The stock dropped 3.65 per cent to Rs 4,782.45 during the day on the BSE. It later trimmed most of the early losses and ended at Rs 4,933.95, down 0.60 per cent.

At the NSE, shares of the company ended at Rs 4,932.20, registering a drop of 0.57 per cent. The stock had declined 3.63 per cent to Rs 4,780.30 apiece in intra-day trade.

The Competition Commission on Wednesday ordered a detailed probe against IndiGo for unfair business practices, nearly two months after the country’s largest airline cancelled thousands of flights due to operational issues, causing hardships to passengers.

After taking into consideration data related to airlines and those provided by the aviation regulator DGCA, the Competition Commission of India (CCI) has prima facie concluded that IndiGo has abused its dominant position.

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In a 16-page order, CCI said that by cancelling thousands of flights, which constituted a significant portion of the scheduled capacity, IndiGo effectively withheld its services from the market, creating an artificial scarcity, limiting consumer access to air travel during peak demand.
“Such conduct by a dominant enterprise may be viewed as restricting the provision of services under Section 4 (2) (b)(i) of the Act,” the regulator said.Section 4 of the Competition Act pertains to abuse of dominant position.

Noting that prima facie the airline’s conduct seems to be causing an appreciable adverse effect on competition in India, CCI ordered a detailed investigation by its Director General (DG).

Q4: 2026-02-04 Earnings Summary

EPS of $0.69 beats by $0.03

 | Revenue of $554.60M beats by $9.17M

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Netflix’s weekly Top 10 movie rankings continue to be the most reliable pulse of what the world is actually watching in 2026. With more than 300 million paid subscribers worldwide and an ever-expanding library of originals, licensed blockbusters and international hits, the streaming giant’s charts reflect real viewership data—not hype, not critics’ picks, not awards buzz.

As of the latest rankings released February 5, 2026 (covering January 27–February 2 viewing), here are the current Top 10 most-watched movies on Netflix globally, complete with viewership hours, key plot points (spoiler-light), critical reception, why they’re exploding right now, and what they tell us about viewer tastes in early 2026.

1. Back in Action (2025) – 68.4 million hours viewed

Genre: Action-Comedy Stars: Jamie Foxx, Cameron Diaz, Glenn Close, Andrew Scott Runtime: 114 min Status: Week 3 on the chart (previously #1 for two weeks)

Cameron Diaz’s long-awaited return to acting opposite Jamie Foxx has turned into Netflix’s biggest original movie launch of 2026 so far. The high-octane spy comedy follows two retired CIA operatives (Diaz and Foxx) who are forced back into the field when their teenage daughter accidentally leaks classified information online. The film blends 2000s-style buddy-action nostalgia with modern social-media commentary and has earned surprisingly strong reviews (72% on Rotten Tomatoes) for its chemistry and laugh-out-loud set pieces.

Why it’s #1: Diaz mania + Foxx’s reliable star power + family-friendly action = perfect weekend binge. It’s already cracked Netflix’s all-time Top 10 English-language films list.

2. The Electric State (2025) – 49.2 million hours

Genre: Sci-Fi Adventure Stars: Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Stanley Tucci Runtime: 128 min Status: Week 2 (#2 last week)

The Russo brothers’ long-in-development adaptation of Simon Stålenhag’s illustrated novel finally arrived in late January and immediately seized the #1 spot before slipping to second. The dystopian road-trip story follows a teenage girl (Brown) and her mysterious robot companion crossing a robot-ravaged America to find her missing brother, joined by a scruffy drifter (Pratt).

Why it’s huge: Stunning visual world-building, strong young-adult appeal, and the post-apocalyptic genre’s endless popularity. Critics are split (58% RT) but audiences love the heart and spectacle (4.1/5 on Netflix).

3. Carry-On (2025) – 38.7 million hours

Genre: Thriller Stars: Taron Egerton, Jason Bateman, Sofia Carson Runtime: 119 min Status: Week 4

Jaume Collet-Serra’s Christmas-weekend release has remarkable legs. The contained thriller follows a TSA agent (Egerton) blackmailed by a mysterious traveler (Bateman) into letting a dangerous package onto a flight on Christmas Eve. The single-location tension and Bateman’s chilling performance have made it a sleeper hit.

Why it endures: Perfect “turn-your-brain-off” suspense + strong holiday re-watchability.

4. The Six Triple Eight (2025) – 31.2 million hours

Genre: Historical Drama Stars: Kerry Washington, Susan Sarandon, Sam Waterston Runtime: 127 min Status: Week 5

Tyler Perry’s World War II drama about the first all-Black, all-female battalion to serve overseas in Europe has become a word-of-mouth phenomenon. Washington plays Major Charity Adams, who leads the 6888th Central Postal Directory Battalion through racism, bureaucracy and wartime chaos to deliver millions of pieces of backlogged mail to U.S. troops.

Why it’s resonating: Powerful true story + awards-season buzz + Kerry Washington’s star power.

5. Our Times (2025) – 27.9 million hours

Genre: Coming-of-Age Drama / Romance Stars: Zendaya, Timothée Chalamet, Ayo Edebiri Runtime: 132 min Status: Week 6

The Greta Gerwig-produced, Chinese-American director Lulu Wang-helmed romance-drama has quietly become one of Netflix’s longest-charting titles of the year. Set in 1990s New York, it follows a Chinese-American teenager navigating first love, family expectations and identity.

Why it lasts: Zendaya-Chalamet chemistry + 90s nostalgia + strong Gen Z resonance.

6. The Electric State (Spanish dub version) – 24.1 million hours

Note: Netflix counts dubbed/subtitled versions separately when viewership is significant. The Spanish-language dub of The Electric State has charted independently for three weeks, showing massive uptake in Latin America and Spain.

7. In the Grey (2025) – 19.8 million hours

Genre: Action Thriller Stars: Henry Cavill, Jake Gyllenhaal, Eiza González Runtime: 115 min Status: Week 2

Guy Ritchie’s latest sees Cavill and Gyllenhaal as extraction specialists who must retrieve a high-value target. Fast-paced, violent, and packed with Ritchie’s signature style.

Why it’s here: Cavill’s fanbase + Ritchie’s brand + January action void.

8. The Piano Lesson (2025) – 16.3 million hours

Genre: Drama Stars: Samuel L. Jackson, John David Washington, Danielle Deadwyler Runtime: 130 min Status: Week 4

Malcolm Washington’s directorial debut (son of Denzel) adapts August Wilson’s Pulitzer-winning play. Jackson and Washington play brothers fighting over a family heirloom piano with deep historical significance.

Why it’s trending: Awards buzz + powerhouse cast + Black History Month timing.

9. Wallace & Gromit: Vengeance Most Fowl (2025) – 14.7 million hours

Genre: Animated Family Comedy Status: Week 3

Aardman’s first Wallace & Gromit feature in 19 years pits the duo against the villainous penguin Feathers McGraw once more. Critics gave it 98% on Rotten Tomatoes; families are devouring it.

Why it’s huge: Nostalgia + perfect family viewing.

10. Heart Eyes (2025) – 12.9 million hours

Genre: Horror-Romance Stars: Olivia Holt, Mason Gooding Runtime: 93 min Status: Week 2

A Valentine’s Day slasher-rom-com hybrid that has become a surprise hit in the lead-up to February 14. Think “Scream” meets “When Harry Met Sally.”

Why it’s trending: Valentine’s Day buzz + clever genre mash-up.

What the Charts Tell Us About 2026 Viewer Habits

• Action-comedy and star-driven originals still dominate (Back in Action, Carry-On, In the Grey).
• Prestige dramas with awards pedigree are getting long-tail viewership (The Six Triple Eight, The Piano Lesson).
• Nostalgia + family content is evergreen (Wallace & Gromit).
• Non-English originals are charting higher than ever (Our Times, dubbed Electric State).
• Holiday-timed releases have remarkable staying power (Carry-On).

UK’s largest car maker posts £310m Q3 loss as it counts £64m in cyber attack costs, with production only returning to normal levels in mid-November

Jaguar Land Rover (JLR) has reported further losses as it continues to grapple with the financial fallout from the major cyber attack last autumn. The UK’s largest car manufacturer has incurred an additional £64 million in costs linked to the cyber breach, which necessitated a five-week production halt across its UK plants from September last year.

The company reported a £310 million pre-tax loss for its third quarter ending in December, down from the £523 million profit recorded the previous year. Revenues for the final quarter of 2025 plummeted by 39% year-on-year to £4.5 billion, as sales volumes were hit by the cyber incident, with production only resuming normal levels in mid-November.

JLR said the losses were exacerbated by the ongoing impact of US tariffs, the planned phase-out of legacy Jaguar models ahead of new launches, and deteriorating conditions in China. However, the group expressed optimism about a significant improvement in its performance in the final quarter.

PB Balaji, the new CEO of JLR who succeeded former boss Adrian Mardell in November, described it as a “challenging quarter for JLR with performance impacted by the production shutdown we initiated in response to the cyber incident, the planned wind down of legacy Jaguar and US tariffs”.

He added: “Thanks to the commitment of our dedicated teams, we returned vehicle production to normal levels by mid-November, and we are focused on building our business back stronger.

“While the external environment remains volatile, we expect performance to improve significantly in the fourth quarter and we have clear plans to manage global challenges.

“2026 is set to be an exciting year for JLR as we develop our next generation vehicles, including the launch of the Range Rover Electric and the unveiling of the first new Jaguar.

Today’s statement said: “Looking ahead, JLR remains resilient and well placed to address the economic, geopolitical and policy challenges the industry faces. Investment spend is expected to remain at £18bn over the five‑year period from FY24. In light of the challenges faced, FY26 guidance is reaffirmed, with EBIT margin in the range of 0% to 2% and free cash outflow of £2.2bn to £2.5bn.”

The jury saw two very different reactions to the collision when they were shown footage from the Stena Immaculate, the ship that was anchored 14 nautical miles off the Humber estuary, and footage from the Solong, the cargo ship captained by Vladimir Motin that ploughed into it, Detective Chief Superintendent Craig Nicholson said.