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Which Classic Mopar Was Called The ‘Gentleman’s Muscle Car’ & What Made It So Special?

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Mopar’s mid-1960s to early 1970s run of muscle cars easily goes down as one of the greatest eras ever for an American performance car maker. The Dodge and Plymouth brands of this period sold some of the most iconic muscle cars ever made, with model names every bit as recognized as the cars they adorned. Filling showrooms at this time were the Charger, the Challenger, the Cuda, the Super Bee, and the Demon, just to name a few.

While certainly not obscure or forgotten, the Plymouth GTX is a model from this period that sometimes gets overlooked when compared to its siblings. In the mid-’60s, as the muscle car movement was taking off, the mid-sized GTX would help lay the groundwork for the Mopar muscle cars that would follow it. The GTX also developed an image as a “gentleman’s muscle car” or “gentleman’s hot rod” through Mopar’s marketing and its higher price — and more well-appointed nature — compared to other mid-sized muscle cars of the time.

While there are other late ’60s and early ’70s American performance cars that could also lay claim to the “gentleman’s muscle car” label, the Plymouth GTX’s blend of upscale luxury and drag-strip-ready performance certainly made it stand out among its Mopar muscle car contemporaries. Today, this also makes the GTX a very desirable piece of muscle car history for collectors.

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Mopar muscle with a dash of luxury

While the definition of what exactly is or isn’t a muscle car is loose, the Chrysler Corporation had been building high-performance, V8-powered automobiles since the mid 1950s, and it really began ramping up those efforts in the early and mid 1960s. By 1967, muscle car fever had begun to sweep the industry, with automakers rolling out a stream of specially-marketed and packaged, mid-size models powered by large cubic-inch engines.

The GTX debuted for the 1967 model year as Plymouth’s mid-sized muscle offering. Based on the Belvedere, the GTX came with big block power as standard, offering buyers a choice between the base 440 cubic-inch Super Commando V8 and the legendary 426 Street Hemi. Beyond its power plant, the GTX came well-equipped inside and was adorned with hood scoops to help it stand out in the growing segment of mid-sized muscle offerings.

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It was in 1968, though, when the GTX really began to separate itself as Plymouth’s more upscale muscle car offering. That’s because this is the same year the legendary Plymouth Road Runner debuted. Based on the same mid-sized Belvedere body style, the Road Runner was all about stripped-down, budget-friendly big-block performance. This meant that GTX was now Plymouth’s better-equipped, more upscale take on the mid-sized muscle car, available with engines like the aforementioned 426 Hemi or the potent 440 Six Pack. 

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The GTX wasn’t the only upscale muscle car

While there wasn’t any specific or official branding of the GTX as the “gentleman’s muscle car,” it was marketed as part of the “executive branch” of Plymouth’s so-called Rapid Transit System muscle car lineup alongside the full-size Sport Fury GT. However, just because it was positioned upmarket didn’t mean the GTX lacked the fun of other Mopar muscle cars. It still had the same bright color options and wild optional features like the Air Grabber hood scoop. The GTX existed as a standalone model until 1971, by which point the muscle car era itself was already beginning to fade out. 

Because there’s no official “gentleman’s muscle car” title, there are several other muscle-era models that could also be deserving of the label. These included the well-equipped Oldsmobile 442, the early 1970s Pontiac Grand Prix, and the related Chevrolet Monte Carlo, all of which were General Motors offerings. The latter two, in particular, matched big cubic-inch muscle car engines with elements of the emerging personal luxury car segment. 

Luxury muscle wasn’t solely the domain of mid-sized offerings, though, and there were also full-size offerings that blended muscle car and luxury features. These include the aforementioned Plymouth Sport Fury GT and the rare Chrysler 300 Hurst Edition, both of which added some muscle car spice to spacious and upscale full-size coupes. 

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Jimothy keeps on giving: Amazon and others match winning bid for raccoon art, to benefit food bank

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A painting of Jimothy, the viral raccoon, by Seattle artist Ryan Henry Ward. (@henry_beyond_museums via Instagram)

Jimothy isn’t just a viral internet sensation — he’s a cause for good.

A painting of the beloved raccoon by Seattle artist Ryan Henry Ward attracted a winning bid of $6,543.21 in an informal Instagram auction this weekend, with all proceeds directed to the Ballard Food Bank.

The winning bidder for the 24-by-24-inch painting was identified by Ward as Angela Galdabini, who posted a picture of the painting hanging on her wall.

Now the auction gift is going viral in its own way, attracting a matching donation from Amazon, which encouraged other Seattle-area companies to follow suit. According to the tech giant on Monday, T-Mobile, Alaska Air and Brooks have all gotten on board.

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“When we saw a local artist giving back to the Ballard Food Bank, inspired by a little raccoon that’s brought so much joy, we wanted to help,” Kara Hurst, Amazon’s chief sustainability officer, said in a statement. “Amazon is proud to match the winning bid, and we’re calling on other Seattle-based companies to join us.”

Jimothy seemed destined to be captured by Ward, a prolific muralist whose colorful, whimsical work is seen across the Seattle region on buildings, fences, garage doors and elsewhere. His art frequently features a variety of animals and other characters, including Sasquatch.

Ward called Jimothy “the hero we needed” in his Instagram post on Saturday, and said he was giving to Ballard Food Bank because the organization helped him through some of his hardest times.

The viral Jimothy sensation took off last week when the raccoon was spotted in Ballard and a video attracted millions of views on Instagram. The craze spread around the world and other videos have emerged online, sparking immense curiosity and adoration, and a flood of memes, artwork, food, crafts, poetry, songs and more. 

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Halo’s Ringworld Showcased in New Campaign Evolved Versus the 2001 Original Graphics Comparison

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Halo Campaign Evolved vs Original Graphics Comparison
In 2001 a green-armored soldier woke up on a mysterious ring and changed everything for console shooters. Twenty-five years later Halo Studios has torn that entire campaign down to the studs and rebuilt it in Unreal Engine 5. Campaign Evolved is not a simple polish pass. Every corridor, every beach, every Forerunner structure has been constructed again from scratch. Side-by-side footage now circulating makes the gap impossible to ignore.



When you walk into the Cryo Bay of the Pillar of Autumn, the first thing you notice is the difference. The earliest chambers were basic boxes with flat panels and a gentle, even glow. In the new version, the same space is turned into a thick tangle of machinery, cables that appear to be hanging free, frost clinging to every surface, and crew members bustling about with purpose, and the light no longer simply sorta… fills the room like it used to. No, it bounces off polished metal, catches on frost, and creates these lovely soft shadows that appear to change and move every time you turn a corner.

As players step outside onto the Silent Cartographer beach, the difference becomes even more apparent. The original shoreline was a rather uninteresting expanse of sand and rock, with a limited outlook. However, Campaign Evolved takes the same shoreline and transforms it into an actual place. The waves are now smashing in with considerable volume, and rather than being flat smooth sheets of grass and scrub, they are pushing up through the sand in small groups. And way out in the horizon, you can see the distant rocks with their evident fissures and weathering. The ring continues to curve overhead, but the sky and atmosphere now adjust to time of day and weather in ways that the 2001 engine could never have predicted.

Halo Campaign Evolved vs Original Graphics Comparison
The most significant transition in materials can be seen in forerunner architecture. Early Halo structures were basically large slabs of concrete with simple geometric designs on them. The new buildings have the same immense scale and harsh shape, but each surface has fine grooves, slight discoloration, and reflective edges that catch the light in a completely different way depending on whatever angle you look at them from. Because the team has been able to push the level of detail without sacrificing performance, distant walls remain sharp rather than blurring, and the lumen lighting inside those same halls is a game changer, filling the space with soft bounced light and proper reflections that move with you as you move.

Halo Campaign Evolved vs Original Graphics Comparison
Character models and vehicles are making the same transition. Elites used to move around with these rigid, limited joints and basic armor plates. Every plate now has a genuine thickness, every joint has adequate articulation, and the energy shields respond with clearer visual input. The Warthog has gained some weight and is now more stable on the ground. The tires leave actual tracks, and as it goes, it creates actual heavy clouds of sand and dust that linger in the air for a while. Even little items like ammo crates and computer terminals now have readable lettering on them, and you can see all these wear marks that are worth looking closely at.

Halo Campaign Evolved vs Original Graphics Comparison
Campaign Evolved will be released on July 28 for the Xbox Series X|S, PlayStation 5, and PC. Early footage shows that the technological leap is enormous, since the geometry is denser, the materials respond to light properly, and the surroundings can bear careful examination. The original game was groundbreaking for its time, but this upgraded edition simply brings the same plot and locations to life in a way that modern hardware can now handle.
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Detection Of A Four-Carbon Sugar In Interstellar Space

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Although life tends to find a way, something first has to kickstart said lifeforms. Exactly how the first biological cells formed on Earth – and potentially on other worlds – remains an enduring mystery. Some theories point to the early Earth’s surface conditions as a viable laboratory for the self-assembly of the first viable membranes, RNA, DNA and associated molecular machinery, while seeding of the Earth’s primitive atmosphere by sugars and other precursors from asteroids and kin is required in other theories.

Recently [Izaskun Jiménez-Serra] et al. added to this debate with the reported detection of four-carbon sugars in the form of erythrulose in the interstellar medium. Using the 40 meter radio telescope at Yebes and the 30 meter radio telescope at Granada the signatures of this sugar was detected in a molecular cloud near the center of the Milky Way.

These sugars likely form on these interstellar dust grains from more basic two-carbon aldehydes and alcohols, with them providing conceivably a source of energy for early metabolic processes of developing lifeforms. This specific type of sugar is highly prevalent in Earth’s fruits, and thus its prevalence in interstellar space is at the very least an interesting coincidence, if not another puzzle piece in the overarching question of abiogenesis.

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Hackers Are Exploiting Recently Patched WordPress Bugs, Putting Millions of Websites at Risk

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An anonymous reader quotes a report from TechCrunch: Hackers are breaking into websites that run vulnerable versions of the popular blogging software WordPress, according to several cybersecurity firms. One estimate puts the number of vulnerable WordPress websites at tens of millions as of Monday. Last week, WordPress patched two critical security flaws, urging people who run its software on their websites to update it “immediately.” The vulnerabilities are so severe that WordPress enabled forced updates where possible. Since then, cybersecurity companies Patchstack, Hexastrike, and WatchTowr have all warned that hackers are exploiting the vulnerabilities in the wild, meaning they are taking over websites that are still running susceptible versions of WordPress.

It’s unclear how many WordPress-powered websites on the internet are at risk, but it’s possible to make some educated guesses. The vulnerable versions of WordPress are 6.9.0 through 6.9.4, and 7.0.0 to 7.0.1. According to WordPress’ official stats, there are more than 400 million websites that run those flawed versions, although these statistics likely don’t reflect websites that have recently been patched. Cybersecurity consultant Daniel Card, who told TechCrunch that he looked at a sample of around 3,500 WordPress websites, estimates that less than 15% are vulnerable. Applying Card’s projection across the total population of WordPress websites on the internet, the total figure would still be around 90 million. […] One of the critical WordPress bugs was found and reported by Adam Kues of cybersecurity firm Searchlight Cyber, which dubbed it WP2Shell. Paired with the other bug, hackers can take full remote control of vulnerable websites.

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Amazon’s Adaptive Display For Fire TVs Is Officially Rolling Out Today

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The accessibility feature was teased back in April.

Adaptive Display is rolling out to the Fire TV Stick HD today. Amazon alerted us that this accessibility feature, which it mentioned during its April preview event, is now available for the latest model of its streaming dongle.

The Adaptive Display setting resizes both text and UI elements on screen for optimal readability, while keeping any images or key art proportionally scaled. Multiple sizing options are available so a user can get the best experience for their eyes and brain. Adaptive Display seemed like one of the more notable improvements for this latest Fire TV model, which also boasts a more streamlined form factor and some additional Alexa+ integrations. 

Amazon showed off its overhaul of the entire Fire TV UI during CES 206, followed soon after by a rollout in February. Adaptive Display should be able to help more viewers take full advantage of that revamped experience. 

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Volvo is rolling out Apple Music to over 2 million cars with a simple OTA update

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The line between your smartphone and your car continues to blur. Volvo has announced that it is rolling out an over-the-air software update that brings Apple Music directly to the infotainment systems of more than 2 million vehicles worldwide. Instead of relying on Apple CarPlay or plugging in an iPhone, eligible drivers will be able to stream music natively from their car’s built-in system, making Apple Music another integrated feature of Volvo’s software experience.

The update is arriving for a wide range of Volvo models, including the EX90, ES90, XC90, S90, V90, XC60, S60, V60, XC40, EX40 and EC40, covering model year 2020 onwards. Availability, however, may vary depending on the vehicle.

At first glance, adding another music streaming app may not sound particularly significant. But it highlights how modern cars are increasingly being treated like connected computing platforms, where new features arrive through software updates rather than requiring new hardware.

Apple Music becomes a built-in part of the driving experience

The biggest advantage of native Apple Music support is convenience. Drivers no longer need to connect an iPhone through Apple CarPlay or Bluetooth just to access their playlists. Once signed in, they can browse Apple’s catalogue of more than 100 million songs directly from the vehicle’s infotainment display, creating a more seamless experience during everyday commutes and long road trips.

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To celebrate the rollout, Volvo is also offering promotional access to Apple’s streaming service. Customers who are new to Apple Music can receive up to three months free, while eligible returning subscribers who have been away from the service for at least one month can claim two months free. The offer remains available until July 6, 2027.

Some of Volvo’s premium electric vehicles also receive an audio upgrade. The EX60, EX90 and ES90 will support Spatial Audio with Dolby Atmos when equipped with the optional Bowers & Wilkins sound system, allowing compatible Apple Music tracks to be played in immersive surround sound. Volvo also says the newly launched EX60 will ship with Apple Music pre-installed when deliveries begin later this year.

Cars are becoming software platforms, not just vehicles

This announcement is about far more than music streaming. Over-the-air updates have fundamentally changed how automakers deliver new features. What once required a dealership visit can now arrive overnight through a software download. Tesla popularized this approach years ago, and traditional manufacturers have steadily followed by treating vehicles more like smartphones that continue evolving after purchase.

For Apple, the partnership extends the reach of its services business beyond phones, tablets and computers. For Volvo, it strengthens its growing reputation as a software-first automaker, particularly as it continues building vehicles around Google’s Android Automotive platform.

Consumers also stand to benefit. Native apps reduce dependence on smartphones, simplify the driving experience, and make infotainment systems feel less like accessories and more like an integrated part of the vehicle.

As software becomes one of the biggest differentiators in the automotive industry, partnerships like this are likely to become increasingly common. The next major upgrade to your car may not involve a more powerful engine or a larger battery. It may simply arrive while your car is parked overnight.

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Turtle Beach Command Series KB7 review: a nifty screen-equipped gaming keyboard

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Why you can trust TechRadar


We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

Turtle Beach Command Series KB7: one-minute review

Want a high-performing gaming keyboard with an integrated touchscreen for streaming and seamless customization? Then the Turtle Beach Command Series KB7 could be exactly what you’re looking for.

I replaced my usual mechanical keyboard with this TKL model for a few days, and instantly found it to be a joy to use. The low-profile Hall effect switches supply precise, responsive, and buttery smooth typing, with a muted sound that’s great for focusing in-game or for general day-to-day productivity. It’s less ‘clicky’ and snappy than some may like, but the lowkey sound and feel was ideal for me.

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XGIMI Improves Lifestyle Projector Performance with Elfin Flip 4K and 1080p Laser Models

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XGIMI has expanded its Elfin Flip portable projector lineup to four models with the introduction of the Elfin Flip 4K and Elfin Flip Laser, joining the existing Elfin Flip and Elfin Flip Plus. The two additions move the series beyond entry-level LED projection, offering buyers a choice between a 1080p triple-laser projector and a more advanced 4K model.

Both new projectors use RGB triple-laser light engines rated at 1,600 ISO lumens and include a single 7-watt Harman Kardon speaker with Dolby Audio. That represents a substantial step up from the Elfin Flip Plus, which uses an LED light source rated at 500 ISO lumens and relies on two 3-watt speakers. This is considerably more than another model number and a mildly revised shade of beige.

XGIMI has packaged those upgrades inside the familiar book-sized Elfin Flip design, retaining the integrated stand and carry-handle concept that makes the projectors easy to move between rooms and aim at a wall or ceiling. The expanded range now stretches from affordable 1080p streaming to brighter 4K laser projection without requiring owners to drag a black plastic shoebox around the house.

Related Reading: XGIMI Unveils New MoGo 3 Pro, Elfin Flip, AURA 2, HORIZON S Series Projectors For 2024

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Elfin Flip 4K

xgimi-elfin-4k-projector-lifestyle

The Elfin Flip 4K sits at the top of the lineup with 4K display resolution via pixel shifting, an RGB triple-laser engine delivering up to 1,600 ISO lumens of brightness, a 20,000:1 dynamic contrast ratio, 110% coverage of the BT.2020 color gamut, and ΔE<1 color accuracy—specifications that rival those of dedicated home theater installations. Its optical zoom and 0.98–1.3:1 throw ratio enable precise screen sizing without requiring users to reposition the projector.

Weighing just 1.55 kg and measuring 9.64 inches wide, it delivers a large-screen viewing experience with zero visual compromise.

The Elfin Flip 4K’s flip-to-start operation and slim profile reinforce its portability: pick it up, place it, and the picture is ready. XGIMI’s Intelligent Screen Adaptation technology handles the rest automatically through Uninterrupted Auto Keystone, Auto Focus, Intelligent Screen Alignment, Intelligent Obstacle Avoidance, Wall Color Adaptation, and Intelligent Eye Protection.

Gaming Support: For the first time in the Elfin series, the Flip 4K supports console-level gaming performance, with input lag as low as 1 ms at 1080p/120 Hz. It also supports VRR and ALLM, along with Black Equalizer, Virtual Crosshair, and a dedicated Gaming Picture Mode.

The Flip Laser

xgimi-elfin-laser-projector-lifestyle

The Elfin Flip Laser sits immediately below the Flip 4K in the lineup. It uses the same RGB triple-laser light engine, carries the same 1,600 ISO-lumen brightness rating, and includes the same Harman Kardon speaker system and smart features.

The primary differences are its 1080p display resolution, lower 10,000:1 dynamic contrast ratio, and lack of the Flip 4K’s advanced gaming features.

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Audio & Smart Features

xgimi-elfin-4k-projector-sound

The Elfin Flip 4K and Elfin Flip Laser each include a 7-watt Harman Kardon speaker with Dolby Audio support, designed to deliver room-filling sound without requiring external audio equipment. Our suggestion: get a soundbar.

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With Google TV, users also have direct access to Netflix, Hulu, Amazon Prime Video, and thousands of additional streaming apps, making the Elfin Flip Series a complete all-in-one home entertainment solution.

Pro Tip: The previously released Elfin Flip Plus and Elfin Flip remain the more affordable entry points in the lineup, but both use LED light sources rather than RGB triple-laser engines. Their speaker systems also offer less power and do not benefit from Harman Kardon tuning. Automatic setup features may vary by model.

XGIMI Elfin Flip Series Comparison

xgimi-elfin-series-projectors
XGIMI Model Elfin Flip 4K  Elfin Flip Laser Elfin Flip Plus Elfin Flip
Product Type  Portable Lifestyle Projector Portable Lifestyle Projector Portable Lifestyle Projector Portable Lifestyle Projector
Price $999 $799 $379 $299
Light Source RGB Triple Laser RGB Triple Laser LED LED
Display Technique DLP DLP DLP DLP 
Display Chip 0.39” DMD 0.23″ DMD 0.23″ DMD .23” DMD)
3D Viewing Option No No No No
HDR Support HDR10, HLG HDR10, HLG HDR10 HDR10
Gaming Support / Latency Game Mode, VRR on, AK off
1ms at 1080P@120Hz
Game Mode, VRR on, AK off
20ms at 1080P@60Hz
1080P/60Hz, Game Mode ≤ 20ms (AK off)
1080P/60Hz, Game Mode ≤ 56ms (AK on)
None
MEMC Yes Yes No No
Brightness (ISO Lumens) 1600  1600  500  400
Resolution 3840 x 2160 pixels (via Pixel Shifting) 1920 x 1080 pixels 1920 x 1080 pixels 1920 x 1080 pixels
Color Gamut BT.2020 110% BT.2020 110% Rec.709 121% Rec.709 113%
Contrast Ratio 20,000:1 (DBLE ON) 10,000:1 (Dynamic Contrast) 4000:1 (EBL ON) Not Provided
Lens High Light Transmission Coated Lens High Light Transmission Coated Lens High Light Transmission Coated Lens High Light Transmission Coated Lens
Eye Protection Yes Yes Yes
Auto Keystone Correction Uninterrupted Auto Keystone Uninterrupted Auto Keystone Uninterrupted Auto Keystone Auto Keystone
Focus Auto Focus Auto Focus Auto Focus Auto Focus
Intelligent Screen Alignment Yes Yes Yes
Intelligent Obstacle Avoidance Yes Yes
Intelligent Wall Color Adaptation Yes
Optical Zoom Yes
Digital Zoom Yes Yes Yes Yes
Throw Ratio 0.98-1.3:1 1.2:1 1.2:1 1.2:1
Aspect Ratio 16:9 16:9 16:9 16:9
Projection Method Front, Rear, Front Ceiling, Rear Ceiling Front, Rear, Front Ceiling, Rear Ceiling Front, Rear, Front Ceiling, Rear Ceiling Front, Rear, Front Ceiling, Rear Ceiling
Image Size 40” – 200” 40” – 200” 40” – 200” 80 – 150 inches
CPU MT9660 MT9660 MT9630 MT9660
GPU Mali-G52 Mali-G52 Mali-G52 Not Indicated
RAM 2GB 2GB 2GB 2GB
Storage 64GB 64GB 32GB 16GB
System Google TV Google TV Google TV XGIMI OS
Fast Boot Yes (STR) Yes (STR) Yes (STR) Yes (STR)
Mirroring Display Google Cast / DLNA Google Cast / DLNA Google Cast / DLNA MiraCast/DLNA
Speaker System 1 x 7W Harman/Kardon 1 x 7W Harman/Kardon 2 x 3W 2 x 3W
DTS-Virtual:X
DTS-HD
Dolby Audio Yes Yes Yes Yes
Dolby Digital (DD) Yes Yes Yes Yes
Dolby Digital Plus (DD+) Yes Yes Yes Yes
WiFi WiFi 6 Dual-band 2.4/5GHz, 802.11a/b/g/n/ac/ax  WiFi 5 Dual-band 2.4/5GHz, 802.11 a/b/g/n/ac  WiFi 5 Dual-band 2.4/5GHz, 802.11 a/b/g/n/ac  WiFi 5 Dual-band 2.4/5GHz, 802.11 a/b/g/n/ac 
Bluetooth Ver 5.2 Ver 5.1 Ver 5.1 Ver 5.1
Input Ports 120W DC IN x 1

HDMI x 2 (HDMI1 support eARC)

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USB 2.0 x 2

120W DC IN x 1

HDMI x 1 (supports eARC)

USB 2.0 x 2

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120W DC IN x 1

HDMI x 1 (ARC)

USB 2.0 x 1

DC x 1
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HDMI x 1

USB x 1

Output Ports Audio x 1
Noise Level ≤28dB@1m ≤28dB@1m ≤28dB@1m ≤28dB@1m
Power Dissipation ≤120W ≤120W ≤120W <65W
Power AC100-240V, 50/60Hz AC100-240V, 50/60Hz AC100-240V, 50/60Hz AC100-240V, 50/60Hz, 19V/3.42A
Product Size (HWD) 254 x 245 x 78 mm 

10 x 9.65 x 3.07 in

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254 x 245 x 78 mm

10 x 9.65 x 3.07 in

235 x 226 x 71 mm 

 9.3 x 8.9 x 2.8 In

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235 x 218 x 64 mm

9.25 x 8.6 x 2.5 in

Product Weight 1.55 kg 
3 lbs 7 oz
1.38 kg
3 lbs 1 oz
1.1 kg 
2.4 lbs
1.18 kg 
2 lbs 10 oz
xgimi-elfin-4k-projector
XGIMI Elfin 4K Projector
xgimi-elfin-laser-projector
XGIMI Elfin Laser (1080p) Projector

The Bottom Line 

XGIMI offers projectors for everything from casual streaming to dedicated home theaters, but the Elfin Flip Series occupies an increasingly popular middle ground: compact lifestyle projectors that can move between rooms without looking like surplus equipment from a high-school audiovisual department. The Elfin Flip 4K is the standout, combining pixel-shifted 4K resolution, an RGB triple-laser light engine, 1,600 ISO lumens, optical zoom, Google TV, automatic setup, and serious gaming support inside a slim, book-sized design for $999. That combination of portability, optical zoom, wide color coverage, and 1080p/120 Hz gaming performance is what makes it genuinely different.

The Elfin Flip 4K is best suited to apartment dwellers, renters, gamers, and families who want a large image in a bedroom, living room, or temporary media space without permanently mounting a projector. The Elfin Flip Laser offers the same 1,600 ISO-lumen brightness and RGB triple-laser color performance for $799, but drops to 1080p, reduces dynamic contrast, and eliminates the 4K model’s optical zoom and advanced gaming features. Unless the Laser is substantially discounted, spending another $200 for the Flip 4K is not a difficult decision.

There are compromises. Neither laser model includes a built-in battery, so “portable” means easy to carry from room to room rather than movie night in the middle of a field without access to an extension cord. HDR support is limited to HDR10 and HLG, with no Dolby Vision, and 1,600 ISO lumens still does not turn either model into a replacement for a television in a brightly illuminated room. The single 7-watt Harman Kardon speaker may be adequate for casual viewing, but claims of room-filling sound should be approached with the same caution normally reserved for airport sushi. Both models support HDMI eARC, so budget for at least a soundbar if dialogue clarity, bass, and convincing movie sound matter.

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The Elfin Flip Plus remains the value option at $379, offering 1080p resolution, Google TV, automatic setup, and 500 ISO lumens. The standard Elfin Flip is also priced at $379 or less, although its lower 400 ISO-lumen output makes the Plus the more sensible purchase whenever the two are selling for the same amount. Casual viewers working with a dark room and tighter budget should start there; buyers seeking the best combination of brightness, resolution, flexibility, and gaming performance should move directly to the Elfin Flip 4K.

xgimi-elfin-4k-projector-carry
XGIMI Elfin Flip 4K

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Longtime Web-Weirdness Site Fark Faces Ad Pinch

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sandbagger writes: Fark.com is ancient in internet terms. It’s not social media. It’s not quite a news site. It’s a holdover from the dot-com era and is invisible to Google, which makes its community great but has necessitated begging. “[W]e won’t survive this year without more TF subscribers,” wrote founder Drew Curtis in a post on Bluesky. “Spread the word.”

For the unfamiliar, Fark is one of the web’s OG community news sites that features a wonderfully weird mix of user-submitted links, absurd headlines, Photoshop contests and comment-section mayhem. It has also been featured numerous times on Slashdot over the decades, from a 2007 review of founder Drew Curtis’ book and a 2010 story about his skepticism of “the wisdom of crowds” to a full Slashdot interview with Curtis in 2015. For longtime readers of both sites, Fark feels like an old neighbor from an earlier, stranger and arguably more fun era of the internet.

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The FDA Says It Didn’t Apologize to Supplier Linked to Diarrhea Outbreak, Actually

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In the middle of a diarrhea shitstorm, the Food and Drug Administration and lettuce supplier Taylor Farms appear to be facing off in a passive aggressive battle of technicalities.

On July 17, the California-based company issued a voluntary recall on iceberg lettuce sourced from Central Mexico. The recall came after people across at least five states were sickened with cyclosporiasis, a parasitic infection that causes explosive diarrhea.

The next day, the FDA said that it had detected the parasite in a sample of Taylor Farms lettuce that wasn’t part of the initial recall. The day after that, the company and the FDA said that the result was actually a false positive.

“Today, the FDA apologized to us,” Taylor Farms then posted on its X account on July 19.

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The FDA did not quite agree with that interpretation, however. On July 20, an agency official told reporters that it did not offer the company an “official apology.” Instead, the official said, “mostly we were providing factual information” about how difficult it is to test for and trace the sources of cyclospora outbreaks.

The agency emphasized that the recall—which spans 27 states, and includes certain lettuce sold to Taco Bell and Walmart—still stands. “To clarify, this false-positive lab sample DOES NOT change the basis for FDA’s ongoing outbreak investigation or the overwhelming epidemiological data supporting the current voluntary recall by Taylor Farms,” it posted on X.

In its July 19 post, Taylor Farms also wrote that the FDA “has not identified a single positive product test result for Cyclospora.” While true, this elides the difficulties involved in accurately testing for the parasite.

Many foodborne illness investigators determine the source of outbreaks without ever testing products. Instead, investigators use epidemiological evidence, such as interviewing people who have tested positive, to determine commonalities.

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Taylor Farms has reportedly taken issue with how the FDA and CDC has conducted their weeks-long investigation into the source of the outbreak. A spokesperson told The New York Times that, last week, the company met with White House and FDA officials to discuss what it called “shortfalls” in the government organizations’ response processes. The Times reported that Taylor Farms executives attempted to cast doubt on the FDA and the Centers for Disease Control and Prevention’s conclusions in the meeting, which took place on July 16, the day before Taylor Farms issued its recall.

Taylor Farms did not respond to WIRED’s requests for comment.

Since May, thousands of people have been sickened with cyclosporasis, as health officials have struggled to pinpoint the source of the outbreak. Authorities in Michigan say that they have counted 6,148 cases in that state alone, though experts previously told WIRED that the number of cases nationwide is likely higher than what’s been reported.

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