McLaren team principal Andrea Stella said: “As a community, as an F1 community, we have identified that the priority number one, apart from safety, was qualifying, and driving in qualifying to the limit of grip and to make sure that the drivers that are best at exploiting the grip, and at times even take the risks to do so, they are rewarded.
“Here in Suzuka, because we have this shortage of energy, we expose some of the limitations of the current regulations.
“Degner One is now a corner in which you almost lift and roll through the corner, and then you have to avoid going on power between Degner One and Two, because that way of using your battery would not be efficient.
“Instead, that corner has always been one that the drivers will mention in a season, like what are the most challenging corners, that’s one of those.
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“At the moment, that corner is kind of, you know, you think about the battery as you go through the corner, you don’t think about gaining half a tenth just by committing to it.
“The first corner at the Spoon as well, similar concept applies between the first part and second part of the Spoon.
“I can understand that the drivers push the F1 community to fix this, such that qualifying retains the excitement, the challenge, the DNA of being the moment in which the best driver gets rewarded, especially in the places where they can make the difference with the bravery and the ability.
“It is not obvious as to how to do that, but there are some possibilities, and there are some further meetings that will happen between the teams, the FIA and F1, between now and (the next race in) Miami, so let’s see what progress we can do there.”
For Caster Semenya, the new Olympics rules are not about providing clarity and protecting women’s sport but caving into political pressure, and are discriminatory.
Having fought athletics chiefs over her own gender eligibility, the double Olympic champion is shaping up for a new battle with the International Olympic Committee.
“If we have to say women must stop taking part in Olympics, so be it,” the South African said in an exclusive interview with Sky News.
“I will encourage athletes to come together as a class action … because this does not make sense. It does not save women’s sport.”
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The South African is encouraging a challenge against the landmark decision to reintroduce sex testing alongside banning transgender women and athletes – like herself – with differences in sex development (DSD) from women’s competitions.
Transgender athletes banned from Olympics
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“I’m fighting for women’s dignity,” Semenya said. “Those who say, ‘I am not going to be tested to prove that I’m a woman’ … I will encourage them to do that to stop this nonsense.”
This goes beyond sport since Donald Trump seized on stopping “men beat and batter female athletes”.
IOC President Kirsty Coventry, a former Olympic champion swimmer, and many other women in sport now align with the US president.
The Zimbabwean determined it is not fair for biological males to compete in the female competitions because physiological advantages of having gone through male puberty, or the presence of XY chromosomes, can be the difference in determining medals.
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“This regulation is totally shameful,” Semenya said. “It’s something that her as a president should have not allowed such to happen.”
But the IOC has said there is at least a 10% advantage in most running and swimming events for men – rising beyond 100% for sports requiring “explosive power” like boxing, which creates dangers beyond fairness of competitions.
Image: The double Olympic champion is shaping up for a new battle with the IOC. Pic: AP
I put this to Semenya.
“Based on what?” she responded. “There’s no scientific proof about what has been said. It’s an ideology.”
The full scientific research behind the decision has not been published. Nor has the IOC said what has changed in recent years scientifically or medically.
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But is it not clear in combat sports there are safety concerns when a biological woman takes on a fighter who was born a man, with higher testosterone levels and greater muscle mass?
“What do you expect in boxing?” Semenya responded. “We understand that it’s a dangerous sport. We all sign in, in all sporting codes, knowing that there are safety precautions.
“There are risks, but you cannot come and then try to measure someone’s power based on how they look because you think they’re intersex or you think that they’re transgender.”
Semenya has become the face of scrutiny of eligibility rules since her gender was questioned based on her appearance after winning gold at the world athletics championships as a 19-year-old in 2009.
Enforced verification tests showed that while she always identified as female and had female traits, Semenya also had the typical male XY chromosome pattern and high levels of naturally occurring testosterone.
After being cleared to race, Semenya was still able to win Olympic gold in 2012 and 2016.
But then she refused to artificially reduce her hormone levels as required by World Athletics and lost further legal challenges. So the 35-year-old now coaches.
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Mandatory sex verification testing for all entrants into Olympic women’s events will ensure a competitor isn’t singled out for tests because they might have masculine characteristics.
The IOC’s stance has transformed since ruling out a return to the “bad old days” of sex testing during Paris 2024 when Thomas Bach was in charge.
But Semenya said: “There is no respect for women. The minute you start asking a woman to be tested to take part in sports, that’s not dignity.”
When the IOC said this policy would apply to all their events I asked Ms Coventry if that includes the Youth Olympics. It does, meaning girls as young as 15 will have to take sex tests.
She said: “We really went above and beyond, I think, talking to a lot of different athletes, around how the process should be followed and what does that look like, and the support networks that need to be in place.”
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For Semenya this just adds to safeguarding issues.
“Testing a girl, a child, it is harmful and it is shameful,” she said.
Will the rules stand up to a legal challenge ahead of the 2028 Los Angeles Olympics?
While Semenya says she is fighting for the dignity of women, the IOC insists this is about protecting the safety and integrity of women’s sport but could need to produce more evidence.
Now recovered from an arm injury that forced the initial postponement of this show in January, Itauma is looking to make the biggest statement of his career so far against what on paper is his toughest test, one he sees as the final piece of the puzzle before pursuing world title opportunities. Franklin has never scaled the heights of boxing’s glamour division but is a tough and durable customer who gave Whyte plenty of trouble before dropping a close decision back in 2022 and was then beaten but not stopped by Anthony Joshua.
Britain’s Got Talent made a return to ITV on Saturday with a brand new episode
Monde Mwitumwa TV and Celebrity Reporter
20:38, 28 Mar 2026
Britain’s Got Talent hosts Ant and Dec were forced to step in and ‘change the rules’ after one act’s fate was left hanging in the balance.
During Saturday’s (March 28) episode of the ITV hit talent show, judges Simon Cowell, Alesha Dixon, Amanda Holden and KSI were back on our screens as they searched for the next big act.
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It comes as no surprise that they went all out in a bid to impress the panel and win the £250,000 cash prize as well as a spot on the bill of the Royal Variety Performance.
However it was one performer that caused quite a stir. Kevin Hogg, who is known as a dance legend and Gateshead’s own MC Tazo, took to the stage and attempted to win over everyone with his MC skills.
As his wife and two children, Tyler and Riley, watched on from the crowd, he invited everyone in the audience to get up and dance as he MC’d his way through an original track all about Britain’s Got Talent.
It was clear that KSI was a big fan as the musician and YouTuber danced along and described Tazo’s song as a “banger”. Fellow judge Simon also enjoyed the performance and gave him a ‘yes’.
However Amanda and Alesha weren’t feeling it and ultimately they weren’t that impressed and said ‘no’. It looked like Tazo was heading home as he needed three ‘yesses’ from the judges to go through to the next round.
But Geordie hosts Ant and Dec were not going to let that happen as they stepped in to ‘change the rules’ and put him through to the next round.
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Walking onto the stage, Ant asked: “Can we just give a ‘yes’ then that will be three ‘yesses’?” As the crowd cheered, Simon replied: “OK right, I changed the rules.” Pointing at KSI he explained: “Two ‘yesses’, four ‘yesses’, he is through.”
It comes as elsewhere viewers were left baffled after Simon”s unexpected reaction to one act insisting “he’s lost the plot”.
Music group Arubai from Japan took to the stage and transformed one of Queen’s biggest hits into a genre yet to be heard on the BGT stage. They performed Don’t Stop Me Now as a Japanese punk track.
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Simon was the only judge to say ‘yes’ and that moment didn’t go unnoticed by fans as they rushed straight to social media to share their reaction.
One fan wrote on X: “wtf has happened to Simon he’s lost the plot #bgt.” Another questioned: “Simon liked it.? #BGT #BritainsGotTalent.”
Britain’s Got Talent airs Saturday nights on ITV and ITVX.
BBC One viewers shared their excitement as one show returned for its fifth year
Aaliyah Rugg Senior reporter
20:50, 28 Mar 2026
BBC One audiences shared identical reactions within moments of The Big Night of Musicals beginning, as the beloved event returned to television for its fifth year.
The National Lottery’s Big Night of Musicals came back on Saturday, March 28 on BBC One with comedian Jason Manford returning as presenter.
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This year, viewers enjoyed special performances from some of Britain’s most prominent West End and touring shows including The Lion King and Wicked.
Taking to the stage were recognisable performers including Eurovision star Sam Ryder in a world exclusive, delivering a stunning performance from Jesus Christ Superstar before his debut in the production this summer. X Factor’s Alexandra Burke was also scheduled to perform as Chaka Khan in I’m Every Woman.
Broadcasting on BBC One at 7.45pm, it had been previewed: “Back for a fifth year and filmed in front of an audience of 12,000 at Manchester’s AO Arena, the show brings together some of the biggest and most exciting productions currently on stage alongside exclusive previews of shows opening this year and unique one-off collaborations created especially for the night.”
Within minutes of the programme starting, viewers expressed the same sentiment as they flocked to social media to voice their enthusiasm, reports the Mirror.
Writing on X, one viewer said: “Hooray they’ve gone back to the original show and not showing clips.” Another posted: “Been looking forward to this #BigNightofMusicals.”
A third viewer posted: “#bignightofmusicals I defy anyone who says they don’t get musical theatre to watch #thelionking and not be moved.”
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A fourth wrote: “I’ve waited a very long time to watch #BigNightOfMusicals, it’s finally here!!”
One person shared: “Love Big Night Of Musicals on BBC1 but I’m in floods of tears as they started with Lion King. Great one this time as I’ve seen most of the shows on tonight’s one.”
Another said: “Fuming I didn’t get tickets for The Big Night Of Musicals this year because Lion King would’ve had me sobbing.”
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One BBC audience member remarked: “I love Big Night of Musicals” while another contributed: “#BigNightOfMusicals is pure joy. Love it!”
The programme opened with a special performance from The Lion King, which moved viewers to tears, before continuing with Oliver the musical and The Producers featuring Andy Nyman and Marc Antolin.
Simultaneously, Harry is attempting to expose his corrupt colleague, detective Tom Waaler (Joel Kinnaman), leading to a tense game of cat and mouse between the two.
The nine-part series, which could be likened to a blend of Luther and Line of Duty, features some particularly grisly scenes, placing it on par with Idris Elba’s BBC detective drama.
In a recent interview with Wales Online’s publishers Reach Plc, Joel Kinnaman, who stars in Detective Hole, dissected one of the show’s most gut-wrenching moments and offered some unexpected behind-the-scenes insights into the creation of this gruesome scene.
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WARNING: This article contains significant spoilers from Jo Nesbø’s Detective Hole on Netflix
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The scene in question involves Kinnaman’s sociopathic police officer Waaler enticing an unsuspecting man into public toilets under the guise of sexual favours, only to then castrate and murder him.
Kinnaman revealed: “When we were shooting that, that’s where you really felt like this big budget was coming in because that penis prosthesis was so perfect. It felt very real holding it.” He added: “It was a very realistic experience.”
Despite the sequence proving difficult to watch, shooting it was quite different for Kinnaman and the remainder of the cast and crew.
The star joked that whenever the prosthetic made an appearance, he would “make a soundtrack” for its entrance.
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“It was pretty hard to keep from laughing but then when he got into it, it became sort of horrifying,” he said.
Adding: “It was a very strange feeling. It was very strange to do it, but I enjoyed it.”
Speaking about joining the crime drama, the Swedish-American actor said he was “very excited” about the prospect of portraying the Swedish character in a Netflix production, which he said would make it more “accessible” to viewers.
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Kinnaman continued by saying he was thrilled to enter acclaimed crime author Nesbø’s universe and the character of Waaler, saying: “I’ve never got to play this kind of mouth-watering, crazy role. So fun and such an opportunity.”
The star continued about Waaler’s psychology: “He’s sort of morally conflicted and he’s driven by his sexual confusion and his sexual desires and his strive for power and power games. But what is also fuelling all of this is his childhood trauma.
“I sort of play him as a malignant narcissist on the scale of psychopathy. That was sort of the hypothesis that I was playing off of and that’s someone… he’s not born a psychopath, but he has been damaged at a young age.
“And then it veers, it makes his personality veer off in this direction and course.”
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Kinnaman suggested that early-life trauma had resulted in Waaler’s absence of empathy, which subsequently drove his exceptionally brutal conduct.
Jo Nesbø’s Detective Hole is streaming on Netflix now
Has this ever happened on Britain’s Got Talent before? (Picture: ITV)
Britain’s Got Talent viewers were anything but impressed after a major rule change was introduced this week.
As per tradition, an act must get at least three ‘yeses’ from judges Simon Cowell, Amanda Holden, Alesha Dixon, and KSI to go through to the next round, making a majority.
But tonight, at the last second, an unexpected switch-up secured one auditionee’s place in the competition after they were initially rejected.
From Newcastle, MC Tazo arrived onstage with a smile, having already been hyped up by fellow Geordies and hosts Ant McPartlin and Declan Donnelly beforehand.
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He explained to the panel that he had an eight-year-old and a 12-year-old, who were in the audience to support him and were ‘absolutely buzzing’ upon learning he was auditioning.
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No further details were given ahead of his performance, but everything soon became clear as some intense music kicked in and he began hyping up the crowd.
Rapper MC Tazo got the crowd hyped with his performance (Picture: ITV)
…leaving Ant and Dec fuming when he was given only two ‘yeses’ (Picture: ITV)
‘Right, BGT, I wanna know, are you ready to have some fun out there?’, the 43-year-old gas engineer, whose real name is Kevin, shouted on the mic.
Encouraging everyone to put their hands in the air, he proceeded to rap about the show and yell for audience participation with, ‘When I say “Britain’s Got,” you say “Talent”.’
Kevin even managed to get boxer-turned-YouTuber KSI on his feet, who grooved through the whole thing.
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As the performance came to a close, Simon had a smile on his face, and Ant and Dec were cheering from the wings… but Amanda and Alesha were in need of convincing.
‘I thought it was an absolute banger!’, declared KSI.
‘Love the energy, great vibes, got me out of my seat. I loved it,’ he screamed to the point where his voice was actually turning hoarse.
They rushed out to fight for their fellow Geordie’s place in the competition (Picture: ITV)
Simon Cowell was stunned (Picture: ITV)
Alesha Dixon wasn’t expecting the hosts to intervene either (Picture: ITV)
After KSI gave ‘the easiest yes of the night’, Simon told Kevin: ‘That was fun.
‘I think people are gonna like you, and I’m actually with KSI on this. I thought that was good. I liked it a lot. So I will say yes.’
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Alas, Kevin needed three yeses to sail through, and it wasn’t going to come from Amanda, who admitted: ‘You’re lovely, but the song was not.’
After Simon’s attempt at guilt-tripping by reminding his fellow judges that the hopeful has ‘two young kids’, Mis-Teeq star Alesha said she was ‘hoping it was gonna be amazing’.
‘But it was slightly out of time, Kevin,’ she said, earning boos from the crowd, apologising before giving a hard ‘no’.
Ant and Dec were immediately gutted, rushing out onto the stage to intervene.
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Simon ended up counting the duo as two extra votes (Picture: ITV)
…so he went through! (Picture: ITV)
Ant and Dec were probably happier than Kevin was – even if viewers were not (Picture: ITV)
‘Can we just give a yes? That’s three yeses,’ asked Ant, which the crowd was more than happy to allow.
‘OK, right. We’ve changed the rules,’ Simon stated.
‘Two yeses,’ he said, pointing to himself and KSI, then pointing to the presenting duo: ‘Four yeses, you’re through.’
Ant and Dec celebrated and jumped to hug a relieved Kevin, although their rule change did not go down well with those watching at home.
Taking to X, @wonderthunder13 raged: ‘Make up the rules as we go along on’.
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‘So what “talent” are Ant and Dec such fans of? I’ve got a headache’, said @rozlaws of the performance.
@SamFarmer2 added that while Kevin was a ‘nice guy’, his act was ‘terrible’, not warranting such a major format change.
@Anthony08876880 wrote, ‘2 “yes votes” and still through by a new rule’, while @MaddDeb even confessed they had ‘turned over’ after tuning in ‘for the first time in years tonight’.
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This wasn’t the first time in the episode that Ant and Dec rubbed viewers up the wrong way either, with @JoeyKay20 fuming with how they had ‘overruled the rules so they get someone through’ after an ‘absolutely terrible show’.
Earlier on, they used their Golden Buzzer, which can be pressed once by each judge and the hosts to send an act they really love straight through to the semi-finals. Well, we say ‘once’, but in recent series, there have definitely been more than five used.
For 2026, Ant and Dec used theirs on comedian Ted Hill, which proved a controversial choice, as many insisted he was ‘not funny’.
What did you make of Ant and Dec’s rule change?
I’ll allow it, he deserved to go through
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Shouldn’t have been allowed
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‘l must be watching something else because l didn’t find Ted Hill funny at all. I don’t get what the judges were in hysterics about and for Ant and Dec to give him their golden buzzer??? I have lost the plot with this programme now’, vented @islandofangels.
@RyanSoapKing25 also argued that the performer ‘wasn’t that good’.
However, many defended the auditionee, who is autistic and used his autism as inspiration for jokes throughout his routine, such as poking fun at his love of graphs and data.
‘Ant and Dec *personally* found him funny and the whole point of the golden buzzer is that they can let whoever they enjoy through, thats what its for,’ said @peraltasbearcam. Gross that some people are using this to be ableist’.
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Ted also earned a wealth of positive feedback from the judges, who called his act ‘so unique’ and ‘brilliant’, while other online commenters, including those who are neurodivergent, hailed him as ‘one of the most creative acts I’ve ever seen’ and ‘good at what he does’.
Britain’s Got Talent continues next Saturday on ITV1 and ITVX.
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Al Manar described Mr Shoaib as an “icon of resistance reporting”, while Al Mayadeen said Fatima Ftouni had been distinguished by her brave and objective reporting.
Sky’s special correspondent Alex Crawford said: “There has been strong condemnation of the attacks on the three journalists. They were travelling along one of the main roads in the south of Lebanon.
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“The two senior correspondents were very well known in Lebanon.”
She added: “On top of these attacks against the journalists today… Israeli airstrikes have also killed seven medical workers… in a string of attacks across south Lebanon. There have also been a number of children killed.”
Iran-backed Houthis confirm missile fired at Israel
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Lebanon’s President Joseph Aoun said the attack on the journalists was a war crime.
He added: “We strongly condemn this aggression and demand that all international bodies take action to stop what is happening on our land, and we reiterate our condolences to the families of the martyrs and to the journalistic and media community in Lebanon.”
The Israel Defence Forces (IDF) described the bombing as a “targeted strike” and claimed that Ali Shoaib was “a terrorist in the intelligence unit of Hezbollah‘s Radwan Force”.
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It added: “Additionally, the terrorist engaged in incitement against IDF troops and Israeli civilians, using his position as a channel to disseminate Hezbollah propaganda materials.”
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The military’s statement made no mention of the other casualties.
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In a statement, Iran-backed Hezbollah denied the IDF’s claim.
It said: “The enemy’s false claims are nothing but an expression of its weakness and fragility, and a desperate attempt to evade responsibility for this crime.”
The Committee to Protect Journalists (CPJ) described Al Manar as a “Hezbollah-affiliated” channel and Al Mayadeen as being “pro-Hezbollah”.
But it said that journalists were “not legitimate targets, regardless of the outlet they work for”.
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Image: The Israeli airstrike that killed the three journalists
CPJ’s regional director Sara Qudah said it was investigating, adding: “We have seen a disturbing pattern in this war and in the decades prior of Israel accusing journalists of being active combatants and terrorists without providing credible evidence.”
The CPJ said at least four other journalists had died across the Middle East since the outbreak of the Iran war in late February.
The IDF has denied deliberately targeting journalists in conflicts such as the war in Gaza.
Lebanon’s information minister Paul Morcos said his ministry and the foreign ministry were preparing to file a complaint to the UN Security Council over Israel’s targeting of journalists.
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In a statement, Mr Morcos “stressed that Lebanon will not treat such attacks as normal and is committed to national unity”.
He also “called for reaffirming and enforcing international protections for journalists and warned against any attempt to weaken these safeguards”.
Meanwhile, Iranian-backed Houthi rebels have claimed responsibility for a missile attack on Israel.
It is the first time Israel has faced fire from Yemen since the start of the Iran conflict.
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Houthi spokesman Brigadier General Yahya Saree said they fired a barrage of ballistic missiles targeting what he described as “sensitive Israeli military sites” in southern Israel.
Israel’s military earlier said it had intercepted a missile.
She has rebuilt her life and received “absolutely amazing” support in her ongoing rehabilitation
After years of struggling with addiction, Emma Lynch is now marking more than two years in recovery.
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The 35-year-old has faced addiction since a young age. Now she has rebuilt her life with the support of the South Eastern Trust’s Ward 15, a specialist inpatient addiction unit based at Downshire Hospital in Downpatrick.
Following a three week stay on the ward, Emma has spoken about the positive impact the service has had in supporting her ongoing rehabilitation.
She explained: “I had been suffering with addiction for 20 years on and off, just to the point where it was just too much. The doctor referred me to Bernagh House and it was very much me wanting to put in the work and go, as a patient, into Ward 15, you cannot do it on your own.”
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During her time on the ward, Emma completed a detox programme and participated in a range of sessions focused on understanding addiction. With the support and guidance of staff, she also developed a ‘Sober Living Plan’ to help maintain her recovery after discharge.
She added: “March 4 2024 was my first day sober. I really have continued on. I go to recovery meetings and take part in the Recovery Shed, there is a whole range of different groups that I attend.
“The staff here are absolutely amazing. There are staff who have a history of addiction and when they are talking to you, helping you, they do know what they are talking about. They are so compassionate and there is no judgement.”
Senior Nursing Assistant, Declan Hampton who works on Ward 15, described the rewarding nature of supporting patients through their recovery: “Every day is different. Being here is such a good opportunity for me to learn. There are people walking through the doors as one person and coming out, after their three weeks, as another. To see that is very rewarding.”
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Occupational Therapist, Anna Milligan, also part of the Ward 15 Team, highlighted the importance of helping patients build meaningful lives beyond addiction.
“The essence of Occupational Therapy is to help people do the things that they want to and are able to live a meaningful life. Part of my role is to break down barriers for the individual. We work together to create a Sober Living Plan which highlights what they are going to do once they leave the ward.
“It gives structure and purpose to their day and supports them to live a life they enjoy. For some people, being in recovery can feel quite restrictive, my role is to help people discover a new life for themselves.”
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With over 30 years’ experience, South Eastern Trust, Health Development Specialist in Alcohol and Drugs, Ed Sipler, emphasised the importance of a team approach in supporting recovery: “We work as part of a Multi-Disciplinary Team to help people gain control of their lives, to move away from alcohol and drugs, improve their self-esteem and strengthen their coping skills.
“I often ask patients as they prepare to leave after three weeks, ‘What are you walking out of here with, that you did not have when you walked in?’ They are leaving with self-respect, a sense of control and a toolbox of skills they can use to stay sober. Whether they continue to use that tool box, that is the key.”
Ed added: “We are proud to see people walk of here with their heads held high.”
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“I am proud to lead a government in Scotland that is reducing child poverty, improving the lives of people in our country, but we are held back by the decisions of Westminster, where, in an energy rich country, our people live in fuel poverty, paid sky high fuel bills, that’s the fault of the United Kingdom, and we must take Scotland’s energy wealth into Scotland’s hands with independence.”
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