Two-thirds of the way into the season and Liverpool are closer to Brentford than Chelsea, nearer in terms of points to their neighbours Everton than their old enemies Manchester United. Still more damningly, they are further from league leaders Arsenal, 17 ahead of them, than West Ham, 16 behind them in the relegation zone.

It was an understatement to say their campaign was not supposed to go this way; not as defending champions, not with the £450m of spending that Arne Slot prefers to see referenced in terms of the £300m Liverpool have brought in during his reign.

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Last February, it was victory against Manchester City that, in effect, seemed to seal the title. It sent Liverpool 11 points clear with 11 games to play. A year on, defeat to Pep Guardiola’s team, in another game when Dominik Szoboszlai scored, left Liverpool with a very different equation. A loss at the Etihad Stadium in November had Slot conceding Liverpool could not talk about the title. As City completed a first league double over Liverpool since 1937, it leaves them as outsiders to qualify for the Champions League.

Arguably Liverpool have had worse results of late without losing – the home draws with Leeds and Burnley – but the context rendered this a terrible weekend. Chelsea won, Manchester United too. Liverpool are four points from fifth; and while fifth is almost certain to bring Champions League football, they are playing catch-up when short of players, without the benefit of form, and with an intimidating fixture list.

Some 13 other teams have taken more points in 2026. Liverpool have 13 matches to go. But only six are at home. Their trips include Sunderland, the only team unbeaten at home, Everton, for the first derby at Hill Dickinson Stadium, United and Aston Villa. It is more an obstacle course than a fixture list.

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The sands are shifting, and not in the direction Slot would want. “If you compare that to three or four months ago, you see so much improvement,” he said. “But the issue is you don’t see the improvement in the league table.” The broader picture may support his analysis. Liverpool had lost nine of 12 in all competitions. Now they have only been beaten twice in 17. Yet if those damaging draws could make the difference, other elements may be decisive.

Liverpool started the season as the specialists in late goals. Now, equalling a Premier League record, they have been condemned to defeat in injury time four times: at Crystal Palace, Chelsea, Bournemouth and now at home to City. “It’s every time a different goal, of course,” said Slot. The latest stemmed from a rare Alisson error, conceding the penalty Erling Haaland scored. Liverpool could still rue over-committing to attack at Stamford Bridge, which brought a three-point swing in Chelsea’s direction. Both Palace and Bournemouth’s late goals came from long throws: if set-pieces are a theme of Liverpool’s season, their expensive overhaul has seemed to leave them without enough height.

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Or enough available defenders. Liverpool are unfortunate to have four defensive injuries, including season-ending ones to Giovanni Leoni and Conor Bradley, but even as they prioritised next season by arranging the summer signing of Jeremy Jacquet, they failed to address an immediate need on deadline day. Szoboszlai was only a stand-in right-back and now he is suspended. Jeremie Frimpong will not be back at Sunderland on Wednesday and Joe Gomez probably won’t. That may mean Curtis Jones or Wataru Endo is the next emergency right-back.

A lack of strength in depth is a wider problem, and perhaps a reason why they can concede late. They have been breached 12 times in the final 15 minutes of games – only Newcastle, Leeds and Bournemouth have let in more – and it could reflect a shortage of high-class substitutes. Which, given the outlay, might sound ridiculous, but Liverpool have seemed permanently stretched, Slot left short-staffed. Injuries are only part of the explanation for that. The decision-makers, Richard Hughes and Michael Edwards, who assume more responsibility for the transfer business, are partly culpable.

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On Sunday, a substitute, Rayan Cherki, helped make the difference for City. It seemed indisputable that Guardiola had the stronger bench. Liverpool contrived to spend a fortune and yet look in need of several more signings.

That can come with a cost and Slot invariably talks of Liverpool’s self-sustaining model. Jurgen Klopp was equally aware of it, and of the financial significance of qualifying for the Champions League. He felt it was a priority every season even when outsiders assumed it would come automatically. Now the risk is that Liverpool’s income drops considerably next year.

For Slot, there is an added importance. He has the backing of the Liverpool hierarchy for now, even if not all of the fanbase are behind him. It may be harder to retain that support without Champions League qualification. And now it has started to look more likely that their European football will come on Thursday nights next season.

Nick Ball lost his featherweight world title this weekend in Liverpool, suffering a dramatic twelfth round stoppage at the hands of Brandon Figueroa. In the aftermath, two-time heavyweight king Tyson Fury has sent him a message of support.

Liverpool’s Ball went back and forth with Figueroa throughout and was looking to finish strong for a chance to retain his WBA belt on the cards. The Mexican-American had other ideas, however, producing a thunderous left hook to drop Ball and closing the show shortly after.

Speaking on Instagram, Fury addressed Ball directly.

“This is a message to Nick Ball. Fantastic fight, mate, unlucky. This is boxing. It happens. You win some, you lose some. Get some time off, well-deserved rest, get back in the gym. Great little fighter. You can come back and be world champion again. 100%.”

‘The Gypsy King’ then turned his attention to people ‘hating on’ the Brit.

“And this one for all the haters out there and the people who ain’t got no guts to get in the boxing ring and try it. You’re absolutely shameful. Embarrassing w—kers. Hating on people who try their best in live. The man’s fought a two-weight world champion and you try and give him stick. You pieces of rubbish. Get in their and have a fight yourselves you cowards. It’s always a cowardly person who will hate on someone who’s trying to do something that they could only dream about doing. Chin up, Nick, all the best.”

Some of Ball’s team came in for criticism online for the way they reacted to Figueroa’s team celebrating victory before ensuring the former champ was seen to by medical staff. Figueroa apologised to the fans in attendance following this, expressing his respect for Ball.

On February 7, 2026, speaking to TMZ at the 2026 Fanatics Super Bowl Party in San Francisco’s Pier 48, Diplo shared that BTS’ ARIRANG release would surprise global audiences. Although the American producer has not disclosed his exact involvement 14 track album. He noted that RM, Jin, Jimin, j-hope, Jungkook, Taehyung, and SUGA played active roles during recording.

“I just feel so lucky because I’ve been working for three decades and to link up with a group like that, and have them trust me and do some awesome music … honestly, it’s gonna shock the world. Craziest album ever,” the 47-year-old stated.

He described the studio sessions as focused and idea-driven. Jungkook’s vocals were highlighted for their natural precision. The group was also described as relaxed and easy to work with. The project was ranked by Diplo as his “biggest thing” in his career so far. Following the DJ’s remarks, fans are in a frenzy for the upcoming release.

“Can bighit share more things about this album already like WE CANT WAIT,” an X user commented.

Admirers say Diplo’s involvement has sparked curiosity about what kind of project ARIRANG will be. Many are calling it a “defining” work, echoing how Diplo conveyed it.

Others are saying that the septet is always “loved” by the people they work with, and Diplo is no exception.

More about BTS’ ARIRANG comeback

BTS will reenter the music scene on March 20, 2026, closing a near four year break. The return arrives with the group’s fifth studio album, ARIRANG, followed by a large-scale global tour. This release marks the first complete reunion since the members paused activities for mandatory military service.

Album pre-orders began on January 16. The title draws from a traditional Korean folk song tied to perseverance, grief, and hope. The project also includes reported outside collaborators, with Grammy-winning producers Mike WiLL Made It and Diplo involved. The comeback expands through a partnership with Netflix, which will host a live comeback broadcast on March 21. The ticket information to follow.

A feature-length documentary titled BTS: The Return will debut worldwide on March 27. It will present behind-the-scenes access to the group’s reunion. Following the album launch, the Bangtan Boys will commence BTS: WORLD TOUR ARIRANG. It will cover Asia, North America, Europe, Latin America, and Australia, with further 2027 dates to be notified later.

BTS’ comeback has intensified fans’ anticipation ahead of one of the most closely watched releases of the year.