Related: ‘McBee Dynasty’ Recap: Steven Wants to Marry Allie 2 Weeks After Dating
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Steven McBee Jr. admits he felt a nudge from his loved ones to settle down with Allie Eklund before their split earlier this year.
“Inherently, there’s a little bit of pressure because my family is who I hang out with,” Steven, 33, exclusively told Us Weekly on Thursday, July 16. “And so they’re all married up, starting their families.”
The McBee Dynasty: Real American Cowboys star explained it was a “combination” of loving Allie, 29, so deeply and his brothers’ being wifed-up that made him feel ready for marriage before their ultimate breakup in April. (Cole McBee is engaged to Kacie Adkison, with whom he shares one daughter, while Jesse McBee is married to Alli McBee and also has one daughter.)
The McBee Farm & Cattle Co. CEO admitted, “I don’t hang out with single friends or anything like that. So there’s a little bit of pressure on that end.”

Steven, however, noted that after watching back season 3, which was filmed in fall 2025, his brothers, Cole, Jesse and Brayden McBee, were actually pushing for him to pump the brakes on his and Allie’s relationship.
“I’m also seeing a lot of learning lessons as far as me moving a little too quickly and my family saying, ‘Hey, you better slow down a little bit and make sure,’” Steven said of the “bittersweet” episodes he’s seen. “And I threw all caution to the wind and was like, ‘I’m ready to get married.’”
While his family dynamic did play a part in Steven’s eagerness to get hitched himself, he told Us that his connection with Allie was an even bigger reason he thought it was time to settle down — even though they’d only been dating a few weeks when he started talking about proposing to his siblings.
“Allie was pretty spot on with everything that I was hoping to find in a woman,” Steven shared. “So I was like, ‘Hey, this is it. I found what I’m looking for. I’m good. Like, there’s no time to waste here. Let’s just do it.’”
He noted that the influencer “checked all the boxes” at the time, so he was all in.
During the season 3 premiere of McBee Dynasty, which aired in June, fans were introduced to Allie, a content creator from Texas. Her debut included her first trip to Steven’s family farm in Missouri and their first kiss — which was on camera.

“I wasn’t even aware that that moment was going to happen on camera,” Allie exclusively told Us earlier this month about the unplanned kiss. “We had gone on multiple dates before that, had been talking for weeks prior, and it just happened to line up where we kissed on camera.”
Allie noted it was a “very authentic way of just life,” insisting it “wasn’t intentional” that they shared that moment with the world.
“It was my first time on reality and TV, so a first kiss on a national level is definitely not normal. Which I feel like you can kind of see in my reaction to it,” she added.
When the cameras stopped rolling in winter 2025, Allie and Steven continued to date. However, they hit a bump in the road in April when Steven publicly accused Allie of cheating with another man while she was at Stagecoach Music Festival in California.
Allie denied the allegations and although Steven later issued a public apology for his actions, the pair split for good that same month.
Despite the drama, Steven told Us on Thursday that he has liked seeing his and Allie’s love story unfold on TV even if it didn’t end well.
“I’m grateful for, you know, seeing how happy I was at the time, what I thought the future would hold,” he said. “I’m grateful for what that feeling felt like, and now obviously hindsight’s 20-20.”
Steven confessed, “I hate the fallout. I hate my role in a lot of the fallout. I wish things would have just been handled internally and privately. Obviously, we are where we are now, and we can’t take the past back.”
Allie, for her part, said she didn’t need “closure” from Steven following their split, telling Us in July that she’s closed that chapter.
“When I realized that it was a pattern [on his part] and it wasn’t circumstantial, this was really just the icing on the cake for me. And it was it. There’s no conversation to be had, no closure left,” she shared. “Like, that’s closure enough for me. And when he asked me to have a conversation, a closure conversation, I denied it because there’s when your actions and your words don’t line up. There’s nothing that I can do with that. So, you know, I wish him the best from afar.”
The McBee Dynasty: Real American Cowboys airs on Bravo Mondays at 9 p.m. ET.
Comic books have decades-long, built-in fan bases, and every single one of those fans has their own idea of what makes a great superhero story. Some grew up on a specific run. Some latched onto a specific artist’s version of a character. That means everyone walks into the theater with a different version of the character already living in their head, and a movie can only really commit to one of them. So, when a new superhero movie finally comes out, pleasing everyone in that crowd is basically impossible.
And then there’s the other kind of divide — the one between critics and audiences. A movie can deliver everything the fanbase has been begging for while still failing on basic filmmaking fronts, and that creates the most divisive results of all. Other times, a movie can be unanimously hated on release and then slowly turn beloved as the years go on, once audiences have had time to reassess it outside of its initial launch. Whatever the reason behind the split, here are the seven most divisive superhero movies ever made.
When Deadpool & Wolverine hit theaters, it received glowing reviews. The third entry in the franchise finally brought Wade Wilson (Ryan Reynolds) into the mainline MCU in all his R-rated glory, and it stacked the cast with legacy heroes fans never thought they’d see onscreen together. Hugh Jackman got to reprise his role as Wolverine, complete with the iconic yellow suit fans had been asking for since 2000. And cameos from Jennifer Garner‘s Elektra, Wesley Snipes‘ Blade, Dafne Keen’s X-23, and a scene-stealing Channing Tatum as Gambit turned the movie into a perfect send-off for 20th Century Fox’s mutant era.
But once the hype of the cameos wore off, the cracks started to show. Many fans now admit it’s a fun rollercoaster ride that doesn’t hold up nearly as well on rewatch. The plot is paper-thin, Mr. Paradox (Matthew Macfadyen) is one of the weakest villains in the franchise, and the entire story hinges on a lazy MacGuffin. A growing number of fans now consider it the weakest Deadpool movie of the trilogy, even with all that star power on display.
Chloe Zhao was arguably the most decorated director Marvel has ever hired. Her film Nomadland won Best Picture and Best Director at the Oscars the same year Eternals came out, but her sensibilities didn’t translate that well to the superhero genre. She delivered a deliberately slow-paced story built around mythology and philosophy, and that pacing alienated fans who were used to the MCU’s usual quip-heavy formula. The film also introduced 10 brand-new heroes in a single movie, which left a lot of viewers feeling like they needed a flowchart just to keep track of everyone.
It was more so a superhero movie made for cinephiles. Eternals earned real praise for its striking visuals and cinematography, and it also delivered some of the most beautiful depictions of superpowers ever put on screen. However, the disconnect between cinema fans and comic book fans turned this into one of the most polarizing entries in the entire MCU.
The Amazing Spider-Man 2 was widely hated when it first came out. Electro (Jamie Foxx) and Green Goblin (Dane DeHaan) were both weak, underdeveloped villains crammed into a movie that was already juggling too many subplots. But something changed after Spider-Man: No Way Home.
Fan opinion on Garfield’s version of the character shifted so hard that many now consider him the greatest live-action Spider-Man. It’s the small moments, like him fighting in winter wearing street clothes over his costume, hanging out with the firefighters, and helping a random kid with his science project. These are the friendly neighborhood, street-level Spider-Man moments that have been largely missing from Tom Holland‘s trilogy, and fans have grown to crave that version so badly that Brand New Day is taking heavy inspiration from Garfield-era Spidey.
Man of Steel came out at a time when the Superman franchise had been dead for nearly a decade. It delivered a genuinely compelling superhero origin story, one that leaned darker and more brutal than anything the MCU was doing at the time, and that was enough to win over mainstream audiences. But for anyone who’d ever actually read a Superman comic, it was obvious that this brooding, almost Jesus-like figure wrestling with his place in the world was not really Superman. In the comics, Clark Kent is a bright, relentlessly optimistic farm boy with a heart of gold, and Henry Cavill’s version felt more like an Elseworlds take on the character.
The film also drew heavy criticism for the sheer scale of destruction in Metropolis during the final battle. When Superman fights in the comics, he goes out of his way to save as many lives as possible, the same way he does in James Gunn‘s Superman, where he refuses to even kill the giant monster tearing through Metropolis. Man of Steel skipped over that instinct, and the controversy peaked when Superman kills Zod (Michael Shannon) in the final confrontation. Sure, he’s forced into a corner, but that’s exactly the problem. Finding another way, no matter how impossible the situation looks, is the entire core of who Superman is. It’s the one trait that separates him from every other hero with god-like power, and it’s the reason kids have looked up to him for generations. Man of Steel stripped that part of the character away in its very first outing.
Right before Captain Marvel came out, Brie Larson made headlines when she said, “I don’t need a 40-year-old white dude to tell me what didn’t work about A Wrinkle in Time. It wasn’t made for him!” The comment came off as openly hostile toward men, a group that happens to make up a huge chunk of Marvel’s audience base. And thus, Captain Marvel became a flashpoint in a much bigger online war over political correctness in Hollywood. The film got brutally review-bombed on Rotten Tomatoes ahead of release, eventually settling at a 79% critic score against a 45% audience score.
The film itself didn’t do much to cool things down either. Carol Danvers came across as the archetypal one-note girlboss character, constantly putting down the men around her while carrying almost no weaknesses of her own. And that flawless, invincible portrayal only gave the existing backlash more fuel. Fans who were already primed to dislike the movie because of Larson now had an actual on-screen reason to point to, and the two controversies fed into each other.
Avengers: Age of Ultron drew plenty of criticism when it first came out. Ultron (James Spader) was nowhere near the menacing threat he is in the comics. Instead, he came across as a wisecracking Tony Stark (Robert Downey Jr.) clone, which fit the movie’s plot but felt like an injustice to one of the greatest villains in comic history. The film also buckled under the weight of setting up future installments. Thor’s (Chris Hemsworth) entire detour into the cave felt like pure filler, tossed in just to plant seeds for future Phase 3 movies.
But now that Tony and Steve (Chris Evans) are both gone, and the team was fractured in Captain America: Civil War, fans have really come around on Age of Ultron. It was one of the last times we got to see the OG Avengers together, especially the banter between Cap and Tony, which was the emotional core of the entire MCU. They were the Buzz and Woody of the franchise. It’s also one of the last movies that features the team on their downtime, just hanging out at a party, taking turns trying to lift Mjolnir. Rewatching that sequence now genuinely feels like a warm hug. Comics and cartoons have always understood that seeing heroes hang out, argue, joke around, and act like a family can be just as interesting as watching them fight aliens or robots. The MCU doesn’t really make time for that anymore.
BvS took everything people hated about Man of Steel and took it a step further. The Superman Jesus imagery was dialed up to 11. Batman (Ben Affleck) became a murderous psychopath who branded criminals and showed zero regard for human life. Lex Luthor felt like Jesse Eisenberg was just reprising his role as Mark Zuckerberg from The Social Network, except this time he was on crack. On top of that, the movie tried to introduce the entire Justice League, kick off the Death of Superman storyline, and set up Darkseid, the Parademons, and an alternate future with evil Superman all in one film. Then, of course, there was the infamous “Martha” moment, which became the punching bag of the internet for the better part of a year.
But time has been kinder to BvS than anyone expected. The Ultimate Edition smoothed out a lot of the pacing issues, cleaned up character motivations, and made the political subtext land with more coherence. The warehouse rescue scene still remains one of the best live-action fight sequences ever filmed, and easily the greatest live-action Batman fight put to screen. And next to later DCEU failures like Suicide Squad and Joss Whedon‘s Justice League, BvS looks like a masterpiece by comparison.
Megan Fox is not here for the haters — and can’t help but wonder if at least one of them is someone she knows personally.
“Men would have them believe disobedience was Eve’s vice, when it was her greatest virtue,” Fox, 40, wrote via Instagram on Thursday, July 16, alongside sultry photos of herself dressed in a sheer, black bandeau bra with matching underwear.
The actress received a mixed response to the pics in the comments section.
“This s*** is so unbelievably embarrassing for a 40-year-old mom to be posting,” one social media user replied. “[This is] 16-year-old tumblr s***.”
Fox didn’t let the comment be.
“Which one of my exes is this 🧐,” she coyly asked, wondering if one of her past partners were responsible for the offending comment.
Fox is a mom of four, sharing three children with ex-husband Brian Austin Green and daughter Saga Blade, 15 months, with ex Machine Gun Kelly.
It’s not known whether Fox’s exes anonymously trolled her online, though the Transformers star has long been aware of her sexualized image.
“I think [being labeled a sex symbol] adds pressure to a girl who, like I said, has body dysmorphia and didn’t really ever see herself that way,” Fox admitted on a 2024 episode of the “Call Her Daddy” podcast. “There’s this energy of me that I don’t give any f***s,” she continued. “To some degree that’s true, in terms of I would never change anything about myself in order to get someone to like me.”
Still, Fox noted that she is “always” confused by her constant objectification in the limelight.
“I never really did anything bad. I was never associated with drugs or alcohol,” she said at the time. “I was never around, until recently, anyone who’s been associated with drugs or alcohol. I was never caught at clubs. I was never arrested.”
Fox dated Kelly, 36, on and off from 2020 to 2025. He announced in 2024 that had been sober for one year.
“I don’t drink anymore,” the rapper said on the “Dumb Blonde” podcast, revealing he went rehab for the first time after his 2023 world tour. “I didn’t tell anybody outside of the [people] closest to me. That was my first time I ever went to rehab. They just gave me so many ways to operate the body and show where this anger is coming from and methods to quell it. … I ended up falling into an awareness of what my condition is and have made peace with it. It’s a constant tightrope walk.”
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Finding a top that’s comfortable, flattering and easy to wear can feel surprisingly difficult, especially when you want a little extra coverage through the midsection. Luckily, this budget-friendly blouse has earned a loyal following for exactly that reason, with shoppers saying it offers a relaxed fit that skims the body without looking boxy.
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Streamer University is so popping that everybody wants a spot on campus, but Kai Cenat isn’t letting just anybody pull up to his campus grounds. Kai hopped on a livestream to clear the air after Saucy Santana allegedly snuck onto campus, and somehow Lizzo is getting dragged into the mix too!
It looks like Saucy Santana might’ve been a little too loud on the Streamer University creek because Kai Cenat hopped on a livestream to make it clear he isn’t rocking with any surprise pop-ups. For context, videos started making rounds online showing Santana on the Streamer University campus, seemingly filming content for his new song, ‘Quiet On The Creek.’ Santana even spilled tea on TikTok, telling his followers that Lizzo tried to sneak him onto campus as a surprise. But chile, the surprise might’ve been too loud because clips later showed Lizzo and Santana seemingly chatting with Kai’s security.
@saucysantanaWe was too loud!!! 😩♬ Quiet on the Creek – Saucy Santana
Shortly after Saucy Santana’s videos started going viral, Kai Cenat hopped on his livestream to confirm he had seen Saucy on campus. Kai explained that he reached out to Lizzo’s team and let them know Streamer University was a private event, meaning he wasn’t allowing any outsiders onto the campus, regardless of their status. He said he also told Lizzo’s team that he wanted everyone to “please respect the event.” Kai added that a miscommunication happened despite his conversation with Lizzo’s team and made it clear that he believes Lizzo is innocent. He also defended his security guard, saying he wasn’t rude to anyone on campus and he was simply doing his job. Kai explained that if anything goes wrong, he needs his team to step in and make sure everyone is safe. “Whatever y’all trying to put on the security […] come on bro, it’s just not fair, because we lay good rules down,” Kai said.
After The Shade Room Teens shared clips of Saucy Santana’s Streamer University moment, the comment section filled up with reactions. Plenty of folks said they supported Kai setting boundaries. Meanwhile, others joked that Saucy was definitely a little too loud while pulling up to the creek.
Instagram user @__letsgetin2it wrote, “He ain’t wrong 😂 why are y’all sneaking on campus?”
Instagram user @jazzyfizz_ wrote, “Damn Santana wasn’t quiet on the creek 😂”
While Instagram user @knowmarz wrote, “But if it was Beyonce.”
Then Instagram user @pretty.sincerely wrote, “👏👏good , just because they are celebs doesn’t make them entitled.”
Another Instagram user @3xclusive.neff wrote, “y’all stressing Kai df out 😂😂😂”
Instagram user @_karon._ wrote, “‘Quiet on the creek’ got him thanking he bigger then the program lol.”
Then another Instagram user @princedagreatest wrote, “If it was drake it would’ve been okay tho Kai stop the cap.”
Another Instagram user, @_mkayyyyyyyyyy, wrote, “Lizzo could’ve asked Kai off camera if Santana could come lol.”
Finally, Instagram user @unkknownn.001 wrote, “I’m glad kai kicking people out.”
What Do You Think Roomies?
Pamela Anderson is one proud plant mom!
“Look what’s growing in my garden,” Anderson, 59, said in a Wednesday, July 15, video shared via Instagram, showcasing her backyard oasis.
Anderson’s garden features multiple beds of greens to grow a variety of fruits, vegetables and stunning flowers. The space also includes a wooden picnic table in between two benches, flanked by white two-seater chaises on each side.
“Good morning from the garden 🌷✨🧚♀️,” the actress captioned her upload.
Anderson’s famous friends and loved ones were immediately in awe of the landscape.
“There’s something about nurturing a garden 🪴 that’s so nourishing to us,” influencer Malia Hana wrote in comments section. “I’ve just started, but wow❣️.”
Anderson’s son Dylan, 28, added, “Tell me you love to garden without telling me you love to garden 😅❤️.”
In addition to her storied film and TV career, Anderson has touted her passion for both cooking and gardening on her Pamela’s Cooking With Love lifestyle series.
“We got to retrofit the barn and my son’s fiancé designed the kitchen. She’s a great designer,” Anderson said on Canada’s Etalk in February 2025, referring to Paula Bruss, who married Dylan in July 2026. “So, I’m just calling in the troops. I have the kids involved, my mom and dad are involved — everybody’s on the show I know and love.”
Anderson, who shares Dylan and Brandon, 30, with ex-husband Tommy Lee, meets with a cohort of professional chefs to create new concoctions on each episode. Brandon also serves as a producer.
“He’s an incredible producer and he just knew. He said, ‘Mom, I just want you to do all the things you love. We’ll create businesses around it and you can just be you,’” the Naked Gun star recalled to the Canadian outlet last year. “I said, ‘OK, I want to do a cooking show,’ and they created this magical environment, where I could also do crafts, which I really love to do and centerpieces. I know it sounds crazy, but I’ve always been like this.”
Anderson continued, “I’ve always set the table and set the tone and the environment [in our neighborhood], which I think is really important to the experience of eating. It was just fun to do. It was a dream come true.”
While Anderson’s program drew comparisons to Meghan Markle’s With Love, Meghan, on Netflix, she has found there is plenty of room in the market.
“I didn’t really look [at her show]. I didn’t invent cooking shows,” Anderson said on Watch What Happens Live With Andy Cohen in August 2025. “So, I mean … she’s just doing her thing.”
With Love, Meghan, coincidentally, was cancelled earlier this year after two seasons.
We all have different ideas about what a “masterpiece” is and what qualifies as one.
Watch With Us believes a movie masterpiece is both unique and stands the test of time – it doesn’t need to be perfect, it just needs to be memorable.
Netflix just added a bunch of movies we think qualify as masterpieces that are worth streaming – yesterday, today and tomorrow.
The Cate Blanchett drama Tár and the horror classic Scream with Neve Campbell and Drew Barrymore have their fair share of admirers, while the ‘90s gangster picture Donnie Brasco starring Al Pacino and Johnny Depp is an underrated gem worthy of attention.

Lydia Tár (Cate Blanchett) is a world-famous conductor who is at the top of her profession. She has everything she wants – a fulfilling career, a wife and daughter who love her, and a forthcoming autobiography that will establish her place in music history. But a scandal involving one of her assistants threatens to take away everything she holds near and dear to her heart. With her reputation on the line, can Lydia survive what’s shaping up to be one of the worst years of her life?
The non-spoilery answer is yes, but a better question is, does she want to? Tár is a difficult film to subscribe; it has the bones of a thriller, the tartness of a satire and the pretensions of an art drama, but it’s both less and more than that. What can be said about it is that it’s one of the most critically acclaimed films of the century, and that praise is justified. Tár is a movie like any other, a haunting exploration of a woman undone by her own worst impulses, and it gives Blanchett, one of the greatest living actors working today, the best role of her illustrious career.

Donnie Brasco doesn’t exist – he’s merely a persona that FBI agent Joseph D. Pistone (Johnny Depp) uses to infiltrate the mob and take them down. It works on Benjamin “Lefty” Ruggiero (Al Pacino), an aging member of the powerful Bonanno crime family, who likes Donnie’s brashness and acts as his mentor. But to be successful, Pistone has to be Donnie day and night, which puts a strain on his marriage to Maggie (Anne Heche). Soon, Pistone has to choose between his real family and the crime family he’s supposed to destroy within, but might not live long enough to decide.
Released after the groundbreaking 1990 film Goodfellas and just before the equally seminal The Sopranos HBO TV show, Donnie Brasco is just as good, if not as influential, as those mob stories. The film does a great job of immersing you within an intimate and secretive mob subculture, where loyalty is paramount and betrayal is an instant death sentence. Pacino gives one of his best performances ever as a mob veteran who relishes being a father figure to a newbie who thinks he’s important. He’s not, and the main tragedy of the picture is his gradual realization that his desire to be worshipped proves to be his undoing.

Sidney Prescott (Neve Campbell) isn’t your ordinary California teenager. Her mother was brutally killed a year ago, and she still hasn’t gotten over it. When a series of brutal murders rocks her small town, Sidney begins to suspect they might be related to her mother’s death. Those suspicions are confirmed when an anonymous caller begins taunting her with a deadly game of horror movie trivia. If she answers correctly, she gets to hear another question, but if her answer is wrong, it’s lights out for Sidney.
An instant hit in 1996, Scream defined an era for horror movies, spawning six successful sequels and one unsuccessful MTV show over three decades. None of them compares to the original, which is still as sharp, funny and entertaining as it was 30 years ago. What makes Scream unique among its horror brethren is that it’s not particularly scary; it works more as a thriller than a traditional slasher like Halloween. The cast and script are top-notch, but it’s director Wes Craven who makes Scream a modern masterpiece. He knows how to generate suspense, build character and deliver laughs at just the right moment.
Jim Parsons is opening up about his less-than-enjoyable time starring on the hit TV series The Big Bang Theory.
“I look back now and realize that there were many ways, at some of the best moments in my life, I was miserable,” Parsons, who played Sheldon Cooper in the hit show, said while appearing on All Out with Jon Dean earlier this week. “I was not happy. I was stressed.”
He continued of his experience, “I felt that there was so many plates I was supposed to be keeping in the air and that the success and the good things of life that were happening were only due to this overworking… discipline and whatever. Maybe, to a degree, that was true. I don’t know. I can’t say because that’s how I was.”
The Big Bang Theory ran for 12 seasons, originally airing on CBS for 12 years and ending on May 16, 2019. The show — which also starred Kaley Cuoco, Johnny Galecki, Mayim Bialik, Simon Helberg, Kunal Nayyar and Melissa Rauch – followed a group of best friend physicists working at the California Institute of Technology as they navigate friendship, awkward relationships and budding romances.
Parsons, 53, earned a Golden Globe and multiple Emmy awards for his work on the show. Despite his many accolades, however, the actor revealed that his mental health made it difficult for him to truly enjoy his success.

Jim Parsons Getty Images
“I wouldn’t do that again and for any amount of money,” he said. “It was stressful and miserable at times. I made myself miserable.”
He added, “It translated in part into a work ethic, but it was really just obsessive behavior basically. Yes, I was disciplined. Yes, I had a good work ethic, but a lot of it was because it was kind of OCD in nature. I had a list of things basically in my head that I had to get done in order to be comfortable and know that I could do my job right, which I don’t think was true.”
In the end, Parsons said that working so diligently on such a successful show resulted in awards, sure, but he ultimately missed out on “tons of life” due to his singular focus. Still, he wouldn’t change a thing.
“In the same way, I can’t go back. I wouldn’t be where I am right now if I hadn’t had that time of life and that somewhat self-tortured nature was part of it,” he explained, before adding that he has also focused on a way to find that allusive work-life balance.
“It’s evolving, and it gets better all the time,” he added. “What I feel is better, what I feel is healthier.”
Parsons did make a cameo appearance on the show’s spinoff, Young Sheldon, admitting in an interview on Today that it was a weird experience.
“Big Bang Theory was always a live-audience show and Young Sheldon is a single-camera show, and I got to do it with Mayim — we both played Sheldon and Amy from the series — and to do it in that situation, it was just different enough that it wasn’t creepy,” Parsons said during his March 2024 appearance on the hit morning show. “Like, going like, ‘What are we doing here again?!’ Instead, it was really sweet. It felt like the nicest little coda to the whole experience, and I was very grateful that they asked us to do it.”
This year’s Avengers: Doomsday will feature Chris Hemsworth’s Thor in a major role, returning the Australian star to a franchise that he has been with since its inception. However, Hemsworth has had numerous unsuccessful attempts at joining pre-existing franchises. Most recently, he delivered one of the best performances of his career in Furiosa: A Mad Max Saga, which received positive reviews but underperformed at the box office. He was also a part of the cast of Ghostbusters: Answer the Call, which fell short of box-office expectations for entirely different reasons. During the same era, Hemsworth starred in a reboot of a widely-liked sci-fi franchise with one of his co-stars from the Thor series. That movie is currently streaming in the United States on Peacock, but it won’t stick around for much longer.
The movie in question was released theatrically in 2019 to poor reviews, following a difficult production during which its director, F. Gary Gray, nearly quit. There were creative differences between the filmmaker and the producer during production, and the studio had to step in to mediate tensions and convince the director to stay on. Meanwhile, Hemsworth and his co-star, Tessa Thompson, reportedly hired personal writers to polish their lines because the script was deviating too drastically from the version they’d signed on to.
We’re talking, of course, about Men in Black: International, the 2019 reboot of the Men in Black franchise, which was headlined by Will Smith and Tommy Lee Jones for the first three installments. The reboot received a 23% score on the aggregator website Rotten Tomatoes, where the consensus reads, “Amiable yet forgettable, MiB International grinds its stars’ substantial chemistry through the gears of a franchise running low on reasons to continue.” Produced on a reported budget of more than $100 million, the film grossed around $250 million worldwide. While this was enough for it to break even, the motivation simply wasn’t there to continue the franchise. The movie will be removed from Peacock on August 1. Stay tuned to Collider for more updates.
June 12, 2019
115 minutes
F. Gary Gray
With a little over a week left in July, it’s time to start looking at what Netflix has to offer for subscribers in the coming month. There is a mix of original and licensed shows and movies hitting the streamer in August, with some returning for new seasons and others being brand-new. Netflix has not had much success with sci-fi movies this year since War Machine was released in February and became one of the most-watched movies ever on the platform. Many new movies have flown under the radar, apart from a few, like the hit rom-com Voicemails for Isabelle.
But for fans craving raw action and horror, Netflix might have saved the best for later with a new sci-fi horror set for release on August 7. This film features an expansive narrative and has attracted top talent as stars and director. Past Lives and The Morning Show‘s Greta Lee stars alongside Wagner Moura (The Secret Agent) as Anna and Jason, respectively. The couple has two children, Graham and Ruth. This family is in for a rude awakening when, one morning, they realize they’re trapped in their home with no way out, as all potential exits are sealed by an unexplained phenomenon.
The sci-fi thriller titled The Last House was written by Matthew Robinson and directed by Louis Leterrier. The French director is known for directing high-octane thrillers like The Transporter and Fast & Furious. Leterrier directed the first and second movies in Jason Statham‘s franchise. He also directed the tenth installment in the Vin Diesel-led franchise and is also back for the 11th installment set for 2028. If Leterrier’s past is any indicator, The Last House could be a thrilling ride.
The film combines science fiction with post-apocalyptic horror as a four-person family is trapped in their house. They later learn that everyone in the world is facing the same circumstances. After the shock wears off, the family must figure out how to survive, so they go back to basics, focusing on their fundamental needs. And for three years, they survive, and the kids grow up. When the movie starts, Noah Alexander Sosnowski and Riley Chung play young Graham and Ruth, but later, Gabriel Chung and Emma Ho take over the roles. But trouble is far from over for this family. They may think they’re one of the lucky few to survive, but what if they weren’t that lucky? Outside, a new threat emerges that could end them all. When they can finally leave, maybe they don’t want to.
The Last House hits Netflix on August 7. Stay tuned to Collider for more updates.
August 7, 2026
Louis Leterrier, Matthew Robinson
Logan Paul has broken his silence after Tom Brady appeared to slap him during a Fanatics Fest appearance.
“I’m suing @tombrady,” Paul, 33, wrote via Instagram on Friday, July 17, alongside footage showing the aforementioned fight.
In now-viral footage, Brady, 48, can be seen hitting Paul across his face as they appeared on a joint panel during the New York City convention.
“Bro, you’re the goat, so you should be doing dope s***,” Paul quipped at the time. “You weren’t. I’m a YouTuber … so what?”
Paul then threatened that if Brady returned to Fanatics Fest next year, he would “hurt” him. The NFL icon fired back with an open-handed slap.
“Mad bc I smoked him in,” Paul wrote over footage of the incident via his Instagram Stories later on Friday. “Blocked [with] a torn tricep.”
Brady subtly addressed the apparent feud by resharing Fanatics’ upload of the exchange via his page.
“Round 100 of this never ending beef at Fanatics Fest 😭,” the caption read.
In the heat of the moment, New York Knicks star Karl-Anthony Towns broke up the fight.
“Dork,” Brady tweeted on Friday, further reacting to the near-brawl.
Us Weekly reached out to a rep for Brady for comment at the time.
The duo have been at odds for months ever since Paul trash-talked Brady at a February Fanatics event, claiming that his WWE career made him more athletic than NFL stars like the retired quarterback.
In response, Brady called Paul a “good athlete” but dismissed his wrestling skills as “very cute.”
Brady and Paul reunited at the 2026 Fanatics Flag Football Classic the next month.
“You might wear a helmet — that ball might get loose in my hand and if you’re not paying attention,” Brady quipped during the draft.
Brady appeared to make good on his threat, throwing the ball at Paul during the game.
Brady has also expressed intentions to go toe-to-toe with Paul in the ring.
“I need to get an invite. I’ve been waiting for [WWE president] Nick Khan to come up with some storyline for me to get in the mix,” Brady said on the “What Do You Wanna Talk About?” podcast earlier this week. “I feel like I’m retired from football, and I have an opportunity to go out there and still showcase that I’m a little bit of an athlete. I think I could get in there for at least one match. Come on, Nick. Make it happen.”
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