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NewsBeat

Victim of a Shirley Valentine murder: Jean had made a new life in Crete. Then one day she went for a drink with a local man and was never seen alive again. Now, 17 years after her body was found, her killer’s finally been convicted. Why IS he still free?

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Pictured: Jean Hanlon. Her body was recovered from Heraklion harbour in March 2009 with head injuries and other signs of trauma, but police ruled her death was a tragic accident

When one of Michael Porter’s brothers rang to say their mother had gone missing on the Greek island of Crete, he knew instinctively something terrible had happened.

‘My mind jumped to a worst-case scenario – I didn’t know what it was but I knew it was bad,’ he says.

Nonetheless, Michael could never have imagined that moment would mark the start of a near two-decade quest for justice that is only now approaching a resolution.

For while 53-year-old Jean Hanlon’s body was recovered from Heraklion harbour in March 2009 with head injuries and other signs of trauma, police ruled her death was a tragic accident.

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She had, they declared, simply drowned, likely under the influence of alcohol.

Along with his older brothers David, 47, and Robert, 51, Michael refused to believe this. The injuries his mother had sustained – among them a broken neck and shattered coccyx – told them otherwise.

Then there was the haunting final text message she had sent to a friend which read simply: ‘Help’ – and diary entries in which she spoke of being stalked and harassed by a former lover.

None of it made any difference. ‘The Greek police weren’t interested. They didn’t care and they didn’t undertake even a basic investigation,’ Michael, 41, tells me now. ‘Why, we’ll never know.’

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Pictured: Jean Hanlon. Her body was recovered from Heraklion harbour in March 2009 with head injuries and other signs of trauma, but police ruled her death was a tragic accident

Michael Porter, pictured, could never have imagined that moment would mark the start of a near two-decade quest for justice that is only now approaching a resolution

Michael Porter, pictured, could never have imagined that moment would mark the start of a near two-decade quest for justice that is only now approaching a resolution

With Jean's phone going straight to voicemail, her anxious sons scrambled to catch a flight, learning from Greek police before they boarded their plane the dreadful news that the body of a woman had been recovered from Heraklion harbour, pictured

With Jean’s phone going straight to voicemail, her anxious sons scrambled to catch a flight, learning from Greek police before they boarded their plane the dreadful news that the body of a woman had been recovered from Heraklion harbour, pictured

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In the event, it took 17 years – throughout which the family continued to campaign vigorously for justice – for the police to make an arrest and bring charges, and earlier this month a man was finally found guilty of Jean’s murder at the island’s Lasithi Law Courts in Neapoli.

But the conviction has come with a sting in its tail.

For despite being jailed for ten years last week following a four-day trial, the man – who under Greek law cannot be identified until the entire court process is over – has launched an appeal and will remain free until it is heard.

‘Seeing him walk out of court with his hands in his pockets, not cuffed behind his back, made me furious,’ says Michael.

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‘At the same time his conviction is a massive victory and we all feel like Mum’s voice has finally been heard after years of the Greek authorities trying to sweep her death under the carpet.’

In fact, the toll that Michael’s quest has taken is all too evident when we talk shortly after his return to the UK after attending the trial alongside his brothers.

Speaking from his home in London – one wall adorned with a print of a favourite photograph of Jean smiling at the camera – Michael, who works for the Royal Theatrical Fund, is clearly tired.

He and his mum were close, sharing a love of dancing and musical theatre.

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‘She was also a bit of a drama queen like me,’ he laughs.

A single mum from Dumfries in Scotland – Michael’s parents divorced when he was five – Jean worked several jobs to make ends meet, supplementing her day job as a secretary at Dumfries & Galloway Royal Infirmary with an assortment of odd jobs.

‘She supported us through everything, really. She didn’t have a lot but she made sure we had the best of what she could get,’ he says. It was not until she was 40 that Jean had her first holiday abroad, booking a trip to Crete with a friend.

‘She fell in love with the island,’ says Michael. So much so that, in 2003 and then in her late 40s, she decided to move there full-time, initially employed by a local tour operator, before she started working independently in local tavernas, returning home during the winter season.

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‘She figured she hadn’t left an office job in Dumfries to do the same thing in Crete,’ says Michael. ‘She didn’t earn a lot of money but she was just so happy.’ 

To such an extent that by 2008 Jean, by now surrounded by new friends and settled in the Cretan seaside town of Kato Gouves, decided to make her move more permanent.

That summer, she returned to Scotland for what would be the last time to attend Robert’s wedding. ‘None of us had any idea that this would be the last time we would be together as a family,’ Michael says now.

He last spoke to his mother on March 6, 2009, three days before she vanished. ‘She seemed happy,’ he says. ‘There was nothing untoward.’

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Then, on March 11, he received that ominous phone call: two days earlier, Jean had failed to arrive at the house of a friend, having arranged to care for her disabled daughter.

‘It raised alarm bells as Mum would never let people down but when the friend contacted police they told her to come back in 48 hours. When there was still no sign, Interpol then got involved.’

Back home, with Jean’s phone going straight to voicemail, her anxious sons scrambled to catch a flight, learning from Greek police before they boarded their plane the dreadful news that the body of a woman had been recovered from Heraklion harbour.

‘They told us they thought it was a woman aged 30 to 35 who had been in the water for weeks, so that gave us a little bit of hope to cling on to,’ says Michael.

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It wasn’t to be. After being taken to the island mortuary on arrival by a representative from the British Consulate, it was clear the body was Jean’s.

Jean's sons, pictured L-R, Robert, Michael and David Porter. Even when they gave police their mum's diary, they took no interest

Jean’s sons, pictured L-R, Robert, Michael and David Porter. Even when they gave police their mum’s diary, they took no interest

Jean pictured with Michael. As each anniversary rolled by, Michael ¿ who became the public face of the family's campaign for justice ¿ tried to keep his mother's name alive

Jean pictured with Michael. As each anniversary rolled by, Michael – who became the public face of the family’s campaign for justice – tried to keep his mother’s name alive

‘Her clothes were laid out and we could instantly recognise some of them,’ Michael recalls.

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He chokes back tears as he recalls seeing the body of his mum, sporting what was clearly a deep head injury.

‘It’s hard to process. You’re trying to understand how the hell this has happened, that somebody has done this. Because it was instantly obvious there had been foul play.’

This sentiment was not shared by the police, however, who told her sons that Jean had been the victim of a tragic drowning.

‘It didn’t chime with what we’d seen with our own eyes on the mortuary table but it felt like nobody wanted to listen, nobody cared and certainly no one wanted to investigate,’ he says.

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Even when, early on, the brothers gave police their mum’s diary, in which she had written that she was being pestered by a local man – identified only by his first name – with whom she had ended a brief relationship, they took no interest. 

‘This man was stalking and harassing her, coming to her house uninvited, asking her for money, asking her for sex,’ says Michael. ‘Later on the police claimed they didn’t get the diary until 2014.’

And so it was Jean’s sons, rather than the police, who pieced together their mother’s last known movements.

‘At the trial we learned they hadn’t even bothered searching her apartment,’ he says.

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She had spent the day shopping before meeting a friend for coffee – mentioning in passing that she thought a car had been following her – before heading to a local taverna, where she was hired as a waitress for the summer season.

‘After that things become hazy, although the fact there was a pile of worn clothes and an ironing board at her home suggests she returned home and changed,’ says Michael. ‘We think a man was there too and used the toilet as the seat was up which mum would never do.’

That evening, a Belgian friend named Peter had called Jean’s mobile phone. ‘She told him she was in the Marina Cafe bar near the port in Heraklion with a man,’ says Michael. 

‘Peter worried that she sounded drugged, so he asked her to pass the phone to the man and had a brief chat with him. The man did not give a name but said he was from Kato Gouves.’

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An hour later, she sent Peter that one-word text saying: ‘Help’. 

‘He told police he called her back and she insisted everything was fine. I think it was more out of frustration than because she genuinely felt unsafe, because if Mum had really been frightened she would have screamed,’ Michael insists.

Jean also called Peter later that evening but he had already gone to bed and failed to pick up.

After that, nothing.

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None of this convinced the police to investigate further, although by December 2009 – nine months after Jean was killed –family pressure led to a second coroner’s report.

This revealed Jean had died from multiple injuries, including a broken neck, inflicted before she entered the water. It appeared to present irrefutable evidence that Jean’s death was far from an accident but the police verdict remained unchanged. ‘It was still, “She had too much to drink, she drowned”,’ says Michael.

‘They stereotyped her as this middle-aged woman who liked to go out. It made me so angry.’

In fact, cajoling an apathetic local police force into delving deeper into this perplexing mystery would develop into a grinding battle of wills that would last for years to come.

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As each anniversary rolled by, Michael – who became the public face of the family’s campaign for justice – tried to keep his mother’s name alive, continually pleading with the Greek authorities for help to unravel the truth surrounding her death.

On two occasions hopes were raised when prosecutors grudgingly agreed to reopen the case, only for them to quickly fade when the files were closed once more.

Her sons battled on regardless, doing whatever they could to keep Jean’s name alive.

Then, in 2023, came an apparent breakthrough: further family pressure led to a fresh inquiry into their mother’s death, which ruled for the first time that it was the result of ‘foul play’.

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Then came the Kafkaesque twist: while she may have been unlawfully killed, too much time had passed, meaning there was little chance of identifying her killer.

‘It was devastating,’ says Michael. ‘Getting the case reopened required so much work in a foreign country with different rules. It’s incredibly stressful and it takes away your grief or your connection to your loved one.’

Later that year, Michael contacted a private investigator. ‘Within three months he produced a 29-page dossier with all the information and evidence available, the biggest part being Mum’s diary,’ says Michael.

The investigator also pointed the finger at a suspect: the man who, two years later, would appear in that Cretan courtroom. He was the same man who had been harassing Jean and whose voice Peter immediately recognised as belonging to the man he’d spoken to on Jean’s phone on the night of her death.

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‘When police asked how he knew that voice after 17 years, Peter said he would never forget the night he didn’t save his friend,’ says Michael.

‘He felt incredible guilt that he had been asleep when she rang him again.’

Yet they were to face even more hurdles.

While the man was charged with Jean’s murder early last year, the prosecutor subsequently closed the case citing a lack of evidence.

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‘The lawyer and the private investigator put together an appeal and, for the first time in Greek history, the senior prosecutor overruled his predecessor.’

Finally, last December, he was charged with intentional homicide, although to the brothers’ astonishment, as he had no previous convictions, he wasn’t placed on remand but told instead not to leave the island.

The eventual trial last month – Michael describes it as a ‘circus’ – was traumatic, not least because he learned the exact nature of his mum’s appalling injuries. 

‘We found out for the first time that she died from a blow to the back of the head with a blunt object which splintered the brain stem and that she wasn’t fully dead when she entered the water. That was horrible,’ he says quietly.

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They also learned that the suspect had been diagnosed with schizophrenia and bipolar disorder and was on daily medication which, if not taken, led him to become aggressive.

Today, while confident that his mother’s killer’s appeal will not succeed, Michael cannot be sure. ‘History has shown us not to take anything for granted,’ he says.

In the event, it took 17 years ¿ throughout which the family continued to campaign vigorously for justice ¿ for the police to make an arrest and bring charges

In the event, it took 17 years – throughout which the family continued to campaign vigorously for justice – for the police to make an arrest and bring charges

Michael will never know for sure the exact events of that terrible night, although he has his theory. 

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‘I think mum was in a good mood because she had just got a job and she let this man take her for a drink against her better judgment. Then something happened to upset him,’ he says.

Seventeen years on, the impact of Jean’s loss still looms large. ‘I don’t think any of us have properly grieved, because we had to instantly go into fighting mode,’ Michael says.

‘It’s sad because in the fight for justice, you can actually forget that’s your mum. So many years were wasted.’

He takes solace in the fact that his mother would have been so proud of the way her sons never gave up.

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‘It didn’t feel like a choice,’ he says. ‘She fought for us our whole lives – and she deserved for us to fight for her.’

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The North Yorkshire ruins where Sam Neill shot ‘most chilling scene’

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The North Yorkshire ruins where Sam Neill shot 'most chilling scene'

In 1981, the then-rising New Zealand actor travelled to the Skell Valley in North Yorkshire to shoot the apocalyptic finale of Omen III: The Final Conflict, playing Damien Thorn — the Antichrist at the height of his earthly power — in a landscape that director Graham Baker later said was perfectly suited to the story’s dark ambitions.

“Shooting here was very cold and very eerie,” Baker recalled in the DVD commentary for the film.

It is not difficult to see why he chose it.

(Image: Supplied)

A ruin built for the screen

Fountains Abbey, just three miles south-west of Ripon, is the largest set of monastic ruins in England.

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Founded in 1132 by Cistercian monks under the direction of Thurstan, Archbishop of York, it grew over four centuries into one of the wealthiest religious houses in the country before Henry VIII’s Dissolution of the Monasteries reduced it to the haunting skeleton it remains today.

What the monks left behind — vaulted ceilings, grand columns, a soaring 160-foot tower — gave Baker and Neill a ready-made stage for the film’s climactic confrontation.

The finale was shot entirely on location at Fountains.

Neill was 33 at the time and relatively unknown outside his native New Zealand and Australia.

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The Final Conflict was among the films that introduced him to mainstream international audiences — twelve years before he would become truly famous worldwide as Dr Alan Grant in Jurassic Park.

(Image: Sam Neill (Alamy/PA)

A World Heritage site with a Hollywood habit

Fountains Abbey was designated a UNESCO World Heritage Site in 1986 — just five years after Neill walked its nave.

It sits within Studley Royal Park, an 18th-century landscaped water garden that frames the ruins with formal pools, statues and sweeping parkland, and together the two form one of the most visited historic sites in the north of England.

The National Trust, which manages the site, recorded more than 400,000 visitors to the Fountains Abbey estate in a recent year.

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Its atmospheric quality has drawn filmmakers back repeatedly: productions shot there include Anne Boleyn (2021), The Witcher (2021), All Creatures Great and Small (2021), The Secret Garden (1993 and 2020), and most recently Danny Boyle’s 28 Years Later (2025).

(Image: NORTHERN ECHO)



It is that last production which brings the connection full circle.

Like The Final Conflict four decades before it, 28 Years Later used Fountains Abbey’s 12th-century ruins to conjure a world after civilisation’s collapse.

Those who visit Fountains Abbey today — and more than 400,000 do each year — walk the same ruins where a young Sam Neill once filmed in the cold and the dark.

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Rage It Out in Consett closing for renovations

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Rage It Out in Consett closing for renovations

Rage It Out on Queen Street in Consett opened in March this year.

Now, the business will stop accepting new bookings to allow them time to upgrade the experience, but current bookings will still go ahead.

The announcement was made in a Facebook post: “After a mental first few months of smashing, throwing, eating, laughing and generally causing controlled chaos, we’ve decided to pause new bookings from July 20 until September 14 while we make Rage It Out even better.”

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The company thanked its customers for the support they have received since opening: “The support from everyone in Consett and beyond has honestly blown us away.

“More importantly, after months of operating, you’ve shown us exactly what you love, what works, and what you want more of.”

They detailed what changes will be made: “During this time we’ll be giving Rage Room 1 a revamp, making Refuel the Chaos bigger and better and getting our bar area fully equipped and ready to go.”

Rage It Out added that there are some booking slots still available and they will be planning some discounts and special invites for previous customers.

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A rage room is a controlled space where visitors can smash objects such as bottles, furniture, and electronics as a way to release stress and tension.

Rage It Out will reopen fully from September 19.

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Bedford train crash driver died of ‘traumatic injuries’, inquest hears

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Cambridgeshire Live

A train driver, formerly a Cambridgeshire councillor, died of ‘traumatic injuries’ after a crash in June

A train driver who was killed in a 49mph crash in Bedfordshire is believed to have died from “traumatic injuries”, an inquest has heard.

Shaun Burton, 60, was driving an East Midlands Railway train (EMR) that hit the back of a stationary train run by the same operator in Elstow, near Bedford, on June 19. Mr Burton, a former Huntingdonshire councillor, died as a result of the crash.

The Rail Accident Investigation Branch (RAIB) published an interim report on June 24, which stated Mr Burton’s train had proceeded past a red signal near the scene of the crash. An inquest opened into Mr Burton’s death today (Tuesday, July 14) at Bedfordshire and Luton Coroners Court in Ampthill.

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The coroner’s officer, Natalie Shirran, said: “On June 19, 2026, at approximately 17.14 hours, a collision occurred south of Bedford Rail station between train 1H46 and the rear of stationary train 1B67.

“Train 1B67 had stopped due to a fault and the driver was contacting the signaller and maintenance staff. The signalling system had placed following trains at red signals. Train 1H46 departed Bedford at 17.10 hours and subsequently passed a red signal.”

Some 162 people were injured, 102 of whom needed hospital treatment. As of when the RAIB was published around three weeks ago, 53 remained in hospital, including eight in a critical condition.

Images from a forward-facing CCTV camera on Mr Burton’s train show a signal near the scene of the crash “was displaying a red aspect as the train approached and then passed it”, the RAIB said.

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Train data from the wreckage shows the brakes were applied while the train was travelling at 77mph, about 200 yards before the crash, the court heard.

Its speed had reduced to 49mph when the impact happened. Mr Burton’s train was fitted with automatic warning system (AWS) equipment triggered by magnets on tracks. This sounds a bell or chime in the driver’s cab when it is approaching a green signal, and a horn when coming up to a non-green signal.

In the case of the latter, drivers are required to acknowledge the warning by pressing a button. After this happens, a visual indicator appears in the driver’s cab as a reminder. The train’s emergency brake is applied if the warning is not responded to quickly enough.

The RAIB statement said the stopped train involved in the crash had come to a stop “unexpectedly” after a fault with its AWS equipment caused its brakes to apply. This resulted in the signal behind it automatically changing to red, investigators said. Approaching trains should stop at red signals.

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A post-mortem examination was carried out by consultant pathologist Dr Virginia Fitzpatrick-Swallow on behalf of the coroner’s court.

Mr Burton’s cause of death was confirmed as “traumatic injuries to the brainstem and chest, pending further investigations.” His family had been informed that the inquest was set to open, but did not attend court.

Coroner Emma Whitting said: “I would like to take this opportunity to pass on my condolences to Mr Burton’s family, friends and colleagues for their loss.”

The inquest has been adjourned until the conclusion of the RAIB and British Transport Police investigations.

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Teeside plant opens to reduce e-waste and cut reliance on metals

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Teeside plant opens to reduce e-waste and cut reliance on metals

The move aims to reduce Britain’s reliance on overseas processing.

DEScycle opened its first demonstration facility at the Wilton Centre in Teesside on Thursday, 9 July, in what the company says is a significant step towards keeping critical minerals processing on home soil.

The plant will process electronic waste to recover metals such as gold, copper, silver and palladium, which are essential for manufacturing, clean energy, technology and national security.

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The UK generates millions of tonnes of e-waste each year, most of which is currently sent abroad for recycling.

The facility was opened by Anna Turley, MP for Redcar, and Ben Houchen, Tees Valley Mayor, alongside investors and industry figures.

Anna Turley MP said: “Critical metals are essential to Britain’s manufacturing, energy, technology and national security, yet too much valuable metal-bearing waste is still exported for processing overseas.

“DEScycle’s plant in Redcar is an important step towards changing that.”

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Ben Houchen said: “Teesside has always been at the forefront of industrial innovation, and it’s fantastic to see companies like DEScycle choosing our region to develop new technology that turns electronic waste into valuable critical minerals.”

Tech giant Cisco will supply materials to the facility, while Mitsubishi Corporation will explore commercial routes to market for the recovered metals.

Waste Minister Mary Creagh CBE MP said: “Recovering these critical metals and materials here in the UK is vital for our supply chain resilience, resource security and climate goals. I am delighted to see a British start-up like DEScycle showing how innovation strengthens the circular economy.”

CEO Leo Howden said the Teesside plant was designed as a blueprint that could be replicated at industrial sites across the UK and internationally.

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The launch follows a government announcement last month of a £50m investment in domestic critical minerals production, setting an ambition for recycling to meet 20 per cent of annual UK critical mineral demand by 2035.

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Andy Serkis says the Lord Of The Rings cast was ‘very white’ and admits there were ‘criticisms’ over the film series’ lack of diversity as he defends the casting of his new prequel

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Andy Serkis has admitted the Lord Of The Rings cast was 'very white' after a 25-year row over the lack of diversity in the films

Andy Serkis has admitted the Lord Of The Rings cast was ‘very white’ after a 25-year row over the lack of diversity in the films.

The iconic trilogy is considered one of the greatest in cinematic history, and its conclusion The Return Of The King, was awarded 11 Oscars.

However, fans have complained that there was little diversity in the stars who played its most iconic roles, and Andy himself has addressed the backlash in a new interview.

The actor, who provided the motion capture for Gollum, acknowledged that there were ‘criticisms’ aimed at the casting for the original films, and it was something he planned to ‘acknowledge’ in his new film The Hunt For Gollum.

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He said: ‘Tolkien himself was influenced a lot by Norse mythology, there’s a lot of that feeling.

‘The Shire feels very, very much like a very, a very white, you know…’

Andy Serkis has admitted the Lord Of The Rings cast was ‘very white’ after a 25-year row over the lack of diversity in the films

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Speaking to the BBC, Andy added: ‘They’re not very concerned about what goes on beyond the borders of The Shire, but they know they don’t want people coming in.

‘Yes, there have been criticisms.

‘This particular film is somewhat acknowledging that. But I don’t think we will be doing a politically correct just-casting-for-the sake-of-casting-and-ticking-boxes version of the film. So, it’s where relevant basically.’

Casting for The Hunt For Gollum is currently underway, and will see Andy reprise his role as Gollum, alongside Ian McKellen as Gandalf The Grey, with the film set to be released in December 2027.

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Told from Gollum’s perspective, the film is set before the events of The Fellowship of The Ring, and sees Gandalf sending a ranger called Strider to find the former Hobbit.

Strider, also known as Aragorn, will be played by Jamie Dornan, replacing original star Viggo Mortensen in the role.

The casting received a mixed reception, with comments on Instagram including: ’50 shades of Gollum;’

‘Kate Winslet to Jamie Dornan in LOTR: “draw me like one of your Rivendell girls;”‘

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‘From a looks wise Jamie is fantastic for Aragorn;’

The iconic trilogy is considered one of the greatest in cinematic history, but fans have previously criticised a lack of diversity among its actors

The iconic trilogy is considered one of the greatest in cinematic history, but fans have previously criticised a lack of diversity among its actors

Join the discussion

Should beloved fantasy classics be recast for greater diversity or stay true to original visions?

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‘JAMIE DORNAN. HELL YEAH. AND LEEEEE PACE! AGGHHHHHHH.’

‘Jamie Dornan, you just being given a second chance in this industry,’

Anya Taylor-Joy and Kate Winslet have also joined the cast, and the film is set to use de-aging technology for actors who are returning to the franchise.

In 2022, several stars of The Lord Of The Rings prequel series The Rings Of Power, received vile racist trolling over their casting in the show, with stars including Sir Lenny Henry cast as elves, dwarves and Harfoots.

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Elijah Wood, Sean Astin, Billy Boyd and Dominic Monaghan, who played hobbits in the original trilogy, shared social media posts with the caption: ‘You Are All Welcome Here’ in a show of solidarity.

A message was also posted on the show’s social media account hitting back at the ‘relentless’ abuse some of the cast suffered.

It said: ‘JRR Tolkien created a world which, by definition, is multicultural.

‘A world in which free peoples from different races and cultures join together, in fellowship, to defeat the forces of evil. Rings of Power reflects that. 

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‘Our world has never been all white, fantasy has never been all white, Middle-earth is not all white.’

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England or Argentina? Spain players ‘have clear preference’ for World Cup final opponent | Football

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England or Argentina? Spain players 'have clear preference' for World Cup final opponent | Football

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In The Mixer’s World Cup special

Everything you need to know about the World Cup – England updates, the games to watch and stories you missed – in five minutes, at 1pm, every day.

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Timothee Chalamet seen chatting with David Beckham at France-Spain World Cup game in Texas… before meeting Dallas Cowboys Cheerleaders

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Timothee Chalamet chatted with David Beckham at France and Spain's World Cup semifinal

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Timothee Chalamet crossed paths with David Beckham and the Dallas Cowboys Cheerleaders after attending France and Spain’s World Cup semifinal on Tuesday.

The Hollywood star, 30, headed to AT&T Stadium in Arlington, Texas, to watch France take on the reigning European champions for a place in Sunday’s final.

During the second half of the game, Fox Sports cameras spotted him locked in conversation with soccer legend Beckham, 51, and his son Romeo, 23, in the stands.

Chalamet, who is French-American, was wearing a France tracksuit top at the match while rooting for his father Marc’s birth country to get the better of Spain.

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Unfortunately for him and his dad, Les Bleus were sent packing from the tournament after slumping to a surprise 2-0 defeat in Texas.

Mikel Oyarzabal opened the scoring for Spain from the penalty spot in the 22nd minute, before Pedro Porro added their second 13 minutes after halftime.

Timothee Chalamet chatted with David Beckham at France and Spain’s World Cup semifinal

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Chalamet was locked in conversation with Beckham and his 23-year-old son Romeo in Texas

Chalamet was locked in conversation with Beckham and his 23-year-old son Romeo in Texas

France were favorites to go all the way and lift the trophy in New Jersey on Sunday, meaning their miserable performance and elimination therefore comes as a slight shock.

Nevertheless, Spain have proven themselves one of the best teams in the world in recent years, having also prevailed at the 2024 European Championships. 

At the halftime break in Arlington, Chalamet was also filmed meeting the famous Dallas Cowboys Cheerleaders backstage at AT&T Stadium. 

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As he gave each of the cheerleaders a hug, the Marty Supreme actor could be heard saying that he was ‘starstruck.’

Chalamet was also spotted at Spain’s quarterfinal win over Belgium in Los Angeles last week alongside his father, though there was no sign of girlfriend Kylie Jenner.

Kylie joined her man at a number of New York Knicks games earlier in the summer, sitting courtside with him on multiple occasions as his beloved team became NBA champions for the first time since 1973.

As for Beckham, he has attended several World Cup matches over the past month, including his native England’s dramatic quarterfinal victory over Norway in Miami on Saturday.

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The Inter Miami co-owner also hosted his country at the MLS team’s training facility ahead of that game last week, where he and two of his sons were seen chatting with Three Lions players and head coach Thomas Tuchel.

Chalamet was rooting for France, his father Marc's birth country, against Spain on Tuesday

Chalamet was rooting for France, his father Marc’s birth country, against Spain on Tuesday

But Les Bleus were sent packing from the tournament after suffering a surprise 2-0 defeat

But Les Bleus were sent packing from the tournament after suffering a surprise 2-0 defeat

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Do celebrity appearances at big sports events add excitement or distract from the game itself?

Beckham will likely be in Atlanta on Wednesday as England bid to reach their first World Cup final since 1966.

Standing in their way is none other than Lionel Messi and Argentina, who are looking to become the first team to retain the title since Brazil in 1962.

Whoever comes out on top will then lock horns with Spain in the all-important final at New Jersey’s MetLife Stadium on Sunday afternoon.

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The loser, meanwhile, will be forced to play a deflating third-place playoff against France the night before. 

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Jet2 aircraft makes emergency return to Manchester

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Jet2 aircraft makes emergency return to Manchester

Flight LS869, operated by a Boeing 737-800, departed Manchester at 10:15 pm before the crew declared an emergency moments later by squawking 7700, the international transponder code used to indicate a general emergency.

The aircraft stopped its climb at around 10,000 feet while the pilots carried out emergency procedures.

After assessing the situation, the crew decided to return to Manchester.

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The aircraft landed safely at around 10:50 pm, approximately 35 minutes after departure, where it was met by airport fire and rescue vehicles as a precaution.

Following checks by emergency services, the Boeing 737 taxied to a remote stand under its own power, allowing passengers and crew to disembark safely.

No injuries were reported.

The cause of the cockpit fumes has not been confirmed.

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The aircraft remained in Manchester following the incident while engineers carried out inspections.

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Large lorry fire closes both lanes of A1 in Cambridgeshire

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Cambridgeshire Live

One lane remains closed on the A1

Smoke engulfed a major A-road while firefighters dealt with a lorry blaze. Cambridgeshire Fire and Rescue were called to a lorry fire on the A1 southbound between Carpenters Lodge and Wittering at around 7am today (Tuesday, July 14).

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Both lanes of the A1 had to close while the fire was dealt with. A fire spokesperson said: “On Tuesday at around 7am, crews were called to a lorry fire on the A1 southbound between Carpenters Lodge and Wittering.

“Crews from Dogsthorpe, Stanground, Yaxley, the Peterborough Volunteer Fire Brigade and Stamford (Lincolnshire Fire and Rescue Service) are in attendance, with the water carrier from Ramsey. Both lanes of the A1 were closed to begin with as smoke was affecting the northbound carriageway.”

The fire was extinguished at around 9.30am, but the northbound lane remains closed. The fire spokesperson added: “One lane northbound has now been opened but traffic is still heavy and we’d ask motorists to avoid the area if possible for now and find an alternative route.”

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York Barbican show for The Best of Mike Oldfield in 2027

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York Barbican show for The Best of Mike Oldfield in 2027

The Best of Mike Oldfield’s Tubular Bells I, II & III will take to the stage at York Barbican in Paragon Street on Tuesday, March 2.

The visit to York forms part of a 16-date UK tour.

Led by long-time Oldfield collaborator Robin Smith, the show features a full live performance of Tubular Bells I, alongside extended selections from Tubular Bells II and III and the hit single Moonlight Shadow.


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Stage scenes from The Best of Mike Oldfield's Tubular Bells I, II and IIIOrganisers said over the past few years Tubular Bells I, II & III in concert has becoming the ultimate live celebration of this trilogy of legendary albums, as well as the gold standard for album revisit shows (Image: Garry Jones)

Robin Smith, musical director of the show, said: “Following our incredible previous tours where we played sell-out shows at Cadogan Hall, the Royal Festival Hall, and Sydney Opera House, it’s a great pleasure and we are thrilled to continue our musical journey in the UK for 2027.

“This is a wonderful opportunity to visit new venues, connect with new audiences, and share Michael Oldfield’s beautiful music with long-time fans and new listeners alike.

“We can’t wait.”

The live concert series has been described as “mesmerising, spellbinding, breathtaking, enthralling and electric” by the Bournemouth Echo.

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Stage scenes from The Best of Mike Oldfield's Tubular Bells I, II and IIIRobin Smith said: “This is a wonderful opportunity to visit new venues, connect with new audiences.” (Image: Garry Jones)

The Lancashire Evening Post wrote: “Hearing the timeless music performed with such passion and love brought tears to the eye as the audience rode on waves of Oldfield’s magic.

“For fans of live music this was pure joy and, for fans of Oldfield, this was perfection.”

Tickets are on sale from 10am on Friday, July 17 and more information can be found here.

Mike Oldfield’s Tubular Bells trilogy spans nearly three decades of musical innovation, organisers said.

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The original Tubular Bells was created in 1971, when Oldfield was just 17 years old, and released in 1973.

Tubular Bells II followed in 1992, with its premiere at Edinburgh Castle becoming one of the most viewed musical events of its time.

Tubular Bells III was released in 1998, with an excerpt featured during the 2012 London Olympic Opening Ceremony.

Stage scenes from The Best of Mike Oldfield's Tubular Bells I, II and IIIThe 2027 UK tour will feature an expansive live group led and arranged by Oldfield’s long-term collaborator Robin Smith (Image: Garry Jones)

Mr Smith has worked alongside Mr Oldfield for more than 30 years and has conducted performances of Tubular Bells at landmark venues including Edinburgh Castle and Horse Guards Parade.

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He also contributed to the 2012 Olympic Games Opening Ceremony.

The 2027 tour builds on a string of sold-out shows across the UK, Europe, Australia and New Zealand.

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