Whew, Roomies! TLC reality star and mom of 14, Karen Derrico, has been hit with criminal charges after allegedly making death threats toward her ex-husband, Deon Derrico, and some of their children. Fans may recognize the former couple from ‘Doubling Down with the Derricos,’ which followed their life with 14 kids.

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Details About Karen Derrico’s Charges After Alleged Threats Toward Ex-Husband

According to TMZ, Las Vegas police arrested Karen Derrico, and she now faces several criminal charges. Prosecutors claim Karen directed alleged threats toward her ex-husband, Deon Derrico, and some of their children. Court documents obtained by TMZ show prosecutors charged her with harassment, violating a restraining order, aggravated stalking, and attempting to prevent a witness from testifying through threats of violence.

Prosecutors also claim Karen sent Deon multiple emails allegedly threatening to kill him and saying she didn’t care about going to jail. They further allege that she threatened to “kill any of the kids” who sided with Deon during their split and warned that she would kill him if he showed up to a court hearing involving the restraining order he filed against her. Deon reportedly filed a temporary restraining order against Karen in April. He also purportedly submitted a police report that included the threatening emails she reportedly sent.

Karen’s Attorney Speaks Out Amid Charges & Gives Update On Her Status

Karen’s attorney, Jess Marchese, claims Deon allegedly sent the threatening messages to himself and tried to pin them on Karen. Marchese also told TMZ that his team is working with tech experts to prove Deon actually wrote the messages. Karen continues to maintain her innocence and says she would never threaten or harm her children. Marchese added that Karen is currently out on a $2,000 bond and is wearing an ankle monitor.

Where Do The Derricos Stand Now?

Karen and Deon finalized their divorce in June 2024. Around that time, Karen hopped on Instagram and shared a video updating fans on how she and her children were adjusting to the major life change. She said the kids were doing “as good as they can be” and explained that she was focusing on self-care while navigating her new co-parenting journey with Deon. Karen and Deon share 14 children: Darian, Derrick, Dallas, Denver, Deonee, Daician, Daiten, Deniko, Dariz, Deiz, Dior, and triplets Dawsyn, De’Aren, and Dyver.

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Video games as an artistic medium have certainly earned their keep among the likes of novels, film, and the various other methods of storytelling as an exceptional, striking experience, complete with many masterful works of art that make of its use of player control and variance. However, for every truly great game that pushes the medium forward, there are also a handful of notoriously awful games, with some of the very worst being downright shocking in their complete lack of quality.

From awful relics from periods of growth and evolution for the medium to botched games with no budget or direction, several of these games manage to be nearly unplayable in their disastrous executions. The only legacy that they have achieved for themselves is that of downright failure, being arduous to play and completely going against everything that makes video games such a striking and long-lasting medium.

10

‘Ride to Hell: Retribution’ (2013)

Following the continued success of games like Grand Theft Auto, there were a wide array of games that wanted to try their own hand at a vast open world for the player to explore. While Ride to Hell: Retribution originally had plans of being a vast, open world with grueling roads and biker gangs, the final product abandoned this idea to instead tell a basic, linear story of revenge. Not that an open world would have really done much to save Ride to Hell, as its shoddy execution completely undoes anything that the game was actually trying to achieve.

Plagued by lackluster visuals, bad shooting mechanics, and awful writing and voice acting, Ride to Hell’s only real enjoyment comes from a place of unintentional so-bad-it’s-good comedy. However, with so many disastrous glitches that hinder the player from actually progressing, as well as an array of tasteless, abrupt sex scenes (featuring fully clothed characters), any fun had while playing the game quickly goes away.

9

‘The Lord of the Rings: Gollum’ (2023)

Licensed video games based on pre-existing pop culture can vary massively in terms of quality, as while it can result in exceptionally great games like Insomnia’s Spider-Man or Star Wars: Knights of the Old Republic, it can also result in absolute disasters like The Lord of the Rings: Gollum. While Gollum is far from the only licensed game to appear on this list, it’s a massive outlier in being the only game released within the past 10 years.

Gollum was an idea that seemed effective as a concept, but as release drew closer players came to realize that it’s hard to imagine actually having fun playing as the meek, shifty creature. It didn’t make things better that the actual execution proved to be laughably bad, with terrible visuals worse than the decades-old movies and terrible stealth mechanics. Glitches on release also made the game nearly unplayable, as a buggy mess that constantly crashed and made the entire experience extremely unstable.

8

‘Shaq Fu’ (1994)

While Shaquille O’Neal is still widely celebrated as a beloved celebrity nowadays, his level of dominating star power as an NBA all-star was near inescapable in the 90s. This resulted in him being in a wide array of obnoxious, poorly-made pop culture films, and while films like Steel and Kazaam will forever be infamous as some of the worst 90s movies, Shaq Fu equally stands as one of the worst video games of the 90s.

Especially in an era where fighting games were arguably at their peak with the recent releases of Street Fighter II and Mortal Kombat, Shaq Fu is one of the most uncomfortable and sluggish fighting game experiences of all time. It reaches a point where difficulty doesn’t come from any real balancing, but from the pain of actually making sense of the controls and trying to play the game. This doesn’t even go into the chaos of the game itself, where Shaq has to fight a bunch of interdimensional warriors to save a child from an evil mummy.

7

‘Bad Rats’ (2009)

Bad Rats has an interesting legacy as one of the most infamously well-known and surprisingly successful terrible games of the digital era, finding massive popularity as a gag gift for people to send to each other on Steam. The combination of its overwhelming lack of quality, shocking offensive material and bloody violence, and only costing $2 and frequently going on sale, many people bore witness to the complete failures of Bad Rats.

The game fundamentally fails at the structural elements of its core gameplay, being a physics-based puzzle game where the physics often don’t work at all. Without any actually functioning puzzles, the only thing the game has to fall back on is its visuals and presentation, which ironically manage to be even worse than the non-functional game itself. Between the low-quality 3D visuals and the array of racist caricature rats, Bad Rats is little more than a cheap gag whose comedy wears off quickly.

6

‘Bubsy 3D’ (1996)

While the jump from 2D to 3D gaming may have been massively successful for iconic franchises like Mario and Zelda, this massive leap in technological scope and scale wasn’t always met with success, as Bubsy 3D took an already middling platformer franchise and made one of the absolute worst platformers of all time. It features a sluggish, unintuitive method of character and camera control that makes even basic movement an arduous task to overcome.

If it were one of the earliest attempts at platforming in 3D, then maybe the game would have more legs to stand on, but the game is completely blown out of the water by Super Mario 64, which released in North America two months before Bubsy 3D. This direct comparison proved to make the glaring issues of Bubsy 3D all the more apparent, with its tank controls and laughably bad visuals most notably being picked apart by players of the era.

Image via Atari

For many players, E.T. the Extra-Terrestrial is the go-to example of one of the worst video games ever made, being so disastrous in its execution that it nearly killed the entire video game industry. It is often touted as one of the biggest commercial failures in video game history and is the defining cautionary tale of rushed development and studio interference. The failure of the game has proven to be so large-scale and infamous that it inspired its own documentary on the topic, going into how unsold copies of the game were buried in the desert to save space.

It’s so ironic that this notoriously terrible game is an adaptation of a notoriously amazing movie, but it’s this exact excitement and beloved nature of the original movie that made the failure of the game that much more catastrophic. The game was confusing in its execution and far from the traditional, simple fun games that made Atari successful in the first place. With only five weeks of development time and all of the expectations in the world placed on it, the game was destined for failure more than any other game in history.

4

‘Superman: The New Superman Adventures’ (1999)

More commonly known as Superman 64 by gamers, Superman: The New Superman Adventures is one of the most glaring, annoying to play games ever made, almost feeling like it was meticulously made to annoy and enrage the player in its failures. For all of the high-flying action and prowess that Superman is capable of doing in the comics and the animated series this adapts, the overwhelming amount of content in Superman 64 is simply flying through rings in a barren, lifeless city full of fog.

This would be bad enough as is, but with unresponsive controls and overwhelming glitches that make the game near-unplayable at times, Superman 64 becomes a grueling test of patience and the absolute worst licensed video game ever made. It’s a game whose failures are not only overwhelmingly apparent and constantly in the player’s face, but these issues frequently and consistently get in the way of playing the game and actually progressing, making the entire experience a repetitive nightmare.

3

‘Action 52’ (1992)

One of the most classic styles of bootleg and unlicensed video gaming to draw in players throughout 20th century gaming was that of the multicart, a cartridge containing the files for multiple games, oftentimes previously released games, or in the case of unlicensed carts, pirated games. While it’s rare for a multicart in itself to attain notoriety, Action 52 has grown infamous thanks to its absolute failure of function and quality in all 52 of its attempted video games.

At best, games were incredibly generic vertical shooters that were indistinguishable from one another, yet at its worst, many of Action 52’s games were completely unplayable and crashed within minutes of booting them up. Made worse is that even though none of these games were worth even a 52nd of the quality of a traditional NES game, the game cost a staggering $199 when it was released, which was overwhelmingly high in price compared to every other game of the era.

2

‘Big Rigs: Over the Road Racing’ (2003)

One would hope that, as video games as an art form had grown throughout the 20th century, the style of bare-bones games completely lacking in care or content would be a thing of the past in the 21st century. However, Big Rigs: Over the Road Racing spits in the face of the inherent quality of racing video games in creating one of the cheapest, most non-existent video game experiences possible. Every aspect of the game screams being incomplete, from basic text graphics to a lack of any physics to some of the worst graphics possible.

Initial releases of the game didn’t even have any real racing, as the opponent truck driver didn’t even begin driving to race and left the player to their own devices to drive on the track as they pleased. With no penalty for going out of bounds and no collision detection, the only bit of fun to be had with the game is by abusing its lack of fundamental features. However, by the time players are done having fun reaching infinitely increasing speeds by going backwards, the finish line treats players with the hilariously inept message of “You’re winner”, a message that is emblematic of the entire game.

1

‘Custer’s Revenge’ (1982)

The go-to example of a terrible video game is usually something with bad graphics and gameplay that is actively unfun to play and interact with as a player. While Custer’s Revenge certainly shares this level of bad, uncompelling gameplay, the real factor that makes it the worst video game of all time is its overwhelming offensive and disgusting content, with the very concept of the game feeling vile to even talk about. This pornographic game sees the player controlling General Armstrong Custer in the nude, with the goal of the game being to dodge obstacles to rape a Native American woman tied to a post.

It’s a clear relic of this early, unfiltered era of video game history that Custer’s Revenge was even allowed to be made, but even for the 80s, this type of gross, offensive content was too much for critics and players of the era to sit through. Some may be quick to write off the game’s content due to it being in seemingly innocuous pixels, but this degrading piece of digital sickness doesn’t deserve to be played by anyone, as its existence helped entirely ban many X-rated video games from many regions across the U.S.

Reese Witherspoon knows a thing or two about making a pink tweed jacket look chic. More than two decades after Legally Blonde debuted, the actress still gravitates toward the polished, feminine style that made Elle Woods a fashion icon. And her latest outfit proves the look is just as relevant in 2026 as it was in the early 2000s.

On June 22, the actress stepped out in New York City wearing a head-to-toe pink tweed ensemble that looked like it could have come straight from Elle Woods’ closet. While Witherspoon’s luxe set came courtesy of Chanel, we’re channeling the same energy with this $37 version on Amazon. Featuring a similar cropped silhouette, textured tweed fabric and gleaming gold buttons, it’s an easy way to get the look for less.

Get the Hueobir Tweed Cropped Blazer Jacket for just $37 (Was $43) at Amazon! Please note, prices are accurate at the date of publication, June 24, 2026, but are subject to change.

The Hueobir Tweed Cropped Blazer hits all the right notes. The cropped cut creates a flattering shape, while the classic tweed texture gives it that timeless, expensive-looking feel. Pair it with a coordinating skirt for full Elle Woods energy, or wear it with white jeans and heels for a more everyday take.

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By Chris Snellgrove
| Updated 26 seconds ago

Right now, the state of Star Wars fandom can best be described by the opening crawl in The Empire Strikes Back: “It is a dark time for the Rebellion.” The Mandalorian and Grogu was the first franchise film in six years, one which features the most popular characters from the Star Wars shows on Disney+. Nonetheless, it really floundered at the box office, and this $165 million failure has currently grossed less than Obsession, a horror film made for $750,000. Between this, the poor performance of the sequels, and the awful fan reaction to shows like The Acolyte, things are looking bad for our favorite galaxy far, far away.

All of this is enough to make even the most diehard fans start asking a very sobering question: how do we fix Star Wars? Many ideas have been tossed around, including retconning the sequels, bringing back beloved EU characters, or just rebooting the universe altogether. Now, Darth Maul voice actor Sam Witwer has proposed a most unexpected proposal for saving his favorite franchise. According to him, Star Wars can save itself by becoming more like Star Trek!

A New Kind Of Star Wars

This came up during a recent interview that Sam Witwer gave to Naomi Kyle, someone gamers may remember from her time hosting IGN’s Daily Fix. She asked the Darth Maul voice actor if he had any ideas on how to “refresh” Star Wars and “help elevate it to a different level.” He responded that the franchise “needs to take creative risks” and compared this to the evolution of Maul. Star Wars has constantly taken this character in new directions, and Witwer sees this as a good thing and that writers “should leave him alone” if they can’t imagine how to take the character where he has never gone before.

He said that Star Wars should embrace this risk-taking philosophy, and then made a comparison to Star Trek. He said that he and other Trek fans were used to each new show being very different from what came before. This allowed the franchise to appeal to different audiences with different projects, but that “without that spirit of experimentation, you don’t get anywhere.” He then noted that Andor was a phenomenal success despite being such a departure from Star Wars and that he’s fine with the franchise taking big creative swings even if it meant that he wouldn’t connect with “everything” that comes out.

A Big Swing, And A Big Miss

To a large degree, Sam Witwer is absolutely right: from the prequels to the sequels to the Disney+ shows, the most common criticism of modern franchise entries is that they do not feel like Star Wars. With the notable exception of Andor, projects are greenlit largely on the basis of mass appeal. That’s why the prequels focused on existing characters and the sequels and shows brought many prominent characters back; the power of familiarity. Disney hopes that if a movie or show has enough familiar faces (like Boba Fett, Obi-Wan, Ahsoka, and Darth Maul), fans will be more likely to tune in. Unfortunately, this approach prematurely robs these projects of their individual identities. 

Part of the problem is that Star Wars has become a multimedia empire unto itself. While there is still a long wait between movies, Disney cranks out TV shows at a rapid-fire pace in an attempt to keep the brand alive. But as Witwer points out, this has largely led to risk-aversion. Why do something completely new if it’s not going to resonate with fans? Speaking of which, it doesn’t help that when Disney did take a big swing with The Acolyte, it became a huge flop that was canceled after only one season. But is making Star Wars more like Star Trek actually the answer?

Star Trek Racing Star Wars To The Bottom

Yes and no. Sam Witer is correct that Star Trek flourished when it embraced making very different shows like Deep Space Nine, and Star Wars could definitely flourish if we got more Andors and fewer Acolytes. But DS9 was actually the black sheep as far as Paramount was concerned, and the main reason that show was allowed to get so weird is that execs primarily cared about Voyager, which was designed to be more like The Original Series and The Next Generation. Sure, there were major differences in characters and story, but all Golden Age of Trek shows except DS9 followed the well-worn formula of starships boldly going where nobody had gone before.

To make matters worse, Star Trek has been experiencing a quiet implosion that mirrors Star Wars. Under Alex Kurtzman, NuTrek did take major creative risks: Discovery dipped into sex, nudity, and ultraviolence, while Starfleet Academy was designed as a new kind of show (less exploration, more introspection) with a new kind of crew (fewer trained officers and more rough-around-the-edges cadets). Lower Decks ribbed the franchise with gentle, animated humor, while Prodigy slowly morphed into a Voyager sequel. Even Strange New Worlds, deliberately modeled after The Original Series, took big risks, including a somewhat notorious musical episode.

Time For A New Direction

Unfortunately, NuTrek died because of a dwindling audience, proving that simply taking creative risks does not translate to pleasing fans. In its own way, Star Wars tried to do the same thing. Until it became bogged down in established lore, The Mandalorian was nothing more than a fun, no-frills space western like the franchise had never done before. The Book of Boba Fett was a very unconventional redemption story, and The Acolyte was an attempt to get away from tired franchise lore altogether. But it all comes down to the ability to tell a good, crowd-pleasing story, something both Star Wars and Star Trek have been struggling to do.

While it’s easier said than done, that’s the real way to fix Star Wars: by doing what George Lucas did so long ago and coming up with an original story. Sam Witwer is correct that Lucasfilm needs to take risks and tell new stories rather than being beholden to what comes before. If they take risks but tell a poor story, the franchise will fail; if they avoid risk altogether and serve up nothing but nostalgia slop, the franchise will fail. But with more visionary showrunners like Andor’s Tony Gilroy, Star Wars will have more showrunners who understand a crucial lesson: if you make big swings, you better be able to hit the ball!

By Chris Snellgrove
| Published 1 hour ago

If you like cartoons, it’s been one heck of a week. That’s because we keep getting one awesome announcement after another from the Annecy Animation Film Festival. For example, we’ll be getting multiple direct-to-video films adapting Batman’s famous Knightfall storyline, and we’ll be getting even more of the Caped Crusader when Dynamic Duo hits the big screen in a couple of years. Additionally, the Powerpuff Girls will get a new movie, effectively introducing these pint-sized superheroes to a new generation. The original Craig McCracken show was a staple of late-90’s Cartoon Network. That show’s secret weapon was Dexter’s Laboratory creator Genndy Tartakovsky, the writer/producer/director who gave the girls their signature style.

Tartakovsky went on to direct the Powerpuff Girls movie and created iconic shows, like the 2D Clone Wars cartoon and Samurai Jack, which focused on a time-displaced warrior and his struggles to get back home. More recently, Tartakovsky created Primal, about a neanderthal and his loyal T. rex. To put it mildly, Primal was the animator’s greatest work yet, and everyone wondered what he’d be doing next. At Annecy, Tartakovsky gave the surprising answer: he’s working on a Conan the Barbarian animated series for Cartoon Network and Prime Video.

A Barbarian Cometh

Conan the Barbarian began way back in 1932 as a series of literary works from the late, great Robert E. Howard. While this unconventional hero has always been popular with fantasy fans, he didn’t really become a household name until the release of the 1982 film Conan the Barbarian. This film was Arnold Schwarzenegger’s first real breakout role, and the bodybuilder did an excellent job portraying this insanely muscled warrior. The film got one sequel, but after that, the Conan franchise was mostly sustained through comics, TV shows, and a surprisingly good MMORPG. Unfortunately, the brand has become largely dormant, and the Conan remake film with Jason Momoa was a critical and commercial failure.

Now, Samurai Jack creator Genndy Tartakovsky is working on a new Conan animated show for Cartoon Network and Prime Video. The logline for the new cartoon reads as follows: “After finding love in the pirate queen, Bêlit, a battle-hardened Conan defies gods, fate, and even death to save her from a dark sorcery that threatens to destroy everything.” This description makes it sound like the cartoon will take place when Conan is still a relatively young man, as opposed to when the character is King of Cimmeria in his later years. That’s something that we’ll see on the big screen once Schwarzenegger reprises his role for the long-awaited King Conan movie.

Return Of The King

That movie doesn’t have a release date yet, and neither does Tartakovsky’s Conan the Barbarian cartoon. At Annecy, the filmmaker confirmed (via pre-recorded video) that the series had just started development and that he was hopeful that he’d have some animatics to show off next year. In that same video, the animation legend discussed how he always felt a connection to Conan creator Robert E. Howard. That will be no surprise to anyone who has watched Primal, Tarakovsky’s Emmy-winning show that just happens to feature a beefy, Conan-style barbarian fighting his way through a similar world of monsters and magic.

Another way we can tell how passionate Genndy Tartakovsky is about this upcoming project is that this is the first time he has worked with someone else’s IP since he worked on the 2D Clone Wars cartoon. That show gave everyone a taste of just how over-the-top his onscreen battles could get, and as Primal proves, he’s only gotten better over time. Will this iconic animator be able to breathe life back into Conan the Barbarian, the world’s greatest fantasy hero? With Tartakovsky’s track record, I certainly wouldn’t bet against him!

Nia Long is letting the fellas know that if they plan on stepping to her, they better come correct or don’t come at all. She dropped a lil’ message on social media about her dating deal-breakers, and the internet wasted no time reacting to her post.

RELATED: Mommy Mode Activated! Nia Long Melts Hearts With Rare Flick Alongside Her Two Sons (PHOTO) 

Nia Long Spills On Her Dating Deal-Breakers

Recently, Nia Long gave the internet a lil’ kii when she dropped a post on her Instagram Story about her dating deal-breaker5s. The actress reposted a message that basically said she keeps a checklist for her men, and at this point, she feels like it’s old-fashioned, clearly implying that the fellas using come with some of the baggage on her list. “Call me old fashioned but I like my men without wives, girlfriends, or personality disorders.” Folks online quickly weighed in, saying they must be old-fashioned too because their standards are just as high as hers.

Social Media Weighs In After Nia Keeps It Real About Her Deal-Breakers

Reactions to Nia’s post kept popping off over in The Shade Room’s comment section, with some Roomies even dropping a few of their own deal-breakers. Peep some of the responses below.

Instagram user @prettyprettyshelly wrote, “Me too sis … me too 😊” 

Instagram user @wiggz_entertainment wrote, “I’m old fashion right with you bookie 🙌🏾” 

While Instagram user @britt.posey wrote, “And those standards is why she still look good at almost 60 take notes ladies.” 

Then Instagram user @snerryveryberry wrote, “AND STRAIGHT! 😂” 

Another Instagram user @respectfullysweettea wrote, “Well that leaves about 10% of the male population 😂” 

Instagram user @rp3_mommiana wrote, “Helloooooo ‼️ like when did y’all make this normal to date people with partners & I’m glad she didn’t forget the personality disorder part 😂” 

Then another Instagram user @tamashintl wrote, “She also forgot to mention mommy issues 😂😂” 

While another Instagram user @therealfamatta wrote, “And feminine mood swings.” 

Finally, Instagram user @thevirgin94 wrote, “And not in love with their homeboys!!” 

Nia Spills On Dating Rules, NDAs & What Gives Her The Ick

Nia Long previously kept it 100 about dating during a convo with Playboy in April, sharing her biggest turn-off with them. She said people who talk to much give her the ick, and if she ever plans to have a one-night stand, she rather have them sign an NDA. On top of that, she said she doesn’t want to wait a whole day for a text reply.

“I need them to shut up. If we’re going to have a one-night stand, I almost feel like I need to have them sign NDAs.” She continued, “The new way of dating is so—I don’t even understand what’s happening! First of all, if I text you and you take a day, I’m never talking to you again. Never talking again.”

RELATED: Come Thru, Then! Nia Long Poses For Playboy & Opens Up About Where She’s At With Dating (PHOTO) 

For decades, Batman: Knightfall has stood as one of the most influential storylines in the Dark Knight’s history. Now, DC and Warner Bros. Animation are finally bringing the legendary comic arc to life with a multi-part animated film series, and longtime fans have every reason to be excited.

Originally published between 1993 and 1994, Batman: Knightfall redefined Batman by pushing Bruce Wayne to his absolute limits. Rather than relying on brute strength alone, Bane orchestrates a calculated campaign to wear Batman down, releasing the inmates of Arkham Asylum and forcing the Caped Crusader into an endless battle before delivering one of the most iconic moments in comic book history—breaking Batman’s back.

While that shocking image has been referenced in films, television, and games over the years, the complete Knightfallsaga has never received a faithful screen adaptation. That is finally changing.

According to Collider, the upcoming animated project has the opportunity to become the definitive adaptation of one of DC’s greatest comic stories. The publication praised Warner Bros. Animation’s recent success with comic-faithful adaptations and suggested that the multi-part format is exactly what Knightfall needs to properly tell its sprawling story.

Batman Nightfall [credit: Warner Bros. Animation]

Unlike a single feature film, the multi-part approach allows the adaptation to cover the full scope of the original event. Beyond Bane’s victory over Batman, the story follows Jean-Paul Valley (Azrael) as Gotham’s new Batman, whose increasingly violent methods tarnish the symbol Bruce Wayne spent years building. Eventually, Bruce returns to reclaim the mantle, leading to one of the most compelling redemption arcs in Batman history.

The animated adaptation is being directed by Jeff Wamester from a screenplay by Jeremy Adams. Warner Bros. has confirmed that the project is envisioned as a multi-part animated event rather than a standalone movie, giving the creative team room to faithfully adapt the massive comic storyline.

The first trailer, released this week, showcases the brutal confrontation between Batman and Bane while teasing the emotional journey ahead. Fans also received a first look at several iconic moments pulled directly from the comics, suggesting the filmmakers are embracing the source material rather than reinventing it.

Warner Bros. Animation has earned praise over the years for adaptations such as Batman: The Dark Knight Returns, and many fans hope Knightfall will join that list as another faithful translation of a beloved comic classic. Given the scale of the original story and the creative team’s commitment to preserving its biggest moments, this could become one of DC’s most ambitious animated projects to date.

If the finished film delivers on what fans have seen so far, Batman: Knightfall may not simply adapt one of Batman’s greatest stories—it could become the definitive animated Batman epic for a new generation.