Entertainment
Tommy Lee Jones Sued Paramount Into Oblivion After ‘No Country for Old Men’
Despite becoming one of the defining American films of the 2000s, the Coen Brothers’ Oscar-winning neo-Western No Country for Old Men also sparked a major legal battle involving one of its biggest stars. Years after the film swept the Academy Awards, lead Tommy Lee Jones sued Paramount Pictures over millions in allegedly unpaid compensation for the movie’s success. It’s a strangely ironic little footnote to a modern classic already obsessed with the true cost of greed.
‘No Country for Old Men’ Is One of the Defining Films of the 2000s
Released in 2007, No Country for Old Men follows welder-turned-hunter Llewelyn Moss (Josh Brolin) after he stumbles across a briefcase holding $2 million in the wake of a drug deal gone wrong. That discovery puts him directly in the path of Anton Chigurh (Javier Bardem), the cattle-gun-wielding, coin-tossing hitman who is now an iconic part of movie history. Watching it all unfold is Jones as Sheriff Ed Tom Bell in one of the strongest performances of his career — a performance that led to him suing a studio.
While Bardem’s villain understandably became the face of the movie, Jones is undoubtedly the film’s emotional center. Bell spends the movie grappling with a changing America that no longer makes sense to him, attempting to come to terms with a world where violence and cruelty have evolved beyond his ability to stop them. It’s a masterclass performance that gives the Coen Brothers crime movie much of its soul. And without Jones, the film wouldn’t be the elegy for the American West that makes it so good in the first place.
No Country for Old Men was a massive critical success almost immediately. The Western won four Oscars, including Best Picture, Best Director, and Best Supporting Actor for Bardem. Critics hailed it as one of the Coens’ greatest works, and it quickly entered the contemporary canon alongside a run of other modern Westerns like Paul Thomas Anderson’s There Will Be Blood and Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford — both 2007 releases, as well. Commercially, it was also far more successful than many expected, going on to gross over $170 million worldwide. In fact, it’s that very success that ultimately led to its legal problems.
Tommy Lee Jones Sued Paramount Over Millions in Unpaid Bonuses
In 2008, Jones filed a lawsuit against Paramount Pictures claiming the studio failed to properly pay him box office bonuses and compensation promised in his contract. According to the suit, Jones had accepted a lower salary in exchange for bonuses on the back end based on the film’s box office. It quickly devolved into a court case. And as later filings revealed, Jones was actually onto something: Paramount’s lawyers had allegedly made a major drafting mistake in his contract.
The bonus structure accidentally allowed him to get a bigger payout… even when the movie didn’t actually hit the threshold the studio intended. Instead of receiving bonuses after worldwide grosses doubled certain targets, Jones’ deal scored him payouts at half them instead. That error meant Jones was owed, even though the film had only earned around $160 million at the time. (For context, the previous Best Picture winner — Martin Scorsese’s perfect crime movie The Departed — had brought in nearly $300 million.)
After arbitration, Jones reportedly received a $17.5 million payout from Paramount. The studio’s former attorneys also settled with Paramount, losing $2.6 million over the mistake. Paramount then attempted to offset some of the financial loss by passing portions of the payout onto the film’s investors. That sparked another lawsuit involving Marathon Funding, a financing company that claimed Paramount improperly deducted Jones’ bonus from profit participation revenue.
Paramount won that separate dispute, but the damage had already been done: the entire situation exposed just how messy the financial side of filmmaking can be — even among the best movies. Looking back now, the whole saga feels oddly perfect for a film like No Country for Old Men. After all, the movie itself is fundamentally about people destroying themselves over money they can never truly control. Offscreen, things looked pretty similar. It’s an interesting wrinkle in the legacy of one of the greatest films of the century so far — but also a fitting one.
- Release Date
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November 21, 2007
- Runtime
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122 minutes
- Director
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Joel Coen, Ethan Coen
- Writers
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Ethan Coen, Joel Coen
Entertainment
4 Weirdest Children’s Movies of All Time, Ranked
The summer of 2026 began with a baffling animated adaptation of the classic English class novel Animal Farm, George Orwell‘s critique of totalitarianism.
Why distributor Angel Studios thought today’s children would be interested in a creepy-looking CGI animal movie about proletariat rebellion is a true mystery (they could just watch Chicken Run, after all), and across-the-board negative reviews quickly put that sickly Animal to sleep.
One positive result from that film’s disastrous release is that it got Watch With Us thinking about some of the weirdest children’s movies of all time.
From a deranged Wizard of Oz sequel to a Jim Henson classic, we ranked the top weirdest children’s movies of all time.
4. ‘Son of the Mask’ (2005)
When family man and aspiring cartoonist Tim Avery (Jamie Kennedy) finds a mysterious mask delivered by his dog, Otis, he dons the mask at a Halloween party and finds himself developing strange powers. Meanwhile, his pregnant wife, Tonya (Traylor Howard), gives birth to a baby who is imbued with the powers of the mask. Together, dog and baby use the mask to create chaos for Tim and Tonya, who try to contain the damage being wrought. At the same time, the mask’s owner, Norse god Loki (Alan Cumming), seeks to get his artifact back, but only ends up causing more problems.
Those who were children in 2005 distinctly remember seeing TV ads for Son of the Mask and feeling deeply unsettled, despite the fact that the movie is billed as a family-friendly sequel to the Jim Carrey movie The Mask from 1994. What results is a catastrophe in just about every aspect, and one which effectively ended Kennedy’s acting career after giving him the unfair expectation of following Carrey’s performance. Cacophonous, unfunny and creepy in the worst ways, Son of the Mask is unforgettable in all the wrong ways.
3. ‘Chitty Chitty Bang Bang’ (1968)
At the request of his two young children, Jemima (Heather Ripley) and Jeremy (Adrian Hall), eccentric inventor Caractacus Potts (Dick Van Dyke) sets out to restore a broken-down race car and rename it Chitty Chitty Bang Bang. During their first trip in the car — accompanied by candy company heiress Truly Scrumptious (Sally Ann Howes) — Caractacus tells Jeremy and Jemima a fantastical story in which Chitty has magical powers, and is instrumental in battling a kid-hating Baron (Gert Fröbe) and his henchman known as the Child Catcher (Robert Helpmann).
If your parents showed you Chitty Chitty Bang Bang when you were a kid, it’s likely that you probably don’t remember the somewhat intricate plot, because you were too busy being traumatized by the Child Catcher. Helpmann’s performance as the Child Catcher is iconic, but it’s almost too good. While the movie features some unforgettable songs and a great performance by the always delightful Van Dyke, Chitty Chitty Bang Bang is largely looked back on with fear by grown-up kids for the terrifying Child Catcher and his giant net.
2. ‘Labyrinth’ (1986)
In a moment of frustration, young Sarah (Jennifer Connelly) wishes that her baby half-brother Toby (Toby Froud) would be whisked away by the goblins from her book, The Labyrinth. But what Sarah doesn’t realize is that her wish carries very real consequences, and thus Toby really does disappear. The Goblin King Jareth (David Bowie) appears before Sarah, informing her that she has thirteen hours to solve his labyrinth or her little brother will be turned into a goblin forever. After Sarah accepts Jareth’s quest, she finds herself on a fantastical journey in which she meets various strange, helpful and malevolent creatures.
Labyrinth is a terrific film, but it’s also a very unnerving one, and kids’ movies that are good but also scary are necessary in building character. Directed by none other than Jim Henson and filled with creations from his Creature Shop, Labyrinth might be a little spooky and unsettling at times, but it’s a childhood classic for many who grew up with it; an enchanting, unique fantasy with gorgeous special effects and an antagonist performance that feels tailor-made for Bowie.
1. ‘Return to Oz’ (1985)
This unofficial sequel to the 1939 Wizard of Oz classic combines elements of multiple Frank L. Baum novels to create a disturbing dark fantasy film. Return to Oz follows Dorothy Gale (Fairuza Balk) in the aftermath of her journey to Oz, and her insistence on having gone there troubles her Aunt Em (Piper Laurie) and Uncle Henry (Matt Clark). So, what do they do? They bring poor Dorothy to a sanatorium. Dorothy quickly escapes and is transported back to Oz, but it’s not all songs and sunshine anymore. The Yellow Brick Road is reduced to rubble, and the Emerald City is in ruins. It’s up to Dorothy to save Oz and her friends, who have been turned to stone.
Return to Oz might actually be too creepy for a kids’ movie, with some genuinely terrifying imagery courtesy of its dark narrative and the characterization of a creature known as the “Wheelers.” But while Return to Oz was a bit too weird to receive a rosy place in people’s childhood memories, it has gained an adult cult following. In particular, fans of the Oz books view it as a more faithful interpretation, but ultimately, Return to Oz is an incredibly unique film overall, with technical craft and filmmaking flair that finds greater appreciation in mature audiences.
Entertainment
Lizzo Slams TikTok For ‘Hating’ On New Album
Lizzo isn’t holding back. In a new video, the “Truth Hurts” singer slammed the popular social media platform, TikTok, calling the company a “hater” for failing to promote her new album, “B-TCH.” The project was released just days ago and features the lead singles, “Don’t Make Me Love U” and “B-TCH.” However, the Detroit native’s new music doesn’t seem to be making the impact she was hoping for. And this isn’t the first time Lizzo has voiced her frustrations about the rollout of her fifth studio album. Earlier this year, she blasted her music label, Atlantic Records, claiming the music leader has failed to put any effort into promoting her new batch of songs.
@lizzo LET ME BE GREAT 🤪 MY ALBUM OUT NOW 💿 link in bio
In a TikTok shared less than 24 hours ago, Lizzo was seen jumping for joy at the release of her new album. But the excitement she had quickly faded as she blasted the social media platform, accusing it of sabotaging her record sales.
“My album is out today, and TikTok continues to be a hater,” she said, claiming that when she posts about the project on her private page, it’s suddenly “ineligible for recommendation.” According to Lizzo, when she posts random clips of herself having fun, TikTok allegedly pushes them out to the algorithm. But when she posts about her album, it’s the reverse.
Lizzo went on to say that she’s seen many videos far worse than the ones she posts that get recommended to others. “And when I want to promote my album, you don’t want to recommend it to my fans?” she asked. “Well, honey, I’m on my main page to let y’all know that my album is out TODAY. Go run it up. To all of the 26 million people who love me, go get my album; it’s out today. Woo!”

According to a previous report from The Blast, Lizzo recently faced some online mockery after she shared another TikTok of herself illuminating a billboard with information about her album on a busy street.
Commenters poked fun at the “About D-mn Time” singer, calling the album a flop and pointing to low streaming numbers on different platforms, including YouTube.
“Such a big poster for 5 sales,” one user wrote, while another posted, “I feel bad, but not bad enough to stream.”
The reaction to her TikTok above was much of the same, with one person posting, “You should’ve changed the name and the album cover. From the start, it’s not iconic. It’s a mess. But love you, though. X.”
Lizzo Has Been Candid About Feeling Like People Were Sabotaging Her New Music

Weeks before the release of “B-TCH,” Lizzo got candid with her followers about the lack of promo her new record was receiving. Sticking to tradition, Lizzo took to TikTok and urged her followers to support the music so it wouldn’t “flop.”
While she was there, she replied to a fan who asked why she wasn’t using higher-quality materials to promote her project. “Baby, I’m asking the same question because I definitely approved the billboards in the marketing meetings. I definitely approved ads, but crickets,” she said.
According to Lizzo, 38, she was “crashing out” on her record label, Atlantic, saying the company wasn’t putting any “marketing money toward my ideas.”
Lizzy Hints That There Will Be More Promo Coming In A New Social Media Post
A day ago, Lizzo posted on X, formerly known as Twitter, and opened up even more about her latest project.
“I never been a stream queen… but i ALWAYS been a HITMAKER,” she wrote. “LIZBIANS RUN THEM SONGS UP TODAYYYY.”
She added, “THE PROMO IS JUST GETTING STARTED.”
Her Latest Album Is ‘Reclaiming’ Who She Is

Speaking with USA Today about her fifth studio album, Lizzo said the music is about “reclaiming” who she is rather than redefining it.
“I don’t think I have to redefine myself. I think this is about reclaiming who I am,” she said. “A lot of my identity has been manipulated by people outside of me, so this album is me taking that back − showing the Lizzo everybody knows and loves, letting her tell her side of the story and just letting her play again.”
Entertainment
17 Boutique-Style Floral Blouses Trending for Summer 2026
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Summer 2026 top fashion trends are leaning slightly feminine, and floral blouses are leading the charge. Instead of the loud, overly busy prints of years past, this season’s must-have tops feel a tad more elevated, with puff sleeves, delicate embroidery, soft color palettes and silhouettes that look straight out of an upscale boutique.
You don’t have to spend boutique prices to get the look. Amazon is packed with floral blouses that tap into this trend, from breezy cotton button-downs to romantic ruffle tops and polished office-ready styles. These 17 picks look far more expensive than their price tags suggest.
17 Boutique-Style Floral Blouses That Are Trending for Summer 2026
1. Our Favorite: This 3/4 sleeve blouse features an eye-catching lace design from shoulder to hem. The cropped arm length keeps things polished yet still breezy enough for the heat.
2. Everyday Pretty: A soft green petal print runs across Zeagoo’s flowy short-sleeved blouse. The loose cut skims instead of clings, which matters in summer humidity.
3. Office-Ready: Throw this ruffle chiffon top with black trousers on for Monday meetings. Later on, it transitions to dinner when styled with slim jeans and heeled sandals.
4. Collared Classic: A crisp collar, button-down front and long sleeves give this white floral blouse some structure. The elegant yet colorful print keeps it from feeling stuffy.
5. Palm Beach-Inspired: This Palm Beach-style blouse works well with white linen pants for a rooftop celebration. The puff sleeves and bright florals do all the talking, so there’s no need to go overboard with the accessories.
6. Breezy Beauty: Thanks to the 100% cotton material, this blue floral blouse is actually breathable in August. The short puff sleeves and a button front amp up the relaxed cut.
7. Pretty Pastels: Soft pink and green pastel florals give this puff sleeve V-neck a gentle, romantic feel. The puff sleeves add volume, taking it well beyond basic.
8. Statement Sleeves: This ain’t your average button-down! This colorful floral blouse has bold lantern sleeves that give it real presence, and the airy silhouette moves with you in an effortless, cool-girl kind of way.
9. Timelessly Chic: Black and cream florals keep this cap sleeve blouse neutral enough for any wardrobe. The small collar and flowy cut nod to classic shirting.
10. Dressy Casual: Pull on this V-neck floral top with dark jeans for date night or rock it with white pants for a daytime shower. It handles both occasions with ease and doesn’t even need ironing.
11. Color Crush: Bright florals and short puff sleeves give this V-neck boho blouse a cheerful, vacation-ready feel. While it’s a bit dressier than a tank or tee, the relaxed cut makes it wearable enough for everyday.
12. Puff Sleeve Perfection: Aside from the pastel floral print, Dokotoo’s puff sleeve blouse has a forgiving babydoll cut that slims the midsection. The short sleeves keep things summer-light.
13. Posh Pleats: Wear this 3/4 sleeve tunic with black leggings for a casual dinner or over white pants for a luncheon. The pleats add polish, but the piece itself is throw-on-and-go.
14. Retro-Chic: Pair this puff sleeve blouse with high-waisted jeans for a coffee date or tuck it into a midi skirt for dinner. It brings pure ’70s revival energy.
15. Elegantly Embroidered: Embroidered floral detailing covers this puff sleeve blouse from the neckline through the sleeve. The added texture makes it pop compared to simpler, solid alternatives.
16. Figure-Flattering: A drawstring waist and peplum hem give this button-down blouse real shape definition. The chiffon fabric keeps it light through summer heat.
17. Romantic Ruffles: Pull this V-neck floral tunic on with white denim for an outdoor party or with black pants for a fancier dinner. The ruffles do the dressing-up.
Entertainment
6 Most Universally Beloved K-Dramas of All Time, Ranked
Some K-dramas are popular, while others are truly beloved. They are shows that go beyond demographics, language barriers, and even the passage of time, becoming cultural icons on their own merit. These are the dramas you recommend to a skeptical friend, only to have them return a week later, with dark circles under their eyes and emotionally devastated, but hooked on the K-drama world.
The following six series did more than just set ratings records or launch international careers; they captured the global imagination. Whether it’s the campy, glorious chaos of a high school romance or the subtle, mundane beauty of neighbors sharing side dishes in 1980s Seoul, each of these shows represents a different dimension of K-drama magic. These are the six most universally beloved K-dramas of all time.
6
‘Boys Over Flowers’ (2009)
Boys Over Flowers is the original K-drama gateway, introducing a generation of international viewers to Korean television. It peaked at a staggering 35.5% viewership in Korea nationwide and became a pan-Asian phenomenon, airing in over 180 countries and catapulting Lee Min-ho to superstardom. The drama inspired multiple international remakes, an original soundtrack that still evokes nostalgia, and a fashion legacy that elevated even everyday looks and fashion across the world, inspiring a so-called flowerboy appearance. Critics may wince, but Boys Over Flowers is untouchable, serving as a cultural artifact and a rite of passage for any K-drama fan.
Boys Over Flowers follows Geum Jan-di (Koo Hye-sun), a working-class girl who saves a bullied student from the prestigious Shinhwa High School and receives a swimming scholarship there, before realizing it’s merely a viper’s nest of privilege and cruelty. There she meets the F4, four obscenely wealthy heirs who rule the school, led by the explosive Gu Jun-pyo (Lee); Jun-pyo torments Jan-di, but she defies him, and he falls hopelessly in love. What follows is a glorious, untamed melodrama featuring amnesia, kidnappings, arranged marriages, and enough longing stares to power a small city. The fashion is, by today’s terms, questionable; the hairstyles and accessories are infamous; and the plot is like a telenovela on fast-forward, but it’s all irresistible.
5
‘Moon Lovers: Scarlet Heart Ryeo’ (2016)
Moon Lovers: Scarlet Heart Ryeo is an intriguing case study of international versus domestic love. While its Korean ratings were modest, the drama became a staggering international sensation, garnering over two billion views on China’s Youku platform and igniting a fervent global fandom that still seems very active. IU and Lee Joon-gi gave career-defining performances, with Lee’s portrayal of the tortured outcast, Prince Wang So, inspiring numerous fanfictions and art. The show’s original soundtrack was a chart-topping success in its own right, too, while tourism in filming locations increased. It’s a legendary series at this point, and it launched most, if not all, of its main cast into stardom, including Kang Ha-neul and Nam Joo-hyuk, who were arguably already very popular in South Korea.
Moon Lovers follows Go Ha-jin (IU), a modern-day woman dealing with a broken heart, when she nearly drowns during a solar eclipse and ends up in the body of Hae Soo, a Goryeo-era noblewoman. She awakens in a palace teeming with beautiful, dangerous princes (eight in total) and is immediately drawn into a dynastic power struggle. Hae Soo is torn between the gentle warmth of the 8th Prince, Wang Wook (Kang), and the wounded, outcast intensity of the 4th Prince, Wang So (Lee). The romance that comes from her chemistry with Wang So is passionate but merciless, with the K-drama ending with a finale so devastating that it prompted fan petitions for a rewrite/sequel. It’s the K-drama equivalent of a cult classic that transcended its “cult” status, showing that some love stories are universal and forever.
4
‘Descendants of the Sun’ (2016)
Descendants of the Sun has a special cultural impact; it aired simultaneously in China and South Korea, reaching a staggering 38.8% viewership in Korea nationwide and over 2.6 billion views in China. It was the most profitable show of the time, accruing revenue from viewership, sponsorships, advertising, and reruns, and it won the Grand Prize at the Baeksang Arts Awards, catapulting Song Joong-ki and Song Hye-kyo to superstardom. Their subsequent real-life marriage and divorce only added to the show’s mythology. Fashion and beauty brands associated with the show, in particular Song Hye-kyo’s looks, saw a rise in sales, while Song Joong-ki was declared “Nation’s Husband” in China. Production-wise, this was the first highly popular K-drama that was entirely pre-recorded before airing—many of the most popular shows at the time were filmed while airing.
Descendants of the Sun follows Captain Yoo Si-jin, the leader of a South Korean special forces unit, and trauma surgeon Dr. Kang Mo-yeon, who meet in a hospital emergency room and instantly hit it off. What begins as a flirtatious push-and-pull in Seoul escalates when both are deployed to the fictional war-torn nation of Uruk. The romance that develops between them is a masterclass in old-fashioned, big-sweep melodrama, heightened by the constant threat of danger and death, making every stolen moment feel important. Descendants of the Sun is, above all, a love story about two people whose principles and careers keep getting in the way of their happiness, making it a standout in the romantic drama genre. It may not be the most complex K-drama ever produced, but its sheer euphoric reach throughout Asia and beyond solidifies its place on this list.
3
‘Goblin’ (2016–2017)
Goblin is undoubtedly one of the gems that redefined what a Korean drama could be. The series finale received a near-impossible 20.5% viewership on cable, setting a new record that lasted for years. This is another drama with an iconic original soundtrack that became a phenomenon in its own right, topping charts across Asia and earning platinum status. Gong Yoo and Kim Go-eun‘s chemistry wowed international audiences, while Lee Dong-wook‘s grim reaper became so iconic that the actor’s career skyrocketed. The show received the Grand Prize at the Baeksang Arts Awards and dominated the year-end ceremonies, winning 26 awards in total.
Goblin follows Kim Shin (Gong), a 939-year-old man cursed with immortality and an invisible sword lodged in his chest, which can only be pulled out by a human bride who sees it, eventually granting him death. His bride appears in the form of Ji Eun-tak (Kim), a naturally upbeat senior high school student who can see the dead and claims to be the one he has been waiting for. A grim reaper with amnesia (Lee) shares Kim Shin’s large home with him, and he quickly falls for a sunny chicken shop owner with her own secrets. This dense, fantastical premise should collapse under its own weight, but instead it becomes a meditation on mortality, memory, and the unbearable pain of loving someone you are doomed to lose. It is, quite simply, the fantasy romance K-drama against which all others are now measured, and its emotional devastation is the type that audiences actively seek to experience over and over.
2
‘Crash Landing on You’ (2019–2020)
The almost immediate global response to Crash Landing on You was unprecedented; it spent 22 weeks on Netflix’s global top ten list, becoming the platform’s third most-watched non-English series at the time. It broke viewership records in Korea and Japan and sparked countless parodies, fashion guides, and even real-life travel inquiries about the Swiss village where the bittersweet finale takes place. The romance between Hyun Bin and Son Ye-jin felt so genuine and electric that, when the two actors married in real-life, fans celebrated it as a collective win. Crash Landing on You received numerous Baeksang nominations and a Seoul International Drama Award, but its true legacy is simpler: it was the drama that consoled a divided world, reminding millions that love can cross any border, even if only in their imaginations.
Crash Landing on You follows Yoon Se-ri (Son), a South Korean chaebol heiress and fashion mogul who tests a paragliding suit one day and is caught in a freak tornado; she wakes up tangled in a tree in the North Korean demilitarized zone. Captain Ri Jeong-hyeok (Hyun), an elite North Korean officer, discovers Se-ri and decides, against all logic, to hide her in his village near the border and help smuggle her back home. What follows is a love story so epic and seemingly impossible that it serves as a metaphor for every political, emotional, and familial barrier that separates two people. The North Korean village setting, complete with squads of goofy soldiers and gossipy ladies, brought warmth to the series and humanized one of the world’s most isolated countries. The show is also frequently credited with sparking a new Korean Wave, and we could argue that Crash Landing on You is responsible for many of the modern K-dramas of the 2020s.
1
‘Reply 1988’ (2015–2016)
Reply 1988 not only succeeded but also inspired awe. Its final episode received a 19.6% cable rating, breaking the record that was later surpassed by Goblin. More remarkably, Reply 1988 sparked an annual rewatch ritual across South Korea (and even some other countries), proving its extraordinary emotional impact. The show’s nostalgic recreation of 1980s Korea, including the Olympic spirit, the music, the food, and the fashion, sparked a retro craze (“newtro”) that increased sales of everything from tracksuits to vintage sneakers. It won the Grand Prize at the Baeksang Arts Awards and has been voted the best Korean drama of all time by countless critics. Its true achievement, however, is more profound: it shows viewers that the most epic story ever told is unfolding right here, within us.
Reply 1988 takes place on a single, unremarkable street in Seoul’s Dobong district in the late 1980s, where five families with teenage children live lives of ordinary, exquisite humanity. Reply 1988 lacks a central conflict, a supervillain, or a fateful curse, instead featuring neighbors sharing food through open doors, teenagers obsessed with cassette tapes and first loves, and parents who are equally concerned with money and each other. The plot revolves around Sung Duk-seon (Lee Hye-ri) and the four boys who grow up alongside her, one of whom will become her husband—a mystery that the show keeps until the final episode. When the finale returns to the alley for the final time with the signature voiceover, it’s laced with nostalgia and sadness that will still make you happy; the ending adds to the reasons why Reply 1988 is the best Korean drama ever made.
Entertainment
Steven Spielberg’s New Sci-Fi Blockbuster Officially Arrives in 5 Days
Given how dramatically the filmmaking landscape has changed since Steven Spielberg last made a sci-fi movie, it’s almost as if he’s having to reintroduce himself this time around. His first sci-fi film in nearly a decade is right around the corner. It’ll be released in the wake of two phenomenal horror hits made by filmmakers who are as young as Spielberg was when he broke out in the 1970s. It’s certainly a passing of the baton moment, and for the first time in a long time, it’s the legendary director who must prove that he’s still a force to be reckoned with in this new world. And what better way to mark his territory than with a big-budget sci-fi spectacle that gives him an excuse to revisit some of his favorite ideas.
The movie in question hasn’t had the sort of robust marketing campaign that you’d expect; it could just be that Universal began promoting the film in earnest not too far in advance. Certainly, the studio seems to be putting more resources into marketing Christopher Nolan‘s The Odyssey, which is a little more than a month away from release. Spielberg’s movie arrives after two back-to-back box-office underperformers — the musical drama West Side Story, and the semi-autobiographical coming-of-age movie The Fabelmans. Both films received critical acclaim, but weren’t exactly money-spinners. Spielberg and Universal both need the sci-fi film to hit, and early reactions indicate that things might work out after all.
Here’s How Long You Have to Wait for Steven Spielberg’s New Movie
We’re talking, of course, about Disclosure Day — the sci-fi spectacle that has inadvertently been promoted this year more efficiently by the U.S. government than through official means. The movie follows a handful of characters who are made aware of the existence of aliens and are left to decide whether to break the news to the rest of the world. Disclosure Day stars Emily Blunt, Josh O’Connor, Colman Domingo, Eve Hewson, and Colin Firth, among others. The movie has received highly positive reactions so far, with just a few days to go until its release on June 12. With a reported budget of around $115 million, Disclosure Day needs to gross around $300 million worldwide in order to break even. It’s currently projected to generate around $40 million to $50 million in its domestic box office debut. Stay tuned to Collider for more updates.
- Release Date
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June 12, 2026
- Runtime
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145 Minutes
Entertainment
Amazon’s Best Summer Skirts Pair Perfectly With Sneakers
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Nothing works harder in a summer wardrobe than a great skirt and a comfortable pair of sneakers. The combination feels effortless, keeps you cool on hot days and somehow always looks more polished than shorts and a T-shirt, whether you’re heading to brunch, the farmers market or a weekend getaway.
If your skirt collection could use an update, Amazon has plenty of affordable options worth adding to cart. We found 17 of the most wearable styles, including flowy maxis, pretty floral picks and versatile midis that look just as good with classic sneakers as they do with sandals and heels. The best part? They start at just $10.
17 Summer Skirts From Amazon That Pair Perfectly With Sneakers
1. Our Favorite: The tiered ruffle hem on this flowy white maxi gives it real movement, and the drawstring elastic waist means no zipper to fuss with. It’s selling fast on Amazon for good reason.
2. Bubble Beauty: The bubble hem on this puffy maxi skirt gives it real sculptural shape, and yes, it has pockets. The elastic waist keeps it comfortable through long dinners.
3. Really Romantic: This flared maxi skirt features an elastic high waist so you skip the fit drama. The pleated chiffon catches the breeze beautifully, and the A-line cut flatters most shapes.
4. Deal Alert: Trying a print you’re not sure about gets easier at $10. This leopard midi skirt is a low-risk way to test the trend, especially since it has a pull-on elastic waist that works with your body rather than against it.
5. Pretty Polka Dots: Style this polka dot midi with a black tank and white sneakers for lunch, then add heels for date night. The satin-like material catches light in all the right ways.
6. Satin Stunner: This flowy satin midi is cut in a way that drapes cleanly without clinging, and the high waist helps to define your shape. It’s the opposite of a showy bodycon thanks to the A-line shape.
7. Pleated Perfection: Airy and light with sharp pleats, this pleated chiffon skirt moves beautifully. The high-rise fit defines your shape, so even a simple tee looks styled.
8. Comfy Choice: The handkerchief hemline on this flowy midi skirt adds visual interest without bulk. The asymmetric cut moves well and skims the legs in flattering ways.
9. Gorgeous Gingham: This black gingham skirt proves the print can feel incredibly chic, especially in a long silhouette. The fact that it has pockets? Even better.
10. Boho Beauty: Wear this colorful boho maxi with a white tank and tan sandals for a vacation dinner, or sneakers for a museum day. The pockets are a convenient detail you don’t always find in similar styles.
11. High-Low Hem: The high-low hem on this floral boho maxi shows leg without committing to a short skirt. The elastic waist and ruffles keep the silhouette soft.
12. Floral Fun: This high-waist floral maxi is an easy, throw-on-and-go piece, but it still feels effortlessly polished. Somehow, it pairs perfectly with almost any top, whether you’re opting for a graphic tee or a fancy, flowy something.
13. Weekend Hero: Wear this high-waist floral maxi with sneakers for a Saturday farmers market trip, then keep it on through dinner. The pockets mean you can leave the bag at home.
14. Farmer’s Market-Ready: With its flowy A-line shape and relaxed elastic waist, Zesica’s boho floral maxi delivers that easy, pulled-together feel. The breezy print adds to the charm.
15. Everyday Essential: A drawstring waist and soft ruffle hem give this high-waist mini skirt a playful yet elevated feel. It’s just as comfortable as it is easy to style.
16. Sporty-Chic: Rock this sporty mini skirt with sneakers and a fitted tank for a morning walk or coffee run. The spandex-blend material moves like leggings but looks more pulled-together.
17. Darling Denim: Create a classic weekend look by wearing Levi’s mini skirt with white sneakers and a white tee. Headed out for the night? Some sandals and a silky tank will instantly dress it up.
Entertainment
New WWII Sleeper Hit Sinks the Greatest Submarine Movie Ever Made at the Box Office
While the industry welcomes younger audiences with open arms as they flood theaters to watch Obsession and Backrooms, it shouldn’t forget the contributions of older viewers. Not too long ago, a bunch of them came out for The Devil Wears Prada 2 and Michael, which have grossed more than $1.5 billion worldwide in combined box-office revenue. More recently, a movie aimed squarely at older men offered counter-programming in the midst of the Backrooms and Obsession wave, securing a spot on the domestic top 10 list and repeating the feat in its second weekend. The movie also managed to pass its first domestic box office milestone in its sophomore frame, and in doing so, overtook one of the all-time greats.
We’re talking, of course, about the recently released World War II drama-thriller Pressure. Starring Brendan Fraser and Andrew Scott, the movie follows the tense exchange between a British meteorologist and Dwight D. Eisenhower as they debate about the ideal time to launch the Allied invasion of Europe. It was a decision that changed the course of history, and the fact-based story is almost as unbelievable as the one about the Russian soldier who averted the apocalypse during the Cold War by correctly flagging a possible nuclear attack as a false alarm. The story was revisited in the 2013 documentary film The Man Who Saved the World.
‘Pressure’ Has Been Embraced by Its Target Audience
Pressure received positive reviews from critics and audiences. It appears to have settled at a “Certified Fresh” 86% critics’ score and a “Verified Hot” 95% audience score on the aggregator website Rotten Tomatoes, where the consensus reads, “Finding a fresh angle on one of the most dramatized days in military history, Pressure is a brainy war film that derives most of its thrills from Andrew Scott’s simmering performance.” The movie grossed around $5.5 million in its opening weekend at the domestic box office, and added another $2.8 million in its sophomore frame for a cumulative haul of around $11 million. It will soon overtake the $14 million haul of the Russell Crowe-led Nuremberg, but Pressure can already celebrate having overtaken the $10.9 million haul of the WWII classic Das Boot. Directed by the late Wolfgang Petersen, Das Boot is still regarded as the seminal submarine movie. Released in 1981, it grossed around $85 million worldwide — the equivalent of nearly $300 million worldwide adjusted for inflation. Stay tuned to Collider for more updates.
- Release Date
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May 29, 2026
- Runtime
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90 Minutes
- Director
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Anthony Maras
Entertainment
Ellen DeGeneres Brings Back Scary Prank for Kris Jenner Reunion
Ellen DeGeneres terrified her friend Kris Jenner in a throwback to her daytime talk show.
“What the f*** is wrong with you?” a terrified Jenner, 70, screamed at the former Ellen DeGeneres Show host, 68, in a video posted via Instagram on Saturday, June 6.
The NSFW clip started out with DeGeneres hiding behind a wall, presumably in a Mallorca vacation home where she and Jenner have reportedly been enjoying a getaway with their partners, Portia de Rossi and Corey Gamble.
As a clueless Jenner walked around the corner, wearing a flowing caftan, DeGeneres jumped out and screamed in her face.
“What the f***?” Jenner shouted back while laughing. “You f***ing a**hole! Oh my god!”
As DeGeneres cackled in the background, the Kardashians star admitted, “I have shivers all over my f***ing body!”
Luckily, Jenner got over her initial fright quickly and later shared the prank via her Instagram account, along with the caption, “@ellendegeneres still at her shenanigans… it never gets old.”
Several of the Kardashian family’s friends and extended family — including Malika and Khadijah Haqq, Kimora Lee Simmons, Kyle Richards and Tristan Thompson — replied with laughing emojis in the comments section on the post.
“I love yalls relationship,” Khadijah, 43, wrote, before quoting Kris’ cries of terror, “‘”…Shivers all [over] my body…’”
As mentioned, DeGeneres’ classic pranks date back to her daytime talk show, which originally aired from 2003 to 2022. She memorably surprised Pink during one interview with a man in a cockroach costume while the cursed doll Annabelle once sprung out of a box to freak out Jake Gyllenhaal.
The Kardashian-Jenner family were frequent targets of DeGeneres’ pranks over the years, including the time she confronted famed arachnophobic Kim Kardashian with a live spider on stage in April 2022.
However, DeGeneres’ favorite prank victim has always been Kris. The comic filmed herself singing in the sleeping reality star’s ear and horrified her with a jump scare in a dark hallway.
DeGeneres has kept a relatively low profile following the end of her talk show in 2022. She moved with wife de Rossi, 53, to a farmhouse in the Cotswold region of England in November 2024 following the re-election of President Donald Trump.
“We got here the day before the election and woke up to lots of texts from our friends with crying emojis, and I was like, ‘He got in’,” she revealed in July 2025. “And we’re like, ‘We’re staying here’.”
While the couple bought a $27.4 million home in Montecito, California, in November 2025, Us Weekly exclusively reported in February that they have no plans to move back to the U.S. permanently.
“They are still planning to live full-time in the U.K. but will spend a few months of the year in Montecito,” an insider told Us.
Entertainment
Carmen Electra breaks down her 'whirlwind' return to “Scary Movie ”for a surprise cameo
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Electra’s delightful reveal in the franchise’s long-awaited return marks her third appearance in a “Scary Movie” movie.
Entertainment
How ‘The Mandalorian and Grogu’ Can Still Save ‘Star Wars’
It’s not shaping up to be a good year for “Star Wars.” Although the animated series “Maul – Shadow Lord” earned rave reviews from critics and fans alike, many questioned why the Disney+ series “The Mandalorian” needed to head to the big screen, especially considering that “Star Wars: Starfighter” will hit theaters in less than a year from now. Although the movie failed to perform at the box office, it’s possible that Lucasfilm can still turn this into a win.
‘Star Wars’ Might Make A Fortune In Merchandising
On paper, it does make at least a little bit of sense. People who are not familiar with “Star Wars” probably know who Grogu – ahem, Baby Yoda – is. After all, the little green guy is everywhere. He’s on everything from T-shirts to throw blankets. He even popped up at Build-A-Bear, where fans can dress him in a little Grogu onesie or get him a frog wristlet before he decides to, you know, eat it.
Merchandising has always been the backbone of the “Star Wars” economy, and so it makes sense that Lucasfilm would want to take this opportunity to partner with as many brands as possible to get the name out there. The Republic of Tea is now selling at least three different tea tins. Bath & Body Works is selling everything from candles to cologne in “Force Flow” and “Bounty Hunter” scents. And don’t even get me started with whatever’s going on at Burger King.
‘The Mandalorian and Grogu’ Was Never A Story For The Big Screen

The problem is, “The Mandalorian” has always been a TV show. While the first two seasons were well-received, the third one got bogged down by lore and pointless cameos (did we really need Lizzo and Jack Black in the same episode?) The show was already crumbling before they decided to turn it into a movie, and not a very good one at that.
“The Mandalorian and Grogu” felt like three episodes stitched together, and while that wouldn’t matter if they were good episodes, this feels like a pointless side quest in their overall story. Both Din Djarin (the titular Mandalorian) and Grogu basically end up right back where they started, except now Din has a shiny new ship. There’s no tease of a bigger threat on the horizon. There’s no major character growth. Overall, the movie is pretty inconsequential in the long run.
And that honestly might be fine for kids who just want to see Din Djarin beat up the bad guys (there’s a lot of that in this film). But it doesn’t contribute anything more to the franchise. It looks like a “Star Wars” film. It sounds like a “Star Wars” film. But it lacks the soul and character of the other films that really make them magical. Trust me – I just watched the sequel to “Zootopia” last night, and kids’ movies can absolutely have heart and eye-rolling slapstick comedy that was meant for five-year-olds.
‘Star Wars’ Is All Anyone’s Talking About

But if Lucasfilm put out “The Mandalorian and Grogu” just hoping that they were going to get “Star Wars” back on everyone’s minds, they’ve certainly done that. The press coverage about how this movie absolutely bombed at the box office has been unavoidable. It’s probably not the press that Disney wanted, but the movie is out there now.
I can imagine that, considering the film is going to make its way to Disney+ eventually, most people are just waiting to continue to watch the movie like they’ve watched the last three seasons: at home on the couch with a bucket of popcorn that does not resemble Din Djarin’s head. It started on the small screen, and that’s where it should have stayed (along with a tie-in to Thrawn to get people at least excited for what may come next in Mando’s story, but I digress).
Despite countless headlines about how “Star Wars” is over for good, the movie probably awakened a new generation of fans who are now binge-watching the rest of the films on Disney+. They might have even roped in a few new fans of “The Mandalorian” as well. If they wanted to go all-in on the Baby Yoda merchandising and get some new Disney+ subscribers by putting out a lackluster film, then they’ve succeeded in that regard.
Will ‘The Mandalorian and Grogu’ Create New ‘Star Wars’ Fans?

Let’s face it: “Star Wars” needs some new fans, and that needs to start with the younger generation. The sequel trilogy was an absolute disaster, and the fact that there hasn’t been a “Star Wars” movie in theaters since 2019’s “The Rise of Skywalker” proves it. There are kids who have never seen a “Star Wars” movie in theaters, and it’s possible that Lucasfilm wanted to rope fans in with “The Mandalorian and Grogu” before “Starfighter” is released next year and (possibly?) gives fans a look at what the future has in store for Rey and whoever else they plan to bring back.
But Lucasfilm might actually be shooting itself in the foot with this one. The more extraneous material they release – like this movie – the harder it is for a “casual” fan to catch up. I can’t tell you how many times people have asked me how this movie connects to the original trilogy (“The guy is like… the brother of Boba Fett, right?”) or if Grogu and Baby Yoda are the same character. People legitimately do not know about “Star Wars.”
They know Darth Vader. They know Yoda. They know Luke Skywalker. All of those characters have become pop culture legends, and maybe it should have stayed that way. For twenty years, there were six films in the Skywalker Saga, and that was it. Then Disney started pumping out a movie a year, and several live-action shows that the average viewer stopped keeping track of. “Andor” got plenty of buzz, but ten or twenty years from now, I don’t think anyone will be talking about that or “The Mandalorian.”
If “The Mandalorian and Grogu” wanted to get “Star Wars” back on everyone’s lips, then they’ve certainly done that. And although it failed to show up at the box office, plenty of fans will certainly catch it on Disney+ whenever it hits streaming (which might be sooner rather than later at this rate). Between merchandising and other brand partnerships, “Star Wars” is everywhere again.
Let’s just hope that Shawn Levy’s “Starfighter” can deliver. Rebellions are built on hope, and so, apparently, is this franchise.
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