Entertainment
How Men Were Destroyed By The Most Popular Movie Of A Generation
By Joshua Tyler
| Updated

During World War 2 millions of American men were forced to march in lockstep to their death. Whether you think the cause was just or not, the truth is that for years these men had no say, no agency, and no independence. When the war was over, those who survived were released from bondage and returned home. They responded by doing what men have always done in those circumstances: by getting away from those who would control them.
The result was the rise of the American suburb, as returning soldiers left the city life of reliance on government apparatuses like public transportation and cramped apartment regulations for a place that promised more breathing room, your own home that you controlled, and the ability to hop in a car and go anywhere you want, anytime you like. The elites who’d been ordering them around during the war were soon unsettled by this shift in American culture and launched a campaign to demonize those returning soldiers and their suburbanite quest to get the hell away from them.
This pushback against suburban flight culminated in a cultural trend that would last for decades, but it first clicked into place with a singular movie that’s still persuading impressionable minds today. This is the story of how The Graduate screenwashed Americans into redefining success as a prison and failure as the real key to happiness.
Sympathy For A Spoiled Brat

The Graduate is about a recent college graduate named Benjamin Braddock. He’s played by a young Dustin Hoffman who, in addition to being a great actor, is also naturally sympathetic. The movie begins as he’s returning home after completing college. Once home, he’s supposed to figure out his next steps, and he hates every minute of it.
We follow Braddock everywhere, and the film makes sure you sympathize with him, even when you shouldn’t. That’s important because Benjamin Braddock acts like an asshole throughout almost the entire movie.
He bails on a party his parents threw to show him how proud they are of him. He mopes around their house, freeloading, and refuses to get a job. He complains when his Dad offers to help him or when his parents say nice things about him. He’s presented with reasonable choices and opportunities, and treats them like an attack on his soul. He stalks and harasses a woman he barely knows, ruins a marriage, and uses everyone around him.

The Graduate excuses Benjamin’s behavior as if it’s everyone else that’s the problem, even though they’re doing nothing to him at all. On paper, Benjamin Braddock is a total tool, but as the Simon & Garfunkel music swells and he slinks through the flatly shot airport, the movie frames him as a victim entering a trap.
The Graduate frames Benjamin as its surrogate, creating a situation where hating him means hating yourself. You won’t do that, so with a little help from creative camera work, your brain assumes Ben’s in the right, even though he’s clearly a passive-aggressive jerk.
How Moral Reframing Turns Bad Into Good
The movie makes that ridiculous flip happen using a persuasion technique called Moral Reframing. Moral Reframing is the persuasive repositioning of behavior, motives, or outcomes so that actions widely seen as harmful, selfish, or unethical are interpreted as virtuous, principled, or necessary by shifting the moral lens through which they are judged.

The Graduate pulls off that reframing because of the way director Mike Nichols shoots and constructs his film. Nichols frequently aligns the camera with Benjamin’s POV, making the audience experience situations from his perspective. Every shot frames him behind glass, water, plastic, or some kind of architecture.
Benjamin often says very little, even when asked questions. In the real world, that behavior would be rude, but Nichols lets pauses linger, making his confusion and anxiety feel authentic and earned rather than what it really is, which is lazy and passive-aggressive.
Affected By Affect Heuristics
Early scenes show adults crowding him, speaking at him rather than to him. The camera stays close to Benjamin, trapping the viewer in his discomfort. Everything Nichols does makes sure you FEEL that he’s trapped by the world around him, and that world is the suburbs. In doing so, he’s taking advantage of something called Affect Heuristics.
Affect Heuristics are a mental shortcut all humans take, in which immediate emotional reactions, such as fear, liking, disgust, or comfort, are substituted for deliberate analysis. That means judgments of things like risk, value, or truth are guided more by feeling than by evidence.

So The Graduate never outright says the suburbs and success are evil. It doesn’t even show most of them (with one big exception, and we’ll get to HER in a minute) doing anything bad. Instead, Nichols uses reframing to make you FEEL his message. And he does it indirectly, so you’ll never notice what he’s doing to you. So while on screen you see nothing but paradise-like suburbs filled with mini mansions, swimming pools, and supportive parents and friends, The Graduate’s director subtly manipulates the audience into FEELING that, despite all evidence, this place of success is actually one of festering rot.
That’s where Mrs. Robinson comes in.
Mrs. Robinson Gets The Blame

Even if you’ve never seen The Graduate, you know who Mrs. Robinson is. An older woman who has known Benjamin since he was a baby decides to seduce him, and she does so aggressively.
She’s played by Anne Bancroft, who was actually only thirty-five at the time. Hoffman, by the way, was twenty-nine. But the movie goes out of its way to age her, while simultaneously de-aging Dustin Hoffman.

Nichols shoots Bancroft in hard, shadow-casting lighting that accentuates cheekbones and facial lines. Heavy eye makeup, dark liner, and sculpted hair add severity rather than youthfulness. In real life, Anne Bancroft was a smokeshow, but in The Graduate, nothing about her is attractive.
I know the movie’s reputation is that she’s some kind of hot MILF seductress, but that’s a marketing distraction. It’s not what the movie wants you to FEEL. The reality is that, compared to Benjamin, she looks much too old, and their entire relationship is a creepy, creepy betrayal.

What’s more, the movie puts all the blame for their creepy relationship on Mrs. Robinson and almost none on Benjamin. The Graduate never says this overtly, but she’s consistently filmed looming over Benjamin, emphasizing power and experience. Low angles and dominant framing make her imposing and authoritative. She’s always placed in adult spaces like dim bars, bedrooms, and cocktail settings that reinforce her status and power as being superior to Benjamin.
The Power Of Symbolic Guilt Transfer
Mrs. Robinson must be creepy, and she must be to blame, because she represents the movie’s true motives. Mrs. Robinson exists in the film to be the chief representative of suburbia, and it’s suburbia that The Graduate is out to destroy. This is Symbolic Guilt Transfer.
Symbolic Guilt Transfer is a persuasion effect in which negative moral judgment or blame attached to a person, image, or symbol is psychologically shifted onto the broader group, place, or idea that the figure is made to represent, causing audiences to condemn the larger target through its symbolic stand-in.

Mrs. Robinson is the rotting, putrid core at the heart of the suburbs. She’s there to make you FEEL negatively about a place, not a person, and it’s all hidden beneath a veneer of smoky-voiced, granny panties seduction.
Boring Is The Worst
But what are the suburbs really? Everyone has a nice house, they have friends, and aside from Mrs. Robinson, they seem happy and well-adjusted. The suburban lifestyle is so obviously superior to the crowded, restrictive, crime-ridden city alternatives people were familiar with in 1967 that there really was no way to attack that honestly.

So instead, The Graduate makes them dull. Boring. It makes you think BORING is the worst. That boring rots the soul, that boring turns you into Mrs. Robinson. The camera lingers on beige walls, manicured lawns, polite smiles. It sells the idea that nice things are inherently empty and creates an inverted morality in which good is bad and bad is good.
Things snowball as the movie goes on, with Benjamin basically going insane. He becomes a full-on stalker, harassing Mrs. Robinson’s daughter, who behaves like a brain-dead zombie and follows his commands for basically no reason.

Through it all, the movie’s groovy Simon & Garfunkel-powered soundtrack blares, and to audiences back then, that music felt hip and cool, a signal that Benjamin is on the right track. Seen through a modern lens, that endless 60s soundtrack sounds haunting and disturbing, and the film takes on the form of a horror movie as Benjamin increasingly acts irrationally, violently, and abusively.
Because the film was stylish, funny, and backed by a soundtrack that felt modern and restless, the teenage Boomers who piled into its audience didn’t see it as a horror movie. It felt edgy, it felt cool. It felt right. And so The Graduate spread a message of insanity and irresponsibility as optimal, based entirely on feeling and vibes. It packaged and sold a ridiculous anti-suburb, anti-responsibility lie that made success look cowardly and respect look like conformity.
Hollywood Provides Impressionable Minds Social Proof That The Graduate Is Right

The Graduate worked, and the Hollywood elite rewarded it for pushing exactly the right message. Mike Nichols won the Academy Award for Best Director, while the film earned additional Oscar nominations, including Best Picture, Best Actor for Dustin Hoffman, and Best Actress for Anne Bancroft.
It exploded into one of the era’s biggest hits, grossing over $100 million worldwide, an extraordinary figure for the late 1960s, and becoming the highest-grossing film of 1967. It’s still regarded by the modern-day press as one of the greatest films of all time, and if you ask most average Boomers about it, they’ll probably tell you The Graduate changed their entire life.
Perhaps more importantly, The Graduate’s runaway success signaled a shift toward youth-oriented propaganda and helped usher in the New Hollywood era, which led to even more manipulative films, like The Stepford Wives, which you can learn more about right here on this channel.
The Ultimate Straw Man

The powers that be couldn’t argue against the Greatest Generation’s post-World War II success, so they constructed a straw man and made people hate it. The Graduate was that straw man, a symbol of everything that stood in opposition to America’s post-War prosperity. You can’t fight a symbol.
Mike Nichols claims his intent was only to show the confusion of youth, but it’s unlikely he’s being honest. That being his only goal doesn’t explain Mrs. Robinson, or the movie’s over-the-top finish, in which Benjamin wards off suburbanites with a giant cross, as if they’re daywalking vampires.
Permanently Implanted With Catharsis

In that finale, by the way, which is the film’s propaganda masterstroke, The Graduate hard-codes all the bad ideas it’s been planting in its audience’s brains by giving them catharsis. Catharsis is an engineered emotional purge that converts built-up tension into relief, binding the audience to whatever action, character, or idea triggered the release.
So when Benjamin storms a wedding, releasing all the tension the movie’s been building up by thumbing his nose at everything, it’s like The Graduate just hit the “save program” button in your brain. It’s why The Graduate still lives rent-free in your Boomer grandparents’ heads, and why there’s no shaking them out of it.

The last we see of Benjamin, he’s boarding a bus with the girl he stalked, Mrs. Robinson’s daughter. He’s abandoned the freedom with responsibility of the suburbs and set out on an uncertain journey into nothingness. For Benjamin, oblivion is better than opportunity.
For the audience, freedom of choice is now a prison, and basic level responsibility is a curse. Congratulations, future welfare moochers, you’ve been Screenwashed.

Entertainment
Critics Hated It, But This Netflix Movie Lives Rent Free In Every Millennial’s Head
By Chris Snellgrove
| Published

By definition, child actors are often typecast by the roles that helped make them famous. The perfect example of this is Macaulay Culkin. He’s done great work in everything from Saved to Fallout, but everyone will always associate him with Home Alone. That’s a shame because most of this talented actor’s best work occurs far outside that seminal holiday classic.
For example, My Girl (1991) is a movie that taught an entire generation of moviegoers to cry thanks to its poignant portrayal of adolescent love and heartbreak. Culkin is excellent throughout, and his co-lead Anna Chlumsky helped cement this drama as the must-see children’s film of the ‘90s. When you’re ready to summon some serious nostalgia and see two of the best child actors in Hollywood history performing their hearts out, all you have to do is stream My Girl on Netflix.
Your Childhood Is Just A Click Away

The premise of My Girl is that the titular girl, Vada Margaret Sultenfuss, is the daughter of the local funeral parlor owner, and she’s dealing with constant hypochondria and a general obsession with death. What takes her mind off things is her growing friendship with a local boy who is allergic to just about everything. But even with their powers combined, she’ll have trouble accomplishing her primary goal: keeping her widower father from finding love with his new makeup artist.
For one of the ‘90s most impactful films, My Girl has a lean cast filled with big names, starting with Dan Aykroyd (best known for Ghostbusters) as a widower struggling with raising a daughter and running a funeral parlor. His life perks up when he begins dating a funeral makeup maven played by Jamie Lee Curtis (best known for Halloween). Together, these veteran actors provide a kind of emotional anchor for what is basically a children’s movie.
The Mac Is Back

Speaking of which, the performances from McCaulay Culkin (best known for Home Alone) and Anna Chlumsky (best known for Veep) provide the heart and soul of My Girl. They give powerful performances that belie their young ages, and they each capture the pangs of adolescent awkwardness in different ways. The actors have wonderful chemistry with each other, and they do a great job of portraying the best thing in the world for an outcast kid: feeling less alone because you finally found a fellow weirdo to hang out with.
While it ended up being a critical disappointment (more on this in a moment), My Girl was a major box office success, earning $121.5 million against a budget of only $17 million. This made a sequel downright inevitable, but the follow-up film My Girl 2 ended up being both a critical and commercial bomb. Fortunately, the sequel’s failure didn’t overshadow the importance of the original film, one which demonstrated just how heartfelt and emotionally impactful a children’s movie could be.
Critics Pronounced It Dead

Even though it’s considered a masterpiece by millennials, the reviewers weren’t kind to My Girl when it first came out. On Rotten Tomatoes, it has a 57 percent, with critics primarily complaining about the needlessly tearjerking climax of the film. Those same critics did acknowledge, however, that the sweet story was quite appealing and that the film is elevated by surprisingly nuanced performances from lead actors Macaulay Culkin and Anna Chlumsky.
In revisiting My Girl, I am more struck than ever before by the simple fact that the reviewers got it completely wrong with this one. Obviously, the movie is a tear-jerker, and it has a jaw-dropping ending that absolutely ruined those of us who watched the film as children. But given how many profoundly sad films (ranging from Schindler’s List to Moonlight) have gone on to win Best Picture Oscars, it’s clear that making audiences cry doesn’t mean that a film is bad.
All The Feels, All The Tears

While My Girl doesn’t pack the full weight of those Academy Award winners, it does deserve its flowers for telling an almost universally relatable coming-of-age story. There’s a reason that so many of us see ourselves in Anna Chlumsky’s character. All of the heartbreak and confusion that she goes through is an echo of what all of us experience growing up. This is our collective childhood onscreen, and seeing your own awkward youth captured so perfectly onscreen may have you crying long before this film’s shocking climax.
Plus, My Girl packs a surprising amount of warm nostalgia and genuine comedy into its relatively svelte runtime. The soundtrack helps you perfectly immerse yourself in its period setting, bringing the early ‘70s to vibrant life with confidence and style. Thanks to its heart, humor, and show-stopping performances, My Girl is like a warm childhood blanket that you’ll want to wrap yourself in while completely tuning out the outside world.

Will you agree that My Girl is a perfect coming-of-age classic, or would you rather fight off a swarm of bees than watch this one through to the end? You won’t know until you grab the remote and stream this 90’s heartbreaker for yourself on Netflix. Just be sure to keep a few tissues handy, because your eyes will definitely get misty before the credits roll!

Entertainment
Hillary Clinton Says Ghislaine Maxwell Was a ‘Plus-One’ at Chelsea’s Wedding
Hillary Clinton
Ghislaine Was At Chelsea’s Wedding
… But Only as a ‘Plus-One’
Published
Hillary Clinton finally addressed the photo of Ghislaine Maxwell attending her daughter Chelsea Clinton‘s 2010 wedding … but Hillary said she doesn’t recall Ghislaine being there, and that she was only invited as a plus one.
In a deposition with the House Oversight Committee last week, Hillary said, “She was there as a guest of Ted Waitt — someone we had known for 30 years I believe — who was a strong supporter of my husband, and became a friend.”
Hillary added … “There were more than 500 people at the wedding, so other than that picture of her at the wedding, I have no recollection of talking with her. I was pretty focused on my daughter.”
As we previously reported … Hillary says she does “not recall ever encountering” Epstein and claims the Oversight Committee used her to “distract attention from President Trump‘s actions.”
Her husband, Bill Clinton, was also deposed and claimed ignorance of Epstein’s crimes until 2008, by which time Bill says he had already stopped associating with Epstein.
Both Bill and Hillary claim no wrongdoing.
Entertainment
‘Law & Order’ Has Nothing on This Near-Perfect Crime Series That Completely Changed TV 33 Years Ago
The police procedural has a long and storied history, from the days of Dragnet to the recent premiere of CIA on CBS. The latter series is the latest creation from Hollywood heavyweight Dick Wolf, the man behind the One Chicago universe and the all-encompassing giant that is the Law & Order franchise. Like any procedural that wants to separate themselves from the pack, the flagship Law & Order series had a unique spin that used a “ripped from the headlines” formula, with episodes split between the police work of the first half that’s needed to bring criminals to justice through the courtroom drama of the second half. Yet the series of the Law & Order universe have nothing on Homicide: Life on the Street, a largely forgotten crime drama that changed the police procedural — and, by extension, television — forever.
‘Homicide: Life on the Street’ Brings the Brutal Reality of Police Work to Television
At its simplest, Homicide: Life on the Street, which premiered in 1993, follows the experiences of the detectives in a fictional Baltimore Police Department homicide unit, based on a non-fiction book by Baltimore Sun reporter David Simon, who spent a year shadowing the day-to-day proceedings of the real Baltimore P.D. Homicide Unit (and served as consultant and co-producer). Those detectives, led by Lieutenant Al Giardello (Yaphet Kotto), include Beau Felton (Daniel Baldwin), Tim Bayliss (Kyle Secor), Frank Pembleton (Andre Braugher), and John Munch (Richard Belzer), among a host of others.
There’s nothing simplistic about Homicide: Life on the Street. From the start, it was set up to showcase the ugly reality of working on a homicide unit: the psychological toll, cynicism, paperwork, the hours of interrogation spent talking, the dark humor, and the often-quarrelsome relationships between partners. Homicide: Life on the Street also dared to show the numbing indifference that real homicide detectives approach each case, with Simon saying:
“The greatest lie, I think, in dramatic TV is the cop who stands over a body and pulls up the sheet and mutters, ‘Damn’ and looks down sadly. To a real homicide detective, it’s just a day’s work.”
The on-location shooting in Baltimore, filmed using hand-held cameras, gave viewers that same front-line feel that Simon himself witnessed over his year with the homicide unit. All of it was seamlessly brought together to honor the truth of the thankless — yet necessary — role of a homicide detective.
‘Homicide: Life on the Street’ Radically Changed the Police Procedural Going Forward
Homicide: Life on the Street was a radical departure from the glamorization of the police detective that beset television police procedurals historically, and one of the few shows to accurately bring the reality of that world to viewers (surprisingly, sitcom Barney Miller is cited as another). However, both NYPD Blue, which premiered the same year, and Law & Order, a 3-year veteran at that point, had also claimed a “gritty reality” through complex characters and boundary-pushing elements, a more Hollywood-ized reality than that of Homicide: Life on the Street.
But those series still featured cases that were largely wrapped up within the hour. Homicide: Life on the Street didn’t play by those rules, with a penchant for following concurrent investigations within an episode, some of which were resolved and some of which, as happens in real life, remained unsolved. The most prominent example of the latter comes with the first season episode “Three Men and Adena,” where the investigation into the death of an 11-year-old girl falls apart after 12 hours spent interrogating Risley Tucker (Moses Gunn in his last role) goes nowhere. Coupled with the ambiguity regarding Tucker’s guilt, the episode challenged the idea of a case-of-the-week with an antagonist that falls clearly into black hat territory.
2 Years Before ‘The Wire,’ Its Creator Made a Gritty 6-Part HBO Crime Miniseries That Aged Perfectly
David Simon is the master of the crime genre.
Homicide: Life on the Street proved that the police procedural didn’t need action pieces or neatly-wrapped stories, but rather focused on intelligent, intense, dialogue-driven scenes in the hands of a stellar cast, most notably Andre Braugher, who earned a Primetime Emmy Award in 1998. Braugher is charismatic in the role, with a deliberate and impeccable timing that radiated intensity and confidence — the same things he would utilize effectively is his self-parody role of Captain Ray Holt in Brooklyn Nine-Nine.
‘Law & Order’ and ‘Homicide: Life on the Street’ Had Crossover Episodes
Interestingly, despite their difference in approaches, Homicide: Life on the Street and Law & Order held three sets of crossover episodes, the first of which, a two-part event across the former’s “For God and Country” and the latter’s “Charm City,” aired in February 1996. That opened the door for Belzer’s John Munch to join Law & Order: Special Victims Unit in 1999, which, in turn, was opened after NBC cancelled Homicide: Life on the Street the same year.
David Simon would find vindication, however, when he created and produced famed crime drama The Wire, which utilized and expanded on his vision of truthfulness, finding a more willing partner in HBO than with NBC, who decried the risks and disregard for the rules of police procedurals (per The Guardian). Homicide: Life on the Street may have lost the battle, with police procedurals falling back to the case-of-the-week format, but it won the war by paving the way for series that defy conventional wisdom to deliver intelligent, challenging stories, and for that alone it should be celebrated.
Entertainment
Days of our Lives 2-Week Spoilers March 2-13: EJ Accused, Philip Frantic & Pod Lady! | Soap Dirt
Days of our Lives 2-week spoilers for March 02 – 13, 2026 divulge EJ DiMera‘s (Dan Feuerriegel) latest accusations, Philip Kiriakis (John-Paul Lavoisier) reaching a breaking point. And the mystery of the lady in the pod finally coming to a head.
Days of Our Lives Spoilers: EJ DiMera’s Sinister Scheme and the Secret DiMera Lab
EJ is worked up about the recent DiMera kidnappings and may be offering Liam Selejko (Hank Northrop) an ultimatum. EJ understands that Liam is broke and might offer him a payment to come clean before the police find out he was doing dirty work for Stephanie Johnson‘s (Abigail Klein) stalker. Meanwhile, the search for Stephanie continues as Chad DiMera (Billy Flynn) and Rafe Hernandez (Galen Gering) join the effort.
Rafe is planning to sneak into the secret lab within the DiMera lab. We expect this is when he finally sees the big blue human test tube while searching for Stephanie. Cat Greene (AnnaLynne McCord) is using an ISA tool to read the door codes. But EJ claims he will allow access to check if Stephanie is being held there. The tension is rising as the true purpose of this lab begins to surface.
DOOL Spoilers: The Search for Stephanie Johnson and Owen Kent’s Return
Steve and Jada Hunter (Elia Cantu) are out searching for Stephanie, who has been stashed in an industrial-looking storeroom. While the police are currently focusing on Jeremy Horton (Trevor Donovan) as the primary suspect, many in Salem are making dangerous assumptions. Julie Williams (Susan Seaforth Hayes) is convinced of Jeremy’s guilt after seeing a photo of a man in a mask. But the evidence is thin on Days of our Lives.
In a shocking twist, Owen Kent (Wes Ramsey) is back in town. Steve recently grabbed a man in a black hoodie in the park, expecting it to be Jeremy. But it turned out to be Owen. This suggests that Jeremy might be a red flag and that Owen is the one actually responsible for the kidnapping. Stephanie is still fighting to get free, tied to a chair as her stalker closes in.
Abe Carver’s Scheme and the Lexi Carver Revelation on Days
Abe and EJ DiMera are discussing a shady side deal regarding the DiMera CEO position. EJ wants his son Johnny DiMera (Carson Boatman) to keep the job long-term as a way to stay in his life. But Abe wants Theo Carver (Cameron Johnson) out of the company for good. Abe is determined to prevent Theo from returning to the CEO role. And the revival of Lexi Carver (Renee Jones) plays a massive part in this plan.
It is nearly time for EJ to show Paulina Price (Jackee Harry) exactly who is in the stasis pod. All signs point to the “Pod Lady” being Lexi. This revelation is set to shock Paulina and could change the power dynamics in Salem forever. The timing of Lexi’s potential awakening is no coincidence, especially with the DiMera family legacy at stake.

Philip Kiriakis’ Frantic Financial Struggles and Gabi Hernandez’s Guilt on Days of Our Lives
Philip Kiriakis (John-Paul Lavoisier) is currently encouraging Gabi Hernandez (Cherie Jimenez). But his support is only making her feel guiltier. Gabi planted a bug that wrecked Titan and has been lying to Philip to cover her tracks. Now, she is entering a full-blown romance with him while keeping these massive secrets. Philip is frantic as Titan faces significant financial trouble. And Gabi’s omission could lead to a total betrayal.
Rafe Hernandez (Galen Gering) is also working behind the scenes to prove that Gabi’s divorce documents were faked. He is gathering handwriting samples to have the FBI lab verify the forgery. As Philip struggles to save his family’s company, the truth about Gabi’s involvement is a ticking time bomb that could destroy their relationship and the Kiriakis empire.
Stefano DiMera’s Will and the Danger for Shawn-Douglas Brady on DOOL
The time has finally come for Stefano DiMera’s (Joseph Mascolo) last will and testament to be read. EJ is certain he knows what the document contains. But Stefano was famous for his last-minute shenanigans. There is a high probability that the Phoenix altered his will one final time to cause chaos from beyond the grave.
While the family prepares for the reading of the will, Shawn-Douglas Brady (Brandon Beemer) and Jack Junior (JJ) Deveraux (Casey Moss) are facing mortal danger. They are working with Liam to find the man who hired him. But a shooter named Klaus is expected in Salem soon to tie off loose ends. A stray bullet aimed at Liam might find a different target, putting Shawn’s life on the line during this high-stakes investigation.
Entertainment
Dax Shepard Is Writing a Memoir That Details Childhood Sexual Abuse
Dax Shepard is ready to open up about his childhood sexual abuse in a new memoir.
Shepard, 51, revealed that he’s writing a memoir during the Monday, March 2, episode of his “Armchair Expert” podcast. While he plans to discuss being molested as a child in the book, the Parenthood actor admitted that he struggled for several months to put the story on paper.
“I have, for years on here, been acknowledging that I have been molested. And that was its own hurdle to just say that. And I got quite comfortable being able to say that. That was fine. And now I’m writing a memoir. And last year, really, the whole year was about, ‘Do I have the balls to write down the details of this?’” Shepard told guest Marcus Mumford, who detailed his own experience with childhood sexual abuse on his 2022 single “Cannibal.”
Shepard continued, “The details were always going to be mine. I didn’t want anyone to be envisioning me. It’s weird that that was still some wall between my shame. Like, I can say that happened, but I don’t need you to know anything that actually happened.”
Shepard said it took him “four months” to be able to tell the story in his memoir.
“And when I’m writing it, I cannot help but think of people knowing this about me and how still exposed that feels,” he admitted, adding that he was “emotional” during the months it took him to write the story.
“I was having really weird kind of spikes of emotions and moodiness. And I would forget that’s why I was having that,” Shepard added.
The Zathura star said he felt better once he finally finished that portion of the memoir, but the next challenge will be actually publishing the book.
“I finished it, and something about it existing there feels like a lot of weight is off my shoulders. But for me, there’s still the hurdle of, like, [putting the book out there],” he concluded.

Shepard first opened up about his experience in 2016.
“Yeah, I was molested,” he said on SiriusXM’s The Jason Ellis Show at the time, revealing that he was abused by an 18-year-old “dude in my neighborhood” when he was 7 years old.
Though Shepard called the molestation “minimal,” he added that it likely played a role in his struggles with addiction later in life.
“If you’ve been molested, you only have a 20 percent chance of not being an addict,” Shepard explained, noting that he thought his addiction was a result of heavy partying. “But when you hear a statistic like that, I’m like, ‘Oh, no, I was going to be an addict, period.’”
Shepard said it took him “12 years” to open up to someone about his experience.
“And then all that time, I was like, ‘It’s my fault,’ as generic as that is, I’m like, ‘It’s my fault. And I’m gay, I must have manifested this because I’m secretly gay.’ I had all these insane thoughts for 11 years or 12 years,” he continued.
Shepard’s wife, Kristen Bell, whom he married in 2013, exclusively told Us Weekly at the time why her husband decided to go public with his story.
“Well, in truth, he has dealt with it many, many years ago,” Bell, 45, said at the time. “It wasn’t a moment he revealed. It’s a lifestyle he lives, where he’s honest and brave. The entirety of the radio show, he was relating to the host who had a similar revelation, and they were communicating.”
Bell continued, “I think that, to me, is the more profound thing, that he does talk about it. Anytime someone can admit a vulnerability, and it can be helpful to others, it should be done when said person is ready. That emotion is maybe one of the most profound ones we have. I, particularly, I’m taken with vulnerability when you’re in any sort of conflict. If you come at the other person, come back to the other person with vulnerability, you can never lose. It always makes the situation better.”
If you or anyone you know has been sexually abused, call the National Sexual Assault Hotline at 1-800-656-HOPE (4673). A trained staff member will provide confidential, judgment-free support as well as local resources to assist in healing, recovering and more.
Entertainment
90 Day Fiance: Elise Goes with the Flow Down Under – Before The 90 Days Recap [S08E12]
On 90 Day Fiance, Elise Benson proceeds to Australia to meet Josh Lawson and while they hit it off the circumstances are less than ideal. Forrest stands his ground and stands up for Sheena when Molly attacks their engagement. Aviva Duhamel is wishy washy in the face of hard evidence that Stig Da Artist is unfaithful. And Lisa comes clean after a messy incident with Daniel. Let’s break it all down in this recap of Season 8, Episode 12 Final Boarding Call.
90 Day Fiance: Elise Meets Josh in Australia
Elise Benson packs for her trip to Australia to meet her online boyfriend Josh Lawson on 90 Day Fiance. The late season couple look great on paper. But cracks are already appearing. It seems Josh text Elise about an incident on his job as a yacht broker. He took a yacht on an unauthorized joyride and crashed it. Elise Benson is still going to follow through with the trip. In spite of Josh throwing red flags at every turn.
We get a glimpse of Josh Lawson and his roommate cutting up like 40 something frat boys. And Josh reveals that he really wasn’t living with his parents. He was living with his best gal pal Nat. He admits he left that part out when speaking with Elise Benson. She packs bikini bottoms rating them on the likelihood of getting laid. Josh’s friend and roommate Chris placed a painting of himself above the bed where Josh and Elise will sleep among other things.
Elise Benson confides Josh’s man child antics to her closest friend on 90 Day Fiance. Ultimately her friend has concerns. Elise believes he’s the one. After some glitches with her tourist visa she arrives down under. To find Josh and Chris waiting in sport coats while she’s in a sports bra and leggings. They want to whisk her to a bar to watch a night of racing. Elise and Josh make out while Chris watches. They convince her to change at the airport to go out. She agrees, dons a yellow dress and goes commando.


90 Day Fiance: Forrest Stands up for Sheena
Forrest and Sheena find themselves under attack on Before The 90 Days. Once they told Forrest’s mom Molly of their engagement, she went on the attack. She calls Forrest stupid for being manipulated by Sheena. And tells him he’s more full of ish than a Christmas goose. Sheena encourages Molly to let Forrest make his own decisions. And that only enrages Molly further. She even suggests Forrest would stay with Sheena if she “diddled” someone else.
Forrest has had enough of her nasty attitude and seeks support from his stepfather Dev. Who seems terrified to go against Molly. But Forrest stands his ground. Even going as far to issue an ultimatum to Molly. Accept the engagement or be cut out of their lives. Molly doesn’t take this well. And suggests he not come crawling back to her when this fails. She later cries that she feels she has lost her son.
TLC Couple Aviva and Stig Deal with Rumors
On 90 Day Fiance, Aviva Duhamel also deals with meddling relatives. Her Aunt Spring is on a mission to unsettle Aviva’s relationship with Belizean singing star Stig Da Artist. At the center of the investigation is a photo of Stig laying a smooch on a bikini clad woman. Spring’s niece claims this girl is a friend of hers from way back. And has been casually hooking up with Stig for awhile.
Over tropical drinks, Aviva, Spring and her niece Corrinth decide to call the woman in question to get the truth. Stig was left behind and wonders what kind of conspiracies they will feed Aviva. It was a one sided phone call. You couldn’t hear the other woman’s voice. But Corrinth says her friend didn’t know of Aviva. And later text that she was going to San Pedro with him later in the month.
Aunt Spring is smug. But Aviva Duhamel isn’t sold and is set to meet Stig’s dad that evening. Even Stig’s father admits his son is a bit of a player. Aviva brings Aunt Spring along. Spring suggests a strong round of libations called “panty rippers”. Aviva imbibes and questions Stig about the picture. And Corrinth’s phone call. He swears none of it is true and doubts that girl even has his number. With weak evidence and the help of the panty ripper, she forgives him. But he admits to production he’s not innocent.
Before The 90 Days: Lisa’s Dirty Secret Gets Real
It’s been quite a wild ride for Lisa on this season of 90 Day Fiance. She’s been under the microscope since she arrived. Deprived of her vape, shamed when she appeared without her wig in front of Daniel and placed in front of a “king” wearing a plush lion, it doesn’t seem like it could get worse. But it does. Apparently the Nigerian cuisine caught up to her. And Lisa had an accident and pooped the bed. She is mortified, but Daniel tells her it’s ok while ironically gnawing on a Baby Ruth bar.
But she doesn’t realize it’s about to get worse. Over some wine and a home cooked meal she spills most but not all of the beans to Daniel about her past. She admits to five marriages. And in spite of being separated for 9 years she’s still married to number five. But fails to divulge that it’s a woman. Daniel freaks out over the fact he’s been sleeping with another man’s wife. He fears being banished from his tribe.
Lisa sobs and finishes off the wine while Daniel rants. They ride back to the hotel together in silence on 90 Day Fiance. He won’t even sit by her in the car. Lisa realizes she should get her own room for the night. Once she does she calls her daughter revealing what happened. Her daughter isn’t really surprised. But suggests she must come all the way clean about her life and that she’s actually married to a woman. But Lisa doesn’t think she can.
90 Day Fiance: Rick Bets on a Rumble and Wins Trish Back
In spite of admitting he jetted to Colombia for a tryst with his ex after just a few days of no contact from Trish, Rick Van Vactor manages to win her back. She’s hurting. And doesn’t want him to touch her. But the 90 Day Fiance couple decide to finish out their vacation and watch an outdoor Moraingy match. Rick heckles the bare-knuckled brawlers. And Trish softens a little bit wagering a night of sex. Rick takes the bet and wins. But she suggests she’s not putting out.
Trish admits she isn’t sure if she can trust Rick Van Vactor going forward. But acknowledges he makes her happy and she does love him. But there’s the matter of taking him to meet her father. Rick is nervous about it too. But she doesn’t plan on telling her family about the indiscretion. Rick knows he probably has several strikes against him already. Mainly his age and the fact he’s not thrilled about more children. So, it’s a gamble. Till next time!
Entertainment
Every Stephen King Book That Needs an Adaptation ASAP, Ranked
One day, I wanted to know how many Stephen King novels hadn’t been adapted into TV shows or movies. And so I went through them all, and, at the time of writing, it’s… actually, it’s complicated. The Dark Tower complicates things. Let’s just address that first and foremost. It’s obvious that Salem’s Lot has been adapted as both a miniseries and a movie, while The Stand has had two miniseries, and Pet Sematary has had two movies, and so on, but The Dark Tower only kind of has The Dark Tower (2017).
But then that adaptation isn’t really an adaptation of one specific book. For present purposes, maybe it’s best to say that it kind of lines up with book #1, The Gunslinger, though not really. And so all the other books definitely remain unadapted, but if they were to be adapted, it would make sense to do them as one big adaptation, like a multi-season-long TV show. So, multiple unadapted books = one potential adaptation that’ll hopefully come out one day. Taking those unadapted books as one story, and almost imagining the unadapted Gwendy books as getting one adaptation, there are 22 unadapted stories, not counting novellas or short stories that haven’t been adapted. And if you separate out the Gwendy and Dark Tower books, there are 29 (out of 66) novels that haven’t yet been adapted into a movie or miniseries. That’s a higher number than expected, in all honesty, even if many of those novels are more recent ones that’ll likely get adapted eventually.
There are also some older books mentioned here that might, post-2026, have adaptations. This whole endeavor will likely age faster than most rankings, but for now, it’s accurate and thorough. For now, you can only really experience these Stephen King novels on the page, or as audiobooks, and that’s one of many good reasons why reading every now and then (like, generally) is worthwhile. Those still-to-be-adapted novels are ranked below, starting with the messy/not-so-good ones and ending with those where it’s surprising adaptations don’t yet exist.
22
‘The Regulators’ (1996)
It would make the job easier to skim over the Richard Bachman books that Stephen King wrote under his pseudonym, as of the seven, only three have been adapted to film (The Running Man twice, though, for what that’s worth). Still, we know Bachman is King now, and vice versa, and in 1996, people knew that, so King releasing The Regulators as a Bachman novel was sort of him being cute.
And he also did so in order for it to be a companion novel with the slightly better Desperation, which has a TV movie adaptation. The Regulators is an incomprehensible book, though, and so it would likely make for a similarly frustrating movie. Points for trying something weird, and the act of comparing and contrasting The Regulators and Desperation is sort of interesting if you’re a big King fan, but The Regulators on its own is just not a particularly good read (sorry).
21
‘Holly’ (2023)
Even if Holly might not look too long, compared to other very long Stephen King novels, it feels agonizingly drawn out, and is among his weaker books overall. It’s the first novel of his to give Holly Gibney a central role, after she was a supporting player in a handful of other Stephen King books, most of them crime/mystery-focused, but not all without horror elements altogether.
Some of those books have had adaptations, like the Mr. Mercedes TV series that ran for a few seasons, meaning it could also adapt Finders Keepers and End of Watch, and then also The Outsider, which Gibney was a supporting player in. There’s one other Holly book after Holly that’s also unadapted, and is a little better overall (still not perfect, but an improvement nonetheless is still worth appreciating).
20
Two Books in the ‘Gwendy Trilogy’ (2017–2022)
It wouldn’t take much to make the stories in the Gwendy trilogy equal to the books, in terms of quality, were they adapted, though one has to wonder who’d want an adaptation in the first place. This is also a bit of a Dark Tower situation where things get complicated. Here, it’s because there are three books, and no indication of how they’d be adapted if an adaptation were attempted, and also, King didn’t write or co-write the second one, as that was a solo effort by Richard Chizmar.
Honestly, Gwendy’s Button Box is a decent enough read, only really suffering because it’s short and very, very reminiscent of other books by Stephen King. The third book, Gwendy’s Final Task, almost feels like a practical joke, and then the second, written only by Chizmar (and called Gwendy’s Magic Feather) is very forgettable. Judging the series as a whole, it’s not very good, but that first book on its own is just fine (still wouldn’t really ever need an adaptation, though).
19
‘From a Buick 8’ (2002)
You can write about From a Buick 8 multiple times, and it never gets easier. The same can sort of be said for The Tommyknockers and Dreamcatcher, but even those somehow got adaptations (a two-part miniseries and a movie, respectively). From a Buick 8 might well be unadaptable, since it’s even weirder, despite being shorter and so technically not having as many strange directions it can rampage off in.
But just as the characters in Seinfeld have “got to see the baby,” anyone talking about From a Buick 8 has got to try and say what’s more or less about. A spooky car? Alien life? The nature of storytelling? Policing? It’s far more common to come away from a Thomas Pynchon novel not knowing what the hell you read, but for a storyteller like King, who usually lays everything out so smoothly, to deliver something this weird… well, maybe it’s a sign of range? If you really want a silver lining.
18
‘Sleeping Beauties’ (2017)
The idea of Sleeping Beauties is interesting, like, premise-wise. And then it’s also nice that Stephen King wrote a novel with one of his sons, Owen King. As a duo, they made something that wasn’t terrible, and yeah, the premise is good. Sleeping Beauties is about women all being affected by some sort of unknown event that makes them fall into comas, and get cocoons wrapped around them.
The men left conscious all panic, especially because bad things happen whenever someone tries to wake up one of the women. Once answers start being revealed, Sleeping Beauties falls apart a bit, and that’s a problem for obvious reasons. It’s one of those “King started it well, but didn’t really know how to finish it” books. Or, more specifically, “two Kings started things well, but then neither had a great idea of how to finish things.”
17
‘Elevation’ (2018)
Keeping it short when it comes to Elevation, because this book is tiny, it’s basically about a guy who starts becoming lighter and lighter. That also happened in Thinner, which was a Richard Bachman book (the last of King’s Bachman books before people found out the truth), but that had a horror slant to the premise, whereas this one’s kind of trying to be a tearjerker?
It’s weird, how sentimental Elevation tries to be, not because it plays out more like a fantasy story than a horror one, but because it’s really sappy and just absurd at the same time. Is it a novella or a novel? Different sources define it differently, but that length (or lack thereof) does mean it could be adapted pretty directly. Question is, would anyone want it? Is anyone really that much of an Elevation fan?
16
‘The Girl Who Loved Tom Gordon’ (1999)
The Girl Who Loved Tom Gordon is another Stephen King book that keeps things on the shorter side, for better or worse. Or for better and worse? It’s for the better, because it’s about a young girl who gets lost in the woods on her own, and you can only do so much with that premise. But maybe also for the worse, because King’s taken a simple adventure and/or survival story and expanded it in significantly more interesting ways before.
There are also a few more fans of The Girl Who Loved Tom Gordon, it seems, compared to Elevation, but still probably not many girls or boys or women or men who love The Girl Who Loved Tom Gordon. It’s a bit too slight, but it’s not bad. It has its moments. And it would translate well to film (not a TV series, or even a miniseries; there’s just not enough here to adapt).
15
‘Rage’ (1977)
Given how King feels about Rage, and his stance on it being a good thing that it’s out of print, a movie or TV adaptation of it feels like it might well be the least likely unadapted book of the author’s to ever get one. It’s about a student who brings a gun to school, killing two teachers with it before taking his class hostage, and then that whole situation is what most of the story is devoted to.
As for the quality of Rage itself? It’s not terrible for an early work by the author.
It’s understandable why King feels the way he does about Rage, even if movies dealing with similarly upsetting subject matter have been made before (see Polytechnique and Elephant). As for the quality of Rage itself? It’s not terrible for an early work by the author, and you can sort of admire what it’s going for to some extent, but it’s not handled ideally, and even with its relatively short page count, Rage does end up feeling a little drawn-out.
14
‘Roadwork’ (1981)
While not quite as disturbing as Rage, Roadwork is a similarly angry and intense book, and it has some flaws as well, like that other early Bachman book with a single-word title (and that word starts with “R”). It’s also the case that Roadwork would probably work better as a movie, or be a little easier to tackle, even if adapting it, you’d run the risk of making something too similar to Taxi Driver or Falling Down.
That’s because Roadwork is one of those stories about a man pushed to some kind of limit, and then he lashes out because of the injustice he feels in society. Here, he just has a run of very bad luck, and King gets some engaging material out of the whole “How far do you want to go before you start seeing him as a villain more than a victim” kind of thing (see also any number of more recent TV shows about anti-heroes).
13
‘Never Flinch’ (2025)
Two years on from Holly, Holly Gibney herself was also the protagonist of Never Flinch, and it feels a bit silly to include it on this ranking at this present time, since it’s very recent and adaptations usually take time… unless it’s Christine, for whatever reason. That Stephen King book came out in the first half of 1983, and the movie adaptation came out right near the end of the very same year.
But to stay focused on Never Flinch, this one might be difficult to adapt because it’s sort of a messy combination of two ideas that might have been two novellas on their own, or overall neither was long enough to be fleshed out into a novel. So King threw them both together here, and had Holly Gibney tackling two different cases that are interesting on their own, but don’t really cross over or come together in an especially satisfying way. It’s a novel that’s less than the sum of its parts, though at least many parts of it are pretty good.
Entertainment
Ex NHL Star Ron Duguay Posts Update After Revealing Cancer Diagnosis
Former NHL star Ron Duguay gave fans an update about his health journey after revealing he had been diagnosed with stage IV colon cancer.
Duguay, 68, detailed part of his “upgraded” treatment plan in a video via his Instagram Story on Sunday, March 1.
“Most of you are aware of the benefits of Vitamin C. Most people may take a gram a day, maybe two,” Duguay said, showing his arm hooked up to an IV in a doctor’s office.
He continued, “I’m doing as much as 75 grams. I’ve been doing 50. My body has been tolerating it. So now I’m moving it up to 75. I’m going to get to the bottom of this. Get stronger. Build up my immune system so I can get out of here. I want to see the finish line! Let’s go!”
Duguay was diagnosed with colon cancer in December 2024, but kept it private until the ongoing financial burdens led to his family launching a GoFundMe last week.
Shay Thomas, Duguay’s daughter, exclusively told Us Weekly that convincing her father to ask for help was “a fight for many months.”
“His credit card debt was going up and that’s when I told him, ‘Dad, just let me do this. I’m not going to put your name on there. Just let me do this. So many people have asked to help you. You need the help. You’ve helped people. Let them help,’” Thomas said.
She added, “We spoke as a family and we said, ‘We need to make this GoFundMe. We gotta do everything we can. Because if we don’t, it’s going to kill you.’”
Thomas said her father “had nothing left” when the family resorted to launching the fundraiser, which has since raised over $112,000 at the time of this story’s publication.
“He does not like asking for help, even when I have to ask him about his finances,” Thomas said. “I can tell when he’s stressed out. I know he hasn’t been able to work. He was able to work comfortably before he got sick and he was able to provide for himself. He was fine. But once he was sick, he couldn’t even walk. He could barely eat. It was so bad. He wasn’t able to work.”
Thomas also responded to some backlash the GoFundMe has faced, with some critics questioning how Duguay, who played 12 seasons in the NHL, had run out of money.
“I see so many things where people are like, ‘He has millions of dollars from back in the day. I’m like, ‘What are we talking about?’” she said.
Thomas added, “I never understand some of these people with these crazy opinions. Most people don’t make them unless they need to. Who wants to have an illness where you have this financial strain? You’re desperate, in a sense, and that’s where we’re at.”
Duguay’s daughter gushed about the assistance of former Alaska governor Sarah Palin, who has been in a relationship with her father for years.
“She’s been involved and incredibly supportive in my dad’s entire journey,” Thomas told Us. “Their relationship can obviously be challenging because they live long distance. She’s in Alaska, he’s in Florida. But they have always remained close.”
Thomas continued, “If we ever need her for something, she would take a red eye flight on short notice. If we have stuff with our kids and couldn’t make it — for example, my dad had a surgery where they went into his colon and liver — and she stayed with him in the hospital for five days. She’s been a huge source of support. Not only for my dad, but for our entire family.”
Entertainment
Hillary Clinton Storms Out of Epstein Deposition After Photo Leaks, See Video
Hillary Clinton’s Epstein Depo
Leak My Pic?!? I’m Done With This!!!
Published
Hillary Clinton was pissed when she found out a photo from her deposition on Jeffrey Epstein got leaked from inside what was supposed to be a closed-door session … and video shows the moment she storms off from the podium.
In footage from last week’s testimony, released Monday by the House Oversight Committee, Hillary rips the panel for breaking their own rules and not preventing a leak.
The former First Lady, New York Senator and Secretary of State blasts Republicans in the room, saying … “I’m done with this. If you guys are doing that, I am done. You can hold me in contempt from now until the cows come home. This is just typical behavior.”
The leaked photo was posted on social media by conservative influencer Benny Johnson … and he claimed it was snapped by Colorado Republican Congresswoman Lauren Boebert.
Video cuts off after Hillary gets up from her chair and storms off … and when she comes back, she’s told the photo was snapped before she uttered a word.
Still, Hillary was not pleased with the explanation.
Entertainment
Beyond the Gates Weekly Spoilers March 2-6: Ted Faces Intense Interrogation & Hayley Trapped in Crisis
Beyond the Gates spoilers for March 2 – 6, 2026 see Ted Richardson (Keith D. Robinson) getting grilled and Hayley Lawson (Marquita Goings) cornered.
Beyond the Gates Monday, March 2nd: Anita’s Chemo Struggles and Hayley’s Anniversary Crashers
On Monday, March 2nd, Ashley Morgan (Jen Jacob) helps Anita Dupree (Tamara Tunie) through a tough time. She’s getting another chemo session and looks really annoyed but Ashley’s there for her. Anita is in chemo and then she tells Vernon Dupree (Clifton Davis) she doesn’t know if she’ll win her battle or if she can handle this.
By the way, Anita’s in a blue cap thing during chemo and those are cooling caps that are attached to a little A/C system and cools down the head which can help slow hair loss from chemo. So, Ashley might’ve suggested it, we’ll see.
Naomi Hamilton Hawthorne (Arielle Prepetit) gets a proposition from Katherine “Kat” Richardson (Colby Muhammad). Is it about moving in with her while Jacob Hawthorne (Jibre Hordges) is undercover?
Hayley and Bill Hamilton (Timon Kyle Durrett) celebrate their anniversary but they have several crashers that interrupt. Hayley and Bill are at Fairmont Cross Country Club for dinner and looking awfully annoyed when they get unwanted company.
Dani Dupree (Karla Mosley) wishes Bill and Hayley a happy anniversary but sarcastically. Andre Richardson (Sean Freeman) is there with her. Dani reaches in her purse and says she had to commemorate this occasion and Bill looks worried when Dani digs in her purse. Is he expecting a gun?
BTG Spoilers Tuesday, March 3rd: Izaiah Gets Put on the Spot and Bill Wants a Baby
On Tuesday, March 3rd, someone puts Izaiah Hawthorne (David Lami Friebe) on the spot. Is Ted grilling him about him and Eva Thomas (Ambyr Michelle) and intentions as Dana “Leslie” Thomas (Trisha Mann-Grant) asked him to do?
Hayley’s stunned when Bill presses her about expanding the family. Bill asks Hayley if she’s ready to try again for a baby.
Tomas “Tom” Navarro (Alex Alegria) gives Eva advice. Is it about dealing with Kat?
Leslie says she doesn’t know what Eva’s talking about but she reminds Leslie that she taught her everything she knows about revenge.
Leslie runs into Nicole Dupree Richardson (Daphnee Duplaix). Next week, Vanessa McBride (Lauren Buglioli) tries to keep the peace when things get heated between Leslie and Nicole. Vanessa and Nicole are at Uptown and Leslie plops down being catty and Nicole reminds Leslie that the last time she goaded her, naughty Nicky came out and put her hands on her—she asks does Leslie remember how that turned out? Vanessa reaches for Nicole’s hand before she does anything impulsive.
Beyond the Gates Spoilers Wednesday, March 4th: Ashley Helps Grayson and the Duprees Get a Surprise Visitor
On Wednesday, March 4th, Vernon supports Chelsea Hamilton (RhonniRose Mantilla). Is this about her wedding plans or something else? Bill calls in a favor. Is it from the Duprees? Is this about what he wants from Hayley?
The Dupree family receives a surprising visitor. Kyle gives Vanessa an update that will affect Nicole. Is Kyle house hunting to stick around the DMV because he’s really into Nicole and wants to be around to pursue her?

BTG Thursday, March 5th: Ryland Keeps Hayley on Track and Derek Gets Stuck in the Middle
On Thursday, March 5th, Derek Baldwin (Ben Gavin) is stuck in the middle when Leslie and Vanessa are bickering. Madison and Chelsea notice an unusual couple. Who’s together that stuns them? Joey Armstrong (Jon Lindstrom) doesn’t want to do something but agrees anyway. Does Bill ask him or Vanessa?
Friday, March 6th: Jacob’s New Assignment and the Plasma Ring Reveal on BTG
On Friday, March 6th, Jacob gets a new assignment but it may wreck the undercover op into the plasma ring. Martin tries to connect with Bradley “Smitty” Smith (Mike Manning) and Samantha Richardson (Najah Jackson). Why is he feeling disconnected?
A shocking person is revealed to be involved in the plasma ring. Joey? Izaiah? Leslie? When Vernon’s surprise arrives, Anita doesn’t feel well. These side effects are really starting to take their toll and she’ll need the family to rally around her. That’s your Beyond the Gates weekly spoiler outlook.
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