Related: Gisele Bundchen Shares Rare Glimpse of Baby as She Celebrates Turning 45
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Gisele Bündchen had some help from her 1-year-old son during her latest workout session.
On Saturday, August 8, the supermodel, 46, shared an adorable photo of her and husband Joaquim Valente’s baby boy — whose name they have not publicly shared — mimicking her workout routine. In the photo, Bündchen balances her hands on two weights while using a resistance band around her legs, as her son strikes a similar pose.
“It’s so sweet to see how little they are when they start watching and emulating what we do,” she wrote in the Instagram caption on Saturday. “They’re learning from us even when we don’t realize it.”
She added, “Moments like this remind me that my actions matter more than what I say, because so much of who they’re becoming is shaped by the example they see every day. What a gift and a beautiful responsibility it is to be a mom.”
Bündchen and Valente, 38, welcomed their baby son in February 2025, making the model a mother of three. (She also shares two older children — Benjamin, 16, and Vivian, 13 — with ex-husband Tom Brady.)
In May 2025, Bündchen shared a carousel of adorable photos of her newborn, including one where he wore an “I ❤️Mom” sweatsuit while draped over her shoulder.
“I’ve been quiet over here but very busy living life. Sometimes, the most beautiful moments aren’t shared — they’re simply lived,” she wrote in the Mother’s Day post. “Lately, I’ve been embracing the slower rhythms, the real connections, the beauty in the lessons that come with being present. Today, on Mother’s Day, I [e]specially miss my mom, but my heart is full. Being a mother it’s been my greatest gift, a journey that humbles me, teaches me, and fills me with gratitude every single day. To all the mothers out there, your love shapes the world in ways words can’t describe. I see you, I honor you. Happy mother’s day! Sending so much love your way.”
She opened up to Vogue France that same month about how her and Valente’s daily routines drastically changed after welcoming their little one.
“Now that my little one is sleeping through the night, I’m back in control of my routine,” she said in May 2025. “As any new mom knows, it’s incredible how much sleep — or lack of it — can change everything! But once again, I feel truly grateful: being able to be home with my kids and enjoy every moment with them is priceless.”
Asked to describe what a day in her life looked like at the time, Bündchen shared, “[It’s] being with my family, especially when we can do outdoor activities together. Spending time with them is what makes me happiest.”
Bündchen and Valente ended 2025 with another major milestone, as Us confirmed that they obtained their marriage license in Miami on December 1 and tied the knot two days later. (The couple started dating in June 2023.)
The movie is not out yet, and at the time of writing, the 2026 Oscar Race has not really begun. It won’t end until 2027, either, because that’s when the award show celebrating the movies of 2026 will be held. Anyway, the movie just alluded to is Digger, which feels like a movie Tom Cruise is using to finally win an Oscar. He’s been very committed to numerous rules for about 40 years now, having been a genuine movie star in just about all that time. There are things about him not related to his film work that suggest it’s not all been smooth-sailing, but if you want to stick to the acting, it’s been a pretty phenomenal career so far.
Given how many good movies he’s been in, and how good he’s been in so many of them, it feels a bit surprising that Tom Cruise does not yet have a competitive Academy Award. Digger might be the one to do it (and hey, working with Alejandro G. Iñárritu worked for Leonardo DiCaprio, who finally won his Oscar thanks to his role in The Revenant), but there are arguments to be made that it should’ve happened for Cruise earlier. These are five particularly strong performances from the past that he should’ve – or at least comfortably could’ve – won Academy Awards for playing.
The easiest movie to put here is Born on the Fourth of July, because this was kind of Oscar bait. Oscar bait is not automatically a bad thing, and Born on the Fourth of July is potentially the good kind of Oscar bait. It’s a movie about a man who becomes an anti-war activist after being paralyzed during his time in combat in the Vietnam War. He was a real-life man named Ron Kovic, and his memoir was what the movie was based on. And then, yes, Tom Cruise is the one who plays Kovic, and he certainly dives right in trying to capture all the big and challenging emotions that would come with experiencing one’s life being changed in such an impactful way.
An honorable mention is probably worth giving to Rain Man. Tom Cruise was very good in that film, and it was another movie that was clearly going for Academy Award success, doing so by winning Best Picture, and then Dustin Hoffman won Best Actor. Rain Man and Born on the Fourth of July being released close together did a lot to emphasize Cruise’s skills as a true dramatic actor, rather than “just” someone who could do comedies or action movies. And Born on the Fourth of July did give him his first Oscar nomination, so it’s easy to highlight it as the first time he maybe should’ve won an Oscar… that year, though, Best Actor went to Daniel Day-Lewis for My Left Foot (not an entirely dissimilar sort of performance, in terms of what was asked for) instead.
At the dawn of the 21st century, Tom Cruise starred in what ended up being the final Stanley Kubrick movie, and it was kind of a psychological thriller by the name of Eyes Wide Shut. Emphasis on “kind of” because this is not an easy movie to break down and define genre-wise. Some people call it an erotic thriller, but it’s probably more of an anti-erotic film, honestly. It’s about lust and infidelity, to some extent, but more focused on insecurity, and what happens when one man drives himself mad after the revelation that his wife thought about cheating on him. On that front, it’s almost a dark comedy, just because of the intensity of his downward spiral, but then it’s got more of an emphasis on dark thrillers and drama than something like After Hours, which is another movie about a man’s wild and increasingly surreal nighttime odyssey in New York City.
It’s one of the most ego-free performances Tom Cruise has ever given, and one gets the sense he was just 100% down for whatever Kubrick wanted to do in challenging him.
Tom Cruise does have to have a certain level of charm here, playing a well-off doctor who still isn’t quite an elite, and as his journey gets him uncomfortably immersed within the lifestyles of some actual elites (many of them remaining shrouded in mystery), Cruise also has to showcase a great deal of vulnerability and insecurity. It’s one of the most ego-free performances Tom Cruise has ever given, and one gets the sense he was just 100% down for whatever Kubrick wanted to do in challenging him. Of course, the likes of Nicole Kidman and Sydney Pollack also impress during the scenes they’re given, but Tom Cruise is really at the center of this one, and the strength of his performance is a big reason why Eyes Wide Shut ultimately has the (sometimes mortifying) impact it does.
Those who enjoy the act of raining on a parade might like to jump in right now and say something along the lines of, “Oh, all the make-up/prosthetics did the work for Tom Cruise in Tropic Thunder,” and yeah, that did some of the work, but there was more to Cruise’s transformation than just that. Tom Cruise could’ve looked the way he usually did, without being physically larger and having his usual hair, and it would still have felt like a truly transformative performance. He’d gone big with Born on the Fourth of July, and there’s another 1999 movie that’ll be mentioned in a bit where he got to chew on some loud material, but in Tropic Thunder, as Les Grossman, he gets to be aggressive and bombastic but in a comedic rather than dramatic way.
Sure, Les doesn’t think he’s in a comedy, and he might ordinarily be a terrifying character if Tropic Thunder were a more serious look at the film industry, but within this particular movie, and alongside a bunch of other comedic performances (there are so many notable people in Tropic Thunder), Cruise emerges as hilarious. He really does steal the relatively few scenes he appears in, in Tropic Thunder, and it’s the kind of thing that felt like it could’ve gotten a Best Supporting Actor nomination at the Oscars, were it not for Robert Downey Jr. earning that nomination for his role in the same movie. Not that two nominees can’t come from the same film, but it’s rare. Anyway, both actors transformed and went all-out for these particular roles, and Tom Cruise’s sheer intensity and ridiculousness in Tropic Thunder really does have to be seen to be believed.
If a brief rant can be given, why is it that action movie performances don’t get held to the same regard as more drama-focused performances? Like, great action stars are asked to do a lot on screen, and even if they’re not literally doing 100% of their stunts the whole time, there is still so much to be said about how physically demanding it would be to continually holding yourself in such a way where you seem powerful and cool, but not like you’re trying too hard. There is just this knack that some actors have for being very convincing in action movies, and Tom Cruise is one of them, with him demonstrating this the best in his Mission: Impossible films.
He’s good in all of them, and is even pretty good in the ones that overall aren’t the best, but Mission: Impossible – Fallout is a real highlight of the series, owing to how well it’s paced, how high-quality all its action is, and how locked in Cruise and his co-stars are throughout all 150-ish minutes of its high-stakes/relentless runtime. Mission: Impossible – Fallout would still be good with an okay performance at its center, but here, even more so than usual, Cruise treats playing the character of Ethan Hunt with the same gravitas and commitment that most Shakespearean actors would have if they were playing Macbeth on stage. So, why not consider such a performance Oscar-worthy? It really is, or at least it really should be.
With Eyes Wide Shut, it’s like, okay, Tom Cruise wasn’t nominated. So there’s a bit more of a leap involved in saying, “Actually, he should’ve won.” With Born on the Fourth of July, he was nominated, but his main competitor was Daniel Day-Lewis, and that’s always going to be difficult to go up against someone like him. Tropic Thunder and Mission: Impossible – Fallout… sure, they weren’t really dramas, or the kinds of movies that tend to get a lot of love from the Academy Awards. Enter Magnolia, though, and this really is the one that should’ve won Cruise an Oscar. He was nominated for Best Supporting Actor, and is incredible as one part of a huge ensemble cast, playing an intense motivational speaker/pickup artist named Frank T.J. Mackey.
Like all the main characters in Magnolia, Frank struggles with various human things, and Cruise brings it during the scenes when he’s supposed to be dominant and aggressive, and then also shines in the moments where his character ends up being vulnerable. He does a great deal with what ends up being not all that much screen time, and he deserved the win over Michael Caine in The Cider House Rules. Caine’s a legendary actor, and he’s not all that bad in that movie, but he’s been so much better in so many other things, including the movie for which he won his first Oscar: Hannah and Her Sisters. Him winning a second one for The Cider House Rules when Tom Cruise in Magnolia was right there is honestly baffling.
December 17, 1999
189 minutes
Paul Thomas Anderson
Paul Thomas Anderson
Philip Baker Hall
Jimmy Gator
Sony’s distinct line of PlayStation consoles has proven to be some of the most important and massively successful video game consoles of all time, with many of them completely revolutionizing their industry in the wake of their success and influence. Between the five home consoles and two handheld consoles, PlayStation has cemented itself as one of the pillars of the video game industry that has largely continued into the modern day.
However, not every console with the PlayStation banner is created equally, as certain consoles have had an overwhelmingly larger staying power and impact on wider culture and video games as a medium. Whether it be the varying quality of the game releases or the impact of the technological improvements upon release, there are many different facets that go into the lasting legacy and strengths of each PlayStation console. Each console has its fans, as none of these consoles are truly bad; it’s just that some of them are clearly more well-regarded by gamers and the public at large.
The PlayStation Vita is a sad case of potential that was simply outmatched by the offerings of other handheld consoles. PlayStation’s final handheld console certainly has its strengths, with some good tech and memorable cult classic indie games, but in terms of what Sony envisioned the console to be, it severely underperformed. The hardware was too expensive, the prospects of backwards compatibility weren’t nearly explored, and so much of the console’s hopes and dreams were placed on the performance of middling, unenjoyable AAA experiences.
Especially with the increasing dominance of mobile games, the Vita’s failures proved to be enough of a reason for Sony to completely abandon creating true handheld consoles, focusing entirely on home console experiences. Still, the handheld has its dedicated fans for this game, with a comfortable controller and a digital storefront of top-notch indies giving gamers a great high-end portable gaming experience before the likes of the Nintendo Switch or Steam Deck.
It’s hard to get a full grasp on the legacy of the PlayStation 5, considering the fact that the console is still getting releases as the current PlayStation console. However, shifts in the gaming industry and confusing decisions by Sony have really put a damper on the staying power of the console, especially when it was already following up the massively memorable PlayStation 4. So much of the console’s difficulties trace back to the larger focus on PC gaming than ever before, as nearly all the PlayStation 5 exclusives have managed to find their way to PC after enough time.
It’s proven to largely eliminate the identity of the PS5 as its own entity, as while it may be outperforming the Xbox Series X, that only goes a long way when 90% of its best games can be played by other means. What really cements the lower placement of the PS5, however, is Sony’s recent shift away from physical discs and leaning into an all-digital strategy that has resulted in overwhelming backlash from all fronts. It isn’t without its great games — and, in fact, offers some of the best PS games of the 2020s — but it’s a far cry from the legacy that PlayStation has maintained throughout the years.
The PlayStation 3 is the perfect example of how the launch of a console does not paint the entire story of a console’s lifespan, as the console transformed and evolved after one of the worst console launches of all time into a genuinely respectable competitor to the Xbox 360. With a shockingly high initial price point and a lack of real system-selling experiences, early impressions were certainly lackluster, with Sony actually losing their dominance in the console market to Microsoft for the first and only time.
The PlayStation 3 soon grew to be an exceptional competitor thanks to a wide array of great first-party experiences as well as more third parties growing used to the initially difficult confines of the PS3 development hardware. Games like The Last of Us, LittleBigPlanet, and the Uncharted Trilogy helped save the reputation of the console and ushered in a new generation of PlayStation fans. Its initial hiccups prevent it from having a higher place, but the console still has a special place in the hearts of many PlayStation gamers.
PlayStation’s first foray into the handheld gaming marketplace, the PlayStation Portable, proved that Nintendo wasn’t the only capable of creating a great portable gaming experience, creating a more gamer-centric handheld experience that held its own against the monolithic titan of the Nintendo DS. The PSP is defined by its surprisingly effective tech for a handheld as well as its great library of original games, with several of these games proving to be so great that they eventually got ported over to home consoles.
The console also had a built-in interface and hardware that allowed users to not just play games on the device, but also watch movies, listen to music, and view photos to create an effective all-in-one experience, especially in an era before true smartphones. There is a great deal of nostalgia and passion for the PSP as it was truly pushing the potential of handheld consoles forward in the wake of its success, even if it never ended up being as successful as the Nintendo DS.
PlayStation as a brand simply wouldn’t exist without the console that started it all, as the strengths and dynamic features of the console took the world by storm and made for a true competitor to the pre-existing titans of the industry. With dynamic 3D 32-bit graphics and a catalog of some of the absolute greatest video games of the ’90s, a massive chunk of PlayStation’s legacy stems back to just how well they captured the hearts of gamers on their first console outing. Many fan-favorite PlayStation franchises saw their first entries on this console, while many highly celebrated third-party franchises reached new heights of quality on the console as well.
The console still has an undeniable legacy all these years later, not just because it’s the first PlayStation, but because of just how timeless and exceptional so many of the gaming experiences on the console were and still are today. Any console would be considered one of the greatest of all time when it features games like Final Fantasy VII, Metal Gear Solid, Resident Evil, and Crash Bandicoot. It speaks volumes that despite being their first console, the original PlayStation still managed to be the best-selling console of the 5th generation of consoles, with its focus on young adults instead of children paying dividends to the PlayStation brand as a whole.
With Microsoft arguably winning the previous console generation, Sony had a lot to prove with the PlayStation 4 to prove that they were still one of the masters of home console gaming. What resulted is one of the most shining and impactful eras in PlayStation history, pushing the brand and reputation of the console to new heights and with a glorious upgrade in graphical fidelity. For many modern gamers, the PlayStation 4 is the defining PlayStation console, as it featured many of Sony’s most celebrated gaming experiences and overwhelmingly dominated the eighth generation of consoles.
The console did an exceptional job of appealing to exactly what gamers were wanting out of the industry at the time, with an embracing of third-party and indie games while also supplying its own array of top-notch first-party experiences. It’s an absolute classic console that was the premier way to experience many of the best games of the 2010s. It easily deserves a placement ranking among the greatest consoles of all time, although it only comes just short of the peak of what PlayStation is capable of as a dominating force in home console gaming.
It’s impossible to understate just how much of a cultural powerhouse the PlayStation 2 was, being so effective as a home console that it almost single-handedly reshaped the industry in the wake of its success. With so many great games, massive leaps in technological capabilities, and the versatility of having a built-in DVD player, it’s no wonder the console became the best-selling video game console of all time. Even after the PlayStation 3 had been released, many gamers continued enjoying playing on the PS2 and utilizing it, as it really did have everything one would want out of a PlayStation experience.
PlayStation’s legacy and reputation as a titan of the industry may not have started with the PS2, but it was absolutely cemented in the wake of its success, proving that they were far from a one-time fluke but a continuous, dominating force in the industry. From system-selling exclusives like God of War and Ratchet and Clank to amazing third-party games like Resident Evil 4 and Grand Theft Auto: San Andreas, the quality on PS2 was simply unmatched.
What happens in Vegas doesn’t always stay in Vegas; sometimes it ends up on your TV screen.
Vegas has never met drama it didn’t like, so naturally, reality TV and Sin City were bound to become a match made in entertainment heaven. From “Pawn Stars” and “The Real World” to “Love Island” and “The Ultimatum,” some of reality TV’s biggest moments have played out in Las Vegas. If you’ve ever visited Vegas, chances are you’ve walked past more than just a few of the spots featured in reality TV shows.

In 2025, Netflix’s hit reality show “The Ultimatum: Marry of Move On” made Ariva Luxury Residences in Southwest Las Vegas its temporary reality TV hub. From mid-March to mid-May, the luxury apartment complex was homebase for the cast and crew, with many moments in the show being filmed there. From custom cast residences to the various amenities on property, Ariva was heavily featured in the season 4 of the reality show.
“Viewers will see many different areas throughout Ariva. Nearly all of our amenity spaces were utilized, including our pools, fitness areas, lounges, and outdoor gathering spaces,” Jessie Boskamp, Duty Manager of Ariva Luxury Residences told The Blast previously. “The cast also lived in our fully furnished, serviced residences, so those apartments became a major part of the filming as well.”
In addition to Ariva, the show filmed in a variety of locations around the valley, including at Skyjump at The STRAT, Lake Las Vegas, various restaurants, South Point, and other spots.

Back in the ’80s, a pawn shop called Gold & Silver Pawn Shop opened up on Las Vegas Blvd. by Richard “The Old Man” Harrison. Little did he know, but his business would become a hit reality show years later.
In July 2009, “Pawn Stars” debuted, highlighting the family business buying, selling, and pawning unique items. Alongside Richard, his son Rick Harrison, Rick’s son Corey “Big Hoss” Harrison, and Corey’s friend Austin “Chumlee” Russell, starred in the popular series.
The pawn shop itself served as the show’s primary filming location, and because it’s still open for business, fans can step inside and experience the setting that made “Pawn Stars” a television phenomenon. If you’re lucky, you may even catch one of the guys in the store for a meet-and-greet event. In fact, Rick has a few coming up this month and next month.

Back in 2002, the 28th floor of The Palms Casino Resort became the backdrop for a season of “The Real World Las Vegas.” The cast reportedly lived in a custom-built penthouse from February through June 2002. That season became one of the most popular seasons of the series.
MTV brought the cast back to Vegas five years later for “Reunited: The Real World Las Vegas” and filmed in the same Palms suite that was said to be nearly 3,000-square-feet. After the show, the suite was converted into a luxury accommodation.
Then in 2011, MTV decided to revisit Vegas for the 25th season of “The Real World.” This time, they filmed at the then Hard Rock Hotel & Casino with the cast living in a custom four-bedroom suite with a hot tub, bar, and bowling alley.
The suite was Room 1168 in the Hard Rock’s Casino Tower and was more than 4,000-square-feet. The Hard Rock Hotel & Casino is no more, as the property was rebranded as Virgin Hotels Las Vegas in 2021.

While reality star Lisa Vanderpump has had ties in Las Vegas for many years, she’s now even more prominent with her brand new Vanderpump Hotel that opened a few months ago.
While renovating The Cromwell into the Vanderpump Hotel, Bravo filmed “Vanderpump Rules: Lisa Las Vegas” to show the process of opening the new hotel. The reality show was announced around the time the hotel opened in May 2026. No air date has been given yet for the limited time series.
The official description reads, “Lisa Vanderpump has been ruling over the Las Vegas Strip for years now, with three hotspot restaurants serving up chic cocktails in her signature whimsical settings. Now, she is expanding her Vegas empire through the opening of her high-profile namesake hotel. In this limited series, we follow the behind-the-scenes dash to make the property worthy of the Vanderpump brand. LVP shares what inspired her newest enterprise and pulls back the curtain on the down-to-the-wire drama. The series will culminate at the Vanderpump Hotel’s lavish opening party, with fan favorite Bravolebrities celebrating the launch.”

This list was only the tip of the reality TV iceberg for Sin City. Many other shows have filmed either entire seasons or parts of a season in and around Vegas.
Other well-known reality shows that filmed in Vegas include “America Ninja Warrior” at South Point, “Penn & Teller: Fool Us” at the Rio, “Double Shot at Love” at Drai’s, “Storage Wars” at StorageOne Facilities, “Counting Cars” at Count’s Kustoms, “Love Island USA” at the rooftop of The Cromwell (now Vanderpump Hotel) and Drai’s, and many others.
Be sure to check out The Blast’s social media pages to see a video of some spots in Vegas where reality shows have filmed. And be sure to follow along for more Vegas stories, including spots seen in “The Hangover,” “Casino,” and other hit movies, as well as celebrity owned businesses, rooftop bars with great views, and more.
With the release and massive financial success of The Odyssey, Christopher Nolan has managed to further enshrine himself as not only one of the most popular filmmakers currently working, but perhaps even the current king of the Hollywood blockbuster landscape. Infused with plenty of clear influences and plenty of Nolan’s distinct auteurial vision, this grand adaptation of Homer‘s epic poem can already be counted among the best films of the 2020s so far.
It should come as no surprise, considering just how unprecedentedly large a cast ensemble it contains, that The Odyssey features several of the strongest and most memorable acting performances ever seen in a Christopher Nolan film. Not everyone in the cast delivers top-tier work, but eight actors in particular brought their absolute A-game, their performances standing out as some of the best that the fantasy epic genre has seen in years.
From his leading role in Danny Boyle‘s Yesterday to his brief turn in Nolan’s Tenet, Himesh Patel has had plenty of opportunities to show that he’s a highly talented and versatile actor. Thankfully, The Odyssey gives him plenty more of those kinds of opportunities. He plays Eurylochus, Odysseus’ second in command. In Homer’s original poem, he’s more of an unpleasant troublemaker, whereas in Nolan’s version, his challenges of Odysseus’ decisions feel like they come from a place of true care and loyalty.
Patel brings a tremendous amount of depth and range to a role that often demands an awful lot of him, allowing Eurylochus to feel like a three-dimensional friend to Odysseus. The Odyssey is one of the best adventure movies since 2000, in large part, precisely because it allows its actors to imbue their characters with emotional layers beyond the mythical archetypes they’re supposed to represent. Patel succeeds at that task wonderfully, even if some of the other performers he shares scenes with outshine him at times.
Zendaya is one of those gargantuan stars who currently rule Hollywood, an actress who has come a long way since her Disney Channel days and is currently a box office magnet. She further demonstrates why she’s gotten to this point in The Odyssey, where she plays the goddess Athena, who protects Odysseus throughout his journey. Nolan also throws a brilliant twist regarding her character toward the end of the film, which completely recontextualizes Zendaya’s performance and makes it get better on rewatch.
With her participation in the Dune films, Zendaya is able to claim that she’s been in some of the best sci-fi epics of recent times. Now, with The Odyssey, she can say that she also starred in one of the best fantasy epics of the last 50 years. The script doesn’t give her a lot of dialogue to work with, but Zendaya elevates Athena’s character through her deeply meaningful facial expressions and powerfully understated demeanor.
A whopping 16 years after having shared the screen with stars as huge as Leonardo DiCaprio in Inception, Elliot Page returns to Nolan’s filmography in The Odyssey. Contrary to what the army of transphobic trolls over on Twitter claimed, Page plays Sinon, a character who actually originated not in the original Homeric text, but rather in Virgil‘s Aeneid. Nolan’s decision to bring that character over to his version of The Odyssey ended up being brilliant, because Sinon stands out as one of the film’s most memorable characters—largely thanks to Page.
It had been years since Page’s last appearance in a major mainstream motion picture, and what a return to form this is. The actor is only present in a few key scenes of the story, but he absolutely steals every single last one. The sequence in the Underworld particularly stands out, giving Page a chance to show off his emotional range and tremendously potent facial expressions in a scene that serves as a major turning point in the narrative, largely thanks to him.
Anne Hathaway reunites with Nolan after The Dark Knight Rises and Interstellar in The Odyssey, and this may very well be the meatiest and most emotionally complex role that the director has offered Hathaway thus far. Nolan has always struggled to craft three-dimensional, fully-rounded female characters, and even though Penelope (Queen of Ithaca and Odysseus’ patient wife) isn’t really his best work in that department, Hathaway brings a level of depth to the role that those who love the source material should find captivating.
It’s arguably no small reason why The Odyssey is one of Nolan’s highest-rated movies on Letterboxd. Penelope often acts as the film’s beating heart, her fortitude and fierce sense of agency anchoring the emotional core perfectly, and that’s all in Hathaway’s credit. There’s a balance between poignant vulnerability and unbreakable strength in the actress’ performance that can’t have been easy to find, and the whole movie is all the better because of it.
From family comedies like the Ice Age movies to meaty dramas like Carlito’s Way, John Leguizamo has proven on several occasions just how hugely versatile he can be, but his praises have often gone tragically unsung. That is no longer the case. If Leguizamo’s has been one of the most talked-about performances from The Odyssey, it’s for good reason, because this really is the most admirable work of his whole career.
As Eumaeus, Odysseus’ swineherd and unwaveringly loyal friend, Leguizamo gets to prove the surprising length of his dramatic chops without ever feeling out of place. The actor’s strong yet tender performance is crucial to the story’s emotional effect, not to mention the seamlessness of Leguizamo’s acting as a blind old man. Gentle yet impossible to ignore, the actor’s take on Eumaeus will likely go down in history as one of the most beloved performances in Nolan’s filmography.
Only the greats are able to take a very limited amount of screen time and hijack every last second of it. That must mean that Samantha Morton is one of the greats, because her brief yet unforgettable turn as Circe, the fearsome witch of the island of Aeaea, is a scene-stealer unlike any other performance a Nolan movie has ever had to offer. She’s central to a terrifying sequence that proves why this is one of Nolan’s best R-rated movies to date.
The mystery and hugely effective body horror of the entire Circe-centric section of The Odyssey largely relies on the quality of Nolan’s direction, but Morton’s performance is just as much to thank. Scary without ever going overboard into cartoonish territory, Morton adds so many layers of emotion and interpretation to Circe. Indeed, she ends up sticking out as one of the movie’s most memorable characters, despite the fact that she’s in it for a strikingly short amount of time.
Reuniting with Nolan after their collaborations in Interstellar and Oppenheimer is Matt Damon. Taking on the gargantuan role of Odysseus, one of the most iconic heroes in the history of fiction, was a casting decision that drew deserved skepticism upon its announcement. Now that The Odyssey has been released into the world, however, even those who weren’t doubtful about Damon as Odysseus ended up having their expectations smashed.
Of course, it helps that the script gives Damon far more to work with than any other actor—but even in a vacuum, the star’s version of Odysseus is wonderfully compelling, nuanced, and multifaceted. Starring in one of his best movies about going home, Damon delivers what’s perhaps his best performance in decades. His Odysseus is a tortured, psychologically complicated man carrying the weight of guilt and trauma around for years, and Damon sells that just as well as he does the film’s moments of wonder and adventure.
Long gone are the days of Robert Pattinson being looked down on as “the sparkly guy from Twilight.” Across fields like voice acting in movies like The Boy and the Heron, indie cinema in masterpieces of the stature of The Lighthouse, and blockbusters like The Batman and Nolan’s own Tenet, Pattinson has established himself as one of the most chameleonic actors of his generation. In The Odyssey, he offers yet another transformational performance, this time as Antinous, Penelope’s sleaziest and most persistent suitor.
Antinous is the closest thing that The Odyssey has to a main antagonist, and Pattinson sells the part like an Oscar-nomination-worthy pro. Sneaky, cunning, and deliciously cowardly, the actor’s take on Antinous makes him a presence to look forward to every time the film cuts away from Penelope and her suitors. It’s the sort of performance that has everything: presence, depth, entertainment value, and an actor at the very top of his already-phenomenal game.
When Warner Bros. unveiled the first trailer for Kevin Costner’s ambitious passion project, a four-part Western film franchise that the actor was aiming to self-finance, a cheer erupted among fans of old-school Hollywood studio movies. This was during the heyday of the superhero genre, and in the aftermath of the director-driven blockbuster Oppenheimer’s industry-altering box-office success. Warner Bros. had famously shot itself in the foot with a controversial 2021 release strategy that saw each movie on its slate being released day-and-date on HBO Max and in theaters, resulting in Christopher Nolan publicly severing ties with the studio. Among the many victims of Warner Bros.’ 2021 strategy was Cry Macho, which many believed could have been Clint Eastwood’s final film as a director.
The era of filmmaker-driven studio movies, especially at Warner Bros., was believed to be over. But then management changed and with it, the studio’s strategy. Suddenly, movies like Sinners and One Battle After Another were given the green light. And among the studio’s 2024 slate was Costner’s ambitious Western. This was the project that the actor-director quit Yellowstone over, and now, the series’ first two installments were getting a major theatrical release. The first part was scheduled for release in June, followed by the second part in August. But then, tragedy struck. The first installment underperformed at the box office, which resulted in Warner Bros. shelving the sequel. The third installment, which Costner had partially begun working on, was put on hold.
We’re talking, of course, about Horizon: An American Saga — Chapter 1. The movie was partially self-financed by Costner at a reported production budget of $50 million, but it grossed only $38 million worldwide. The hope was for it to find its audience at home before future installments are produced. While the movie is available for audiences in the United States on HBO Max, it saw a bump into the top 10 movies on Prime Video in Ireland this past week. Horizon received mixed reviews and is now sitting at a 51% score on the aggregator website Rotten Tomatoes. But the world’s biggest Western aficionado, Quentin Tarantino, singled it out as one of the few recent movies that he really enjoyed, alongside Steven Spielberg‘s West Side Story.
Stay tuned to Collider for more updates.
June 28, 2024
182 minutes
Howard Kaplan, Mark Gillard
Editor’s Note: The following article contains spoilers for Spider-Man: Brand New Day.
Marvel Studios is moving full steam ahead with its upcoming X-Men reboot, as three of the iconic mutant heroes have either entered or are set to enter the Marvel Cinematic Universe. First up is Jean Grey (Sadie Sink), who was introduced as an antagonist in Spider-Man: Brand New Day. Next, Marvel announced that it had cast Samara Weaving as Emma Frost, the telepath better known as the White Queen. Now, a new report says that Heartstopper alum Kit Connor is the frontrunner for Cyclops. These casting choices hint that director Jake Schreier is looking to take inspiration from one of the most popular X-Men storylines of the modern era, Astonishing X-Men.
Written by Joss Whedon and illustrated by the late John Cassaday, Astonishing X-Men was a return to form for the X-Men. It brought fan-favorite Kitty Pryde, aka Shadowcat, back into the fold. It saw the X-Men returning to wearing more traditional superhero outfits after Grant Morrison had them donning black leather for New X-Men. More importantly, the biggest shake-up saw Cyclops and Emma Frost leading the Xavier Institute for Higher Learning, effectively signaling a new era in X-Men comics. If Schreier is drawing from these comics, he could deliver a version of the X-Men that fans and newcomers have yet to see on the big screen.

What makes Astonishing X-Men such a standout among X-Men comics is how it manages to push the franchise forward while still staying true to its core concepts. The very first storyline, “Gifted,” features a “cure” that will strip mutants of their powers, raising debates around the halls and within the X-Men themselves as Beast contemplates taking the cure himself. It also introduces Ord, an alien warrior who created the cure as he fears a prophecy that one of the X-Men will destroy his homeworld. The fact that the opening arc managed to touch on the cosmic elements of classic X-Men stories like “The Dark Phoenix Saga” and the underlying metaphor of being feared for your differences that fuels the X-Men makes it a great read, and the perfect foundation for a new X-Men movie.
In casting Cyclops and Emma Frost, the X-Men reboot doesn’t just signal that it’s taking cues from Astonishing X-Men, but that it’s separating itself from 20th Century Fox’s take on the mutant heroes by shifting the focus to a different group of mutants. Most of the storylines in Fox’s X-Men movies tended to revolve around Wolverine, Magneto, or Charles Xavier; if Marvel Studios is taking those three off the board, it frees up Schreier to focus on other characters and remind people why they’re so iconic. Cyclops is a prime example of this, as X-Men ’97 has reminded fans why Xavier chose him to lead the X-Men.
It’s no surprise that Astonishing X-Men might be one of Jake Schreier’s inspirations, as he and the rest of the crew on the X-Men reboot have expressed their love for the comics on multiple occasions. Perhaps the biggest fan is screenwriter Lee Sung Jin, who revealed that he was a massive fan of Gambit in addition to growing up with the X-Men:
“I’m such a huge fan of X-Men. My dad was in town for my daughter’s birthday recently. My mom and dad both were, and I told him the news about X-Men, and he was like, ‘That’s the good one, you know.’ I have such fond memories of me and my dad, Saturday morning, every morning, waking up, I think it was 9:00 or 10:00 a.m. central time, and we’d watch every single episode, read the comics, and I was a huge Gambit fan growing up, so the love is very strong.”
Lee’s X-Men fandom means he can offer a great solution to a major obstacle in the upcoming reboot: how Cyclops and Emma interact. Most fans know about the duo’s romantic relationship in the comics, but given that Samara Weaving is 12 years older than Kit Connor, they probably won’t see that relationship forming on screen. Whatever Lee, Schreier, and the rest of the crew do with the story, it’s clear that they understand what makes the X-Men tick, and why Astonishing X-Men is a perfect storyline to draw inspiration from.
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2025 was a successful year for fans of Stephen King adaptations. The Life of Chuck, starring Tom Hiddleston, proved one of the year’s most underrated gems, as the adaptation of King’s 2020 novella of the same name struggled to find success at the box office. However, on streaming, The Life of Chuck finally earned its flowers, which is a similar story to the year’s best King adaptation, The Long Walk.
Based on King’s 1979 novel of the same name, starring Cooper Hoffman and David Jonsson, The Long Walk appeared in many people’s “best of 2025” lists, despite not exploding into triumph in theaters. Hunger Games director Francis Lawrence‘s adaptation has also since become a streaming sensation, even ranking as one of the most-watched movies on HBO Max in July. But the most high-profile King adaptation of last year is undeniably The Running Man, directed by Edgar Wright (Shaun of the Dead and Baby Driver), and starring Glen Powell.
Also featuring Josh Brolin, Colman Domingo, Lee Pace, and more, this was the second adaptation of King’s 1982 novel, following a 1987 effort by director Paul Michael Glaser. Both movies received a mixed reception, but they differ on one vital factor. The 1987 version was famously disapproved of by King, who disliked its changes to the tone and message of his original work. However, 2025’s adaptation received, in Wright’s words, “a big thumbs up” from King, who “really liked the adaptation, and he liked what we’d kept in, and he liked what we changed.” Almost a year later, The Running Man is still a streaming hit, officially ranking as one of the ten most-streamed movies on Paramount+ in the world.
Next on the long production line of King adaptations is a fresh new interpretation of the author’s debut novel, Carrie, which has already received a big-screen classic adaptation (and a 2013 remake). Now it is getting the TV series treatment, with perhaps the safest pair of hands available, The Haunting of Hill House and Doctor Sleep craftsman Mike Flanagan, taking charge. Curse of Chucky alum Summer Howell is lined up to star, with the series slated to debut later in 2026 in time for the bestselling novel’s 50th anniversary.
The Running Man is currently available to stream on Paramount+. Stay tuned to Collider for the latest streaming stories.
November 11, 2025
133 minutes
Edgar Wright
Michael Bacall, Edgar Wright
Nira Park, Simon Kinberg, Edgar Wright
At long last, the queen has risen. After three seasons with Louis de Pointe du Lac (Jacob Anderson) and Lestat de Lioncourt (Sam Reid) as the respective titular figures of AMC’s Interview with the Vampire and The Vampire Lestat, Akasha (Sheila Atim), the mother of all immortals, is stepping into her rightful spotlight for Season 4. Like the previous seasons, the show now known as Queen of the Damned pulls its fresh title from the next book in Anne Rice‘s bestselling The Vampire Chronicles series, 1988’s The Queen of the Damned.
With series creator Rolin Jones stepping down from showrunner duties for Season 4, Queen of the Damned also has a new leader in Hannah Moscovitch, promoted from her previous role as executive producer and staff writer. Viewers can never quite predict how the remarkably intuitive and visionary team will adapt Rice’s material; The Vampire Lestat takes more structural and narrative liberties than its predecessor seasons, and those sensational remixes still strike gold. There’s some guesswork involved in looking ahead to Season 4, but here are the major events that AMC’s Queen of the Damned will likely weave into its story.
After surviving his near-death beheading and approaching something close to internal peace, Season 3’s final minutes skip into the future, where Lestat mournfully overlooks the apocalyptic results of Akasha’s reign. Viewers may have to wait several years before they can behold Lestat’s infamous concert, but the performance closes The Vampire Lestat novel. The songs themselves go off without a hitch; the aftermath, not so much. The first signs of trouble arrive when a group of vampires perishes from apparent spontaneous combustion in front of Lestat, Louis, and Gabriella (Jennifer Ehle). Not long after, a panicked Marius de Romanus (Christopher Heyerdahl) psychically contacts Lestat, but it’s too late: Lestat’s music has fully awakened Akasha from her slumber, and she abducts him.
The Queen of the Damned significantly expands Rice’s vampire lore and character ensemble. The novel’s five-part structure tracks familiar faces from the present as they scramble to flee from Akasha’s wrath, introduces new individuals from the past, and covers the entire history of vampiric existence. The initial chapters rewind to the hours before Lestat’s concert. Many characters, vampire and human, are circling the venue. Daniel Molloy (Eric Bogosian) and Khayman, an amnesiac vampire, have been dreaming about the same red-haired twins. Armand (Assad Zaman) doesn’t share Daniel’s visions, but stays close by his love’s side.
As for Jesse Reeves, an adept human psychic and Talamasca agent, she suspects there’s more to her redheaded aunt Maharet than meets the eye. Indeed, Maharet is one half of the mysterious twins popping up in strangers’ minds. An ancient vampire, she’s been quietly guarding her countless human descendants for thousands of years, Jesse included. Once the concert wraps, chaos erupts — hundreds of vampires across the world suddenly die from immolation.
When Lestat finally wakes, he finds himself imprisoned by Akasha. She has slaughtered Enkil and selected Lestat as her new eternal consort, and she claims responsibility for the countless dead vampires. She intends to liberate women from their vicious oppressors. How? By killing 90% of the male population. If humanity starts anew, with Akasha installed as their goddess, the world can finally know peace. Yet for all her female rage, Akasha is the furthest thing from a benevolent savior.
Maharet shelters with the other vampires who escaped Akasha’s initial murders — Louis, Gabriella, Daniel, Armand, Khayman, Marius, and more — and reveals their vampire mother’s origins. Thousands of years ago, Maharet and her sister Mekare were gifted human witches with a unique connection to various spirits. Akasha and Enkil ruled Egypt, then called Kemet. The royal couple destroyed the twins’ home and insisted the young women command the spirits in their names. The worst entity of all, the nefarious Amel, favored the sisters and developed a taste for Akasha’s blood. Amel infiltrated Akasha’s dying body and created the original vampire. Enraged, Akasha repeatedly and reprehensibly tortured Maharet and Mekare. Her brutality caused Khayman to betray his queen; he helped the witches feel, and all three swore revenge.
By the book’s final part, Akasha hunts down the group and drags Lestat along. She demands their obeisance; refusal equals execution. Mekare, previously absent, chooses that dramatic moment to arrive and unleash the full force of her sorcery and her millennia of fury. She slices off Akasha’s head, eats her organs, and Amel accepts her as his new host — in Maharet’s words, as the Queen of the Damned.
Rice’s imaginative third installment loosely inspired the 2002 movie Queen of the Damned, starring the magnificent Aaliyah as Rice’s tyrannically compelling villainess. Aaliyah’s marvelous performance is universally beloved and irreplaceable, but the character is in perfect hands with the utterly riveting, majestic Atim; her Episode 5 debut strikes with enough staggering elemental force to rival an earthquake. Season 3’s cliffhanger conclusion hints at Akasha unleashing far more catastrophe than Rice depicts. I don’t know about you, but I’m ready for whatever nightmares unfold.
2026 – 2026-00-00
AMC
Jonathan Ceniceroz, Ryan Kattner, Anusree Roy, Hannah Moscovitch, Kevin Hanna, Rolin Jones
Jacob Anderson
Louis de Pointe du Lac
The success of Obsession and Backrooms this year will likely alter the filmmaking landscape as we know it, with studios doubling down on projects aimed at younger audiences and betting big on ambitious filmmakers. The two movies were released in close proximity to each other, creating a sort of “Barbenheimer” effect for Gen Z horror and grossing a combined total of around $900 million worldwide. However, the seeds for the films’ success were sown very recently. In the months leading up to Obsession and Backrooms, a worrying number of franchise horror movies underperformed at the box office while standalone originals such as Weapons broke out. One of the biggest original horror hits during this time is now streaming on Hulu, while a sequel remains in active development.
The movie in question was released theatrically in 2024, and it emerged as an instant hit thanks to a viral marketing campaign. The pre-release buzz for the movie revolved around a mysterious central performance by Nicolas Cage, which reportedly terrified his co-star Maika Monroe during one scene, causing her heart rate to spike. The studio, Neon, used this tidbit to market the movie, much like how Paramount publicized the original Paranormal Activity by releasing a trailer focusing on the audience’s reaction to the movie’s biggest scares. In the movie, Monroe plays an FBI investigator with supernatural abilities who tracks down a demonic serial killer played by Cage.
By now you’ve probably guessed that we’re talking about Longlegs, which emerged as a blockbuster with around $130 million at the global box office against a reported budget of under $10 million. The movie was directed by Osgood Perkins, who served as one of the executive producers on Backrooms, along with James Wan and Shawn Levy. Longlegs received positive reviews and is now sitting at a “Certified Fresh” 85% score on the aggregator website Rotten Tomatoes. The site’s consensus reads, “Saturated in disquieting mood while leveraging a nightmarishly gonzo performance by Nicolas Cage, Longlegs is a satanic horror that effectively instills panic.” A follow-up film with both Cage and Perkins returning will be released by Paramount.
While Longlegs is trending on the Apple TV Store in Bolivia and Ecuador, you can watch it on Hulu in the United States. Stay tuned to Collider for more updates.
July 12, 2024
101 Minutes
Whenever people talk about prestige television shows, they usually focus on long-running, network landmarks like Grey’s Anatomy or cultural phenomena like Breaking Bad. What are generally overlooked are the shorter shows that are often better than the multi-season hits that dominate pop culture. Several miniseries of the 21st century have proven that sometimes less is more and redefined how we look at television shows.
In their limited runtime, well-made miniseries work like well-written short stories with tight pacing, assured conclusions (or intriguing cliffhangers), and no filler episodes. From TV classics like Tinker Tailor Soldier Spy to acclaimed modern gems like Ripley, these series are easily some of the greatest television shows of all time, and they’re all utterly satisfying despite being just a few episodes long. With that in mind, here’s our selection of some of the greatest series available to stream with eight episodes or fewer.
Craig Mazin’s critically acclaimed television drama Chernobyl dramatizes the titular nuclear disaster in Ukraine in 1986, which destroyed the entire industrial town and has affected human and natural life in the area for generations. The HBO series focuses on the events leading up to the disaster, the people who were involved, and how the first responders dealt with the aftermath. Jared Harris, Stellan Skarsgård, Emily Watson, Paul Ritter, Jessie Buckley, and Barry Keoghan portray various real-life personalities associated with the incident.
Released in 2019, Chernobyl was a very unique show at the time with its tightly paced five-episode narrative, standing out among multi-season hits. While the lines between facts and fiction often get blurred, the narrative successfully translates scientific realities and brutal tragedy into atmospheric horror and psychological dread. Through its powerful performances, architectural accuracy, and masterful cinematography, the historical miniseries masterpiece captures the intensity and graveness of the decades-old tragedy in its limited runtime like no other.
A classic war TV series created by David Simon and Ed Burns, based on war journalist Evan Wright’s non-fiction book, Generation Kill dramatizes Wright’s experiences as a reporter during the 2003 U.S. Invasion of Iraq. The series sees Wright, portrayed by Lee Tergesen, becoming an embedded reporter in the United States Marine Corps 1st Reconnaissance Battalion, facing various challenges alongside the Marines on their way to Baghdad in the first phase of the war. Other real-life figures are played by Alexander Skarsgård, James Ransone, Jon Huertas, Marc Menchaca, and Stark Sands.
Gripping and tense, Generation Kill is a clever deconstruction of the chaotic reality that unfolded during the invasion and is considered to be one of the most accurate depictions of the war. At the time of its release, the series was one of those rare shows without any genre or TV clichés, lauded for its raw realism, which leaves a lasting impression on the viewer. Generation Kill has since become a genre landmark like Band of Brothers and ranks among the greatest war shows made in the 2000s.
Directed by Toshio Kawaguchi, Pluto is an anime series adaptation of Naoki Urasawa and Takashi Nagasaki’s manga, Pluto: Urasawa X Tezuka, in turn inspired by the legendary manga series, Astro Boy. Set in a neo-futuristic world where humans and robots cohabit on a delicate balance of existence, the show follows a string of gruesome murders, with robot detective Gesicht of Europol investigating and finding himself entangled in a mind-boggling, sinister conspiracy that could forever destroy the world of humans and robots. The Japanese voice cast features Shinshū Fuji, Hiroki Yasumoto, Koichi Yamadera, Yoko Hikasa, and Minori Suzuki as main characters.
The original manga successfully expands the iconic universe of Astro Boy to greater heights, and Netflix’s series adaptation of Pluto breathes life into that masterful world-building. With its complex themes and remarkable character evolution, the anime series raises critical questions about human beings and the unique experience of being human. Exceptionally thoughtful and beautifully designed, Pluto thrills, intrigues, and delights with stunning art and haunting music that captivates you in every minute of its eight episodes.
Among all of John le Carré’s novels adapted for television, the BBC’s Tinker Tailor Soldier Spy remains one of the finest. Directed by John Irvin, the series follows MI6 spymaster George Smiley, played by Alec Guinness, who is brought back from retirement to run an internal investigation inside the British Secret Service to identify a Russian double agent among the high-ranking senior agents. The series also stars Michael Jayston, Anthony Bate, George Sewell, Ian Bannen, and Patrick Stewart.
While the 2011 film adaptation of Tinker Tailor Soldier Spy is more popular among modern-day fans, the 1979 miniseries is a masterpiece of spy television. The series has been praised for its utmost faithfulness to the original novel and Guinness’s perfect portrayal of the grizzled British spy. The seven-episode BBC show is also notable for reflecting its contemporary realities and authentic sentiments during the height of the Cold War, bringing more artistic depth and psychological weight to the narrative.
In his first television project, Alex Garland brings his sci-fi storytelling mastery to Devs, a thriller miniseries centered on an experimental quantum computing company called Amaya, where Lily, a software engineer, investigates the sudden death of her boyfriend. As Lily dives into the inner workings of the company and its CEO, Forest, she discovers a game-changing technology that raises life-altering questions of morality, ethics, and existentialism. Sonoya Mizuno stars as Lily and Nick Offerman as Forest, with Allison Pill, Zach Greiner, Carl Glusman, Cailee Spaeny, Stephen McKinley Henderson, and more in supporting roles.
An intellectual, ambitious, and visually distinct show, Devs was a stand-out sci-fi show of its time. Though it ran alongside similar high-concept shows like Westworld and Dark, Devs became unique with its niche concept, which brilliantly merges themes of quantum physics, determinism, and tech cultism in a tight narrative without ever missing out on any element. Mind-bending and inventive, Devs moves like a dream, despite its deliberate pace, captivating the audience in its imaginative story and hypnotic visuals.
Steven Zaillian’s second-ever television show (after The Night Of), Netflix’s Ripley is a neo-noir psychological thriller miniseries adapted from Patricia Highsmith’s popular crime novel, The Talented Mr. Ripley. It tells the story of the titular conman, Tom Ripley, who travels from New York to Italy to convince wealthy heir Dickie Greenleaf to return home to America. But when Tom meets Dickie, he develops a dangerous psychosexual obsession with him, with deadly consequences. Andrew Scott leads the cast as Tom Ripley, with Johnny Flynn, Dakota Fanning, Eliot Sumner, Margherita Buy, and Maurizio Lombardi playing other main characters.
Presented through rich black-and-white cinematography, with Hitchcockian motifs and elements of Giallo cinema, Ripley is a visual feast that delights in every frame. Zaillian puts a very stylish spin on Highsmith’s popular antagonist and turns the vintage crime fiction into an opulent contemporary masterpiece. Driven by invested performances by its main cast, headlined by Andrew Scott’s chilling antagonist, Ripley is undoubtedly one of the most perfect shows Netflix has ever produced.
Created by Mike Nichols and based on Tony Kushner’s Pulitzer Prize-winning play Angels in America: A Gay Fantasia on National Themes, Angels in America revolves around various characters living in 1985 New York City, whose lives and stories intersect through common themes of mental health, emotional struggles, and AIDs. Featuring a mix of fictional and historical characters and powerful symbolism, the six-episode series centers on Prior Walter (Justin Kirk), a gay man suffering from AIDS who is visited by an angel. The series also stars Meryl Streep, Patrick Wilson, Mary-Louise Parker, Emma Thompson, Jeffrey Wright, and more, with Al Pacino in his first major TV role.
Originally released as a TV movie, Angels in America became the most-watched cable film of its time and has since remained an HBO landmark, every episode of which is masterfully made. Set against the backdrop of the radically changing American social and political landscape of the ’80s, the series explores grave themes in the most artistic and aesthetic way possible, delivered through remarkable A-list performances. The series has since been critically praised for its depiction of AIDS, and it became the first of only three programs in Emmy history to sweep every major eligible category and all four acting categories.
Created and written by Russell T. Davies and based on John Preston’s non-fiction crime novel, A Very English Scandal is a three-part British historical drama series fictionalizing the infamous Thorpe Affair of 1976-1979, in which Member of Parliament and Leader of the Liberal Party Jeremy Thorpe was accused of conspiring to murder his alleged former lover, Norman Josiffe aka Norman Scott. The BBC series follows 18 years of events leading up to the affair becoming a public scandal. Hugh Grant and Ben Whishaw star as Thorpe and Norman, respectively, with Alex Jennings, Patricia Hodge, Monica Dolan, Paul Hilton, and Jonathan Hyde in notable roles.
A Very English Scandal is a gripping political drama that gives a shocking look into British politics and society of the time and engrosses the audience with its clever writing and cruel humor. Hugh Grant delivers a refreshing performance as the deeply conflicted politician, as does Ben Whishaw as his unstable ex-lover. A sophisticated and stylish satire, the BBC series has earned critical acclaim for revisiting the dark real-life case with sharp writing and masterful acting.
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