Coined all the way back in 1968, the term “Great American Novel” has been a subject of interminable debate for well over a century, but what about the Great American Novel of the 21st century? That’s a question that’s not often talked about nearly enough, a question that can bring up several unforgettable books—even ones that aren’t actually novels—that will likely go down in history as some of the greatest from these first three decades of the 21st century.

Whether it’s a sharply modern behemoth of a novel of the caliber of Honorée Fanonne Jeffers‘ The Love Songs of W.E.B. Du Bois, or a non-fiction masterpiece like Isabel Wilkerson‘s The Warmth of Other Suns, the best American books published since 2001 are all proof of the remarkably quality of the country’s literary output in modern times.

10

‘All the Light We Cannot See’ (2014)

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Inspired by a train ride where he overheard a passenger being frustrated over having no cell phone signal, which he felt was neglecting the miracle of long-distance communication, Anthony Doerr came up with the idea for the World War II drama All the Light We Cannot See. For it, he won the Pulitzer Prize for Fiction and the Andrew Carnegie Medal for Excellence in Fiction.

Those were fully deserved awards, too, because All the Light We Cannot See is one of those book masterpieces that are perfectly written. Doerr’s prose is beautifully poetic and powerfully visual, greatly elevating the book’s thematic exploration of things like empathy, fate, and the beauty of the world. Rarely has an American novel seen a use of alternating perspectives this effective or emotionally striking.

9

‘The Love Songs of W.E.B. Du Bois’ (2021)

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The debut novel of the poet Honorée Fanonne Jeffers, The Love Songs of W.E.B. Du Bois is a sprawling 800-page behemoth of a novel spanning from the time right before the Civil War until the present. It’s an incredibly ambitious, absolutely engrossing family saga that takes full advantage of each and every last page of that daunting length. But as challenging as it may look, the book is so impeccably written that it becomes surprisingly easy to breeze through it as if it were 400 pages shorter.

The way Jeffers explores the trauma of Black and Indigenous families in the American South while also celebrating their heritage and resilience is truly remarkable, the whole book feeling like a work of art centuries in the making because of it. And like all the best historical epics, The Love Songs of W.E.B. Du Bois does a phenomenal job of balancing the scope of its premise with surprisingly intimate and intricate character development.

8

‘The Fifth Season’ (2015)

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American speculative fiction has been top-notch throughout the entirety of the 21st century, too, as perfectly demonstrated by N. K. Jemisin‘s science fantasy masterpiece The Fifth Season. Winner of the Hugo Award for Best Novel in 2016, it served as the first volume in Jemisin’s acclaimed Broken Earth series. But fantastic though its sequels may be, there’s simply no beating the original in this particular case.

The Fifth Season is one of those fantasy books better than most movies, a scathing critique of systemic oppression, impressive in its thematic depth, its groundbreaking structure, and its unique worldbuilding. Jemisin’s writing here is bold, incredibly immersive, and even shockingly experimental at times, which includes some parts written in second person. That’s only the tip of the iceberg when it comes to the creativity contained within The Fifth Season.

7

‘There There’ (2018)

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The debut novel of Cheyenne and Arapaho author Tommy Orange, There There is perhaps the highest-quality example of a category of American books that has seen a tremendous boom and resurgence throughout the 21st century: Native American literature. In fact, the novel as a whole is a powerful exploration and celebration of Native American history and identity, the sort that anyone intrigued by that facet of the United States’ identity as a country ought to check out at least once.

Whereas many Indigenous books from around the world end up being period pieces about Indigenous trauma and suffering, Orange crafts a stunning, absolutely gripping account of what it’s like to be Native American in the modern-day US. Wonderfully character-driven, masterfully structured and paced, and treating complicated topics like violence and addiction with the utmost sensitivity, it’s a true must-read chapter of 2010s American literature.

6

‘James’ (2024)

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Another example of why American literature has been absolutely exceptional throughout the 2020s so far, Percival Everett‘s James is a potent reinterpretation and reimagining of Mark Twain‘s Adventures of Huckleberry Finn. For it, Everett won multiple awards, including the Kirkus Prize, the National Book Award for Fiction, and the Pulitzer Prize for Fiction. It would be difficult for anyone to read James and think that the hype was entirely unwarranted.

One would think that radically revising one of the books that’s most often brought up in the Great American Novel debate would likely result in a novel that feels pretentious, overly ambitious, or even just downright disastrous. Not James. Everett’s dissection of how imposed social roles and internal self-identity relate to systemic racism is as fascinating as it is sensitively explored, and it’s a story that couldn’t have been told without Huckleberry Finn as its scaffolding. James shows why and how any nation’s literary canon, the United States’ included, can never be fully finished, but simply reinterpreted and forced to evolve.

5

‘The Sympathizer’ (2015)

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The inspiration for one of the most underappreciated HBO miniseries of the 2020s so far, Vietnamese-American professor Viet Thanh Nguyen‘s debut novel, The Sympathizer, is considered by some to be one of the best books of the last 100 years. Winner of the 2016 Pulitzer Prize for Fiction, it’s a genre-bending masterpiece that functions equally well as a mystery spy thriller, a dark comedy, and a war drama.

Like all the best American novels, The Sympathizer deals with a multitude of themes and interweaves them in a way so complex that it’s surprisingly rereadable. At its core, though, it’s a deeply tragic story about how dual identity can be a curse, and about how the media flattens and trivializes the haunting realities of war. It’s definitely not a feel-good novel, but it’s one so impeccably crafted that everyone should read it at least once in their lives.

4

‘The Nickel Boys’ (2019)

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Yet another instance of an award-winning novel that’s just about as far as you can get from a feel-good book, The Nickel Boys is based on the infamously abusive Florida reform school Dozier School. For it, Colson Whitehead won the 2020 Pulitzer Prize for Fiction. Whitehead has written other exceptional books that deserve to be counted among the best in America’s 21st-century bibliography, most notably The Underground Railroad, for which he also won the Fiction Pulitzer. However, it’s the book that made him the fourth author in history ever to win the Pulitzer for Fiction twice that’s arguably his very best.

Before it inspired one of the best movie masterpieces of the last 10 years, The Nickel Boys presents its hauntingly horrific story—made all the more horrific by the fact that it was inspired by true events—with a refreshing amount of restraint. Instead of exploiting the subject matter for sensationalized melodrama, Whitehead creates an emotionally stirring critique of institutional violence and racism so deeply tied to America’s cultural identity that not counting it among the country’s best 21st-century books would be a crime.

3

‘The Corrections’ (2001)

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Though Jonathan Franzen‘s The Corrections was published exactly 10 days before the September 11th attacks in New York City, the way the book explores the culture, domestic anxieties, and economic unease of late-capitalist America proved terrifyingly prophetic. A whopping 25 years after its publication, The Corrections still reads as a surprisingly modern book, having aged like fine wine. For it, Franzen won the 2001 National Book Award.

It’s a novel that captures the thematic, emotional, and psychological complexities of the contemporary United States to absolute perfection. Pulling American literature out of the postmodernism that had come to dominate it throughout the late 20th century, The Corrections almost single-handedly breathed new life into the Great American Novel conversation. It proved that books could still intimately tap into the American psyche without the detachment of postmodernism and the Internet age.

2

‘The Road’ (2006)

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Cormac McCarthy is widely regarded as one of the greatest, most important and influential authors of the late 20th and early 21st centuries, the mind behind masterpieces as groundbreaking as the incredible The Road. It’s one of the best post-apocalyptic books of all time, winner of a Pulitzer Prize for Fiction and a phenomenal introduction to McCarthy’s whole oeuvre.

What makes The Road one of the most universally fascinating Great American Novels of the 21st century is that even though it is set in a post-apocalyptic United States, and even though its thematic core can be interpreted as a portrayal of the death of the American Dream, it’s built on an almost mythological premise that anyone should be engrossed by. Written with a powerfully stripped-down prose and the thought-provoking central question of what morality means when civilization has withered away, it’s a 21st-century American classic for a reason.

1

‘The Warmth of Other Suns: The Epic Story of America’s Great Migration’ (2010)

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As incredible as the United States’ literary output in the fictional department has been throughout the last 26 years, American non-fiction in particular has seen a resurgence ever since the turn of the century. This shift has resulted in many a non-fiction book that’s still a must-read in 2026, most notably Isabel Wilkerson’s The Warmth of Other Suns. It’s a study of the Great Migration that turns the topic into a surprisingly accessible epic.

Wilkerson spent a whopping 15 years conducting research to write The Warmth of Other Suns, and all that effort absolutely paid off. Far from ever feeling tedious or didactic, the book humanizes the subjects of its story to a level never before seen in any book about the Great Migration. It’s such a complex, beautifully crafted, wonderfully novelistic work of non-fiction that it should be considered essential reading for anyone who loves 21st-century literature, no matter where they’re from.

Most filmmakers today rely on delivering a big, last-minute twist that takes the story to a whole new level. And there’s no denying that the approach has worked for several blockbusters. However, this formula of saving everything for the last five minutes and hoping that the audience will forget the slow burn that came before it is getting a little old. Everyone loves a jaw-dropping final reveal, but the best films know that the key to success is to keep twisting.

Great thrillers operate on the principle that tension must be sustained, so the audience has no reason to look away. Classic bait-and-switch that doesn’t serve as a gimmick, but as a storytelling tool that works to deepen the narrative. Here is a list of seven thrillers that do exactly that and are packed with plot twists that keep the viewers wanting more.

7

‘The Invisible Guest’ (2016)

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The Invisible Guest is a film that wastes no time placing the audience right in the middle of absolute chaos. The story follows businessman Adrián Doria (Mario Casas) after he is accused of murdering his lover in what looks like an impossible crime, with only a few hours to build his defense. As Doria recounts the events leading up to the crime, the narrative quickly turns into a series of conflicting versions of the truth where nothing is really as it seems. The film thrives on its unique structure, where every piece of information casts doubt on whatever came before it.

Every time the audience feels like they’ve pieced things together, the story shifts, and they are pulled right back into uncertainty. The twists don’t come as sudden shocks, but quiet realizations of how carefully the protagonist has been constructing his reality. The Invisible Guest is essentially just one long conversation, but it never feels static because of how everything can change in the blink of an eye. By the time everything finally falls into place, the audience is already itching to rewatch the whole thing and analyze everything with a completely different perspective.

6

‘Fight Club’ (1999)

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Fight Club is a masterpiece that completely rewired Hollywood despite not performing well at the box office. The film, directed by David Fincher, follows Edward Norton as an unnamed narrator who is an insomniac office worker trapped in a life that feels increasingly hollow. However, that changes when he crosses paths with charismatic soap salesman Tyler Durden (Brad Pitt), who lives by a radically different philosophy. Their strange friendship quickly takes a turn as the two start an underground fight club where men seek meaning through pain and rebel against a system where they are reduced to cogs in a machine.

Soon enough, though, the club starts growing into something far more dangerous, and the introduction of Project Mayhem transforms this personal rebellion into full-blown organized violence. What’s even more unsettling is how the narrator’s perspective becomes increasingly unreliable, and the film starts blurring the line between reality and fantasy. Fight Club is a masterclass in storytelling, especially with how meticulously it builds toward the final reveal. The film doesn’t rely on last-minute shocks because it carefully weaves its plot twists into the story from the very beginning. Beneath all this, though, Fight Club is a sharp critique of masculinity, which is why it still feels relevant over two decades later.

5

‘The Sixth Sense’ (1999)

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Some films use plot twists for shock value, but The Sixth Sense uses them with purpose and intention like no other. The film is one of M. Night Shyamalan’s most influential works and explores a kind of horror that feels disturbingly real to the audience. The story follows child psychologist Malcolm Crowe (Bruce Willis), who takes on a troubled young patient, Cole Sear (Haley Joel Osment), a boy who claims he can see dead people. Malcolm approaches the situation as a case study in trauma, but slowly, Cole’s fears start to feel disturbingly real.

The dynamic between the two characters is the heart of the story and grounds the film in something deeply human while leaning into the supernatural. Cole’s encounters with spirits become increasingly unsettling, but Malcom encourages him to listen to them instead of resisting, and that completely reshapes the young boy’s understanding of his own ability. The plot twists in The Sixth Sense hold real, emotional meaning. Every little twist is building toward Cole’s eventual transformation, and this deliberate framing elevates the film from a straightforward psychological thriller to something that feels far more intimate.

4

‘The Game’ (1997)

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The Game, directed by Fincher, is best described as a ruthless mind trick that takes its audience for a ride that just gets wilder. The film follows a wealthy investment banker, Nicholas Van Orton (Michael Douglas), who receives an unusual birthday gift from his estranged brother. He is invited to participate in a game that promises to change his life. At first, the whole thing feels like an elaborate prank, but soon enough, Nicholas begins to experience strange interruptions and coincidences that throw him into a constant state of paranoia. The protagonist and the audience are never quite sure of what is real and what is just part of the game, and this is where the film’s sense of tension comes from.

The Game escalates in a way that feels both methodical and overwhelming. Slowly, Nicholas is stripped of everything and everyone he once relied on because the game works on dismantling the very identity he built his life around. The twists here aren’t just narrative surprises. Instead, they serve as steps in breaking the protagonist down and forcing him into desperate situations. The Game is an immersive experience that invites the audience to actively experience how scary it feels to lose control. That’s exactly why it continues to outshine most modern thrillers even now.

3

‘The Handmaiden’ (2016)

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The Handmaiden is not for the weak, but every second of the film is a masterclass in control and deception. The story is set in Japanese-occupied Korea and follows young pickpocket, Sook-hee (Kim Tae-ri), as she is hired to serve as a handmaiden to the secluded heiress, Lady Hideo (Kim Min-hee), as part of an elaborate scheme to steal her fortune. At first, the narrative unfolds like a typical thriller as Sook-hee carries out her duties. However, the deeper she is pulled into Hideo’s world, the more unstable the plan becomes. The story unfolds in three parts, and the film keeps revisiting key events from different perspectives to reveal new motives, hidden dynamics, and secrets that completely reframe everything the audience thought they knew.

This structure drives the story forward and forces the viewer to keep reassessing every little detail. The film’s plot twists are closely tied to its themes of performance and identity. The characters are constantly deceiving each other, but in doing so, they are actively constructing roles depending on whatever the situation demands. The Handmaiden’s visual aesthetic mirrors this narrative through mirrors and obstructed views. This is a film that keeps rewriting its own reality and demands the viewer’s full attention to drive the point home. By the end, the twists and turns start feeling inevitable rather than shocking, but that’s the entire point.

2

‘Gone Girl’ (2014)

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Another Fincher masterpiece on the list is Gone Girl. The film begins with a familiar missing-person mystery, but quickly takes a much more disturbing turn. The story follows Nick Dunne (Ben Affleck), who becomes the prime suspect when his wife Amy (Rosamund Pike) suddenly disappears on their anniversary. The whole thing turns into a media spectacle where the public has already decided that Nick is guilty. The narrative follows the events leading up to the disappearance through alternating timelines and Amy’s diary entries. Everything the audience sees paints the picture of a marriage that has slowly fallen apart.

It all makes perfect sense until Fincher shifts the perspective, and Amy’s perfectly constructed story begins to fall apart. Most thrillers save the big twist for the climax, but Gone Girl reveals Amy’s elaborate scheme halfway through. That shifts the story from a simple whodunit mystery to an intense psychological battle between two people. Gone Girl is the definition of a postmodern thriller, where the plot isn’t essentially leading to a resolution. The film keeps layering twists throughout its runtime and constantly keeps the audience on their toes. Nothing is ever as it seems in Gone Girl, and that uncertainty is the film’s driving force.

1

‘The Prestige’ (2006)

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The Prestige is Christopher Nolan at his absolute best. The film mirrors the structure of a magic trick and rewards the audience for paying attention every step of the way. The story follows rival magicians Alfred Borden (Christian Bale) and Robert Angier (Hugh Jackman), whose professional competition slowly spirals into a dangerous obsession where they will go to any lengths to outdo each other. The plot unfolds through a fragmented, non-linear structure. This constant shifting between times, perspectives, and even unreliable narrators makes it almost impossible to grasp what is real and what isn’t.

The film actively works to misdirect the audience and presents things as true, only to later pull the rug from under them. The twists in the film aren’t confined to just a single moment, but are a continuous part of the story. Each revelation adds more context to the narrative and pushes the characters into unsettling territory. The Prestige doesn’t just tell a story about illusion — it embodies the illusion — and that creates a viewing experience like no other.

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The Prestige

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Release Date

October 20, 2006

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130 minutes

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Sponsored content. Us Weekly receives compensation for this article as well as for purchases made when you click on a link and buy something below.

There’s an unwritten rule in the weight loss medication world: you can have a low price, or you can have a company you trust. Pick one.

It’s a rule the industry loves, because it lets everyone off the hook. The expensive programs justify their prices with words like “premium” and “concierge.” The cheap ones cut corners on support and hope you don’t notice until you’ve paid. And patients are left doing the miserable calculus of how much peace of mind they can afford per month.

Which is why what’s happening at RxPros.com has people doing a double take.

The lowest prices in the industry. On paper, that should be a red flag.

Let’s start with the numbers, because they’re the first thing that seems too good to be true:

• Compounded Semaglutide: $89.97 per month
• Compounded Tirzepatide: $119.97 per month

If you’ve been shopping around, you know how far below the market that is. Most telehealth GLP-1 programs advertise semaglutide in the $150 to $300 range and tirzepatide anywhere from $180 to $500, and that’s before the fine print. Many charge separate membership fees.  Many bill your provider visits on top. And nearly all of them use the industry’s favorite quiet trick: raising your monthly price every time your dose titrates up, so the number you signed up for lasts exactly one or two months.

RxPros does none of it. The monthly price is all-inclusive, covering the prescription, the medication, doctor’s visits, and ongoing care support in one flat number. There are no membership fees, ever. And the price is locked at every dose level, so as your treatment progresses, your bill doesn’t.

Normally, this is where a skeptical reader should ask: okay, so what’s the catch? What did they gut to get there?

Fair question. Here’s the answer, from 19,000+ people who would know.

The receipts: an “Excellent” 4.7 stars, 19,000+ Trustpilot reviews, all invited

RxPros holds Trustpilot’s official “Excellent” rating: 4.7 stars across 19,000+ reviews. That “Excellent” label is Trustpilot’s top designation, earned, not self-awarded. It is one of the largest verified review bases of any telehealth weight loss company in America, at a score most of its competitors can’t touch, even at a fraction of the volume. You can read every one of them here.

And there’s a detail on that Trustpilot profile that separates it from the review scores you see plastered on ads. Trustpilot publicly labels RxPros as a company that invites all of its customers to leave a review, positive or negative.

That distinction is everything. Plenty of companies quietly cherry-pick who gets asked for a review, which is how a mediocre operation ends up wearing a shiny score. An all-invited policy means the 4.7 isn’t a curated highlight reel. It’s the honest average of the entire customer base, at a scale far too large to stage-manage. Every experience counts, including the bad days. The score survived anyway.

Spend ten minutes in those Trustpilot reviews and the pattern is unmistakable. Customers describe approvals coming back within hours. They describe medication arriving overnight or in two days in cold-insulated packaging. And over and over, they name real human support staff who answered the phone, fixed problems, and followed up. Several Trustpilot reviewers describe switching from bigger-name competitors whose prices ballooned mid-treatment, and finding the same medication at RxPros for a fraction of the cost with better service.

That’s not what cutting corners looks like. That’s what a premium brand looks like. One that happens to refuse to charge premium-brand prices.

Legitimate, licensed, and prescription-only

The low price also hasn’t come at the expense of the clinical guardrails. RxPros is a LegitScript-certified telemedicine provider, an independent certification that vets pharmacies and telehealth companies for legal and regulatory compliance. Treatment is prescription-only: you complete an online health assessment, a licensed U.S. provider reviews your history and determines whether GLP-1 treatment is appropriate for you, and if prescribed, your medication is prepared and shipped by licensed U.S. pharmacies. Your care doesn’t end at checkout, either. Dose adjustments and provider check-ins are part of the plan, at no extra charge, for as long as you’re a patient.

So how is this possible?

The uncomfortable truth about GLP-1 pricing is that much of what patients pay elsewhere isn’t going to medicine or medical care. It’s going to bloated ad budgets, membership-fee schemes, and margin structures built around dose-based price escalation, which charge you more precisely when you’re most committed and least likely to quit.

Strip those out, run an efficient operation, and treat customer service as the product rather than a cost center, and the math works. The 19,000+ Trustpilot reviews are what happens when it works for long enough, in public, with every customer invited to say so.

See for yourself

The best part of the RxPros story is that none of it requires trust in this article. The evidence is sitting in the open. Read the reviews on Trustpilot, compare the prices against anyone in the industry, and then take the free assessment at RxPros.com to see if you qualify.

The lowest price in the industry and the most trusted name in it were never supposed to be the same company. Nobody told RxPros.

Prescription required. Treatment is only available if a licensed provider determines it is appropriate for you. Compounded semaglutide and compounded tirzepatide are not FDA-approved products and are not reviewed by the FDA for safety or effectiveness. Individual weight loss results vary and depend on dose, adherence, diet, activity, and individual factors.

2026 has been a banner year for Prime Video so far, and the streamer is enjoying continued success with its latest release, Reacher. Starring Alan Ritchson, Prime Video has unleashed four seasons of Reacher in only five years, and with the fifth season already shooting, it’s a safe bet that it will be released before the end of 2027. Prime Video also brought back its hit Reacher replacement, Cross, for its second season earlier this year. The show stars Aldis Hodge, who starred as Hawkman opposite Dwayne Johnson in Black Adam, and Prime Video has already ordered a third season of the James Patterson-inspired crime show. Hellboy veteran Ron Perlman has even joined the cast of Cross Season 3, which is also expected to be released before the end of 2027.

One of Prime Video’s biggest success stories in the last few years is Fallout, the sci-fi series inspired by the popular video game series from developer Bethesda. Fallout set out to tell a new story set within the existing timeline and canon instead of adapting the events of one of the games, which has proven to be a smart choice, as it allowed for the introduction of beloved new characters like The Ghoul (played by Walton Goggins) and Lucy (played by Ella Purnell). Prime Video unleashed the long-awaited second season of Fallout at the end of 2025, and Season 2 bled into the early months of 2026, but the show isn’t slowing down anytime soon. Before Fallout returns for Season 3 in 2027, the show has surged back into the global top 10 in more than 15 countries around the world. Fallout is perfect for fans of Silo and The Last of Us, as it takes elements from both shows, like vaults and post-apocalyptic wastelands, and effectively merges them for one series.

Prime Video Secured Some Big Stars for ‘Fallout’ Season 3

The biggest names to join the cast between Fallout Season 1 and 2 were Kumail Nanjiani and Macaulay Culkin, and Prime Video is continuing the trend of getting big stars in Season 3. News broke earlier this year that Aaron Paul, famed for his role as Jesse Pinkman in Breaking Bad, is joining the cast of Fallout Season 3 in an undisclosed role. Manny Jacinto, who recently stole the show in the canceled Star Wars Disney Plus series, The Acolyte, has also joined the cast of Fallout Season 3. Production on Fallout Season 3 is deep in the weeds, which should allow the show to return next year with no problems.

Check out the first two seasons of Fallout on Prime Video and stay tuned to Collider for more updates and coverage of Season 3.

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Release Date

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April 10, 2024

Network

Amazon Prime Video

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Showrunner

Lisa Joy, Jonathan Nolan

Directors

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Frederick E. O. Toye, Wayne Che Yip, Stephen Williams, Liz Friedlander, Jonathan Nolan, Daniel Gray Longino, Clare Kilner

Writers

Lisa Joy, Jonathan Nolan

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Neill Blomkamp had an almost impossible job following District 9. His feature debut came out of nowhere, earned more than $200 million worldwide, landed a Best Picture nomination and immediately established the filmmaker as one of Hollywood’s most exciting new science-fiction voices. Naturally, his follow-up went even bigger. Much bigger. He equipped himself with an A-list cast, a huge budget and fused District 9 with Blade Runner to make this epic science fiction feature that’s exploding on Netflix once again, as audiences rediscover it 13 years later.

Elysium is streaming on Netflix, giving audiences another opportunity to revisit Blomkamp’s 2013 sci-fi epic. In the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Delacourt (Jodie Foster) will stop at nothing to preserve the luxurious lifestyle of the citizens of Elysium – but that doesn’t stop the people of Earth from trying to get in by any means they can. Max (Matt Damon) agrees to take on a life-threatening mission, one that could bring equality to these polarized worlds.

Blomkamp wrote, directed and produced Elysium, using the significantly larger budget to expand many of the themes he’d explored in District 9. Immigration, inequality, access to healthcare, worker exploitation and transhumanism all sit underneath the gunfire, exoskeletons and exploding mercenaries.

Who Stars in ‘Elysium’?

Elysium also stars Sharlto Copley (District 9) as Kruger, Alice Braga (I Am Legend) as Frey, Diego Luna (Andor) as Julio, Wagner Moura (Narcos) as Spider, William Fichtner (The Dark Knight) as John Carlyle, Faran Tahir (Iron Man) as President Patel, Brandon Auret (Chappie) as Drake, and Emma Tremblay (Supergirl) as Matilda.

Elysium wasn’t a blockbuster hit, especially not relative to its budget, but it was a modest success, all things considered. It opened at No. 1 domestically with $29.8 million and ultimately earned $93.1 million in North America and approximately $193.1 million internationally, giving it a worldwide total of roughly $286.2 million. Critics also felt it failed to hit the heights of District 9, while it currently has a 64% Rotten Tomatoes score from 262 reviews, and a 58% audience score.

Elysium is streaming on Netflix.

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Release Date

August 9, 2013

Runtime

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109 minutes

Producers

Bill Block

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Amazon is investing plenty in its next action superstar after acquiring the James Bond franchise for $1 billion. The casting for the new 007 is justifiably taking some time, with the new face of a massive era in both Bond and Prime Video’s history a choice that requires plenty of time and detail. Recently, producer Amy Pascal confirmed that the team’s “methodical” approach to casting should come to an end before the end of the year, sending the rumor mill into overdrive as the likes of Henry Cavill, Jack Lowden, and Callum Turner‘s names turn from whispers into shouts.

Whoever the new 007 is, there’s no doubt that they will become the face of Prime Video, and likely the most famous action star on the planet. But before that time comes for Cavill, Lowden, Turner, or whoever else might be cast, there’s already a man flying that action flag for Prime Video, and he recently returned to the viewing pleasure of millions. Following a brutal third season, Alan Ritchson‘s Reacher made an explosive return last week in Season 4, Episode 1, “City of Brotherly Love,” directed by Sam Hill and written by Nick Santora.

With the promise of 30 fight sequences spread across its eight episodes, fans can expect the most action-packed installment of Reacher yet over the coming weeks, with Christopher Marquette (The Girl Next Door), Agnez Mo (Pernikahan Dini), Anggun (Cannes Confidential), Kevin Corrigan (Grounded for Life), Sydelle Noel (Black Panther), Marc Blucas (Buffy the Vampire Slayer), and more added to the cast. Already, the series has shot back to its rightful place atop the streaming charts, ranking as the most-watched series on Prime Video in both the U.S. and worldwide.

What Have Critics Said About ‘Reacher’ Season 4?

The latest season of Reacher has kept up the action show’s streak of ranking above 90% on review aggregator Rotten Tomatoes in every season, with the fourth installment currently scoring 94%. An adaptation of Gone Tomorrow, the 13th novel in Lee Child‘s long-running series, what exactly have critics said about the latest batch of ass-kicking episodes? For Collider, David Caballero wrote, “Reacher Season 4 stays true to itself by delivering a fistful of rageful, determined justice that will have you cheering through gritted teeth,” adding that this is “the show’s bleakest, most furious, and most demanding season so far.”

Stay tuned to Collider for all the latest streaming stories.

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Release Date

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February 3, 2022

Network

Prime Video

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Showrunner

Nick Santora

Directors

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Omar Madha, Carol Banker, Julian Holmes, Lin Oeding, M.J. Bassett, Norberto Barba, Stephen Surjik, Thomas Vincent

Writers

Cait Duffy

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