One of my favourite YouTube blunders is from creator Brittany Broski, who complained to drag queen Trixie Mattel (busy giving the online star a heavy-lashed makeover at the time): “When I close my eyes, I can’t see.”
It’s hard not to laugh at Trixie’s disbelieving “Well…”, given that we all know the world goes dark when we lower our lids.
Except ― does it? While we clearly can’t “see” the real world when our eyes are closed, many of us do start to notice patterns, shapes, and colours when our retinas are deprived of light.
Why is that, how common is it, and what does it mean?
According to health information site Healthline, these are called “closed-eye hallucinations.”
They’re technically hallucinations because, well, when you close your eyes you can’t see ― the visions come completely from your brain.
Common “closed-eye hallucinations” include swirling shapes, pixel-like squares, seemingly random objects, and even flashing lights.
Mine often look a bit like the ever-moving Windows ’98 screensavers and it never occurred to me that not everyone sees them.
These come from phosphenes, healthcare providers Cleveland Clinic explains, which create “flashes of light with or without structure that you see when there isn’t an actual source of light entering into your eye.”
They’re most often present when there’s pressure on your eyes (I sleep with my face mushed into a pillow, so that makes sense) ― but they can also arise from your brain or retina.
The illusions “may or may not be” a sign of medical issues, Cleveland Clinic says ― though Healthline assures us that, “Closed-eye hallucinations aren’t typically a cause for concern.”
They can sometimes arise after a blow to the head, as a result of retinal or neurological conditions, due to chemo and radiation, or as a withdrawal symptom.
They can also appear when you cough or rub your eyes and even reveal low blood pressure.
“If you see phosphenes frequently and you have other symptoms that worry you, like double vision (diplopia) or blurry vision, you should consult an eye care provider, such as an ophthalmologist,” Cleveland Clinic shares.
“If you know you have diabetes, or if you’re seeing floaters in conjunction with the phosphenes, you should also consult an eye care provider.”
Healthline adds that “if closed-eye hallucinations are so significant that they cause insomnia or anxiety, consider seeing a doctor.”
The majority of cases, however, are nothing to worry about.
Over the course of his career, Steven Spielberg has directed every genre possible, from action blockbusters to musicals and powerful war films.
However, there is one film franchise that’s always eluded him.
Speaking on the podcast The Rest Is Entertainment, the Oscar-winning filmmaker revealed that he was turned down not once but twice by the producers of the James Bond film.
When they asked if he regretted not ever directing a 007 movie, Spielberg explained that he had previously approached the former Bond producer Albert “Cubby” Broccoli about working on the franchise – only to be rejected.
“I’d always wanted to make a James Bond film from the day I saw Dr No,” the Saving Private Ryan director explained.
“So, I called Cubby Broccoli after Jaws and I volunteered. I said, ‘if you need a director, I would love to direct one’. And he said no. And he moved on.”
Danjaq/Eon/Ua/Kobal/Shutterstock
Broccoli, who died in 1996, then made contact with Spielberg again in 1977, after the success of Close Encounters Of The Third Kind, to request permission to use part of the film’s iconic musical theme in a Bond movie.
Spielberg recalled: “Cubby called me again after Close Encounters came out – and that was a big hit – and said, ‘we’d like to use the five notes in Moonraker’. And I said, ‘I’ll make you a deal. I’ll give you permission to use the five notes if you let me direct a Bond film’. And he said, ‘nope’. But I gave him the five notes anyway.”
In good news for film fans, that second Bond rejection led to Spielberg working on Raiders Of The Lost Ark.
When he told George Lucas about his failure to land the Bond gig, the Star Wars filmmaker proposed they work on Indiana Jones together. “That’s how I got that job,” he explained.
Lucasfilm Ltd/Paramount/Kobal/Shutterstock
Spielberg also admitted he’s still not sure why the Bond producer never hired him for the franchise, but did joke: “If they ever asked me to make a Bond film now, my answer would be: you can’t afford me.”
Dune director Denis Villeneuve is helming the next, currently-unnamed Bond film, although there is still no hint on who will step into that iconic tuxedo and play the iconic spy character next.
Spielberg’s latest film, Disclosure Day is in cinemas now.
Morocco have suffered a significant setback just days before the start of their 2026 World Cup campaign, with defender Nayef Akrad and winger Abdel Samad Al-Zalzouli both ruled out through injury.
The Moroccan Football Federation, in coordination with FIFA, have confirmed that both star players will miss the tournament. The team have called up Marwan Saadane and Amine Sebaï as replacements ahead of their Group C opener against Brazil.
Akrad’s absence is a major blow to Morocco’s defensive structure. A key figure in the run to the 2022 World Cup semi-finals, he had been included in the squad in the hope he would recover in time, but medical assessments ruled him out of their plans.
Al-Zalzouli’s withdrawal further weakens the squad’s attacking options. The winger sustained a knee injury during a friendly match against Norway, forcing him out at a crucial stage of Morocco’s preparations and leaving the coaching staff short of experienced alternatives.
The double setback also deprives Morocco of valuable tournament experience, with both players having played important roles in Morocco’s recent international progress.
Their replacements now face a difficult task. Saadane brings solid club experience, while Sebaï is still relatively new to the Morocco senior setup.
Attention now turns to Morocco’s demanding World Cup opener against Brazil, one of the tournament favourites, as the Atlas Lions look to navigate an even tougher start to their campaign.
Featured image via Jordan Bank / Getty Images
By Alaa Shamali
Torcuil Crichton MP, the Labour MP for the Western Isles, has hit back at campaigners opposing the annual guga hunt.
He accused protesters of “attention-seeking behaviour” and “virtue-signalling”. In response, campaigners accused Crichton of “dismissive and belittling rhetoric”, saying he’s:
lost sight of the views of his constituents.
The spat comes as Scotland’s nature agency received a licence application for the guga hunt this year. The 10 man hunting team based in Ness, Isle of Lewis is seeking NatureScot’s permission to kill gannet chicks on the island of Sula Sgeir. The birds, still too young to fly, are removed from their nests, slaughtered and brought back to Lewis to be eaten as a traditional delicacy.
Supporters say it’s an important cultural tradition, but campaigners say it’s cruel and needs banning.
Former Gaelic broadcaster Crichton poked fun at campaigners’ language skills, saying:
Until now I have hesitated to comment on what its own organisers pronounce as the campaign to ‘Abolish the goo-ga hunt’. It struck me as another one of these boring examples of attention-seeking behaviour, enabled by social media and fuelled by a lack of real purpose in life.
The ‘goo-ga’ campaign does fall into the virtue-signalling camp of activism and to prove their commitment someone undertook a sweat-drenched election campaign in a penguin suit (he didn’t look anything like a gannet) and was willing to put others at risk by climbing onto the roof of a public building.
The MP, who won election to the Na h-Eileanan an Iar constituency in 2024, added:
The guga harvest is an essential part of the history, culture and identity of Ness. It is conducted with due reverence to sustainability and importantly to what it means to the continuation of the living tradition of the islands.
Crichton’s comments referenced Protect the Wild’s recent Scottish parliament election campaign, during which the organisation’s founder stood as a giant gannet to protest the guga hunt. Responding, Devon Docherty, Scottish campaigns manager at Protect the Wild, said:
We suggest Mr Crichton might want to take a trip to Specsavers if he thought our tailor-made gannet costume was a penguin.
Unfortunately, a man so busy looking down his nose at wildlife campaigners appears to have lost sight of the people he was elected to represent, many of whom oppose the guga hunt, but are afraid to speak out because of exactly the kind of dismissive, belittling rhetoric his statement exemplifies.
Docherty said the MP’s comments were out of step with the Labour Party’s commitments to animal welfare and their recent action to end fox hunting:
He would also be wise to look at the history and stated values of his own party. After all, defenders of fox hunting relied on exactly the same arguments used in favour of the guga hunt: tradition, culture, heritage and rural identity. Labour rightly rejected them then. Why accept them now?
She added:
The guga hunt is indeed part of the history of Ness. But that is exactly where it should stay, because the mass slaughter of native wildlife clearly has no place in Scotland’s future.
Protect the Wild’s petition urging NatureScot to reject the Guga hunt licence has surpassed 200,000 signatures. The group believes it’s the largest petition the agency has ever received. NatureScot says it will assess the application using the most recent scientific evidence, before its board makes the final decision.
Featured image via the Canary / Protect the Wild / Jeff J Mitchell – Getty Images
By The Canary
Ageing doesn’t always mean decline, particularly if you don’t expect it to. One study involving more than 11,000 participants found that almost half improved either their physical or mental capacity after their 65th birthday; people who improved on one or both metrics were likelier to have a positive view of ageing.
But what about personality?
A paper published in the journal Communications Psychology put 165 adults (a younger set in their 20s, and another group aged between 60 and 80) through an eight-week training course designed to help them handle stress and social situations.
They found what study author Professor Dr Cornelia Wrzus called a “striking and unexpected result” among the older cohort.
Participants were given personality tests before and at various stages after their training.
These aimed to find out about traits like emotional stability and extraversion.
Both groups performed better on these scores after the eight-week intervention, including a year after it ended.
“Investigations [on personality changes] frequently focus on young adults between the ages of 18 and 30,” Prof Wrzus said.
But after looking at the results of this study, the professor said her team found that the average change in behaviour barely varied between the age groups.
This was a “striking and unexpected result, since it seems more difficult for older adults to learn something new, like a foreign language or a musical instrument,” Prof Wrzus said.
The researchers also asked the participants to describe how intensively they practiced the tasks given to them during the training course.
They found that 60+-year-olds typically engaged more enthusiastically with things like coursework and at-home tasks, perhaps explaining the “unexpected” outcomes.
“Our study results somewhat contradict the adage that ‘you can’t teach an old dog new tricks’. That is good news for aging populations,” Prof Wrzus stated.
“When people are sufficiently motivated, they maintain the ability to change and learn new things.”
Dame Helen Mirren has shot down the rumours of behind-the-scenes tension on the set of MobLand between herself and co-star Tom Hardy.
Last month, it was widely reported that Tom had been fired from the Paramount+ crime drama after the second season wrapped, after allegedly clashing with producers.
According to a “source” quoted in The Hollywood Reporter in May, Tom had also “refused to come out of his trailer for hours at a time”, leaving his co-stars waiting for him so they could shoot.
However, Dame Helen has now insisted that there is no bad blood between herself and her co-star.
“As long as what’s on the screen is fantastic, I’m totally chilled with whatever, however anyone gets there,” she told Deadline.
Dame Helen said she would work with the Inception actor in a “heartbeat”, but did admit they had “different” creative “processes”.
“I love Tom. I think he’s the most amazing actor. I’ve always loved him on screen and different actors have different processes. I’ve learned over the years that some people get things fast and other people took time,” the Oscar winner said.
She added: “He’s got the kindest heart… I think he’s absolutely remarkable. So my support of him is genuine and heartfelt.”
Millie Turner/Invision/AP
When asked if she thought Tom would return to MobLand, Dame Helen said she hoped it would happen.
She explained: “When you have these sort of very powerful artistic people working together, the creative process is very challenging and people can get their knickers in a twist, as we say.
“But yes, we will go forward, absolutely, and it’ll be even better.”
This isn’t the first time Dame Helen has shown Tom her support. Last month, shortly after articles in the press about Tom’s alleged on-set behaviour were published, she posted an Instagram photo of him alongside the caption: “Love you now and always.”
Following the initial rumours of Tom being axed, Variety later suggested that he had, in fact, not been fired and that “the door is not closed for season three and things are being worked through creatively”.
HuffPost UK contacted Paramount+ for comment last month, but did not receive a response.
MobLand returns to Paramount+ for its second season later this year.
Keir Starmer’s Labour party is trying to push a bill through Parliament that amounts to legalising bribery.
Clause 60 of the Representation of the People bill will remove caps on political donations and de-couple donations from companies’ UK taxable profits. Starmer has already pulled murky political tricks to mask its passage so far. He is ignoring almost all the recommendations of Labour’s own already-weak ‘Rycroft Review‘ into foreign political interference. UK state-corporate media are ignoring the bill.
This video from the Canary explains:
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Starmer already sold the party to the super-rich when members deserted the hollow corpse he made Labour into after Corbyn. Now he wants the freedom to crawl even deeper into their pockets – and up their backsides.
Featured image via Peter Nicholls / Getty Images
By Skwawkbox
World Cup history is awash with politics — and politicians — intruding on the soccer.
For almost a century, leaders ranging from Italian dictator Benito Mussolini to Argentine military junta boss Jorge Videla to French President Jacques Chirac have sought to score political points from the tournament.
This year’s competition is also not the first to be overshadowed by conflict. North Korea tried to upstage the event in 2002 with a bloody naval assault on South Korea, and the Falklands War between Britain and Argentina loomed over the 1982 World Cup.
In 1934, Mussolini viewed a World Cup victory as a way to symbolize Italian might. Brazilian dictator Emílio Médici said that the 1970 triumph was testament to his country’s greatness. Memories of the Falklands provided fraught context to England’s clash with Argentina in 1986, one of the most famous games in the tournament’s history.
In more recent times, Chirac cast himself as a big fan of the all-conquering, racially diverse French national team in 1998. Vladimir Putin exploited the 2018 tournament to project Russian soft power, while Gulf petromonarchy Qatar used the 2022 edition as part of a major nation-building project.
And this year, it’s the the politics of MAGA — an ongoing foreign war and domestic immigration crackdown — that are coming back to bite soccer’s governing body FIFA.
Our first letter was answered/dismissed by “Service Adviser 1989847”, so this reply to our second one, while it doesn’t say much, definitely feels like a step up.
Our KC has offered all possible assistance to the Cyber and Fraud Unit in relation to the matter, and we’ll keep you posted with any developments, readers.
John Healey has done something unfashionable for a politician in our times: he has resigned, not over a sex scandal, a briefing war or a manufactured media row, but over a matter of substance. The now former UK defence secretary says the government will not properly fund the defence of the realm. He is correct, and he deserves commendation for upholding such high principles.
Healey’s resignation is an indictment of Keir Starmer’s government. The Defence Investment Plan (DIP) was meant to be the moment when Starmer’s solemn talk about a dangerous world would be turned into hard commitments: defined funding for ships, missiles, drones, air defence, munitions stockpiles, personnel and industrial capacity. Instead, Healey says he was shown a settlement that would limit spending to just 2.68 per cent of GDP by 2030, short of the three per cent he judged necessary, and a mere 0.08 percentage-point increase over four years.
There is no mystery about why the money is missing. Starmer and chancellor Rachel Reeves bottled welfare reform. Last year, facing a Labour backbench revolt, the government gutted its planned savings from sickness and disability benefits of £5 billion annually. The u-turn meant the reforms would no longer save taxpayers any money and had shredded the margin Reeves needed to meet her fiscal rules.
This is the basic arithmetic of government. You cannot fund a swollen welfare state, an unreformed NHS, Net Zero, debt interest and national defence all at once. In the real world, priorities must be set. Labour has chosen welfare dependency over military readiness. It has chosen to appease backbenchers over the first responsibility of any government – to protect its people.
Starmer is not solely to blame for this sorry state of affairs. Britain’s armed forces have been hollowed out over many years. The Cameron-Osborne austerity settlement began a long era of strategic negligence. The 2010 Strategic Defence and Security Review cut defence spending by eight per cent. A military that cannot sustain combat is nothing more than an advertising campaign masquerading as an army. And that is what we are left with.
The Ajax tank farce is emblematic of the sickness. The programme was supposed to deliver a modern, armoured reconnaissance vehicle. Instead, it has become a monument to defence dysfunction – years late, billions wasted, the tanks plagued by defects so serious soldiers were harmed in training. Ajax was expected to enter service in 2017. The tanks are now expected to be operational – at best – by 2028.
The Ministry of Defence excels at producing acronyms, reviews and procurement frameworks, yet struggles to deliver fighting power at speed and scale. A 2023 Defence Committee report on the procurement system described it as bureaucratic, slow, poorly accountable and in need of comprehensive reform. Britain has talented officials, engineers and service personnel. It lacks a governing class willing to make hard choices, enforce accountability and accept that defence exists to deter enemies and, if necessary, win wars.
The delayed DIP has turned that failure into a national humiliation. The Public Accounts Committee warned this week that the delay had undermined Britain’s credibility with allies and weakened its ability to deter adversaries.
It will take far more than speeches to make forces combat-ready. Defence companies cannot invest on the basis of ministerial mood music – they need hard commitments. Our NATO allies cannot plan around such vagueness, either.
This is why Healey deserves respect for his resignation. He did not fix the system. He did not reverse the hollowing out. He presided over part of the drift. Yet when finally confronted with an underfunded plan, he refused to front it. So too has Al Carns, the armed forces minister. In his resignation statement – made on the same day as Healey’s – Carns said: ‘We ask soldiers to fight for this country. In return, we owe them the kit to do the job.’
The chief of the defence staff and his subordinate generals, admirals and air marshals should follow suit. Leadership demands accountability, and senior leadership in the Ministry of Defence should take Healey’s example as a lesson; otherwise, nothing will change.
Britain’s defence establishment now faces a brutal question: does the state still believe national defence is its first duty? At present, the answer is not good. The armed forces are too small, too thinly resourced and procurement is poor.
John Healey’s departure has exposed the truth. Britain lacks a Ministry of Defence, a Treasury, or a defence policy worthy of the threats we face.
Andrew Fox is a retired Parachute Regiment officer, a senior fellow at the Henry Jackson Society, and co-host of The Brink podcast.
The pioneering British artist David Hockney has died at the age of 88.
On Friday morning, his publicist, Erica Bolton, announced that the legendary painter had died at his home the previous day.
Her statement read: “The celebrated British artist David Hockney, one of the most important figures in contemporary art in both the 20th and 21st centuries, passed away peacefully at home on 11 June 2026, one month short of his 89th birthday.”
Born in Bradford in the July of 1937, David studied as a young man at the Royal College of Art, before making the move to California.
First making a name for himself in the 1960s as a leading figure in the pop art movement, David became synonymous with his brightly-coloured swimming pool paintings in the early years of his professional art career.
His other most notable works included portraits using various media of key figures in his personal life – including family members, friends and lovers – many of whom he revisited numerous times over the course of his decades-long career in different works.
During his lifetime, he repeatedly stated that his ethos when it came to art was to “paint the things you love”.
In 2018, he set a new record when his painting Portrait Of An Artist (Pool With Two Figures) sold at an auction for around £70 million, the highest figure ever for a work by a living artist.
His accolades included the Alfred Toepfer Foundation’s Shakespeare prize and being named Britain’s most influential artist in a 2012 poll of painters and sculptors.
David was also appointed to the Order of Merit in 2012, having declined a knighthood years earlier, claiming in the early 1990s that he didn’t “rate prizes”.
An exhibition of recent paintings by David is currently on display at London’s Serpentine gallery.
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