Business
From Hilltop Hoods to The Kid Laroi
Australian hip-hop has evolved from underground scenes in Adelaide and Melbourne to a global force, blending local slang, multicultural influences and raw storytelling with international appeal. While the genre arrived later than in the United States, homegrown artists have carved distinct identities, from conscious lyricism and party anthems to drill and trap sounds that resonate worldwide.
Compiling a definitive “top 10 best Australian rappers of all time” is inherently subjective, drawing on factors such as cultural impact, commercial success, critical acclaim, innovation and longevity. As of 2026, the scene features both pioneers who built the foundation in the 2000s and younger stars achieving massive global streams. Lists from GQ Australia, Rolling Stone and fan rankings consistently highlight a mix of veterans and breakthrough talents.
Here is one consensus-driven ranking reflecting influence across decades:

- Hilltop Hoods The Adelaide trio — Suffa, Pressure and DJ Debris — stands as the most enduring and commercially successful Australian hip-hop act. Since forming in the late 1990s, they have delivered multiplatinum albums and ARIA Award wins, with tracks like “The Nosebleed Section” becoming cultural staples. Their blend of clever wordplay, rock-infused beats and everyman storytelling helped legitimize Aussie rap domestically and paved the way for mainstream acceptance. In 2026, they remain active with strong chart presence on Australian hip-hop/R&B lists.
- The Kid Laroi At just 22, Charlton Howard (The Kid Laroi) has achieved more global success than any previous Australian rapper. Signed to Columbia Records after early buzz in Sydney, his 2021 hit “Stay” with Justin Bieber topped charts worldwide. Albums like “F*ck Love” and later projects showcase melodic rap, emo influences and vulnerability. By 2026, Laroi continues dominating ARIA charts with tracks like “A Cold Play,” cementing his status as Australia’s biggest hip-hop export since Iggy Azalea.
- Iggy Azalea Born Amethyst Amelia Kelly in Mullumbimby, Iggy Azalea became the first Australian female rapper to achieve massive U.S. breakthrough in the 2010s with hits like “Fancy” and “Problem.” Her distinctive Southern U.S.-inspired flow drew both acclaim for commercial reach and criticism for cultural appropriation. While her peak popularity has passed, her role in putting Australian rap on the international map remains undeniable, earning her a spot among Rolling Stone Australia’s greatest artists.
- Baker Boy Danzal Baker, a Yolngu and Kriol rapper from Arnhem Land, brings Indigenous Australian language and culture into vibrant, danceable hip-hop. His 2017 breakout “Cloud 9” and subsequent releases earned ARIA Awards and critical praise for authenticity and energy. Baker Boy’s fusion of rap with Indigenous storytelling and high-energy performances has broadened the genre’s appeal and representation in Australia.
- Sampa the Great Zambian-born but raised partly in Botswana and based in Australia, Sampa Tembo (Sampa the Great) is widely regarded as one of the most talented lyricists in the scene. Her 2019 album “The Return” won the Australian Music Prize and earned international acclaim for its neo-soul, hip-hop and Afrobeat blend. Critics and fans frequently rank her highly for depth, social commentary and vocal versatility, making her a critical darling with global respect.
- Kerser One of Sydney’s most prolific and street-oriented rappers, Kerser built a dedicated following through relentless output and raw depictions of Western Sydney life. His consistent releases and strong independent hustle have sustained a loyal fanbase for over a decade, influencing the harder-edged side of Australian rap.
- 360 Matthew James Colwell, known as 360, brought humorous, introspective and party-ready rap to the mainstream in the early 2010s. Albums like “Falling & Flying” delivered hits and showcased his storytelling ability. His influence on accessible, melodic Australian hip-hop endures.
- Hooligan Hefs Emerging from Western Sydney’s drill scene, Hooligan Hefs helped popularize the aggressive, UK-influenced drill sound in Australia. His gritty lyrics and street authenticity have earned him a major following, with frequent mentions in influential roundups alongside groups like OneFour.
- Tkay Maidza Zimbabwe-born and raised in Adelaide, Tkay Maidza stands out for her genre-blending style that mixes rap, electronic and pop elements. Her sharp flows and innovative production have earned critical acclaim, with many rankings praising her technical skill and forward-thinking approach.
- Genesis Owusu Ghanaian-Australian artist Kofi Owusu-Ansah (Genesis Owusu) exploded with his 2021 album “Smiling With No Teeth,” which topped critic lists for its conceptual depth, punk-rap fusion and bold exploration of identity. His theatrical live shows and artistic ambition have elevated expectations for Australian hip-hop creativity.
Other notable mentions include OneFour for pioneering Australian drill, Bliss n Eso for long-term party rap energy, Horrorshow for thoughtful lyricism, Illy for melodic accessibility, and emerging 2026 acts like Miss Kaninna, Lithe and HUSKii who keep the scene vibrant.
Australia’s hip-hop scene reflects the nation’s multiculturalism. Many top artists hail from migrant backgrounds or Indigenous communities, bringing diverse perspectives that enrich the genre. Early pioneers like Hilltop Hoods faced skepticism in a rock-dominated landscape, but their persistence opened doors for global stars like The Kid Laroi.
In 2026, Australian rap continues to thrive through streaming playlists, festivals like Rolling Loud Australia and ARIA hip-hop/R&B charts. Drill and trap sounds from Western Sydney coexist with experimental and conscious styles. Challenges persist, including limited domestic radio play compared to international acts, but digital platforms have democratized access.
The evolution shows no signs of slowing. Younger talents draw inspiration from both local legends and U.S./UK scenes while developing distinctly Aussie identities — incorporating slang, Indigenous languages or multicultural references. Government and community initiatives supporting Indigenous and migrant artists have further fueled growth.
For fans discovering the scene, starting with Hilltop Hoods provides historical context, while The Kid Laroi offers the most mainstream entry point. Deeper dives into Sampa the Great or Genesis Owusu reward listeners with artistic innovation.
As Australian hip-hop matures, its best rappers demonstrate versatility: commercial viability, cultural authenticity and lyrical skill. The top 10 represent different eras and styles, yet share a common thread of resilience and creativity in a country where rap was once an import.
With streaming numbers climbing and international collaborations increasing, the next decade could see even more Aussie rappers achieving sustained global success. For now, the foundation built by veterans and breakthroughs by current stars ensure Australian hip-hop commands respect on the world stage.
Whether through anthemic hooks, intricate bars or genre experimentation, these artists have proven that talent from Down Under can compete with anyone.
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Pickleball paddle producer Devi Wei has a message for U.S. shoppers.
“Americans will have to pay more,” the Chinese businessman told CNBC at a Beijing trade show last week at the China International Exhibition Center.
Because of the recent swings in oil prices resulting from the Iran war and closure of the Strait of Hormuz, Wei, who founded his own exporting business, Huijin Trade, has had to hike prices on his paddles and pickleballs by as much as 20%, he said.
Wei’s goods are made with polypropylene, a plastic material derived from oil and made in the Middle East, a dominant producer in the global industry. The war in Iran has stalled shipments of oil and its products through the Strait of Hormuz, raising concerns among Chinese manufacturers at the trade fair about further disruption across the global supply chain.
“I might have to go even higher,” Wei said. “Maybe double if the Iran war doesn’t stop soon.”
Surging oil prices are filtering into prices of all kinds of products that rely on the commodity for manufacturing.
James Li, who makes scarves and said he sells a third of his inventory to the U.S., has marked up his polyester products by 5%.
“This scarf is 30% polyester,” Li told CNBC from his trade show booth. “We will definitely pass on the extra cost to our customers.”
Wang Mingming, a general manager of toy manufacturer Jinming Gifts, said he is hoarding two months’ worth of the plastic polymer PVC, but isn’t sure he can hold off charging more for his figurines.
“In our industry, these materials are almost irreplaceable,” Wang said. “If oil prices rise any further, we really won’t be able to manage.”
Cameron Johnson, senior partner at Shanghai-based supply chain consultancy Tidalwave Solutions, said he foresees competition for oil-related products among entire sectors if the crisis at the Strait of Hormuz isn’t resolved soon. A prolonged impasse in the critical waterway also raises the possibility of product shortages.
“If this goes on into May, everyone will be in big trouble and there will be triage between industries,” Johnson said, predicting autos and the medical field would be granted higher priority. “There is no visibility when new supply will come.”
Perhaps the biggest worry among China’s manufacturers is what costlier oil will mean for discretionary spending by consumers worldwide.
More money for gas means less for Wei’s pickleballs.
“Ordinary people are getting squeezed the most from the high oil price,” he said. “Their spending power just isn’t what it used to be.”
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The last month, coinciding with the Iran war, was particularly brutal and accounted for a 4% decline. The currency, which touched an all-time low of 95.21/$, had briefly advanced to 93.59/$ in the early hours, its strongest level on Monday. The trading amplitude for the unit was one of the widest Monday.
Intervention from the Reserve Bank of India (RBI) in the last 15 minutes of trading lifted the local currency to close at 94.83/$ on the last trading day of the year. It closed at 94.81/$ on Friday.
The rupee was widely expected to strengthen on Monday.
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This was following Friday’s central bank directives to curb lenders’ open positions in FX to $100 million. However, high dollar demand from oil companies, importers and hedge funds caused the rupee to retrace its steps and trade at record lows, traders said.
“The curbs by RBI created an arbitrage between NDF and onshore rates. With simultaneous buying in the NDF market and selling in the domestic market, along with year-end dollar demand from oil companies and corporates, the rupee came under pressure,” said Anil Bhansali, head of treasury, Finrex Treasury Advisors.
The rupee is expected to remain between 94/$ and 95/$ on April 2, when the market opens after a 2-day holiday.
Currency markets are closed on March 31, April 1, and April 3, making this a short trading week.
The currency opened at 93.59/$ on Monday and depreciated continuously till about 3:15 PM to a low of 95.22/$. At these levels, dollar sales by the RBI helped trim losses, allowing the rupee to close slightly stronger.
“Push for dollars from oil companies, importers, hedge funds and corporates was very high due to sharp rupee appreciation in the morning,” said Kunal Sodhani, head of treasury at Shinhan Bank India.
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Trump said the U.S. was in serious discussions with a “more reasonable regime” to end the war, but repeated his threat to open the Strait of Hormuz or risk U.S. attacks on Iranian oil wells and power plants. Iran described U.S. peace proposals as unrealistic.
Investors have been focused on how oil prices will impact the global economy after they shot up since the start of the war.
“The administration continues to send mixed messages,” said Rick Meckler, partner at Cherry Lane Investments, a family investment office in New Vernon, New Jersey.
“When the messages seem good, to the extent they are believed, it helps the market. If something they say implies a more aggressive approach, the market sells off.”
At the same time the conflict has been escalating. Yemen’s Iran-backed Houthi militia entered the war over the weekend. All three of the major indexes started the day higher after logging sharp declines in the previous session. Since the war started, the Dow, the Nasdaq and the small-cap Russell 2000 have all confirmed correction territory, ending 10% lower from their record-high closes.
According to preliminary data, the S&P 500 lost 25.52 points, or 0.40%, to end at 6,343.33 points, while the Nasdaq Composite lost 153.16 points, or 0.73%, to 20,795.20. The Dow Jones Industrial Average rose 53.27 points, or 0.12%, to 45,219.91. Comments from Federal Reserve Chair Jerome Powell gave some support to stocks. Powell said longer-term inflation expectations appear to be holding despite the current energy shock, and the Fed does not yet need to make a decision on how to react to the latest troubles. Both U.S. crude oil and Brent settled higher.
Money market participants have priced out any easing from the Federal Reserve this year, compared with two cuts expected before the war began, per the CME Group’s FedWatch Tool. The S&P 500 energy index was down slightly and technology stocks were among the biggest drag on the S&P 500. On the flip side, the financial index gained after the U.S. Department of Labor issued long-awaited guidelines intended to clarify how trustees can add alternative assets to 401(k) retirement plans.
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A Chick-fil-A restaurant is offering families free ice cream if they put away their phones for their entire meal.
Complex, an account on X covering culture, posted a photo Sunday showing a sign advertising that the Chick-fil-A Towson Place location has an incentive for families to be phone-free during meals.
“Introducing our Chick-fil-A® Cell Phone Coop Challenge,” the sign read.
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Teens using their phones. (Matt Cardy / Getty Images)
“Ask a Team Member for a coop, place all phones in the coop, and enjoy your meal together,” the message continued. “After you finished let a Team Member know and everyone at the table will receive a Icedream® Cone as a reward.”
“Grab a coop and take the challenge,” it read.
The Chick-fil-A restaurant in Towson Place, Maryland, also advertised the challenge in a recent Facebook post, writing, “Take the Dine-in Cell Phone Coop Challenge at Chick-fil-A Towson Place. Ask a Team Member for a coop, place all phones in the coop, and enjoy your meal together without distractions. When your table finishes, let a Team Member know and everyone will receive an Icedream Cone as a reward. Are you up for the challenge?”

If families stay off their phones during their meal, they will receive an Icedream® Cone as a reward. ( Felix Hörhager/picture alliance via Getty Images)
A 2023 study found that 68% of households have a person using their phone during a meal with others. It also found that 65% of respondents do not like it, and 42% feel using phones during meals is rude.
Chick-fil-A did not immediately respond to a request for comment from Fox News Digital.
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A minor uses their phone in a room. ( / Getty Images)
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Copyright ©2026 Dow Jones & Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8
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Copyright ©2026 Dow Jones & Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8
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