The series keeps returning to these small human moments, and slowly it becomes clear how misunderstanding and pride can push a crisis toward an irreversible end.
A single night can change the direction of a life, and The Night Of explores that idea with painful patience. The series begins quietly, almost like an ordinary crime story, yet it gradually turns into a much deeper look at how the justice system affects everyone caught inside it. The tone remains restrained and serious, which allows the tension to grow through small developments instead of dramatic twists.
The story centers on Nasir Khan (Riz Ahmed), a college student who takes his father’s taxi for an evening in Manhattan. After meeting a stranger named Andrea (Sofia Black-D’Elia), the night ends in confusion when Nasir wakes up beside her lifeless body. The investigation quickly turns toward him, and the case moves through police stations, courtrooms, and the harsh routine of Rikers Island. His lawyer, John Stone (John Turturro), struggles to build a defense while the system slowly reshapes Nasir himself. As the series moves forward, the question of guilt remains uncertain, yet the damage done to everyone involved becomes impossible to ignore.
Some stories are difficult to revisit because the outcome is already known, yet the injustice behind them still demands attention. When They See Us approaches the case of the Central Park Five with patience and care. The series does not rely on sensational courtroom drama. Instead, it focuses on how institutions can fail young people when fear and public pressure begin to shape the investigation.
The story follows five teenagers, Antron McCray (Caleel Harris), Kevin Richardson (Ethan Herisse), Yusef Salaam (Chris Chalk), Raymond Santana (Marquis Rodriguez), and Korey Wise (Jharrel Jerome), who become suspects after a violent assault in Central Park in 1989. During questioning, detectives push the boys into confessions that do not match the evidence. As the case moves to court, prosecutors present a version of events that the public quickly accepts. Years later, the truth slowly emerges through new evidence. The series traces that long path carefully, showing how the weight of a wrongful conviction continues to shape their lives long after the headlines fade.
At first glance, Unbelievable appears to follow a familiar investigative structure, yet the series quickly reveals a deeper concern. It examines how victims are treated when their stories do not immediately fit the expectations of law enforcement. Rather than rushing through the investigation, the show takes time to show how doubt and disbelief can cause as much harm as the crime itself.
The story begins with Marie Adler (Kaitlyn Dever), a teenager who reports that she has been sexually assaulted in her apartment. During questioning, detectives begin to question her memory and consistency. Under pressure, Marie eventually withdraws her statement and is accused of making a false report. Years later, detectives Karen Duvall (Merritt Wever) and Grace Rasmussen (Toni Collette) begin investigating a series of similar assaults in another state. As the pattern becomes clearer, the investigation slowly reconnects with Marie’s original report. Step by step, the series reveals how one dismissed testimony nearly allowed a serial offender to continue unchecked.
True crime stories often focus on a single shocking event, yet The Act shows how disturbing situations can grow slowly inside ordinary surroundings. The series examines the strange and troubling relationship between a mother and daughter living in a quiet Missouri town. At first, the situation appears tragic. Neighbors believe they are helping a sick child and her devoted parent, and the community treats them with sympathy.
The story centers on Dee Dee Blanchard (Patricia Arquette) and her daughter Gypsy Rose (Joey King). Dee Dee claims that Gypsy suffers from numerous illnesses and keeps her dependent on medical treatments and constant supervision. Over time, however, Gypsy begins to question the reality of her condition and the limits placed on her life. As she searches for independence, the tension between them grows more intense. Eventually, that conflict leads to a violent crime that forces investigators to uncover years of manipulation and control hidden behind a carefully maintained public image.
Some disasters remain difficult to comprehend because of their scale, and the nuclear accident at Chernobyl is one of them. The miniseries approaches the event with careful detail and focuses on the chain of decisions and mistakes that allowed the catastrophe to unfold. Instead of rushing through the explosion itself, the show examines the people who were forced to confront the crisis in its earliest and most dangerous moments.
The story begins with the reactor failure at the Chernobyl Nuclear Power Plant in 1986. As radiation spreads across the region, Soviet officials struggle to understand the situation and control the damage. Valery Legasov (Jared Harris), a nuclear scientist, joins government official Boris Shcherbina (Stellan Skarsgård) to investigate what truly happened inside the reactor. Meanwhile, scientist Ulana Khomyuk (Emily Watson) works to uncover the technical failures behind the accident. Through their efforts, the series shows how secrecy, denial, and pressure from authority delayed the truth while thousands of people faced the consequences of the disaster.
War stories often focus on strategy and victory, yet The Pacific chooses a different direction. The series looks closely at the soldiers themselves and the emotional cost of fighting in the Pacific theater during the Second World War. Each episode moves through brutal island battles where exhaustion, fear, and isolation slowly reshape the men who are sent there.
The story centers on several Marines whose paths cross during the campaign. Robert Leckie (James Badge Dale) records his experiences in letters and reflections as the fighting grows harsher. Eugene “Sledge” Sledge (Joseph Mazzello) enters the war with idealism, yet the reality of combat begins to wear down his sense of innocence. John Basilone (Jon Seda) becomes widely recognized for his heroism.
Modern warfare often appears distant when seen through headlines, yet Generation Kill places viewers directly alongside the soldiers experiencing it. The series looks at the early weeks of the Iraq War in 2003 through the perspective of a Marine reconnaissance battalion. The show observes the confusion and unpredictability that shape daily life during a fast-moving military campaign.
The narrative follows a group of Marines traveling across Iraq in armored vehicles as the invasion begins. Sergeant Brad “Iceman” Colbert (Alexander Skarsgård) leads his team while trying to maintain discipline and focus in constantly changing conditions. Lieutenant Nate Fick (Stark Sands) attempts to balance responsibility for his men with orders coming from higher command. Embedded reporter Evan Wright (Lee Tergesen) records what he sees, documenting the long drives, sudden firefights, and quiet moments between them. As the mission continues, the series reveals how uncertainty and exhaustion begin to affect the soldiers as much as the combat itself.
Some crime stories disturb viewers not only because of what happened, but because of how long it continued without interruption. Dahmer – Monster: The Jeffrey Dahmer Story explores the crimes committed by Jeffrey Dahmer and the failures that allowed him to operate for years in Milwaukee. The series keeps its focus on the environment around the case, showing how warning signs were overlooked and how victims’ voices were often ignored.
The story moves through the period when Dahmer (Evan Peters) lived in an apartment building where several neighbors began noticing strange behavior. One of them, Glenda Cleveland (Niecy Nash), repeatedly tries to alert the authorities after hearing disturbing sounds and witnessing troubling incidents. Despite these warnings, the investigation stalls again and again. As the series continues, the truth behind the disappearances becomes impossible to deny. The show traces how the case eventually comes to light and how the justice system confronts the consequences of the years when those warnings were not taken seriously.
Few war miniseries attempt the same scale and emotional depth as Band of Brothers. The show tells the story of Easy Company, a unit of American paratroopers during the Second World War. From training camps in the United States to the final days of the war in Europe, the series follows the soldiers through some of the conflict’s most difficult battles.
The narrative introduces officers and enlisted men whose experiences gradually intertwine across the campaign. Richard Winters (Damian Lewis) rises into leadership while trying to guide his company through increasingly dangerous missions. Lewis Nixon (Ron Livingston) remains at his side, offering support while struggling with the psychological strain of war. As Easy Company moves through the Normandy invasion, the Battle of the Bulge, and the advance into Germany, the series stays close to the men themselves. The focus remains on how long stretches of fear, loyalty, and survival shape the soldiers who endure the fighting together.
2001 – 2001
HBO
David Frankel, David Nutter, Mikael Salomon, Phil Alden Robinson, Richard Loncraine, Tom Hanks
Donnie Wahlberg
C. Carwood Lipton
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