Entertainment
All 13 2026 Netflix Movies, Ranked
For the longest time, Netflix was the go-to place for the boldest and riskiest series beyond network television. They grew so large that they began to get involved in the feature-film game. Over the years, Netflix has brought viewers everything from the epic The Irishman to the groundbreaking KPop Demon Hunters. With such a history of success, filmmakers have flocked to the streamer, and in 2026 alone, subscribers have been given a plethora of exciting movies to watch.
From old-school-style romcoms to a remarkable cinematic button to an iconic series, the original selections have provided something for everyone. But not to mince words, not every title was good. In fact, you might wish you could travel back in time and unwatch. Nevertheless, we are here to rank the English-language films on Netflix so far this year. How many have you seen? Or, as the app asks, “Are you still watching?”
13
‘Joe’s College Road Trip”
There most certainly is a demographic of Tyler Perry fans who will always watch whatever he puts out, even if it’s not great. Unfortunately, Joe’s College Road Trip falls to the bottom of the ranking because it’s, well, cringeworthy. Sadly, the road trip comedy was a complete misfire. The first film in the Madea franchise to center on Joe Simmons (Perry), Joe’s College Road Trip follows the foul-mouthed, unfiltered brother who takes his sheltered, college-bound grandson, B.J. (Jermaine Harris), on a raucous cross-country road trip to teach him about the “real world.” The epic road trip descends into chaos as they take detours, including at a brothel where they meet a sex worker named Destiny (Amber Reign Smith). Joe’s Family Roadtrip is a tone-swapping comedy that shifts from explicit, heavy profanity humor to deeper themes of family, generational divides, and social awareness, as if the overtly raucous didn’t happen.
Joe’s College Road Trip became quite a divisive film. Many believed it was a derivative concept, using only the character and legacy to catapult it to the top of the streaming list. The best part of the film is the genuine lessons about Black history, heritage, and the importance of family reconciliation, but the journey to get there is a bumpy ride. The clash between crude, old-school Joe and his sheltered, progressive, virtue-addicted grandson provides some great comedic juxtaposition, but at what cost? Joe is a great side character; a lead he is not. Because of the character’s nature, the film ends up being unnecessarily vulgar, explicit, and inappropriate for the sake of a potential laugh. There’s comedic substance in a trip to a Confederate biker bar, but it just came off as jarring and uncouth. If you’re looking for Joe to change and become a role model, you won’t find it here. The glorification of toxic behavior is full steam ahead.
12
‘Ladies First’
This is what happens when bad projects happen to good people. Thea Sharrock‘s Ladies First was a well-meaning comedy, but the truth is, as progressive as it believed itself to be, the film was still antiquated in execution. Inspired by the 2018 French film I Am Not an Easy Man by Éléonore Pourriat, Ladies First is intended to be a satirical comedy that follows Damien Sachs (Sacha Baron Cohen), an arrogant, misogynistic, womanizing advertising executive poised to become CEO. He treats female coworkers as nothing more than progressive optics and treats women in general poorly, including his underappreciated employee, Alex Fox (Rosamund Pike). Following a head injury, Damien wakes up in a parallel world dominated by women. The same women he patronized in his real world. He must navigate reverse sexism and battle a fearless female counterpart to win back his career, forcing him to experience the exact double standards — sexual discrimination, harassment, and the extreme aesthetic pressures — women face in the workplace. Clunky and outdated, Ladies First‘s star-studded ensemble was forced into a comedy that feels like it should have been released decades ago.
Ladies First is, sadly, a lazy attempt to present something profound. The topics and themes Ladies First tackles are inherently important, but nothing new was learned when presenting them. It’s not that we didn’t know about the vile nature of gender discrepancy in the workplace, but did Damien actually learn anything from his experience? He changed, but in reality, he likely reverted to his past, like individuals in the real world tend to do. Ladies First is exhausting as it tries to flip the script through a 2026 lens. One of the underreported indiscretions the film makes is that, in attempts to portray the gender parallels of masculinity, it presents stereotypes that tend to be damaging to the LGBTQ+ community. So what if a man orders a salad? The gender norms have evolved, and thus, the film comes across as a relic from a cut-for-time ‘90s Saturday Night Live sketch. The film boasted a strong cast, which also included Fiona Shaw, Emily Mortimer, Charles Dance, Kathryn Hunter, and Richard E. Grant, who were forced to push through the slop. I’d say Ladies First could have benefited from more time to ruminate and evolve in series form, but that might be too kind.
11
‘Thrash’
It’s an easy one, but Thrash is trash. Let’s discuss. In the Tommy Wirkola-written and directed survival thriller, stranded residents in a coastal South Carolina town must survive a catastrophic Category 5 hurricane that floods their city with bloodthirsty bull sharks. The film tackles three different groups of survivors whose stories converge at times. Dakota (Whitney Peak), an agoraphobic young woman trapped in her recently deceased mother’s house, becomes the sole hope for another stranded resident, Lisa (Phoebe Dynevor), a heavily pregnant woman. Then there are three siblings, Dee, Ron, and Will (Alyla Brown, Stacy Clausen, and Dante Ubaldi), who are abandoned in a flooded house by their abusive, greedy foster parents, Billy and Rachel Olsen (Matt Nable and Amy Matthews). And finally, Dr. Dale Edwards (Djimon Hounsou), Dakota’s uncle and a marine biologist who studies great whites and bull sharks, races against the clock and the flooded streets to rescue his niece. Thrash blends survival-thriller elements with disaster spectacle as the town’s seawall breaks, bringing the ocean’s apex predators directly into the flooded neighborhoods.
Strong in premise, Thrash is dumb fun as long as you don’t take it too seriously. The struggle is the execution, namely, in the abysmal script and confusing CGI. It’s not a coincidence that a shark flick takes place in a town called “Annieville.” The script tosses out logic in favor of thrills. The script is sadly bogged down by bizarre decisions, inconsistent physics, and highly questionable accents. She gave birth as the house was collapsing! What?! Thrash struggles in its desire to be what it wants to be — a terrifying eco-thriller or an over-the-top B-movie. Both can be true at once, but their intentions must be made clear. It’s a jarring mismatch that somehow makes Sharknado look like it knows what it was doing. With questionable visuals that felt rough around the edges, Thrash needed help in the end.
10
‘Roommates’
Perhaps the most underappreciated film on Netflix this year is the black comedy Roommates. Directed by Chandler Levack and written by Jimmy Fowlie and Ceara O’Sullivan, the coming-of-age comedy follows Devon Weisz (Sadie Sandler), a naive, shy college freshman who rooms with Celeste Durand (Chloe East), an outgoing, cool girl she meets at orientation. At first, they are an inseparable duo, but their promising friendship slowly spirals into a toxic, escalating war of passive-aggressive manipulation and chaos. Revealing the dark side of toxic female friendships, Roommates leans into the awkward, cringeworthy, and universally stressful experience of boundary-crossing.
Produced by Happy Madison, Roommates has the same charm and allure as the production’s films. Sander shines as the anxious, naive college freshman, while East delivers a breakthrough performance as the manipulative, narcissistic roommate. Now, if you’re looking for pitch-perfect casting, having Natasha Lyonne and Carol Kane play mother and daughter deserves an award. Roommates works as a relatable story about the fears of going away to college and making friends. The drawback is how off the rails the film goes by the climax. There is nuance built into the first half of the film, only for the unrealistic messiness to overshadow it. Listen, it’s an explosive conclusion, but the ramifications were simply impractical. Roommates is not a film where you empathize with the characters; instead, you watch to see how far they go for the sake of the bit. And if you’re looking for a Gen Z voice in the writing, it’s far from present.
9
‘Apex’
Written by Jeremy Robbins, Apex was voted onto the 2021 Black List of the best unproduced screenplays for the year. Netflix secured the rights, and then Baltasar Kormákur brought his vision to the screen. The result was a wildly twisted film. Come for the breathtaking scenery, stay for the cannibal? Apex follows Sasha (Charlize Theron), a grieving rock climber who travels to the Australian wilderness to process the accidental death of her partner. Her solo trip turns deadly when a deceptive local, Ben (Taron Egerton), offers her a secret camping spot, only to turn her trip into a twisted, ritualistic hunt. A grueling, unnerving survival thriller performed by two of Hollywood’s strongest actors, Apex thrives on its intense premise, which will make you question every stranger you encounter on your solo adventures.
Apex’s greatest asset is its cinematography. Filmed on location in the Australian wilderness and with climbing sequences, the film looks stunning and provides a great sense of scale and tension. Even the inciting scene between Sasha and Tommy (Eric Bana) is breathtaking yet excruciatingly terrifying. Even with the majestic landscape, Apex forces its characters to endure the terrain to survive each other. Theron and Egerton give extraordinary physical performances that are full-body experiences. Theron is an obvious protagonist, but it’s Egerton, out of his archetypal box, that dominates as the menacing antagonist. Apex showcased two stars doing a lot of grunt work for a paycheck, but one has to wonder if it would have hit harder with two unknowns who could have fully embodied these characters, rather than seeing two icons in a derivative narrative. Apex is a fine film that needs a palate cleanser after the demanding 90-minute run.
8
‘The Rip’
When you cast Ben Affleck and Matt Damon together in a film, all eyes will be on it. You’ll turn it on and expect an Oscar-level product. Add in an ensemble of stars like Steven Yeun, Teyana Taylor, and Kyle Chandler, and it’s destined to be an everlasting hit. The Rip was not that. Inspired by true events, the film, directed by Joe Carnahan, tells the story of a tactical Miami narcotics squad that discovers $20 million in cartel cash during a raid. The team’s loyalty shatters as they suspect each other of wanting to steal the money. After one of their own is murdered in cold blood, the volatile, paranoid night watches the officers, led by Lt. Dane Dumars (Damon) and Det. J.D. Byrne (Affleck), trapped by protocol and forced to guard the cash, while cartel members and internal distrust threaten to tear the unit apart. A gritty, high-tension thriller, come for Damon and Affleck yelling at each other. If you stay, it’s because you just want to know the convoluted outcome.
The Rip is a solid watch if the gritty, corrupt cop genre is your thing. There is undeniable chemistry between Affleck and Damon that transcends the screen. But with the focus on if, when, and why they might turn on one another, the other characters are forced to the side. Taylor’s Detective Numa Baptiste and Catalina Sandino Moreno’s Detective Lolo Salazar are literally relegated to the garage to count the cash. Playing out like a throwback film, The Rip is trapped in its own clichés. It’s a formulaic script that truly loses the plot by the third act. If you’re someone who likes to watch a film back to figure out what you missed when it comes to the outcome, The Rip denies you that chance, as they literally spell it out for you. The Rip is a dark, murky wasteland of top-tier talent.
7
‘180’
Coming straight out of South Africa is the underseen crime thriller 180. Written and directed by Alex Yazbek, 180 follows Zak (Prince Grootboom), a restaurant owner who spirals down a dark path of grief and vengeance after a minor traffic altercation with a taxi driven by individuals associated with a local crime syndicate escalates, leaving his young son, Mandla (Mpiloenhle Sithebe), in critical condition. When an enraged Zak confronts them, the situation escalates, a scuffle ensues, and a stray bullet strikes his son, ultimately leading to his death. Zak delves into total moral disintegration in an environment filled with ruthless gang violence, slow police procedures, unhelpful bureaucracy, and an escalating sense of powerlessness. As the title suggests, Zak pulls a complete 180, shifting his moral trajectory as he takes matters into his own hands. 180 is a devastating character study in which the gray areas of morality lead to a shocking conclusion.
The masterful film explores masculinity, profound grief, and systemic corruption. Zak is presented as an everyman-type protagonist whose actions are driven by trauma. For those who believe violence is the answer, they will be extraordinarily displeased by 180. Zak’s erratic decisions and hesitation to use violence have left some feeling that the payoff is weak. Those who admire his path prefer the morality of the plot’s conclusion, in which he chooses to exercise restraint and mercy. It’s a subversion of typical climaxes in action thrillers, but it serves as a strong warning that, even through rightly bitter rage, forgiveness is always the most powerful path. 180 is not a slow-burning story about grief; it’s an action-heavy revenge film that warns viewers that the system is not always there to help.
6
‘Office Romance’
A great Hollywood romcom requires impeccable and believable chemistry. Just because attractive actors are cast doesn’t mean they are going to find said chemistry. Jennifer Lopez has played the romantic lead opposite many charming men. Unfortunately, the man who plays Roy Kent on Ted Lasso was simply out of her league. Or maybe she was out of his league. The moral of the story is that in Office Romance, they were mismatched beyond imagination, which is quite shocking, as Brett Goldstein co-wrote the vehicle for himself. Directed by Ol Parker, the cutesy comedy follows Jackie Cruz (Lopez), the iron-willed CEO of Air Cruz, and her newly hired, reserved British lawyer, Daniel Blanchflower (Goldstein), who strike up a forbidden affair — an office romance, if you will. A spicy step up from the romcoms of yore, Office Romance is a sweet, low-stakes film that delivers laughs and groans simultaneously.
Office Romance is not destined to change the world; it’s a comfort film that works effortlessly for a 90-minute escape. Though Lopez and Goldstein are at the center, like a good romcom should, it’s the supporting players who steal the scene. Office Romance brings out strong showings from Roger Bart, Bradley Whitford, Mary Wiseman, Amy Sedaris, and Tony Hale. It’s Betty Gilpin as Jackie’s very pregnant right-hand woman, Sydney Bloom, and Jodie Whittaker as Daniel’s foul-mouthed sister who steal the film. If you yearn for the romcoms of the early ‘90s, you’ll eat up every minute of Office Romance. It’s a perfectly executed guilty-pleasure chick-flick.
5
‘War Machine’
Sometimes, you watch a film on a streamer and wish you could experience it on the big screen. That’s exactly the feeling you get while watching War Machine due to the scale and scope Patrick Hughes brings. The film begins as a straightforward war drama. Then, with sprinkles of meteors, signal interference, and the arrival of an otherworldly killing machine, War Machine moves into the sci-fi realm as the 21st-century answer to Predator. After a traumatic loss in Afghanistan, a grizzled soldier simply known as “81” (Alan Ritchson) enlists in elite Army Ranger training, only for his unit to encounter a massive alien robot that is relentless, violent, and destructive. Now, the soldiers are trapped in the wilderness, hunted by a superior, unknown technological foe. In a high-stakes fight to survive, War Machine is an explosive and gory ’80s-infused throwback thriller that is the epitome of a dad movie.
War Machine is a unique blend of genres, offering a strong presence of military survival and sci-fi tropes within the character-driven story. That said, 81’s backstory could have been beefed up, but War Machine actually makes a strong case for franchise-building. The plot may be predictable, but its execution is phenomenal. War Machine knows exactly what it is and never deviates. Unlike Predator, War Machine doesn’t hide its titular antagonist, giving viewers a full view of its menacing presence. Also, unlike the ’80s classic, the big budget makes it look incredibly impressive. War Machine knows its target audience and caters to them. The film does its job as the perfect boom-smash hit.
4
‘Swapped’
Timing is everything, truly. Had Swapped not been released nearly simultaneously with Disney and Pixar’s Hoopers, we might be celebrating the delightfully pleasant animated body-swap fantasy flick. Directed by Nathan Greno, Swapped tells the story of the tiny but brave Ollie (Michael B. Jordan), a Pookoo, and Ivy (Juno Temple), a regal Javan, who are accidentally transformed into each other’s species after crashing into a magical plant. To regain their proper form, Ollie and Ivy, formally sworn enemies, must team up and survive. Set in the fantastical land known as The Valley, Swapped is an endearing, magical story that celebrates empathy as they learn to walk, or fly, in somebody else’s body.
Swapped may be an incredibly done-to-death story, but where it thrives is the breathtaking spectacle that is the animation. Vibrant and beautiful, you’ll finish the film searching the Web for where you can get your own Ollie plush. Swapped is a delightful family-friendly film whose heartwarming message is bound to resonate. Unfortunately, its lack of originality in storytelling curtails its full potential. Nevertheless, the world-building is ripe for celebration. The voice acting is not as strong as its animated rivals, but the full roster of stars does an admirable job, with Tracy Morgan as Boogle serving as a delightful surprise. The buddy comedy likely won’t launch a franchise, but it’s a cute film your kids will ask to watch again and again.
Entertainment
History of Madison Square Garden Weddings Before Taylor Swift
If the reports are indeed correct, Taylor Swift and Travis Kelce won’t be the first couple to get married inside New York City’s Madison Square Garden.
Swift and Kelce announced their engagement in August 2025, subsequently playing coy about plans for their big day.
“I think the wedding is what happens after [my Life of a Showgirl promotional tour] in the scheme of the planning, but I’m so excited about it,” Swift said on the Graham Norton Show in October 2025. “I know it’s gonna be fun to plan because I think the only stressful weddings are the ones where you have a small amount and people are on the bubble.”
In the months that followed, speculation swirled that Swift planned to walk down the aisle inside MSG over the 4th of July weekend in 2026. The rumors reached a fever pitch days before the would-be nuptials when dozens of supply trucks were spotted dropping off decor and food at the arena.
Even so, Swift and Kelce’s “whimsical” wedding is hardly the first time that couples have exchanged vows at MSG. Keep scrolling to look back at the venue’s history of marriage ceremonies:
Sly Stone and Kathy Silva

The “Everyday People” singer married model-actress Silva inside Madison Square Garden in June 1974 during Stone’s concert in front of a crowd of 23,000.
“When you are as much in love as Sly and I are, you just go to extremes and get married,” Silva gushed to Vogue at the time.
As for Stone, he told the outlet that they decided to get married during his show because of son Sylvester Jr.
“I have a little boy now, and I don’t want him to be a liar when he says ‘dada,’” he quipped.
Stone and Silva, who had initially postponed their nuptials amid her pregnancy with their son, each wore custom Halston for the ceremony.
The Unification Church’s Mass Wedding

The Unification Church hosted a group wedding in July 1982, where 4,000 followers were matched and married by Reverend Sun Myung Moon.
The New York Times reported at the time that the arena floor had been carpeted in white and all 2,000 couples donned identical outfits. The grooms wore blue suits, with the brides donning matching lace-and-satin gowns made by the church.
“It was wonderful. The marriage vows were very impressive,” groom Bruce Burris told The Times, noting he planned to move in with his new bride, Sanae Tsuchida, following the church’s 40-day waiting period. “I think so, yeah, I’m pretty sure.”
Burris was matched with Tsuchida by the church leaders, only meeting a “few hours” before the ceremony.
The couples marked their 40th wedding anniversary in 2022.
“The men and women gathered here for this wedding have dedicated themselves to the highest standards of love and service to God, to each other, and all mankind,” Moon said in a press release, noting some of the couples’ kids were recently “blessed” in marriages of their own this year.
Entertainment
‘The Vampire Diaries’ Stars Have Been Plotting Their Reunion for 10 Years [Exclusive]
For eight seasons, Nina Dobrev and Paul Wesley played one of the hottest couples on television in the 2010s in The Vampire Diaries. The complicated romantic entanglement between the former’s Elena Gilbert and the latter’s good-hearted, over-a-century-old vampire Stefan Salvatore was the beating heart of The CW’s hit teen drama, even though the duo ultimately didn’t end up together. Yet, even after Stefan’s death and the death of TVD itself, the duo recently found their way back to each other when Dobrev and Wesley were cast in another book adaptation, You Deserve to Know, at Hulu. According to Dobrev, this wasn’t just happenstance, either.
The star recently sat down for an interview with Collider’s Maggie Lovitt for her new film, The Get Out, where the topic of her recently announced new role was brought up. She revealed that the mystery series came about for the duo because of the real relationship they built working together on The Vampire Diaries and their desire to collaborate again ever since the finale in 2017. “We have been plotting this behind the scenes for many years now, to be completely honest with you,” she said. “Paul and I have been wanting to… We’re really close, and we spend a lot of time together, and we have since the show ended, and we’ve talked about wanting to find the right thing.”
You Deserve to Know is based on Aggie Blum Thompson‘s 2025 novel of the same name, following three suburban couples whose tight-knit friendship with each other is upended when one of their husbands is murdered. With the idyllic peace of their cul-de-sac shattered, the cracks in the wives’ friendship become visible, and their dirty secrets and long-simmering tensions bubble to the surface. Dobrev plays Gwen, the member of the trio who lost her spouse and now has to weigh whether she can rely on her friends or face the harsh reality that their bond isn’t as airtight as it seemed. She’s bound to collide with Wesley’s character, Scott, another neighbor who’s on the opposite side of the murder investigation.
The choice to tackle such a story wasn’t made lightly, as Dobrev said her and Wesley’s goal was to find something that genuinely excited them that wasn’t an excuse to hang out, but instead something that honors their growth since TVD.
“Originally, we wanted to do a movie together, but we kept finding material or having things sent to us, because once we put it out there that we wanted to find something to do together again, a lot of things were sent to us, and we kept passing on everything. Nothing felt like the right thing. And we didn’t want to reunite just for the sake of reuniting for nostalgia’s sake. We really wanted it to be something that we both were really excited about that was elevated and different than the show, but also pays tribute in some way to the show as well, but with a fresh take and reflects who we are as people, as artists now 10 years later.”
Brian Tanen, who has previously written for Ugly Betty, Devious Maids, and Desperate Housewives, was tapped to adapt Smith’s book into a series, with a pair of production giants in Alex Cooper‘s Unwell and Aaron Kaplan‘s Kapital Entertainment backing the project. Ultimately, what got the pair involved and thinking this was the long-awaited idea they’d been searching for was Wesley actually cracking open the book himself. “I was slower to get to reading,” Dobrev continued. “It was sent to both of us, but he read it first, and he called me, and he was like, ‘You need to read this. I think this is it.’ And he kept on me — it was so annoying, to be honest with you — to read it. And then I was like, ‘Okay, I’ll get to it.’” Once she finally dug in, she instantly understood what her old on-screen boyfriend was so enamored by, and it quickly spurred them both to start gathering the right team to make their on-screen reunion finally happen.
“Then finally, once I did get to it, I finished the book in maybe a day or two, I couldn’t put it down, and I agreed with him that this was our next thing together. And so then started the long process of developing it and getting the team together and then finding the writer and creating the pitch and then pitching the studios. And so it’s been some time in the making. So it was really exciting for us to finally share it with the world that we were reuniting.”
Making the project even more exciting was the fact that they were more than just actors. Both Dobrev and Wesley are executive producing You Deserve to Know as well, getting them in on the ground floor of the adaptation process. “Not just as actors, but also that we’re executive producing it, and we’re bringing the story to life from both sides of the camera is extra exciting and special, especially after such a long journey together over the last however many years,” the actress ended.
What Is ‘The Get Out’ About?
While her new Hulu series gets to work, Dobrev is currently busy enjoying a return to theaters with The Get Out. She plays the unhinged partner in crime of Aaron Paul, coming together to rob nightclub owner Marco Kapak (Russell Crowe), who’s nearing retirement. Directed by Derrick Borte, based on Thomas Perry‘s novel Strip, the film follows Marco’s attempts to leave his dangerous past behind him, though masked robbers are the least of his issues in that process. He’s also at the mercy of ruthless cartels and is trying to sway a mysterious buyer (Luke Evans) for his business, forcing him into a web of deception that makes escaping with his girlfriend, Sunny (Teresa Palmer), nigh impossible.
While the film is a silly crime comedy with Marco and Sunny’s relationship as its beating heart, there’s more depth than initially meets the eye. That’s especially true of its ending, which Dobrev explains is tied to the symbolism of California bears introduced in Marco’s journey for freedom. This idea of characters being driven from their homes and finding new starts applies just as much to her character, though the actress believes that Carrie is more deserving of getting a clean slate and, hopefully, grows from her experiences in a new life on the straight and narrow.
“Yeah, I mean, it symbolizes… Well, bears historically, especially in California, have been driven out of California, and they’ve had to go north and escape, and quite literally the title of the movie, The Get Out, it’s what we’ve done to them, and it’s what almost every character in this film… I think more so for Russell’s character, he’s been driven out of his home to seek asylum elsewhere and safety elsewhere like the bears in bear country, which is the National Bear of California. That was the original title of the film, and it still is the title in some territories, which is a little confusing, but that’s the main symbolism. In my character’s case, I mean, she’s sort of the only one who has a chance to start over, albeit by lying her way out of trouble, hopefully, but we don’t really see exactly what happens to her in the end, if she actually gets away with it or not. But I’d like to hope that she does, and maybe she learns something and grows and tries to start fresh on a more calm path for her future if she wants to have longevity.”
When asked about when the bear idea first resonated with her, Dobrev cited the first scene of Marco explaining the history of the bear, which admittedly baffled her upon first reading. “I remember being so confused,” she added. “Why are you telling this long monologue story about this?’ And then it finally comes together at the end, which I thought was really beautiful. And it’s that reminder for Carrie, she comes face to face with the bear, and it gives her that opportunity that it could destroy her, but it lets her go. And so it gives her the chance for a fresh start, like everyone in the film is looking for that.” She appreciated that The Get Out was willing to go a bit out there with an idea and trust audiences to follow along until it pays off in the end and beautifully ties into the story being told.
Dobrev’s ‘The Get Out’ Role Is “Unlike Anything” She’s “Ever Done Before”
Carrie is practically from a whole other planet compared to Dobrev’s role as Elena. The trailer alone paints a chaotic portrait of the character, who can be a bit of a literal shoot-first, ask questions later type, down to go along with her partner Jeff’s (Paul) plan. “She really wreaks a lot of havoc in this film, which is exciting and fun for me to play as an actor,” Dobrev told Lovitt. Having so much freedom to explore with this very different part, with some brilliant screen partners like Crowe and Palmer, as well as an old friend in Paul, proved to be a refreshing change of pace. “And that’s what drew me to wanting to play this character because it’s so unlike anything I’ve ever done before, and doing it in that environment with Aaron, who’s a longtime friend, allowed for me to have that comfort and safety to go big and try things and have that freedom and safety to explore in a way that I don’t know if I would have if it was with someone else. So I’m really grateful to him for that.”
Like the ending of the film, there’s a greater depth to Carrie that Dobrev wanted to capture. Her questionable decisions are rooted in a very identifiable feeling of restlessness in a world that has become even harder to get a leg up in. Dobrev approached the role with “a lot of sympathy for somebody, that I’m sure you’ve seen in the news, that millennials nowadays were not afforded what the boomers and what their predecessors had, and the opportunities, and with the inflation and housing going up, it’s not the same golden era that they were promised. And so she’s living not the life that she wants to live, it’s very mundane, and she’s looking for excitement in any way that she can, albeit without a lot of thought or foresight, it’s all very impulsive.”
The most critical part of selling Carrie as a character with a conscience was ensuring that those moments of clarity, where the reality of her actions set in, are played with real gravity. Another boon to The Get Out was that Dobrev was able to give her input on how to best get that point across and make her less of a “caricature.”
“And I know those people. I know the people that speak before they think, that act before taking some time to really consider what the consequences will be, and you get to see that moment for Carrie where she’s impulsive, impulsive, impulsive, and then reality sets in once she goes one step too far, and she realizes what she’s done and finally has a wake-up call and a conscience. And that scene actually in the car with Aaron when she’s throwing the money out of the car, that wasn’t scripted that way. Initially, they were just celebrating that they got away with it, and I was like, ‘I don’t know, I feel like this should be a wake-up call for her, for her character arc to ground her and make her a real person instead of a caricature.’ I really felt like it was important to make sure that for her arc that she comes to her senses.”
Derrick Borte Made ‘The Get Out’ a Collaborative Experience
Getting that level of agency within a role comes with “time and experience,” Dobrev says. “When I first started, I was just happy to be there and have a job. As I get older, I’m getting much pickier, and it’s so important to me the material, the character, who I’m working with, personalities. Life’s just too short at this point to not be creatively fulfilled, but also just have fun and be around good people, and enjoy yourself.” Borte, in particular, sold her on The Get Out, as she immediately knew from their first meeting that “he was a collaborator” and not merely a director. “He was very open to letting us bring these characters to life.”
Dobrev wasn’t the only one whose role evolved thanks to Borte’s openness to suggestions. Crowe was also critical in shaping who Marco was and, in turn, how his journey unfolded to best portray him as a layered character. “I don’t know if I mentioned this already, but Russell Crowe, for example, it wasn’t scripted that he was Albanian,” she continued. “He decided he wanted to bring that layer to the role. And a lot of those decisions and little things elevated the script, and we all added our little things to each of our characters to help strengthen
it and make it what it ultimately became. And so I’m so grateful to Derrick for giving us that creative freedom and being open to collaboration and letting us improv on set.”
The Get Out‘s atmosphere of collaboration came to a head at the very end of the movie in a sequence involving Carrie that came largely off the top of Dobrev’s head. “I mean, the end credit scene where I’m sitting at the police station, that was almost entirely improv. So he just kept the camera rolling, and he was like, ‘Go for it.’” By all indications, Borte intimately understood who his cast was and what their level of comfort was when asked to take the reins of a scene. Thus, the final product that came to screens is a monument to the confidence he had in everyone to play their parts to perfection, from the Oscar-winning Crowe to Dobrev, and the rest of the cast of crooks inhabiting his world.
“And a lot of the scenes had an element of that, which was really great. And like I said before, I think it takes a lot of time and experience to be comfortable enough when you’re given that opportunity to improv and to play, and when a director asks you what you think about something to have not just the integrity, but the confidence to express your opinion and know that it will be received positively.”
The Get Out is now in theaters and available through video on demand. Stay tuned here at Collider for more on Dobrev’s new series, You Deserve to Know, as it continues development at Hulu.
- Release Date
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June 26, 2026
- Runtime
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96 minutes
- Director
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Derrick Borte
Entertainment
Beyond the Gates Early Spoilers July 6-10: Dani Confesses Cheating & Joey Plots Revenge!
Beyond the Gates early edition spoilers for July 06-10, 2026 hint Dani Dupree (Karla Mosley) is talking about cheating wives, and she’s not even being ironic. Plus, Joey Armstrong (Jon Lindstrom) launches a new scheme against a family member of his precious Vanessa McBride (Lauren Buglioli).
Beyond the Gates: Deanna’s Dilemma and Joey’s Suspicions
So, let’s start with Deanna McBride (Angela Fairley) and her fixation on Joey Armstrong. Last Friday, Deanna went to see Kat Richardson (Colby Muhammad) at the hospital and the subject of Joey came up and Kat mentioned that she has a new perspective on Eva Thomas (Ambyr Michelle) now. But Deanna doesn’t want a new perspective on Joey. And she tells Kat she will never give Joey a chance, even when Kat encourages Deanna to try.
So, outside of Uptown, we saw Deanna running into her dead dad, Doug McBride (Jason Graham) again, and he advised Deanna to stop being so aggressive towards Joey and told her she needs to be supportive of her mom, Vanessa, to get her away from Joey.
BTG Spoilers: Joey Suspicious of Deanna
So, the week of July 6th, we’ve got Joey on high alert. When Deanna was suddenly so supportive and nice to him and Vanessa on Friday, it was suspicious and Joey took notice. So, next week he asks his flunky Randy Parker (Maurice P. Kerry) if Deanna would recognize him.
And Randy says, “Maybe, but why?” And Joey tells Randy that Deanna is his next job. The next thing you know, Randy is going to be meeting with Deanna at Caffeine Fix, the Beyond the Gates coffee shop. And she’s giving Randy a big hug. So, we’ll see what Joey’s up to, but he’s definitely suspicious of Vanessa’s daughter.
Beyond the Gates: Hospital Releases and Big Moments
Also, on Friday, we had Kat and Eva racing around trying to outdo each other on the walkers at the hospital after they’re both out of surgery. But next week, Kat is released from the hospital. So, that means Eva likely is as well.
And Kat gets a really warm reception at her grandparents house. So, Vernon Dupree (Clifton Davis) and Anita Dupree (Tamara Tunie) host a big celebration. And Tomas Navarro (Alex Alegria) brings Kat into the door and she’s blissed out over the surprise party there.
On hand are Martin Richardson (Brandon Claybon) and Bradley Smitty Smith (Mike Manning) and Naomi Hawthorne (Arielle Prepetit) and Chelsea Hamilton (RhonniRose Mantilla) and Ted Richardson (Keith D. Robinson) and Nicole Dupree Richardson (Daphnee Duplaix) and Dani and Vernon and Anita and Kyle gets to come along and also Andre Richardson (Sean Freeman).
We may see Samantha Richardson (Najah Jackson) and Tyrell Richardson (Jaden Lucas Miller) as well. And in front of the whole family, Tomas drops down to one knee and proposes to Kat. So Tomas asks, “Will you do me the honor of my life and marry me?” And he pops open the ring box while Kat is looking stunned, but she is smiling.
Some new Beyond the Gates July spoilers say that Tomas and Kat are both stunned by the other. So Tomas’ proposal is what stuns Kat, I’m sure. But we’ll see what’s going to leave Tomas stunned. Maybe her answer. Remember Chelsea tried to discourage Tomas from proposing. She thought the timing was bad.
Beyond the Gates: Secrets and Surprises
Now, let’s talk secrets. We know Dani is keeping the huge secret that she did the dirty deed with her ex Bill Hamilton (Timon Kyle Durrett) in the elevator during the tornado, but Naomi is also sitting on a secret. And probably because of her own guilty conscience, Dani thinks it’s about sex.
So, Naomi tells Dani that she’s been lying to her husband Jacob Hawthorne (Jibre Hordges) for months. And Dani tells Naomi if she turned to somebody else for comfort while Jacob was gone for so long, anyone would understand.
So, I wonder if Naomi is going to come clean to Dani about her BRCA gene mutation that she’s been hiding. But I do think that Naomi should tell Jacob the truth before she reveals the BRCA stuff to the Dupri side of the family.
Another July spoiler for this pair says Naomi and Jacob are making up for lost time. And of course, they had months of living apart while he was undercover, and they need to make up for all that. So, yay for Naomi and Jacob.
Beyond the Gates Spoilers: Hayley Speeds Things Up
Also, last week, we’ve got Hayley Lawson (Marquita Goings) feeling threatened by Dani showing up at Bill’s office, and Hayley can tell there’s trouble, so she’s trying to speed up her timeline and finish off Bill. So, she dosed his whiskey with more poison, and then Hayley was playing sexy games to distract Bill.
So, the week of July 6th, we have creepy Mike Davis back up at Bill’s office talking smack about the case against Madison Montgomery (Kenjah McNeil) that he is pursuing with that frivolous lawsuit. And Hayley tells pervert Mike that he is crazy if he thinks he can win this case. And he tells Hayley and Bill that he knows he can win it.
So, we’ll also see mean old Mike sitting down with Bill, Naomi, and Madison. Looks like it might be time for some negotiations. Maybe Mike will come in with a more reasonable settlement proposal because last time Bill laughed in his face at how much they asked for.

Beyond the Gates: Hospital Drama and Romantic Developments
We also have the new chief of staff in place at Garland Memorial. Remember Vernon had asked Shanice Johnson’s (Ernestine Johnson) aunt, Dr. Monica McCormick (Iona Morris Jackson), to be the new chief of staff. Meanwhile, Ted was trying to put Nicole up for the job, but she didn’t even want it. So Monica agreed to take the chief position, at least for a while, but not forever, and she is fierce from day one.
When Dana “Leslie” Thomas (Trisha Mann-Grant) is up at the hospital, Monica rolls up on Leslie and tells her, “As of today, the partnership between the hospital and Leslie’s free clinic is over.” And she is shocked and asks Monica, “Excuse me.” So, we’ll see if Leslie’s new leaf is really going to stay turned over.
So, I don’t know if Monica is cutting ties because of the scandal with the red market ring or maybe because she just doesn’t like Leslie, who’s always such a jerk to her daughter Shanice because she is dating Ted. I do wonder if Leslie will go whining to Ted about it and if he’ll help out. Hopefully, he’s not going soft on Leslie just because of the life and death crisis with Eva.
Beyond the Gates Spoilers: Ted & Shanice Get Romantic
Another spoiler says Ted and Shanice find time for romance, and I hope that Leslie doesn’t interrupt them. We’ll also see Andre and Dani trying to get on the same page, but she’s still sitting on that secret. And honestly, I don’t trust Bill not to blab it because he really seems to want Dani back. Then again, Hayley might just kill Bill before he gets the chance to spill the beans.
This past week, we saw Ashley Morgan (Jen Jacob) softening up on Grayson Perez (Jordie Vilasuso). And another Beyond the Gates spoiler says Ashley and Grayson update their relationship status soon. So, that sounds like Ashley and Grayson are officially back on in coming days.
And last, we’re going to see Eva renegotiating terms with Izaiah Hawthorne (David Lami Friebe). We know that he is supposed to be helping take care of Eva during her recovery at home because she told her mom Leslie, “No, she cannot move back in with her.”
So, we’ll see how these negotiations go between Eva and Isaiah on Beyond the Gates. And I think that they’re going to get a lot closer during her recovery when he’s there taking care of her. And it’s all very sweet.
Entertainment
8 Greatest Animated Shows Even Diehards Haven’t Seen
Animation has such a packed and genuinely brilliant library that it is far too easy for stranger, quieter, or simply just less heavily promoted shows to fall through the cracks. Some of the best in the genre haven’t even been seen by mainstream audiences, sadly missed by viewers who would likely fall headfirst in love if they ever stumbled upon them. Even quite a few diehard fans of animation tend to let some of the greatest hits slip past them.
Standout but woefully underrated watches, like Jentry Chau vs. the Underworld, which brings together Chinese mythology, teen comedy, supernatural danger, and personal identity in a captivatingly fresh way, and the anime World Trigger, which rewards its viewers with detailed team battles and smart, strategy-driven action, are just two examples of rewarding experiences in animation that most haven’t even heard of. Compiled on this list are the shows that may be standouts, featuring compelling storytelling, but have somehow been missed by even the most diehard animation fans.
‘Wakfu’ (2007–Present)
Wakfu is truly peak animation television. The series follows the young Eliatrope, Yugo (Jules de Jongh), who discovers he can open portals and sets out to find his true family. Along the way, he gathers a loyal group of friends and embarks on an adventure rife with powerful enemies, ancient mysteries, and hidden truths that begin to quickly unravel.
Wakfu may be a colorful bout of animated fun that seems incredibly childish, but what truly makes it a number one standout is the fact that it sincerely lets adventure mature without becoming joyless. It’s a world-building experience that is well-crafted, with characters that are masterfully developed, offering audiences a story that’s expansive, funny, heartbreaking, and increasingly mythical. Most diehard fans aren’t even aware Wakfu even exists, despite how genuinely brilliant it is. The series begins as a simple, fantastical quest that gradually grows into a multi-season epic about destiny, identity, history, chosen family, and world-scale conflict, marking it as a masterpiece that may be consistently overlooked but stands as a quiet icon in the animation genre.
‘Astra Lost in Space’ (2019)
This underrated good time is a Japanese sci-fi animated series that has somehow slipped through the cracks due to how short and self-contained it is. Astra Lost in Space centers around a group of students who head to space, only to get stranded thousands of light-years away from home when the excursion is derailed by a mysterious anomaly.
There aren’t many anime sci-fi adventures that come with as many twists and shocking moments as Astra Lost in Space does. It’s a satisfying discovery for first-time viewers, most lauding the series as a hidden gem that charms with its humor, suspense, heart, and adventure. What truly makes Astra Lost in Space even better than its setup is how clean the ensemble’s bonding and escalating conspiracy is. Most mainstream audiences haven’t seen it, the show being so woefully underrated, but viewers who adore excellent writing rife with space antics, heartfelt moments, and jaw-dropping twists are sure to be entertained from beginning to end.
‘World Trigger’ (2014–2022)
World Trigger is a widely underrated anime series, which sadly means it has never received the same attention as bigger battle anime, but that is exactly why it belongs on a list of fantastic animated shows that even diehards may have missed. Set in a world where alien-like beings called “Neighbors” invade through portals, while an organization called Border trains agents to fight them, the series focuses on a teen, Osamu Mikumo (Tomo Muranaka), his new friend, a Neighbor refugee Yūma Kuga (Yūki Kaji), and Chika Amatori (Nao Tamura) as they work together to defend humanity while uncovering the truth about their fight.
World Trigger is a criminally overlooked shōnen action anime, with devoted fans who praise its lovable characters, intelligent power system, and captivating tactical battles. The show is so worth discovering as it gives its action a different kind of excitement through clever characters’ wins. World Trigger wields a distinct style of thrill, allowing it to stand out despite its underrated status, making it a much more impressive viewing experience than most who haven’t seen it even realize.
‘Erased’ (2016)
This iconic thrill ride is definitely one for the books. Erased follows a 29-year-old manga artist, Satoru Fujinuma (Shinnosuke Mitsushima), whose involuntary “Revival” ability sends him back in time after his mother is brutally murdered.
Erased is definitely a unique watch that most have yet to discover. It’s an enticing mixture of regret, mystery, time travel, and emotional urgency that dubs it one of the strongest under-seen thrillers in the anime genre. Erased‘s writing is tighter and more emotionally persuasive than its extremely short run suggests, with every leap backwards sharpening the brutal stakes. It may not be the most underrated series on this list, but it is sadly lacking the attention it deserves, making it a great addition to this catalog of hidden gems.
‘Mushi-Shi’ (2005–2014)
Mushi-Shi is a true standout that even the most experienced fans can overlook because it sits on the back of most streaming shelves. The series delivers an episodic anthology, set in a semi-historical Japan where primordial lifeforms called “mushi” live among humans. The show focuses on Ginko (Yuto Nakano), who travels from place to place as a Mushishi, investigating strange cases and trying to help those who have been affected by mushi.
Even though Mushi-Shi is sadly an under-seen anime, it ranks high among some of the best animated series because it stays pretty calm without ever becoming boring. Among anime fans, it’s a pretty beloved series, but outside that circle, the show doesn’t get much attention, especially against louder fantasy titles. Mushi-Shi wields compassionate writing, with a philosophically precise approach that never mistakes explanation for wisdom. Even by the end of its relatively few episodes, it remains incredibly beloved by its rather minor audience, a true quiet beauty that deserves a place among the greatest animated series more fans should discover.
‘Sym-Bionic Titan’ (2010–2011)
This fantastic sci-fi series is as underrated as they come. Sym-Bionic Titan centers around Princess Ilana (Tara Strong), soldier Lance (Kevin Thoms), and robot-scientist Octus (Brian Posehn) after they escape an intergalactic war and move to hide out on Earth as ordinary suburban high-schoolers.
For even the most diehard animation fans, Sym-Bionic Titan is a stark reminder that even some of the best shows never get the viewership nor the great attention they deserve. With an enticing blend of identity struggles and surprisingly sincere character moments, with giant robot battles and alien politics, the show offers audiences quite the entertaining experience. Because the series was cancelled, its unbridled potential cut short, most forgot it existed—if they ever knew of it at all. Despite this, it stands as one of Genndy Tartakovsky‘s most underrated works of art.
‘Jentry Chau vs. the Underworld’ (2024)
Jentry Chau vs. the Underworld is a Netflix surprise that is one of its newer titles that simply never truly got off the ground. The fantasy series focuses on the Chinese American teenager Jentry Chau (Ali Wong), whose fire-based powers that sent her life into complete chaos have reawakened just as a demon king starts hunting her.
Not many have heard of Netflix’s Jentry Chau vs. the Underworld, despite how surprisingly entertaining it is. It’s the type of good time that feels like it could easily slip past most viewers, as its appearance may seem a bit underwhelming at first glance. But in truth, Jentry Chau vs. the Underworld is also quite easy to champion once given a chance. It’s addictive, a sharp genre series with emotional warmth, comic timing, and a specific cultural texture that sets it apart from the more generic YA supernatural animated series. Jentry Chau vs. the Underworld is in a league of its own, with a captivating story that many may not know but would be well-loved by any diehard animated fan who comes across it.
‘The Midnight Gospel’ (2020)
This underrated sci-fi animated series has to be one of the most captivatingly odd shows Netflix has ever released. The Midnight Gospel follows Clancy Gilroy (Duncan Trussell), a spacecaster who uses a reality-simulating machine to jump through apocalyptic or collapsing worlds, going on bizarre but funny adventures.
The Midnight Gospel, at first introduction, seems like a watch that is genuinely impossible to pull off, yet somehow it blends philosophical conversations with surreal animation, offering viewers something deeply moving and unforgettable. The series is honestly quite absurd, but also wields a compelling depth that marks it as a standout—one that is, albeit underseen. It’s likely that The Midnight Gospel may be too bizarre or emotionally intense for some, an unconventional watch that, at first glance, may put off some viewers. Diehards have likely skipped over it in an attempt to find something more seemingly normal and less cosmically humorous, which is a shame since it’s a memorable hidden gem that deserves far more recognition.
Entertainment
Taylor Swift's Exes: What the Singer's Former Flames Are Doing Now
Taylor Swift’s relationship history is made up of many different types of men, including a British crooner, a Kennedy, an Avengers villain and a movie werewolf.
Swift has been linked to massive stars, such as Harry Styles and Joe Jonas, in addition to lesser-known names like Conor Kennedy. All of her past relationships have shaped the singer, and many have wound up being topics in her hit tracks like Lover’s “London Boy,” written about Joe Alwyn.
The “Blank Space” singer may have said she’s never getting back together with Styles, Kennedy, Tom Hiddleston or Taylor Lautner, but that doesn’t mean Swifties aren’t keeping up with what her former flames have been up to since their high-profile splits.
Scroll down to see what Swift’s exes have been doing since they parted ways:
Entertainment
Celebrity Hotspots, Filming Locations & Watch Parties
Sin City has become a real-life backdrop for reality TV, attracting stars from multiple hit franchises. From shows that film on the Strip to fan-favorite watch parties that bring episodes to life, the city has cemented itself as a go-to destination for reality TV culture.
Reality stars are often found enjoying all that Las Vegas has to offer, from dining at popular restaurants to hosting watch parties at dayclubs.
The Blast has compiled a list of just some of the recent reality star visitors and where they were found in the “Entertainment Capital of the World.”

With so many amazing experiences to enjoy in Las Vegas, you might wonder where your favorite reality stars gravitate. For some, the choice of where to dine is very intentional.
Amaya Modern Mexican at The Cosmopolitan of Las Vegas has been a hot spot for reality stars from some of television’s most loved franchises. A few of their recent guests include Brett Brown and Tiffany Pennywell Brown (“Love is Blind”), Hannah Wright and Marco Donatelli (“Love Island USA”), Johnny Middlebrooks (“Love Island USA,” “Love Island Games,” and “House of Villains”), Kaitlen Reagan (“Paradise Hotel”), and Kayla Richart (“Too Hot to Handle” and “Perfect Match”).
Amaya is known for fire performers, theatrical presentations, and elaborate dishes, as well as nightly DJs and a high-energy atmosphere.
Many Reality Stars Visit The Strat For Views And Adrenaline-Pumping Experiences

It’s not just the dining that reality stars visit Vegas for. Some are seeking amazing views and adrenaline rushing moments, and The STRAT offers both.
During Season 29 of “The Bachelor,” Grant Ellis had a unique one-on-one date at The STRAT, where he and his date did SkyJump, an 855-foot controlled descent from the Tower.
According to The STRAT’s website, “SkyJump is a heartpounding, scream-inducing, open-air leap from 829 feet above the neon Strip and holds a Guinness World Record as the highest commercial decelerator descent facility. You’ll zoom toward the landing pad at speeds topping 40 mph while the crowds below gasp and applaud your bravado.”
Reality TV Loves The Views From Top Of The World Steakhouse

Top of the World Steakhouse at the top of The STRAT is a popular filming location for reality TV thanks to the amazing 360-degree views of the Las Vegas Strip from 800 feet above the city. The restaurant has served as the backdrop in many reality series, including Season 7 of “Jersey Shore Family Vacation,” and Season 9 of “Queer Eye.”
The Blast was told that there are more reality TV features that will be airing soon, but since they’re still under wraps, we can’t say more about that just yet (so stay tuned)!
‘Love Island’ Watch Parties Are Popular In Vegas

One thing Vegas visitors love is a fun reality TV watch party. Tailgate Beach Club launched its Reality After Dark series in early June with a “Love Island” premiere watch party hosted by Kaylor Martin from Season 6, cohosted by Vegas Girl Events. The poolside viewing party featured signature cocktails, tasty bites, and brought fans together in a fun atmosphere to celebrate the start of another season of the beloved reality show.
Tailgate has another fun watch party on the calendar for the finale on July 12. According to the website, Tailgate will feature a party that starts with a poolside TruFusion class.
“Get your body and your bracket ready as the villa crowns its winning couple. Sunday, July 12th Love Island Finale Schedule at Tailgate Beach Club: 5:00 PM — TruFusion Class 6:00 PM — Love Island Finale Viewing Party Work up a sweat with TruFusion, then settle poolside on 145 feet of LED for the Love Island finale with the rest of Vegas’s biggest fans of the villa,” the website reads.
A New Reality Show Is Filming On The Strip

“The Real Housewives of Beverly Hills” alum, Lisa Vanderpump, well-known and loved in Las Vegas with multiple restaurants on the Strip, recently added a hotel to her list of businesses. The Vanderpump Hotel opened last month, and it’s been a hit for visitors and locals alike.
While transforming The Cromwell into The Vanderpump Hotel, Lisa took the opportunity to show fans just what went into it by filming a new reality series called “Vanderpump Rules: Lisa Las Vegas.”
NBC Universal made the announcement about the new show in early May. The official description reads, “Lisa Vanderpump has been ruling over the Las Vegas strip for years now, with three hotspot restaurants serving up chic cocktails in her signature whimsical settings. Now, she is expanding her Vegas empire through the opening of her high-profile namesake hotel. In this limited series, we follow the behind-the-scenes dash to make the property worthy of the Vanderpump brand. LVP shares what inspired her newest enterprise and pulls back the curtain on the down-to-the-wire drama. The series will culminate at The Vanderpump Hotel’s lavish opening party, with fan-favorite Bravolebrities celebrating the launch.”
No airdate has been released just yet, but we’re sure it’s worth the wait!
Entertainment
First Kelce family member spotted arriving in NYC for Taylor Swift and Travis Kelce wedding
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The couple is heavily rumored to be tying the knot at New York City’s iconic venue Madison Square Garden on Friday, with over 1,000 guests in attendance.
Entertainment
Rule for Taylor Swift and Travis Kelce's wedding guests revealed
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This is their place, they make the rules.
Entertainment
Why Did Scott Patterson Leave Sullivan’s Crossing? Exit Explained
Sullivan’s Crossing is going through a very big change with Scott Patterson‘s character Sully being written off — but what does the shocking exit mean for the show?
Based on the book series by Robyn Carr, Sullivan’s Crossing centers around neurosurgeon Maggie (Morgan Kohan) after she moves back home to rural Nova Scotia to reconnect with her estranged father, Sully (Scott Patterson). The brief getaway turns into Maggie making plans for a future in Sullivan’s Crossing with love interest Cal (Chad Michael Murray).
Patterson previously praised his time on Sullivan’s Crossing before his exit.
“It’s always exciting to go to a new place with a new project [and] with new expectations. Everybody’s lovely. The work is deep and the collaboration is real. You’ve got a built-in audience with [Gilmore Girls] and now we’ve got Robyn Carr’s book audience,” he exclusively told Us Weekly in October 2023. “So it’s kind of exciting to come into something that’s kind of established — has already an established fan base — and I can bring mine in. They can join forces and watch the show together and compare notes.”
Us broke the news in March 2026 that Patterson wouldn’t be returning as Sully.
“Every actor knows what it’s like to fall in love with a character and a story. I fell in love with Sully and have nothing but fondness for him,” Patterson wrote via Instagram at the time.
The actor hinted at what caused his surprising departure, adding, “The creative differences were becoming untenable and I just sadly realized that the show was not something that I could agree to continue.”
Keep scrolling for a breakdown of Patterson’s messy exit:
The Key Players

Chad Michael Murray and Scott Patterson in ‘Sullivan’s Crossing.’ The CW
Season 3 of the hit series, which started streaming on Netflix in August 2025, ended on a shocking note when Maggie and Cal’s relationship was affected by her secret husband, Liam (Marcus Rosner), strolling into town.
Elsewhere in the season, Sully left on a getaway to Ireland with his girlfriend, and Edna (Andrea Menard) and Frank (Tom Jackson) also contemplated moving on from the campground.
The Gist
Us exclusively broke the news in March 2026 that Scott Patterson exited the series before season 4.
“Season 3 of Sullivan’s Crossing ended with Sully leaving for Ireland, beginning a new chapter in his life. Season 4 picks up the next day, with Sully still overseas,” showrunner Roma Roth shared with Us. “While he isn’t physically present in this season, the character remains an important part of the world with the potential to be included in future seasons should that align with the ongoing creative.”
What Has Been Said

In a lengthy statement, Patterson clarified his perspective on his exit.
“It’s unfortunate that it is now being implied that they moved on from me/Sully when the fact is the complete opposite, and those who sadly already have spoken out are also fully aware of this fact, and yet chose to say otherwise,” he wrote via Instagram in March 2026. “I was not intending to make any statement but the fans of the books and the show deserve to know the truth as I have always been respectful of those who support this industry by watching and loving these characters we are so dang lucky and blessed to portray and bring to life.”
Patterson stood by his decision to break his silence.
“I really enjoyed Sully and fought for his voice and his character. The richness and depth of Sully, whom the fans of the books all know and love, is so multi-layered and interesting,” he added.
The statement concluded: “The fans deserved better than to think the embodiment of this character, me, would just disrespect not only the show, but them. In the end, we’re all fans of these characters and stories, and I’ll always support and defend the truth.”
Kohan also broke her silence after her onscreen dad’s shocking exit from the show.
“[My character Maggie’s] whole world at the beginning of the [fourth] season is not what she anticipated,” Kohan told Yahoo Canada in March 2026.
Kohan teased a shakeup for Maggie, adding, “She’s just kind of settled in with Cal — and then it’s really thrust on her that now, you’re taking over the Crossing, and you are fully involved, while the rest of your life is kind of thrown up in the air again.”
The actress pointed out that “part of her support system is now gone too” while referring to Maggie’s dad, Sully, being out of the picture when the new season begins.
What’s Next
Sullivan’s Crossing is currently streaming on Netflix.
“I’m absolutely thrilled that Sullivan’s Crossing is returning for a fourth season,” showrunner Roma Roth said in a statement at the time about what fans can look forward to. “Seeing it resonate with a global audience and watching the ratings climb have been a dream come true. Season 4 will explore themes of change and transformation so you can expect a whole new set of exciting and emotional challenges for Maggie and Cal.”
Entertainment
Frankie Muniz Claps Back At Conservative Over Divorce
“Big Fat Liar” actor Frankie Muniz is clapping back at a conservative political commentator who slammed his “bizarre” divorce announcement. According to a previous report from The Blast, Frankie revealed yesterday, July 1, 2026, that he was divorcing his “baby momma,” Paige Price Muniz. He said that their separation wasn’t the result of a nasty falling-out, but rather a deep commitment to their 5-year-old son, Mauz. The actor said that he and Paige plan to continue their deep friendship and be the best parents to their kid.
In Frankie‘s original divorce announcement, the actor posted a video of him and his soon-to-be ex-wife, Paige, dancing with their son, Mauz. The actor captioned the clip, “Who says you can’t stay best friends with your baby momma?”
Frankie received backlash over his comments, as many questioned why the 40-year-old appeared to be making light of divorce. Conservative commentator Michael Knowles was among the critics. He said, “Muniz deleted the bizarre video of him and his wife dancing to celebrate their divorce.”
Knowles added, “But he reposted the same nauseous text. This is the most offensive part of liberal ‘morality.’ It’s not enough that we tolerate their sin and vice. They demand that we celebrate it.”
Frankie Muniz Claps Back At Knowles After Claiming The Actor Was ‘Celebrating’ The Downfall Of His Marriage
It didn’t take long for Frankie to respond to Knowles and clarify his position. According to the “Malcolm in the Middle” performer, his initial post was meant to highlight that he and Paige can remain amicable amid their separation.
“It wasn’t to celebrate our divorce. Far from it. We grieved our divorce beyond anything you can imagine,” Frankie responded. “It was to celebrate the fact that we’re both adults and can handle it like adults moving forward, amicably.”
Frankie said that the reason he received such backlash is due to the state of the world right now. “Everyone is just used to the hideous mudslinging a lot of couples do at the end of a relationship, so they don’t know how to take it when two people are cordial,” he finished.
Frankie Muniz Announced His Divorce From His Partner With A Lengthy Post On Instagram

In the caption of his original post, Frankie opened up about his and Paige’s split, saying that after 10 years together, they’ve decided to separate but maintain a “deep friendship as co-parents.”
He thanked Paige elsewhere in his post, saying he was “endlessly grateful” for the support she’s given him while he’s pursued his dreams.
“She put her own dreams on hold so I could chase mine, and she was always my biggest supporter,” he wrote. “That foundation of respect and friendship isn’t going anywhere. We’re excited to keep building Muniz Racing together and to co-parent our boy with the same teamwork and love we’ve always had.”
More About Frankie’s Relationship With Paige
Frankie and Paige got married in a formal ceremony in February 2020 after eloping the year before. The pair got engaged in November 2018 at an Arizona festival, which Frankie posted about online.
“So thankful this Thanksgiving for my FIANCEE!” the New Jersey native said about the engagement online. “Yep, @pogprice said yes! She makes my life instantly better! We’re eating our Thanksgiving dinner at Boston Market, but I wouldn’t want it any other way, as long as [I] have her by my side! #sheismyrock.”
Regarding their wedding, Frankie called the moment “perfect” while opening up about the special day. “From the moment of waking up together and jumping on the bed hyping each other up, to helping our wedding planner with setting things up at the venue, all the way to walking down the aisle with my best friend hand in hand with our closest friends and family in attendance. Everything was just so us,” he said.
What Other Celebrities Split This Year?

In addition to Frankie and Paige, several other celebrities ended their relationships this year, including Jack White and Olivia Jean, Jelly Roll and Bunnie Xo, Ryan Lochte and Kayla Reid, Megan Thee Stallion and Klay Thompson, Haylie Duff & Matthew Rosenberg, and many more.
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