Entertainment
‘RHOA’ Star Pinky Cole, Slutty Vegan Founder, Files For Bankruptcy
‘RHOA’ Pinky Cole
Slutty Vegan Founder Files For Bankruptcy
Published
Pinky Cole, the Slutty Vegan founder who is new to ‘RHOA’, filed for bankruptcy … and it looks like she’s got a good chunk of debt.
According to new legal docs, obtained by TMZ, Pinky filed for Chapter 11 bankruptcy … and she says she owes the U.S. Small Business Administration $1.2 million.
What’s more, Pinky says she owes another $192,000 in total to the Georgia Department of Revenue.
It looks like the financial issues may be predated to her Slutty Vegan burger chain in Georgia.
In the docs, Pink says her homes, jewelry, clothing, cars, artwork and other personal property are worth about $3.7 million … and she said her monthly expenses are around $41,700.
The filing comes on the heels of Pinky being added to the ‘RHOA’ cast.
We reached out to Pinky … so far, no word back.
Entertainment
When does “Scary Movie 6 ”come out? Inside the franchise's return (and the horror films being spoofed)
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They’re baaaaaack.
Entertainment
The ‘Community’ Movie Has One Thing Most Revivals Don’t, and Its Latest Update Hints It’s Still There
In the second half of Community‘s original run on NBC, “Six Seasons and a Movie” became not only the mantra of the show’s fans, but also the series itself. The phrase was both a goal and a promise, to tell the story of Greendale Community College’s most infamous study group over the course of six TV seasons and a feature film. Against all odds (and with a little help from Yahoo’s short-live streaming venture), we got the six seasons, and now we’re just waiting for the movie.
Peacock announced Community: The Movie a couple of years ago, and it was due to begin production after the SAG and WGA strikes, Unfortunately, that production start never happened, and fans are still waiting to see if the film will actually come to fruition. What we know now, though, is that the post-strikes delay was due to one key member of the cast having a conflict, and Community remains committed to keeping the entire ensemble together. In other words, the Community movie knows exactly what it needs to be, and nobody is settling for less.
The delays that have plagued Community‘s movie have undoubtedly been frustrating, but there is definitely a silver lining to the entire situation: Dan Harmon and his creative cohorts know that the cast needs to be together for this to work. Community writer Andrew Guest recently appeared on a new episode of The Watch podcast and confirmed that the movie was “close to shooting” after the strikes in 2023, but one cast member had a conflict that would’ve kept them from having their intended role. Rather than changing anything in the script to make a deadline, the entire movie was pushed to make sure everyone could be a part of it.
Community’s razor-sharp, years-ahead-of-its-time writing is a big reason the show has left such a lasting mark on its fans, but the biggest reason is absolutely the show’s perfect ensemble. Joel McHale, Gillian Jacobs, Danny Pudi, Alison Brie, Yvette Nicole Brown, Ken Jeong, Jim Rash, and Donald Glover all need to have substantial parts to play in the film for it to actually be a worthwhile continuation of the series. Based on what Guest had to say, it sounds like that remains the goal.
Keeping the Study Group Together
The first three seasons of Community featured the entire core cast on a consistent basis, with Chevy Chase rounding out the aforementioned list of stars. Chase was written out of the show entirely, Glover’s Troy was sent off to another college in Season 5, and Brown only made a few appearances in Season 6. Chase’s character exit made sense, but the breaking up of the group beyond Pierce left a void with fans that the show tried a few different ways to fill.
No offense to anyone who came into the show in Seasons 5 and 6, because many of them did a great job helping Community stay quirky and fresh. Keith David and Paget Brewster did an particularly solid job aiding Community across the finish line. But no matter how good they were, the study group never felt the same without Troy and Shirley.
The duo of Troy and Abed is especially important to making the Community movie work. There have been rumblings that the script is about a Greendale reunion and Abed trying to put a film together about their lives. In what world would Abed make a movie about Greendale without Troy being a part of it? There has been no word about Glover’s schedule being an issue or anything like that; this is simply one example of the dynamics of the study group that can be thrown off if everyone isn’t back together.
Community is exactly as its title implies, it’s about the sum being a wonderful culmination of its eccentric parts. It’s refreshing to know that, unlike many other reboots and revivals, the Community creative team isn’t satisfied with anything less than what made it special in the first place.
- Release Date
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2009 – 2015-00-00
- Network
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NBC, Yahoo! Screen
- Showrunner
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Dan Harmon
- Directors
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Tristram Shapeero, Joe Russo, Anthony Russo, Rob Schrab, Jay Chandrasekhar, Adam Davidson, Justin Lin, Steven K. Tsuchida, Kyle Newacheck, Victor Nelli Jr., Nat Faxon, Michael Patrick Jann, Anthony Hemingway, Ken Whittingham, Steven Sprung, Tricia Brock, Jeff Melman, Gail Mancuso, Duke Johnson, Fred Goss, Bobcat Goldthwait, Richard Ayoade, Seth Gordon, Beth McCarthy-Miller
- Writers
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Chris McKenna, Hilary Winston, Andrew Guest, Tim Hobert, Karey Dornetto, Stephen Basilone, Emily Cutler, Annie Mebane, Alex Rubens, Tim Saccardo, Paul Isakson, David Seger, Maggie Bandur, Monica Padrick, Matt Murray, Liz Cackowski, Lauren Pomerantz, Dan Guterman, Matt Roller, Ryan Ridley, Carol Kolb, Jon Pollack, Dino Stamatopoulos, Donald Diego
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Hillary Clinton & Nancy Mace
New Video Shows Wild On Camera Confrontation
Published
Hillary Clinton locked horns with Nancy Mace while the former secretary of state was deposed about Jeffrey Epstein last week — and their heated back and forth was caught on newly released video.
The GOP-led House Oversight Committee grilled Clinton for hours during her February 26 deposition over her alleged ties to Epstein, which Hillary said did not exist.
Things turned ugly when Mace, a republican South Carolina congresswoman, started questioning Clinton about how she knew Commerce Secretary Howard Lutnick. Recently, Lutnick has come under intense scrutiny over his past association with Epstein, who was convicted in 2008 for soliciting a minor for prostitution in Florida.
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Check out the clip, released Monday by the oversight committee … Hillary responded that she met Lutnick after 650 of his employees at Cantor Fitzgerald — a financial services firm in the World Trade Center — were killed during the 9/11 attacks in 2001 while Clinton was a New York senator.
At one point, Mace interrupted Clinton, claiming the ex-senator was trying to dance around the question while the congresswoman pointed out she’s a survivor of rape just like Epstein’s numerous victims.
Mace then cited an email from Lutnick to Epstein, which asked the convicted pedophile to donate money to Hillary for a political event at Cantor Fitzgerald.
That’s when Hillary fought back, shouting at Mace to allow her to finish answering the question. Hillary also tried to sympathize with Mace over her being sexually assaulted … but that didn’t soften Mace one bit.
The two clearly couldn’t stand each other. See for yourself and watch the clip.
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A spokesperson for Discovery Channel described the loss of Meadows as “devastating.”
Entertainment
Dax Shepard prepares for invasive medical procedure as wife Kristen Bell hosts Actor Awards 2026
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Sunday’s ceremony marked Bell’s third time hosting the event formerly known as the SAG Awards.
Entertainment
Savannah Guthrie embraces family members while visiting memorial at missing mother Nancy's house
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The “Today” cohost wrote on Instagram that the family felt “the love and prayers” from around the world, adding, “Please don’t stop praying and hoping with us.”
There’s a certain kind of TV lightning that only strikes once. The sort of show that doesn’t just entertain viewers but reshapes what the medium is allowed to say out loud. This is great news for All in the Family, as Netflix is set to release all 205 episodes of the show as part of its upcoming release of two major parts and two minor parts. New viewers will be able to discover a sitcom that played an important part in changing television forever.
For old fans, it brings back many memories of what was sure to be an unforgettable moment in television history for many years to come. A 30-year-old program has left an indelible mark on the comedy landscape; almost anyone who has ever watched an episode can give a detailed rundown of the show from start to finish. Although there are some very serious political and social overtones present throughout much of the series, these elements are all treated with a humorous tone.
The 1971 premiere of All in the Family on CBS had a significant impact on television comedy because, instead of bending the rules of comedy, it steamrolled them. The series was developed by Norman Lear and Bud Yorkin and was based on the British comedy Till Death Us Do Part, but it developed into a uniquely American television series. At the time of its premiere, sitcoms were primarily made for escapism, and All in the Family placed the viewer in the Queens apartment of working-class family man Archie Bunker (Carroll O’Connor), who held an array of non-complimentary opinions that caused constant strife with his family.
Throughout its run, All in the Family examined topics that very few primetime comedies did: racism, sexism, the Vietnam War, women’s liberation, and the generations of people who differ in many ways. The gamble paid off. The series didn’t just become a hit; it dominated the ratings for five consecutive years in the early 1970s. More importantly, it proved that audiences would show up for comedy that didn’t pretend the real world wasn’t happening outside the living room window.
Archie Bunker Remains One of TV’s Most Complicated Leads
At the center of the show’s staying power is Archie Bunker, who is often described as a “lovable bigot,” and the contradiction is the point. He’s stubborn, frequently wrong, and often offensive — but he’s also human, vulnerable, and occasionally capable of growth.
The show’s genius was in surrounding him with people who constantly challenged his worldview: his warm but sharper-than-she-seems wife, Edith (Jean Stapleton), his increasingly independent daughter, Gloria (Sally Struthers), and his progressive son-in-law, Michael, better known as Meathead (Rob Reiner).
What followed were arguments that felt ripped from actual American households. Lear’s formula was deceptively simple: put clashing worldviews in the same room and let them talk — loudly. The result was a sitcom that functioned as both comedy and cultural mirror.
Why the Show Still Feels Uncomfortably Relevant
One of the best reasons to revisit this series in 2026 is that the core conflicts face many of the same challenges they did when originally aired. Throughout its history, the series dealt openly and honestly with many of the same hard-hitting issues that were hard-hitting for network television at the time; among them were homophobia, reproductive rights, mental illness, and class conflict. The fact that an episode from very early in the run (Season 1, Episode 6) contained one of the first openly gay characters (played by Philip Carey) to appear on an American network television show (albeit by the standards of today, it’s not the greatest representation) demonstrates how groundbreaking this particular series was during its original run.
In addition, the series portrayed many elements that comedies often struggle to show: it maintained sufficient levels of censure to remain funny while also providing a great deal of character development. The family scene in the series also included emotional moments; this was evident when the family mourned the loss of their father, dealt with financial issues, and adjusted to changing cultural standards.
Many current television series that push boundaries, whether cartoons or prestige dramas, owe a tremendous debt to this show’s ability to deliver a large audience with entertaining and controversial characters, events, and storylines. It provided the viewer with evidence that increasing levels of controversy and viewer acceptance do not preclude a series from being a success.
Streaming Gives a New Generation a Chance to Reevaluate
The arrival of all nine seasons on Netflix is more than a nostalgia play because streaming changes how the show is experienced. What once unfolded weekly — and sometimes contentiously — can now be watched in rapid succession, making the character evolution and thematic through-lines easier to track.
It also invites a fresh conversation about what “controversial” TV looks like today. Plenty of modern comedies are edgier on paper, but few operate with the same combination of mainstream reach and willingness to make viewers genuinely uncomfortable.
Not every joke lands the same way in 2026, and the series is undeniably a product of its time, but that friction is part of the value. The show was designed to provoke discussion — and, ideally, reflection. With its full run finally easy to binge, the sitcom’s legacy is likely to spark debate all over again. And honestly, that feels exactly in the spirit of the Bunker household.
Emma Stone has recently sparked online debate, with fans questioning why her appearance seems subtly different.
The conversation began at Paris Fashion Week and resurfaced at the Screen Actors Guild Awards, where her red carpet look drew comparisons and speculation.
As social media buzz grew, cosmetic experts began weighing in with their theories, fueling even more curiosity about what, if anything, may have changed with Emma Stone’s face.
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Emma Stone’s Evolving Looks Spark Online Buzz At Paris Fashion Week Qatar SAG Awards
Stone’s changing look has become a hot topic online, with many fans admitting they are puzzled by what seems different about her appearance. As one social media user put it, she “looks so different,” yet it’s hard to pinpoint exactly why.
Speculation first intensified during Paris Fashion Week last year, when photos of the “Bugonia” star alongside BLACKPINK’s Lisa began circulating.
Some commenters described Stone as a more glam version of herself, while others compared her features to a Bratz doll aesthetic.
The conversation picked up again at the Screen Actors Guild Awards (now known as the Actor Awards), where the 37-year-old wore a purple Louis Vuitton gown paired with a coordinating cardigan, and styled her hair in a refined updo and chose soft, warm-toned makeup.
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Fans Have Mixed Reactions To The Actress’s ‘New Face’
Despite the elegant look Stone wore to the event, fans once again debated her appearance.
Some joked that she looks like “if Lindsay Lohan and the OG Emma Stone had a child,” while others likened her to a red-haired Margot Robbie.
One person on TikTok wrote, “IDC if it’s a new face it’s gorgeous,” while another said, “Idk what she did to her face but she looks soooo gooood.”
A third person commented, “She looks incredible, but I get a slight uncanny valley look just in her gaze.”
Another noted, “She’s done something to her face. Looks good tho.”
An unsure fan stated, “I’m torn between oh no, Emma, and oh yes, she looks amazing,” while another said, “She looks amazing, but that’s a whole new face.”
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Experts Weigh In On Emma Stone’s Changing Appearance
As the conversation intensified, several cosmetics professionals publicly offered their opinions on Stone’s “new face.”
According to BoredPanda, Dr. Hazan suggested in an interview with Daily Express that Stone’s lifted, cat-eye effect could potentially be the result of Botox or a brow lift.
Similarly, Beverly Hills plastic surgeon Dr. Babak Dadvand told The Sun that her features might align with procedures such as a brow lift, upper blepharoplasty (eyelid surgery), or lower eyelid surgery.
Just last year, London-based aesthetics doctor Dr. Jonny Betteridge also shared a TikTok video analyzing Stone’s look, suggesting the changes could align with procedures such as an upper blepharoplasty, an endoscopic temporal brow lift, or a mid-face lift.
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According to Dr. Betteridge, a mid-face lift is designed to elevate and tighten the central portion of the face. He added that the incisions “are well hidden in the hairline, temporal area, or inside the mouth, which helps to reduce visible scarring.”
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Emma Stone Reflects On Body Image And Urges Kindness
Meanwhile, at the BAFTAs earlier this year, discussion about Stone revolved around her slim figure, with some fans pointing to visible collarbones and sunken cheeks, as well as her slender frame, as signs that she may be underweight.
However, the “La La Land” actress has previously spoken about her complicated relationship with body image, saying she felt “disgusted” with her appearance.
In a 2012 interview with S Magazine, she admitted to moments of insecurity, recalling times she felt self-conscious about eating or her appearance. The actress emphasized that such feelings are common and part of being human.
Stone later attributed her slim frame to genetics and stress during a 2014 interview with Seventeen Magazine.
“I’ve seen articles or comments that have addressed my weight of ‘caving to pressure to be thin,’” the actress said at the time. “Keeping weight on is a struggle for me, especially when I’m under stress and especially as I’ve gotten older.”
Stone continued, “That’s the way my genes have decided to go, and things will change as time goes on, as does everything. So when completely untrue statements are made about me or my health, of course, a part of me wants to defend.”
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Emma Stone Reveals Why She Changed Her Name Before Finding Fame
Amid the renewed attention, Stone has also recently shared a lesser-known detail about her career. Despite spending more than two decades in Hollywood, “Emma Stone” isn’t the name she was born with.
The actress, nominated at the Screen Actors Guild Awards presented by SAG-AFTRA on March 1 for her role in a Yorgos Lanthimos film, revealed that her real name is Emily Stone.
When she applied for her SAG card at 16, however, she discovered the name was already taken and had to choose a stage name.
During an October 2025 appearance on “The Late Show” with Stephen Colbert, the actress explained that her first stage name wasn’t “Emma” at all. “I actually adopted a stage name for six months,” she said. “I was 16, and I decided I wanted to be Riley. For like six months, I was Riley Stone.”
That choice, however, didn’t last long. While guest-starring on “Malcolm in the Middle,” the sitcom led by Frankie Muniz, she quickly realized the name didn’t feel natural.
“They kept going, ‘Riley, Riley!’ and I had no idea who they were talking to. Truly,” she recalled.
The confusion made her rethink the decision. “So I was like, ‘I cannot be Riley.’ It came out of nowhere,” she joked. Eventually, she settled on “Emma,” a name she felt was close enough to Emily to feel authentic.”
On Sunday, March 1, John Oliver took aim at his possible new “business daddy.” Last week, Netflix backed out of the bidding war for Warner Bros., which means that David Ellison’s Paramount Skydance seems all but certain to take over HBO, the home of his late-night show, “Last Week Tonight.”
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John Oliver Slams His New ‘Business Daddy’ Amid HBO Takeover Drama
Although Hollywood had plenty of concerns when Netflix was poised to take over the studio, Oliver seemed more perplexed by the thought of Paramount becoming his new boss.
“It turns out we might be getting a new business daddy,” he said on the March 1 episode of “Last Week Tonight,” as per The Hollywood Reporter.
He went on to say, “Yeah, not great news. In fact, if I may quote anyone who’s ever accidentally sat on their Roku remote, ‘Oh sh-t, I’m in Paramount now, how the f-ck do I get out of this?’”
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John Oliver Previously Slammed AT&T
In 2022, Discovery and WarnerMedia combined to create Warner Bros. Discovery, and AT&T ceded control of HBO. At the time, Oliver reflected on the merger, saying, “Interestingly, as of Friday, AT&T officially no longer owns us, so it is goodbye from me, Business Daddy. Let me just say this.”
He then proceeded to hold up two middle fingers, adding, “which is frankly two more bars than you have ever had.”
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Netflix Called The Deal ‘No Longer Financially Attractive’
In a joint statement, Netflix co-CEOs Ted Sarandos and Greg Peters called the deal “no longer financially attractive.” He went on to say that it “was always a ‘nice to have’ at the right price, not a ‘must have’ at any price.”
“The transaction we negotiated would have created shareholder value with a clear path to regulatory approval,” the statement continued. “However, we’ve always been disciplined, and at the price required to match Paramount Skydance’s latest offer, the deal is no longer financially attractive, so we are declining to match the Paramount Skydance bid.”
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David Ellison Is Focused On ‘Reinventing The Business’
A day after John Oliver’s statement, the CEO of Paramount, David Ellison, spoke at length about the $110 billion megadeal that will not only include streaming services like HBO Max and Paramount+, but also TV channels like CBS, TNT, CNN, MTV, Nickelodeon, HGTV, and many more.
“By uniting our iconic studios complimentary streaming platforms with a global footprint, our cable and linear networks, and our world-class IP, we have the opportunity to help shape the future and build a next generation media and entertainment company. This has been our goal since day one,” Ellison said, as per The Hollywood Reporter.
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“This is not about consolidation, it’s about reinventing the business,” he continued. “We want to expand our reach and enhance our ability to create the world’s most compelling stories and experiences. And we’re incredibly excited about this transaction, and it will accelerate that ambition.”
Ellison confirmed that HBO Max and Paramount+ will be combined into one major streaming platform once the deal closes and committed to 45-day theatrical windows, before sending films to premium video on demand (PVOD).
John Oliver Fans Want To See Him Head Over To Netflix
With John Oliver voicing his distaste for Paramount and “The Late Show with Stephen Colbert” wrapping up later this year, one fan took to Reddit to suggest that both Oliver and Colbert should make deals with Netflix.
“Netflix has been trying to make talk shows work for them. Picking up Oliver and Colbert would be a much better way to manage it,” one user offered. “It seems like they’ve built up the goodwill in the industry, so I don’t know why they wouldn’t do it.”
“If there’s a world where I can see a late-night lineup of John Mulaney, Oliver, and Colbert on one platform, I’d be sooo happy,” another fan agreed. “The Netflix Is A Joke festival is massive. I’m sure they’d be interested in Colbert and Oliver when the opportunity comes.”
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