Louis Tomlinson and Zayn Malik may not be on good terms, and fans are starting to notice. The former One Direction bandmates are fueling feud speculation after Tomlinson seemingly “unfollowed” Malik on Instagram, adding weight to recent reports of a serious falling out. While Louis Tomlinson is no longer following Zayn Malik, the “Pillowtalk” singer still appears to be following him, at least for now.

The social media move comes after shocking claims that the two were involved in a physical altercation that reportedly left Tomlinson injured. According to Page Six, the situation escalated while the pair were filming a three-part Netflix docuseries together, eventually turning physical.

“It spiralled into a row then Zayn made a remark about Louis’ mum Johannah [Deakin],” sources said. “Louis was stunned and in shock. As he went to move, Zayn then attacked him. Zayn punched him straight in the face. Because he was wearing rings it cut Louis’ head.”

The alleged fight didn’t just end there. “He was pulled away and Louis was taken for medical treatment. He was left with a concussion,” the source said. “This happened outside in front of so many people. It was shocking.” The reported comment about Tomlinson’s late mother, Johannah Deakin, who died of leukemia in 2016, is said to have been the breaking point.

Reports of a heated clash between Louis Tomlinson and Zayn Malik first began circulating in December 2025, just months after their three-part Netflix docuseries was announced, with insiders sharing a similar version of events at the time.

New Details Emerge As Alleged Fight Timeline Resurfaces

The resurfaced claims come as Malik was also dealing with a separate health scare that forced him to step back from public appearances.

“To my fans, Thank you to all of you for your love & support now & always, been a long week and am still unexpectedly recovering,” Malik wrote via Instagram Stories while sharing a photo from a hospital bed. “Heartbroken that I can’t see you all this week, I wouldn’t be in the place I am today without you guys and am so thankful for your understanding.”

While he didn’t reveal the cause of his hospitalization, Malik took a moment to thank the medical team caring for him. “Thank you to the incredible hospital staff of Drs, nurses, cardiologist, management, admin and everyone who has helped along the way and continue to,” he added. “You are all legends! Big big love xx z”

Netflix Project On Ice As Fallout Between Tomlinson And Malik Deepens

Sources claim the fallout has had major professional consequences as well. The pair reportedly haven’t spoken in the six months since the incident, and their planned Netflix docuseries has now been put on hold.

The project, first announced in October with a projected 2026 release, was expected to follow the two on a road trip across the U.S., where they would reflect on their time in One Direction, including memories of late bandmate Liam Payne.

Liam Payne’s Death Casts Shadow Over Band’s Future

The stalled project also unfolds in the wake of a heartbreaking loss that still hangs over the former One Direction members.

Liam Payne died in October 2024 after falling from the third floor of his hotel room at CasaSur Palermo Hotel in Buenos Aires, Argentina. Toxicology results later revealed multiple substances in his system at the time, including cocaine, crack, and benzodiazepine.

In an emotional moment, Zayn Malik, Louis Tomlinson, Niall Horan, and Harry Styles reunited for Payne’s funeral in the U.K., marking a rare public gathering of the group. The loss was especially devastating as reports suggested the band had been discussing a potential reunion before Payne’s death at just 31.

Future Of Project Remains Uncertain Amid Ongoing Tension With Louis Tomlinson And Zayn Malik

With tensions between Louis Tomlinson and Zayn Malik reportedly still unresolved, the future of their planned project remains up in the air.

As communication between the two appears nonexistent and fallout continues to linger, it’s unclear whether the docuseries will ever move forward, or if this chapter of their story has come to a permanent halt.

The story had been building quietly for months—questions without answers, grief without closure, and a silence that seemed to stretch on longer than anyone expected. Now, that silence is beginning to crack. Two names—Celeste Rivas Hernandez and D4vd—are once again at the center of a case that has gripped attention. Now, new developments pull both a grieving family into the spotlight.

RELATED: Photos Reveal State Of D4vd’s Reported $3.5M Hollywood Home Prior To Arrest In Celeste Rivas Hernandez Case

Celeste Rivas Hernandez’s Family Speaks After D4vd’s Arrest

Celeste Rivas Hernandez’s family is now speaking out after months of unimaginable loss. Her father, Jesus Rivas, broke his silence just two days after D4vd was arrested on suspicion of her murder. “Thank God… Justice for Celeste,” he said through his attorney, Patrick Steinfeld, in a statement shared April 18. Meanwhile, the 21-year-old singer remains in custody without bail under the Los Angeles Police Department, with a court appearance set for April 20.

Footage Shows Singer Being Taken Into Custody

All of this comes amid newly surfaced footage that’s now adding another layer to the case. According to reports, videos show the singer being taken into custody by law enforcement in the Hollywood Hills around 5 p.m. on Thursday, April 16. Furthermore, clips obtained by multiple outlets capture multiple officers placing him under arrest. Additional footage shows him walking down a residential street with his hands behind his back as police escort him away.

D4vd—who had reportedly not been seen publicly for months leading up to the arrest—appears in gray sweatpants and a black hoodie, keeping a blank expression as the situation unfolds. Neighbors in the area claimed there was a noticeable police presence. And, video from the scene includes officers using a loudspeaker to call for a surrender before moving in. Authorities later confirmed the arrest was made on probable cause. Police also noted they had been closely tracking developments in the ongoing investigation tied to Celeste’s death.

RELATED: Footage Of D4vd’s Arrest Surfaces As His Lawyers Speak Out Amid Ongoing Investigation (VIDEO)

What was supposed to be a catchy fast-food jingle of “crispy chickennn, fresh lettuce, three cheeseeeesss” ended up having folks quickly tapping out with a side-eye. And years later, it’s still being talked about in the same breath as one of the most debated celebrity ad moments. Now, Mary J. Blige is reflecting on the 2012 Burger King commercial that sparked all that noise in the first place, and the fallout that followed.

RELATED: Misa Hylton Reportedly Speaks Out After Judge Dismissed Her $5M Lawsuit Against Mary J. Blige

Mary J. Blige Reflects On Burger King Commercial Backlash

In a new sit-down with Scott Evans, Mary J. Blige is revisiting her 2012 Burger King commercial and making it clear the experience still sits heavy with her. She shared that the moment didn’t just stay online—it bled into her real life, costing her friendships and impacting her brand, while emphasizing it’s still “not a laughing matter” to her today. Mary said her true fans never found the commercial funny, and she didn’t hold back on how she felt about the execution, calling everything from how it was shot to how it played out publicly “wrong.” She even suggested the rollout felt set-up to unfold the way it did in the press, turning what was meant to be a promotional moment into a full-blown cultural conversation.

You Already Know Internet Got Jokes About This

Folks quickly ran to TSR’s Instagram comment section to share their thoughts once Mary’s Burger King commercial started trending again. Some users defended it, saying the jingle was actually a “banger.” And, many didn’t understand why it sparked so much controversy or how it led to such a heavy fallout, including her losing friendships. Meanwhile, a few users joked that while it “may not be funny to her,” it’s still hilarious to them, sparking laughs in the comments.

One Instagram user @joseline commented “Was wrong with her getting her money 🤷🏽‍♀️”

Then Instagram user @bingeworthy added, “Girl its iconic OWN IT 😂😂”

And, Instagram user @thebrooklynjai shared, “Wait ? I’m confused?? She lost friends for a commercial? Were they haters?“

Likewise, Instagram user @idontgetpaidenoughforthis wrote, “Not all of us collectively confused as to why there was backlash 😭”

While Instagram user @stepyaprettyup said, “Lost friends? That sh*t was a banger“

Finally, Instagram user @hmuadom joked, “Everything is not funny…. but this, this is funny.“

Inside Mary J.’s Burger King Ad Controversy

The commercial, which aired April 2, 2012, featured Mary J. Blige singing about Burger King’s chicken wraps inside a tight, stylized setup while product shots played alongside her vocals. Instead of landing as a fun celebrity endorsement, the ad immediately drew criticism, with viewers—especially within the Black community—calling out what they felt were stereotypical undertones. Social media even ran with it, remixing clips and turning the campaign into viral discourse within hours.

By the next day, Burger King pulled the ad entirely, citing a “music licensing issue,” even as backlash was already spreading online. The company pointed to other celebrity collaborations tied to the same product line, including campaigns featuring Salma Hayek and Jay Leno, but the conversation stayed locked in on Mary’s commercial, which remained the most dissected—and debated—of them all.

RELATED: Whew! Tyrese Shares His “Hurt” After Mary J. Blige Rejects Two Song Requests From Him (VIDEO)

The Marshals cast had plenty to say about those Dutton Ranch romance rumors, the relationships being explored on the Yellowstone spinoff and more.

During CBS Fest on Wednesday, April 15, Arielle Kebbel weighed in on possible Yellowstone cameos, telling Us Weekly, “[We need] all of them. We could go for some more country artists any day. [too]!”

Kebbel remained more tight-lipped about a Dutton Ranch crossover but acknowledged the “rumors.”

“[For Us, the biggest challenge of filming a Yellowstone spinoff] is finding the balance of respecting the why that’s already established and knowing that in that legacy, our job is to also bring these new characters forward,” she explained. “So respecting what’s already been built but also feeling creative and free enough to bring our own character stories forward and really hoping that people join in our world.”

Yellowstone, which aired from 2018 to 2024, introduced Us to the Dutton family. After the show came to an end in 2024, CBS expanded the TV universe with Marshals, which follows Luke Grimes‘ character Kayce as he leaves ranching life behind to join an elite unit of U.S. Marshals.

Then there is Paramount’s Dutton Ranch, which shows Rip (Cole Hauser) and Beth (Kelly Reilly) adjusting to life in Texas. Despite being Yellowstone spinoffs, both shows are expanding with new characters such as Kebbel’s Belle. There are also characters on Marshals played by Logan Marshall-Green, Ash Santos, Tatanka Means, Brecken Merrill, Mo Brings Plenty and Gil Birmingham.

As fans get more attached to the Marshals cast, they have also formed opinions on the characters. The most recent episode of the show took some by surprise when Belle’s friendship with Cal (Marshall-Green) turned into more as they kissed.

“It didn’t feel quick to me, certainly, because of so much they did before,” Marshall-Green, 49, told Us on Wednesday. “It felt earned. I actually wasn’t that surprised.”

Santos, 32, meanwhile, showed support for the fictional couple, adding, “I was ready for it. I was excited when I finally saw it in the script. It was time!” Kebbel, for her part, “wasn’t surprised” by the progression in the relationship either.

“The only reason I wasn’t surprised was because I had a meeting with our creator before the season started and he did tell me. But we had a very good talk, and I said, ‘Tell me what I need to know, and don’t tell me anything else,’” she recalled. “I didn’t know that was coming, but I didn’t actually know a lot of the backstory, so I liked it because there was this intersection of Arielle and Belle that knew some things, but not everything, which was very true to the story as well.”

Kebbel admitted that she didn’t think Marshals was ready for Belle and Cal as a couple yet, noting, “We’re still establishing the team [and] the team environment. Obviously, this kiss throws a whole new layer of awkwardness and feelings into the mix. But I think what’s great about both of them is that they put work first. Where they kind of have similarities or understand one another is that they’re struggling with the balance between work and family because they care about both so much. So I think that’s the layers we’re going to see uncovered in future episodes.”

There is also the possible connection with Kayce and Andrea (Santos).

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“I didn’t even go there at first either. Other people brought it up to me and I was like, “Whoa! OK.” But I think it’s really interesting to see that relationship,” she admitted to Us. “They are polar opposites.”

She concluded: “I have [seen edits of them]. There’s a girl on TikTok. She makes so many edits. She’s doing the Lord’s work, honey. The edits are so good.”

Marshals airs on CBS Sundays at 8 p.m. ET.

There are some shows that spike, trend, win awards, and then slowly slide out of the weekly conversation. Severance clearly isn’t one of them. Even with Apple TV now stacked with high-profile originals, Dan Erickson’s corporate-nightmare sci-fi drama is still sitting in the platform’s global top 10. On April 14, it held the No. 10 spot worldwide on Apple TV, which is a pretty impressive place for a show that’s already had time to become a full-on prestige fixture. It really does refuse to go away.

The cast is a huge part of why it has that kind of tail. Severance stars Adam Scott, Britt Lower, Patricia Arquette, Tramell Tillman, Zach Cherry, Jen Tullock, Michael Chernus, Dichen Lachman, John Turturro, Christopher Walken, and Sarah Bock, and it’s hard to think of another current sci-fi ensemble that blends deadpan weirdness, emotional damage, and office dread this well.

How Good Is ‘Severance’?

Collider’s review stated that Severance Season 2 does exactly what a great follow-up season should do. It does not rush to answer every question from the first season, but it does deepen the mystery in a way that feels exciting instead of frustrating. The show gets bigger, stranger, and more ambitious, while still keeping its focus on the characters who made Season 1 so compelling.

Severance is, at its core, the kind of TV show that was always going to get people talking thanks to its twisty nature, but with such a long break between seasons, there was also a risk of audience interest waning, especially when there are countless other shows worth tuning in for in the interim. Ultimately, however, Season 2 should silence any lingering concerns viewers might have through its stunning direction, outstanding performances, and sinuous, compelling mysteries. This evolving, mind-bending continuation, as crafted by Erickson and fellow writers Mohamad El Masri, Wei-Ning Yu, Anna Ouyand Moench, Erin Wagoner, Mark Friedman, and Adam Countee, cements Severance as an absolute triumph of television, proving beyond a shadow of any doubt that the best stories are always worth waiting for.

Severance is streaming now on Apple TV.

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Release Date

February 17, 2022

Network

Apple TV

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Showrunner

Dan Erickson, Mark Friedman

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Writers

Anna Ouyang Moench, Wei-Ning Yu

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No matter the changes in the entertainment landscape, audiences will always fall back on the lighthearted strengths of comedy to create joyous cinematic experiences. The 2020s as a whole have been a great decade for comedy, with many new absolute classics that have delivered in the best way possible. However, the greatness of the genre comes from how it is always evolving and growing, and a great selection of comedies is set to premiere in 2026 that hope to bring that signature sense of charm.

Whether it be long-awaited returns and reboots of beloved franchises or original visions from the most prominent filmmakers of today, there is a great mixture of comedic styles and approaches that make the genre’s future so exciting. Even aside from these standout titles, there are sure to be a wide array of brilliant comedies throughout the year. However, the entries on this list stand out as the most prominent and must-see upcoming titles in the comedy genre.

‘Scary Movie’ – Release Date: June 5th, 2026

Image via Paramount Pictures

Spoof movies have been largely out of favor following the string of terrible releases in the 2010s. Still, with the rise of modern spoof films like The Naked Gun and Fackham Hall, Scary Movie is looking to reclaim its throne as the king of parody filmmaking. While the last entry, 2013’s Scary Movie 5, wasn’t particularly good, the long-awaited return of the Wayans Brothers and both Anna Faris and Regina Hall to the franchise has reinvigorated excitement and interest in this concept.

It also helps that there have been so many great horror movies in recent memory, ripe for satire and over-the-top parody. The trailer is filled to the brim with teases for characters and sequences parodying the likes of The Substance, Longlegs, Smile, Terrifier, and more. However, the clear standout is just how much the film is going to parody the reboot culture that has persisted in modern horror, having its own return of legacy characters. It certainly has the potential to be the absolute best in the Scary Movie franchise.

‘Power Ballad’ – Release Date: June 5th, 2026

Image via Lionsgate

The latest musical comedy from John Carney, the acclaimed director of Sing Street, Power Ballad sets out to tell a wildly over-the-top story of betrayal as its ramifications are at a global pop-star scale. The film sees Rick (Paul Rudd), a past-his-prime wedding singer, and Danny (Nick Jonas), a fading boy-band star, who bond over their mutual love of music during a late-night jam session. However, after Rick shares a personal song that he wrote, Danny takes it and turns it into a global sensation, taking all the credit as if he wrote it himself.

Power Ballad‘s instantly engaging premise, combined with some great comedic stars at its center and the proven directing prowess of John Carney, sets it up to be an absolute comedy smash. While it will sadly be going head-to-head with Scary Movie, coming out on the same day, one can hope that this comedy can get its fair shot in the spotlight, as it certainly has all of the pieces to be a modern musical comedy classic.

‘Coyote vs. Acme’ – Release Date: August 28th, 2026

Image via © Ketchup Entertainment /Courtesy Everett Collection

The path to Coyote vs. Acme actually getting a theatrical release has ironically been as wild and unpredictable as a Looney Tunes cartoon. Alas, this previously canceled, now un-canceled live-action animation hybrid comedy is finally getting released this August. The Looney Tunes film sees iconic character Wile E. Coyote, tired of the continuous failures of the products he uses from Acme, hiring a billboard lawyer to sue the Acme Corporation once and for all.

The film is sure to feature the distinct flavor of wild Looney Tunes comedy that has made them absolute icons not just in their classic animated shorts, but also in wildly entertaining comedy films like Space Jam and Looney Tunes: Back in Action. However, the real notoriety and increased buzz surrounding the film has come from how it has been un-canceled, no longer set to be shelved as a tax write-off, and gloriously getting a full theatrical release.

‘Whitney Springs’ – Release Date: TBA

Image via Sara De Boer

Large parts of the film that many presume to be called Whitney Springs are still shrouded in mystery, but the mix of absolute talent involved, combined with its wildly hilarious and dark premise, makes it a must-watch comedy to keep an eye out for. The film is a collaboration between creators of South Park, Trey Parker and Matt Stone, with legendary 27x Grammy Award winner Kendrick Lamar, a wild musical comedy that satirically tackles race and perceptions in both America’s past and present.

The plot follows a young Black man taking a job performing as a slave at a popular plantation attraction in a living history museum. As if this wasn’t awkward and confusing enough for him to experience on a day-to-day basis, he soon discovers that his girlfriend’s ancestors were, in fact, slave owners who actually owned his ancestors. The premise is overflowing with both distinct dark and satire humor from Parker and Stone as well as striking political commentary similar to Lamar’s music, making it all the more enticing to actually see what the final film will be like.

‘Jackass: Best and Last’ – Release Date: June 26th, 2026

Image via Paramount Pictures

The surprise fifth feature film in the Jackass franchise is set to be their last. Jackass: Best and Last is setting itself up to be a glorious send-off letter with its trademark mix of gross, painful, over-the-top pranks and endearing friendship. It will use both old and new footage, acting as a celebration of all things Jackass and all of their years working together as they hurt each other in the best and worst ways possible.

Jackass has always been an acquired style of comedy that either overwhelmingly hits or overwhelmingly misses with someone, yet this last hurrah truly feels like the end of an era in terms of their absolute chaos. While there will certainly always be people doing dumb things on-screen for comedic intent, the talent at Jackass has been striking comedy gold by hurting themselves in the most depraved and shocking ways, with Best and Last promising to be a beautiful swan song finale.

‘I Want Your Sex’ – Release Date: July 31st, 2026

Image via Magnolia Pictures

Returning to the world of comedy, with over a decade since his last comedy film, Gregg Araki has been an icon of underground queer cinema whose work has massively grown more appreciated in recent years. Thus, his new film, I Want Your Sex, is all the more promising. It also helps that it has already premiered at film festivals like Sundance, and it currently has an 88% on Rotten Tomatoes.

The film follows Elliot (Cooper Hoffman), who, after getting a job working for renowned artist Erika Tracy (Olivia Wilde), suddenly has his fantasies come true when she taps him to become her sexual muse. However, this seemingly ideal situation soon takes a turn when Elliot finds himself way out of his depth, with Erika taking him on a journey of profound sexual experiences, delving into a wild world of obsession, power, betrayal and murder that he never could have expected.

‘Wild Horse Nine’ – Release Date: November 6th, 2026

Image via Searchlight Pictures

Director Martin McDonagh has been one of the most consistent names in striking and widely appreciated award-winning dark comedy in recent years. Films like Three Billboards Outside Ebbing, Missouri and The Banshees of Inisherin are some of the most revered comedies of recent memory. Wild Horse Nine hopes to continue the director’s winning streak, utilizing great comedic talent and an entertaining espionage premise to create witty comedic gold.

The film will see John Malkovich and Sam Rockwell as a duo of CIA agents who have been dispatched to Easter Island shortly before the 1973 Chilean coup. The duo wrestles with both their dark pasts and the conspiracies of the present as they get up to all sorts of mischief on the island. It’s likely that it will premiere at a film festival like Venice or TIFF before its November 6th release date, so we’ll know sooner rather than later if the film lives up to McDonagh’s reputation.

‘The Devil Wears Prada 2’ – Release Date: May 1st, 2026

Legacy sequels to widely acclaimed one-off comedy films from the past have been a tried and true method of success for decades now, as audiences simply love revisiting iconic and beloved characters that they’ve been laughing with for years. The Devil Wears Prada 2 stands out as the prominent comedy legacy sequel to look out for, coming out 20 years after the original iconic fashion comedy, with the same cast, director, and writer all returning.

If the film even comes close to the levels of memorability and strength that the original has, it could certainly be among the all-time greatest legacy sequels in comedy history. The film will largely follow the continued careers of these classic characters, with Andy Sachs (Anne Hathaway) returning to Runway to work alongside Miranda Priestly, who must now adapt to a wildly different landscape than the one we saw 20 years ago.

‘Digger’ – Release Date: October 2nd, 2026

Image via Warner Bros. Pictures

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Set to be a wild, highly energizing adventure comedy from legendary Academy Award-winning director Alejandro G. Iñarritu, Digger is the must-see award-hopeful comedy of the year that many are thinking might win Tom Cruise his first acting Oscar. It’s already exciting enough that it is Cruise’s first original film in years, but the prospect of him working with Iñarritu in a comedy film feels like cinematic dreams are coming true.

The crowd-pleasing adventure film still has a lot of details under wraps, but it will supposedly see Cruise as the most powerful man in the world, embarking on a frantic mission to prove to the world that he is the savior of humanity before a disaster that he’s unleashed destroys everything. Its high-flying, electrifying energy can be fully felt from the small teaser for the film, while the overwhelming talent behind and in front of the camera, by itself, sells the film as a must-watch comedy experience.

‘The Invite’ – Release Date: June 26th, 2026

Image via A24

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Easily the biggest smash hit from critics and audiences alike that premiered at Sundance a few months ago, it did not take long for The Invite to be picked up by A24 and set up as one of the year’s most enticing and prominent comedy releases. Olivia Wilde’s latest directorial outing has been touted by critics as her greatest work yet, with a 91% on Rotten Tomatoes and utilizing an all-star cast in this performance-centric comedy film.

The film sees Wilde, Seth Rogen, Penélope Cruz, and Edward Norton playing a duo of couples who meet up together for a dinner party before the night spirals into wild and unexpected places. It’s clear that so much of the comedy and strength is coming from surprises and twists, but the clear chemistry and dynamic between these four all-star titans is sure to make this an absolute blast from start to finish. It isn’t even out yet, but The Invite is one of the safest bets for what could be considered the absolute best comedy of the year.

By Chris Snellgrove
| Published 37 seconds ago

The ‘90s were a pretty heady time for Star Wars fans. The franchise experienced a resurgence in the form of an Expanded Universe of books, comics, and video games. At the time, all of this was considered canon, which made everything that much more exciting. We had new, official Star Wars adventures for the first time since the credits rolled on Return of the Jedi back in 1983. Plus, we had new characters, some of whom instantly became fan-favorites. Two of those characters came from prolific author Timothy Zahn: Grand Admiral Thrawn and Mara Jade.

Both of those characters, along with the rest of the Star Wars EU, were de-canonized once Disney bought the franchise. Thanks to sheer fan demand, the House of Mouse eventually brought Thrawn back into canon via Rebels and, later, Ahsoka. After that, many Zahn fans figured it was just a matter of time before Mara Jade was brought back. However, Zahn and other writers recently confirmed that Disney keeps turning down their attempts to bring this popular character back into Star Wars canon.

The Coolest Star Wars Character You’ve Never Heard Of

Mara Jade was introduced in Timothy Zahn’s Heir to the Empire as a character who was once the Emperor’s Hand. As a Force-sensitive Imperial agent, she could enact Palpatine’s will all across the galaxy while maintaining mental contact with him. However, the death of the Emperor effectively ruined her career: because almost nobody knew what her role was, she had no real place in the Empire after Palpatine’s death. She had to build a new life for herself as a smuggler, but she is forever haunted by the last command given to her by Palpatine when he died: “YOU WILL KILL LUKE SKYWALKER.”

She proved to be a very popular character and eventually married Luke Skywalker and gave birth to his son (who, very cutely, was named “Ben”). After Disney bought the rights to Star Wars, though, Mara Jade and all her misadventures were no longer part of official canon. Later, however, Thrawn was brought back into canon through appearances in Rebels and Ahsoka. Furthermore, Disney commissioned Timothy Zahn to write new, canonical novels about Thrawn, who is arguably the most popular Star Wars villain since Darth Vader.

If Grand Admiral Thrawn Can Come Back, Why Not Mara Jade?

Understandably, Zahn tried to pitch Disney on reintroducing Jade into the canon in any capacity. In 2024, he told a Dragon Con audience that she is the number one character he would like to bring back to Star Wars in just about any capacity. “I keep nudging Lucasfilm, asking them if I could write a book,” he said. “The answers come back basically some place between ‘no’ and ‘heck no.’”

The matter came up again at MegaCon this year. Prolific Star Wars author Claudia Grey told the audience that she had repeatedly pitched putting Mara Jade into her books. “A couple of times I was like, ‘Really? Really, no Mara Jade?’ And they were like, ‘Nope,’” she said, putting a stern emphasis on the final word. By happenstance, Zahn was at the same panel and chimed in: “I asked them, too,” he said, before revealing that his request was similarly rejected.

It’s Time For Live-Action Mara Jade

It’s possible that Disney is hesitant to introduce Mara Jade back into canon because so much of her story doesn’t really work in the wake of the Star Wars prequels and sequels. We never really saw anything like an Emperor’s Hand in any subsequent movies, and the Inquisitors seem to fill the role of “Force-connected Imperials outside the regular chain of command.” Plus, her post-Imperial life was spent building a career with Talon Karrde, a smuggler chief who is also no longer part of established canon. Finally, the whole idea of having her marry Luke Skywalker is completely off the table, both because of Mark Hamill’s age and the fact that Luke hardly had time for love after becoming a grumpy recluse.

However, modern Star Wars writers did a solid job bringing Grand Admiral Thrawn back and gently nestling him within existing canon. It seems like it would be easy enough to do that for Mara Jade, especially with her creator doing his best to help out. However, it seems like the powers that be have decided that this fan-favorite character will never grace the screen or even the page, ever again. Which is unfortunate, because bringing her back in her own show or even film would be the perfect way to appeal to Expanded Universe fans who have felt (ahem) “jaded” by the Disney era of Star Wars.

By Robert Scucci
| Published 39 seconds ago

If you’re wondering why speculative, apocalyptic sci-fi thrillers aren’t often presented through a documentary framework centered on real-life world events and public figures, it’s because it leads to disasterpieces like 2073; a film with a clear message that’s delivered to is audience in the most disjointed way possible. As ambitious as this film may be, it’s incredibly difficult to watch, and highlights a unique problem: it’s not allegorical, but rather too real to handle. I wish I was as original as Rotten Tomatoes reviewer Glenn Dunks, who simply referred to this film as “Doomscrolling: The Movie,” because that’s exactly what 2073 is despite the promising thumbnail and synopsis you’ll see when looking to stream the title on Max. 

I’m not mad, I’m just disappointed, because even though 2073 is categorized as a documentary and a thriller, it’s, like, 10 percent thriller, if that, and the rest is just the kind of stuff you’ll see while swiping through your Instagram feed in a panic while wondering how close we actually are to the dystopian reality that, according to the film, we’re fast approaching. 

The Future Is A Bleak Place In 2073

2073 starts with promise as it follows the point of view of a lone woman simply known as “Ghost” (Samantha Morton). Living under a long-abandoned shopping mall with other condemned humans, narrations from Ghost explain just how fargone society has become, and aims to tell a story about how humanity arrived at such a bleak destination. In constant fear of getting investigated and silenced (killed) by the government, Ghost dumpster dives for food and supplies when it’s safe to do so, and retreats back underground to her dilapidated compound occupied by other survivors who are equally worse for wear. 

And let me tell you, these post-apocalyptic scenes are absolutely stunning. I wanted to learn more about how society functions in the year 2073, and I would have loved to see more of this. The hierarchy of power, the desire to reeducate the masses so they can overthrow their oppressors, and the state of constant surveillance that society is living through is captivating, to say the least, and this fictional yet unfortunately believable setting is fertile ground for some next-level storytelling about a society in disrepair that hasn’t yet discovered how to pick up the pieces and start the next chapter in our collective human history. 

Well, That Got Dark

The best part about 2073 is the sequences set in the dystopian future that will fill any sensible viewer with an absolute sense of dread, and then suddenly the worst possible thing ever happens: we get a documentary that’s reminiscent of the fear-mongering Zeitgeist film series that did a great job pointing out the dangers of a totalitarian government, but never even tries to reassure audiences by presenting a viable, or even realistic, solution to the problems we face so we can actually make concerted efforts to get on the right side of history and prevent such a bleak future from happening. 

In other words, 2073 is trying to be two different movies: a dystopian sci-fi thriller set in a fictional not-so-distant future, and a documentary using real, archival footage from the present day used to explain how this dystopia was created.

But therein lies the problem. 

While watching the documentary sequences that make up most of 2073’s runtime, I felt like Alex from A Clockwork Orange, who was forced to sit in front of television sets with his eyes pried open so he could take in all of the footage at an alarming rate. This kind of delivery strips the mystique from the more interesting story – the fiction set in 2073 – that could have been used as a vehicle to propose solutions for a society that’s been driven underground by the powers that be. 

Two Different Failed Films In One

While I appreciate what 2073 was trying to accomplish, it left a bad taste in my mouth because it comes off as if it’s preaching to a choir that’s already aware of the current state of affairs, but feels powerless to act in any meaningful ways to prevent things from getting worse.  

We already know that wealth is concentrated in such a way that keeps the working class under its ruler’s thumb. We already know that politicians and tech bros are sweeping humanity under the rug so a select few people in power can explore space while the rest of us suffer. We already know that data mining billionaires and chronically online worry warts are a terrible combination for humanity because it suggests how artificial intelligence will soon control the masses as it finds a way to become smarter than the humans it’s aimed to manipulate. 

That’s all well and good, but what do we do about it? The interesting story – the story I wanted to see – in 2073 is how future humans cope with societal collapse and set their sights toward a brighter future. What we get instead is a rapid-fire news feed of the present day that’s beamed into our eyeballs as if to say “there’s nothing you can do about this,” and “we’re already doomed.”

Streaming 2073 On Max 

If you’re looking for an ultra-condensed rundown of current affairs as told through various news sources that leads to a high-concept depiction of the future that may very well become a reality, then 2073 might pique your interest. But if you’re expecting to see how humanity aims to rise from the ashes through its speculative sci-fi storytelling, you’re going to be gravely disappointed. By juxtaposing real-life, present-day world events with what is by all measures a work of fiction, 2073 misses the mark on both fronts because it’s real, it’s scary, and it offers a disturbing take on how we’re collectively marching down a miserable path at an alarming rate, but never uses the fiction it establishes to meaningfully explore how we’re going to get out of this seemingly unavoidable mess.

2073 gets an A for effort and concept, and an F for execution. If you want to see how messed up the world is, just fire up your news apps, or hop on TikTok or Instagram, to get a crash course because it’s basically the same thing. If you want to just get it over with quickly and move on with your life, you can stream 2073 on Max.