Kristen Stewart has purchased the historic Highland Theater in Los Angeles, which was closed down in 2024, and will be restoring it into “something for the community”.

The Oscar-nominated actor confirmed the news to Architectural Digest, saying she was “fascinated by broken-down old theaters”.

“I didn’t realise I was looking for a theater until this place came to my attention. Then it was like a gunshot went off and the race was on. I ran toward it with everything I had,” she said.

The theater opened in 1925 and closed after nearly a century in operation. It was designed by Lewis Arthur Smith and began as a vaudeville and silent-film house before shifting to mainstream releases. It was eventually subdivided into a triplex in the 1980s.

Owner Dan Akarakian told the Los Angeles Times in March 2024 the theatre was unable to recover in the post-pandemic world and he was forced to shut it down.

It closed permanently on 29 February 2024, six days before its 99th anniversary, with the final films screened including Madame Web and Bob Marley: One Love.

Stewart said she intended to turn the theater into a community space.

“It’s an opportunity to make a space to gather and scheme and dream together. This project is about creating a new school and restructuring our processes, finding a better way forward,” the actor said.

“We want to make it a family affair, something for the community. It’s not just for pretentious Hollywood cinephiles,” she added.

“I see it as an antidote to all the corporate bulls***, a place that takes movie culture away from just buying and selling. I think there’s a huge desire and craving for what this kind of space can offer.”

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The Spencer star acknowledged the challenge and scale of the restoration work. “There are so many beautiful details that need to be restored,” she said. “There’s a way to bring the building back to life in a way that embraces its history, but also brings something new to the neighborhood and something new to the whole LA film community.”

Stewart’s purchase of the theater puts her in the league of film figures who have taken an active role in preserving Los Angeles’ cinema heritage.

Quentin Tarantino bought the New Beverly Cinema in 2007 and the Vista Theater in 2021, telling Deadline in 2014 he bought the former theater to ensure it wouldn’t get turned into a commercial multiplex and remain dedicated to film screenings.

In 2022, the Village Theater in Westwood was bought by a group of investors that included Jason Reitman, Steven Spielberg, and Bradley Cooper after fears the site could be redeveloped.

Recently, while promoting her directorial debut The Chronology of Water, Stewart said “probably not” when asked if she thought she would stay in the US while Donald Trump was president.

“Reality is breaking completely under Trump,” the actor, 35, told The Sunday Times. “But we should take a page out of his book and create the reality we want to live in.”

She called Trump’s threat of tariffs on films made outside the US “terrifying” for the industry and said she “can’t work freely” in the US.

“But I don’t want to give up completely,” she added. “I’d like to make movies in Europe and then shove them down the throat of the American people.”

A Florida man is facing first-degree premeditated murder charges after he allegedly shot dead his father-in-law after the man reportedly slapped his mother-in-law.

Shaun Simon, 42, has been arrested and jailed after he was accused of shooting dead Bill Toth in Seminole County.

The incident allegedly occurred on Tuesday around 11:30 p.m in the Markham Woods neighborhood where Simon lived with his father-in-law, mother-in-law, and his wife, according to WESH.

According to court records, Toth’s reportedly worsening dementia was causing friction inside the house. Making matters worse, Toth’s wife reportedly was suspicious that he was not being faithful.

Toth’s daughter told deputies that on Tuesday night, her father and mother were arguing about their marriage. Toth allegedly slapped his wife in view of his daughter. She says she told her husband, Simon, about the incident, after which Simon confronted Toth, ClickOrlando reports.

When Seminole County Sheriff’s deputies arrived, Toth was reportedly lying on the floor with a gunshot wound in his chest.

Simon’s wife called 911 after the shooting.

Toth was taken for treatment at a local hospital in critical condition but died at the facility around 2:15 a.m.

According to Fox 35 Orlando, Simon reportedly told deputies that he shot Toth once in the chest. He also reportedly told investigators that Toth had made his “life miserable,” and called the man a narcissist.

A neighbor, Jan Hall, told WESH that she thought Toth was a “nice guy” and said she believed he was afraid of Simon, who she described as a “violent man.”

A judge denied Simon bond during his court appearance on Wednesday. Simon is allowed to have contact with his wife but has been barred from contacting his mother-in-law.

President Donald Trump announced the official launch of his TrumpRx online pharmaceutical drug market during a press event in Washington, D.C.

The site, which goes live tonight, is a direct-to-consumer, government-operated market allowing Americans to purchase prescription drugs at discounted prices, according to the president on Thursday evening.

“This is a big deal, this is a very big deal, people are gonna save a lot of money and be healthy,” Trump said.

The president confirmed that all Americans will be able to purchase “dozens” of the “most commonly used prescription drugs” through the portal.

Trump said specifically that popular GLP-1 weight-loss drugs will be included, noting that Ozempic “will come down from $1,000 to $199. “

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“Novo Nordisk will be slashing the price, as an example of Ozempic, from more than $1,000 to to $199,” he said.

He also said that the price of Wegovy, another GLP-1, will drop from $1,300 to $199.

The president claimed that the reduced drug prices secured by his administration mark the “largest reduction in prescription drug prices in history by many, many times, and it’s not even close.”

The discounted prices offered on the website represent Trump’s oft-touted “most favored nations” pricing scheme. Drug companies have agreed to sell the American public prescription drugs at the same rate as the nation that is paying the least for the drug, thereby ending what Trump described as the American people “effectively subsidizing the cost of drugs for the entire world.”

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He noted that, while prices will come down significantly for Americans, they are likely to increase in other nations.

Dr Mehmet Oz, Trump’s Administrator for the Centers for Medicare and Medicaid Services, spoke during the event and demonstrated how the site works.

The website provides access to the direct-to-consumer purchasing platforms for major pharmaceutical companies and has links to coupons that can be taken to a pharmacy for in-person drug purchases.

During his presentation, he said TrumpRx would protect the “most vulnerable” Americans by providing them access to affordable drugs.

“One in three Americans are turned away from the drugstore,” Oz said. “They can’t afford the drugs. No more. Our most vulnerable are protected.”

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Thursday’s announcement comes after months of hype from Trump and top administration officials who have made the planned TrumpRx website a central plank in their pitch to voters who remain skeptical of the president’s work to tackle the cost-of-living problems that led voters to return him to the White House despite multiple criminal indictments — and convictions on more than 30 felonies in his former home state of New York.

Trump and other administration figures have teased the TrumpRx website for months as he has hosted various pharmaceutical industry leaders in the Oval Office to announce pricing agreements under which their respective companies would offer American customers the same prices for their prescriptions that are paid in foreign countries and make investments in American manufacturing facilities.

Trump’s “most favored nation” pricing model is aimed at making medications more affordable for low-income Americans, including those on Medicaid, by connecting consumers directly with manufacturers who will charge prices equivalent to those paid by patients in countries with single-payer health care systems.

The president first pushed the idea of forcing drug companies to match prices offered abroad during his previous term, but faced significant resistance from the industry, including pushback in a lawsuit that resulted in a federal court order blocking his administration from carrying the plan out because it had failed to follow proper regulatory procedures.

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After returning to the White House, he revived the plan in an executive order he issued in May, which directed his administration to take various actions to bring drug prices in the U.S. in line with prices negotiated between pharmaceutical companies and foreign countries that have single-payer health systems, such as the British NHS.

Last July, he sent letters to leading drug companies demanding that they bring down prices offered to Americans to match the negotiated prices available in foreign countries.

In the eight months since, 14 major drug companies gave in to his demand by striking agreements to offer “most-favored nation” prices to Americans and participate in the TrumpRx website.

But the purportedly lower prices offered by the website may not make much difference to voters who are reeling from skyrocketing insurance premiums in the wake of his administration’s decision not to support extending Covid-era tax credits that lowered the cost of health plans purchased on Affordable Care Act exchanges.

In January, Trump unveiled an alternative plan that would institute direct payments as a substitute for the direct federal subsidies that expired at the end of last year.

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Millions of Americans were left facing massive rate increases for their plans in 2026 as Congress left in December without finding a legislative path to extend the premium tax credits.

The White House plan also calls for a crackdown on pharmacy benefit managers and broadening the scope of medicines that can be purchased over-the-counter, which the administration hopes will cut down on doctor’s appointments. It also asks Congress to codify the “most-favored nation” status the White House has used to secure trade agreements aimed at lowering drug prices.

The TrumpRx website rollout also comes as the White House is facing headwinds on affordability matters with just nine months remaining until voters decide whether to extend the Republican Party’s unified control of Washington.

Fans of John Wick are told they have to watch the film before it is too late

A ‘gruesome’ action thriller that some claim is ‘superior to John Wick’ is quietly disappearing from Netflix.

Featuring legendary actor Denzel Washington, The Equalizer first arrived in cinemas back in 2014. The film serves as a reboot of the beloved 1980s television series of the same name.

Washington takes on the lead role of former CIA operative Robert McCall. He’s a figure of enigmatic background who believes he has left his brutal past behind and commits himself to building a peaceful new existence.

Nevertheless, when he encounters Teri, a young woman who has been mistreated by ruthless Russian gangsters, he simply cannot turn away. Armed with his impressive abilities, McCall abandons his self-imposed retirement and resurfaces as a vengeful guardian, prepared to eliminate anyone who terrorises the defenceless.

Whilst the picture may not have won over critics, it still succeeded in earning a remarkable $192 million at the global box office. This level of commercial triumph eventually spawned two follow-up films, reports the Mirror.

READ MORE: ‘Dark and gripping’ crime drama fans should watch with lights on leaving NetflixREAD MORE: ‘Gory’ war movie from American Primeval director is leaving Netflix soon

The Equalizer’s original theatrical release was somewhat eclipsed by a comparable production that debuted around the same period – John Wick. Throughout the years, the two films have inevitably found themselves being contrasted by audiences.

It remains a contentious discussion, but those who have yet to witness whether Washington’s performance surpasses Keanu Reeves’ are running short on time. Although the movie joined Netflix’s catalogue last summer, it’s scheduled to vanish from the streaming platform within days.

A notice now shows that the final day to view the film on the platform is February 28. Nevertheless, at the time of writing, it can also be accessed via Sky Cinema or NOW.

Therefore John Wick devotees who haven’t yet experienced Washington’s action thriller are encouraged to watch it without delay. As one viewer suggests: “Well if you’ve watched John Wick, then you have got to see this. Not only it has such badass moments intricately represented by Denzel Washington but also has moments that give you that ‘feel good’ when you see him going about his business.”

They continued: “Action is neatly choreographed and in certain scenes you don’t need to think how that guy went down. Special mention to the subtlety that The Equalizer brings to the table which seemed to be lacking in John wick. Definitely worth your time!”.

Another user posted on Reddit with the headline ‘The Equalizer is better than John Wick. Change my mind’ and argued: “They managed to make The Equalizer a much deeper movie, with a slower pace and much better character development. The gruesome violence has much more impact and is better filmed, without that gratuitous barrages of bullets and bulletproof jackets. One could also argue that Denzel being a better actor helps The Equalizer to stand out.”

Someone else declared: “It’s like Sherlock Holmes meets John Wick with a hint of the Accountant. Best of all there is compassion and a will to do good.”

Yet another remarked: “Amazing movie. Ten out of ten. Could watch on repeat and would never get bored.”

Meanwhile there are several who simply say that both movies are just as worth your time. As one individual summarised: “It’s pure entertaining action drama which gives you John Wick type vibes. I’m not comparing the movies, both are good in their own style.

“The story was simple and effective, the screenplay was good but little bit loose, the direction was good and the performances were also good especially Denzel’s.”

The Equalizer is streaming on Netflix until February 28.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

With Farrell rolling the dice in his selection – dropping James Lowe as well as giving Cian Prendergast a rare start – there were interesting subplots aplenty as the game neared.

Such was the nature of the Paris performance, however, that few such themes could be given fair scrutiny.

Ireland had picked a team to compete in the air but rarely challenged in that regard with the new-look back three of Jamie Osborne, Tommy O’Brien and Jacob Stockdale largely on the periphery.

While the loss of both usual starting props to injury, as well as two back-ups on the loose-head side, was unwanted, it gave the opportunity for others to step up and show what they can do, yet the set-piece was rendered a virtual non-factor.

Indeed, Ireland won a scrum penalty in the 45th minute but, such was the lack of pressure elsewhere, it was the first time Les Bleus had drawn a whistle from Karl Dickson.

Discipline had been a key area to improve after the autumn but, while Ireland did concede only six penalties, they frequently did not get close enough to infringe either, with 38 missed tackles on the night.

Ireland’s failure to get to grips with the non-negotiables – what Farrell called the “main part of the game” – left little point in sifting through much else.

“I think you make your own luck in this game,” said Farrell.

“Without the ball, I thought we lost that battle in the first half. The things like the high ball and winning the scraps on the floor, running through tackles or missing tackles etc – that’s the main part of the game.

“We certainly came off second best in that regard in the first half. Our response was gallant, but that’s not what we want to be, we don’t want to be a responding team. We needed to show it from the get go.”

Here’s how we rated the Ireland players after their Six Nations opener against France in Paris

Jamie Osborne – Found himself manning the last line of defence frequently during an uneasy debut appearance in the opening period. 5.

Tommy O’Brien – Despite being Leinster and Ireland’s standout performer throughout the season, the increased intensity on the flank proved challenging. 4.

Garry Ringrose – Combined effectively with McCloskey though attacking chances proved scarce. 6.

Stuart McCloskey – Demonstrated his defensive credentials during his 50-minute stint, forming a robust midfield barrier with eight successful tackles and only one miss. 7.

Jacob Stockdale – Showed determination and remained committed at the breakdown, displaying quality moments when he had the ball. 6

Sam Prendergast – Presented plenty for observers to assess. Looked assured with ball in hand and going forward, though he missed seven tackles. 5.

Jamison Gibson-Park – Struggles when compared to his counterpart. Made a brave attempt to bring order to the disorder. 5.

Jeremy Loughman – Fulfilled his core scrummaging duties well. Completed 12 tackles with just two misses, exceptional. 7.

Dan Sheehan – A relatively subdued performance by his usual standards, managing five carries over 17 minutes during his hour-long appearance. 5.

Thomas Clarkson – Provided adequate stability at scrum time, contributing four carries and six tackles, whilst giving away two penalties. 5.

Joe McCarthy – Will face questions from Andy Farrell regarding one of his first-half infringements. Made 10 tackles with two misses. 5.

Tadhg Beirne – Has required considerable time to regain form following the Lions tour. Accumulated 13 carries and 14 tackles alongside two misses. 6.

Cian Prendergast – Making his Paris debut and getting stuck into the action. Completed a dozen tackles, proving his value. .

Josh van der Flier – Delivered solid defensive contributions during the opening period, completing 11 tackles without missing any throughout his 50-minute appearance. 7.

Caelan Doris – Proved instrumental in both Ireland’s attacking and defensive efforts. Made 13 carries covering 341 metres, completed 15 tackles with just one miss. 8.

Replacements: Rónan Kelleher 5, Michael Milne 6, Finlay Bealham 5, James Ryan 5, Jack Conan 5, Nick Timoney 6, Craig Casey n/a, Crowley 5.

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Alexander Taylor, 34, sent text messages to a mental health text support service who were so concerned by them, and the threats within them, that they called the police.

He made no comment when interviewed by officers but would plead guilty to sending a communication threatening death or serious harm on October 7, 2025.

Taylor, from Wythenshaw, appeared at Stockport Magistrates’ Court earlier today (January 5) to be sentenced.

He was given a 12 month community order with 15 rehabilitation days, including an uplift to mark the hate element.

David Holland, of the Crown Prosecution Service, said: “Alexander Taylor’s deeply disturbing messages to a mental health organisation caused such concern that they were reported to the police.

“At a time of high alert following the terrorist attack on a Manchester synagogue, valuable police resources had to be diverted to deal with Taylor.

“There is no place for hate in our society and we will continue to work with partners to bring those who spread hate in our communities to justice.”

JILL SCOTT does not rush records. She only goes into the studio when she feels she has got something she needs to say.

The American singer’s sixth album, To Whom This May Concern, arrives a decade after her last effort for exactly that reason.

“It took me 27 years to make Who Is Jill Scott?,” she says of her landmark debut. “And all the experiences in those years I put into that album.

“These projects don’t just happen overnight, it doesn’t work that way. So, it took me ten years to make this album.

“Why did it take so damn long? Because it takes time to make a great meal. It takes time to decorate your home. You don’t rush it. I took my time because I care.”

Writing only when there is something urgent to say, and letting the music lead the message, is the way the Grammy-winning artist and actor creates.

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She says: “I wait for it to come and the things that came out of me for this album shocked the hell out of me, too.

“On some songs, I’m an anthropologist, studying people. I’m on social media and hearing how a lot of people are not satisfied and that’s a damn shame.

“It’s a little harder for me to just sit on a park bench and watch people.”

I meet Scott at her publicist’s office in central London.

I am very excited about the musicianship on this album. The horn players and the bass, which is all over this album, is amazing.

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Jill Scott

Dressed in orange, she is bright, friendly and effortlessly glamorous, although she says the jet lag has been hard to deal with.

She’s been over here for a week of promotion, including an album launch where she introduced tracks from To Whom This May Concern and took questions from fans.

“That was a pretty exciting night,” she says. “And the response was great, which was good as I was scared because it’s the first time playing this new music for a bunch of people in a room.

“I am very excited about the musicianship on this album. The horn players and the bass, which is all over this album, is amazing. It’s not a plug-in, it’s a player.”

At 19 tracks long, this is an impressive album. Collaborators include Trombone Shorty, Maha Adachi Earth, DJ Premier and rappers Tierra Whack, JID and Ab-Soul.

Recent single Pressha and Don’t Play touch on relationships.

Jill says: “Pressha is about a toxic past relationship while Don’t Play is a template for how to have a date where you actually want to get to know someone.

“It’s not just about what box they tick or what salary they earn. Then BPOTY — Biggest Pimp Of The Year — I wrote after looking at society and thinking, ‘My God, these folks are pimping us’.

“Like the pharmaceutical companies. I had been taking some medication and I didn’t really need it, I was being pimped and so it began with that story.”

‘Music is medicinal’

A diverse record blending soul, rap and jazz, it features beautiful ballads such as Me 4 and Àse, showcasing the poetic storytelling Scott has long been celebrated for.

“When I heard how diverse the music was, it made sense as an album,” she explains.

“People are going to get what they’re going to get what they need from it at different times. I believe music is medicinal. Like when I first heard of Billie Holiday, I didn’t really hear her until I got my feelings hurt.

“Then I listened again and everything clicked and made sense — how poignant her words were — and that’s why this album is called To Whom This May Concern.”

Be Great is a superb track as both a declaration and mantra, designed for everyday moments of courage.

“I want people to play it before their auditions, job interviews or anything that matters to you,” says Scott. “Go ahead and be fantastic at it, whatever it is.

“I just got the music and the lyrics popped out. I see it as Golden’s cousin [her 2004 anthem]. Yeah, they’re definitely related.”

Offdaback, which Scott says is her favourite track on her new album, pays homage to her heroes who came before her, artists and pioneers who stood up for freedom and music.

“The ancestors have to be honoured,” she explains.

“Whether it was your grandmother who worked in somebody’s house in order to make sure your mother had food, or it was your dad who worked three jobs so you could go to college or so you could live your dream.

“As an artist every day I’m reminded of how many people have made a way for me to be here.

“My office wall has photos of all the people who have inspired me. Diana Ross, Missy Elliott, Led Zeppelin and Queen Latifah are on there.

“I admire so many. Nina Simone for being so frank and fearless; Tina Turner for being so brave and using her voice.

“The list goes on. Frankie Beverly was beloved to me and Prince was my number one, and Bette Midler showed me that you don’t have to be around, knocking on doors all the time. You can disappear for a while, too.

“I went to see Frankie Beverly and Maze and they’d not had a record out for 25 years but everyone at the show is up and singing at the top of their voices.

“Music is about that feeling, about camaraderie and unity. I feel really honoured that anyone would feel that about my music.

“However, I’m still working on the other stuff that comes with that.”

There was a recent social media post of Scott being stopped by a fan who recognised her on the street — and she tells me she still finds that side of fame difficult.

Staying human

She says: “I value my time in just taking a walk, I really do. It’s important to me and it helps me balance everything else. The guy was sweet and I loved his freckles but being stopped in the street is not easy for me.

“Yes, 26 years later, I’m still working on it. I get good advice about it. My mentors tell me the value of maintaining the private self and staying human.

“When people put you on a pedestal it’s a very dangerous game and it’s not the game I play.”

When Scott emerged in 2000 as the voice in neo-soul, blending R&B, jazz, soul and spoken word, she found the spotlight overwhelming.

“It was terrifying and exciting,” she says with a smile. “I had a good two or three weeks where I was like, ‘This is so fun’. And then it didn’t stop.

“People were driving by my house playing the album at full capacity at three o’clock in the morning.

“I don’t want to sound ungrateful, because that’s not where I live — I live in grace and gratefulness all the time.

“It just was never my priority. I see people who are far more famous than me, and God bless them, but balance really matters to me. I’m a writer first, I just happen to sing.

“I have to be human and recognise how flawed I am and how much I’m working through things and honouring myself in all the things.

`’So, my goal is to be grand and gracious and have patience with other people. And when I can’t, I go into the house. That’s how I live.”

I think as a society, we’re holding on to a lot of people that don’t benefit our lives.

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Jill Scott

Pay U On Tuesday is a fun song which Scott says: “Comes from being exhausted of family members who I used to be friends with that just don’t value the same things.”

It’s a direct song which even comes with a disclaimer (in the form of a track called Disclaimer) before it.

She laughs and says: “Oh yes there’s a disclaimer. But cutting ties is sometimes needed.

“Maybe they’re not ready to be respectful now, but I think as a society, we’re holding on to a lot of people that don’t benefit our lives.

“What I’ve learned in these 53 years is that I love when the people around me bloom and I want to continue to bloom.

“This album has been brought to you by education for your home. For your family.

“I definitely don’t like being perimenopausal. That’s not fun. It’s made certain things a lot more challenging, like staying fit, and sometimes you don’t sleep and a dress doesn’t fit but I count on the joys.

“I’m a big advocate for a book called The Celestine Prophecy, which reminds me to constantly look for beauty.”

Growing up in North Philadelphia, “Jilly from Philly” says she owes her positivity and happy childhood to her mother and grandmother. “My mother showed me art and creativity and I’m grateful,” she tells me.

Although there was a lot of drugs and violence around her, she also saw “kind and beautiful-spirited people” — and that spirit is at the heart of the track Norf Side.

“It’s a celebration of the place,” she says.

For that song, she wanted another voice from North Philly and her son Jett suggested Tierra Whack, a brilliant MC and remarkable poetess. “We are both a reflection of that place,” she says.

Scott, who has a charitable foundation in North Philadelphia which has been sending kids to camp and to college for more than 20 years, says she could have made an album about what’s going on in the US politically but chose a theme of personal revolution over performative outrage and political frustration.

‘Joy, passion, rage’

“I think that’s another album,” she says. “Right now, I’m really focused on growth and healing — the human stuff.

“Then maybe there will be the kind of revolution that this kind of turmoil deserves.”

On the death of mum-of-three Renee Good, who was shot by an Immigration and Customs Enforcement (ICE) agent in Minneapolis last month, she says: “This has been going on in the United States for longer than my whole life — it’s not new.

“It just happened to happen to a Caucasian woman so the world is shaken and they’re seeing it.”

Making a name for herself in acting as well as music and poetry, she has starred in 2007 comedy Why Did I Get Married? and TV series The No1 Ladies’ Detective Agency.

Scott says she is taking her time when it comes to choosing her next role, paying close attention to both the director and the writing.

Live performance, however, is non-negotiable. “I will be touring. That is a fact.”

For now, the focus is firmly on this record. “I just want people to come back and listen to it again and again,” she says.

“I’ve sprinkled levels of joy, frustration, passion and even rage. When that last chord plays, I want people to sit with it — and then start all over again. Each time, there’s something new.”

• To Whom This May Concern is out on February 13.

JILL SCOTT

To Whom This May Concern

★★★★★

Who is in the squads?

England

Forwards: Ollie Chessum (Leicester Tigers), Arthur Clark (Gloucester), Alex Coles (Northampton), Luke Cowan-Dickie (Sale), Chandler Cunningham-South (Harlequins), Tom Curry (Sale), Theo Dan (Saracens), Trevor Davison (Northampton), Ben Earl (Saracens), Greg Fisilau (Exeter), Ellis Genge (Bristol), Jamie George (Saracens), Joe Heyes (Leicester), Maro Itoje (Saracens), Emmanuel Iyogun (Northampton), Guy Pepper (Bath), Henry Pollock (Northampton), Bevan Rodd (Sale) Vilikesa Sela (Bath), Sam Underhill (Bath).

Backs: Henry Arundell (Bath), Seb Atkinson (Gloucester), Elliot Daly (Saracens), Fraser Dingwall (Northampton), Immanuel Feyi-Waboso (Exeter), George Ford (Sale Sharks), Tommy Freeman (Northampton), George Furbank (Northampton), Alex Mitchell (Northampton), Cadan Murley (Harlequins), Max Ojomoh (Bath), Henry Slade (Exeter), Marcus Smith (Harlequins), Ben Spencer (Bath Rugby), Freddie Steward (Leicester), Jack van Poortvliet (Leicester).

France

Forwards: Dorian Aldegheri, Uini Atonio, Hugo Auradou, Cyril Baille, Paul Boudehent, François Cros, Alexandre Fischer, Thibaud Flament, Jean-Baptiste Gros, Mickaël Guillard, Oscar Jegou, Anthony Jelonch, Maxime Lamothe, Julien Marchand, Temo Matiu, Peato Mauvaka, Emmanuel Meafou, Régis Montagne, Rodrigue Neti, Lenni Nouchi, Charles Ollivon, Dany Priso, Thomas Staniforth, Tevita Tatafu, Cameron Woki.

Backs: Grégoire Arfeuil, Théo Attissogbe, Louis Bielle-Biarrey, Fabien Brau-Boirie, Romain Buros, Thibault Daubagna, Nicolas Depoortere, Gaël Dréan, Antoine Dupont, Kalvin Gourgues, Aaron Grandidier-Nkanang, Matthieu Jalibert, Yoram Moefana, Noah Nene, Thomas Ramos, Baptiste Serin, Ugo Seunes.

Ireland

Forwards: Tom Ahern (Munster), Finlay Bealham (Connacht), Tadhg Beirne (Munster), Jack Boyle (Leinster), Thomas Clarkson (Leinster), Jack Conan (Leinster), Caelan Doris (Leinster, captain), Edwin Edogbo (Munster), Tadhg Furlong (Leinster), Ronan Kelleher (Leinster), Jeremy Loughman (Munster), Joe McCarthy (Leinster), Michael Milne (Munster), Tom O’Toole (Ulster), Cian Prendergast (Connacht), James Ryan (Leinster), Dan Sheehan (Leinster), Tom Stewart (Ulster), Nick Timoney (Ulster), Josh van der Flier (Leinster).

Backs: Bundee Aki (Connacht), Robert Baloucoune (Ulster), Harry Byrne (Leinster), Craig Casey (Munster), Jack Crowley (Munster), Nathan Doak (Ulster), Tom Farrell (Munster), Ciaran Frawley (Leinster), Jamison Gibson-Park (Leinster), Hugo Keenan (Leinster), James Lowe (Leinster), Stuart McCloskey (Ulster), Tommy O’Brien (Leinster), Jamie Osborne (Leinster), Sam Prendergast (Leinster), Garry Ringrose (Leinster), Jacob Stockdale (Ulster).

Scotland

Forwards: E Ashman (Edinburgh), J Bayliss (Bath), M Bradbury (Edinburgh), G Brown (Glasgow), D Cherry (Vannes), S Cummings (Glasgow), A Craig (Glasgow), R Darge (Glasgow), J Dempsey (Glasgow), F Douglas (Edinburgh), M Fagerson (Glasgow), Z Fagerson (Glasgow), G Gilchrist (Edinburgh), J Gray (Bordeaux Bègles), N McBeth (Glasgow), L McConnell (Edinburgh), E Millar Mills (Northampton), D Rae (Edinburgh), J Ritchie (Perpignan), P Schoeman (Edinburgh), R Sutherland (Glasgow), G Turner (Harlequins), M Williamson (Glasgow)

Backs: F Burke (Saracens), J Dobie (Glasgow), D Graham (Edinburgh), A Hastings (Glasgow), G Horne (Glasgow), R Hutchinson (Northampton), H Jones (Glasgow), T Jordan (Bristol), B Kinghorn (Toulouse), S McDowall (Glasgow), F Russell (Bath), K Rowe (Glasgow), O Smith (Glasgow), K Steyn (Glasgow), S Tuipulotu (Glasgow, capt.), D Van der Merwe (Edinburgh), B White (Toulon)

Wales

Forwards: K Assiratti (Cardiff), A Beard (Montpellier), L Belcher (Cardiff), J Botham (Cardiff), R Carre (Saracens), B Carter (Dragons), O Cracknell (Leicester), H Deaves (Ospreys), R Elias (Scarlets), T Francis (Provence), A Griffin (Bath), D Jenkins (Exeter), D Lake (Ospreys, capt.), A Mann (Cardiff), J Macleod (Scarlets), T Plumtree (Scarlets), N Smith (Leicester), G Thomas (Ospreys), F Thomas (Gloucester), A Wainwright (Dragons)

Backs: J Adams (Cardiff), S Costelow (Scarlets), D Edwards (Ospreys), J Evans (Harlequins), M Grady (Cardiff), K Hardy (Ospreys), G Hamer-Webb (Leicester), J Hawkins (Scarlets), L Hennessey (Bath), E James (Scarlets), E Mee (Scarlets), R Morgan-Williams (Ospreys), B Murray (Scarlets), L Rees-Zammit (Bristol), T Rogers (Scarlets), B Thomas (Cardiff), O Watkin (Ospreys), T Williams (Gloucester)

Who are the referees?

France vs Ireland – Karl Dickson
The only referee to have been appointed to two Six Nations fixtures in 2026 in a clear statement of who the authorities believe is top of their game as things stand. Dickson, the Englishman who refereed last season’s Prem final between Bath and Leicester, has been a mainstay on the international circuit for some time and has risen through the ranks to become one of the sport’s top officials. If Australia made the 2027 World Cup final and England did not, Dickson’s name would be in the mix.

Italy vs Scotland – Ben O’Keeffe
A strategic appointment. O’Keeffe refereed France’s quarter-final exit to South Africa in Paris at the last World Cup and, after his performance was met by vitriol by both players and public, has not officiated Les Bleus since. When that will be – perhaps never – only time will tell. The shame is that the New Zealander has become one of the top five referees in the world, even if he is a touch lax at the breakdown and the scrum.

England vs Wales – Pierre Brousset
France’s crop of officials is not what it once was – indeed, former Test referees Mathieu Raynal and Romain Poite are trying to turn that around – but Brousset sits on top of the tree. Question marks remain as to whether the Frenchman has the temperament and communication for the top level and, in truth, this match might not provide too many answers given the likelihood of a comfortable English victory. He will be refereeing consecutive Tests for England, however, having overseen the narrow autumn victory over Argentina.

Scotland vs England – Nika Amashukeli
A mainstay now at Test level and the only regular “tier one” referee from a “tier two” nation. The Georgian has developed into one of the world’s pre-eminent referees and, along with Angus Gardner and Karl Dickson, would appear as a front-runner for the World Cup final in 2027 – especially since it would be miraculous were Georgia to make it. Amashukeli refereed England against Australia in the autumn as well as the Wallabies’ third Test against the Lions last summer.

England vs Ireland – Andrea Piardi
One of the games of the championship, with a referee appointed whose rise has been rapid. The name of Andrea Piardi will not have meant much to rugby fans two seasons ago but the Italian has grown into one of European and global rugby’s most trusted officials. Piardi had an excellent match as England defeated New Zealand at Twickenham last November while he received plaudits for the way in which he handled the decisive second Test of last summer’s British and Irish Lions tour in Australia.

Italy vs England – Luc Ramos
Ramos took charge of two autumn Tests, both obliterations – Scotland against Tonga and South Africa’s visit to Wales – so the Frenchman will be hoping for something slightly more competitive at the top level in the Six Nations. He will probably get it, too; England will arrive in Rome as hot favourites but the Azzurri are always far more concentrated, organised and dangerous at home.

France vs England – Nic Berry
Given the bookmakers reckon this could be a title – or, even, Grand Slam – decider, what responsibility could lie on the shoulders of Berry, the Australian who has bounced back after the disgraceful treatment he received at the hands of Rassie Erasmus on the 2021 Lions tour. It is a measure of the man that he has bounced back so effectively, and if anything could prepare a referee for the pressure that might come in Paris, it may well have been the events of 2021. He took charge of New Zealand’s narrow victory over Scotland in November.

Who won the Six Nations in 2025?

France are the defending champions for the Six Nations, having beaten England by a single point last year. They won four of their five games, only losing to England at Twickenham by one point.

A huge scene was put in place following the fatal crash on Bury New Road

A woman was tragically killed after being hit by a car in a horror crash on Bury New Road on Thursday night (February 5). Police and paramedics raced to the scene near Prestwich following reports of the collision.

The main road was taped off in both directions while officers from the Serious Collision Unit attended the scene to conduct enquiries.

A large cordon was put in place between Scholes Lane and Butterstile Lane following the fatal crash.

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It was confirmed a pedestrian, a woman, was pronounced dead following the crash. Her age has not yet been confirmed.

It’s understood a suspect has since been arrested on suspicion of causing death by dangerous driving and remains in custody to be questioned overnight.

Pictures from the scene showed a huge police response, with a number of ambulances also in attendance. A blue forensic tent was also erected at the roadside amid ongoing enquiries.

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Greater Manchester Police have been contacted for a full statement.