Entertainment
Mary J. Blige Revisits Controversial 2012 Burger King Commercial
What was supposed to be a catchy fast-food jingle of “crispy chickennn, fresh lettuce, three cheeseeeesss” ended up having folks quickly tapping out with a side-eye. And years later, it’s still being talked about in the same breath as one of the most debated celebrity ad moments. Now, Mary J. Blige is reflecting on the 2012 Burger King commercial that sparked all that noise in the first place, and the fallout that followed.
RELATED: Misa Hylton Reportedly Speaks Out After Judge Dismissed Her $5M Lawsuit Against Mary J. Blige
Mary J. Blige Reflects On Burger King Commercial Backlash
In a new sit-down with Scott Evans, Mary J. Blige is revisiting her 2012 Burger King commercial and making it clear the experience still sits heavy with her. She shared that the moment didn’t just stay online—it bled into her real life, costing her friendships and impacting her brand, while emphasizing it’s still “not a laughing matter” to her today. Mary said her true fans never found the commercial funny, and she didn’t hold back on how she felt about the execution, calling everything from how it was shot to how it played out publicly “wrong.” She even suggested the rollout felt set-up to unfold the way it did in the press, turning what was meant to be a promotional moment into a full-blown cultural conversation.
You Already Know Internet Got Jokes About This
Folks quickly ran to TSR’s Instagram comment section to share their thoughts once Mary’s Burger King commercial started trending again. Some users defended it, saying the jingle was actually a “banger.” And, many didn’t understand why it sparked so much controversy or how it led to such a heavy fallout, including her losing friendships. Meanwhile, a few users joked that while it “may not be funny to her,” it’s still hilarious to them, sparking laughs in the comments.
One Instagram user @joseline commented “Was wrong with her getting her money 🤷🏽♀️”
Then Instagram user @bingeworthy added, “Girl its iconic OWN IT 😂😂”
And, Instagram user @thebrooklynjai shared, “Wait ? I’m confused?? She lost friends for a commercial? Were they haters?“
Likewise, Instagram user @idontgetpaidenoughforthis wrote, “Not all of us collectively confused as to why there was backlash 😭”
While Instagram user @stepyaprettyup said, “Lost friends? That sh*t was a banger“
Finally, Instagram user @hmuadom joked, “Everything is not funny…. but this, this is funny.“
Inside Mary J.’s Burger King Ad Controversy
The commercial, which aired April 2, 2012, featured Mary J. Blige singing about Burger King’s chicken wraps inside a tight, stylized setup while product shots played alongside her vocals. Instead of landing as a fun celebrity endorsement, the ad immediately drew criticism, with viewers—especially within the Black community—calling out what they felt were stereotypical undertones. Social media even ran with it, remixing clips and turning the campaign into viral discourse within hours.
By the next day, Burger King pulled the ad entirely, citing a “music licensing issue,” even as backlash was already spreading online. The company pointed to other celebrity collaborations tied to the same product line, including campaigns featuring Salma Hayek and Jay Leno, but the conversation stayed locked in on Mary’s commercial, which remained the most dissected—and debated—of them all.
RELATED: Whew! Tyrese Shares His “Hurt” After Mary J. Blige Rejects Two Song Requests From Him (VIDEO)
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TikTok star Alix Earle hinted there’s more to the story with Alex Cooper.
“Sorry been busy filming this week,” Earle, 25, captioned TikTok footage of herself taking a pole-dancing class set to SAYGRACE and G-Eazy’s cover of “You Don’t Own Me.”
Several of Earle’s followers, meanwhile, wanted the scoop about the influencer’s supposed beef with “Call Her Daddy” podcaster Cooper, 31.
“WELP WE GOT SOME TEA FROM MARKOS,” one fan wrote in the comments section, to which Earle replied, “Doesn’t mean it’s true 💗 you’ll see.”
Alex Cooper and Alix Earle seemed like the perfect duo when they initially joined forces — but the social media stars had a falling out. Cooper launched her Unwell Network in August 2023, signing Earle as her first hire. The following month, Earle’s “Hot Mess” podcast released its first episode. More than a year later, […]
TikTok user @MarkosBits claimed on Saturday, April 18, that he knew “the full story” of what went down between Earle and Cooper and alleged that Earle wasn’t happy with her podcast contract that supposedly “heavily favored” Cooper’s Unwell Network production company.
“These sources are so wrong,” Alix’s sister Ashtin Earle replied to Markos.
Earle launched her “Hot Mess” podcast under the Unwell banner. The podcast, however, was dropped in February 2025 amid swirling rumors of a feud between the influencer and Cooper.
“I also have no idea what’s going on,” Alix said in a TikTok video at the time, adding in a follow-up clip, “Don’t really want to get into the details of it all, and I kind of can’t get into the details of it all right now, but I’ve loved it so much, and I’m really proud of what I built with the podcast.”
Alix Earle and Alex Cooper’s ongoing feud doesn’t appear to be simmering any time soon. One day after Earle, 25, announced that she was “on it” after Cooper, 31, requested she publicly break down their mysterious conflict, Earle shared a video that captured the moment she first watched Cooper’s request. “Shoutout to my friends for […]
Cooper addressed Earle’s post via her Instagram Stories, writing, “Hi! I see ur comments. Alix not being able to podcast has nothing to do with Unwell,” Cooper said via her Instagram Story at the time. “IDK why she can’t/what’s going on. Unwell gave her everything back. She owns her IP.”
While neither star initially addressed the supposed drama, Alix raised eyebrows earlier this month when she started reposting shady videos. Cooper then chimed in about the alleged feud.
“You guys know I don’t usually address this kind of stuff because it feels like a waste of time. And honestly, it’s embarrassing to participate in this,” Cooper said in an April 13 video. “ am obviously seeing the videos, and I’m getting tagged. I see the DMs. I see the comments. So, at this point, it just feels long overdue.”
Cooper subsequently addressed Alix directly, adding, “Hey, girl. The passive aggressive reposts and the ‘likes’ and the commenting on things, I gotta call you out here. “Just say what you gotta say about me. There’s no NDA, and no one is stopping you. Stop hiding behind other people and just say it yourself. What’s the beef?”
The ongoing drama between Alix Earle and Alex Cooper was rooted in an “ego-driven” conflict that ultimately led to their very public feud, a source exclusively tells Us Weekly. “It was not one isolated incident that led to the feud. There were multiple occasions where Alex made Alix feel uncomfortable,” the insider explains. “Alix felt […]
Cooper stressed that she had “nothing to hide” and welcomed a conversation with Alix, who responded in the comments, writing, “OK on it!”
While neither Cooper nor Alix have further detailed what led to their falling-out, a source exclusively told Us Weekly that the conflict was “ego-driven.”
“It was not one isolated incident that led to the feud. There were multiple occasions where Alex made Alix feel uncomfortable,” an insider told Us on Friday, April 17. “Alix felt ‘mean girl energy’ from [Alex] especially after they did the podcast together and didn’t think Alex had her best interests at heart.”
More than 40 years after its premiere, The Facts of Life is still giving Us something to talk about.
The sitcom debuted on NBC in August 1979 as a spinoff of Diff’rent Strokes. The Facts of Life aired for nine seasons, becoming one of the longest-running sitcoms of the ’80s.
Before the series came to an end in 1988, the story of boarding school housemother Edna Garrett (Charlotte Rae) was expanded with two TV movies. The Facts of Life Goes to Paris aired in 1982, followed by The Facts of Life Down Under in 1987. A third film, The Facts of Life Reunion, brought together nearly the entire cast in 2001. (Nancy McKeon, who played Jo, was unable to participate at the time due to scheduling.)
Scroll down to see where the cast of The Facts of Life is now:
It seems like streaming is the only venue for high-concept genre movies these days — rom-coms, sci-fi and horror films that blend different styles and don’t rely on existing IP are typically released at home. The ones that received theatrical releases this year have underperformed. For instance, Mercy grossed just $55 million worldwide against a reported $60 million budget, despite featuring Chris Pratt and Rebecca Ferguson. Gore Verbinski‘s Good Luck, Have Fun, Don’t Die grossed less than half of its reported $20 million budget. Both movies, however, have done very well for themselves on streaming and PVOD.
They were followed recently by another high-concept sci-fi movie that debuted directly on Hulu, and continues to be one of the streamer’s most-watched titles. The movie was directed by BenDavid Grabinski, and it stars Vince Vaughn, James Marsden, and Eiza González. It follows two gangster friends who are pulled deeper into the world of organized crime, but with a time-travel twist. The film opened to excellent reviews and is now sitting at a “Certified Fresh” 78% score on the aggregator website Rotten Tomatoes. In his review, Collider’s Ross Bonaime praised Grabinski for having “taken the bones of a gangster movie and added laugh-out-loud humor, wild references, needle drops, and time travel, and blended them into one of the most fun films to come out in 2026.”
Eiza González Has Become Guy Ritchie’s Muse
We’re talking about Mike & Nick & Nick & Alice, which debuted on Hulu on March 27 after premiering at the South by Southwest Film Festival. The movie’s Rotten Tomatoes consensus reads, “A daffy crime comedy that uses its sci-fi elements in the service of character, Mike & Nick & Nick & Alice is slick and amusing proof that there’s enough room for two Vince Vaughns.” According to FlixPatrol, the movie has spent more than three weeks on the domestic Hulu chart, and was only recently unseated from the top spot. Crime comedies do well on streaming, as can be seen from the continued success of Guy Ritchie‘s movies. González herself has starred in a couple of his streaming hits, and is all set to appear alongside Henry Cavill and Jake Gyllenhaal in the filmmaker’s upcoming In the Grey. Stay tuned to Collider for more updates.
- Release Date
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March 27, 2026
- Runtime
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107 Minutes
- Director
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BenDavid Grabinski
- Writers
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BenDavid Grabinski
- Producers
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Andrew Lazar
Once upon a time, TV shows just refused to end. Twenty-something episode seasons, filler arcs, and dragged-out storylines were the norm until Netflix changed everything. The streamer practically built its identity on tight, binge-worthy shows with short seasons and quick payoffs. In other words, Netflix has always known exactly when to end a story, and that makes all the difference.
However, the platform is also home to several shows that don’t just want to keep going. Instead, they are actually built on ideas and formats that can continue evolving without ever feeling stale. Here are Netflix shows that could last forever because of exactly that, and honestly, probably should.
8
‘The Lincoln Lawyer’ (2022–Present)
The Lincoln Lawyer is a show that’s just built to last. It takes the familiar format of a legal drama and makes it feel effortless, binge-worthy. The series, based on The Brass Verdict and other novels by Michael Connelly, follows defense attorney Mickey Haller (Manuel Garcia-Rulfo), who deals with high-stakes trials and a complex legal system while also dealing with his personal baggage. The great thing about the show is how it strikes the perfect balance between procedural and serialized storytelling.
Each episode brings in a new case that keeps things fresh while the audience remains invested in Mickey’s complicated relationships with his team, ex-wives, and daughter. That structure gives the show reason to go on for a long time without ever feeling repetitive. As long as there are new clients, crimes, and moral dilemmas for the protagonist to deal with, The Lincoln Lawyer will never really run out of steam.
7
‘Love, Death & Robots’ (2019–Present)
Love, Death, & Robots pursues storytelling without any boundaries, and that’s what makes it so great. The animated anthology, created by Tim Miller and executive produced by David Fincher, tells a range of standalone stories that explore subjects including artificial intelligence, war, dystopias, and even human consciousness. Each episode of Love, Death & Robots is like a short film with different animation styles and tones.
However, their themes always tie them together. It’s honestly incredible how much the show manages to do in such a short runtime. Each story feels complete, yet leaves the audience with just enough ambiguity to pique their curiosity. This format makes Love, Death & Robots feel like it genuinely goes on forever. The show has the potential to continue experimenting and evolving over time and with technology.
6
‘Black Mirror’ (2011–Present)
Black Mirror aims to unsettle, and what a great job it does at that. The series is Charlie Brooker’s masterpiece, which began as a British production before being picked up by Netflix, where it became one of the streamer’s most experimental and thoughtful titles. Black Mirror is also an anthology that explores the impact of technology on human behavior. However, despite all the flashy gadgets it centers on, Black Mirror is an uncomfortable exploration of mankind’s worst instincts. The eerie part is that the series actually takes existing fears around technology and amplifies them to the most extreme degree.
What’s all the more eerie is how close it always feels to reality. The sci-fi show is ambitious, but most of its stories feel like they’re just a few steps ahead of where humanity currently is. They revolve around social media, surveillance, and artificial intelligence. However, none of it ever feels sterile, because at its core, Black Mirror is driven by very human emotions of grief, obsession, and even love. That’s why the show will never run out of stories that feel both futuristic and comfortably familiar.
5
‘Virgin River’ (2019–Present)
Virgin River is the perfect slow-burning romantic drama, based on the novels by Robyn Carr. The series follows nurse practitioner and midwife Melinda “Mel” Monroe (Alexandra Breckenridge), who moves to the quiet town of Virgin River to escape her bad past. However, she soon finds herself surrounded by a tightly-knit community that’s filled with complicated relationships, emotional baggage, and some pretty dark secrets. Amidst all this, her compelling romance with bar owner and former Marina Jack Sheridan (Martin Henderson) becomes the heart of the story.
Now, the premise might sound straightforward, but Virgin River unfolds through an expanding web of storylines that involve medical cases, small-town politics, and even drug operations that are woven into the characters’ personal arcs. The show constantly baits its audience with cliffhangers and rewards them with emotional payoffs, which is exactly what makes it so addictive. Even when the story feels predictable, one just can’t stop watching because of the characters and their chemistry. Virgin River might not be a high-concept show like most other names on this list, but it has mastered the art of comfort watching, and that truly never gets old.
4
‘Bridgerton’ (2020–Present)
Bridgerton is another cozy romance series that transports its audience to the Regency Era, but with a modern twist. The series, created by Chris Van Dusen and produced by Shonda Rhimes, is based on Julia Quinn’s successful novel series and follows the lives and romances of the Bridgerton siblings in London’s high society. Each season centers on a different sibling while also leaning into a distinct romantic trope, such as fake dating, enemies-to-lovers, or friends-to-lovers. This rotating structure is one of the show’s biggest strengths.
It allows Bridgerton to reinvent itself every season with new emotional dynamics and fresh pairings, while also retaining fan-favorite characters and expanding their arcs. The show is definitely rooted in the Bridgerton family, but the universe it takes place in is far bigger. The success of Queen Charlotte: A Bridgerton Story proved that the franchise can easily branch out into spinoffs and side stories that can explore different timelines and perspectives. The Bridgerton franchise has a built-in framework for longevity thanks to its brilliant character work. The show has never been limited to one central arc, and that gives it the potential to last for a long time.
3
‘One Piece’ (2023–Present)
Netflix’s One Piece has been a breath of fresh air in the saturated landscape of live-action remakes. The series follows the relentlessly optimistic pirate, Monkey D. Luffy (Iñaki Godoy), who sets out to find the ultimate treasure and become the Pirate King. Along the way, he builds his crew, where each member brings their own backstory and motivation. The story blends action, heart, and humor as the Straw Hat pirates travel across dangerous seas and battle powerful enemies.
What makes the show special is how faithfully it adapts Eiichiro Oda’s beloved manga series while still making it feel accessible to a brand-new audience. It captures the spirit of the anime without feeling like a straightforward copy. The world-building feels expansive from the very beginning, and with the manga still ongoing, the Netflix series has an almost endless supply of arcs, characters, and adventures to draw from.
2
‘The Haunting Of’ Series (2018–2020)
The Haunting of Hill House and The Haunting of Bly Manor are easily some of the smartest horror TV series of all time. Through their success, Mike Flanagan has actually been able to create something much bigger with his other Netflix shows, including Midnight Mass, The Midnight Club, and The Fall of the House of Usher. Of course, the latter shows aren’t direct sequels to The Haunting Of anthology, but they carry the same kind of storytelling that layers emotional narratives with intense psychological horror.
Flanagan is now practically known for blending the supernatural with grief, trauma, and human relationships to create stories that feel connected even when they aren’t explicitly part of the same universe. That’s exactly why this style of storytelling can keep going indefinitely. A continuation of Flanagan’s horror series wouldn’t have to be tied to a single house or family. Instead, it uses the same kind of tone and approach to horror that can be applied to endless new settings and characters.
1
‘Beef’ (2023–Present)
Anthologies are usually reserved for prestige storytelling. However, Beef, created by Lee Sung Jin, applies the format to a comedy that is also a psychological thriller, a social satire, and an existential crisis. Beef Season 1 follows Danny Cho (Steven Yeun), a struggling contractor whose road-rage incident with entrepreneur Amy Lau (Ali Wong) spirals into a petty and destructive feud that destroys both of their lives. The conflict starts with something absurdly small and keeps escalating until it exposes the ugly, repressed human feelings underneath.
The show is easily one of Netflix’s best original series and explores what happens when resentment and class conflict collide. Beef Season 2 takes that same formula and applies it to a brand new story that revolves around the setting of a country club, where a young couple witnesses an alarming fight between their boss and his wife. This pivot alone proves that the series can essentially keep going on for years without ever feeling repetitive. Beef is practically designed to show how humans will always find new reasons to clash, thanks to their fragile egos.
Beef
- Release Date
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April 6, 2023
- Network
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Netflix
- Showrunner
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Lee Sung Jin
- Directors
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Hikari, Jake Schreier, Kitao Sakurai, Lee Sung Jin
Nancy Sinatra is publicly condemning President Donald Trump for sharing footage of her dad, Frank Sinatra, singing “My Way.”
“This is a sacrilege,” Nancy, 85, wrote via X on Sunday, April 19.
Nancy then responded to a fan who asked if something could be done about Trump’s post, saying, “Unfortunately, no. The only people who can do something are the publishers.”
Nancy also reposted a few comments from fans who pointed out that Frank, who died at age 82 in 1998, would not have agreed with Trump’s actions in office.
Sinéad O’Connor’s estate has a message for former President Donald Trump — stop using the late singer’s song “Nothing Compares 2 U” at campaign rallies. “Throughout her life, it is well known that Sinéad O’Connor lived by a fierce moral code defined by honesty, kindness, fairness and decency towards her fellow human beings,” O’Connor’s label […]
“@NancySinatra will confirm again that her father loathed Donald Trump,” one post read, while another user added, “Trump may love Sinatra, but Sinatra did not love Trump.”
Trump, 79, caused concern on Saturday, April 18, when he took to Truth Social with a nearly four-minute-long clip of Frank doing a live performance of “My Way.”
“And now, the end is near/ And so I face the final curtain,” the song begins. “My friend, I’ll say it clear/ I’ll state my case, of which I’m certain/ I’ve lived a life that’s full/ I traveled each and every highway/ And more, much more than this/ I did it my way.”
The president did not add any context to the post, leading to speculation about his reason behind sharing the video.
“Dafuq is going on? Should I be in a bunker or something?” one user wrote via X, while another person added, “Trump just posted a video of Frank Sinatra singing ‘My Way.’ What’s happening?”
Actor James Woods is praising Donald Trump despite the president’s less-than-stellar approval rating. “Greatest President and greatest Cabinet, certainly in my lifetime,” Woods, 78, wrote via X on Saturday, February 28, along with a photo of President Trump, 79, and his cabinet posing for a picture in the Oval Office. Woods post came on the […]
“Why is Donald Trump posting Frank Sinatra singing ‘My Way’ in the middle of the night? I guess the Iran stuff is getting REALLY bad,” a third person shared, referring to the ongoing war in Iran, which began in February when the U.S. and Israel launched airstrikes on the Middle Eastern country.
Others believed the post may have been a sign that Trump’s health is declining, which has been rumored in recent weeks. (White House communications director Steven Cheung denied claims that Trump was hospitalized earlier this month, writing via X that there has “never been a President who has worked harder for the American people than President Trump.”)
“Donald Trump posting Frank Sinatra’s ‘My Way’ has to mean something right … Is he dying? Is he stepping down? Or is he just trolling us?” one person wrote via X.
“Three posts in roughly six days, all built around themes of legacy, morality, and reflection,” another user shared. “That’s not a coincidence. That’s a pattern worth naming. The context underneath. Trump turns 80 in June. He’s the oldest person ever to serve as US president, a record he took from himself.”
Us Weekly reached out to the White House for comment.
Entertainment
Charles Melton Gives the Perfect Answer for the Biggest Mystery of Netflix’s Season 2 Finale of ‘Beef’
[Editor’s Note: The following contains spoilers for Beef Season 2.]
Summary
Netflix’s hit series Beef returned for Season 2, from three-time Emmy Award-winning creator Lee Sung Jin, with a whole new ensemble and story. With all eight episodes now streaming, Collider’s Steve Weintraub spoke with Lee and star Charles Melton to discuss the nuanced finale, from the two thematic oners to what that final shot actually means.
This season, we followed newly engaged Gen Z couple Ashley (Cailee Spaeny) and Austin (Melton) as they found themselves tangled up in their boss’s unraveling relationship. Set against the backdrop of an exclusive country club, after witnessing a heated private moment between their manager Joshua (Oscar Isaac) and his wife Lindsay (Carey Mulligan), the two couples end up in competition, vying for the approval of the club’s billionaire owner, Chairwoman Park (Youn Yuh-jung). Season 2 also stars Seoyeon Jang (Butterfly), Song Kang-ho (Parasite), Mikaela Hoover (Superman), and William Fichtner (Talamasca: The Secret Order).
In addition to the season finale, Lee shares exciting news for Marvel’s upcoming, as-of-yet untitled X-Men movie, which he’s set to pen alongside fellow Beef collaborator Joanna Calo, with Thunderbolts* and Beef director Jake Schreier at the helm. Don’t miss what’s in store for MCU fans; check out the full conversation in the video above or in the transcript below.
Marvel’s X-Men Movie Just Got a Major Rewrite Update
“I hold all these characters near and dear to my heart.”
COLLIDER: Beef Season 2 is just fantastic. You guys did such amazing work.
LEE SUNG JIN: Thank you so much. Thank you. Appreciate that.
Sonny, I have to start with you as an individual, if you don’t mind. I’m sure you noticed that we wrote about X-Men and your involvement. I have to ask you, are you and Joanna [Calo] adapting? Are you working off a draft, or are you guys doing a page one rewrite?
LEE: Oh, man. I don’t know that I’m allowed to say. Where’s my publicist? I know that there was a previous draft, but I also know that Joanna, Jake [Schreier], and I, and Stephen, the producer, and Kevin [Feige] and Lou [D’Esposito], we’ve been meeting regularly and trying to create a new draft. I love working with these people, often frequent collaborators, so I think the goal for us is just to keep getting in rooms, keep spitballing.
I’m such a huge, huge fan of X-Men. My dad was in town for my daughter’s birthday, my mom and dad both were, and I told them the news about X-Men, and he was like, “That’s the good one.” I have such fond memories of me and my dad on Saturday morning, every morning, waking up, I think it was probably, like, 9:00 or 10:00 a.m. central time. We’d watch every single episode and read the comics. I was a huge Gambit fan growing up, so the love is very strong. I hold all these characters near and dear to my heart.
I think Jake has such a clear vision of what he wants to accomplish through this movie. So, yeah, Joanna and I are here just to service the greater story, and we’re very, very honored to be a part of it.
I’m over the moon that you guys are working on it.
The film is expected to premiere in 2028.
Charles Melton Pushed Himself for the Perfect “Tom Cruise” Shot
“Nobody can pressure me more than I can pressure myself.”
Jumping into the show. Charles, I’ve watched your work before, but this is by far my favorite work that I’ve seen of you. You’re just so good in this, and I’m just curious, did you put any additional pressure on yourself once you read the scripts, you saw your scene partners, and realized what you were stepping into?
CHARLES MELTON: Yeah. I work with an immense amount of pressure. Nobody can pressure me more than I can pressure myself. That’s kind of my way of life, I guess. But I think the environment that Lee Sung Jin created, and just the collaboration, I know we all individually, the cast, spent hours and hours and hours discussing existential things and shadow selves and experiences, these characters, which were filtered through the mind of Sunny and his own experience for them to write and have us, the actors, just telegraph these stories. It was such an exciting environment to be a part of. We were laughing… I mean, I wasn’t laughing all the time, but…
LEE SUNG JIN: I don’t know if it’s his football background, because he played football in college, just like Austin did, but Charles has a competitive streak in him that, I think, pushes yourself, whether it’s in ADR. He holds the record right below Song Kang-ho. Song Kang-ho holds the record in terms of how many takes he wants to do in ADR. It’s like literally hundreds. Charles is right there in the 90s.
There’s a shot in the finale when he’s running to grab a taxi. We got it, and we were going to move on. Charles is like, “I can go faster, like Tom Cruise.” We were like, “You can give us the Tom Cruise?” He was like, “Yeah.” So then he went one more time — pulled his hamstring. So, he’s always pushing himself to the limit until his body literally breaks, and I think that’s why we have the performance from him that we do.
MELTON: Thanks, man.
Is Austin Actually Happy in the ‘Beef’ Season 2 Finale?
Charles Melton has the perfect answer.
I do want to talk spoilers. I’ve obviously watched the whole thing, and I love the ending. For both of you, what are your thoughts on the way it ended, especially with the Gen Z couple taking over the country club?
JIN: It was really important for us to bookend the season with those two oners at the country club. Even the event in that oner is an event that depicts the four seasons, which is representative of each of the four couples. A big theme is the turning of seasons, the turning of generations, so we see spring turning to summer, to fall into winter. So, it made sense for us to show how Ashley and Austin ended up becoming a version of Josh and Lindsay.
In our youth, there’s so much hubris in terms of the ideologies that we hold, and there’s nothing wrong with those ideals. I think those are good ideals to have. But then life comes at you fast. I think it’s hard to hold on to those ideals when life throws you curveballs, especially financially. So, whether that’s a right or wrong decision, I’m hoping that the show doesn’t come across like we’re judging that decision. I think it really is open to interpretation, whether that’s something that they had to do or not.
Charles, I want to ask you a different question. Do you think Austin is ultimately happy with the decisions he made? Because when he’s in the car, he has the kid, he has the family, he’s walking out, and it’s a hard read. I’m just curious what your take was on where Austin is mentally?
MELTON: Dude, that’s a great question, man. I think about the ending, samsara, the aerial view, with Sunny talking about the cycles of life and things repeating themselves, whether they’re aversions of each other or not. I believe, as an audience member, it changes. I think if I watched it today, I’d say he’s happy and he’s in love. I think it depends on the day you’re watching the ending and what projection you may have in that moment for what you’re witnessing as an audience member. I think that’s up to the audience to decide.
But if anything, I think it’s a slice of truth and of reality. Not everything in life is rainbows and stars and sparkly dust. What is life? What Sunny does is, somehow, in the reality of it, capture that which is very universal. So, I think it just depends on the day when you’re watching that finale. I’m sure you’d have a different interpretation if you watched it tomorrow or the next day after having two hours of sleep.
Beef Season 2 is available to stream on Netflix now.
- Release Date
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April 6, 2023
- Network
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Netflix
- Showrunner
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Lee Sung Jin
- Directors
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Hikari, Jake Schreier, Kitao Sakurai, Lee Sung Jin
- Writers
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Alice Ju
You’re never far from the next Jason Statham ass-kicking, and soon he will be reuniting with acclaimed director Guy Ritchie for his next. The man who awarded Statham his debut role in 1998 with Lock, Stock and Two Smoking Barrels, Ritchie and the British favorite have worked together on five films. Their sixth, Viva La Madness, is a new action-thriller based on J.J. Connolly’s 2011 novel and the follow-up to Layer Cake.
We’ve already seen our first glimpse of a smart-looking Statham filming on Viva La Madness in Malta, and we can’t wait for our first sight of his many acclaimed co-stars, including Vinnie Jones, Jason Isaacs, Babs Olusanmokun, Camila Mendes, Ben Foster, Jonny Lee Miller, and Raúl Alejandro. Whilst the world waits for this pleasure, Statham films continue to dominate the streaming cycle. From recent releases such as 2025’s A Working Man to classics such as Snatch, Statham projects regularly appear in the streaming charts.
Alas, your chance to watch one of the former model’s most underrated efforts is quickly fading. As of May 1, the third installment in the Transporter franchise will be leaving Plex. Written by Luc Besson and directed by Olivier Megaton, Transporter 3 was Statham’s last in the franchise, following a reported dispute over pay and commitment to future installments. Deadpool and Game of Thrones alum Ed Skrein took over the role for a disappointing fourth entry: Transporter Refueled.
What Did Critics Say About ‘Transporter 3’?
The Transporter franchise never received much acclaim from critics, but its place in the hearts of fans was tested with this third installment. On review aggregator Rotten Tomatoes, the film’s critics’ score of 40% and 48% audience rating is the lowest of Statham’s three Transporter movies. The critics’ consensus on the site reads, “This middling installment in the Transporter franchise is a few steps down from its predecessors, featuring generic stunts and a lack of energy.” A synopsis for the movie reads:
“Mob courier Frank Martin’s (Jason Statham) latest assignment pairs him with Valentina (Natalya Rudakova), the cynical daughter of a Ukrainian official. While her father ponders what to do with three boatloads of toxic waste, Frank must guard the problematic woman and prevent her from wandering too far from his vehicle, or risk triggering the explosive shackles they both wear.”
Transporter 3 is leaving Plex this May. Stay tuned to Collider for more streaming stories.
- Release Date
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December 5, 2008
- Runtime
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104 Minutes
Whether it’s in a superhero, science fiction, fantasy, or the viewer’s own universe, everyone and their mother loves a good action-packed project. Sure, it’s fun to see a high-stakes, action-focused romp for 2+ hours, but with action television shows, audiences get to spend hours, on hours, on hours with the characters and the excitement they bring.
Action may be considered a genre, but it’s so general that it’s a genre that applies to all the others as well, which means audiences can get action sci-fi, fantasy, and so much more. The possibilities are genuinely endless with action—because all the term means is that there are chases, stunt-heavy sequences, fights, shootouts, explosions, and more. Which are some of the best action shows, though? Which are amazing from start to finish?
‘One Piece’ (2023–Present)
The 1999 anime, One Piece, is one of the most popular (arguably the most popular) anime of all time. So, it only makes sense that, eventually, it would get a live-action remake. It’s honestly surprising that it took them this long to make one. What makes Netflix’s One Piece so much different, though, is it’s a live-action remake that actually works and is genuinely so dang good.
While making a good non-animated adaptation of an animated show shouldn’t be too difficult, in theory, this project proves that it’s possible (and really shouldn’t be as hard to do as Hollywood seems to make it seem it is). One Piece is a genuinely amazing show that is so entertaining and gets everything right about the original that the studios needed to from the get-go.
‘Invincible’ (2021–Present)
Speaking of animated shows, one of the most popular animated shows of recent years is, without a doubt, Robert Kirkman‘s Invincible. The Invincible (2003) book is easily one of the most influential and important non-Marvel Comics or DC Comics series of all time. Robert Kirkman is the mastermind of comics, bringing to life not just this but also The Walking Dead and Marvel Zombies.
This in mind, with how involved Kirkman is with the show, Invincible is not just one of the coolest action shows out there, but one of the better comic book adaptations on television, too. Paired with great voice acting—Steven Yeun, J. K. Simmons, and Sandra Oh being the stand-outs—and absolutely thrilling action, Invincible is one of the greats.
‘Ben 10’ (2005–2008)
While some may not believe it (because of how pushed to the side the series has been in America for quite some time), Ben 10 is actually one of the most popular franchises, specifically overseas—genuinely on the level of Marvel and DC Comics. This is because Ben 10 is not only the perfect fantasy for a young person to be any kind of hero they want, but because it’s just that well-made.
Ben 10 is everything that a good kids’ action series needs to be. It’s not just for younger audiences, but can easily be enjoyed by older audiences, too. It manages to still handle more serious topics and themes, while having a main character that is goofy, irresponsible (some of the time), and fun-loving. All-in-all, it’s really hard not to like Ben 10.
‘Arcane’ (2021–2024)
Before the year of 2021, literally nobody would have expected one of the best modern television shows to be based on the infamous video game, League of Legends. However, they’d be proven wrong with the release of Arcane. Bringing an incredibly unique style to the silver screen, Arcane doesn’t just have phenomenal action—who could forget the fight in Season 1, featuring Vi (Hailee Steinfeld) and Jayce (Kevin Alejandro) facing off against an army of Turbo Chemtanks?—but even better writing to match it.
Pretty much everyone wished this series lasted more than the two seasons it did, but that short longevity is proof of the masterful writing at play. It does not overstay its welcome. It has a clear beginning, middle, and end, and does not try to push itself further than it needs to just to milk for more seasons, a problem so many television shows have.
‘Reacher’ (2022–Present)
Remember the Jack Ryan movie series with Tom Cruise? Yeah, not many people do, and that’s for a reason. However, the famous book franchise finally got a wildly good adaptation with the one and only Prime Video series, Reacher, starring Alan Ritchson. This show isn’t just for action lovers, but for those who enjoy a good mystery/thriller, as well.
What’s better than badass action but badass action that features one of the buffest men in Hollywood destroying—and I mean destroying—any person or obstacle that dares stand in his way? Reacher has become extremely popular in the last few years, and that’s for countless reasons, but the action is, without a doubt, one of the strongest.
‘Andor’ (2022–2025)
If one were to ask pretty much anyone who has seen Andor, they’d most likely say that the 2022 show is one of the most well-written Star Wars pieces of media of all time. The overall story is smart, impactful, meaningful, compelling, and tells a tale that has incredible relevance today. Andor stands out for all the right reasons.
For a lot of the series, Andor is a slower, more dramatic story. It’s very much a space political thriller at heart. However, the action genre comes to life throughout the series thanks to the action sequences within it that contrast the slower parts of the story, making them all the more impactful than they’d have been in a faster-paced romp. Andor is a must-watch for any fan not only of Star Wars, but action, too.
‘My Hero Academia’ (2016–2025)
In the last two decades, anime has become a lot “cooler” here in the West than it ever was before. One of the shows that has directly helped make this possible is none other than the likes of My Hero Academia, created by mangaka Kohei Horikoshi. Following the young Izuku Midoriya (Daiki Yamashita and Justin Briner), a quirkless boy who is given the power of the world’s greatest superhero, All Might (Kenta Miyaki and Christopher Sabat), the story in My Hero Academia is iconic.
Like most shōnen anime, though, what stands out the most about this hit series is the action that takes place within it and helps drive the plot forward. Despite some people having slight issues with the animation in Season 5, My Hero Academia is relatively one of the better animated shows of the modern shōnen anime era, especially when it comes to the most recent final season. Safe to say, the action in My Hero Academia is spectacular, thrilling, and makes it an enjoyable watch the whole way through.
‘Attack on Titan’ (2013–2023)
While My Hero Academia is explosively popular, there are few modern anime that have had the profound impact that the high-stakes, action-packed, amazingly-animated series, Attack on Titan has. People absolutely fell in love with this show almost immediately, thanks to the way it completely subverts the expectations of the viewer just a few episodes in—audiences, thanks to the first few episodes, thought that it was just going to be the Scouts against the Titans, until Eren Yeager (Yuki Kaji and Bryce Papenbrook) becomes one, that is.
Attack on Titan has super fast-paced action via the Scouts and their iconic ODM (Omni-Directional Mobility) gear. Meanwhile, they also get the titanic action of Titan-on-Titan fighting. There’s a variety in the kind of action that is seen, and that keeps things incredibly exciting. Outside of that, though, Attack on Titan is one of the most masterfully-written animated series of all time. It’s phenomenal, and well-worth the watch.
‘Avatar: The Last Airbender’ (2005–2008)
Avatar: The Last Airbender isn’t just among the best action shows, but it’s genuinely considered one of the greatest television shows ever made. It’s written with a grace, taste, and skill unlike any other airing at the time. Next to that, though, it’s also got some excellent action that is animated with such skill and precision that it’s another huge part of why the show is so successful.
What makes the action in Avatar: The Last Airbender‘s action so special is the fact that, despite being an animated series in a completely fantastical world, it bases its fights and bending in general on real world martial arts styles. Using real martial arts techniques and forms to bring the action to life helps ground the series in a way that is unlike any other animated series of its kind.
‘Daredevil’ (2015–2018)
Very rarely does a show get the high praise of being considered “art,” but when Daredevil is in the discussion, said praise is always thrown around. It’s not only one of the best superhero shows of all time, but Daredevil is one of the best streaming shows out there. It’s not just a Marvel superhero series. This is truly a story that is abundantly raw, genuine, and, of course, filled with brutal, gritty action.
Daredevil knows exactly what it is, and delivers on it with every single entry throughout all three seasons. Even at its lowest—Season 2, to most—the show manages to be amazing and tell stories that really feel like the cast and crew put their entire hearts and souls into the production. They made sure that this series turned out as close to perfect as they could. Spoiler alert: they did.
Daredevil
- Release Date
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2015 – 2018-00-00
- Showrunner
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Steven S. DeKnight
- Directors
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Phil Abraham, Stephen Surjik, Peter Hoar
- Writers
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Drew Goddard
Khloé, Kim, and Kourtney Kardashian wouldn’t be who they are today without their family reality show, “Keeping Up with the Kardashians.” However, when the opportunity first presented itself, the three veteran reality stars were reluctant to sign on. During a new interview, Khloé opened up about what led them to film the show from 2007 to 2021, revealing it all started with being duped by her mom, Kris Jenner.
Khloé Kardashian Said Her Mom, Kris, ‘Conned’ Her Sisters Into Filming The Family Reality Show
On a recent episode of “The Morgan Stewart Show,” Khloé, 41, recalled what her life was like prior to filming their E! reality series in the early 2000s. During the conversation, the mother of two said that before working on the show, she and her sisters opened a clothing retail store, Dash, in their Los Angeles suburb of Calabasas.
Khloé explained that her mother presented the girls with the idea of filming the show; however, their primary focus was ensuring their store succeeded. After a bit of persuading, though, the three sisters said yes—but not for the reason some may think.
“And how my mom conned us into doing it was, she said, ‘Think of it as a commercial for the store,’” Khloé told PEOPLE. “Because all we wanted to do [was the store].”
Khloé Kardashian Says Dash Had ‘No Employees’ At The Beginning
Dash was a labor of love, Khloé said. “We had no employees. It was just me and Kourt,” she added before revealing they did “everything,” from the cleaning to the taxes to the steaming. “We had not one employee. We didn’t know what the f— we were doing.”
So, how did Dash come to be? Well, according to Khloé, they opened the business as a family venture using a credit card their late father, Robert Kardashian, opened for them years before his death. “When my dad passed away, [Kourtney] had a credit card that was in my dad’s name, but it was her credit card,” she said.
Khloé went on to say that the girls realized the credit card had a $50,000 limit, so they frontloaded the necessities for Dash on the card. “We [didn’t] know a thing about buying, we [didn’t] know a thing about location,” Khloé said.
Dash Closed Its Doors In 2018
As the show grew in popularity, Dash expanded even further, opening locations in Los Angeles, New York City, and Miami Beach. There was even a 2015 spin-off, “Dash Dolls,” which ran for one season on E!.
The girls eventually said goodbye to Dash in 2018, sharing the saddening news online, according to PEOPLE.
“After nearly 12 years, my sisters and I have decided to close the doors of our DASH stores,” Kim wrote. “We opened our first store as a family in 2006 and since then we have made so many lifelong memories. From opening locations in Los Angeles, Miami and New York, to having our Dash Dolls spin-off show, it’s been such a huge part of our lives.”
Kim explained that their growing empires were keeping them from giving their all to Dash. “We’ve been busy running our own brands, as well as being moms and balancing work with our families. We know in our hearts that it’s time to move on,” she continued.
One Dash Employee Was Reportedly Held At Gunpoint
A year before closing its doors, a Dash employee was reportedly held at gunpoint in a frightening experience, according to TMZ.
The outlet reported that a woman walked into the store and pointed a gun at the cashier while ranting about Cuba, saying things like “Free Cuba” and “Stay away from Cuba.”
The alleged gunwoman began knocking things over, but left the store before cops arrived.
Dash Store Was Sued In 2016
In 2016, the Kardashians’ store was sued by a person who claimed the store discriminated against the blind.
The lawsuit, obtained by The Hollywood Reporter, said that Andres Gomez blasted the company for being “inaccessible to the visually impaired.”
The legal documents said the company’s website wasn’t compatible with the software reader he uses to browse the internet.
Gomez argued that the lack of access to the website violates the Americans with Disabilities ACT and the Electronic Communications Privacy Act.
In the suit, Gomez asked the court to require the store to update its website and pay for all fees associated with the legal matter.
While internet popularity can be a fickle and fleeting thing, in the case of IMDb, there are a few top-rated movies that tower above their rivals and stand the test of time. Moviegoers can rate the films they see on the website, and some are cemented as being at the top of their class. Seen by many as the go-to resource for film ratings and opinions, the ten most-voted films are usually, if not some of the best movies of all time. At the very least, IMDb’s top movies are comfortably the internet’s favorite movies and are likely recognizable to most viewers.
As IMDb continues to be a popular resource for those looking for must-see 10-star movies, its ratings and number of voters also constantly change as more viewers flock to the site to share their opinions about their favorite films. For the most-voted movies on the platform, they remain above these shifts, except for some subtle differences in their ranking and number of votes.
45
‘Terminator 2: Judgment Day’ (1991)
Votes: 1.3 Million | IMDb Rating: 8.6
Often considered to be one of the all-time greatest sci-fi action movies ever made, Terminator 2: Judgment Day built upon the striking and compelling worldbuilding of the original horror film to create a masterclass of blockbuster action and tension. The film has been consistently celebrated as an icon of sci-fi blockbusters since its release, and is considered one of the few sequels that overwhelmingly surpass the original.
It speaks volumes that in the decades since its release, the overwhelming legacy of the Terminator franchise largely centers around the mastery of this iconic sequel instead of the original film in the franchise. The number of IMDb votes further exemplifies this, with the original Terminator only having 1.0 million votes and massively lagging behind the continued celebration and legacy of this sequel. While it isn’t the most popular James Cameron film on the site, it certainly has left its mark on the world of sci-fi and blockbuster action.
44
‘Kill Bill: Vol. 1’ (2003)
Votes: 1.3 Million | IMDb Rating: 8.2
Quentin Tarantino is arguably the current king of violent cinema, and Kill Bill: Vol. 1 is one of his most stylish and thrillingly violent works. This adrenaline-pumping action flick is one of the fastest-paced movies of all time, following the quest for revenge of the most fascinating character that Uma Thurman has ever played: The mysterious Bride.
Kill Bill was originally envisioned as a single film, but at Harvey Weinstein‘s behest, Tarantino decided to split it into two. As it stands, Vol. 1 is arguably the more entertaining of the two, with Tarantino wearing his influences (from classic samurai films to martial arts B-pictures) out on his sleeve with pride. Funny, lively, and exquisitely over-the-top, it’s one of the biggest classics of the early 2000s. — Diego Pineda Pacheco
43
‘WALL·E’ (2008)
Votes: 1.3 Million | IMDb Rating: 8.4
Pixar pioneered fully computer-animated feature filmmaking, so it’s no surprise that they have made several of the most acclaimed and beloved animated movies in history. One of the most popular is WALL·E, one of the sweetest and most entertaining sci-fi films of the 2000s. Through its romantic tone and its many homages to both classic sci-fi films and romantic movies from Classical Hollywood, it’s both great for kids and a delight for grown-ups.
The fact that the film wasn’t nominated for the Best Picture Oscar feels like a travesty; but, in the end, the court of public opinion is the one that matters most, and WALL·E is one of IMDb users’ favorite—and most watched—animated films ever. Hugely imaginative and emotionally compelling, it’s far and away one of Pixar’s most iconic works. — Diego Pineda Pacheco
42
‘Pirates of the Caribbean: The Curse of the Black Pearl’ (2003)
Votes: 1.3 Million | IMDb Rating: 8.1
Pirates of the Caribbean: The Curse of the Black Pearl wasn’t the first film based on a theme park ride that Disney made, but it sure was the first significantly successful one. In fact, calling the film simply “successful” would be a bit of an understatement. A critical and audience darling, it’s one of the most magical fantasy adventure films of its era, one of the last great swashbucklers made in Hollywood.
Curse of the Black Pearl is thoroughly entertaining from start to finish, and that’s what has led IMDb reviewers to rate it so highly. Its action set pieces are thrilling, its characters are a ton of morally gray fun, and its tone is surprisingly creepy for what’s ultimately a family film. Johnny Depp‘s Oscar-nominated performance as Captain Jack Sparrow is transcendental, too, and in no small measure one of the reasons why the film has remained so timeless. — Diego Pineda Pacheco
41
‘Léon: The Professional’ (1994)
Votes: 1.3 Million | IMDb Rating: 8.5
Made by Luc Besson, one of the leading exponents of France’s Cinéma Du Look film movement, Léon: The Professional is perhaps the auteur’s most iconic outing. One of the best and most exciting action thrillers of the 1990s, it’s a stylish and deeply moving character drama that lives and dies by the layered and unusual relationship at the core of its narrative: That between the professional assassin Léon (Jean Reno) and the vengeful 12-year-old orphan Mathilda (Natalie Portman).
The cast, which also features Gary Oldman in a deliciously mustache-twirling villain role, is fantastic, but it’s definitely not the only thing that has kept The Professional among IMDb’s Top 50 highest-rated films for years. Besson’s direction is slick, the script is effective through and through, and the action scenes are full of nail-biting tension. It’s the kind of thriller that hijacks viewers’ attentions and doesn’t let go until the credits roll. —Diego Pineda Pacheco
40
‘Guardians of the Galaxy’ (2014)
Votes: 1.4 Million | IMDb Rating: 8.0
In the lead-up to the release of Guardians of the Galaxy, the very existence of the film left many audiences confused, as these were easily the most obscure superheroes that Marvel had centered a film around in the MCU so far. However, it didn’t take long before James Gunn’s striking and compelling story of a found family amidst a vast sci-fi world quickly became one of the fan-favorite films of the MCU and an all-time icon of 2010s sci-fi blockbusters.
The film’s signature sense of quirky charm and wit would not only go on to influence and define the subsequent MCU films but would leave a permanent mark on the prospects of action blockbuster filmmaking as a whole, as many modern films still take from the ingenuity and weight of this runaway hit. Even over a decade and two sequels later, the original cinematic outing of the Guardians is still an absolute blast to revisit, helping make it one of the most-watched Marvel films on IMDb.
39
‘Avengers: Infinity War’ (2018)
Votes: 1.4 Million | IMDb Rating: 8.4
2018 wasn’t the best year for cinema overall, but it did see the release of a few films that could be called masterpieces, the highest-grossing of which is easily Avengers: Infinity War. It was the biggest and most ambitious crossover event in film history at the time of its release, and to this day, it’s still widely regarded as one of the MCU’s most stunning successes.
The way the film manages to balance so many characters and so many subplots in such a shockingly measured way is admirable, and its ending remains the boldest ending that any superhero film has ever dared to put on film. Grand, exciting, and suspenseful, Infinity War is perhaps its franchise’s most entertaining film, making it a shock to no one that it’s so highly rated on IMDb. —Diego Pineda Pacheco
38
‘The Truman Show’ (1998)
Votes: 1.4 Million | IMDb Rating: 8.2
By the time the ’90s rolled in, Jim Carrey was perceived by the public and critics as a purely comedic actor. The Truman Show changed that. In one of the most inspired casting decisions in modern Hollywood history, Carrey was cast in the highly complex titular role of this dramedy, a surprisingly philosophical sci-fi film dealing with themes of existentialism and modern media.
The Truman Show is one of the best summer blockbusters of the 1990s, anchored by Carrey’s performance, the beautifully nuanced script, and Peter Weir‘s colorful direction. It’s one of the freshest, most original, and most emotionally engaging films in its genre of the modern era, which is exactly why cinephiles on IMDb love it as much as they do. — Diego Pineda Pacheco
37
‘Goodfellas’ (1990)
Votes: 1.4 Million | IMDb Rating: 8.7
Praised by many (including IMDb, it seems) as Martin Scorsese‘s magnum opus, Goodfellas is one of the greatest mob movies ever made. Hugely entertaining and somehow also a greatly effective cautionary tale against the alluring yet devastating nature of money and power, it’s everything that any film in the genre should aspire to be.
Exquisite and highly quotable dialogue that flows like honey; vibrant, sometimes ultra-violent direction by Scorsese; and a powerhouse cast led by Ray Liotta, Joe Pesci, and Robert De Niro at the top of their games. Goodfellas is a flawlessly oiled machine where every cog fulfills its function brilliantly, so it’s no wonder that it’s one of the most-watched movies on IMDb. —Diego Pineda Pacheco
36
‘Titanic’ (1997)
Votes: 1.4 Million | IMDb Rating: 8.0
One of the biggest blockbuster successes of all time and a film that completely changed the notions of high-budget blockbuster filmmaking with its masterful blending of top-notch disaster movie production with a gripping central romance, Titanic was an insurmountable icon of 90s culture. The film truly felt inescapable for an era, as it overwhelmed the cultural zeitgeist for an era and had massive influence in the years to come as the go-to example of cinematic blockbuster mastery.
Time has only managed to be kind to the legacy and weight of Titanic, as its earnest and striking execution as a meticulously crafted blockbuster shines that much greater when compared to the array of lazily put together blockbusters with even higher budgets than this once unbelievably expensive film. With it about to reach its 30th anniversary, its legacy and continued appreciation are as strong as ever on IMDb.
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