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‘Chicago P.D.’ Reunion Officially Set at CBS

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Jesse Lee Soffer has not been on Chicago P.D. as a series regular for close to four years now. The actor was one of the original cast members in the NBC procedural, but he left the show in 2022 after playing Jay Halstead for ten seasons. Halstead left Chicago at the beginning of Season 10, but the actor has been back on set several times, mostly as a director. Still, viewers have always missed Halstead and have wished for his return. His latest on-screen appearance was in the 2026 One Chicago crossover that also brought back his ex-wife, Hailey Upton (Tracy Spiridakos).

After his exit from P.D., Lee Soffer joined the CBS procedural, FBI: International, playing Supervisory Agent Wesley Mitchell. The actor played the character for one season before the show was canceled. The cancellation opened the door for him to return to Chicago P.D., but during the crossover, it was revealed that he was still working in the Army and was okay leaving everything in the past. A recent casting development dashes the hopes of Halstead returning to Chicago P.D. even more.

Deadline recently reported that Jesse Lee Soffer has been cast in the lead role in CBS’ new series Strike Force, which is now in development. He’s played a CPD cop, an FBI agent, and now Lee Soffer is tackling a DEA agent. The show reunites him with Chicago P.D. co-creator and FBI: International showrunner Matt Olmstead, who is writing and executive producing the new series. Strike Force follows Lee Soffer’s character, who returns home to Kansas City to “lead a multi-agency strike force targeting the violent criminals now trying to exploit America’s heartland.” The actor also serves as an executive producer alongside Jerry Bruckheimer and KristieAnne Reed. The series is still in the early stages, with the network opening a development room before committing to a full series order.

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Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

👑Tulsa King

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⚖️Mayor of Kingstown

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01

Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




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02

Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




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03

Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




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04

Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




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05

How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




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06

What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




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07

How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




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08

Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




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09

What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




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10

When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




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Sheridan Has Spoken
You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

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🤠
Yellowstone

🛢️
Landman

👑
Tulsa King

⚖️
Mayor of Kingstown

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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

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What’s Going On with ‘Chicago P.D.’?

Chicago P.D. is still ongoing, with the fifteenth season set to premiere this fall. Since Lee Soffer’s departure, the Intelligence Unit has undergone significant changes, with some cast members departing and others joining between seasons. With another longtime cast member, LaRoyce Hawkins, leaving in the upcoming season, the unit now comprises Hank Voight (Jason Beghe), Adam Ruzek (Patrick John Flueger), Kim Burgess (Marina Squerciati), Eva Imani (Arienne Mandi), Dante Torres (Benjamin Levy Aguilar), and Trudy Platt (Amy Morton).

Stream Chicago P.D. on Peacock in the US and stay tuned to Collider for more updates about Strike Force.


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Release Date

January 8, 2014

Showrunner
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Derek Haas

Directors

Nick Gomez, Eriq La Salle, Carl Seaton, Fred Berner, Vincent Misiano, Bethany Rooney, Rohn Schmidt, Sanford Bookstaver, John Hyams, Nicole Rubio, Terry Miller, Takashi Doscher, Brenna Malloy, Lisa Robinson, Marc Roskin, Charles S. Carroll, David Rodriguez, Holly Dale, John Polson, Lin Oeding, Mykelti Williamson, Paul McCrane, Alik Sakharov, Charlotte Brändström

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Writers

Craig Gore, Tim Walsh, Timothy J. Sexton, Mike Weiss, Mo Masi, Tiller Russell, Eduardo Javier Canto, Jamie Pachino, Mike Batistick, Cole Maliska, John Dove, Tiffany Bratcher, David Hoselton, Maisha Closson, Kim Rome, Katherine Visconti, Daniel Arkin, Todd Robinson, David Rambo, Denitria Harris-Lawrence, Mick Betancourt, Bryan Gracia

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    Marina Squerciati

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    Kim Burgess

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5 Horror Comedy Shows Even Better Than ‘Widow’s Bay’

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Chucky looking really old standing in a room looking into the camera in Season 3

Widow’s Bay scratched an itch a lot of us didn’t even know we had. A strange little town hiding all kinds of secrets, with each episode focusing on a different horror subgenre, and one big mystery slowly pulling everything together? Fantastic. And somehow, it also found time to be genuinely funny. One minute you’re watching Patricia (Kate O’Flynn) dance around like an absolute maniac. Then you catch a glimpse of the mirror and realize everyone around her is frozen in place with gaping, unnaturally widened mouths. The entire mood changes in an instant.

Widow’s Bay obviously proved just how well horror and comedy can work together when they’re done right. But it’s far from the first series to mix big laughs with genuine scares. If anything, it just gave the genre a fresh coat of paint. So, if you already burned through the season and are already craving more, here are five shows that do the horror comedy thing just as well, if not better.

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1

‘Chucky’ (2021–2024)

Chucky looking really old standing in a room looking into the camera in Season 3
Chucky looking really old standing in a room looking into the camera in Season 3
Image via SYFY

Don Mancini took a killer doll franchise that had already survived seven movies and somehow found a way to make it feel new again. The series begins when teenager Jake (Zackary Arthur) picks up a vintage Good Guy doll at a suburban yard sale, and soon after, people around the doll start turning up dead in gruesome ways. But this time, Chucky isn’t just running around killing people. He also takes Jake under his wing and tries to manipulate him into becoming a killer, too.

Of course, Chucky has always been one of horror’s funniest villains, and the show fully embraces that side of the character. Pretty much every scene with him is comedy gold. He’s constantly delivering unhinged one-liners like, “Hey kid, I’m gonna go kill your sister. Wanna come?” And each season gets even more ridiculous than the last. At one point, Chucky starts losing his immortality and slowly turns into a grumpy old doll with his hair falling out. In that very same season, he also ends up inside the White House terrorizing the First Family. It sounds completely insane on paper, but the show somehow pulls it off. In fact, that very season earned a perfect 100% critic score on Rotten Tomatoes!

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2

‘What We Do in the Shadows’ (2019–2024)

Harvey Guillen in What We Do in the Shadows Season 6 photoshoot
Harvey Guillen in What We Do in the Shadows Season 6 photoshoot
Image via FX

Based on the Jemaine Clement and Taika Waititi film of the same name, this mockumentary follows four vampire roommates living on Staten Island. There’s Nandor (Kayvan Novak), a once fearsome warlord who can’t figure out modern technology; Laszlo (Matt Berry) and Nadja (Natasia Demetriou), a centuries-old married couple who constantly fight and bicker; and Colin (Mark Proksch), an energy vampire who feeds off people through endless rambling, pointless office chatter, bad jokes, or starting petty arguments. Guillermo (Harvey Guillén) is Nandor’s human familiar who’s been promised he’ll become a vampire one day. Until then, he’s stuck cleaning up the endless messes the vampires leave behind.

The horror is baked into the premise since these are, after all, undead bloodsuckers. But the show mines almost all of its comedy from how mundane immortality actually is. One of the best episodes has Laszlo running away from Jim the Vampire (Mark Hamill), an old adversary who’s been tracking Laszlo down over a century-old unpaid rent debt. Laszlo hides under the alias Jackie Daytona, a small town bartender whose entire disguise is a toothpick in his mouth, and it somehow fools everyone. In another episode, Nandor joins a bizarre vampiric cult to help vampires transition back to being human with activities like hula-hooping and tax-filing lessons.











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Collider Exclusive · Horror Survival Quiz
Which Horror Villain Do You Have the Best Chance of Surviving?
Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky
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Five killers. Five completely different ways to die — if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.

🏕️Jason

🔪Michael

💤Freddy

🎈Pennywise

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🪆Chucky

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01

Something feels wrong. You can’t explain it — you just know. What do you do?
First instincts are the difference between the survivor and the first act casualty.





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02

Where are you most likely to find yourself when things go wrong?
Setting is everything in horror. Where you are determines which rules apply.





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03

What is your most reliable survival asset?
Every survivor has a quality the villain didn’t account for. What’s yours?





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04

What kind of fear is hardest for you to fight through?
Knowing your weakness is the first step to not dying because of it.





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05

You’re with a group when things start going wrong. What’s your role?
Horror movies are brutally clear about who survives group situations and who doesn’t.





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06

What’s the horror movie mistake you’re most likely to make?
Honest self-assessment is a survival skill. Denial is not.





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07

What’s your best weapon against something that can’t be stopped by conventional means?
Every horror villain has a weakness. The survivors are always the ones who find it.





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08

It’s the final scene. You’re the last one standing. How did you make it?
The final survivor always has a reason. What’s yours?





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Your Survival Odds Have Been Calculated
Your Best Chance Is Against…

Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.

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Camp Crystal Lake · Friday the 13th

Jason Voorhees

Jason is relentless, but he is also predictable — and that is the gap you would exploit.

  • He moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.
  • Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
  • The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
  • You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.

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Haddonfield, Illinois · Halloween

Michael Myers

Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.

  • But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
  • Michael’s power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
  • Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
  • You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.

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Elm Street · A Nightmare on Elm Street

Freddy Krueger

Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.

  • You are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.
  • The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
  • Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
  • Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.

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Derry, Maine · It

Pennywise

Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.

  • The Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
  • You ask the questions others avoid. You look directly at what frightens you rather than turning away.
  • That directness — the refusal to let fear fester in the dark — is Pennywise’s worst nightmare.
  • It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.

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Chicago · Child’s Play

Chucky

Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.

  • You don’t have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
  • Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
  • Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
  • Against Chucky, not laughing is already winning. You are very good at not laughing.
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3

‘The Curse’ (2023)

Nathan Fielder and Emma Stone in 'The Curse' on Showtime
Nathan Fielder and Emma Stone in ‘The Curse’ on Showtime
Image via Showtime
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Nathan Fielder and Benny Safdie‘s Showtime series follows Whitney (Emma Stone) and Asher Siegel (Fielder), a newlywed couple trying to launch an HGTV show about the eco-friendly, mirror-walled homes they’re building in Española, New Mexico. While filming a segment meant to make Asher look charitable, he hands a $100 bill to a young girl selling soda in a parking lot, then snatches it back the second the cameras stop rolling. The girl looks him dead in the eye and bluntly says, “I curse you.” From there, everything in Asher and Whitney’s lives starts going wrong.

It’s got all the social cringe comedy Fielder is famous for, but it also builds a genuinely compelling mystery, because the show never gives you a straight answer on whether the curse is real or if it’s all just an unlucky string of coincidences. That is, until the final episode. It’s one of the best finales of any show in recent memory, and it delivers that same gut-punch comedy-to-horror shift that Widow’s Bay fans loved, except it lands even harder here because the series spends nine episodes building up to it.

4

‘Twin Peaks’ (1990–1991)

Kyle MacLachlan as Dale Cooper possessed by Bob (Frank Silva) screaming in a red room in Twin Peaks.
FBI Special Agent Dale Cooper (Kyle MacLachlan) is possessed by Bob (Frank Silva) as he screams in his ear in an eerie red room in ‘Twin Peaks’ Season 2, Episode 21 “Beyond Life and Death”.
Image via ABC
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Before any of the shows on this list existed, David Lynch and Mark Frost were already mixing horror and absurdist comedy in ways nobody on network television had tried. The show starts as a murder mystery focused on the death of homecoming queen Laura Palmer (Sheryl Lee). But from there, it quickly spirals into something much stranger involving demonic entities, alternate timelines, and extradimensional realities.

The series constantly swings between genuine dread and flat-out silliness, sometimes in the same scene. The Log Lady (Catherine E. Coulson) introduces herself by insisting her log witnessed the murder, and it’s played completely straight. Laura’s funeral turns into slapstick when the machine lowering her coffin malfunctions and sends it bouncing up and down above the grave, and it still doesn’t undercut the tragedy at all. This show was the exact blueprint for what worked so well in Widow’s Bay.

5

‘Shining Vale’ (2022–2023)

Shining Vale Season 2 Courteney Cox and Greg Kinnear Image via Starz
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The opening title cards of Shining Vale point out that women are twice as likely as men to suffer from depression, that women are twice as likely to be possessed by a demon, and that the symptoms for both conditions are the same. That idea becomes the core of the series going forward. Courteney Cox stars as Pat Phelps, a once bestselling author stuck in a serious slump who moves her family into a haunted suburban house. Almost immediately, she starts seeing the ghost of Rosemary (Mira Sorvino), a 1950s housewife who murdered her own family in that same home, and who may or may not be trying to take over Pat’s body.

In Widow’s Bay, all the townspeople except for Mayor Loftis (Matthew Rhys) believe that the town is filled with supernatural occurrences. In Shining Vale, Pat is the only one who believes anything paranormal is happening, and she’s the one trying to convince others. Everyone around her assumes she’s just depressed. And for the horror fans, the show is packed with clever nods to classics like The Exorcist, Rosemary’s Baby, The Shining, Sinister, and more.

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‘American Pie’ Star Seann William Scott Lists Malibu Home

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Seann William Scott

Seann William Scott is making a major move in the Los Angeles real estate market, putting one of his most valuable properties up for grabs. The actor stands to make a hefty profit if the sprawling California retreat sells anywhere near its asking price.

Scott has spent years shaping the residence to his tastes, blending contemporary finishes with the property’s laid-back, nature-focused aesthetic.

Seann William Scott
O’Connor/AFF-USA.com / MEGA

“American Pie” star Seann William Scott has put his longtime Malibu estate on the market for $17.5 million, more than two decades after purchasing the property. The actor, also known for his roles in “The Righteous Gemstones” and “Shifting Gears,” bought the home for just under $4 million in 2004.

The Balinese-inspired property, known as The Vanaya House, sits on 1.45 acres above Zuma Beach.

According to the listing, the 4,176-square-foot residence features five bedrooms and five bathrooms, with Pacific Ocean views throughout the grounds. The estate also boasts a resort-style swimming pool, full-size tennis court, lily ponds, mature gardens and a gated motor court.

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Inside, timber ceilings and exposed wood beams run throughout much of the home, while expansive windows offer views of the surrounding greenery and ocean. The primary suite comes with a private terrace overlooking the Pacific.

Scott has not revealed why he is selling the Malibu property.

Scott Added His Own Touches Over The Years

Seann William Scott
MEGA

Scott’s lengthy stay at the Malibu property gave him plenty of time to put his stamp on the residence.

The home’s interiors now lean heavily into California’s indoor-outdoor style, with organic materials helping soften its contemporary design. Stone flooring complements the extensive wood detailing, while glass walls allow natural light to pour in and connect the rooms to the surrounding landscape.

The open-plan layout keeps the main living spaces connected. There is also a roof deck and terrace, giving the home even more room to unwind outdoors.

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Landscaped lawns and covered patios create additional outdoor living areas, with a pond adding to the property’s secluded feel. However, available reports do not detail exactly when the individual upgrades were made or how much Scott spent on them during his ownership.

Seann William Scott’s Venice Property Has Its Own Story

Scott’s Malibu home isn’t the only California property he has tried to unload in recent years. The “American Pie” star bought a 5,148-square-foot lot in Venice for about $2.2 million in 2017 with plans to renovate and flip it within a year. Instead, the project became a six-year labor of love.

The compound came with a small wooden bungalow and a vastly different three-story glass-and-concrete structure. Scott rebuilt the bungalow while preserving its footprint, later describing it as essentially a new building.

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He then teamed up with his then-wife, interior designer Olivia Korenberg, to tackle the larger residence. Their goal was to soften its industrial feel and create more cohesion between the two structures.

By 2024, the finished compound offered roughly 4,600 square feet of combined living space, with five bedrooms and six bathrooms. Scott finally listed the property for just under $5 million that year, although he admitted he wondered whether selling it was a mistake.

Scott Faced A Legal Fight Over A Separate Malibu Property

Seann William Scott at Only Dukes Of Hazzard premiere UK
©2005 RAMEY PHOTO/ MEGA

Scott’s California real estate dealings also became a source of tension with his ex-wife, Olivia Korenberg.

In 2025, Korenberg accused the actor of trying to force her and their daughter out of a separate Malibu home he purchased for $3.5 million in 2024, per Us Weekly. Their divorce agreement allowed her to live there for one year, but she claimed Scott’s actions suggested the arrangement would last longer.

Korenberg alleged that things changed after she asked Scott to meet her new boyfriend. Weeks later, she said she was “blindsided” by a letter instructing her to vacate the property by June.

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Seann William Scott Denied Retaliating Against His Ex

The cast of the latest film in the American Pie franchise American Reunion are seen out and about at various locations in London promoting the movie
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Scott denied that the decision was retaliatory. He maintained that Korenberg was never promised permanent use of the home and said he decided to sell after consulting his financial adviser.

A judge later found Scott had the legal right to require Korenberg to leave and to sell the residence. However, the court criticized the way the news was communicated and ordered both exes to attend co-parenting classes.

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Jenna Ortega’s Sister Addresses Fans’ Concern Over Weight Loss

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Teddi Mellencamp Stars Who've Hit Back Against Body Shamers

Jenna Ortega’s sister weighed in after fans began to express concerns about the actress’ weight loss.

After a recent Esquire interview went viral, a social media user shared a lengthy message defending Ortega, 23, and reminding others to “mind [their] business.” The actress’ sister Aliyah Ortega subtly showed her support for the person’s opinion, adding three exclamation points in the comments section.

The social media post further claimed that fans online have been making “assumptions about [Jenna’s] health.”

“She has every right to make whatever decisions she feels are best for herself without being judged, discriminated against or subjected to unnecessary speculation,” the caption continued. “Sometimes the most respectful thing we can do is simply give someone privacy, support them, and let them be.”

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Teddi Mellencamp Stars Who've Hit Back Against Body Shamers


Related: Stars Who‘ve Hit Back Against Body-Shamers

There’s no shame in loving your body. Thankfully, more Hollywood stars than ever before are preaching that message, and they won’t let body-shaming comments slide anymore. Lizzo has been vocal about trying to help people accept all body sizes. “I want to normalize my body. And not just be like, ‘Ooh, look at this cool […]

The post also noted: “We don’t know what she may be going through, and we shouldn’t assume anything based on appearances or a few comments from an interview. Stop concerning yourselves with her personal life and asking intrusive, unnecessary, and random questions. … Just leave Jenna alone and allow her to live her life on her own terms.”

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In her interview with Esquire, published Tuesday, August, 11, Jenna recalled the challenges of being on set as a child actor.

Jenna Ortega’s Sister Addresses Fans’ Concern Over Weight Loss
PATRICK T. FALLON / AFP via Getty Images

“I really had it going for me as a child because I can’t think of one mistake I made. Is that a terrible thing to say?” she said. “I feel like I make mistakes now all the time, but as a child, I was so grateful and so excited to be there that my game face was on.”

Jenna explained how that affected her health, adding, “I wasn’t asking for a sip of water. I would go all day without eating, drinking, whatever, because I wanted so badly to not be in the way of anybody. Maybe that was my mistake [of] not actually looking after myself.”

Photos and video accompanying the profile also showed off Jenna’s thin physique.

After rising to fame with roles on Disney and as the lead in Netflix’s Wednesday, Jenna has called out the potential dangers of child stardom.

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“Children aren’t supposed to be working like that. They are supposed to be climbing trees and drawing and going to school,” she told The New York Times in August 2024. “Some of those kids’ parents don’t even take school seriously, so I feel really, really fortunate to have had parents who made sure that I hung out with friends, made sure that I went to public school and wouldn’t allow me to work on a job unless I had straight A’s and was prioritizing my sleep and my schoolwork.”

She continued: “Child acting is strange. I see why my parents felt so hesitant about it, because you’re putting a child in an adult workplace. I think if I had just stayed growing up in Coachella Valley, I would be a completely different person. I wouldn’t speak the way that I do or approach interactions the way that I do.”

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If you or someone you know struggles with an eating disorder, visit the National Alliance for Eating Disorders website or call their hotline at (866) 662-1235. Text “ALLIANCE” to 741741 for free, 24/7 support.

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Chris Brown Falls Down On Stage During Toronto Performance

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Whoops! Chris Brown Takes A Tumble During Toronto Show, But His Bounce-Back Has Fans In Awe (VIDEO)

Chris Brown fell down on stage during his performance in Toronto, Canada, during ‘The R&B Tour.’ The singer is currently on tour with Usher, and the artists performed a two-night gig in the city beginning on Tuesday, August 11.

RELATED: Whew! Chris Brown Heats Up Canada With Another Spicy On-Stage Fan Performance & It’s Droppin’ Jaws

Chris Brown Falls Down During Toronto Show

Footage of ‘Loyal’ singer Chris Brown falling down on stage while performing in ‘The R&B Tour’ in Toronto this week is going viral. In a video shared by Live Bitez, Brown falls hard on stage while performing.

The singer is seen performing in a white T-shirt and a red baseball hat when he suddenly falls onto his back. However, his recovery is so fast in the clip that his fans are impressed nonetheless.

Brown was barely on the ground for a second before he flipped himself back up and kept performing. As he did, his hat flew into the air, and the show continued.

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Fan Reactions Ensue Following Brown’s Fall

Fans were impressed by how quickly Brown recovered, and several even thought his fall and gymnastics recovery were part of the show.

User @babycurlsbeauty wrote, 🔥🔥 jumped back up like it was a flip 😍😍.”

@raeshxn added, Smoove ass goat move lol😂.”

@hisidity_chick agreed, Smooth af.”

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User @nickjr.tgf wrote, He really the last airbender 😂😂.”

@dolllife___ joked, He did a pop up 😂😫.”

User @empresspiper noted, A true professional 👏👏.”

@___bbop added, I thought the hat went back on his head Im like whaaat😂.”

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User @kaysouthmedia added, Quick on his feet.”

@x05_cbreezylove wrote, “Shook it right off and kept going 😂.”

Usher @localnotarybaddie_96 blamed Usher for Brown’s fall. I thought it was a part of the show but Usher must be sabotaging him 😂😂😂😂either way bruh ain’t missing no beats.”

@chefnicolecatering added, Never missed a move or the note 🔥.”

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Mario Also Took A Spill During ‘The R&B Tour’

‘Let Me Love You’ singer Mario was performing in ‘The R&B Tour’ in St. Louis last month when he fell on stage.

The artist was walking across the stage when all of a sudden he slipped, hard. Not only that, as Mario tried to stand up, he fell again.

After he finally made it to his feet, Mario made sure he was steady, then continued the performance like a true professional.

RELATED: Wayment! Chris Brown Reacts After Lionel Richie Takes Jab At Him & Usher Over Their ‘R&B Tour'(VIDEO)

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HBO’s 7-Part Crime Masterclass Is Anchored by a Career-Making Performance

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Cailee spaeny as Erin in Mare of Easttown

Sometimes there’s nothing better than a one-off. A limited series, or miniseries, can tell a complete story without worrying about setting up another season, and HBO’s Mare of Easttown is one of the best examples of just how effective that approach can be. Led by Kate Winslet as Detective Mare Sheehan, the seven-episode crime drama takes what initially looks like a small-town murder mystery and slowly reveals something much more complicated underneath. The series is also newly relevant again, with Julianne Nicholson set to reprise her role as Lori Ross in Season 2 of Task, confirming that both Brad Ingelsby dramas share the same world.

Cailee Spaeny is the centerpiece of the series’ tragic plot as Erin McMenamin, a young, struggling teen mom who becomes the subject of Mare’s latest investigation when she’s found dead, alone in the woods. In seven gripping episodes, Mare of Easttown throws tragedy upon tragedy at its small Pennsylvania community, where everyone knows each other, to both their benefit and exhausting detriment. Also starring Jean Smart, Julianne Nicholson, Angourie Rice, Guy Pearce, and Evan Peters, Mare of Easttown uses its murder investigation to dig into grief, motherhood, family, and the damage that can ripple through a community long after a crime has been committed. Five years later, it’s still a crime masterclass that’s incredibly difficult to top.

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What Is ‘Mare of Easttown’ About?

Marianne “Mare” Sheehan (Winslet) is a renowned local figure in Easttown, largely due to winning a high school basketball game over two decades prior. Excitement of that sort comes few and far between in Easttown. She’s a skilled and devoted police detective, but her status in that regard has come into question recently, as the case of a missing girl has gone unsolved for a year. Mare lost her son to suicide, and she’s since divorced from her husband, Frank (David Denman). Her daughter, Siobhan (Rice), grows distant, and her mother, Helen (Smart) is always critical.



















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Collider Exclusive · Universe Personality Quiz
Which Iconic Universe Do You Belong in the Most?
Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek

Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.

🚀Star Wars

💍Lord of the Rings

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🧙Harry Potter

👑Game of Thrones

🖖Star Trek

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01

What gives your life its deepest sense of meaning?
Every universe is built around a different answer to this question.





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02

Which kind of world do you most want to inhabit?
The environment shapes who you become. Choose carefully.





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03

How do you prefer your conflicts resolved?
The shape of a world’s conflicts tells you everything about its soul.





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04

Who do you want beside you when things get difficult?
Your ideal companions reveal the world you were made for.





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05

What is your relationship with power?
How you seek, wield, or resist power is the map of who you are.





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06

How does your universe treat good and evil?
A world’s moral architecture tells you more about it than any map.





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07

What role would you naturally fall into?
Every universe has archetypes. Which one fits you without trying?





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08

What do you ultimately believe about the future?
The answer to this is the clearest window into which universe already lives inside you.





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Your Universe Has Been Chosen
You Belong In…

Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.

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A Galaxy Far, Far Away

Star Wars
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You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.

  • You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
  • You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
  • Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
  • The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.


Middle-earth

Lord of the Rings
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You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.

  • Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
  • You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
  • Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
  • Those are not burdens to you. They are simply how you move through the world.


The Wizarding World

Harry Potter
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You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.

  • The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
  • You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
  • Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
  • That choice — made quietly, without guarantee — is something you understand completely.


Westeros · The Known World

Game of Thrones
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You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.

  • Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
  • You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
  • Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
  • Winter always comes. You are already prepared.


The United Federation of Planets

Star Trek
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You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.

  • Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
  • You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
  • The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
  • You don’t just hope that’s possible. You think it’s the only thing worth working toward.

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To make things worse, Erin McMenamin (Spaeny) turns up dead, and she’s no stranger to Mare’s small circle, causing further strife. Erin’s father, Kenny (Patrick Murney), is the cousin of John Ross (Joe Tippett), who is the husband of Mare’s closest friend, Lori (Nicholson). Easttown is a small, tightly-knit place. When things seemingly couldn’t be worse, the county sends Detective Colin Zabel (Evan Peters) to aid in Erin’s murder investigation, despite Mare’s protests.

Cailee Spaeny Is the Emotional Core of ‘Mare of Easttown’

Cailee spaeny as Erin in Mare of Easttown
Cailee spaeny as Erin in Mare of Easttown
Image via HBO

Even with limited screentime, Spaeny leaves her mark on the series, affecting everyone through the ripples of tragedy. It’s not just because she’s the victim of a murder, either. That kind of horror is terrible no matter the victim, but Erin contrasts the rest so starkly that losing her leaves a glaring, unmendable hole. Spaeny’s performance makes the impact even greater. Her eyes somehow tell several stories simultaneously, at a level so convincing you think Erin must be someone you’ve known.

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Winslet’s Mare is a hardened single mother, burdened by the weight of loss and the unshakable sense that further loss is inevitable. Her daughter grows more distant every day, her career is becoming increasingly scrutinized, and the troubled mother of her grandson is actively attempting to reenter the picture, threatening to take another child from Mare. Spaeny’s Erin sits at the opposite end of the spectrum. Similarly, she’s a single mother, but hope and perseverance haven’t left her, despite consistent abuse from her father and ex-boyfriend — two debilitating factors among more awful circumstances than any child should endure.

The unsolved case of Katie Bailey (Caitlin Houlahan), a young girl who went missing a year ago, has loomed over Mare, and she’s reminded of her failure every time she encounters Katie’s persistent mother, Dawn (Enid Graham). The senseless loss of Erin (and, with her, another piece of Easttown’s innocence) seems to spur Mare into action, undeniably through more than a mere sense of duty as a detective. Mare surely sees her daughter in Erin, but she sees a version of herself, too — a version of Mare before the miseries of life in Easttown piled higher, year after year.

‘Mare of Easttown’ Mixes Family Drama With a Detective Mystery

One of Mare of Easttown‘s most skillfully played hands is the ever-shifting suspicion it places from one character to the next. You’ll consistently think you’ve figured it out, with Mare’s intuition running alongside you, only for the entire case to crumble at the next turn. It teeters on the edge of True Detective‘s style but never strays too far from being a family drama at its core. Following the horror to which several young girls in Easttown are subjected always comes alongside witnessing the effect it has on the victim’s loved ones. The interpersonal drama would rival the most far-fetched of novellas, but Mare of Easttown never feels unreal. If anything, you feel like you’re encroaching on a town that could be your own. It’s the type of nerve-wracking character study HBO does best, and it’s in excellent hands with Winslet and Spaeny at the helm.

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Mare of Easttown is streaming on Max in the U.S.

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Forget ‘Jurassic Park,’ J.J. Abrams’ New Sci-Fi Dinosaur Movie Officially Debuts in 48 Hours

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Ewan McGregor holding a lit match in The End of Oak Street.

Seven years after one of the Star Wars franchise’s most controversial movies, producer J.J. Abrams is back with an original sci-fi offering from director David Robert Mitchell. The movie arrives against the backdrop of skepticism from audiences and also the industry, especially with Warner Bros. having a difficult run so far this year. The studio has experienced the tragic underperformance of The Bride! and Supergirl. These results represent a setback following a strong 2025, when the studio delivered seven successive hits. Mitchell is unproven at this budget level, having worked exclusively on well-received small-scale projects such as It Follows and Under the Silver Lake.

The new movie follows a suburban family that discovers that dinosaurs have suddenly appeared in their neighborhood. The film is headlined by Ewan McGregor, who has experience with the Star Wars fanbase as well, and Anne Hathaway, who has had a terrific run recently. Aside from the underperformance of the psychological thriller Mother Mary, which grossed just $3 million against a reported budget of $20 million, Hathaway starred in The Devil Wears Prada 2 and The Odyssey, which have grossed a combined total of around $1.7 billion at the global box office. The new sci-fi movie has a hefty reported budget of $85 million to recoup, and for a while, it seemed like it was doomed.

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Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

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🏜️Dune

🚀Star Wars

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01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





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02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





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03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





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04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





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05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





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06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





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07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





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08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





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Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

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The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

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  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.


The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

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  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.


Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

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  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.


Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

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  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.


A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

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  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.

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Here’s When J.J. Abrams’ Mysterious New Sci-Fi Movie Will Be Released

However, early reviews have been positive, and the film is poised to gross between $20 million and $30 million in its domestic debut. We’re talking, of course, about The End of Oak Street. The 99-minute sci-fi movie is currently sitting at a “Certified Fresh” 83% score on the aggregator website Rotten Tomatoes, taking Abrams back to his heyday as a producer of genre titles such as Cloverfield, Overlord, and Lost. He’ll make his directorial comeback with next year’s The Great Beyond, starring Glen Powell and Jenna Ortega. The End of Oak Street is a step in the right direction, with Collider’s Victoria Luxford describing it in her review as “90 minutes of edge-of-your-seat entertainment that commits to its concept and entertains throughout.”

The End of Oak Street will be released theatrically on August 14. Stay tuned to Collider for more updates.


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Release Date

August 14, 2026

Runtime

100 minutes

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Director

David Robert Mitchell

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Writers

David Robert Mitchell

Producers
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Chris Bender, J.J. Abrams, Tommy Harper, David Robert Mitchell, Jake Weiner, Matt Jackson, Joanne Lee

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Taylor Sheridan’s Biggest ‘Yellowstone’ Spin-Off Officially Expands Season 2 Cast

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"Wolves at the Door" -- CBS Original Series MARSHALS, scheduled to air on Sunday, May 24 (8:00-9:00 PM, ET/PT). Pictured (L-R): Luke Grimes as Kayce Dutton and Brecken Merrill as Tate Dutton. Photo: Fred Hayes/CBS ©2025 CBS Broadcasting, Inc. All Rights Reserved.

When CBS ordered a new Yellowstone spin-off focused on Luke Grimes‘ character, Kayce Dutton, only a handful of characters from the mothership returned. Tate (Brecken Merril), Rainwater (Gil Birmingham), and Mo (Mo Brings Plenty) are with Kayce in the next chapter of his journey, which leads him into law enforcement. He’s also reunited with a former friend, Pete Calvin (Logan Marshall-Green), who is leading a U.S. Marshal task force. The team also includes Andrea (Ash Santos), Belle (Arielle Kebbel), and Miles (Tatanka Means). Kayce and the rest of the team got to know each other a bit more intimately, and some secrets came to light.

It is revealed that Pete is a father, but his relationship with his daughter is almost non-existent. Viewers met Maddie (Morgan Lindholm), Pete’s estranged daughter, who works at the bar they had been frequenting after a case. Due to the nature of his job, Cal has never been a consistent presence in his daughter’s life, and they don’t have the best of relationships. Meanwhile, Maddie has also begun a relationship with Miles. However, the character still remains a mystery, only appearing for a few scenes per episode.

Deadline recently reported that it is about to change in the upcoming season of the Taylor Sheridan spin-off. As production for the second season continues, Lindholm’s role in the series has been expanded, leading to more scenes for her character. This means that viewers will see more of her in the show, and she could play a significant role in the events of the second season. It isn’t clear what her arc looks like in the season premiering this fall, but given how closely entangled she is with the rest of the team, it could have huge emotional consequences. The report also reveals that Marque Richardson will recur as Assistant U.S. Attorney Patrick Burns.

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Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

👑Tulsa King

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⚖️Mayor of Kingstown

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01

Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




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02

Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




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03

Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




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04

Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




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05

How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




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06

What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




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07

How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




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08

Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




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09

What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




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10

When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




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Sheridan Has Spoken
You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

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🤠
Yellowstone

🛢️
Landman

👑
Tulsa King

⚖️
Mayor of Kingstown

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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

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‘Marshals’ Is Back with Vengeance

Kayce has been trying to escape the Dutton chaos that leads to violence at every turn. He had almost succeeded until greedy people started circling his property and Broken Rock. Maybe violence is sometimes warranted, and with his son in danger, there has never been a better time than now. CBS released a short teaser (at the top) that shows Kayce and the team jumping into action, and he shows the bad guys what a Dutton can really do with the right motivation — not the stories they have heard. CBS is not making viewers wait too long, with the show securing a Sunday timeslot in the upcoming television season.

Catch up on Marshals Season 1 on Paramount+ and stay tuned to Collider for more updates.


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Release Date

2026 – 2026-00-00

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Showrunner

Spencer Hudnut

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Spencer Hudnut, Tom Mularz, Dana Greenblatt

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Mattel Officially Announces New Hot Wheels and Uno Adaptations

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Venerable toymaker Mattel is having a big year. Masters of the Universe hit theaters earlier this summer, and is currently dominating the streaming charts, while Matchbox: The Movie, based on their toy car line, is speeding on to Apple TV this fall. Now, the El Segundo-based company is launching a new initiative that will bring their universe of brands to life like never before.

Mattel was founded in 1945 by businessman Harold “Matt” Mattson and husband-and-wife duo Elliot and Ruth Handler; Mattel is a portmanteau of “Mattson” and “Elliot.” The company launched its signature brand in 1959 when Ruth invented Barbie. Elliot, wanting to find a product that would appeal to boys the same way Barbie appealed to girls, invented Hot Wheels in 1968. The company has since acquired other toymakers, including Fisher-Price and Tyco, and still thrives to this day. It has recently acquired the licence to make action figures based on Teenage Mutant Ninja Turtles and DC Comics.

Mattel’s latest venture is Mattel Game Studios, which will develop and create video games based on Mattel’s vast stores of intellectual property. The new company will employ nearly 300 artists, designers, engineers, live operations specialists, and producers in Los Angeles and Hangzhou, China. The company launched earlier this year with Skeletor: Until Next Time, an endless runner mobile game based around the iconic Masters of the Universe villain. Next up is UNO Wild, a game based on the iconic (and often infuriating) card game, while a Hot Wheels game is in development. Mattel Games Studios is under the aegis of Mattel Digital Studios, which also handles the games Mattel licenses out to other publishers; upcoming games on their slate include Barbie Rewind, Hot Wheels Infinite Rush, and Masters of the Universe: Dragon Pearl of Destruction.

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What Mattel Movies Are in Development?

With Matchbox headed to Apple TV in October, Mattel’s other iconic miniature car brand, Hot Wheels, has a movie in the works as well: Jon M. Chu (Wicked) is slated to direct, with J.J. Abrams producing. Illumination, the animation studio behind Minions and Super Mario, is developing an animated Barbie movie; meanwhile, a live-action sequel to the 2023 megahit Barbie remains on the drawing board, as well. A whole toy box of other Mattel properties have movies in the works, including Polly Pocket, Major Matt Mason, American Girl, and Monster High.

Stay tuned to Collider for future updates.


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Release Date

July 21, 2023

Runtime
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114 minutes

Producers

David Heyman, Robbie Brenner, Margot Robbie, Tom Ackerley

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Google TV Officially Lands Massive Win With 10,000 New Free Streaming Titles

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Back in 2007, nobody knew just how much Netflix’s foray into video on demand would change the industry and the viewer’s content consumption. In the last decade, streaming platforms incubated, peaked, and had the “streaming wars,” and now are consolidating from all sides. From a mail-in DVD rental service to the sprawling king of streaming today, Netflix has ushered in a new era of how we watch television and movies, especially with its original content like House of Cards, Orange Is the New Black, and Stranger Things, which established that streaming can produce award-winning prestige TV.

As binge-watching increased, so did the number of platforms, with Amazon Prime, Disney+, HBO MAX, and Peacock all joining the new ecosystem and spoiling fans for choices. The pandemic era greatly helped giants like Disney and NBC lure in a large number of subscribers with their vast content libraries. However, over the past two or three years, the ecosystem has changed with shifting customer preferences and slowing subscriber growth; more and more platforms are now adding ad tiers or cross-company bundles to keep customers on their platforms. Free Ad-Supported Streaming TV has also emerged with platforms like Pluto TV and Roku TV. Now there’s another accessible platform that has added a plethora of free content for viewers.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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Google TV Adds 10,000 New Titles to Free Streaming

Audiences can now watch thousands of movies and shows for free on Google TV Freeplay, per CBR. Fans will be able to access 10,000 titles, including content from studios like A24 and Lionsgate. The list also includes Oscar-winning films like Lady Bird and cult classics like Seventeen Again, Point Break, Begin Again, Labyrinth, and more. Google promised to update the library “all year long.” Google TV will not only feature films and shows but also sports, documentaries, and several live TV channels like BBC Earth, BBC Food, Classic Doctor Who, Top Gear, Murder She Wrote, and more without a subscription. Further, with the new update, the streamer also introduced ad-supported video-on-demand with instant access to free entertainment; however, Google TV doesn’t require a subscription.

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Google is not the only platform trying to lure customers in with free content; it was recently reported that Disney is considering a free ad-supported tier to lure in new subscribers. With a constantly changing streaming landscape and consumer preferences changing even faster than that, many industry shifts are coming, with multiple platforms consolidating to keep the business going, like Hulu merging with Disney+, Warner Bros. and Paramount trying to merge, among others.

Check out Google TV’s new library and stay tuned to Collider for more such updates.


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Release Date

2024 – 2025-00-00

Network
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BBC One

Directors

Alex Pillai, Peter Hoar, Ben Chessell, Julie Anne Robinson, Jamie Donoughue, Amanda Brotchie, Dylan Holmes Williams

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Writers

Steven Moffat, Pete McTighe, Kate Herron, Inua Ellams, Juno Dawson

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Franchise(s)

Doctor Who / Whoniverse

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Rumer Willis Unveils ‘New Chapter’ After Child Custody Victory

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24th Annual Beverly Hills Film Festival Opening Night

Rumer Willis is ready to face this new chapter of her life head-on! 

The actress recently shared a life update, expressing gratitude for a recent legal victory and revealing the major changes she has made.

This update comes two months after Willis secured primary physical custody of her daughter, Louetta, after a lengthy legal battle with her ex-partner, Derek Richard Thomas.

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24th Annual Beverly Hills Film Festival Opening Night
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In a post shared to Instagram on Wednesday, Willis revealed that she has relocated halfway across the country to Nashville.

Documenting the big move for her followers, the 37-year-old captioned her post with a simple yet decisive statement: “New chapter, officially delivered.”

In her post, Willis shared footage of the moving company helping her pack her belongings for her cross-country move. She thanked them for safeguarding her items during the move, while acknowledging that it was a big step.

Willie also admitted that it was an emotional time for her, writing, “I got to say goodbye to my old home without worrying about what was in the truck and if it was going to make the trip in one piece. That’s worth everything during a week this emotional.”

The Actress Won Primary Physical Custody Following Brutal Battle With Ex

Willis’ move comes just two months after a legal court decision awarded her primary physical custody of her daughter, Louetta, whom she shares with her ex-partner, Thomas.

According to court documents obtained from the ruling, the judge awarded Willis primary physical custody of 3-year-old Louetta, while the former couple was granted joint legal custody. 

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The Blast further confirmed that as part of the decision, both parents were instructed to undergo a comprehensive custody evaluation to help guide long-term arrangements.

The court established a clear visitation schedule for Thomas, and to ensure a smooth transition, the initial visits required one of Willis’s nannies to be on standby to monitor the interactions.

Additionally, the judge ordered Willis and Thomas to participate in co-parenting counseling and streamline all communication exclusively through a designated co-parenting app.

Rumer Willis’ Ex-Partner Accused The Actress Of Exploiting Their Daughter

Rumer Willis Is All Smiles As She Holds Her Baby Bump While Out With Her Boyfriend Derek Richard Thomas In Los Angeles, CA.
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The legal resolution and subsequent move to Nashville followed months of severe turbulence between the former couple, during which Thomas vehemently contested allegations Willis brought against him.

The Blast previously reported that Thomas forcefully pushed back against accusations of abusive or erratic behavior, maintaining that he had never acted “aggressively or inappropriately” toward Willis. 

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He also alleged that Willis had exploited Louetta by featuring her in sponsored social media content involving “adult sexual humor” without his parental knowledge or consent. 

He maintained that he remained a dedicated father who attempted daily FaceTime calls and made repeated efforts to arrange in-person visits, but argued that Willis systematically disrupted his access by imposing shifting, unworkable conditions.

Rumer Willis Previously Opened Up About The Tragic End Of Her Relationship 

Rumer Willis out and about in Los Angeles
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Long before the court proceedings and her move across the country, Willis experienced a deeply personal turning point that led her to walk away from her relationship with Thomas altogether.

Appearing on an episode of “The Inside Edit” podcast alongside her close friend and celebrity stylist Maeve Reilly, Willis revealed that the clarity she needed arrived during Reilly’s June 2024 wedding to Zach Quittman. 

She noted that listening to the couple exchange their vows sparked a sudden realization that her own partnership lacked that same foundation.

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“Your wedding literally was a huge reckoning moment for me in my life,” Willis shared candidly with Reilly, per The Blast.

“I heard your vows, and I just realized that the situation I was in was never going to look like that, no matter how much effort I put in,” she added. 

Rumer Willis Found It Difficult To Walk Away 

Rumer Willis at the 'Once Upon A Time In Hollywood' Los Angeles Premierei
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Rebuilding her life after ending what she described as a “really challenging relationship,” Willis noted that it took time to regain her footing and “feel back in my power.” 

Speaking candidly about the split, the mother of one described walking away from Thomas as a “brutal and challenging” experience, yet emphasized that motherhood remains her greatest source of joy and privilege.

However, rather than letting the difficult breakup deter her, Willis views her journey as a transformative lesson that refined her priorities.

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Additionally, while navigating the emotional aftermath was difficult, she draws strength and purpose daily from raising her daughter, Louetta.

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