The Thailand Travel Mart Plus (TTM+) 2026 will be held in June at the NICE Pattaya Convention Center, showcasing Thailand’s tourism and business strengths, sustainability, and innovation.

Thailand Travel Mart Plus (TTM+) 2026 Announcement

Bangkok, 20 March 2026 – The Tourism Authority of Thailand (TAT) has announced that the Thailand Travel Mart Plus (TTM+) 2026 will be held from June 10 to 12 at the NICE Pattaya Convention and Exhibition Center in Chon Buri. This event underscores Thailand’s continued prominence as a hub for international business events and tourism investments, emphasizing traveler confidence, safety, and well-being. TTM+ 2026 aims to fortify Thailand’s role in the global tourism landscape.

Strengthening Global Tourism Partnerships

TAT Governor, Ms. Thapanee Kiatphaibool, highlighted TTM+ 2026 as a prime B2B platform, connecting international travel buyers with Thailand’s diverse tourism offerings. Held in Chon Buri, it presents new tourism products under the ‘New Thailand’ strategy and the ‘Healing is the New Luxury’ campaign. The event strives to foster international partnerships and drive sustainable tourism growth. Over 400 Thai sellers will meet 400 international buyers, facilitating over 11,000 pre-scheduled business appointments.

A Dynamic Experience in Chon Buri

The 23rd edition of TTM+ will feature product showcases, networking sessions, and forums on global tourism trends and sustainability. Set in Chon Buri, the event offers a diverse portfolio, highlighting both established and emerging destinations. Participants will enjoy cultural performances, local craftsmanship, and nature-based activities, reinforcing Thailand’s reputation as a destination for inspiring travel experiences. TTM+ 2026 is expected to generate substantial tourism revenue, boosting economic impact across Thailand.

Source : Thailand Travel Mart Plus 2026 set for June in Pattaya driving global tourism partnerships

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SEOUL — K-pop supergroup **BTS** made a highly anticipated return to the stage on March 21, 2026, with a free public concert titled “ARIRANG” at Gwanghwamun Square in central Seoul, marking their first live performance together in nearly four years. While the event drew enthusiastic crowds and global attention via a Netflix livestream, actual attendance fell significantly short of pre-event projections, sparking debate over crowd estimates, security protocols and viewing alternatives.

Seoul Metropolitan Government and police officials estimated 40,000 to 42,000 people gathered in the Gwanghwamun and surrounding Deoksugung areas as the 8 p.m. show began, according to Yonhap News Agency and real-time city data. This figure included the 22,000 fans who secured free “Golden Tickets” for the cordoned-off prime viewing zone near the main stage. In contrast, authorities had anticipated up to 260,000 attendees stretching from the square toward historic Sungnyemun Gate, prompting one of the largest security mobilizations in recent Seoul history with 15,000 personnel deployed.

The discrepancy has fueled online discussions and media scrutiny. Police projections, based on factors like ticket demand, historical precedents such as the 2002 World Cup street celebrations (200,000-250,000 people) and Seventeen’s 2025 Bridge Concert (206,000 attendees), prepared for a massive influx. However, three hours before showtime, counts hovered around 30,000, with only 26,000-28,000 near the main zones.

BTS agency HYBE countered with its own estimate of about 104,000 attendees, derived from mobile network data across Korea’s major carriers, including foreign visitors and users on budget phones. HYBE’s method tracked cumulative foot traffic rather than a single snapshot, leading to the higher number. This variance highlighted challenges in counting open-air events, where fans move freely and some areas extend over a kilometer.

Several factors contributed to the lower-than-expected turnout, according to analysts, fans and reports. Strict security measures played a significant role. Authorities implemented extensive traffic controls, bypassed subway stations near the venue throughout the afternoon and evening, raised terror alerts (the Ministry of Culture, Sports and Tourism issued its first-ever concert disaster alert), and deployed anti-drone systems, barricades and rigorous checkpoints. Netizens on platforms like X and Korean forums criticized these as overly restrictive, potentially deterring casual or last-minute attendees who faced long waits or access issues.

The global Netflix livestream, broadcast live to 190 countries, offered a convenient alternative for millions. Fans worldwide — and even some in Korea — opted to watch from home or public screens rather than brave crowds and weather. The one-hour special, part of promotions for BTS’ fifth full-length album “Arirang” (which sold nearly 4 million copies on its first day), reached a vast audience without the physical demands of in-person attendance.

Weather and timing may have influenced decisions. March evenings in Seoul can be chilly, and the event’s Saturday scheduling overlapped with other activities for some potential attendees. Additionally, the free nature of the concert, while inclusive, meant no guaranteed entry beyond the 22,000 reserved spots — over 100,000 joined online queues last month, but many were turned away or chose not to risk the journey.

Despite the numbers debate, the concert succeeded as a cultural milestone. BTS members RM, Jin, Suga, J-Hope, Jimin, V and Jung Kook performed hits alongside tracks from “Arirang,” including a revival of the Korean folk song that inspired the title. Eight large video screens helped those farther back enjoy the show, and the event generated significant economic buzz, though below some pre-event projections of $177 million in related revenue.

The lower physical crowd did not diminish the excitement among those present, many of whom described an electric atmosphere. Global ARMY (BTS fans) celebrated online, sharing clips and praising the production quality on Netflix. The concert serves as a launchpad for BTS’ upcoming Arirang World Tour, slated for April 2026 through March 2027 across 34 regions, with expectations of millions in total attendance.

As Seoul returns to normal operations, the event underscores the evolving nature of large-scale K-pop spectacles — blending in-person intimacy with digital reach. While the 40,000-42,000 figure disappointed some hoping for a record-breaking street takeover, it still marked one of the largest public gatherings in recent years, proving BTS’ enduring pull even amid modern viewing options and heightened safety protocols.

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