The best sci-fi shows often come from the best sci-fi authors. The genre has no bounds, exploring whether technology could advance beyond imagination or how far humanity itself might evolve in the future. However, the greatest sci-fi works are usually the ones that ring closest to real-life issues. No matter how many years pass, what kinds of governments rise and fall, or how advanced science becomes, the human conflict between right and wrong remains timeless and universal.

Sci-fi only complicates this further with scientific logic, which is notoriously objective. But when that logic crashes into something as philosophical, intangible, and subjective as morality, things get messy fast. That tension is exactly what makes the genre so fascinating in the first place, and the authors below excel in that department. With that in mind, here are the sci-fi shows based on books that are true masterpieces.

‘The Expanse’ (2015–2022)

Image via Prime Video

The Expanse, both the show and the novel series, is larger than life. The six-season series is based on James S. A. Corey’s nine novels, as well as additional source material from their short stories and novellas. It is the reason why The Expanse, true to its name, continues to stretch across the universe. Set in the 23rd century, humans have colonized the Solar System. Earth is governed by the United Nations, while Mars has become an independent military power.

As for ordinary working-class people, they are the Belters — those who live and work in the asteroid belt — who make ends meet by supplying essential resources like water to the inner planets. Although technology has advanced and space colonization is now the norm, war remains much the same, as Earth and Mars constantly watch each other’s backs, wary that the other might strike first. But if there is one thing about war, it is that there is always a third party lurking in the shadows of the universe, looking to profit from the chaos.

‘Altered Carbon’ (2018–2020)

Image via Netflix

Immortality is no longer an impossibility in Altered Carbon. In a future society (about 360 years ahead in the show’s adaptation), humans have developed a form of digital immortality using cortical stacks implanted in the spine, allowing them to store a person’s consciousness. When the physical body dies, the stack is preserved and transferred into a new body, or “sleeve.” In this way, the mind can potentially live forever.

Sci-fi often explores technologies that challenge the rules of nature, and Altered Carbon is no exception. However, this technology comes with deep moral implications, giving both the series and the novel strong nuance. For some, immortality is seen as playing God, which in the book is strongly opposed by religious groups such as the Roman Catholics, as it contradicts sacred teachings. Much like in real life, this kind of technology is also unequally distributed, reserved mainly for the wealthy, while the working class remains disposable.

‘The Man in the High Castle’ (2015–2019)

Image via Prime Video

The Man in the High Castle imagines an alternate reality where Nazi Germany and Imperial Japan win World War II, dividing the United States between them. By 1962, the East Coast is controlled by the Nazis, the West Coast is occupied by Japan, and the middle of the country exists as unstable Neutral Zones filled with fugitives and resistance groups. When resistance fighters come across mysterious films depicting an alternate reality where the United States actually won the war, the fascist regimes launch a massive manhunt to destroy the films.

Without a doubt, fascist powers are inherently evil. However, The Man in the High Castle provocatively explores the individuals living under these regimes rather than focusing solely on the system itself. Characters like the American-born but Japanese-culture-assimilated resistance fighter Juliana Crain (Alexa Davalos) and the pacifist Japanese trade minister Nobusuke Tagomi (Cary-Hiroyuki Tagawa) reveal the nuances of living in this alternate universe.

‘The Handmaid’s Tale’ (2017–2025)

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Set in the dystopian republic of Gilead, The Handmaid’s Tale follows June Osborne (Elisabeth Moss), a woman stripped of her freedom after a religious authoritarian regime seizes control of the United States. With fertility rates collapsing worldwide, fertile women are forced into servitude as “Handmaids,” assigned to bear children for powerful officials. Renamed Offred, June struggles to survive a brutal society that treats women as property while desperately holding onto hope of reuniting with her husband and daughter.

Reproductive rights remain a pressing issue worldwide, with lawmakers dictating deeply personal matters such as abortion and Planned Parenthood. The Handmaid’s Tale reimagines these anxieties to terrifying yet believable extremes, where women are only seen from their capacity to bear children rather than their minds. The series also shows how class determines how women are treated. High-ranking women married to commanders do not face the same repercussions as the Handmaids, proving that women’s rights are never experienced equally across different social classes.

‘Dark Matter’ (2024–Present)

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Rule number one of sci-fi: never mess with alternate realities. Dark Matter follows Jason Dessen (Joel Edgerton), a genius yet humble Chicago physics professor living a quiet family life with his wife and son. His world changes overnight when he is abducted and wakes up in an alternate reality where he chooses scientific ambition over family and becomes a celebrated scientist. There, he discovers that another version of himself created technology capable of traveling between parallel universes.

Dark Matter explores the theory of superposition through a parallel-universe story centered on “the Box,” a quantum gateway connecting countless alternate realities. While one version of Jason abandons the idea, his alternate counterpart successfully builds the machine, though at a moral cost. Sometimes, the pursuit of science is worth questioning, especially when it begins to cross ethical boundaries. Each jump across these realities destabilizes reality itself, threatening the potential collapse of the universe.

‘Silo’ (2023–Present)

In Silo, set on a desolate Earth where stepping outside could mean instant death, the last remnants of humanity have been herded into one massive underground silo. Nobody knows exactly when or why the silo was built, but questioning it is forbidden. To keep the silo functioning, its inhabitants are divided into three main classes: the Upper Levels are reserved for bureaucratic elites, the Middle Levels for ordinary workers and businesses, and the Down Deep for mechanics, engineers, and laborers.

Ironically, the people of the Down Deep are the literal heartbeat of the silo. Yet despite performing the most grueling work, they are often looked down upon and rarely given the chance to rise to higher levels — something that resonates with actual workers in real life. However, in this society, questioning authority leads to grave consequences. Anyone who dares challenge the system is sent outside to “clean” the exterior cameras — never to return alive.

‘3 Body Problem’ (2024–Present)

Image via Netflix

3 Body Problem is what happens when physics, aliens, and politics collide into the ultimate hard sci-fi experience. Spanning multiple timelines, the story begins during China’s Cultural Revolution, when a young astrophysicist branded a political dissident becomes involved in a secret military radio project. Decades later, scientists around the world begin mysteriously taking their own lives, while a nanotechnology expert starts seeing an unexplained countdown visible only to him.

The mystery behind the countdown drives the momentum of 3 Body Problem, but its scientific foundation is what makes the series especially compelling. The story draws inspiration from the real-life “three-body problem,” which explores how difficult it is to predict the movement of three massive celestial bodies, such as stars or planets. In the series, an alien civilization orbiting three suns faces extreme and unpredictable environmental disasters, turning their world into a cycle of apocalyptic destruction, forcing them to retreat to Earth.

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3 Body Problem

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Release Date

March 21, 2024

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Minkie Spiro, Derek Tsang

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Dua Lipa has launched a massive legal battle against Samsung, alleging that the company used her likeness to market its products without her consent.

The pop star claims that the tech giant ignored multiple warnings to stop using a specific photograph of her on their television packaging.

However, fans have slammed the singer’s lawsuit as a weak attempt to gain more money out of financial desperation. 

Lipa is seeking at least $15 million in damages from Samsung, alleging that the company featured her face on TV boxes sold across the United States without her permission.

According to the lawsuit filed on May 8, the image in question is a copyrighted photo titled “Dua Lipa – Backstage at Austin City Limits, 2024.” 

The singer’s legal team argued that this marketing tactic falsely implies she endorses the television, leading customers to believe she is affiliated with the brand. The filing even highlighted social media posts from fans who admitted they purchased a TV specifically because they saw the 30-year-old Grammy winner on the box, per People Magazine.

In addition to the initial use of the photo, the complaint alleges that Samsung acted in a “dismissive and callous” manner when confronted. Lipa’s representatives reportedly sent several cease-and-desist letters starting around June 2025, yet the televisions featuring her face allegedly remain on the market. 

Her attorneys insisted that Samsung purposefully exploited her fame and brand recognition to drive their own commercial success.

Fans Are Not Buying Into Dua Lipa’s Lawsuit

The news of the $15 million lawsuit has generated a wave of strong, conflicting opinions online, with some fans criticizing the legal action as an excessive move for a celebrity of Lipa’s stature. 

One social media user wrote, “This is so frivolous, but yes, they did use her entire face as the largest visual on the packaging to sell their product… she absolutely should be paid. 

Another critic even joked that the singer might be acting out of financial desperation, suggesting her “vacation money” was running low.

Yet, another user wrote, “I do not believe a single person exists that chooses to buy that TV because the ad on display had Dua Lipa’s face lol.” 

On the other hand, a small part of the audience believes the star is entirely justified in her legal pursuit.  “If a billion-dollar company can use your face without permission, imagine what they’ll do to ordinary people. Protecting image rights matters,” the user wrote. 

Inside Dua Lipa & Callum Turner’s Altercation With The Paparazzi

Lipa’s struggle to maintain her boundaries with corporations like Samsung is mirrored in her daily life with the paparazzi. In February, a romantic evening in Paris for Lipa and Callum Turner turned into a chaotic ordeal when they were swarmed by aggressive photographers. 

As the couple attempted to leave Le Voltaire restaurant, they were met by a crowd of paparazzi who ignored their requests for space. 

The Blast reported that Turner was seen on video appearing visibly frustrated and telling individuals off-camera that the situation was “not okay.” Lipa was equally distressed, shielding her face with one hand while holding Turner’s hand with the other as she tried to walk away. 

The situation became so frantic that Lipa nearly bumped into a pole while trying to escape the flashing lights and shouting. Afterward, fans online rushed to the singer’s defense when video of the encounter went viral, with many describing the photographers’ behavior as outright harassment. 

What Dua Lipa Said About Her Future Motherhood Plans

While Lipa remains protective of her current personal space, she has also contemplated the future and the life she hopes to build with her significant other. In a candid interview, the singer addressed the prospect of starting a family, confirming that she would love to have kids one day. 

However, she admitted that the logistical realities of balancing a massive global career with motherhood are a source of constant thought and concern. She questioned how motherhood would fit into her demanding schedule, particularly how long she would need to step away from work and how she would manage being on tour.

Despite her concerns about her professional life, the Albanian native remains optimistic about the future milestone, stating that it will “happen when it happens,” per The Blast.

Dua Lipa Defended Her Controversial Wedding Attire

Whether she is debating the logistics of her future or defending her past choices, Lipa has consistently stood by her decisions regardless of public opinion. 

This same independent spirit was on display when she addressed the long-standing controversy surrounding her choice of the sheer white dress she wore to the wedding of designer Simon Porte Jacquemus and Marco Maestri. 

The outfit had caused a significant stir because it was both white and quite revealing, leading many to criticize her for breaking traditional wedding guest etiquette.

As The Blast reported, Lipa explained that the dress code for the event was specifically white and that she was far from the only person following those instructions.

The fantasy genre was on its deathbed by 1999. Indeed, things were outright dire by the decade’s second half, with hardly any movies taking off outside of the animated realm. Sure, there were still masterpieces by Princess Mononoke, but overall, the likes of Hercules couldn’t live up to the greatest gems produced throughout the early days of the Disney Renaissance. Then 2001 came along, and everything changed.

It wouldn’t be an overstatement to say 2001 was one of the greatest years for fantasy in the new millennium, if not the best. At least three certified masterpieces came out throughout those precious twelve months, two of which revitalized the dying genre and revolutionized cinema as a whole. Today, twenty-five years later, the best fantasy movies of 2001 are more revered than ever before. They have aged like fine wine, not only for their importance to the medium, but for their stellar quality as motion pictures.

‘Monsters, Inc.’

Image via Pixar Animation Studios

Pixar Animation Studios began the new millennium with a lovely adventure about friendship and self-discovery that proved they could do much more than just Toy Story. Monsters, Inc. is set in a world where children’s screams power a huge, monster-populated city. James P. Sullivan (John Goodman) and his sidekick, Mike Wazowski (Billy Crystal), are the top-performing duo at Monsters, Incorporated, the monster world’s largest scare factory. Things change when the two-year-old human girl Boo (Mary Gibbs) accidentally finds her way to the monster world, throwing Sully and Mike’s lives into disarray.

Like most other great Pixar movies, Monsters, Inc. thrives through a combination of a creative narrative, a powerful emotional core, stunning animation, and a memorable screenplay full of quotable lines and now-iconic gags. Sully and Mike are among Pixar’s most emblematic characters and one of cinema’s best depictions of friendship. However, it’s Sully’s bond with Boo that becomes the strongest aspect of this delightful monster comedy. For a movie aimed at children, Monsters, Inc. deals with some very profound issues, including corporate greed, prejudice, and the healing power of laughter as a force for good. A now-famous and very bittersweet ending is the cherry on top of this monstrously crafted cake.

‘Harry Potter and the Sorcerer’s Stone’

Image via Warner Bros. Pictures

Harry Potter was arguably the defining franchise of the 2000s. Progressing and maturing along with the decade, the tale of the Boy Who Lived is responsible for an entire generation’s love for the fantasy genre. The first entry, 2001’s Harry Potter and the Sorcerer’s Stone, introduces us to eleven-year old Harry Potter (Daniel Radcliffe), an orphan living with his abusive uncles. One day, he learns he’s actually a wizard and can attend Hogwarts School of Witchcraft and Wizardry, where he meets and becomes friends with Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson). While attending classes and facing new and daunting tasks, Harry learns of his backstory and his role in bringing down the dark wizard Lord Voldemort.

The Harry Potter movies produced one of cinema’s most enduring fantasy worlds — never before had so many wanted to receive a letter via owl. The highlight of the series is undoubtedly the third entry, 2004’s Harry Potter and the Prisoner of Azkaban, but there’s such an enchanting value to the first entry. Out of them all, Harry Potter and the Sorcerer’s Stone is the one that feels most inviting and wholesome. It has to do with it being the introductory chapter to this story, but it’s also thanks to the distinct childlike approach that director Chris Columbus takes to the story. Hogwarts feels like a place straight out of the wildest child fantasies, full of whimsy and danger, but always warm and irresistible. The saga would become something darker and more mature as it progressed, but the first movie remains a timeless triumph that marked an entire generation.

‘Shrek’

The worlds of fantasy and animation forever changed in 2001, thanks to the release of Shrek. Based on the 1990 children’s book Shrek! by William Steig, the film stars Mike Myers as the titular character, a cantankerous ogre whose swamp is suddenly flooded by a myriad of fairy tale characters banned by the despotic Lord Farquaad (John Lithgow). Joined by a talking Donkey (Eddie Murphy), Shrek strikes a deal with Farquaad: he’ll travel to a distant tower and rescue Princess Fiona (Cameron Diaz) so she can marry Farquaad, in exchange for his swamp.

Shrek subverted the classic fantasy notions and fairy tale tropes through a modern and edgy humor, including anachronistic references, pop culture jokes, and an overall 21st-century approach to what would otherwise be a classic romance adventure. Myers, Diaz, Murphy, and Lithgow are incredible in their voice roles, with Murphy even earning a BAFTA nomination for Best Supporting Actor at the 2002 ceremony (one of the coolest things BAFTA has ever done, by the way). In terms of narrative, Shrek is simply amazing, full of hilarious and witty jokes, double-entendres, and subversions of classic fairy tale characters and settings. The film truly felt like a breath of fresh air in 2001, and its success led to a wildly successful franchise that endures to this day — the long-awaited fifth movie will debut in 2027. Moreover, Shrek won the inaugural Oscar for Best Animated Feature.

‘Spirited Away’

Image via Studio Ghibli

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Studio Ghibli has been producing masterpieces since the ’80s, but it reached a whole new peak in the 2000s, largely thanks to Spirited Away. Hayao Miyazaki‘s timeless fantasy masterpiece tells the story of Chihiro (Rumi Hiiragi/Daveigh Chase), a young girl whose parents are transformed into pigs after they inadvertently enter the spirit world and overindulge in food. To save them, Chihiro secures employment in the bathhouse of the witch Yubaba (Mari Natsuki/Suzanne Pleshette), where she will lose her name and will need to rediscover herself.

A mystical coming-of-age journey that stands as arguably Studio Ghibli’s crowning jewel, Spirited Away is a masterpiece that has only gotten better with age. The film’s messages about strength, self-discovery, consumerism, and the road to maturity blend beautifully with the story’s larger exploration of Japanese culture, mysticism, and spirituality. As with most other Miyazaki movies, there’s also a considerable dose of environmentalist themes here. The result is a true work of art that keeps resonating with audiences. Spirited Away brought Japanese cinema to a new international level of acclaim and established Ghibli as a singular force in animation. Released in the U.S. in 2002, the film won the second-ever Oscar for Best Animated Feature, ensuring its legacy as a titan of the medium.

‘The Lord of the Rings: The Fellowship of the Ring’

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No franchise in the 2000s had a better commercial or critical reception than Sir Peter Jackson‘s Lord of the Rings trilogy. Based on the seminal novels by J.R.R. Tolkien, the trilogy adapted the three most important and influential fantasy books of the 20th century into three equally revolutionary movies. The first entry, 2001’s The Lord of the Rings: The Fellowship of the Ring, tells the story of young hobbit Frodo Baggins (Elijah Wood), who inherits from his uncle a mysterious ring with a strange power. Learning it is the dreaded One Ring, Frodo and a group of companions, calling themselves the Fellowship of the Ring, begin a journey to destroy the One Ring in the fired of Mount Doom.

You simply can’t overstate just how massive Fellowship of the Ring was. The film created one of the most immersive and mystical fantasy worlds in cinema, throwing audiences into the middle of an intense and dangerous tale of good versus evil. At its core, the film is about how heroes can come from the most unlikely places and how small deeds can have the power to shake entire destinies. Yet, it also includes some spectacular sequences, from Arwen’s (Liv Tyler) rescue of Frodo to the magic duel between Gandalf (Sir Ian McKellen) and Saruman (Sir Christopher Lee), to the confrontation against the demonic balrog. The film is stunning to look at, with visual effects that have aged beautifully and an atmosphere that makes everything seem ancient and outside of time itself. The Fellowship of the Ring is arguably the best fantasy movie ever made, launching one of cinema’s most revered trilogies and changing the landscape of cinema forever.

For decades, Brooke Shields has been one of Hollywood’s most recognizable faces, from controversial fashion campaigns to iconic film and television roles. But behind the glamorous image, Shields says there was another side of herself the industry rarely allowed audiences to fully see. Now, as she steps back into comedy with her new mystery series “You’re Killing Me” and continues speaking openly about aging and reinvention, Brooke Shields is reflecting on the pressure she faced growing up in the spotlight and why it took decades for Hollywood to embrace her comedic side.

Brooke Shields is reflecting on the pressures she faced growing up in Hollywood, admitting the industry largely viewed her as a “sex symbol” instead of embracing her comedic side. Speaking with AARP’s Movies for Grownups about her memorable guest appearance on “Friends,” Shields said she would have loved to lean into comedy much earlier in her career.

“Believe me, I would’ve done it a couple of decades before,” she said of her over-the-top role as Joey’s obsessed stalker on the hit sitcom. “But that wasn’t what people wanted of me. They wanted me to be this, I don’t know, sex symbol … and that was fine.”

Shields Says Comedy Was Always Her Happy Place

Although Shields became famous for her provocative Calvin Klein ads as a teenager, she revealed that comedy had always been where she felt most comfortable creatively. The actress said she spent years doing sketch comedy under legendary entertainer Bob Hope during dozens of USO tours entertaining troops overseas. “Doing sketch comedy,” Shields said. “I was always happiest.”

Now at 60, Shields is once again stepping into a comedy-forward role with her new Acorn TV series You’re Killing Me. In the limited mystery-comedy series, Shields plays an “aging out” mystery novelist who teams up with a younger true-crime podcaster to solve a murder. “It’s a funny mystery series,” she explained. “And there’s a lot of physical comedy in it for me.”

Brooke Shields Is Embracing Aging Differently

Shields also opened up about aging and how her perspective on beauty has evolved over the years. While chatting with the outlet, the actress joked about trading trendy denim for vintage Levi’s. “I’ve gone back to the OGs,” she said. “Can’t do any of these new, fancy ones.”

Shields added that while she’s no longer the same size she was as a teenager, she no longer sees that as something to chase. “I’m not the same size as I was at 17, but … that’s not the goal,” she explained.

The actress recently expanded on those themes in her book, “Brooke Shields Is Not Allowed to Get Old: Thoughts on Aging as a Woman,” where she discusses aging, menopause, and the pressure women face to stay youthful.

Shields Says Menopause Conversations Were Long Overdue

According to Shields, conversations surrounding menopause were ignored for far too long, even within the medical community. “Doctors weren’t even educated about it,” she said. “They never learned about it.”

Since releasing her book, Shields said she has been overwhelmed by women thanking her for speaking openly about topics many previously felt uncomfortable discussing publicly. “People say to me, ‘Oh my God, thank you for having these discussions,’” she shared. “It’s in the zeitgeist now.”

Brooke Shields Says Family Life Looks Different These Days

Away from Hollywood, Brooke Shields says life at home with husband Chris Henchy has settled into a much quieter rhythm. The actress revealed that when they’re off the clock, Henchy usually handles dinner while she enjoys relaxing hobbies like needlepoint. But when daughters Rowan Henchy, 22, and Grier Henchy, 20, are home, the atmosphere quickly shifts back into family mode with backgammon games and long conversations.

Shields also admitted that becoming an empty nester ended up being easier than she initially feared. “The empty nest syndrome was not as painful as I thought it was going to be,” she shared, before joking, “I only had two years of it.”

While Rowan is currently back home, Grier is away at college, though Shields said her youngest daughter initially acted nervous about leaving. “When [Grier] went to college, she said, ‘I’m going to want to come back…. I don’t want to leave you,’” Shields recalled with a laugh. “Within two weeks, I could barely get her on the phone.”

As Shields approaches her 61st birthday later this month, the actress says she’s embracing this stage of life with humor and a willingness to laugh at herself along the way.

Everyone has heard of Goblin, and most K-drama fans have seen The King: Eternal Monarch. But romantasy—romance wrapped in magic, fate, and impossible worlds—is far more popular than the usual hits. There are many hidden gems and brilliant series in this particular K-drama landscape that are also worth watching. If you’re a fan who wants to swoon while also discovering new content, you’re in the right place.

Some of the best romantasy dramas out there feature gender-bending princes, cursed immortals, mermaids, demon-possessed scholars, and dream-prophesying prosecutors, elevating the supernatural elements and heartfelt romances they find themselves in. Whether you’re a long-time sageuk lover or a modern fantasy fan, these must-watch K-dramas for romantasy fans will remind you why this genre is so easily addictive.

‘The King’s Affection’ (2021)

Image via KBS2

The King’s Affection is a gender-bending sageuk and though it’s not technically a fantasy, its premise has a “what if” that feels entirely magical, hypothesizing the fate of different-gendered twins and fantastical kings. Park Eun-bin delivers a career-defining performance, balancing royal authority with fragility. Her romance with Rowoon‘s character is tender, if not angsty, and somewhat complex due to a hidden identity element. The King’s Affection won the International Emmy Award and is widely praised for its emotional depth; it was based on the manhwa Yeonmo, which introduces the plot as a hypothesis that a secret king existed between two well-known kings who ruled one after the other throughout history.

The King’s Affection begins with Crown Prince Lee Hwi of Joseon dying in a tragic accident; his twin sister, Dam-yi (Park), who was exiled after being sentenced to death as a child, returns and is persuaded by their grandmother to secretly take Lee Hwi’s place. Dam-yi agrees, and for years she leads a double life, studying, ruling, and concealing her true identity from everyone, including her father, the king. While portraying the crown prince, she falls for her royal tutor, Jung Ji-woon (Rowoon), a bright and kind-hearted man, but he seems to see something hidden in this version of Lee Hwi. Their forbidden romance grows as Lee Hwi fights to protect her secret, navigate murderous court politics, and eventually claim the throne. Not fully fantastic, but still a romance to fantasize about.

‘The Legend of the Blue Sea’ (2016–2017)

Image via SBS TV

The Legend of the Blue Sea is a romantic fantasy series, but many fans also find it to be a great comedy. The film features a talented cast, including Jun Ji-hyun and Lee Min-ho, and is set in a stunning fantasy world. It’s pure, joyful, and romantic; Jun’s portrayal of the mermaid is both hilarious and heartbreaking, and Lee’s performance is particularly charming. The show has a dual timeline that alternates between Joseon and present day, which adds emotional depth to the main romance; there is also a lot of underwater cinematography, which is absolutely stunning and adds to the fantasy narrative’s magical quality.

The Legend of the Blue Sea follows Shim Cheong (Jun), a mermaid caught in a fisherman’s net, who is rescued by Heo Joon-jae (Lee), a charming con artist who initially intends to steal from her. Cheong has magical abilities, a childlike innocence, and a tragic relationship with Joon-jae’s Joseon-era doppelgänger. As she adjusts to life on land, the two gradually discover their shared history and fight to end a centuries-old curse. The show also features Shin Hye-sun (Mr. Queen) and Lee Ji-hoon (Rookie Historian Goo Hae-ryung).

‘Lovers of the Red Sky’ (2021)

Image via SBS TV

Lovers of the Red Sky is a stunning and underappreciated sageuk with a strong fantasy theme. The visuals and cinematography are stunning, resembling traditional Korean ink paintings, and the romance is truly epic, depicting two wounded people bound by fate, magic, and a love that defies the curses placed upon them. Kim You-jung delivers a stunning performance, while Ahn Hyo-seop embraces both his masculine and gentle sides. The show’s pacing keeps you hooked from beginning to end. Lovers of the Red Sky was inspired by Jung Eun-gwol‘s novel of the same name, which features the only female painter of the Korean Royal Academy mentioned in historical records.

Lovers of the Red Sky is set in a fictional equivalent of the Joseon kingdom called Dan and follows a female painter named Chun-gi (Kim You-jung), who was born blind and regained her sight after a shaman performed a rain-summoning ritual. Chun-gi’s world collides with that of Ha Ram (Ahn Hyo-seop), a blind astrologer who lost his sight during the same rain ceremony and is now possessed by a demon; when they both realize their fates have been sealed by an ancient ritual intended to imprison a powerful evil god since childhood, they begin collaborating to break a mysterious curse, and their intense, star-crossed romance unfolds against a backdrop of court intrigue and magical mythology. Lovers of the Red Sky is a beautifully crafted romantic fantasy, with each frame serving as a painting.

‘Live Up to Your Name’ (2017)

Image via tvN

Live Up to Your Name (also known as Deserving of Your Name) is a fantasy sageuk that combines medical drama, comedy, and slow-burn romance. Kim Nam-gil delivers a charismatic and hilarious performance, while Kim Ah-joong portrays a strong yet vulnerable modern doctor. The show’s treatment of time travel is clever, and it’s a true hidden gem because it’s one of the few in which someone from the past travels to the present rather than vice versa. Most time travel shows feature modern characters traveling back in time; however, this Korean drama defies this convention, showing us a fish-out-of-water scenario with a man who is propelled forward through time.

Live Up to Your Name follows Heo Im (Kim Nam-gil), a talented but underappreciated acupuncturist in 17th-century Joseon. After a near-death experience, he is transported to modern-day Seoul and meets Choi Yeon-kyung (Kim Ah-joong), a driven and skeptical cardiothoracic surgeon who believes only in Western medicine. Their worlds collide—needles vs. scalpels, tradition vs. science—but as they collaborate to save lives, a deep respect and romance develop. As they keep slipping between past and present, they’re increasingly entangled in a time-travel conspiracy; a K-drama without a thrill-seeking element, particularly one that transports us back and forth through time, is nearly impossible to find. Don’t look for it, but check out Live Up to Your Name instead.

‘My Love from the Star’ (2013–2014)

Image via SBS TV

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My Love from the Star is the romantic fantasy that started the modern K-drama wave within the romantasy genre and overall. Kim Soo-hyun and Jun Ji-hyun‘s chemistry is electric, and the show is a perfect blend of comedy, suspense, and captivating romance. Many shows continue to follow this formula, and while the K-drama landscape has evolved away from some more obvious tropes, some still feature the elements that made K-drama such a popular genre. If you’re unfamiliar with the tropes we’re referring to, My Love from the Star is the ideal show to watch and learn about them.

My Love from the Star follows Do Min-joon (Kim Soo-hyun), an alien who arrived on Earth 400 years ago during the Joseon Dynasty. He is attractive, brilliant, and wealthy, but he is also desperate to return home. In his final months on Earth, he moves next door to Cheon Song-yi (Jun Ji-hyun), a vain, loud, and wildly popular actress who isn’t in good standing within the entertainment industry. When a murder conspiracy threatens Song-yi’s life, her and Min-joon’s bickering neighbors’ routine becomes a life-or-death romance, and Min-joon realizes his purpose for being on Earth after so long. A fun fact is that the writers came up with Min-joon’s backstory after researching real-life accounts from the Joseon Dynasty, in which some people reported seeing UFOs all over the Korean Peninsula.

‘While You Were Sleeping’ (2017)

Image via SBS TV

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While You Were Sleeping is a tightly plotted fantasy romance with a memorable hook. The first episode is a masterclass in story setup, and the show rarely loses momentum after that, making it one of the best Korean series that doesn’t experience a midway slump (though this is subjective and depends on what viewers enjoy, since K-dramas have multiple appealing qualities). While You Were Sleeping also features a sweet romance between Bae Suzy and Lee Jong-suk, as well as heartwarming friendships with the third lead, Jung Hae-in. The narrative maintains a consistent and clever set of dream logic rules throughout the series, and it’s never confusing or hard to follow—meaning you can enjoy the romantic fantasy without ever losing focus. It’s, essentially, a well-made show with lots of redeeming qualities.

While You Were Sleeping follows Nam Hong-joo (Bae Suzy), a journalist with a unique ability to dream about the future and being able to prevent tragic events. Jung Jae-chan (Lee Jong-suk) is a rookie prosecutor who also begins experiencing similar prophetic dreams after meeting Hong-joo, and the duo becomes a trio when a local police officer, Woo-tak (Jung Hae-in), gains the same ability after a crash that involves all three of them. They band together to try to change fate by saving lives, apprehending criminals, and gradually falling in love. Many fans regard While You Were Sleeping as the ultimate romantic fantasy series, owing primarily to Suzy’s undeniable charm and star power.

‘Hotel del Luna’ (2019)

Hotel del Luna was written by the Hong sisters, two well-known screenwriters in the Korean drama world. The Hong sisters are responsible for some of the most well-known and successful romance series of all time, including Alchemy of Souls, Hotel del Luna, Master’s Sun, and My Girlfriend is a Gumiho. In Hotel del Luna, IU delivers a career-defining performance as the icy but vulnerable manager of the magical hotel. The show is visually stunning, with each costume a work of art, and the episodic ghost stories are deeply moving. The romance between IU and Yeo Jin-goo is a slow burn that pays off beautifully, culminating in a devastating but perfect conclusion. IU wears over 100 different outfits throughout the series, with many of them being custom-made or existing vintage pieces.

Hotel del Luna follows Jang Man-wol (IU), the cursed, glamorous, and temperamental owner of the eponymous hotel. Hotel del Luna is a mystical resting place for ghosts who aren’t ready to go to the afterlife. Man-wol, who has been confined to the hotel for over a thousand years as punishment for a terrible sin, longs for freedom but is unable to leave, so she welcomes souls and assists them in leaving when their time comes, knowing that her own may never come. When Goo Chan-sung (Yeo Jin-goo), a perfectionist hotelier who accidentally becomes the hotel’s human manager, appears, he joins forces with Man-wol to help ghosts resolve their unfinished business and uncover her buried past—all while falling in love. The ending may break your heart, but Hotel del Luna is one of the most beautiful romantic K-dramas ever made, and it’s worth watching.

‘Alchemy of Souls’ (2022–2023)

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Alchemy of Souls is an epic fantasy romance that has quickly gained a cult following, and for a good reason. The worldbuilding is rich but not overwhelming, the magic system is cleverly devised and refreshing, and the slow-burn romance is both beautiful and heartbreaking. Alchemy of Souls has 30 episodes full of twists, and the chemistry between the leads, Lee Jae-wook and Jung So-min (and Go Youn-jung), is off the charts. Interestingly, the production team constructed massive practical sets to represent the kingdom of Daeho, which cost around 5 billion Korean won (approximately $3.4 million).

Alchemy of Souls takes place in the fictional kingdom of Daeho, where powerful mages practice a forbidden spell known as “alchemy of souls,” which allows one person to transfer their soul into another’s body. Nak-su (Go Youn-jung), a legendary assassin, performs the alchemy of souls, getting her soul trapped within the frail body of Mu-deok (Jung So-min), a blind servant. She becomes the secret master of Jang Uk (Lee Jae-wook), a nobleman’s son with hidden magical abilities but no practical skills. They navigate palace politics, magical duels, and a plot to destroy the realm while falling for each other. This show is romantasy at its finest, and you’ll be captivated by its intricate world, beautiful costumes, and endearing leads.

Tamron Hall is getting real about her difficult decision to leave “The Today Show” and NBC after the network replaced her with Megyn Kelly. During a candid interview, the talk show host revealed why she left Studio 1A at Rockefeller Center in her rearview mirror, despite being offered a multimillion-dollar contract to stay with the team in a different capacity.

Speaking with Scott Evans during his famous “House Guest” series, Hall, who began co-hosting “The Today Show” in 2014, told the content creator that she learned she was being axed from the mainstage show just moments before she was set to go live.

According to Hall, 55, she received a text message from her then-agent with details of the offer. Hall said she didn’t have much time to process what was happening, but knew she had to check in with her mother for advice. “That’s the first person I text. I text my mom, and I said, ‘It’s done,’” Hall said before revealing she texted her agent back and said, “I’ll pass.”

Hall shared that she was being offered $2 million a year to take on a lesser role with the network. Her co-hosting slot was being given to Megyn Kelly.

Tamron Hall Says ‘All Money’s Not Good Money’

When Hall revealed that she had turned down a multimillion-dollar contract with NBC, the audience at Evans’ live event let out audible gasps. However, Hall made it clear that she didn’t feel she was missing out on anything.

“All money’s not good money. It’s not,” she said.

Hall went on to say that she felt even more encouraged to walk away from the show after receiving a message from her mom.

“She said to me, ‘I am so proud of you because do you know how many times we’ve had to get off the sidewalk for someone else to walk?” Hall revealed.

Hall explained that her decision to leave was also about showing other professionals who look like her that they are worth more than they may believe.

“And that day is why I turned it down,” she said. “I’m not trying to sound like I’m a sacrifice or anything … and I understood that that did not define me.”

Sources Said Tamron Hall Was ‘Furious’ About Losing Her Slot To Kelly

At the time, a source spoke with PEOPLE about Hall’s surprising exit from the long-running daytime series, and claimed Hall was allegedly “furious” and “hurt” that she was being replaced by Kelly, adding that the esteemed journalist saw the move as a “demotion.”

The insider went on to say that Hall refused to “settle for sitting on the sidelines” during the company shakeup. “She basically said thank you, but no thank you,” they added.

Kelly’s “TODAY” show slot began airing in September 2017; however, 12 months later, it was pulled from the air after the host received intense backlash for making comments many deemed inappropriate.

While speaking about higher education institutions’ attempts at stopping their students from wearing costumes some may find offensive, Kelly offered her perspective.

“But what is racist? Because truly, you do get in trouble if you are a white person who puts on blackface at Halloween or a black person who puts on whiteface for Halloween. Back when I was a kid, that was okay as long as you were dressing up as like a character,” she said.

Kelly’s NBC colleagues, including Al Roker, slammed her a day later, saying she owed people a “bigger apology” for demeaning a race. “… And that’s what the big problem is. … No good comes from it. It’s just not right,” he said.

Craig Melvin said something similar, calling Kelly’s comments “stupid” and “indefensible.”

Kelly’s Show Was Canceled