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Entertainment

7 Must-Watch Movies To Enjoy If You Love ‘The Invite’

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A close up of Elizabeth Taylor with Richard Burton in the background

The Invite is quickly becoming one of critics and audiences favorite films of the year. Olivia Wilde‘s remake of the Spanish-language The People Upstairs has tapped into a kind of awkward, painful vein of comedy that’s been sorely missed. The film walks a fine line between its character-driven humor and marital drama, and the four actors are all exemplary. As with any film that captures widespread attention and inspires such praise, The Invite has left many viewers wanting more.

There are many films that fit a similar bill to what The Invite provides, particularly those which Wilde has listed as major influences when making it. Beyond those, there are also films by the same creatives that also offer something different but equally enjoyable. If you’re a fan of The Invite or its cast, then these are the must-watch movies for you.

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‘Who’s Afraid of Virginia Woolf?’ (1966)

A close up of Elizabeth Taylor with Richard Burton in the background
A close up of Elizabeth Taylor with Richard Burton in the background in Who’s Afraid of Virginia Woolf?
Image via Warner Bros.

There are many films featuring dysfunctional marriages, several of which Wilde has specifically singled out as inspirations on The Invite, such as Scenes from a Marriage or Husbands and Wives. The greatest of all of these, and the clearest influence, is the Mike Nichols classic Who’s Afraid of Virginia Woolf? Based on a play, as was The People Upstairs, the film transcends its theater origins thanks to Nichols direction and the incredible quartet of performances. It’s a far more dramatic piece, but just as equally enthralling.

George (Richard Burton) and Martha (Elizabeth Taylor) are a married couple who like to play games, push buttons and blur the lines between fantasy and reality. That makes for an awkward evening of personal revelations and confrontations when they host younger couple Nick (George Segal) and Honey (Sandy Dennis). Just like The Invite, the tension is all in the performances and the action is all in the emotions of the best directed and acted marital drama of all time. Both Nichols and his entire cast were nominated for Academy Awards, with both Taylor and Dennis walking away with Oscar gold.

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‘Bob & Carol & Ted & Alice’ (1969)

Elliott Gould and Dyan Cannon in 'Bob & Carol & Ted & Alice'
Elliott Gould and Dyan Cannon in ‘Bob & Carol & Ted & Alice’
Image via Columbia Pictures

Another film that was an obvious influence on The Invite, Bob & Carol & Ted & Alice was a seminal film in depicting polyamory. It may not seem as groundbreaking now more than fifty years later, but it’s still a fun, funny time capsule of both the free love era of the ’60s and Hollywood’s own sexual revolution. Directed by the underrated filmmaker Paul Mazursky, it’s another well-acted, Oscar-nominated story of marriage and sex.

Bob (Robert Culp) and Carol (Natalie Wood) are a couple who have discovered sexual liberation at a retreat. Their friends Ted (Elliot Gould) and Alice (Dyan Cannon) are more conservative and don’t know what to make of their newfound freewheeling ways. The whole film culminates with a proposed foursome that gets further than it does in The Invite. Bob & Carol & Ted & Alice may not be considered as subversive as it once was, but the performances and comedy haven’t aged a day.

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‘Take This Waltz’ (2011)

Michelle Williams and Seth Rogen in 'Take This Waltz'
Michelle Williams and Seth Rogen in ‘Take This Waltz’
Image via Mongrel Media

If you’re in the mood for another comedic drama about crumbling relationships co-starring Seth Rogen, then look no further than Sarah Polley‘s Take This Waltz. The actress-turned-director has proven to be an insightful chronicler of highly sensitive content in films like Away From Her and Women Talking. The more comedic Take This Waltz doesn’t involve as high-stakes drama as those other films, but is still a keenly observed film about relationships and the loss of passion.

Margot (Michelle Williams) is married to Lou (Rogen). They love each other, but the spark in their marriage has long since faded. When Margot feels that spark with artist Daniel (Luke Kirby), it threatens to tear her apart emotionally. Take This Waltz isn’t necessarily a revelatory film, but it succeeds thanks to the light touch that Polley maintains in exploring the subtleties of relationships and infatuation, and the solid performances of its cast.

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‘Celeste and Jesse Forever’ (2012)

Rashida Jones and Andy Samberg sit next to each other outside a building in Celeste and Jesse Forever.
Rashida Jones and Andy Samberg sit next to each other outside a building in Celeste and Jesse Forever.
Image via Sony Pictures Classics

The sharp screenplay for The Invite was written by Rashida Jones and Will McCormack, which should come as no surprise to anyone who saw their earlier film about a marriage coming to an end, Celeste and Jesse Forever. It’s a charming romantic comedy and a hidden gem of the genre that works because of the self-aware script and the insanely likable cast. It’s an honest and refreshing depiction of a disintegrating marriage that actually makes you want to believe in love.

Celeste (Jones) and Jesse (Andy Samberg) are high school sweethearts whose marriage has come to an end. They decide to remain friends, against the advice of others, but their emotions eventually get the better of both of them as they struggle with their separation separately before trying to move on. Celeste and Jesse Forever isn’t quite as caustic as other divorce movies, and that’s part of what makes it emotionally effective. Not every failed marriage should be considered a failure, and it’s simply nice to see that represented on screen.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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‘The Overnight’ (2015)

Alex (Adam Scott) and Emily (Taylor Schilling) looking surprised in 'The Overnight'
Alex (Adam Scott) and Emily (Taylor Schilling) looking surprised in ‘The Overnight’
Image via The Orchard
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Take the discomfort of The Invite and amp it up to more outrageous levels, and you might get something like The Overnight. It’s a comic sex romp directed by Patrick Brice, who brings the same kind of nervous energy to it that infects both of his Creep films. Much like Celeste and Jesse, it’s flown mostly under the radar, but, for anyone who loves the tension in The Invite, The Overnight is a must-watch.

Alex (Adam Scott) and Emily (Taylor Schilling) are new in town and looking for adult friends when they meet the eccentric Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche). The couple invites them over for pizza and, once the kids are put to bed, things take a turn towards debauchery. The Overnight works best when Brice employs horror techniques for comedic effect, and the actors, especially Schwartzman, play off that disconcerting tone well. It’s a dark comedy that isn’t going to be for everyone, but deserves more attention than it’s been given.

‘Booksmart’ (2019)

Beanie-Feldstein and Kaitlyn-Dever talking by the lockers in Booksmart
Beanie-Feldstein and Kaitlyn-Dever talking by the lockers in Booksmart
Image via United Artists Releasing
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The assuredness with which Wilde directs The Invite is all on display in her raucous debut Booksmart, a film which many labeled as a female Superbad when it came out but which is more than just a gender-swap of that classic teen comedy. It’s a whipsmart coming-of-age film that has a huge amount of empathy and is energized by two outstanding lead performances. It’s certainly a very different flavor of comedy to that which is employed in The Invite, but it’s a perfect showcase for Wilde’s versatility as a director.

As graduation looms, seniors and best friends Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) take solace in the fact that their unpopularity has been worth the fact that they will be attending prestigious schools in the fall. When they discover that their far more popular peers also have bright futures ahead of them, they decide to spend one night partying like they’ve never partied before. That set-up leads to some of the wildness you’d expect, including a Barbie-themed drug trip and some awkward sexcapades, but Wilde also uses the premise to explore underneath the stock labels that so many high school comedies are too quick to try and apply.

‘The Drama’ (2026)

While The Invite and fellow A24 film The Drama seem to be superficially similar, they offer vastly different viewing experiences, with the ZendayaRobert Pattinson joint offering a dark contrast to Wilde’s decidedly lighter film. Directed by Kristoffer Borgli, and produced by Ari Aster, the film offers a portrait of a couple about to exchange vows whose entire future together is put in jeopardy by a dark revelation.

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Charlie (Pattinson) and Emma (Zendaya) are set to walk down the aisle in a week’s time when a conversation with friends reveals a horrifying secret from Emma’s past. The revelation has Charlie questioning everything he knows about Emma, while she begins to deteriorate from stress-induced nightmares. The Drama is even darker than it was advertised as, picking at a particularly potent social issue that it isn’t quite well-equipped enough to handle at times. It’s still affecting in moments, and extremely uncomfortable in others, and it has two very committed and talented actors in the lead role. If The Invite didn’t make you squirm enough, you might see if you can handle The Drama.


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The Drama

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Release Date

April 3, 2026

Runtime
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105 minutes

Director

Kristoffer Borgli

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Writers

Kristoffer Borgli

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What happened to the “Good Times” cast? Inside the stars' lives more than 50 years after the premiere

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EW looks at the scratchin’ and survivin’ done by the Evans family and their friends since the classic series left the air.

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Brooke Valentine & Marcus Black Reveal They’re Expecting Twins

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Brooke Valentine & Marcus Black Reveal They're Expecting Twins After Two Miscarriages

Roommates, its double congratulations for Brooke Valentine and Marcus Black. The couple has fans flooding social media with heart-eye emojis after revealing they’re expecting twins.

RELATED: Congrats! Paige Hurd & Royce O’Neale Tie The Knot With Special Tribute To DMX (VIDEOS) 

Brooke Valentine & Marcus Black Open Up About Their Growing Family

Marcus Black and Brooke Valentine confirmed the exciting news to The Shade Room, sharing that they’re getting ready to welcome not one, but two bundles of joy. The couple says they’re overjoyed to enter this new chapter after enduring two miscarriages in 2024. Brooke and Marcus also shared that they are bringing fans along for the journey in their upcoming series, ‘The Blackprint.’

“Our family is beyond grateful and excited to share that we’re expecting twins! After enduring two heartbreaking miscarriages back-to-back in 2024, this blessing means more than words can express. God’s timing is perfect and our hearts are full. Here comes double the love, double the joy, and double the blessings.”

More About Brooke & Marcus

Brooke and Marcus have reportedly been together for nearly nine years. The couple quietly tied the knot in February 2019 before welcoming their daughter, Chi Summer Black, just a few months later in May. Fans first watched their love story unfold during seasons four and five of ‘Love & Hip Hop: Hollyowood.’ Brooke and Marcus previously surprised social media when they announced they were expecting by sharing a sweet Instagram video that debuted Brooke’s baby bump. Although the couple is gearing up to welcome twins, Brooke also has a son from a previous relationship, and Marcus has a daughter from a prior relationship.

Fans Celebrate Brooke & Marcus’ Growing Family

After The Shade Room shared the exciting news, the Roomies filled the comment section with love and congratulations. Plenty of fans looked back on Brooke and Marcus’ journey, with many saying the real ones know Brooke has never played about Marcus.

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Instagram user @bombshell.s_ wrote, “Double Blessing ❤️” 

Instagram user @nottinaboebina wrote, she got them both back omgggg 😍 congratulations!!!” 

While Instagram user @the_fab_foodie18 wrote, Same thing happened to me in 2024. My twins just turned 2 last week! 🌈 ❤️” 

Instagram user @chauntaevisualsv wrote, One of my favorite couples 😍😍❤️❤️ so happy for her.” 

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Then Instagram user @dajshashanice wrote,She never played abt Marcus iykyk 😂” 

Another Instagram user @ky_baby_514 wrote, Let me keep applying the same pressure on my man that she did wit hers 😂😂” 

Instagram user @kajae_speaks wrote, The same thing Brooke did to get him imma start doing lol 🫣👏🏾👏🏾” 

Then another Instagram user @miamahasinn wrote, She never played about her man, I love them together, congrats to them❤️” 

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While another Instagram user @bree.lenyae wrote, Lmao since day 1 she said she was gone be his wife and have his kids and look 💍 👶🏾 periooddd 😍” 

Finally, Instagram user @nellie.nellz_ wrote, The real ‘Angela and Marcus’ ❤️” 

RELATED: Congrats! Fetty Wap Is Now Engaged (PHOTOS + VIDEOS) 

What Do You Think Roomies?

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You Have To See How Jason Statham’s New Movie Openly Admit It’s A Die Hard Knock-Off

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You Have To See How Jason Statham's New Movie Openly Admit It's A Die Hard Knock-Off

By Jonathan Klotz
| Updated

Jason Statham has been in a lot of great B-tier action movies in his career. Most of the time, he’s a retired special forces operative pulled back into duty to roundhouse kick villains one last time. That’s…not going to change with his latest movie, Mutiny. He’s a former cop and a former marine out to board a cargo ship to save his daughter. It’s Die Hard on a boat, and for once, we have an action movie that’s admitting exactly what it is:

For reference, here’s the original post for Die Hard:

Die Hard On A Boat

There’s been too many Die Hard knock-offs to count. Mutiny’s latest poster is a loving homage to the Bruce Willis classic that redefined action movies forever. It’s harder to find a movie that hasn’t been influenced by Die Hard. For example, there was also the Steven Seagal classic, Under Siege where he was a cook on a submarine, that was basically Die Hard on a boat, but this time, Mutiny really is giving us Die Hard on a boat. And let’s be honest, Jason Statham is far more entertaining than Seagal ever was. 

Does the plot of Mutiny really matter? Jason Statham plays Cole Reed, his daughter is on a ship, it’s hijacked, he’s the only one that can save the day, and he does. Haven’t seen the movie, that’s the movie. It’s going to be amazing. 

It’s Okay To Admit You Love Jason Statham Movies

For all of the good-natured ribbing Jason Statham gets over his roles all being basically the same, there’s no denying his success. He turned The Meg into a blockbuster, The Transporter is an action classic, and The Beekeeper was one of the best action movies of the last few years. He’s the king of reliable box office success. Sometimes, he’ll throw a curveball and make a movie like Homefront that’s slower and more character-driven than you’d expect, but nine times out of ten, he’s kicking bad guys in the face. 

The obvious similarities can be forgiven if the movie is fun. Too often movies are being judged by box office, cultural impact, or memes, and what’s being lost is that it’s okay to make a dumb action movie that doesn’t require you to think. There’s no worldbuilding, no connected universe…but how awesome would the Stathamverse be? Simply being entertained is enough. 

Mutiny hits theaters on August 21st. You already know what the whole movie is going to be like, you already know if you’re the right audience for this particular type of entertainment or not. Speaking of connected universes, Jason Statham will be competing with Insidious: Out of the Further, the sixth entry in Jason Blum’s other horror franchise, and The Magic Faraway Tree starring Andrew Garfield.

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If you like seeing one man take down a battalion of mercenaries with nothing but his wits, bulging muscles, and a jawline that can cut glass, there’s only one choice for the weekend, even if it’s nothing more than Die Hard on a boat, Die Hard’s awesome, let’s keep making more Die Hards.


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Timothy Olyphant’s 6-Season Neo-Western Got Even Better When It Moved Beyond the Book

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Timothy Olyphant wearing a hat with palm trees behind in the Justified pilot Fire in the Hole.

Whether you consider it an actual neo-Western or just a Western-inspired crime drama, there isn’t another show out there like Justified. The FX series was a fabulous take on an Old West-style lawman settled in modern times that followed Timothy Olyphant‘s U.S. Deputy Marshal Raylan Givens after he’s transferred from Miami back to his home state of Kentucky. While Graham Yost developed the series, he did so based on “Fire in the Hole” by novelist Elmore Leonard — and you may be surprised to learn just how close to the original material the pilot lands. That said, it was only after Justified moved beyond that initial tale that it grew into something truly spectacular.

‘Justified’ Begins by Directly Adapting Elmore Leonard’s “Fire in the Hole”

Justified begins as a one-to-one adaptation of Leonard’s “Fire in the Hole,” with the first episode lifting every scene (and many lines of dialogue) straight from the source material. Raylan Givens, Boyd Crowder (Walton Goggins), and Ava Crowder (Joelle Carter) are all instantly recognizable from their page counterparts, as is Chief Deputy Art Mullen (Nick Searcy). From Boyd’s killing of Oklahoma skinhead Jared (Ryan O’Nan) to his final shootout with Raylan at Ava’s dining room table, it’s all there beat-for-beat. The pilot does embellish elements that Leonard could only reference (such as that opening shootout with Tommy Bucks), and de-ages the main characters by about a decade or so to account for its cast — Boyd, who is a Desert Storm vet on the show, was a Vietnam vet originally, for instance.

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A clear respect for Leonard’s original material is certainly one of Justified‘s initial strengths, and the show set a high standard for how page-to-screen adaptations ought to be. Though the FX drama reinterprets the material quite respectfully, Justified elevates it further with high-quality writing and unparalleled performances that add some flesh to already strong bones. In many respects, it’s a rare example of a series that takes such dynamic source material and enhances it by pressing forward. Like all great adaptations, Justified makes Raylan, Boyd, and the rest its own — in fact, in Leonard’s tale, Boyd is shot dead by Raylan, a choice that Graham Yost and the writers rightly reversed to ensure Goggins’ longtime role in the series.

Justified later adapted the author’s other Raylan-centric novels in various capacities. Season 1’s “Fixer” is based in part on the novel Riding the Rap, while Season 3’s “Thick as Mud” pulls directly from the author’s final work, Raylan. The entire Season 1 Miami mafia plotline comes from Raylan’s first appearance in the 1993 novel Pronto, which had previously been adapted as a lesser-known made-for-TV movie. Later, Leonard’s City Primeval (which doesn’t actually feature Raylan Givens) was also the basis for the Justified: City Primeval revival series. But Justified only got better the further it strayed from the author’s work.

‘Justified’ Grew Into Its Own Masterpiece Over Six Impressive Seasons

While the show began as a literal adaptation of Leonard’s text, Justified found its own voice beyond the page. The Western-inspired drama expands quite significantly over the course of its six seasons, with each new overarching plot, character arc, and antagonist only heightening the drama. Olyphant and Goggins deliver standout performances as some of the most visceral and layered characters to be pulled from page to screen in recent years, offering audiences the very best of their respective careers. Due to the limited nature of “Fire in the Hole,” the author didn’t have the time to sufficiently expand the characters, but what’s left unanswered by Leonard is eventually filled in by the series, such as everything involving Winona (Natalie Zea).

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Although Justified evolves from a direct adaptation up front to an “inspired by” type of show, it eventually comes back around to pay tribute to Leonard himself. The final moments between Boyd and Raylan in the series finale, “The Promise,” echo their concluding exchange in the author’s original “Fire in the Hole” story. “We dug coal together,” Boyd notes, words that resemble Raylan’s ending remarks about the outlaw on the page. Justified is a fast-paced and perfect neo-Western crime drama that pulls no punches, but it thrived because it was willing to build on Leonard’s original masterpiece rather than be completely defined by it.

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‘The Sopranos’ Meets Wes Anderson in This Twisted Dark Academia Book

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The-Mortons-Title-Card

We live in particularly exciting times, where Internet trends can become so expansive that they eventually breed entire literary genres. Surfacing on the social media site Tumblr somewhere around the mid-2010s, the dark academia aesthetic blew up in popularity during the COVID-19 pandemic, thanks to teenage bookworms stuck at home yearning for academic escapism. Inspired by elements of Gothic art, classic literature, and social culture at Oxbridge and Ivy League schools, dark academia has evolved from a simple aesthetic into a proper genre with tropes, conventions, and iconography all of its own. Later this month, anyone intrigued by dark academia will be treated to a deliciously twisted new entry into the genre.

The Mortons is not only the first adult novel by My Sister Rosa author Justine Larbalestier, but also her first time co-writing a book with her husband, Scott Westerfeld, of Uglies series and Leviathan trilogy fame. Together, they’ve crafted a morally ambiguous and wickedly dark mystery thriller with all the elements anyone could possibly want to see in a dark academia novel, and then some. It’s the sort of novel that would make for an amazing movie one day. But far from being all aesthetic, no substance, this delectably original and fast-paced story packs more than enough narrative meat on its bones. Twists, surprises, and moments of purely diabolical entertainment make this the sort of book that begs to be read with a bold, sophisticated cocktail at hand.

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What Is ‘The Mortons’ About?

The-Mortons-Title-Card Image via Viking

The Mortons centers on the eponymous family, an old-money dynasty that raises all of their children to be ruthless killers. “Homicide is heritage,” reads the book’s chilling tagline, and very early on, one realizes that there’s no better encapsulation of the family’s history than that. The most important foundation of any dark academia novel worth its salt is the actual academic setting of its narrative, and The Mortons‘ is as instantly absorbing as they get. At Helshire College, “legacy” students from historied crime dynasties like the Mortons take off-the-catalog classes where they learn skills essential to their dark practices.

A student at Helshire is Jessica Morton, through whose perspective we discover that the family holds secrets even bleaker than their murderous, manipulative façade suggests. Like the best Mortons, she lacks any semblance of empathy in her heart. At age seven, she completed her mors curae, a Morton tradition where the family’s kids have to raise and protect a rabbit for a whole year and then slaughter it themselves. Whereas many kids give their rabbits silly names, like Mister Fluffernutter, Jessica named hers Rabbit. She has no need for creativity, warmth, or love in her life. Her journey of discovery (both of her family’s secrets and of her own self-identity) then becomes a question of whether someone who has been nurtured into cruelty can find compassion and redemption, or whether some brainwashings are effectively permanent.

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‘The Mortons’ Wears Its Influences On Its Sleeve

The Mortons is exquisitely original and deliciously unique in how it depicts violence and cruelty with a razor-sharp sense of humor, but it’s also quite transparent about the giants on whose shoulders it stands. Influences from Donna Tartt‘s The Secret History, one of the best books of the ’90s and the biggest precursor of the dark academia literary genre, are abundantly evident. You also get plenty of the eccentric, deadpan humor that makes Wes Anderson special; the charmingly dark tone of The Addams Family and Wednesday; and the cutthroat, power-hungry family dynamics of The Sopranos. There are also plenty of elements here that leave no room for doubt that Larbalestier and Westerfeld are veterans of the YA genre, from the story’s lightning-fast pacing to Jessica’s coming-of-age story.

But though you can tell The Mortons was penned by two YA masters, it also demonstrates that they were more than ready to make their big splash in the adult novel space. The MortonsGothic tone and ice-cold depictions of violence aren’t just quirky gimmicks, but the very skeleton of a story that explores genuinely mature themes with a level of depth, grit, and even sexiness not often found in YA dark academia. Its protagonist may be young, but this novel earns its “adult” label through and through. At no point do Larbalestier and Westerfeld force any interpretation of Jessica’s arc or posit any judgment on whether she deserves to be redeemed or not. The charm of The Mortons lies not only in the constant shock of the many deadly, bloody twists thrown our protagonist’s way, but also in wondering just as much as she does if the things she’s done are too much to forgive.

In any other book, the answer would be an immediate yes. After all, the Mortons—Jessica most definitely included—are all cold-blooded killers whose currency is death, betrayal, money, and power for power’s sake. But Larbalestier and Westerfeld wear their influences on their sleeves with such effortless confidence that, from the very first chapter, where Jessica commits an act of murder that would make her instantly detestable in any other kind of story, it’s surprisingly easy to immerse oneself so deeply in her world that such a crime (though shocking) isn’t off-putting. There have been many great thriller books throughout the last 10 years, and The Mortons is one of the boldest in its worldbuilding.

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There May Be Mortons for Days

The Mortons authors Justine Larbalestier and Scott Westerfeld Image via Viking

The Mortons is a real page-turner, blending the breakneck pacing of its authors’ YA instincts with a mystery thriller narrative as twisty as a rabbit’s innards. That makes it all the more delightful that the Mortons world may greatly expand in the future. Larbalestier and Westerfeld are reportedly already working on a companion novel set in the same engrossing world, and they even promise to write nothing but Mortons books for the rest of their careers if possible. The book certainly does end on a note that makes a sequel not only perfectly plausible, but also irresistibly tempting.

In these dark days when empathy is in such short supply, and loyalty is weaponized in favor of power and money, The Mortons feels like a far timelier novel than its wild premise may make it seem at first glance. It strikes the perfect balance between providing enough entertaining escapism to make it a worthy before-bedtime read, and a potent enough reflection of the real world to make its messaging hit even closer to home. It’s elegant, funny, sophisticated, and always goes in a darker direction whenever you think it’s gone as far as it could. As far as crime family sagas and dark academia stories go, it doesn’t get much more worthwhile than The Mortons.

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“Criminal Minds: Evolution” star Zach Gilford breaks down Voit’s fate in season 19 finale: ‘He can’t live with it anymore’

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The actor also reveals if he’ll be in season 20.

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Meghan Markle Rocks Swimsuit in Rare Photos With Family

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Meghan Markle is soaking up the summer fun with her family.

The Duchess of Sussex, 44, took to Instagram on Thursday, July 23, to share several photos from her summer with husband Prince Harry and their kids, Prince Archie, 7, and Princess Lillibet, 5. In one snap, Meghan stood on a beach and faced the ocean while wearing a dark one-piece swimsuit with a low-back cut back, sneakers and her hair pulled into a ponytail underneath a white hat. She rested her hands on her hips as she watched a shirtless Harry, 41, play with their kids in the water.

The carousel also included black-and-white snaps of Harry and Meghan laughing together while enjoying a meal and the prince tossing their daughter into the air in a pool. In another photo, Meghan and Lilibet took a walk together, while a fourth snap showed Archie enjoying a sunset stroll.

In another photo, Meghan rested on her stomach on an outdoor lounge chair as she snuggled up with their dog.

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“Summer Holiday ☀️,” she captioned the post.

Meghan and Harry tied the knot on May 19, 2018, at Windsor Castle’s St George’s Chapel in England. They welcomed Archie the following year. In 2020, the couple announced their decision to step back as senior members of the royal family before relocating to the U.S., where they welcomed Lilibet in 2021.

Meghan and Harry celebrated their daughter’s 5th birthday in June.

“Our dream girl,” Meghan captioned Instagram photos. “Happy 5th birthday, Lili 🤍.”

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Meghan’s latest family photos come weeks after she and her family reunited with Harry’s estranged father, King Charles III, and stepmother, Queen Camilla, at the monarch’s Highgrove House for the first time in years.

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Related: Meghan Markle Shares Rare Glimpses of Home Life With Prince Harry and Kids

Meghan Markle is celebrating the arrival of a new season with a rare look into her home life with Prince Harry and their children. Markle, 44, took to Instagram on Tuesday, June 9, to post a carousel of candid photos snapped throughout the couple’s idyllic home in Montecito, California. “Springing into summer 🌼,” the Duchess […]

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“The staff [at Highgrove] was dismissed before Harry and Meghan and the kids arrived,” a source exclusively told Us after the July 10 meeting. “Details were kept under wraps. They didn’t want anything to get out.”

The insider added, “The king and queen wanted personal time with their grandchildren, and they wanted it to be lighthearted and positive. The point of the meeting was to spend time with them, and that was the only thing on the agenda.”

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After the success of the visit, the insider said there is a chance Harry and Meghan could score an invitation to the royal family’s holiday celebrations.

“That idea has been floated as a possibility, so that [Prince] William and Kate [Middleton] and their kids could see them at the next visit,” the source shared. “There’s still a lot of hurt, and it’s going to take time to heal. Meetings can be reassuring, but they won’t change things too dramatically. The relationship between Harry and William will never be what it used to be.”

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Netflix’s ‘3 Body Problem’ Is Facing Its Biggest Obstacle Before Season 2 Even Begins

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Eiza González as Auggie Salazar, looking up behind her towards the sky in episode 105 of 3 Body Problem.

There are a number of streaming shows that require massive financial gambles, but 3 Body Problem is one of the most ambitious television productions of all-time. The novel of the same name by Chinese author Liu Cixin was inspired by his own experiences as an engineer and mathematician, and included a degree of complex theoretical physics that seemed to be “unadaptable.” While there is always a danger in an English-language adaptation of an international novel, especially one that is so tied to cultural history, 3 Body Problem was a brilliant series from Game of Thrones showrunners David Benioff and D.B. Weiss, who proved that they can do pretty much anything on television if given a complete story to work from. 3 Body Problem has the potential to rank among the greatest shows ever made by Netflix, but recent reports suggest there are some concerns about the performance of its next two seasons.

It’s no secret that Netflix has faced a decline in viewership for many of its returning shows, and the extended gaps between seasons has only exacerbated the churning of subscribers. 3 Body Problem was not greenlit for multiple seasons at once, and thus only began production on Season 2 after the initial batch of episodes was well-received; although Seasons 2 and 3 were shot simultaneously, the series isn’t expected to return until later this year at the earliest. Retaining audience attention is challenging no matter what, but it’s an even more difficult endeavor for a series like 3 Body Problem that requires viewers to pay close attention at all times; in an age of social clip farming and passive viewing, 3 Body Problem could run into a declining audience if Netflix doesn’t play its cards right.

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‘3 Body Problem’ Requires Audience Commitment

Although Benioff and Weiss have had targets placed on their backs ever since the ending of Game of Thrones, it would be unfair to say that their task of adaptation has ever been simple. 3 Body Problem required a significant amount of new and expanded material to work in the television medium, with the most significant difference being the protagonist. The novels feature a central scientist named Wang whose interior monologue is expressed in intimate detail, but the series chose to split its focus between five lead characters, nicknamed “The Oxford Five,” who represent different aspects of his personality.



















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Collider Exclusive · Universe Personality Quiz
Which Iconic Universe Do You Belong in the Most?
Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek

Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.

🚀Star Wars

💍Lord of the Rings

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🧙Harry Potter

👑Game of Thrones

🖖Star Trek

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01

What gives your life its deepest sense of meaning?
Every universe is built around a different answer to this question.





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02

Which kind of world do you most want to inhabit?
The environment shapes who you become. Choose carefully.





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03

How do you prefer your conflicts resolved?
The shape of a world’s conflicts tells you everything about its soul.





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04

Who do you want beside you when things get difficult?
Your ideal companions reveal the world you were made for.





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05

What is your relationship with power?
How you seek, wield, or resist power is the map of who you are.





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06

How does your universe treat good and evil?
A world’s moral architecture tells you more about it than any map.





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07

What role would you naturally fall into?
Every universe has archetypes. Which one fits you without trying?





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08

What do you ultimately believe about the future?
The answer to this is the clearest window into which universe already lives inside you.





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Your Universe Has Been Chosen
You Belong In…

Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.

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A Galaxy Far, Far Away

Star Wars
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You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.

  • You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
  • You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
  • Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
  • The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.


Middle-earth

Lord of the Rings
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You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.

  • Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
  • You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
  • Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
  • Those are not burdens to you. They are simply how you move through the world.


The Wizarding World

Harry Potter
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You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.

  • The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
  • You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
  • Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
  • That choice — made quietly, without guarantee — is something you understand completely.


Westeros · The Known World

Game of Thrones
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You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.

  • Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
  • You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
  • Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
  • Winter always comes. You are already prepared.


The United Federation of Planets

Star Trek
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You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.

  • Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
  • You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
  • The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
  • You don’t just hope that’s possible. You think it’s the only thing worth working toward.

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It was a brilliant choice that expanded the international cast, created more interesting social dynamics, and balanced the ensemble with unique and compelling actors. However, the density of the material means that the members of the “Oxford Five” have very complex backstories and emotional arcs that can’t be quickly summarized in a “Previously On.” Given that there has been a wait of over two years between seasons, Netflix needs to trust that viewers will either read recaps or rewatch Season 1 before the show returns, as they could otherwise be lost.

3 Body Problem is one of the rare shows that requires a binge drop, as it’s simply too complex to not be watched all at once to make sense of the multiple timelines and virtual realities. While the binge model has served Netflix well for several years, the streamer has attempted experimentation with different distribution methods to sustain the hype over an extended period of time, such as splitting a season into two halves. But, not only would this put up a barrier to the storytelling for 3 Body Problem, but interest might wane entirely because the show doesn’t have a fanbase on the level of Netflix’s other shows.

‘3 Body Problem’ Needs To Nail Its Ending

3 Body Problem can’t be turned around at this point, as the show is already gearing towards a finale and has set up what will be in its next two seasons. The “Wallfacer” project, which isn’t introduced until the second novel of the series, was included at the end of Season 1, which was otherwise based on the first book. While this means that Netflix can’t prematurely cancel the show that already has its ending in sight, it does put even more importance on the finale being satisfying. Many shows that end on a disappointing note end up with a tainted reputation, and new viewers are less likely to start a show if they have heard it does not have a satisfying ending. It’s just as important for Benioff and Weiss, who have the potential to be redeemed in the eyes of the public if 3 Body Problem is a successful adaptation that ends well.

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Viewership isn’t a metric of critical success, as there are many great shows that didn’t get the audience they deserved. With that being said, the commercial success of 3 Body Problem is important because it may determine whether Netflix chooses to fund similarly ambitious genre content in the future. If 3 Body Problem proves that Netflix can adapt a nuanced novel in an intelligent way, drawing in both existing and new fans, it could lead to a new renaissance on the platform. However, that all hinges on how Season 2 and 3 turn out.

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Top Chef’s Eric Adjepong’s Daughter Granted Protective Order

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Fast Foodies Chef Justin Sutherland Arrested After Allegedly Threatening Girlfriend With Gun 155

Top Chef star Eric Adjepong’s 7-year-old daughter, Lennox, was granted a protective order against him amid abuse claims.

According to court records viewed by Us on Thursday, July 23, Adjepong, 38, was ordered by a Maryland court to not abuse, contact and enter the residence where Lennox resides. Adjepong, who shares Lennox with ex Janelle Davis-Mack, was also ordered to stay away from his daughter’s school and child care providers as well as surrender his firearms.

The protective order was granted for one year.

The Washington Post reported that the judge ruled that “there is a preponderance of the evidence to believe” Adjepong physically abused his daughter. Adjepong will be allowed to see his daughter but only via supervised visits. He also must complete parenting classes and reunification therapy with Lennox.

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Fast Foodies Chef Justin Sutherland Arrested After Allegedly Threatening Girlfriend With Gun 155


Related: Chef Justin Sutherland Enters 30-Day Treatment Program After Arrest

UPDATE, Tuesday, July 16, at 5:45 p.m. ET: In a statement to Us Weekly, Justin Sutherland confirmed he has entered a 30-day treatment program with optimism and resilience. A rep for the chef added, “We are encouraged and looking forward to a new chapter.” Original story continues below: Celebrity chef Justin Sutherland has found himself in […]

Adjepong addressed the court’s ruling in a statement shared via social media on Thursday.

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“The past several weeks have been among the most difficult of my life,” the lengthy Instagram statement began. “I have remained silent not because I lacked a response, but because I believe integrity is measured by how you conduct yourself when your character is being questioned.”

The chef continued, “Others can choose rhetoric. I will choose truth. Others can seek public opinion. I will continue to place my faith in God, honor the Court, and let my character speak for itself, as it always has throughout my life. My faith has taught me that truth does not need to be loud to endure. As a father, my responsibility has never changed. As a man, neither have my values.”

Adjepong added that his “foremost priority will always be” Lennox and he denied the abuse allegations.

“I dearly love her, and as her first line of defense, I am here to encourage and protect her, and would never weaponize or abuse her, full stop,” he wrote. “I will continue to protect her privacy, innocence and respect the legal process, and trust that truth, my character and time reveal what headlines cannot.”

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Teen Mom's Jenelle Evans Says She Has 'Full Custody' of Daughter Ensley After David Eason Divorce


Related: Teen Mom’s Jenelle Evans Says She Has Full Custody of Daughter Post-Divorce

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Teen Mom 2 alum Jenelle Evans claims she has full custody of her and estranged husband David Eason’s daughter, Ensley. In a Wednesday, September 25, Instagram video, Evans, 32, explained why she hasn’t recently posted her 7-year-old daughter via her social media accounts. “[It’s] not really on purpose. I was still allowed to show her […]

The Food Network star’s statement ended with a message of gratitude for his legal team and to those who have remained by his side.

“To everyone who has prayed for me, encouraged me, and stood beside me through this season, thank you,” he shared. “I ask that you continue to keep my daughter and my family in your prayers.”

Adjepong rose to fame after competing on Top Chef: Kentucky season 16, where he was a finalist. He went on to participate in Top Chef: All-Stars L.A and additional Food Network shows including Guy Fieri’s Tournament of Champions. In 2022, Adjepong became Alex Guarnaschelli’s cohost on Alex vs. America for its fifth season.

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Mormon Wives’ Jen Affleck Opens Up About Prenatal Depression

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Mormon Wives’ Jen Affleck Opens Up About Prenatal Depression While Pregnant With Baby No. 4

The Secret Lives of Mormon Wives star Jen Affleck opened up about experiencing prenatal depression while expecting her fourth child with husband Zac Affleck.

“Prenatal depression came back this pregnancy. Only this time, it came back even heavier,” Jen, 27, wrote via Instagram on Thursday, July 23. “There were many days during my first trimester where my mind went to some really dark places. It scared me. And if you’ve ever experienced depression, you know how isolating it can feel. Add moving to a new state, being pregnant, and trying to show up for your kids, and some days felt impossible.”

Jen, who previously lived in Utah and relocated to California in April, shared that “people showed up” for her during the hard time.

“Friends, family, strangers… people who had no idea how much they were carrying me just by being there,” she wrote. “They reminded me that even when I couldn’t see the light, I wasn’t walking through the darkness alone.”

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Mormon Wives’ Jen Affleck Opens Up About Prenatal Depression While Pregnant With Baby No. 4
Courtesy of Jen Affleck/Instagram

Jen added that she’s “trying to count her blessings” while going through depression. “I don’t believe depression is beautiful. It’s painful, confusing, and exhausting. But I do believe God can bring beauty from it,” she explained. “It has made me ask deeper questions. It has made me slow down. It has reminded me what really matters. It has taught me that strength sometimes looks like asking for help instead of pretending you’re OK.”

Mormon Wives’ Jen Affleck Opens Up About Prenatal Depression While Pregnant With Baby No. 4
Courtesy of Jen Affleck/Instagram

She continued that she’s “here to love deeply” and raise her children. “And if sharing my story helps even one person feel less alone, then every vulnerable conversation has been worth it,” she noted. If you’re quietly fighting a battle no one else can see, I’m so glad you’re still here. 🤍.”

This isn’t the first time Jen has been candid about experiencing mental health issues. In October 2025, she opened up to People about going through prenatal and postpartum depression.

“I would tell that version of myself that it gets better and that there is a light at the end of the tunnel. You just keep holding on,” she said. “Everything will work out, and clearly it did because here I am on Dancing with the Stars.” (Jen and pro partner Jan Ravnik finished in ninth place on season 34 of the show.)

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Jen announced via Instagram on June 18 that she’s expecting her fourth child. “Chapter Four. 🤍,” she captioned a number of photos of her baby bump.

The Afflecks already share daughter Nora, 4, son Luca, who turns 2 next week, and daughter Penelope, 12 months.

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