Two RNLI lifeboats carrying 140 Channel migrants were denied entry to two larger ports before docking near Portsmouth, where they were met by hundreds of masked protesters. 

Police officers were injured and vehicles damaged during a stand-off with more than 500 balaclava-clad men after the asylum seekers were brought ashore at Eastney Landing on Sunday.

The leader of Portsmouth City Council has heavily criticised the decision, claiming it had ‘put lives at risk’ and caused ‘needless disruption’.

It has now emerged that two RNLI crews were barred from docking at Southampton Port and Portsmouth Harbour, with governing bodies threatening legal action if they did so. 

A broadcast on an open marine VHF radio revealed that Southampton Vessel Traffic Service and King’s Harbour Master Portsmouth denied the RNLI permission to enter either port or their approaches and failure to comply could result in criminal prosecution.

The crews of the Bembridge and Yarmouth lifeboats therefore decided to sail several miles further along the coast and dock instead at Eastney, where the confrontation later unfolded.

Large crowds blocked traffic along the road leading away from the port in an attempt to stop the migrants reaching a processing centre in Kent. Police were seen carrying riot shields as they confronted the black-clad mob.

Hampshire Police Federation claimed two officers were pushed off motorbikes, while others had bricks thrown at them. 

The chaos came a day after masked anti-migrant protesters blocked traffic at the Port of Dover.

The landing sparked protests which saw demonstrators clash with riot police until they were dispersed in the early hours of Monday 

Hard-Right organisation Patriot Platform – run by convicted attempted kidnapper Daniel Thomas – claimed responsibility for the demonstrations in Portsmouth and Dover. 

Reform UK leader Nigel Farage has called for a ban on face coverings worn by extremists on both the Left and Right, describing them as a ‘menace’ designed to bully and intimidate. He insisted the ban should include all full-face coverings, including burkas.

Associated British Ports (ABP) confirmed that the RNLI lifeboats carrying the migrants were told not to come to Southampton on Sunday night.

‘ABP did receive an enquiry about landing recovered migrants at the Port of Southampton,’ a spokesman said. ‘We had to decline the enquiry as the port did not have suitable reception facilities available.

‘If there had been a safety-of-life-at-sea issue where Southampton was the closest port, or if we had received a formal direction from the authorities, then we would have played a role. Neither was the case in this situation.’

The King’s Harbour Master Portsmouth has been approached for comment.

The migrant ‘mega-dinghy’ had travelled about 70 miles from the Normandy coast, becoming the first migrant boat known to have completed such a lengthy crossing. Its route was far removed from the usual transit point between Calais and Dover.

The decision to land the migrants in Portsmouth has sparked a major row, with Portsmouth City Council leader Steve Pitt accusing the Home Office of ‘poor judgment’.

He said: ‘The Government needs to take more action to prevent small boat crossings. Clearly people are not happy with the situation and we respect everyone’s right to protest, but it should be done peacefully and within the law.

‘We are pleased the coaches were eventually able to leave Portsmouth early this morning to take people outside Hampshire for processing in the normal way.

‘The council wasn’t asked about the decision to land the lifeboats in Portsmouth. This was entirely a decision taken by UK Border Force, the Maritime and Coastguard Agency and the Home Office.

‘It was a completely unsuitable location to bring the boats ashore. This entire situation was avoidable and has brought needless disruption to our city. I would like to thank the emergency services for their professionalism under very challenging circumstances.

‘However, the Home Office has some serious questions to answer about its lack of planning, inconsistent decision-making and, ultimately, poor judgment. It put people at risk. This cannot happen again.’

An infrared image taken by a French lifeboat crew that shadowed but did not stop a dinghy carrying 120 migrants that was later taken to Portsmouth

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There are now fears more dinghies will make the long-distance sea voyage from Normandy as smugglers evolve their tactics.

A senior French interior ministry source told the Daily Mail: ‘The geographical focus of the people smugglers is definitely changing.

‘They are finding it much harder to get boats launched in the Pas-de-Calais and so are moving west to Normandy.

‘We expect far more of the mega-dinghies to appear here in the coming weeks and months. The success on Sunday proved the voyage can be done.’

The Home Office confirmed 625 migrants reached Britain on Sunday, the highest daily total since July 29.

A further, as-yet-unconfirmed number, thought to be about 130, arrived in the early hours of Monday.

Occupants of the Portsmouth dinghy, including 20 women and eight ‘very young children’, refused rescue after their outboard motor broke down, according to French officials.

Lifejackets dumped by migrants by the road at Eastney Beach, where the migrants arrived, are collected by locals

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The 46ft mega-dinghy left an isolated beach near Jobourg, Normandy, in the ‘very early hours’ of Sunday morning, a senior search-and-rescue official said.

‘Jobourg is not patrolled by police because nobody would expect a boat to leave from such an isolated, rocky spot,’ the source said.

‘Within an hour or so, the boat was in serious difficulty and passengers on board made Mayday calls on their mobile phones.’

Its outboard motor failed, leaving the dinghy drifting dangerously 14 miles off the French coast.

‘We asked them who wanted to be rescued, and the answer was no one,’ said the source.

‘Only a few migrants were wearing life jackets, so we handed out jackets to all of them. It seemed incomprehensible that they were risking their lives without life jackets.

‘A second outboard motor was made to work, allowing the boat to continue its voyage to Britain.’

Five French rescue boats and two helicopters were involved in an operation that monitored and supported the dinghy’s 14-hour crossing.

A spokesman for the Maritime Prefecture for the English Channel and the North Sea said migrants were not transferred to rescue vessels due to concerns over the ‘structural fragility’ of their dinghy.

The crossing was later monitored by British authorities, including a Coastguard aircraft and RNLI lifeboats, before the vessel was escorted into Eastney Marina, three miles from Portsmouth’s main harbour.

A Home Office spokesman said: ‘We condemn the intimidating and thuggish behaviour we saw in Portsmouth last night.

‘The right to peaceful protest is fundamental to our democracy, but it must never cross the line into disorder. We thank the emergency services who safely managed this situation.

‘This Government is doing the hard and necessary work of bearing down on small boat crossings, with the lowest number of arrivals between June and August since 2020.’

The RNLI helped more than 36,000 people across its lifeboat and lifeguard services last year, with crews launching more than 9,000 times to assist those in distress at sea.

RNLI lifeboat crews insist they have a duty to rescue anyone at sea, regardless of who they are.

The National Television Awards is typically a night for glamorous gowns and eye-catching dresses, but not every star hits the mark with their looks.

But Katie Price and Amanda Holden and Tasha Ghouri were among those whose outfits left a lot to be desired as they graced the red carpet at London’s O2 Arena on Tuesday night.

While displaying the results of her recent surgeries, Katie arrived in a revealing outfit, that included a low-cut white shirt and lace hot pants.

The former glamour model was joined by her daughter Princess as they arrived for the star-studded ceremony. 

Meanwhile, Amanda flashed her cleavage in a revealing fuchsia pink satin gown, with layers of bow cut-outs.

Tasha was awash in head-to-toe sequins, and her revealing dress flashed plenty of underboob as she arrived for the ceremony.

Amanda Holden flashed her cleavage in a revealing fuchsia pink satin gown, with layers of bow cut-outs

Tasha was a wash in head-to-toe sequins, and her revealing dress flashed plenty of underboob as she arrived for the ceremony

Amy Childs arrived in a dramatic green corset gown covered with faux floral embroidery, that was a stark contrast to her tanned figure.

Megan McKenna was also hard to miss in her PVC black blazer and a matching skirt, while Demi Jones left little to the imagination in a high-cut black skirt and a diamante-covered corset.

The National Television Awards (NTAs) see the best in British TV descend on London’s O2 Arena for a star-studded ceremony, with comedian Joel Dommett back as host for the sixth time. 

This year’s NTAs has proven to be historic even before the first winners were announced, as it features the first ever all-female shortlist for Drama Performance.

The contenders include Gavin & Stacey’s Ruth Jones, who has been nominated for her turn in gritty Netflix thriller Run Away.

Sheridan Smith could take the award for the second time thanks to her run as Ann Ming in ITV true crime drama I Fought The Law, having first won in 2015 playing another real-life role, Cilla Black.

Vicky McClure has got the nod for the third time – and her second nom as Trigger Point’s Lana Washington.

Ella Bruccoleri is shortlisted as Mary Bennet in The Other Bennet Sister and Judy Parfitt for Sister Monica Joan in Call The Midwife.

Two of TV’s biggest franchises are going head-to-head in the Reality Competition category.

I’m A Celebrity… takes on its South African spin-off, while The Celebrity Traitors is up against its civilian version, with BBC hit Race Across The World also in the running.

Amy Childs arrived in a dramatic green corset gown covered with faux floral embroidery, that was a stark contrast to her tanned figure

Georgia Harrison arrived for the awards in a dramatic revealing blue and orange gown with a racy bodice

Former Love Island star Demi Jones left little to the imagination in a high-cut black skirt and a diamante-covered corset

Megan McKenna was also hard to miss in her PVC black blazer and a matching skirt 

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Love Island star Jasmine Muller left little to the imagination in an incredibly revealing outfit as she arrived with her villa love interest Kavan Murphy

Lottie Tomlinson arrived on the red carpet in a bizarre nude and lace gown with a corset top

In the TV Presenter category, Ant and Dec will be on a mission to seize back their crown and claim their 24th win, having been nominated against Sir David Attenborough, Alison Hammond, Claudia Winkleman and Stacey Solomon.

In new category Reality Docuseries, recognising the popularity of star-led access series, the trophy could grace the mantelpiece at Pickle Cottage or Diddly Squat as Stacey Solomon and husband Joe Swash go up against Jeremy Clarkson.

Fly-on-the-wall BBC series Stacey & Joe takes on agricultural saga Clarkson’s Farm. They’re also up against the domestic dramas of At Home With The Furys and Fletchers’ Family Farm, as well as the cosy hit Mortimer and Whitehouse: Gone Fishing.

Five smash hit arrivals vie for the New Drama trophy. The Other Bennet Sister, a fresh take on Pride & Prejudice, charmed viewers and boosted the Jane Austen industry.

Another classic received an update with the epic retelling of Barbara Taylor Bradford’s A Woman of Substance.

These contenders couldn’t contrast more starkly with hard-hitting true-crime dramas Believe Me and I Fought the Law, or the racy ice hockey melodrama Heated Rivalry.

There are powerful stories, expertly told in Authored Documentary – a quest for answers in Caroline Flack: Search for the Truth, career candour in Jesy Nelson: Life After Little Mix, moving tributes in Our Girls: The Southport Families and Sharon & Ozzy Osbourne: Coming Home, and bravery in the face of a devastating diagnosis in Sir Chris Hoy: Cancer, Courage and Me.

Returning Drama honours the shows whose comebacks are always welcome, from Blue Lights, Bridgerton, Call the Midwife, Trigger Point or Stranger Things.

In Comedy. Amandaland takes on Alan Carr’s coming-of-age gem Changing Ends as well as Mrs Brown’s Boys, Not Going Out and Last One Laughing.

In the Serial Drama category, defending champion EastEnders attempts to retain its crown, while Coronation Street and Emmerdale have their eyes on the prize after a high-profile year which saw the two ITV soaps team up for the Corriedale crossover.

Hollyoaks marked its big birthday by catching up with events on Brookside Close and a tough shortlist is rounded out by medical stalwart Casualty in its 40th anniversary year.

Competing for The Bruce Forsyth Entertainment Award are Gladiators, The Graham Norton Show, The Masked Singer, Michael McIntyre’s Big Show and Would I Lie To You?

The Quiz Show category is a closely fought contest between bankable hits, with Ant & Dec’s Limitless Win, Michael McIntyre’s The Wheel, Richard Osman’s House of Games, The 1 per cent Club and The Chase highlighting the variety of our homegrown gameshows.

In Serial Drama Performance, EastEnders Paul Bradley is nominated (for Nigel’s tragic goodbye) as is his castmate Aaron Thiara (for Ravi’s mental health crisis).

Meanwhile Emmerdale’s Jeff Hordley is rewarded for imbuing Cain Dingle with new-found vulnerability.

Over on Coronation Street, Sue Devaney earns a nomination for depicting Debbie’s sad decline and Gareth Pierce is singled out for his powerful portrayal of coercive control victim Todd Grimshaw.

Agendas continued to be set In Daytime, with Good Morning Britain, This Morning and Loose Women providing no end of talking points.

Elsewhere, there was plenty of weekend culinary inspiration in James Martin’s Saturday Morning while Scam Interceptors did valuable work arming us against internet fraud.

It’s another tough-to-call clash in Factual Entertainment as Sort Your Life Out takes on cash-saving consumer crusades of The Martin Lewis Money Show Live.

Sir David Attenborough’s Secret Garden revealed the hidden wild world of Britain’s backyards, 24 Hours in Police Custody continues to provide gripping true crime stories, and beloved Gogglebox couch potatoes should never be discounted.

Talent Show remains a ratings-grabbing category as viewers gather in their millions to cheer on their favourites.

Glitzy favourites Strictly Come Dancing and Britain’s Got Talent will go up against The Great British Bake Off, The Great Pottery Throw Down and for the first time, The Great Celebrity Bake Off for Stand Up To Cancer.

Nicolas Cage‘s Malibu mansion has been rocked by a massive sinkhole that has swallowed the beachfront home’s driveway.

Photos of the destruction show the once-palatial property sitting on the edge of a massive crater that has taken down the driveway, a portion of the adjacent street and a portable restroom. 

The luxurious residence, which Cage purchased for $10.5 million in 2024, has now been sectioned off with various orange construction cones. 

Workers could also be assessing the situation inside the sinkhole and along the street.  

The Daily Mail has contacted representatives for Cage, 62, and has not yet heard back.

Firefighters discovered the collapsed driveway early Tuesday morning after responding to a suspected gas main break, a public information officer told KTLA.

The luxury home was purchased by Cage for $10.5 million in 2024

The hole, which is believed to be around 30 feet by 30 feet wide, was reportedly the result of coastal erosion. 

No one has been ordered to evacuate and the gas company has been on site fixing the main.

Notably, the damage occurred as high surf continues battering the Southern California coast following the development of former Hurricane Marie, the website adds. 

KTLA reporter Rich Prickett, who was reporting on the incident from the air, said no one appeared to be inside the home at the time. 

‘Substantial damage done to this home, or at least the driveway to this home here in Malibu,’ he said.

‘It doesn’t appear that anybody was home. As a matter of fact, the house looks like it is under some sort of renovation.’ 

No one has been reported to have been injured, according to KTLA. 

Located in a highly desirable oceanfront setting, the home contains a rooftop deck with jacuzzi, soaring glass walls, multiple bedrooms, and was the previous owners ‘happy place’. 

The sinkhole swallowed up the driveway and a portion of the adjacent street

Orange cones now surround the damaged luxury home 

The sinkhole is reportedly the result of coastal erosion; Cage pictured May

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The home was built in the 1990s by the late Jose Liberman, co-founder of the Liberman Broadcasting, and remained in his family until it was sold to Cage.

‘Yes, Nicolas Cage bought our home in Malibu,’ Lenard Liberman, Jose’s son and Liberman Broadcasting co-founder, told The New York Times in 2024.

‘My parents would go on weekends and it was my father’s “happy place”, he explained.

‘My father passed away and my mom just couldn’t go to the house anymore. Too many memories,’ he added.

The residence contains access to an isolated beach, chef’s kitchen, and garage with elevator access. 

An Oscar winner, Cage is a member of a Hollywood dynasty.

The home was the previous owners ‘happy place’ 

 The home was built in the 1990s by the late Jose Liberman, co-founder of the Liberman Broadcasting, and remained in his family until it was sold to Cage

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A member of a Hollywood dynasty, Cage rose to fame with roles in Moonstruck and more

In 1996, he earned an Oscar win for his role in Leaving Las Vegas

Cage walked down the aisle for a fifth time in 2021 when he wed Riko Shibata; pictured May

Born Nicolas Kim Coppola, Cage is the son of the late American academic and author August Coppola as well as the nephew of filmmaker Francis Ford Coppola and his actress sister Talia Shire. 

The family includes Cage’s cousins, filmmaker Sofia Coppola and actor Jason Schwartzman. 

His grandparents were composer Carmine Coppola – who scored many of Francis’s films – and Italia Coppola, who also appeared in her son’s Godfather films. 

Over the decades, Cage carved out a wildly impressive acting career with roles in films Moonstruck, Raising Arizona, Gone in 60 Seconds, National Treasure, and an Oscar win for Leaving Las Vegas.  

Last year Cage legally changed his name to ‘Nick Cage’ to avoid being the Coppola ‘clown cousin’. 

‘I am Nick Cage. I changed my name legally last year,’ he told Variety. 

The name was inspired by Marvel character Luke Cage, a last name he thought was ‘cool.’

‘I’m Nick Cage in life, and I’m Nick Cage on camera. ‘Tis better to be the patriarch of my own little family than the clown cousin on the margins of someone else’s, so I decided I’m going to bring it on and be “Cage.”

‘”Cage” is a name that I liked coming across in the comics — I just thought he had a cool name — and I grew up in a very avant-garde, artsy family and there was talk about John Cage and the experimental compositions that he did. I was looking for something like “James Dean”; I was looking for something short and sweet. 

‘I thought, well, I’ll keep the name “Nicolas” because my father named me Nicolas — with French spelling, which has always frustrated me, because everyone adds an “h.” I don’t know why he gave me the French spelling! But he did.’

Whether he prefers ‘Nick’ or ‘Nicolas,’ the actor told Variety: ‘I’m both! I think people know me as both.’ 

In 2021, Cage walked down the aisle a fifth time when we wed his much-younger wife Riko Shibata, now age 31. They welcomed daughter August Francesca in 2022.

The actor also has sons Kal-El, 18, with ex-wife Kim and Weston, 33, with ex-girlfriend Christina Fulton. 

Two senators have urged President Donald Trump to rethink his threat to ban aircraft sales by Canadian manufacturer Bombardier in the United States.

“NO MORE SELLING BOMBARDIER IN THE UNITED STATES! Their products aren’t good enough!” Trump wrote in a social media post Monday. “If they want our Market, they must build here, and stop treating America like a ‘piggybank.’”

The dispute follows the breakdown of Canada-U.S. trade negotiations on Aug. 21, which led Trump and his administration to launch a series of tariffs and aggressive public statements directed at Canada. Ottawa retaliated Tuesday by introducing tit-for-tat tariffs targeting approximately $20 billion in American imports.

Responding to Trump’s remarks about Bombardier, the private jet maker pointed out that key components for its aircraft, including wings and engines, are already manufactured in the U.S. and emphasized its heavy reliance on an American supply network.

Bombardier said that the U.S. aerospace sector remains a “clear winner on trade and exports” and the company highlighted that it supports tens of thousands of jobs directly and through its broad supplier network.

Bombardier’s American footprint

Bombardier is one of Canada’s most historic manufacturers. Established by Quebec inventor Joseph-Armand Bombardier in the 1930s as a snowmobile maker, the company expanded into rail car manufacturing and commercial aviation over the decades before restructuring to focus exclusively on business jets.

Its current supply chain involves roughly 2,800 U.S. businesses across 47 states. Wings for its business aircraft are manufactured in Texas, while flight control systems are built near Los Angeles. Additionally, Honeywell produces engines for Bombardier’s Challenger jets in Phoenix, and Iowa-based Collins Aerospace manufactures avionics and communication systems in Cedar Rapids.

“Bombardier values its great partnership with American companies and its U.S. employees. Our plan is to continue to invest in our people, our customers, and the communities in which we operate across the country,” the company said.

The threat has sparked concern in Kansas, a Republican stronghold that has held both U.S. Senate seats for a century and voted for Trump by roughly 16 percentage points in 2024. Both of the state’s senators confirmed they contacted the White House to address the potential economic fallout for local workers.

“I reached out to the Trump administration to make certain the President is aware of the significant contributions of Bombardier to Kansas and the importance of its presence in Wichita to many Kansas workers at Bombardier and in the Bombardier supply chain,” Sen. Jerry Moran wrote in a social media post, adding that he would work to maintain the manufacturer’s presence in the state.

Sen. Roger Marshall voiced the same support in a social media post Tuesday, saying “I’m going to fight to keep Bombardier’s over 1,200 Kansas jobs. I’ve already taken that concern inside the Oval Office.”

The trade friction comes after Canadian Prime Minister Mark Carney announced plans earlier this year to acquire six airborne early-warning radar aircraft built by Sweden’s Saab in partnership with Bombardier, bypassing American defense contractors. The Saab system utilizes Bombardier’s Global 6500 aircraft platform and contains 20% U.S.-made components. Canada selected the platform over Boeing’s E-7A Wedgetail and L3Harris’s Aeris X.

Canada is also reviewing its planned purchase of U.S. F-35 fighter jets, while Saab has pitched building its Gripen fighter jet locally within Canada.

On May 15, rail minister Lord Hendy was brought up to Darlington to officially open the ultra-modern extension, but four months later, the approaches are still an eyesore with no completion date until next spring.

With ugly red emergency fencing drawing every visitor’s attention to the crash barriers and the weeds, it does not create the impression that the town, which is trying to position itself as the No 11 of the north, is vibrant and on top of things.

Indeed, the Bank Top station extension was initially planned to be open in time for the railway bicentenary in September 2025, but, as delays are expected for anything to do with British trains, that was pushed back to December 2025 and then to spring 2026 and now it seems the chaos is to continue until spring 2027.

There are already misgivings in the town about the development – the new long platforms are brutally exposed in bad weather while the old, atmospheric and covered station feels underused – and the eyesore that now greets people is not winning over any hearts.

There is bickering between the combined authority and the council over who is to blame for the delays but you would have thought that an adequate drainage system should have been planned a lot earlier in the process.

Those waiting in traffic queues cannot do much to hurry up the process but they can marvel at how even in the birthplace of the railways we cannot complete a station project on time and on budget while keeping local people on track.

​Plans to transform Scarborough’s historic West Pier and ensure it remains a working harbour and a popular visitor destination are set to require additional funding due to an “increase in costs”.

​​At a meeting in May, councillors said the scheme is expected to cost around £15 million, of which £1.7 million had been spent so far.

​​After decades of exposure to harsh marine conditions, many of the historic West Pier’s buildings are in a dilapidated state and North Yorkshire Council is working on a multi-million-pound regeneration scheme to revitalise the landmark structure.

​According to council documents, the additional expenditure is expected to be less than £1 million but exact costs are yet to be announced.

​“This report is to seek additional funding to cover the increase in cost since the decision by the former Scarborough Borough Council to proceed with the development,” a council notice states.

​A decision on the additional funding is due to be made later this winter.

West Pier Kiosk1. NYC

​A meeting of the authority’s executive committee has been scheduled for Tuesday, November 17, to discuss the additional funding requirement.

​​The project includes restoring and repairing existing heritage facilities to bring them back into active use, preserving their character, alongside the creation of new, modern, flood-resilient buildings for commercial use and improved public facilities such as toilets and parking.

​Plans also include new business opportunities to support the local economy, new kiosks, enhanced pedestrian routes and a new paved plaza which could accommodate outdoor events and cultural activities.

​​At a meeting in January 2025, a decision on plans to redevelop the West Pier was deferred after questions were raised about the scheme’s economic benefits and the importance of adding a boat hoist.

​​Robin Gray, chairman of the Scarborough Harbour Advisory Board, has said that a long-discussed boat lift and marina expansion project in the town could generate more than £1.4 million annually and help create hundreds of additional berths.​

Scarborough West Pier, Aerial Shot. NYC

​The claim emerged during a recent meeting of the Scarborough Harbour Users Group, where members discussed future development plans and North Yorkshire Council’s wider harbour strategy.

​​Mr Gray told attendees he had developed a Green Book-standard business case setting out the potential economic benefits of a boat lift and associated marine facilities.

​Speaking at the meeting, he said the proposals could generate more than £1.4 million a year through a combination of berthing income and supporting businesses such as engineering and chandlery services.

The document also reportedly suggests the harbour could accommodate about 240 berths in the outer harbour.

​The proposals form part of wider discussions around the long-term “Blue Sky” vision for Scarborough Harbour, which council officers confirmed has now been incorporated into North Yorkshire Council’s adopted Harbours Strategy.

​​Chris Bourne, North Yorkshire Council’s head of harbours, said a £200,000 funding bid had been submitted to the Government’s Fishing and Coastal Growth Fund to support a feasibility study into the wider harbour expansion proposals.

​He said the study would be used to establish accurate costs and benefits for any development.

​

A spokesperson for Voi told the Local Democracy Reporting Service (LDRS) that it had raised concerns with Ealing Council during the MOU process about the way it was being handled. They added: “In a letter to Ealing on 24 April 2026, submitted alongside our formal response to the council’s call for submissions, we said that running what amounted to a ‘mini-procurement’ exercise, without published scoring or clear criteria, wasn’t a robust basis for excluding any operator from the borough.

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And the film shares plenty of nuggets that Oasis fans will lap up. Not least the very first song performed in the film seeing Noel, Bonehead and the band rehearsing fan favourite track Columbia.

As fans who headed to Oasis Live ’25 will know, Columbia didn’t actually make the setlist for the shows. So was it supposed to be on the setlist, we ask?

Dylan said: “We felt so privileged to hear that, because for about the first week that was in the set of songs that they were rehearsing, what didn’t make it into the film was there were conversations about whether that should or should not go in [the setlist].

Dylan added: “Our opinion was it should go in because it’s a banger! It’s one of my favourite songs off the first album. I’m not sure why they made the decision to cut it but it just somehow didn’t gel in the whole set and so when they had to cut things down to fit into the time that was one of the first to get cut out.”

But Dylan and Will soon understood how the band felt with having to cut songs off their setlist – as they found they were having to do the same with deciding which moments to include in the film.

For example, here in Manchester, the team decided to film the final weekend of shows in Heaton Park. Which meant you get to see a rather gloomier Manchester than the blazing heat of those epic opening shows at Heaton Park last July.

Will said: “We filmed on the last weekend, and it was always going to rain when we were there! And it had been so beautiful on the first shows.” But it also coincided with the building hype around “Gallagher Hill” where fans without tickets decided to head up to the top of the park to get their own free concert.

Will said: “It felt like a huge part of those Manchester gigs. It said something about the spirit of Manchester people as well.” Dylan added: “I loved the fact Liam spoke to the fans up on the hill that was brilliant.”

Steven added: “Gallagher Hill – the fact that someone had sprayed Don’t Look Back in Anger on it, it was just too perfect – we didn’t do that by the way!”

The full setlist from those historic gigs is not in the film, so how did they choose which moments to feature? Dylan: “We can imagine what it felt like for Noel and Liam putting the setlist together, because it was really hard to choose which ones. The opening of Cardiff was so kind of electric, that we knew that had to be where we started in terms of music on the tour.

“Sometimes it was like that performance of that particular song that’s the best we’ve seen it on the tour and that’s why, and sometimes it was narrative.

“For example Live Forever in Sao Paolo was so special because of the Mani tribute, it was the perfect song for that moment.

“It was like putting a puzzle together and some songs unfortunately didn’t find a place, we were sad to lose some of them. But you hear snippets of songs at rehearsals and hear Oasis tunes at sound check but that was the challenge.”

Will adds: “There was a heck of a lot of material, there was amazing stuff that didn’t make it.” Dylan adds: “We had a cut that was about four and a half hours long at one point, it had so much stuff in it.”

While the film features that much-trumpeted first joint interview with Liam and Noel, fans may ponder after seeing the movie how Liam and Noel first decided to bury the hatchet. We asked directors Will and Dylan why that is not addressed in the film.

Dylan said: “I don’t think there was a specific catalytic moment, Liam had been the most eager he wanted the band to happen, Noel had been much more hesitant. Time had passed, circumstances had changed, I think an offer came from somewhere and that’s the thing that kind of made them consider it.

“But the real story is they agreed to get back together, and the real story is that it was a genuine reconciliation, even at the end of rehearsals we were unsure if that was going to happen because they were so focussed and workmanlinke that at the end of rehearsals we still weren’t quite sure where they stood with each other.”

In the film the audience will see how frosty the two brothers were with each other in those early rehearsals – including the first time that Liam walks in to work with his brother in 15 years. It was all captured by cameras hidden away to make the scenes as unforced and real as possible.

Steven says: “Here’s two working class blokes, Liam walks into this room there’s no handshake, no hug, no high five, no tears, no words, it’s straight into the work. It’s via the work, via the process of them both wanting this to be really good that that relationship starts to thaw, we start to see the first smiles, then in Cardiff Liam raised Noel’s hand and they weren’t expecting that the stepping stones of a relationship that I think people will really identify with.”

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By the end of the movie, the joint interview shows just how much their relationship has changed. And by the end, they reveal they’re actually friendlier than they’ve ever been.

Dylan adds: “The magic happened when you added the crowds and I really think how unexpected that level of emotion was really affected them both and as corny as it sounds it was the music, the love of the crowd that kind of pushed them back together. You can see it across the shows through the film.”

As for their personal favourite songs from the tour? Dylan said: “I like Bring it on Down because i like the louder, punkier sounds.”

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Will said: “Aquiesce in Seoul was pretty amazing, it was a brilliant performance with a really great crowd.”

Meanwhile Steven said: “The first song in Cardiff [Hello]. That was the moment when instantly, Liam and Noel as well, saw what happened.

“As soon as that first chord started playing, people were spontaneously sobbing, people across the generations hugging each other. It didn’t build to that, that wasn’t the climax, that was the first song.”

Dylan agreed on Cardiff. He said: “It really shaped what the documentary went on to become, because Cardiff that was the first chance to see how big it was. We knew it would be big, we knew it would be emotional, but not quite how emotional for Liam and Noel and it was a pivotal point for everyone.”

Dylan adds: “You see a vulnerability in them that you don’t see in the Oasis of old. Older and wiser, these gigs really meant something to them on this tour. The emotional stakes were high.”

Just this week, fans once again saw how special the relationship now appears to be between Liam and Noel – and with their children all now being close friends too. Together they walked the red carpet at the London premiere.

Steven ends by saying: “I really wanted this to be a film about people coming together, about family. To be as corny as possible to make it a peace, love and understanding message. And the music tells that story.”

Oasis: Don’t Look Back in Anger opens in IMAX® and Cinemas from 9th September

Olivia Attwood, Rochelle Humes and Cat Deeley dazzled in breathtaking gowns as they led the stars on the red carpet at the National Television Awards tonight. 

Television favourites gathered on London’s O2 Arena for a star-studded ceremony, with comedian Joel Dommett back as host for the sixth time. 

Olivia, 35, looked like a real life Barbie doll as she slipped into a strapless pale pink gown and styled her long blonde locks wavy. 

Rochelle Humes, 37, oozed elegance in a backless off-white gown alongside her dashing JLS star husband Marvin Humes, 41.

This Morning’s Cat Deeley wowed in a red and purple floral dress and statement gold necklace as she put on an animated display with her co-host Ben Shephard.

Stacey Solomon slipped into a strapless PVC dress as she matched her husband Joe Swash, who opted for a black tuxedo. 

Meanwhile, TV star Ashley, 39, wowed in a black Karen Millen gown with a dramatic white shawl as she posed up a storm. 

Former Saturdays star Rochelle Humes, 37, oozed elegance in a backless off-white gown as she turned heads on her arrival

This Morning host Cat Deeley wowed in a red and purple floral dress and statement gold necklace

Nominee Stacey Solomon exuded glamour in a thigh-high split black dress as she geared up for a hopeful night

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Sam Thompson and Pete Wicks looked dapper as they led the early arrivals to host the red carpet for the third year in the running. 

Geordie Shore star Charlotte Crosby, 36, slipped into a glitzy fishtail lilac dress for the occasion.

Rival reality star, TOWIE’s Amy Childs, 36, stunned in a thigh-high split green dress with an embellished corset.

Love Island stars Jasmine Muller, Kavan Murphy and Priya Jaswal made their red carpet debut. 

Fresh off the Britain’s Got Talent stage, The Hawkstone Farmers Choir were beaming with pride.

This year’s NTAs has proven to be historic even before the first winners were announced, as it features the first ever all-female shortlist for Drama Performance.

The contenders include Gavin & Stacey’s Ruth Jones, who has been nominated for her turn in gritty Netflix thriller Run Away.

Sheridan Smith could take the award for the second time thanks to her run as Ann Ming in ITV true crime drama I Fought The Law, having first won in 2015 playing another real-life role, Cilla Black.

Vicky McClure has got the nod for the third time – and her second nom as Trigger Point’s Lana Washington.

Ella Bruccoleri is shortlisted as Mary Bennet in The Other Bennet Sister and Judy Parfitt for Sister Monica Joan in Call The Midwife.

Two of TV’s biggest franchises are going head-to-head in the Reality Competition category.

I’m A Celebrity… takes on its South African spin-off, while The Celebrity Traitors is up against its civilian version, with BBC hit Race Across The World also in the running.

Olivia looked like a real life Barbie doll as she slipped into a strapless pale pink gown and styled her long blonde locks wavy

The ITV host posed for pictures with fans and signed autographs before heading into the ceremony

The This Morning star couldn’t wipe the smile off her face as she joined her dashing husband Marvin Humes

Cat put on an animated display with her co-host Ben Shephard

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Loved-up Stacey Solomon and husband Joe Swash went matching for the evening

Ashley James pulled out all the stops in a dramatic black and white Karen Millen dress as she posed up a storm

She stole the show as she graced the red carpet with her This Morning team

Amanda Holden put on an eye-popping display in a daringly-cut bright pink dress with bow detailing

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The radio host and BGT judge opted for a questionably edgy style statement for the annual NTAs

Helen Flanagan looked beautiful in a shimmering plum gown and matching clutch bag

Anna Williamson looked effortlessly chic in a burgundy strapless suit

Geordie Shore star Charlotte Crosby slipped into a glitzy fishtail lilac dress for the occasion

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Rival reality star, TOWIE’s Amy Childs stunned in a thigh-high split green dress with an embellished corset

Fellow TOWIE OG Joey Essex beamed for photos in a casual black outfit

Love Island stars Angel Swift and Ty Isherwood looked completely in love as they held hands in their dazzling looks 

Sam Thompson and Pete Wicks looked dapper as they led the early arrivals to host the red carpet for the third year in the running

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Love Island star Priya Jaswal looked pretty in a thigh-high glitzy dress as she made her red carpet debut after leaving the villa this summer

Love Island star Demi Jones put on a vibrant display in a glitzy strapless number

Bradley Walsh’s son Barney, 28, looked the spitting image of his father in a black tuxedo

Fresh off the Britain’s Got Talent stage, The Hawkstone Farmers Choir were beaming with pride on the red carpet

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The cast of medical stalwart Casualty, which is up for Best Serial Drama in its 40th anniversary year, posed in front of Ambulances

In the TV Presenter category, Ant and Dec will be on a mission to seize back their crown and claim their 24th win, having been nominated against Sir David Attenborough, Alison Hammond, Claudia Winkleman and Stacey Solomon.

In new category Reality Docuseries, recognising the popularity of star-led access series, the trophy could grace the mantelpiece at Pickle Cottage or Diddly Squat as Stacey Solomon and husband Joe Swash go up against Jeremy Clarkson.

Fly-on-the-wall BBC series Stacey & Joe takes on agricultural saga Clarkson’s Farm. They’re also up against the domestic dramas of At Home With The Furys and Fletchers’ Family Farm, as well as the cosy hit Mortimer and Whitehouse: Gone Fishing.

Five smash hit arrivals vie for the New Drama trophy. The Other Bennet Sister, a fresh take on Pride & Prejudice, charmed viewers and boosted the Jane Austen industry.

Another classic received an update with the epic retelling of Barbara Taylor Bradford’s A Woman of Substance.

These contenders couldn’t contrast more starkly with hard-hitting true-crime dramas Believe Me and I Fought the Law, or the racy ice hockey melodrama Heated Rivalry.

There are powerful stories, expertly told in Authored Documentary – a quest for answers in Caroline Flack: Search for the Truth, career candour in Jesy Nelson: Life After Little Mix, moving tributes in Our Girls: The Southport Families and Sharon & Ozzy Osbourne: Coming Home, and bravery in the face of a devastating diagnosis in Sir Chris Hoy: Cancer, Courage and Me.

Returning Drama honours the shows whose comebacks are always welcome, from Blue Lights, Bridgerton, Call the Midwife, Trigger Point or Stranger Things.

In Comedy, Amandaland takes on Alan Carr’s coming-of-age gem Changing Ends as well as Mrs Brown’s Boys, Not Going Out and Last One Laughing.

In the Serial Drama category, defending champion EastEnders attempts to retain its crown, while Coronation Street and Emmerdale have their eyes on the prize after a high-profile year which saw the two ITV soaps team up for the Corriedale crossover.

Hollyoaks marked its big birthday by catching up with events on Brookside Close and a tough shortlist is rounded out by medical stalwart Casualty in its 40th anniversary year.

Competing for The Bruce Forsyth Entertainment Award are Gladiators, The Graham Norton Show, The Masked Singer, Michael McIntyre’s Big Show and Would I Lie To You?

The Quiz Show category is a closely fought contest between bankable hits, with Ant & Dec’s Limitless Win, Michael McIntyre’s The Wheel, Richard Osman’s House of Games, The 1 per cent Club and The Chase highlighting the variety of our homegrown gameshows.

In Serial Drama Performance, EastEnders Paul Bradley is nominated (for Nigel’s tragic goodbye) as is his castmate Aaron Thiara (for Ravi’s mental health crisis).

Meanwhile Emmerdale’s Jeff Hordley is rewarded for imbuing Cain Dingle with new-found vulnerability.

Over on Coronation Street, Sue Devaney earns a nomination for depicting Debbie’s sad decline and Gareth Pierce is singled out for his powerful portrayal of coercive control victim Todd Grimshaw.

Agendas continued to be set In Daytime, with Good Morning Britain, This Morning and Loose Women providing no end of talking points.

Elsewhere, there was plenty of weekend culinary inspiration in James Martin’s Saturday Morning while Scam Interceptors did valuable work arming us against internet fraud.

It’s another tough-to-call clash in Factual Entertainment as Sort Your Life Out takes on cash-saving consumer crusades of The Martin Lewis Money Show Live.

Sir David Attenborough’s Secret Garden revealed the hidden wild world of Britain’s backyards, 24 Hours in Police Custody continues to provide gripping true crime stories, and beloved Gogglebox couch potatoes should never be discounted.

Talent Show remains a ratings-grabbing category as viewers gather in their millions to cheer on their favourites.

Glitzy favourites Strictly Come Dancing and Britain’s Got Talent will go up against The Great British Bake Off, The Great Pottery Throw Down and for the first time, The Great Celebrity Bake Off for Stand Up To Cancer.