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As Netflix established itself as the destination for high-quality series, many bold, risky sci-fi shows pushed the envelope, going where few other shows would. One such series was The OA. Created by Brit Marling and Zal Batmanglij, The OA was a sensational, high-concept masterpiece that invited viewers to embark on an extraordinary journey. A supernatural mystery drama, the series followed a young woman who forces both the viewers and characters to consider her credibility based on her claim that she’s the “Original Angel.” The OA was a time-bending, multidimensional thriller that knew that making big, daring decisions would help it stand out. Fortunately, it worked in its favor. Ten years later, The OA remains a mindbending masterpiece that no one has dared to try to replicate.
A general synopsis of The OA might baffle you to the point that you may scroll by the series when searching for something to watch. But the truth is, The OA was far too complex to be put into a box. The drama follows Prairie Johnson (Marling), a woman who resurfaces after seven years. Once blind, she has her sight restored and now calls herself the OA. She recruits five strangers, known as the Crestwood Five — Steve Winchell (Patrick Gibson), Alphonso “French” Sosa (Brandon Perea), Buck Vu (Ian Alexander), Jesse Mills (Brendan Meyer), and Betty Broderick-Allen, better known as BBA (Phyllis Smith) — to help her save captured people held by Hap, also known as Dr. Percy (Jason Isaacs) by traveling between dimensions using near-death experiences and five specific “movements.” It’s a wild concept that sounds like it’s far too bizarre to work, but it did.
The OA first took on the appearance of a science-fiction story and then a mystery thriller, all the while maintaining its question of asking who Prairie is. Dimension 1 included the initial kidnapping, where Dr. Hap experiments on Prairie and four other NDEs, and also included the movements preventing a school shooting. In Dimension 2, Prairie jumps into a new dimension where she inhabits a version of herself named Nina Azarov, who helps PI Karim Washington (Kingsley Ben-Adir) search for a missing girl. Yet still, the Crestwood Five and the Haptives — Homer Roberts (Emory Cohen), Scott Brown (Will Brill), Rachel DeGrosso (Sharon Van Etten), and Renata Duarte (Paz Vega) — remain a necessary piece of the evolving puzzle. Though they may not overlap on screen, the parallels and the connections to Prairie become crucial clues to the many conspiracies created along the way. No other show could undergo such drastic narrative shifts and still remain true to itself like The OA.
Netflix’s 2-Part Sci-Fi Series Remains One of the Best on Any Streaming Platform 8 Years Later
No sci-fi show dared to go where this Netflix series went.
With a fervent intensity and a surreal concept, The OA tasked viewers with deciding whether Prairie was a prophet or experiencing a mental health crisis. The story’s ambiguity allowed daring plot moments to carry the series. Using the meta-narrative of Prairie telling her tale to the Crestwood Five, the audience becomes part of the gang that is hearing the story in real time. The OA thrived through its audacious, uncompromising, and deeply emotional storytelling that forced viewers to suspend their disbelief and lean into believing the extraordinary. By consistently surprising viewers through its unconventional narrative constraints, The OA started as a highly original passion project and evolved into a cult classic.
For some critics, Marling was too close to the material, leading to some questionable and confusing narrative decisions, which included included the visceral and polarizing Season 1 finale. With co-creator Batmanglij, the series remained true to their vision without compromise. The OA was distinctly unique even as a sci-fi series. The technology was never flashy and straying from a modern technological perspective gave the story a more intimate, timeless feel. The series leaned into the metaphors of resistance, sacrifice, and human connection through shared trauma to carry over into whatever dimension Prairie brought us to.
Without spoiling anything major, by the end of Season 2, a third dimension is discovered— a dimension that creats another massive shift that even breaks the fourth wall. Unfortunately, fans were left with a cliffhanger ending. The OA never found its closure. Originally intended to be a five-season story arc, The OA only had two seasons to capture audiences’ attention. And although it did just that, the business of show became the reason why The OA was cancelled. Even a niche following wasn’t enough to save the series. Everything The OA did was unlike anything that came before or after it. Through two impactful series, The OA encouraged more risks in sci-fi and pushed the viewer to expect the unexpected.
2016 – 2019-00-00
Netflix
Andrew Haigh
Dominic Orlando, Henry Bean, Damien Ober, Ruby Rae Spiegel
Footage has surfaced showing D4vd at his arraignment as he reportedly pleads not guilty to the murder of Celeste Rivas Hernandez.
According to TMZ, D4vd appeared in court on Monday, April 20, hours after he was charged with lewd and lascivious sexual acts with a person under 14 years old, mutilation of a human body, and first-degree murder for the death of Celeste Rivas Hernandez. To note, he was also charged with “special circumstances,” which included “lying in wait, committing the crime for financial gain, and murdering a witness to an investigation.”
Per the outlet, in addition to pleading not guilty, D4vd’s legal team also made a request of the court. Specifically, the team asked for his preliminary hearing to be held within 10 days. Per TMZ, a defendant is “entitled” to that timeline. But also, his team could be “banking on the case still being a work in progress.”
Per the outlet, if the preliminary hearing arrives and prosecutors don’t have witnesses and evidence ready, “the judge could dismiss the case outright.”
TMZ adds that the family of 14-year-old Celeste Rivas Hernandez attended D4vd’s arraignment. Additionally, the outlet published footage of D4vd inside the courtroom.
NEW: Singer D4vd sits stone-faced during his hearing where his lawyers entered a plea of not guilty to the murder of 14-year-old Celeste Rivas.
Officials say D4vd (David Burke) allegedly killed Rivas when she threatened to expose his s*xual relations with her (a minor) because… pic.twitter.com/aw3pZy4Eky
— Collin Rugg (@CollinRugg) April 20, 2026
Social media users entered the comment section of the footage, which was shared on X, formerly known as Twitter, with their reactions amid D4vd’s appearance at his arraignment and his not guilty plea.
X user @casinochise wrote, “For all the excuse makers. The legal age of consent in California is 18. So legally, anyone under 18 cannot give valid consent. I hope others are charged as accessories after the face although I have a feeling they probably were offered immunity if they cooperate.”
While X user @AlwaysAtMe added, “Even if he beats this case his life will never be the same”
X user @GrayElm2 wrote, “Note that he is already being hit with a special allegation of lying in wait. This is huge. That means they have evidence that he lured her into an ambush, more or less. We are going to be learning a lot more soon, I’m sure”
While X user @MadamYapalotNYC added, “I wonder how they figured out that that was why. I mean, obviously that she was gonna tell on him would seem like the most plausible reason… but to say it pretrial means they have proof… so, phone, informant.. I wonder Ig we’ll find out, since he plead NG RIP Celeste :(“
X user @theouterwatch wrote, “Absolutely gruesome. Prays for the girl. Tragic she would have even been introduced to that world at such a young when most are just getting ready for high school.”
While X user @YkWunder added, “Hes smirking thats not a stone cold face, he thinks hes going to get away with this. But if any of yall know this queen of justice. Youll know with on top of all the evidence. He aint getting away with nothing.”
As The Shade Room previously reported, last week, D4vd was taken into custody in connection with the alleged 2025 murder of Celeste Rivas Hernandez. At the time, he was held without bail. And footage surfaced of his arrest. Then, on Monday, his mugshot surfaced.
Hours after prosecutors announced their plans to charge him with first-degree murder and the other offenses, their charging documents went public. As The Shade Room previously reported, the documents showed the “disturbing timeline of the relationship between Celeste Rivas and D4vd.” Prosecutors allege D4vd engaged in sexual abuse of Hernandez between September 2023 and September 2024. During this time, she reportedly could’ve been as young as 12.
On or around April 23, 2025, prosecutors believe D4vd killed her. Then, on or around May 5, 2025, he allegedly mutilated her body. All of this, reportedly, because he believed she would expose their sexual relationship.
“We believe the actual evidence will show David Burke did not murder Celeste Rivas Hernandez. We would like to have the evidence come into the light of day,” D4vd’s lead defense attorney, Blair Berk, reportedly told the court on Monday.
What Do You Think Roomies?
2026 is lining up to be a big year for Star Wars, which is already in the middle of one of its best Disney+ series with Maul: Shadow Lord. The show brings Darth Maul out of the shadow of the Jedi and into the spotlight as the primary character in a Disney+ series, and not only has it earned widespread acclaim from critics and audiences, but it’s already been renewed for Season 2. Star Wars will return to the big screen next month on May 22 with the release of The Mandalorian and Grogu, which will be the first Star Wars movie released theatrically since The Rise of Skywalker in 2019.
Before The Mandalorian and Grogu hit theaters everywhere, though, Disney had to do what it does best, which is sell merchandise based on adorable toys. The franchise already has the perfect character to do this in Grogu, who has become the face of toys for Disney and Lucasfilm since the first season of The Mandalorian premiered back in 2019. This week, Burger King announced that it is partnering with Star Wars for a new Limited-Time menu inspired by The Mandalorian and Grogu, which features several new items that are a spin on some of Burger King’s signature classics.
Among the new items coming to Burger King’s limited-time Star Wars menu starting on May 4 are the BBQ Bounty Whopper, which is served in a helmet-shaped carton inspired by the galaxy’s most legendary bounty hunter. Also coming to Burger King is Grogu’s Blue Cookie Shake, which is a hyperspace sword of creamy soft serve blended with blue sugar cookie syrup and topped with Grogu’s favorite blue cookies. Grogu is also getting some Garlic Chicken Fries, which are crispy white-meat Chicken Fries seasoned with Parmesan and garlic and served in a Grogu-themed carton with garlic dipping sauce to fuel your next adventure. Last but certainly not least are the Imperial Cheddar Ranch Tots, which are perfectly crispy tater tots stuffed with melty cheddar cheese, fluffy potatoes, and ranch seasoning served in an Imperial-themed carton.
This marks the first time that Burger King has released Star Wars-related merchandise since the premiere of Revenge of the Sith in 2005. Burger King Germany did provide fans with the opportunity to earn a free Whopper in 2019, though, if they agreed to read Star Wars: The Rise of Skywalker spoilers, which remains one of the strangest official promotions in history.
Stay tuned to Collider for more updates and coverage of The Mandalorian and Grogu.
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Gisele Bündchen’s airport style is practically the blueprint for chic travel wear — and her go-to jeans style are the reason why. The supermodel mastered that effortless, expensive-looking uniform — the kind that feels polished yet completely unfussy. It’s the ultimate rich mom formula that features easy layers, clean sneakers and denim that makes everything look elevated.
According to Vogue, Bündchen reaches for the same straight-leg jeans on repeat, and now you can tap into that same look for less. The Lee Ultra Lux Comfort Bootcut Jeans are currently 46% off, bringing them down to under $20. It’s proof you don’t need a designer price tag to get that first class-ready vibe.
Get the Lee Ultra-Lux Comfort Bootcut Jeans for $20 (was $37) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
These Lee mid-rise jeans are made with thoughtful design details like a flexible, non-binding waistband that won’t dig in while sitting, making them ideal for flights. Plus, the cotton-blend fabric offers just enough stretch to move with you, while still holding its shape throughout the day.
The pants are also incredibly easy to work into your wardrobe. Available in sizes 0 through 18, three hem lengths and various washes, the jeans can be styled for just about anything. Pair them with sneakers like Bündchen for travel days, or dress them up with heels and a jacket for a more polished feel.
Shoppers back up the hype in a big way. The jeans have racked up over 16,300 five-star ratings, with reviewers calling them “so flattering” and saying they “hug all the right places.” Others highlight how they’re “so comfortable,” even after hours of wear — a major win for long days on the go.
At the end of the day, the Lee bootcut jeans are one of those easy, throw-on pieces that make getting dressed feel effortless. Bündchen’s version may cost significantly more, but the overall effect is all about simplicity. Grab the on-sale pair for under $20, add your favorite basics and sunglasses . . . and consider your rich mom airport uniform handled.
Get the Lee Ultra-Lux Comfort Bootcut Jeans for $20 (was $37) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more from Lee here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
Sony made a massive statement at CinemaCon 2026, unveiling brand-new posters for Spider-Man: Brand New Dayalongside fresh images from Spider-Man: Beyond the Spider-Verse. And if there was any doubt, the Spider-Man universe is heading into its most emotional and intense era yet.
The first wave of posters for Spider-Man: Brand New Day instantly sets the tone. One image shows Spider-Man mid-air, surrounded by masked warriors wielding swords, hinting at the presence of The Hand, a dangerous Marvel organization with deep ties to street-level crime and mysticism. That reveal alone suggests this film is leaning much darker and more grounded than previous entries.
Spider-Man: Brand New Day [credit: Sony Pictures]
Another poster zooms in tight on Spidey’s mask, with MJ reflected in his eye. It is simple, emotional, and tells you everything about this story without a single line of dialogue. Peter Parker is alone, and the people he loves no longer remember him. That emotional core is exactly what Sony and Marvel emphasized during the presentation. The film picks up after Spider-Man: No Way Home, where the world has forgotten Peter’s identity, forcing him to live completely in the shadows. Tom Holland has already called it the most emotional and grown-up Spider-Man story yet, and these posters back that up visually. There is a clear shift happening here. This is not high school Spider-Man anymore. This is isolation, identity loss, and consequences.
The inclusion of ninja-like enemies in the marketing is not random. CinemaCon footage reportedly confirmed the presence of villains like Scorpion and Tombstone, grounding the film in a more brutal, street-level conflict. That is a major tonal pivot. Instead of multiverse chaos, Brand New Day looks focused on New York crime, personal stakes, and physical danger. It feels closer to Daredevil than Doctor Strange. Visually, the posters reinforce that direction, with warm city lighting, tight framing, and grounded action pointing to a Spider-Man who is completely on his own.
Spider-Man: Beyond the Spider-verse [credit: Sony Pictures]
While Brand New Day is going smaller and more personal, Spider-Man: Beyond the Spider-Verse is doing the exact opposite. The newly revealed images show a massive escalation in scope, color, and intensity. One standout image features a punk-inspired Spider variant crashing through a chaotic collage of colors and textures, reinforcing the franchise’s signature experimental animation style. Another shows Miles Morales in an emotional moment with his father, grounding the story before everything explodes into multiversal chaos.
CinemaCon footage confirmed the story picks up immediately after the Across the Spider-Verse cliffhanger, with Miles trapped on Earth-42 and facing his alternate self as the Prowler. That alone raises the stakes to another level. This is no longer just about saving the multiverse. It is about Miles confronting who he could become.
Sony is positioning Beyond the Spider-Verse as the conclusion to the trilogy, and everything shown so far reflects that. The visuals are bigger, the emotions are heavier, and the stakes are personal and universal at the same time. The film is expected to bring back multiple Spider-variants while resolving major arcs involving Miles, Gwen, and his family. Based on early footage, it is not holding anything back. This is the endgame.
What makes this moment so interesting is how different these two projects feel. Brand New Day is grounded, emotional, and isolated, while Beyond the Spider-Verse is expansive, chaotic, and multiversal. But they share one thing. They are both about identity. Peter Parker is dealing with losing his identity, while Miles Morales is fighting to define his. CinemaCon 2026 made it clear that both stories are about to push Spider-Man further than ever before.
Spider-Man: Brand New Day hits theaters July 31, 2026. Spider-Man: Beyond the Spider-Verse is set for June 18, 2027.
Crime and mystery shows are Netflix‘s bread and butter.
Between original series and network classics, the streamer is a one-stop shop for all your crime show needs, from iconic hits like Veronica Mars to new favorites like His & Hers.
This April, Watch With Us has updated its ever-growing list of the best crime and mystery shows that you can stream on Netflix right now.
Our first pick is Big Mistakes, a new crime comedy co-created by Dan Levy and Rachel Sennott that’s currently on Netflix’s top 10 chart.
When Nicky’s (Levy) sister, Morgan (Taylor Ortega), steals a necklace from a gift shop, she has no idea that the store is run by a Turkish gangster named Yusuf (Boron Kazum). But the two wayward, middle-class adults certainly uncover Yusuf’s dangerous background when he kidnaps both of them and threatens them at gunpoint, blackmailing them into carrying out illicit errands as penance for Morgan’s act of petty theft. Thus, Morgan’s minor criminal act turns into the siblings committing a series of major ones, as the two white-bread suburbanites are thrust into the world of organized crime.
Big Mistakes marks Levy’s return to scripted TV following the conclusion of the hit Canadian sitcom Schitt’s Creek, and while both feature similar fish-out-of-water premises, Big Mistakes is an entirely different wheelhouse. The series is totally binge-worthy with an addictive narrative that plays out across the eight-episode arc, with humor that really hits, family drama that’s affecting and an extremely compelling crime narrative. The excellent cast also features Laurie Metcalf as Nicky and Morgan’s mother.
This fantastic spy thriller series from Phoebe Waller-Bridge and, later, Emerald Fennell, stars Sandra Oh as MI5 agent Eve Polastri, whose dissatisfaction with her job leads her to make a brash mistake that gets her fired. However, her interest in pursuing female assassins leads her to join an underground MI6 division dedicated to tracking Villanelle (Jodie Comer): a psychopathic international assassin who consistently evades capture. But when Eve and Villanelle eventually encounter one another, they find themselves locked in a game of cat-and-mouse that draws both women closer to one another in unexpected ways.
Killing Eve does an excellent job at subverting tropes of spy thrillers and hinging on truly electric chemistry between Comer and Oh. Oh is thrilling in her role portraying the unconventional and messy Eve, while Comer is an utterly magnetic “femme fatale” type of villainous psychopath. The mutual obsession between these disparate parties creates a compelling dynamic, and the sharp writing, genuinely funny dark humor and high production values (from lush cinematography to meticulous costuming) work together to create an unforgettable and dynamic series.
Popular high school student Veronica Mars (Kristen Bell) has the perfect life and the perfect boyfriend, but it all falls apart following the tragic murder of her best friend Lilly Kane (Amanda Seyfried), the downfall of her respected sheriff father and the abandonment of her mother (Corinne Bohrer). In the aftermath of both Veronica and her father (Enrico Colantoni) being ousted by their community, they open up their own private investigation agency, where Veronica works part-time solving crimes around town.
Though Veronica Mars only lasted for a criminally short three seasons, the series has endured as a cult hit with a passionate fanbase. The show boasts a smart blend of teen drama and crime noir, and Bell commands the show with her magnetic breakout performance. Veronica is a strong female character given rich character development, but the supporting characters are terrific too, creating a show with textured, dense world-building. While the revival season leaves something to be desired, the first run of Veronica Mars is some of the best television ever.
After the death of their estranged group member, three close childhood friends reunite at the wake. Saoirse (Roisin Gallagher), Robyn (Sinéad Keenan) and Dara (Caoilfhionn Dunne) travel back home to County Donegal in northwest Ireland to pay respects for their fallen comrade, but when they arrive, they are met with an unsettling discovery at the wake. This leads them to experience a series of strange events that compel them to stay together in their hometown for longer than anticipated, as they investigate the bizarre circumstances surrounding their friend’s mysterious death.
How to Get to Heaven from Belfast comes from the creatives behind Netflix’s beloved comedy Derry Girls, and while Belfast does have some sharp humor, it’s a bit darker than the popular Troubles-set sitcom. Ultimately, series creator Lisa McGee knocks it out of the park yet again, crafting a unique, genre-blending mystery show that is anchored by compelling chemistry between the lead actors, weighty themes, strong emotions and an addictive story that you won’t want to stop watching once you start.
Meret (Susanne Wolff) and Simon Schäfer (Felix Kramer) are former German spies who have settled down in Berlin, raising their teenage daughter Nina (Maja Bons) while running a restaurant and a safe house together. On the night of their daughter’s sixteenth birthday, a man who’s been attacked requests shelter at their safe house. But the man isn’t all he appears to be, and he bears knowledge of a disastrous covert operation from years ago, the consequences of which the Schäfers have been desperately trying to run from. Suddenly, all their skeletons are threatened to be revealed.
This German espionage thriller has proven to be a surprise hit for Netflix, having only recently debuted and already becoming one of the streamer’s most popular shows. Viewers can’t get enough of Unfamiliar’s riveting twists and turns while also being a smartly written narrative with high-stakes drama, complex, nuanced characters and an emotional grounding that frees it from some of the familiar tropes of spy stories. The fast pace and scant six-episode arc create a truly binge-worthy experience full of surprises you won’t expect.
Former news anchor Anna (Tessa Thompson) purposefully spends her days alone and isolated, until she hears about a murder in her hometown of Dahlonega, Georgia. Finding herself suddenly reinvigorated in her career, Anna travels to Dahlonega to investigate, where she is forced to contend with her estranged husband, Jack Harper (Jon Bernthal), who just happens to be assigned to the case. Having been drawn to the killing partly out of curiosity, partly because of loose ends left from her past, Anna searches for the truth while repeatedly butting heads with Jack, who is increasingly suspicious of Anna’s true motives.
This gripping, fast-paced murder-mystery wouldn’t be quite what it is without two compelling performances from Bernthal and Thompson, who really inject some complex character nuance and emotional tension into an already bingeable narrative. Though there are aspects of His & Hers that might strain plausibility, it only adds to the entertaining, crime pulp intrigue of this taut, tight thriller.
Over a decade ago, Kevin Bacon was enticed to join his first network TV series, The Following, a mystery thriller with the Tremors actor as former FBI agent Ryan Hardy. After catching a serial killer named Joe Carroll (James Purefoy), Ryan left his job behind and even briefly romanced Carroll’s ex-wife, Claire Matthews (Natalie Zea). The only thing that could bring Ryan out of retirement is the escape of Joe Carroll.
In his time behind bars, Joe has amassed a large following of devoted maniacs who are willing to kill for him and die for him if necessary. It’s a brand new game with Joe as the ringleader, and nearly anyone in Ryan or Claire’s life could be one of the followers hiding in plain sight until it’s time to strike at their enemies.
Good Cop/Bad Cop takes a more comedic approach to the crime and mystery genres, but there are still dramatic stakes and murder cases to investigate. The series is set in Eden Vale, a small town that Chief of Police Hank Hickman (Clancy Brown) has kept relatively crime-free for years. But times are changing and Hickman’s daughter, Detective Lou Hickman (Leighton Meester), badly needs some backup.
Lou gets what she asked for, but not in the way she wanted it. Instead of bringing in a new partner for Lou, Hank recruits his son, Detective Henry Hickman (Luke Cook), to return to town and work alongside Lou. This angers Lou at first, but it turns out that she and her brother make a great team. They may even change Eden Vale’s reputation.
Suspended cop Milo Malart (Isak Férriz) is tapped by Judge Susana Cabrera (Ana Wagener) to look into the circumstances surrounding the mysterious death of a construction company CEO. Ostracized by his other colleagues, Malart is subsequently paired up with Deputy Inspector Rebeca Garrido (Verónica Echegui) to investigate. Ultimately, the single grisly murder ends up being one of a string of ritualistic killings that take place atop historic landmarks in Barcelona. Will Malart be able to find redemption and catch the killer?
City of Shadows prioritizes pacing and atmosphere over shock and gore, and while there are still some twists and turns to look forward to, the show is more interested in showcasing solid storytelling and the fantastic chemistry between its two leads. For crime drama fans who could use less blood and guts and more character drama and moody tension, City of Shadows is likely to be the perfect fit for you.
Texan Candy Montgomery (Elizabeth Olsen) lives the normal day-to-day of a late-’70s suburban housewife. But when Candy decides to shake things up and engage in an extramarital affair with her neighbor and friend from church, Allan Gore (Jesse Plemons), things end up turning shockingly deadly. Allan’s wife, Betty (Lily Rabe), is discovered murdered with 41 blows from an axe, and Candy becomes the prime suspect. Love & Death takes a look at the events leading up to this grisly crime, in addition to the trial and the verdict.
Love & Death offers an empathetic look at the boredom and ennui experienced by American housewives in the 20th century, packaged within a genuinely twisted and engaging true-crime story that still raises questions today. Screenwriter David E. Kelley writes Candy’s character with tact, giving her empathy while articulating how her repression could manifest violent outcomes. For her towering performance as Candy, Olsen received a Golden Globe nomination for Best Actress – Limited Series or Television Film.
Novelist Aggie Wiggs (Claire Danes) has isolated herself in the wake of her son’s tragic death and her divorce from her wife. Struggling with writer’s block while working on her new book, she gets an unexpected source of inspiration: her new next-door neighbor, Nile Jarvis (Matthew Rhys), the prime suspect in his wife’s disappearance. With Jarvis’ invitation, Wiggs begins writing about him. But as their coy, cat-and-mouse relationship progresses, is Wiggs really in danger herself?
This new series from the creatives behind The X-Files and Danes’ own Homeland is constantly engaging crime-thriller pulp led by a pair of phenomenal performances from Rhys and Danes. Critics have lauded the show for its deliciously addictive nature that leaves you guessing with every episode, and the unmistakable chemistry between the two leads in this intriguing mystery and character drama.
Netflix recently added the Amazon Prime series Absentia, which was sadly cancelled after only three seasons, but is nevertheless a fantastic and absorbing thriller. The show focuses on FBI Agent Emily Byrne (Stana Katic), who is declared dead after going missing while investigating a serial killer. Six years later, Byrne is found in a cabin in the woods with no memory of the previous six years. As she struggles to understand what happened to her, she is implicated in a series of murders.
Castle co-star Katic shines in this wonderfully dark and intense show, with a compelling psychological thriller plot line. The show blends a hybrid of crime investigation, twist-filled mystery and engaging character drama. The excellent pacing and high stakes keep viewers engaged and on the edge of their seats.
In Yosemite National Park in California, Kyle Turner (Eric Bana) is a special agent for the Investigative Services Branch of the National Park Service. Turner is tasked with investigating the death of a woman who fell from a cliff and curiously ended up with a gnawed leg and a gunshot wound before she fell. The investigation of the dark crime leads Turner into the lawless terrain of the open wilderness as his own past wounds open up to haunt his present day.
Untamed is a stellar crime thriller with a central mystery that will keep you hooked throughout the scant six-episode season, and is bolstered by a gravitas-heavy performance from Bana. Plus, the gorgeous backdrop of the real-life Yosemite is easy on the eyes as Bana is. In addition to Bana, the terrific supporting cast includes Rosemarie DeWitt (The Boys) and Sam Neill (Jurassic Park).
Mismatched brothers Jake (Jude Law) and Vince (Jason Bateman) are reunited in New York City, as Vince’s chaotic, hard-up life leads him to getting a job working at his successful brother’s elite restaurant, Black Rabbit — which he happened to co-found and once owned alongside Jake. But any semblance of a happy reunion is short-lived, and both brothers find themselves navigating the criminal underworld as they evade loan sharks whom Vince owes money to.
While you might not have guessed Bateman and Law to play convincing siblings, Black Rabbit received praise in particular for the chemistry between the two actors. Their simpatico performances elevate the gritty, fast-paced crime story that has received comparisons to the Safdie brothers’ anxiety-inducing Uncut Gems. Riveting and endlessly engaging, Black Rabbit is a prestige thrill ride like no other.
In 2022, convicted rapist and scammer Thabo Bester appeared to have committed suicide in his jail cell, where he was serving life in prison after his conviction in 2012. When his burned body turned up in his jail cell, authorities presumed self-immolation. But one year later, Bester is found living under an alias in Johannesburg, with his alleged escape accomplice and lover, the influencer aesthetics doctor Nandipha Magudumana. They were arrested and are currently awaiting trial.
Beauty and the Bester takes a look at this absurd, modern-day South African Bonnie and Clyde story: the circumstances surrounding Bester — dubbed the “Facebook rapist” — and his initial conviction, his alleged escape and aftermath, and the psychology behind his bizarre, ill-fated relationship with Magudumana. Using a variety of testimony from various sources, Beauty and the Bester crafts a compelling portrait of a real-life case that’s the stuff of movies.
The second season of Ryan Murphy’s Monster anthology series takes a look at the infamous Menendez brothers case from 1989, in which the two brothers (played by Cooper Koch and Nicholas Alexander Chavez in the show) killed both of their parents after allegedly enduring years of abuse. The show depicts the fraught family life between the brothers and their parents, offering a depiction of the environment in which children could be led to commit parricide.
A newly minted Emmy winner, Monsters: The Lyle and Erik Menendez Story features exceptional lead performances from Javier Bardem and Chlöe Sevigny, who play the brothers’ parents, José and Kitty Menendez. Using a Rashomon-style storytelling device, the series utilizes different perspectives on important events and potentially unreliable narrators to paint a portrait of the case that is ultimately left up to interpretation by the viewer.
Set in the late 1970s, Mindhunter follows two FBI agents who track down psychopathic killers by getting into their heads. Agents Holden Ford (Jonathan Groff) and Bill Tench (Holt McCallany) deign to understand the psychology of a serial killer, looking at their upbringings and mangled psyches to think like them. While effectively pioneering modern serial killer profiling, the two agents find themselves often getting a little too close to their subjects.
Executive produced by director David Fincher (who frequently directed episodes, oversaw the screenwriting and production, and was viewed by many as the de facto showrunner), Mindhunter was sadly canceled after only two seasons but had developed a passionate fanbase. The series was widely acclaimed, unique within its genre for its cinematic visual flair and painstaking character development. At the same time, Groff and McCallany have fantastic chemistry, which adds a richness to the already compelling and detailed narrative.
When walking home through the woods with friends, a child mysteriously vanishes one night in the small German town of Winden. In the race to find him, secrets are revealed among the otherwise ordinary citizens and their families, along with the troubled history that the town rests on — and that they are all connected to. The interconnections between past and present prove to be cosmic, and a dark, supernatural secret that’s been hiding in plain sight threatens to unravel both Winden and the entire world.
Starring Louis Hoffman and a cast of talented, mostly unknown-to-Americans German actors, Dark is a stellar hybridization of science fiction, crime drama, and mystery, working as a piece of puzzle box art filled with complex twists and existentialist themes. The intricate nature of the multi-generational plot includes a time-travel conspiracy, while handling its expansive web of characters and decades with care. The first German-language show produced for Netflix, Dark transcends genre trappings. It’s an atmospheric, philosophical slow-burn that can’t be missed.
Led by Senior Editor and experienced critic Jason Struss, Watch With Us’ team of writers and editors sees almost every movie and TV show from the distant past to the present to determine what’s worth your time and money. Our countless hours of multimedia consumption — combined with years of experience in the entertainment industry — help us determine the best movies and TV shows you should be streaming right now.
To be considered “the best,” these films and series can be visually engaging, intellectually stimulating or simply just fun to watch, but the one trait they must have is that they are all, in some way, entertaining. We then check which platform they are streaming on and how you can access them as a subscriber. No algorithm nonsense or paid endorsements here — our recommendations are based purely on our love and interest for the films and shows we love.
Things at Alex Cooper’s Unwell Network appear to be, well, unwell, according to a new report.
A Bloomberg article published on Monday, April 20, alleged that Cooper’s podcast network has seen a dramatic turnover in staff over the past two years. The piece also claimed that Cooper’s husband, film and TV producer Matt Kaplan, who Bloomberg said runs the network’s day-to-day operations, has been at the center of internal turmoil.
According to the report, Kaplan “has earned a reputation for frequently yelling at staff members,” resulting in crew members reportedly threatening to walk off projects if he “doesn’t keep his distance.”
The piece further alleged issues on the set of the network’s recent YouTube series, Unwell Winter Games. Kaplan allegedly “berated the staff on set and threatened to prevent them from ever working in Hollywood again if they messed up, resulting in a prominent, long-experienced crew member breaking down in tears.”
Us Weekly has reached out to representatives for Cooper, Kaplan and Unwell for comment.
Cooper, 31, and Kaplan, 42, launched the Unwell Network in 2023 as a burgeoning network of podcasts anchored by Cooper’s own hit show, “Call Her Daddy.” The company has since expanded into TV production and live events and launched its own creative agency.

Cooper and Kaplan, who is credited as a producer on the To All the Boys I’ve Loved Before film series and spinoff TV show XO, Kitty, wed in April 2024. He was previously married to The Vampire Diaries actress Claire Holt from 2016 to 2017.
Earlier this month, Cooper hit the headlines as she addressed her falling out with former Unwell podcaster Alix Earle. Earle’s “Hot Mess” podcast was dropped by Unwell in February 2025, Variety reported at the time, and rumors have since circulated of a feud between the former colleagues.
Cooper directly addressed the Dancing With the Stars alum after Earle, 25, reposted a shady TikTok that referred to Cooper as the “grim reaper.”
“Just say what you gotta say about me. There’s no NDA, and no one is stopping you. Stop hiding behind other people and just say it yourself. What’s the beef?” Cooper hit back in a subsequent TikTok video on April 13. “I’m really tired of waking up and seeing you using this fake drama to distract from other s*** going online for you. Not interested. I know what happened and so do you. So talk. Unless the fake narrative that you’re creating happens to be way more interesting than the truth. I have nothing to hide when it comes to you and me.”
Earle responded directly to Cooper, writing in the TikTok video’s comments section, “OK on it!!” Earle has yet to publicly share details of the apparent conflict, however.
This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.
With a 24% rating from critics on Rotten Tomatoes from 45 reviews, Michael, the Michael Jackson biopic, is officially one of the lowest-rated movies of the year.
April 24, 2026
130 minutes
John Logan
Graham King, John Branca, John McClain
This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.
Eminem is celebrating a major personal milestone, marking 18 years of sobriety with a recent post on Instagram. The rapper shared a simple photo highlighting the significance of his long journey toward recovery. The rapper is known for his openness about past struggles, with the achievement reflecting years of commitment that have drawn supportive reactions from his friends and fans.
On April 20, Eminem, born Marshall Bruce Mathers III, shared a simple post on his social media showing off a black and gold sobriety chip with the roman numeral “XVIII,” marking 18 years of his being sober. The saying “To thine own self be true” was inscribed on the border, and the words “unity,” “service,” and “recovery” were written on the sides of a triangle. He added the caption “XVIII,” followed by a 1st place medal emoji.
Many followers congratulated the 53-year-old rapper on the remarkable milestone, with one writing, “My GOAT is 18 years sober, so happy for you unc.” One user added, “F-cking 18 years. That’s called standing the test of time in a nutshell.”
Others also shared photos of their sobriety chips, with one person sharing that Eminem motivated him. “LETS GO KING!!! Inspired me to quit when I saw you in Austin! I’m proud to be 1 YEAR SOBER!!!!”

Eminem has been open about his substance issues, and once shared that he took between 10 and 20 pills daily. “I was taking Valium, Ambien, and Vicodin. And I was taking a lot… The numbers got so high I don’t even know what I was taking,” he wrote in an essay for Vibe magazine.
The rapper had been going through personal issues leading up to his near-fatal overdose in 2007. He filed for divorce for a second time from Kim Scott the year prior, and his best friend was killed in a bar fight the following week. In December 2007, Eminem collapsed in the bathroom of his home after overdosing on methadone pills. He was rushed to the hospital, where doctors said that if he had been brought in two hours later, he wouldn’t have survived.
“I didn’t even want to believe it was a disease. But I realized it when I f-cking almost died and then I still went back to using. I literally almost died,” he shared.
In 2025, the documentary “Stans” was released, which focused on the rapper’s career through the eyes of his fans. In it, Eminem shared details of his overdose, saying that he was in a “vicious” cycle of depression and popping pills. “I woke up in the hospital and I didn’t know what happened. I woke up in the hospital with tubes in me and sh-t and I couldn’t get up. I wanted to move,” he said.
One of the biggest reasons he decided to get sober was his daughter, Hailie Jade. Eminem had missed her first guitar recital due to his overdose, and he was wracked with guilt. At that moment, the rapper thought that if he couldn’t be sober for himself, he could at least do it for his daughter. He entered rehab in 2008 and has been sober since.
One of the people Eminem turned to for guidance in his sobriety journey was legendary singer Elton John, who has been sober since 1990. In 2010, John said in an interview, “I’ve been helping Eminem in the last 18 months, and he is doing brilliantly,” as reported by The Guardian.
The rapper said he thought of the singer when he decided to get sober, as John was also in the entertainment business and could relate to his lifestyle. “He understands, like, the pressure and any other reasons that you wanna come up with for doing drugs,” Eminem shared.
Eminem and John first met at the 2001 Grammys when they performed “Stan” together. At that time, the rapper was criticized over lyrics that some perceived as homophobic. However, in later years, John defended the rapper, saying that he never viewed him as homophobic. The two have since developed a close bond that extends beyond their work in entertainment.

His 18-year sobriety isn’t the only thing Eminem is celebrating. On April 14, the rapper’s adopted daughter, Alaina Marie Scott, gave birth to a daughter named Scottie. The birth marks Eminem’s second time becoming a grandfather in less than two years.
In March 2025, Hailie gave birth to a son named Elliot Marshall McClintok, with the middle name serving as a nod to her father.
Eminem is reportedly working on various projects, and according to his manager, Paul Rosenberg, he is developing new music. However, there has been no confirmation on when a new album will be released.
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While the bride may be the star of wedding, there’s no reason you can’t feel just as chic and fabulous in an outfit that suits the dress code. From breezy outdoor wedding guest dresses to chic cocktail styles to elegant black‑tie gowns, there are stunning options for every style and setting this spring wedding season.
If you have a slew of wedding invitations sitting on your desk like Us, you’re probably wondering how to navigate all the different dress codes without buying a whole new wardrobe. Well, you’re in luck because we’ve sourced 18 solid wedding guest dresses that suit every ceremony imaginable, whether the invitation calls for a humid backyard bash or a glamorous black‑tie evening. Shop our top picks below from retailers like Amazon, Walmart, Nordstrom, Macy’s and more.
1. Our Favorite: Light, airy and romantic, this floral maxi dress strikes the balance between comfort and style, making it ideal for long ceremonies and dance-filled receptions. Reviewers rave about the countless compliments they receive on this ultra-flattering frock.
2. Stay Cool: This breezy wrap dress is a great way to brave a humid outdoor wedding, thanks to its lightweight fabric and easy, adjustable fit. Choose from colorful spring-approved options like lake blue, bright pink and army green.
3. Designer Lookalike: Find elegance without the splurge in this puff‑sleeve midi. A stellar lookalike to Hill House Home, this tulle dress is made for garden ceremonies, with airy layers that won’t weigh you down.
4. Seaside to Golden Hour: If beachy, sun‑kissed vibes are on the dress code, you won’t want to miss this sleeveless maxi dress that comes in red, blue and green. The cotton dress stays cool and breathable outdoors, and still looks polished even in peak summer heat.
5. Fits Your Figure: Don’t feel the pressure to go sleeveless if you don’t want to. This breezy smocked eyelet maxi dress does all the flattering, with airy sleeves and a floaty silhouette that’s perfect for warm‑weather celebrations.
6. Something Blue: Beautiful and more elevated than most garden‑party dresses, this bow‑back A‑line dress features a nifty drop waist that highlights and flatters your shape. The cotton piece even adds a flirty touch with a slit that hits above the knee.
7. Our Favorite: Far from being just a great semi‑formal dress, this Quince washable stretch silk midi is honestly a year‑round investment piece. The silk drapes beautifully in any season, making it just as fitting for spring ceremonies as it is for fall celebrations.
8. Make It Your Own: Versatility is alive and well in this convertible maxi dress that lets you customize your fit from flirty to modest and somewhere in between. Abercrombie & Fitch customers rave about the forgiving fabric, stretchy fit and overall versatility.
9. So in Style: Tie-strap midi dresses are so in right now, and we’re owning the trend in this affordable dress from Lulus. From a chic blue-and-white toile to a more formal black, you’ll find your perfect look in this tiered midi.
10. Bust-Enhancing: This satin flutter-sleeve midi dress keeps selling out, and it’s no surprise why. It shows off your upper half while skimming over the midsection.
11. Figure-Forgiving: Keep it chic, simple and romantic in this side‑smocked midi dress from Nordstrom. Customers call it feminine, flattering and classy, and it’s easy to understand the hype once you see it on.
12. Statement-Maker: We’d be hard pressed to write a list about top wedding guest dresses and not include Adrianna Papell. The elevated designer knocks it out of the park with this boat‑neck beaded dress that pairs intricate floral beadwork with a slimming silhouette.
13. Timeless Elegance: This cap‑sleeve maxi dress from Reformation has a gorgeous vintage look. Whether you choose a timeless solid or a fresh floral print, the piece stands out with its mock neckline, drop waist and pretty pleated skirt.
14. Our Favorite: Fair warning: You might receive more compliments than the bride in this V‑neck cap‑sleeve gown from Eliza J. Stunning. Bright and adorned with a spring floral pattern, it’s the kind of dress that turns heads the moment you walk in.
15. Best Exception: Black‑tie dresses lean toward pricey, so this open‑back gown feels like a rare find. The black dress delivers a refined, floor‑length look that feels far more expensive than it actually is.
16. Plus-Size Pick: No one will believe you when you tell them you got this off‑the‑shoulder plus‑size dress from Amazon. Reviewers appreciate its arm coverage, flattering fit and expensive‑looking design.
17. All-Around Flattering: For a silhouette that flatters every angle of your body, you’ll want this long‑sleeve ruched dress from Wayf. From the back to the bust to the midsection, the strategic ruching smooths and shapes in all the right places.
18. Lasting Impression: High‑low dresses have a way of stealing the spotlight at black‑tie weddings. This sleeveless gown does just that with its slimming bodice and flowy skirt. It’s best paired with standout heels, if you ask Us.
When he’s not on stage as Ziggy Stardust, he’s known as David Bowie from Brixton. At 13, he picked up the saxophone, unaware that both the instrument and London’s jazz scene would help shape his future career. After adopting the Bowie name in 1966, he quickly adopted experimental ideas, though early success was limited. In the 1960s, his surreal influences — ranging from mime to Buddhism — felt unconventional for a newcomer. His breakthrough finally came in 1969 with “Space Oddity,” proving there’s a place for visionaries like him.
By the 1980s, Bowie had become a household name synonymous with innovation. He collaborated with major artists, including Queen and Mick Jagger. Yet, despite his pop star status, Bowie never lost sight of the social issues rampant during his time. Music became his tool to amplify marginalized voices, most notably this particular song — a track from, ironically, his least favorite album.
In “Day-In Day-Out”, Bowie proves that pop stars can be political. Serving as the opening track of his seventeenth studio album Never Let Me Down, the song became the record’s most successful single. However, compared to his earlier hits, it only reached number 17 in the United Kingdom and charted within the global top 40, giving it moderate success and leaving it as something of an overlooked gem. Although Bowie was English, the song sharply critiques homelessness and urban poverty in the United States.
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“Day-In Day-Out” illustrates the harsh cycle experienced by the less fortunate by putting the main character in precarious positions. The song begins with a child born into unsafe conditions (“She was born in a handbag”) and continuing through a life shaped by instability and lack of support (“What she lacks is a backup / Nothing seems to make a dent”). Instead of receiving help, the woman is pushed toward dangerous means of survival, from petty theft (“Stealing for that one good rush”) to prostitution (“She’s hanging on his arms”). The song ultimately acts as a wake-up call, emphasizing that poverty is sustained by a vicious cycle that can only be broken through meaningful support. While not identical, a similar theme appears in “Brenda’s Got a Baby” by Tupac Shakur.
Ironically enough, “Day-In Day-Out” is the opening track on the one album Bowie considered his least favorite: “My nadir was Never Let Me Down. It was such an awful album. I really shouldn’t have even bothered going into the studio to record it. I’m not happy with it.” In a 1987 interview with Q magazine, Bowie elaborated on the technical reasons why the album didn’t sit well with him.
“I thought it was great material that got simmered down to product level. I really should have not done it quite so studio-ly. I think some of it was a waste of really good songs. You should hear the demos from those albums. It’s night and day by comparison with the finished tracks. There’s stuff on the two albums since Let’s Dance that I could really kick myself about. When I listen to those demos it’s, How did it turn out like that?”
Although the rock guitarist never deployed, he knew exactly what war sounds like.
“Day-In Day-Out” isn’t the only track from Never Let Me Down where Bowie advocates for a cause. His second single, “Time Will Crawl,” takes listeners to Eastern Europe, addressing the Chernobyl disaster, which occurred just a year before the album’s release. Similar to “Day-In Day-Out,” the track achieved only moderate success, peaking at Number seven on Billboard’s Mainstream Rock Tracks chart.
Just like the song, the music video for “Day-In Day-Out” made a strong impression — even at the cost of being banned or restricted by TV stations. The video follows the storyline described in the lyrics, opening with a literal baby in a bag placed on the steps of City Hall. It then cuts to a lone woman roaming the streets of Los Angeles at night as she carries her baby. As the clip plays out, it becomes clear she is not built for life on the streets, where danger lurks around every corner.
The video also contains sensitive material that didn’t sit well with audiences. These include scenes of the woman dressed as a sex worker, being pulled into a car and sexually assaulted, getting arrested while wearing only lingerie, and police raiding her home with a tank — suggesting how even temporary shelter can be unfairly taken away. Despite limited viewing, the video was nominated at the MTV Video Music Awards for Best Male Video, but lost to Peter Gabriel’s “Sledgehammer.”
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