TL;DR
The Miasma worm hit 73 Microsoft GitHub repos across Azure and Microsoft orgs. It plants payloads that trigger in AI coding tools like Claude Code and Cursor.

SEGA just ended a long silence with something that feels both familiar and entirely fresh. Virtua Fighter Crossroads arrives in 2027 as the first proper new mainline entry in the series since 2006, yet it carries a different shape than fans might have expected. RGG Studio, the team behind the dense, character-driven worlds of the Like a Dragon series, takes the lead. The result blends the precise, readable combat Virtua Fighter has always prized with a full single-player story mode set inside a sprawling, lived-in city.
The big announcement occurred during Summer Game Fest 2026, and what a reveal it was. They eventually gave us a good look at Cielo, the new fighter, and let us see for ourselves how this new game wants to connect the narrative and fighting in a way that makes sense. Following the video, we were treated to an extra-special treat: an in-depth showcase that dissected the fight system and the writers they had brought on board.
Officially, all they’re saying is that it has a really cool tagline: “A city you’ve never seen, A story you’ve never heard, A totally new Virtua Fighter.” That city is called Vilasapara, and it is marketed as the City of Martial Arts. It is a Southeast Asian island center with tiny districts, a walled core area, entertainment zones, and even resort areas. It’s all held together by crime gangs, with the Arma Carta upholding the peace and a president attempting to launch an underground tournament called the Vila Fight Fest across the country. To add to the unpredictability, a mysterious figure known as the Bakunawa Killer appears and causes pandemonium.

RGG Studio has undoubtedly left an imprint on how this game allows you to explore that environment. You have a whole story mode in which you may simply go around Vilasapara and do your own thing. There are several side missions, activities, and decision-making options scattered throughout the main storyline. The choices you make during battles or in between them all have a huge impact on how the story unfolds, whether it’s who you befriend or what kind of troubles you run into. The story is told in the manner of an omnibus, with four different points of view that constantly intersect, diverge, and affect one another. Not to mention that Brad Kane is the primary writer, David Hayter is in charge of world-building, and other exceptional RGG veterans handle the scenario aspects.

Traditional one-on-one. Virtua Fighter battles remain fundamental, but narrative mode offers new ways to play. As you play, you can navigate the streets and engage in multi-opponent brawls, boss encounters, and set-piece battle. Fun fact: everything is done in accordance with the fundamental Virtua Fighter regulations. The control method is straightforward, with standard punch, kick, and guard inputs that reward you for timing, reading, and spatial awareness rather than memorizing a large number of punch combos. They even persuaded the guard to be more realistic in response to the impending attack.

The game also makes significant use of RGG’s ability to build visually beautiful metropolitan environments, with each area having its own distinct style and personality. They went out and researched regional culture, food, and vibes to make the city feel more authentic. It is a location that responds to both your actions and larger events like tournaments. They did use some cinematic cutscenes to convey some significant emotional themes, but at the end of the day, the fighting is still the same good old-fashioned, heavy, and tactic-based combat that made Virtua Fighter so enjoyable in the past.
The University of California at Berkeley discovered the percentage of failing grades in multiple CS classes this spring “is significantly higher than past semesters,” reports the campus’s student newspaper.
“Instructors point to students’ increased reliance on AI, lack of mathematical preparedness and understaffing as potential contributing factors.”
According to [coursework platform] Berkeleytime, 35.3% of CS 10 students and 10.6% of CS 61A students received F’s in spring 2026. In spring 2025 and spring 2024, the percentage of F’s did not exceed 10% for either class. The electrical engineering and computer sciences department’s grading guidelines state that 7% of students in lower division courses, including CS 10 and CS 61A, should receive D’s and F’s…
[UC Berkeley teaching professor Dan Garcia, who taught both classes] believes the “primary driver” of these abnormally high failing rates is due to a “vast increase in academic dishonesty” due to students’ usage of large language models, such as Claude, ChatGPT and Google Gemini. “Some of the numbers that you saw from the number of students who receive failing grades were because we caught them (cheating) and prosecuted them and are sending their cases to the Center for Student Conduct,” Garcia said. “But in other cases, it’s students who are leaning a little too hard on LLMs to do their work for them, and then at exam time just really aren’t ready.” According to Garcia, nearly 30 students in CS 10 were “caught cheating on take-home exams” in spring 2026…
In addition to overreliance on AI, Garcia also pointed out that many students are underprepared mathematically, a concern echoed by campus associate teaching professor Gireeja Ranade. Ranade noticed a similar lack of prerequisite mathematical skills in her spring 2026 EECS 127 class, “Optimization Models in Engineering,” which she described as “differently challenging” to teach this semester. The class saw a 16.8% F rate, far higher than the 5% of D’s and F’s that the EECS department describes as “typical” for an upper division course…
Both Garcia and Ranade have joined more than 1,300 UC faculty in signing a petition calling for the reinstatement of ACT and SAT standardized testing scores for STEM admissions in the UC system.
Thanks to long-time Slashdot reader theodp for sharing the article.
Apple will stream WWDC 2026 through the Apple TV app, its websites, and YouTube, giving viewers several ways to watch the company’s biggest software event of the year. Besides reading here on AppleInsider, here’s how to stay tuned in.
WWDC 2026WWDC is Apple’s annual developer conference, where the company previews updates for the iPhone, iPad, Mac, Apple Watch, Apple TV, and Vision Pro. Developers are the primary audience, but the keynote also gives consumers an early look at many of the features Apple plans to release later in the year.
Both presentations are free to watch through Apple’s streaming platforms. Apple also offers calendar links on its WWDC and Apple Events pages so viewers can add the sessions to their schedules before they begin.
Apple kicks off WWDC 2026 with its keynote on Monday, June 8, at 1 p.m. Eastern. The presentation is expected to introduce the next major versions of Apple’s operating systems, along with new platform features and developer technologies.
Continue Reading on AppleInsider | Discuss on our Forums
Majority Audio is trying to make modern streaming audio more accessible with its new Link Series, which was previewed at High End in Vienna.
This is a range of compact devices that bring services like Spotify Connect and AirPlay 2 to older hi-fi setups. Pricing starts from just £59.
At the entry point is the Link Mini, a small streamer designed to plug into existing speakers, radios, or hi-fi systems., instantly adding wireless streaming.
The Link Mini supports AirPlay 2, Spotify Connect and TIDAL Connect, along with Wi-Fi 6, Bluetooth LE and Auracast compatibility. Additionally, it comes with both analogue and optical outputs, making it is a straightforward upgrade for legacy hi-fi kit.
The step up from the Mini is the Link View, which has a more visual approach. It introduces a 2.1-inch circular touchscreen paired with a rotary control dial, allowing users to browse playback, view album artwork and switch sources directly on the device.
Above the Link View is the Link Pro, which pushes further into all-in-one territory. Alongside streaming support, it adds DAB/DAB+ radio, internet radio and HDMI ARC. This gives it more flexibility for both music and TV audio setups. A larger 4-inch colour display helps manage playback and navigation. So, it makes the device feel closer to a compact hub than a basic streamer.


At the top of the range is the Link Pro Amp, a £299.95 streaming amplifier designed to drive passive speakers directly. It delivers up to 300W of output via a Texas Instruments Class-D amplifier, combining streaming, amplification and radio features in a single unit.
In addition, connectivity is extensive. It includes HDMI ARC, optical input, USB playback, Ethernet, analogue input and a dedicated subwoofer output.
Overall, the Link Series feels aimed at users who want to modernise their audio setup without moving into high-end pricing. Instead of pushing a full system replacement, Majority is focusing on incremental upgrades to existing kit
The Miasma worm hit 73 Microsoft GitHub repos across Azure and Microsoft orgs. It plants payloads that trigger in AI coding tools like Claude Code and Cursor.
The self-replicating Miasma worm has reached Microsoft‘s own GitHub repositories. GitHub disabled 73 repositories across four Microsoft organisations, including Azure, Azure-Samples, Microsoft, and MicrosoftDocs, after the worm planted malicious code that harvests developer credentials. It is the most significant escalation yet in an ongoing supply chain attack campaign that has been spreading across the open-source ecosystem for weeks.
The attack exploited previously compromised credentials. Last month, the threat group TeamPCP infected the “durabletask” PyPI package hosted in Microsoft’s Azure organisation to deliver an information stealer. Security researcher Paul McCarty pointed out that the same repository is at the centre of this month’s takedown.
“When the repo at the root of last month’s compromise is the hub of this month’s takedown, that is not a coincidence, that is the same wound reopening,” McCarty said. “Whoever held those credentials in May plausibly never fully lost them.”
What makes this campaign particularly dangerous is how the payload detonates. The attacker planted a 4.3 MB payload runner wired to execute automatically through five developer tools: Claude Code, Gemini CLI, Cursor, VS Code, and the npm test script. A developer only needs to clone an affected repo and open it in an AI coding agent for the malware to run.
Once triggered, the Bun-based worm harvests credentials for AWS, Azure, GCP, Kubernetes, npm, and GitHub. It then uses those stolen tokens to commit itself into any repository the victim can write to, spreading autonomously across the ecosystem.
Among the disabled repositories are critical Azure infrastructure projects: azure-search-openai-demo, durabletask and its .NET, Go, JS, and MSSQL implementations, functions-container-action, llm-fine-tuning, and windows-driver-docs. OpenSourceMalware reported that GitHub contained the attack within 105 seconds, but the scope of affected downstream users remains unclear.
Miasma is a variant of the Mini Shai-Hulud worm that TeamPCP publicly released in mid-May 2026. The original Shai-Hulud appeared in September 2025 as the first self-replicating malware observed in the npm ecosystem. It has since mutated across npm and PyPI, previously compromising 32 Red Hat packages and hitting TanStack, Mistral AI, and UiPath packages.
The worm has also begun skipping the npm registry entirely. SafeDep found it pushing malicious code directly to source repositories, including “icflorescu/mantine-datatable” and four related projects. As of writing, more than 80 public repositories on GitHub carry the Miasma campaign’s naming pattern.
The fundamental problem is not a vulnerability in npm or GitHub. “It exploits the trust model those platforms are built on,” security firm FalconFeeds.io said in its analysis. “The assumption that if a package is signed with a valid key and published by an authenticated maintainer, it is safe.” The worm compromises the key and the maintainer, then acts exactly like a legitimate publisher. From the registry’s perspective, every malicious publish event looks like a routine update.
The targeting of AI coding agents is a notable evolution. Developers increasingly rely on tools like Claude Code and Cursor to work with unfamiliar repositories. A worm that activates when an AI agent opens a project exploits a new behaviour pattern that did not exist a year ago. It is supply chain malware designed for the age of AI-assisted development.
AI and ML
Most orgs remain trapped between flashy demos and real-world deployment, despite 75% saying adoption is racing ahead
Three-quarters of enterprise leaders say they’re adopting agentic AI, but only a small minority have managed to move beyond pilots and into meaningful production deployments, according to Forrester.
That won’t stop vendors from slapping “agentic” onto every product brochure they can find, but the analyst’s assessment is that most organizations remain stuck somewhere between experimentation and actual business value.
Agentic AI has reached an important milestone in 2026, says Forrester: “long-horizon agents are no longer off on the horizon.”
In plain English, the bots are no longer clocking on for a five-minute task and calling it a day. Vendors have demonstrated agents capable of operating for days, weeks, or even months, with examples ranging from software development to research workflows.
The trouble starts when those demos collide with the realities of enterprise.
Forrester says companies are expanding their agentic ambitions while largely failing to scale them. Governance remains immature, platform strategies remain fuzzy, and many organizations are struggling to demonstrate a return on investment substantial enough to justify broader deployment.
Forrester’s argument is that companies aren’t struggling because they have too many AI agents, but rather they’re struggling because managing them gets messy fast. What works as a handful of experimental projects can become much harder to control once agents start operating across multiple systems and teams.
Many organizations are building agents in isolation, the report says, without a clear way to track them, manage them, or coordinate how they work together. That may be fine for a pilot, but it becomes more of a problem when dozens of agents are making decisions, calling tools, and passing information around an enterprise environment.
The report warns that, as projects grow, companies often end up with overlapping systems, duplicated work, and agents behaving in ways that become increasingly difficult to predict.
Forrester is equally skeptical that governance policies alone will solve the problem. The firm notes that more than half of enterprises still experience what it calls “agentic sprawl” despite adopting governance frameworks and formal policies.
Its conclusion is that writing rules down is one thing; enforcing them is another. Companies are increasingly finding that autonomous systems need automated guardrails that can track what agents are doing and restrict what they’re allowed to do in real time.
For now, the industry’s biggest challenge may not be building AI agents. It’s finding useful work for them that survives contact with the enterprise. Or, as Forrester puts it:
“Until companies tie agent autonomy to measurable changes in how work gets done, agentic AI will remain stuck in proof-of-concept purgatory.” ®
Although cryocoolers are capable of pretty impressive cooling, for many of them the underlying working principle is simple enough that you do not need any special skills or a big budget to make your own version. Take the Gifford-McMahon cryocooler for example, which works using nothing more than some kind of coolant gas and a piston in a cylinder that you can even 3D print, as demonstrated by [Hyperspace Pirate] in a recent video.
The lowest temperature reached across the two prototypes was only -84°C, but this was mostly due to some sub-optimal design choices, such as the use of regular air and a clear acrylic tube to get a good glimpse at the inner workings. The trickiest part of this type of cryocooler is probably that you need to move the piston containing the regenerator between both ends of the cylinder to get a cool and a hot side.
That particular problem was solved by using magnets to move the piston externally, which worked beautifully until the problem of using regular compressed air from the shop compressor caused massive ice formation that jammed up the piston. Obviously this was not an unexpected issue, and for the next step the coolant gas will be replaced by helium, as making that gas freeze up requires quite a bit more effort.
Hackers are actively exploiting a critical vulnerability (CVE-2026-3300) in the Everest Forms Pro plugin, which lets them take complete control of a WordPress website.
The security issue affects versions 1.9.12 and earlier of the plugin and can be leveraged without authentication to execute arbitrary code on the server.
Everest Forms Pro is a commercial add-on for the WordPress form builder plugin Everest Forms. It is used to create contact, registration, payment, and other custom application forms.
The CVE-2026-3300 vulnerability is in the plugin’s Complex Calculation feature, which accepts values submitted through form fields and inserts them into a PHP code string. Then, it executes the resulting code using PHP’s ‘eval ()’ function.
Although user input is passed through a ‘sanitize_text_field()’ function, which does not escape single quotes (‘) or other characters that influence PHP syntax.
As a result, an attacker can close the intended string, inject arbitrary PHP code, and comment out the remaining generated code to achieve code execution on the server.
Telemetry data from Wordfence firewall and malware scanner for WordPress shows that the vulnerability is being exploited in the wild to create rogue administrator accounts.
“The attacker submits a value for a text field that begins with a single quote to close the wrapping string literal, followed by a PHP statement that calls wp_insert_user() to create a new administrator account with the username ‘diksimarina’,” explains a report from Wordfence.
“The trailing // comment marker ensures the rest of the generated PHP code, including the closing quote, is treated as a comment and does not cause a syntax error.”
“When the form is processed, and the calculation is evaluated, the injected PHP code is executed, and the malicious administrator account is created.”
Administrator-level access gives attackers full power to perform high-risk actions on the breached website, including modifying content, installing plugins and themes, planting backdoors and webshells, and accessing private databases.
Researcher h0xilo submitted the CVE-2026-3300 vulnerability through Wordfence in February, and on March 18, the Everest Forms developer released a patch that addresses the issue.
According to Wordfence data, active exploitation started on April 13, with the firewall blocking over 29,300 attempts.

Wordfence says exploitation attempts originate primarily from two IP addresses, 202.56.2[.]126 and 209.146.60.26, and recommends defenders block them.
However, Wordfence’s report provides several offending IP addresses as indicators of compromise (IOCs).
Website administrators are also recommended to review log files and administrator accounts for any suspicious activity, especially containing the string “diksimarina.”
Security teams log 54% of successful attacks and alert on just 14%. The rest move through your environment unseen.
The Picus whitepaper shows how breach and attack simulation tests your SIEM and EDR rules so threats stop slipping by detection.
Canor Audio might not be a household name in the U.S., but the Slovakia-based high-end manufacturer has built a serious reputation in Europe with its tube and hybrid amplifiers, preamplifiers, phono stages, DACs, CD players, and accessories. That matters, because Canor is part of a much larger story: the continued rise of Central and Eastern European high-end audio brands that are no longer asking politely for a seat at the table.
At High End Vienna 2026, Canor Audio is expanding its Performance Line with two new tube-based components: the Canor Verto D3 tube DAC and the Canor Asterion V3 tube phono preamplifier. Both models join the Virtus A3 hybrid tube integrated amplifier and continue Canor’s focus on combining modern engineering with the texture, dimensionality, and musical warmth that still keeps vacuum tubes alive in a world determined to make everything smaller, colder, and app-controlled.

The Canor Verto D3 is a high-end tube DAC built around a fully balanced, dual-mono discrete architecture. Its analog output stage uses four carefully matched E88CC tubes operating in pure Class A, with Canor aiming to bring more body, scale, and natural texture to digital playback.
The Verto D3 uses galvanically isolated digital inputs to reduce noise transfer between connected sources. Signal processing is handled by a multi-core XMOS controller, and format support extends to PCM up to 768kHz and native DSD512.
Connectivity includes USB, AES/EBU, coaxial digital, optical, and HDMI inputs, along with RCA and XLR analog outputs. Canor also specifies fixed and variable output options, allowing the Verto D3 to operate either as a traditional DAC or directly into a power amplifier.
The chassis combines machined aluminum and steel, while the front panel integrates a touchscreen into the precision-bearing control knob. Firmware updates are supported via USB.
1 x AES/ABU (PCM up to 24-bit / 192kHz, DoP DSD 64)
1 x Coax (PCM up to 24-bit / 192kHz, DoP DSD 64)
2 x Opto (PCM up to 24-bit / 192kHz, DoP DSD 64) 1 x HDMI Input (PCM up to 24-bit / 192 kHz)

Canor Model
Verto D3
Product Type
Tube DAC
Price
£3799 (Contact dealer for US pricing)
DAC Configuration
2 x ES9039Q2M (Dual-mono)
Filter Settings
9 x Digital Filter
Digital Inputs
1 x USB-B (PCM up to 24-bit / 768 kHz & DoP DSD up to DSD256 & Native DSD up to DSD512)
Analog Outputs
1 pair RCA
1 pair XLR
Output Impedance
RCA: 100 Ω
XLR: 200 Ω
Frequency Range
+- 0.1 dB at 20 – 20 000 Hz
Total Harmonic Distortion (XLR)
< 0.009 %
Output Voltage
RCA: 2 VRMS
XLR: 4 VRMS
Signal-to-noise ratio (XLR)
> 110 dB (A-wt)
Crosstalk (XLR)
> 124 dB
Tube Complement
4 x E88CC
Trigger Connectors (12 V)
1 x IN (3.5 mm jack)
1 x OUT (3.5 mm jack)
Power
230 V / 50-60 Hz / 40 VA
Dimensions (WHD)
435 x 122 x 370 mm
17.13 x 4.8 x 14.6 inches
Dimensions (WHD with knob & connectors)
435 x 122 x 415 mm
17.13 x 4.8 x 16.34 inches
Weight (Net)
12 kg / 26.5 lbs

The Canor Asterion V3 is a tube-based phono preamplifier designed for both MM and MC cartridges. It includes balanced XLR and unbalanced RCA MC inputs, along with adjustable resistance and capacitance loading, giving users the flexibility to match the phono stage to a wide range of cartridges.
For moving-coil cartridges, the Asterion V3 uses a Lundahl step-up transformer to provide low-noise signal gain before the tube amplification stage. RIAA equalization is handled by a fully passive correction network using polystyrene and polypropylene capacitors.
The Asterion V3 also allows two cartridges to remain connected at the same time — one MM and one MC — with input switching from the front panel. Control is handled through a touchscreen integrated into the front-panel control knob, with remote operation also supported from the listening position.
The chassis is constructed from aluminum and steel, matching the industrial design language of Canor’s Performance Line components.

| Canor Model | Asterion V3 |
| Product Type | Tube Phono Preamplifier |
| Price | £4199 (Contact dealer for US pricing) |
| Gain | MM 46 dB MC 70 dB |
| Input impedance MC | 10, 20, 40, 80, 150, 300, 600, 1200 Ω |
| Input capacitance MM | 50, 150, 270, 370, 520, 620, 740, 840 pF |
| Output impedance | < 500 Ω |
| Inputs | 2 RCA pairs, 1 XLR pair |
| Output | 1 RCA pair |
| Total harmonic distortion (MM, MC) | < 0.2 % / 1 Vrms |
| Subsonic filter | 18 dB / Octave |
| RIAA accuracy (MM, MC) | +- 0.3 dB / 20 – 20 000 Hz |
| Signal-to-noise ratio MM | > 71 dBV (86 dBV – IEC – A) |
| Signal-to-noise ratio MC | > 68 dBV (82 dBV – IEC – A) |
| Tube Complement | 2 x ECC83S, 2 x ECC81 |
| Power | 230 V / 50 – 60 Hz / 40 VA |
| Dimensions (WHD) | 435 x 122 x 370 mm 17.13 x 4.8 x 14.6 inches |
| Dimensions (WHD with knob & connectors) | 435 x 122 x 415 mm 17.13 x 4.8 x 16.34 inches |
| Weight (Net) | 12 kg / 26.5 lbs |
The Verto D3 stands out because it combines a fully balanced, dual-mono DAC architecture with a Class A tube output stage using four E88CC tubes, galvanically isolated digital inputs, high-resolution PCM and native DSD support, and variable output for direct connection to a power amplifier. That makes it more than a “warm-sounding DAC.” It is aimed at listeners who want digital playback with body, scale, and a less sterile presentation without abandoning modern format support.
The Asterion V3 is the more analog-obsessive piece, and possibly the more interesting one. Support for MM and MC cartridges, balanced and unbalanced MC inputs, adjustable loading, a Lundahl step-up transformer, passive RIAA correction, and the ability to keep one MM and one MC cartridge connected at the same time make it a serious phono stage for vinyl listeners who actually change cartridges instead of just talking about it on forums.
Competitors for the Verto D3 include tube and analog-leaning DACs from LampizatOr, Aqua Acoustic Quality, SW1X, BorderPatrol, and higher-end hybrid or R2R designs from brands such as HoloAudio and Denafrips. It will also face more conventional DAC competition from Chord, Benchmark, Mytek, dCS at the higher end, and MOON/Simaudio depending on system context.
The Asterion V3 competes more directly with phono stages from Manley, Zesto Audio, Allnic, E.A.T., Sutherland, Musical Surroundings, Gold Note, and Vertere. The Canor’s strongest argument is not just that it uses tubes, but that it combines tube gain, serious MC flexibility, balanced connectivity, and cartridge-loading adjustability in one chassis.
These are for listeners who want a high-end system with texture, dimensionality, and adjustability; not those chasing the cheapest way to add a glowing bottle behind a front panel. The Verto D3 and Asterion V3 also reinforce a bigger trend: Central and Eastern European high-end audio is no longer some charming regional side story. Brands like Canor are building serious components, and the usual Western European and American suspects should probably stop pretending nobody noticed.
Canor Audio products can be purchased from Authorized Dealers (Contact Dealer for US Pricing).
It should be remembered for the launch of iCloud, but instead the WWDC on June 6, 2011, will always be known as the last appearance of Steve Jobs at an Apple event. It was 15 years ago, today.
Even as early as WWDC 2006, there was concern over Steve Jobs’s health. By WWDC 2011 on June 6 that year, there was no denying that he was looking gaunt, and that he had less energy than we were used to.
But then by this time, there was also no denial that his health was poor. He’d had leaves of absence for treatment, and Apple had stopped pretending everything was fine.
While no one really believed Steve Jobs would ever leave Apple, there was nonetheless speculation over who would be his replacement. Ultimately, that would of course be Tim Cook, but that wasn’t known when Jobs stepped out onto the stage for WWDC 2011.
It is of course ridiculous to say that no one knew that this would be his last time fronting WWDC. But even amongst the rumors of succession and the news of his health, there wasn’t really speculation that this could ever be the end.
What there was, though, was a standing ovation for Jobs at the start.
“Thank you,” he said to the crowd. “It always helps, and I appreciate it very much.”
That was it for any acknowledgement of his own situation, though, as he immediately launched into a then very familiar spiel. “We’ve got an awesome morning together this morning,” he began.
“We’re going to talk about three things today,” he continued. “You know, if the hardware is the brain and the sinew of our products, the software in them is their soul, and today, we are going to talk about software.”
Good or bad, strong or weak, most annual WWDC events tend to blur together over time. There are exceptions such as 2011 with Jobs, 2020 with Apple Silicon, and there will be the 2026 that will see Tim Cook’s departure.
But there are some which introduce features that continue to be important to this day.
WWDC 2011’s launch of Mac OS X Lion wasn’t one of them. Good luck remembering what was in iOS 5. And if you got into the then-new iTunes Match in 2011, it feels as if Apple would really rather you now used Apple Music.
Yet central to WWDC 2011 and to Apple’s whole ecosystem today, there is . Today the only times you think of it are when you have to pay for extra iCloud storage, or the document you want has been uploaded from your to there to save space.
Yet central to WWDC 2011 and to Apple’s whole ecosystem today, there is iCloud. Today the only times you think of it are when you have to pay for extra iCloud storage, or the document you want has been uploaded from your Mac to save space.
In 2011, Steve Jobs had to sell us on this idea, and he had to sell it extra hard, because of Apple’s previous failures in this area.
“It just works,” he claimed, and you could sense the audience being dubious. “Now, you might ask, ‘why should I believe them? They’re the ones that brought me MobileMe.’”
“[MobileMe] wasn’t our finest hour, let me just say that,” he continued, “but we learned a lot.”
We’ll be talking about MobileMe soon enough. That in itself is a saga.
Anyway, Steve Jobs had brought us the iMac, the iPod, and the iPhone, which all in their different ways saved Apple. He brought us the iPad, too, which didn’t exactly ignite the world, but still it became ubiquitous and no rival tablet has come close to matching it.
But there is a good argument that iCloud should be right up there with those achievements. That’s because what is something no one has to think about today, it is an enormously important part of Apple and it was the last thing Jobs managed to pull off.
It’s impossible to imagine now how you used to have to plug your iPod into your Mac to copy music across. Or that there were ways to store contacts on that device, but they again needed a physical connection.
Doubtlessly many at Apple wanted a better solution, but Jobs was one who’d already experienced the benefits of a seamless network. The networks that were run at his NeXT company meant you could turn to any Mac and carry on working as if it were your own.
Jobs wanted that for users, and in 2008, he nearly had it. Nearly. That was when MobileMe launched, and as a measure of how crucial such a part of the Mac and iPhone is, there’s Jobs’s reaction to its launch.
It took a time for Apple to move everyone over from the disastrous MobileMe to iCloud, but it eventually shuttered the old service.
As reported by Fortune magazine, coincidentally just ahead of his last WWDC, MobileMe was an immediate disaster. So much so that after its launch in 2008, Jobs held a meeting with the team behind it, and asked them what it was supposed to do.
When one brave soul described this idea of seamless integration between devices, Jobs said “so why the f*** doesn’t it do that?”
“You’ve tarnished Apple’s reputation…” he reportedly continued. “You should hate each other for having let each other down.”
So when he announced its successor on that WWDC 2011 stage, he wasn’t kidding about its history.
On that day, he talked about how everything synced and “I don’t have to be near my Mac or PC.” He doubled down on how easy it was to use too, saying “There’s nothing new to learn, it just all works.”
As was always the case when Apple did WWDC events live, there was of course a demo. There were several demos, including Eddy Cue very briefly showing how Photos now synced.
Some of the demos seemed a little trivial, such as photos, while others seemed obvious, such as email being pushed to all devices simultaneously. Today all of it seems like the way it must always have been, because it’s the way it should be.
That was what Steve Jobs had always been good at. He could make you convinced that of course Apple was the right company to make a phone, despite never having done one before.
He could sell you on Wi-Fi so much that the entire technology industry adopted it.
And here he was presenting the result of the same ideas he had been talking about when he returned to Apple.
In all, Steve Jobs presented about a quarter of that two-hour WWDC 2011, with Phil Schiller doing the majority of the rest. Jobs may have looked ill at the start, he may have seemed less energetic, but he was no less persuasive than he always was.
He would just never be that persuasive on stage again, or at least, not at an Apple Event.
Jobs did do one more thing after WWDC 2011. The very next day, he pitched to the Cupertino council for permission to build Apple Park.
He would never see the work on the building even started.
Google is continuing its push to make Gemini a central part of Android by giving the AI assistant deeper integration with Google Contacts. A newly discovered update suggests Gemini may soon handle contact-related tasks more directly, potentially turning it into a more capable personal assistant for calls, messaging, and everyday communication.
According to a report by 9to5Google, the latest Google app beta includes references showing that Gemini integration with Google Contacts is expanding beyond basic assistant functions. The feature appears designed to let Gemini interact more naturally with saved contacts, helping users quickly find people, initiate communication, and manage relationship-based tasks through conversational commands.
The update reflects Google’s broader strategy of positioning Gemini as more than just a chatbot. Instead of acting as a standalone AI tool, Gemini is increasingly becoming deeply embedded across Android services, apps, and system functions.
The integration could significantly improve how users interact with Android devices. Rather than manually searching for contacts, opening apps, or navigating menus, users may simply ask Gemini to perform actions involving specific people stored in their contact list.
That could include tasks such as finding a person’s details, starting calls, sending messages, sharing information, or interacting with contacts through connected Google apps. Reports suggest the functionality may rely on Gemini’s understanding of relationships and conversational context rather than requiring rigid voice commands.

This matters because AI assistants have historically struggled to feel genuinely useful in day-to-day smartphone usage. While voice assistants can already place calls or send texts, they often require precise wording and still feel disconnected from broader workflows. Google appears to be trying to make Gemini more proactive and context-aware by giving it tighter access to personal data and Android services.
For users, the convenience could be substantial. A more intelligent contact-aware assistant may reduce friction when multitasking, driving, or quickly trying to communicate with people. Instead of opening multiple apps manually, users could rely on conversational requests handled directly by Gemini.
At the same time, deeper contact integration may raise familiar privacy concerns. Access to personal relationships, communication patterns, and contact data gives AI systems significantly more insight into users’ lives. While Google positions Gemini as a productivity-focused assistant, expanding its reach into sensitive personal information will likely invite scrutiny from privacy advocates.
The Google Contacts integration is part of a much larger shift happening across Android. Over the past year, Google has steadily replaced or reworked traditional Google Assistant features with Gemini-powered alternatives.
Gemini is already appearing inside Gmail, Drive, Docs, Photos, Search, and Messages, while Android itself is becoming increasingly centered around AI-powered experiences. The addition of deeper Contacts integration suggests Google wants Gemini to evolve into a true operating-system-level assistant capable of managing communication, organization, and productivity tasks seamlessly.

The feature has reportedly been spotted in development and has not officially launched yet, meaning details could still change before release. However, its discovery strongly suggests Google is preparing even tighter Gemini integration across core Android apps.
As AI assistants become more deeply woven into smartphones, the line between operating system and personal AI companion continues to blur – and Google appears determined to make Gemini the center of that experience.
Jade Biosciences, Inc. (JBIO) Discusses Positive Interim Results From JADE101 Phase I Healthy Volunteer Study and Development Plans Transcript
Weekend Open Thread: Evereve – Corporette.com
French Open 2026 results: Alexander Zverev beats Rafael Jodar and will play Jakub Mensik in semi-finals
Jensen Huang Approves Samsung, SK Hynix, and Micron for NVIDIA (NVDA) HBM4 Memory Supply
CryZENx Releases Fresh Playable Content Deep Inside Jabu-Jabu for His Ocarina of Time Remake
Trump Taps Housing Chief Bill Pulte as Acting Intelligence Director After Gabbard Exit
LBank Surpasses 25 Million Users Worldwide as AFA Partnership Continues to Drive Global Growth
Republicans balk at Trump’s attempt to appoint a MAGA enforcer to lead National Intelligence
Seagate (STX) Stock Surges to Record High on AI Boom and Legal Settlement
RCS Messages Between iPhone and Android Get End-to-End Encryption With iOS 26.5
EU AI Data Center Project Faces Delays as Funding Gaps Grow
Did The Mandalorian And Grogu Already Ruin The Next Star Wars Movie?
Aehr Test Systems Stock Soars 17% Amid Surging AI Demand and Conference Spotlight
Claude AI Down Today Reason: Why Anthropic’s AI is not working today? What’s the latest quota update
Relay Therapeutics Shares Surge 20% on ASCO Momentum for Zovegalisib Breast Cancer Program
Instagram will stop bombarding teens with the same kind of obsessively unhealthy content
Merlin (MRLN) Stock Soars 32% on Major USSOCOM Autonomy Milestone
Credit card theft campaign abuses Stripe to host stolen payment info
Tether Brings Google’s TurboQuant to Production, Unlocking Long-Context AI on Everyday Devices
‘Aliens’ Star Reveals How the US Military Co-Opted James Cameron’s Sci-Fi Tech [Exclusive]
You must be logged in to post a comment Login