General Hospital 2-week spoilers for March 02 – 13, 2026 expect Sonny Corinthos (Maurice Benard) make a major confession and Kristina Corinthos-Davis (Kate Mansi) absolutely rage.

General Hospital Spoilers: Monday, March 2nd: Chase Faces Consequences and Kristina Questions Fairness

On Monday, March 2nd, Brook Lynn Quartermaine (Amanda Setton) and Harrison Chase (Josh Swickard) find out something really upsetting. This could be about his future at the PCPD or possibly about their adoption plans. Nathan West (Ryan Paevey) talks to Brook Lynn and Chase up at General Hospital, and those two look very worried.

This may be about the PCPD situation. Ned Quartermaine (Wally Kurth) updates Chase on his heart condition, and he’s glad Ned is making his health a priority. Then he asks Chase about his priorities, and Ned thinks Chase’s loyalties lie with Willow Tait (Katelyn MacMullen) instead of his wife Brook Lynn. Chase is shocked and tells Ned he deeply regrets what he’s done and is going to fix it.

Will Brook Lynn Doubt Chase?

Tracy Quartermaine (Jane Elliot) talks to Brook Lynn, maybe about the Chase and Michael key incident, and asks if she knows for sure or just wants to believe it. Will Tracy have Brook Lynn doubting Chase’s innocence in planting it? Also, Kai Taylor (Jens Austin Astrup) gets an offer. Willow may want him to work for her like he did for Drew Cain Quartermaine (Cameron Mathison).

Also, District Attorney Justine Turner (Nazneen Contractor) tells Dante Falconeri (Dominic Zamprogna) and Nathan the last lead was a bust. The key incident makes it nearly impossible for them to keep looking into Michael Corinthos (Rory Gibson) as a suspect, and Chase made the PCPD look bad.

Michael opens up to Jacinda Bracken (Paige Herschell), likely about the Drew key incident and Chase’s involvement. Michael tells someone Dante wants to see him. Kristina asks Sonny, “How is that fair?” Has she heard about Willow getting Drew’s seat instead of her mom? Kristina was excited about Alexis Davis (Nancy Lee Grahn) getting the job, and now she’s been passed over for Willow.

General Hospital: Laura Looks at Ezra

Laura Spencer (Genie Francis) sees a different side of Ezra Boyle (Daniel Cosgrove). Look for recast Patrick Lewis to take on the role of Ezra short term. He and Laura have another chat, and she may see Ezra’s just as trapped and under Jenz Sidwell’s (Carlo Rota) thumb as she is. The usual actor was stuck in an ice storm and couldn’t get to LA to film, so they needed a fill-in.

Laura asks Willow if she plans to use her position to settle her own scores. I’m sure she tells Laura no, but come on, of course Willow’s planning on that. Curtis Ashford (Donnell Turner) makes a choice, maybe about finalizing divorce from Portia Robinson (Brook Kerr). Trina Robinson’s (Tabyana Ali) parents come together to see her and they look tense. Curtis and Portia might be breaking the news to Trina that their marriage is one hundred percent over.

Tuesday, March 3rd: Sonny’s Confession and Carly Hits Paydirt

On Tuesday, March 3rd, Sonny makes a confession. Maybe to Justine, or maybe to someone like Ric Lansing (Rick Hearst) about her. Carly Corinthos Spencer (Laura Wright) hits paydirt. She’s at Wyndemere looking alarmed this week.

Marco Rios (Adrian Anchondo) is trying to get a dose of Britt Westbourne‘s (Kelly Thiebaud) meds as Lucas Jones (Van Hansis) demands but faces a problem. Is he seen by Pascal? Marco heads up to General Hospital this week to see Lucas and they look really stressed.

Tracy and Alexis get an update from Jason Morgan (Steve Burton). Is it about Michael or Anna Devane (Finola Hughes)? Portia feels moved. Is she wowed that Dr. Isaiah Gannon (Sawandi Wilson) stepped in and helped her reconcile with Trina?

Wednesday, March 4th: Britt’s Vulnerability and Lulu’s Private Moment

On Wednesday, March 4th, Britt’s vulnerable and Elizabeth Webber (Rebecca Herbst) sees. Britt might be really shaken. She may get an update from Lucas that they couldn’t get her meds. Britt’s under so much stress, she may crack wide open.

Lulu Spencer (Alexa Havins Bruening) and Nathan’s private moment is witnessed. Does someone see them kissing? Ava Jerome (Maura West) assumes the wrong thing, maybe about Sidwell or Lucas. Josslyn Jacks (Eden McCoy) grows suspicious. Of Carly? Josslyn may see her at Wyndemere.

Thursday, March 5th: Jason Supports Britt and Carly Gets Shocked

On Thursday, March 5th, Lulu makes a realization. She might realize she and Nathan were spotted. Jason is there for Britt. She’s got new hope with Lucas helping, but Jason’s going to dip out in a few weeks and won’t be around. But it’s not by choice. Reportedly someone takes him.

Jack Brennan’s (Chris McKenna) frustrations grow, maybe about Ross Cullum (Andrew Hawkes), Sidwell, or not finding Valentin Cassadine (James Patrick Stuart). Carly’s shocked. Is this at Wyndemere? It may concern her scheme with Valentin. Brook Lynn and Chase come up with a plan. This might be about their adoption dream.

GH Spoilers: Friday, March 6th: Brennan Demands a Favor and Maxie Makes Her Feelings Known

On Friday, March 6th, Josslyn needs to see Jason. This may be about Cullum, but could be about Carly. Brennan demands a favor. I bet from Nina Reeves (Cynthia Watros). He may want payback for deleting Willow footage. Maxie Jones (Kirsten Storms) makes her feelings known. Is this about Nathan and Lulu?

or about the Deception ladies cutting a deal with Sidwell while she was comatose that’s bad for the company? Nathan’s completely honest with Liesl Obrecht (Kathleen Gati). I’m sure about the Maxie issue, but maybe about Lulu feels too. Trina gets a new opportunity that she embraces. Is this something to do with her parents?

General Hospital Week Two: March 9th-13th Spoilers – Willow Loving her New Power

During the second week, Willow revels in her new power. She hates being under Sidwell’s thumb, but Willow has no choice, so she’ll make the most of what he gave her. Michael’s going to be stunned and worried what this development could mean for him and the kids.

Lulu worries about Maxie’s reaction to her and Nathan. Will one of them tell Maxie like they planned, or does someone beat them to the punch and blab? Obrecht pushes back on Nathan. Liesl’s very stubborn and wants the Nathan and Maxie reunion.

Britt’s desperate to find her meds. She’s losing hope and will be devastated and scared when Jason vanishes. Marco is conflicted. He wants to help Lucas but is afraid of his father, Cullum, and Pascal. Lucas is in danger. Sidwell and Pascal are already prepared to kill Lucas. One of them might strike soon, especially if they think he’s manipulating Marco to turn on them.

Jason Leaving GH soon

It’s almost time for Jason to disappear. He’ll be back this summer—should be onscreen in July—and our leaker said he’s kidnapped by someone other than Sidwell or Cullum. Drew’s in deep despair. Between Willow and Sidwell, he’s completely trapped. But if Kai’s around working for Willow, he might help Drew.

Sonny wants to get closer to Justine. She’s fighting her feelings hard, but if Sonny kisses her again, she might not slap him. Trina and Portia rebuild their relationship. Trina’s getting excited about the baby.

That’s your General Hospital two-week spoiler outlook for March 2nd through the 13th. Thanks for watching Soap Dirt, and don’t forget to subscribe for more daily spoilers and news!

Bruce Campbell
I’m Battling Cancer

Published
March 2, 2026
6:15 PM PST

The Bold and the Beautiful 2-week spoilers for March 02 – 13, 2026 bring a wild ride as some major shocks hit the Forrester mansion and Deacon Sharpe (Sean Kanan) finds himself in a very steamy situation.

The Bold and the Beautiful Spoilers: Week 1 Drama and Unlikely Encounters

The week kicks off on Monday, March 2nd, with Steffy Forrester (Jacqueline MacInnes Wood) seeking guidance from Finn (Tanner Novlan). She is still reeling from everything happening with her family, and Finn is her rock, but how much can he take?

Also, Hope Logan (Annika Noelle) and Deke Sharpe (Harrison Cone) are encouraging Deacon to follow his heart. They want him to take a stand, but we know Deacon is often caught between a rock and a hard place.

And keep an eye out for Taylor Hayes (Rebecca Budig), because she has a very uncomfortable encounter with Sheila Carter (Kimberlin Brown). These two under the same roof is always a recipe for disaster.

B&B Spoilers: Deacon Sharpe’s Daydreams and the Steffy Forrester vs. Hope Logan Rivalry

On Tuesday, March 3rd, the rivalry between Steffy and Hope heats up again as they clash over their parents’. It seems some things never change. Meanwhile, Deacon is with Sheila, but his mind is elsewhere. He is daydreaming about Taylor, and that is definitely going to lead to some sizzle—and some trouble.

By Wednesday, March 4th, Will Spencer (Crew Morrow) is officially back on the market, and he’s already catching Dylan’s (Sydney Bullock) eye. Is a new romance brewing in the younger set? At the same time, Taylor and Deacon are both fighting their growing attraction. They are trying to keep their distance, but the pull is getting stronger.

Bold and the Beautiful Spoilers: Sheila Carter’s Scheme and Will Spencer’s Massive Bombshell

On Thursday, March 5th, Sheila expresses her gratitude to Taylor for everything she’s done recently. Is this a genuine olive branch or another one of Sheila’s schemes?

Plus, Hope is urging her dad, Deacon, to prioritize his own happiness for once. And Dylan finally comes clean to Will about everything she’s been hiding.

Friday, March 6th, ends the week with RJ Forrester (Brayan Nicoletti) thinking back on that kiss with Electra Forrester (Laneya Grace). He can’t get it out of his head. And Will drops a massive bombshell on Steffy that is going to leave her absolutely stunned.

Week 2 Spoilers: Eric Forrester Shocks the Family and Power Dynamics Shift

As we head into the second week, the drama only intensifies. The headline here is that Eric Forrester (John McCook) is going to do something that shocks everyone.

We’ve seen him struggling with his health and his place at Forrester Creations lately, and whatever he does this week is going to shift the power dynamics significantly. Whether it’s a medical recovery or a business move against Ridge Forrester (Thorsten Kaye), Eric is not going quietly.

Deacon Sharpe and Taylor Hayes’ Sizzling Romance Reaches a Boiling Point

Meanwhile, that “Deacon sizzle” we’ve been teasing reaches a boiling point. His daydreams about Taylor might just become a reality, which would put him in direct conflict with both Ridge and the ever-dangerous Sheila. In other news for the second week, look for the situation with Dylan and Will to reach a turning point as the truth about Dylan’s past continues to emerge.

And Steffy will be dealing with the fallout of the news Will gave her on Friday, leading to a major confrontation at the Forrester estate. That’s what’s coming up on The Bold and the Beautiful for the next two weeks. It looks like the Forresters, Logans, and Spencers are in for some major shifts.

By Chris Snellgrove
| Published 1 hour ago

The Addams Family has never been too afraid of death, possibly because they know just how impermanent it really is. After all, this is a franchise that refused to die: after the ‘60s show was canceled after only two seasons, the show lived on through cartoons and TV specials before properly coming back to life with two successful blockbuster movies that defined an entire generation. Now, Wednesday has relaunched the brand yet again, and the success of that show has ensured that an Addams Family cinematic universe is right around the corner.

However, shortly before Wednesday made everyone embrace their inner goth, we got an entirely different franchise production: The Addams Family (2019), a slick, CGI cartoon that lovingly embraced the aesthetics of the original Addams Family comic strips. It’s a movie that honors the franchise in a surprisingly robust way while providing something fun for the entire family to enjoy. If you’re ready for something creepy, spooky, and altogether ooky, it’s time to stream The Addams Family on Netflix!

The Original Goth TV Family Is Back

The premise of The Addams Family is that the titular clan of weirdos has established a new home for themselves in New Jersey, essentially isolating themselves from the outside world. That isolation is brought to a forcible end when a crazy reality TV show host makes it her personal mission in life to destroy the Addams’ mansion and drive the family away, all in the name of creating a perfectly planned community. The film is ultimately a story about fitting in versus standing out, with the Addamses impressing upon their children the need to never let anyone change who they really are.

As with many animated blockbuster movies, The Addams Family has a cast full of big names, starting with Oscar Isaac (best known for Ex Machina) as Gomez Addams. His loving wife, Morticia, is played by Charlize Theron (best known for Mad Max: Fury Road), while Wednesday is played by Chloë Grace Moretz (best known for Kick-Ass). Rounding out the immediate family is Puggsley, played by Stranger Things icon Finn Wolfhard.

Big Names Made This Movie An Explosive Hit

Believe it or not, this is just scratching the surface of big names in this film. The Addams Family also features voice work by Nick Kroll and deceased comedy legends Bette Midler and Catherine O’Hara. Even Snoop Dogg makes a crowd-pleasing cameo that firmly establishes how well the two directors (Greg Tiernan and Conrad Vernon) understood the assignment.

After The Addams Family hit theaters, its success was anything but ‘altogether ooky.” Against a budget of $24 million, it earned $204.4 million. This was enough success (you could fill Gomez’s vault with all that money!) to earn a sequel, and The Addams Family 2 came out in 2021. More broadly speaking, the success of this first film signified that The Addams Family was still a viable brand, and development on the highly successful Wednesday television show started the same year this earlier movie hit theaters.

The Critics Were Shocked (And Not In A Good Way)

When The Addams Family came out, it quickly revealed a major divide between critics and audiences. On Rotten Tomatoes, the film has a 46 percent rating, with critics complaining that this was too sacharine of a story for the most macabre family in American history. But the movie has a 70 percent audience rating and earned itself a follow-up film, both of which prove how popular this quirky cartoon was for general moviegoers and not snobby critics.

If you’re a diehard fan of the franchise like I am, you’ll likely enjoy The Addams Family for hewing so close to the original source material. The character design faithfully recreates Charles Addams’ original art, and the film does an excellent job of channeling these characters’ familiar dark humor. It’s still family-friendly enough to watch with your kids, but the onscreen hijinks of this glum, sometimes gruesome family are perfect for any parents sick of watching cartoons as shiny as they are mindless.

Additionally, the star-studded cast does an excellent job of bringing The Addams Family to life. Nobody phones in their performances here, and longtime fans will be excited by how Oscar Isaac channels the manic charm of John Astin’s original performance as Gomez. Meanwhile, Chloë Grace Moretz channels the dry wit of Christina Ricci’s Wednesday from the ‘90s, effectively paving the way for Jenna Ortega’s sinfully sardonic performance as the titular star of the Wednesday TV show.

The Family That Streams Together Screams Together

Even if you’re not a huge fan of the franchise, though, it’s easy to love The Addams Family for what it is: a well-produced tale of outsiders discovering that what makes them weird is also what makes them strong. It’s a universal message that will resonate particularly well for anyone who has learned the value of found family or, for that matter, anyone who felt like an unwanted outcast when they were growing up. That makes this the ideal movie for former weirdos to share with their children, effectively breaking the outcast cycle in a way that helps you bond with your children.

Will you agree that The Addams Family is a perfectly creepy, family-friendly comedy, or will you want to shut this thing off and just go watch Jenna Ortega dance instead? The only way to find out is to stream this slice of gothic grandeur for yourself on Netflix. Afterward, you can always stream the sequel on the same streamer, just in case you end up loving this film as much as Puggsley loves bombs!

By Jennifer Asencio
| Published 15 seconds ago

The recent release of a trailer for The Mandalorian and Grogu continues the story of the warrior hero and his young charge as they navigate, fight, and Force their way around the Star Wars galaxy. Cara Dune, played by Gina Carano, was an important character in this universe who was written off when the actress made some social media comments that Disney didn’t like. For comparing cancel culture to the Holocaust, Carano found herself canceled and fired from the original Mandalorian series.

She was scooped up by Daily Wire, the conservative news station, which was in the process of developing its entertainment division with fictional adult entertainment such as the movie Run Hide Fight. Carano’s project with the company was the western Terror on the Prairie.

Searching For Identity After The War

The movie takes place after the Civil War, starring Carano as Hattie McAllister, who has relocated with her husband Jeb (Donald Cerrone), pre-teen son Will (Rhys Jackson Becker), and infant daughter Bess to build a remote farm in Montana. Hattie’s wealthy family originates from St. Louis, and the devoted couple disagrees over whether they should persevere in their isolated independence or return to the city and kin. Jeb fought in the war but left the Confederacy for the Union.

Captain Miller (Nick Searcy) is also a veteran of the Confederacy and is now leader of an outlaw gang. When he and his gang stop at the McAllister homestead while Jeb is away, Hattie does what she can to keep the peace until it becomes clear the men have no intention of leaving. What results is a stand-off between Hattie and Cap and his gang as they siege her house to draw her and the children out. But what do they want with her, and will Jeb return in time to save his family?

Gina Carano’s Potential Doesn’t Match The Role

For Cara Dune fans, I’ll rip the Band-Aid off quickly and admit that Gina Carano disappoints. It’s not that she was not very good in this role as much as the role was not very good for her. Hattie is a wealthy city belle who loves her husband enough to have relocated to this desolate territory and a mother determined to protect her children. Carano does what she can with this, but too much about her general demeanor betrays that the actress is not some pampered princess, which tricked me for much of the movie into thinking that Hattie had fought in the war beside, or rather than, her husband.

Daily Wire originally signed Carano to star in an adaptation of “White Knuckle,” which is about an undercover FBI agent on the trail of a trucker serial killer, but wound up making this film instead, so if it feels like she was hired to do a different job, it’s because she was.

Nick Searcy as Cap was a magnificent blend of reasonable and depraved, convincing and conniving. He would have made a perfect foil to a heroine allowed to use more of Carano’s strengths, but against Hattie McAllister, he is overpowering in his sinister combination of religious conviction and murderous rage. The late Heath Freeman, who died before the movie was released, was tragically conflicted as Gold Teeth, one of Cap’s followers, who is so manipulated by the former soldier that he’s afraid to disobey.

Stellar Production Undermined By Pacing

Production-wise, a major strength of the film is in shots and sound effects that punctuate the farm’s isolation. The distant mountains and vacant fields around the McAllister homestead dominate the visual landscape for much of the film. No musical soundtrack plays through any of the movie until the moment before the credits roll, indicating a conscious choice of using only the wind whispering over the prairie and Bess’s crying as background music. This combination drives home that the terror in question isn’t just on the prairie but is the prairie and the distance it puts between Hattie and help.

This would have been effective had the script had pacing to match, but it was so uneven that when I paused to go refill my drink, I was stunned to discover that I still had almost an hour left to go. There is even a scene that is a perfect allegory for the plot’s movement: a chase on foot across a swiftly moving river through whose current the participants must slog. In exactly this manner, the movie gets in its own way by having interesting characters and motivations that are held back by taking too long to have them do anything and dragging it out when they finally do. Even the conclusion was drawn out for too long and in too many phases to be considered anything like a climactic event.

A Western With An Identity Crisis

Terror on the Prairie was trying to be a lot of things, but it wasn’t. Since it was an early entry in the Daily Wire catalogue, director Michael Polish was given the leeway to make an art film, but writer Josiah Nelson’s sophomore script should not have been that film. There are too many dissonant parts that never quite find their fit because the movie is never sure whether it’s a drama, suspense, action, elevated horror, or a Western piece, and tries to be all at once.

Nelson went on to co-write Episode 5 of The Pendragon Cycle, whose script, I previously wrote, was its greatest strength. I can now see how that episode made use of the better elements of character development in Terror on the Prairie; Nelson has great characters and shines when he gives them something to do, but he didn’t succeed with his ponderous Western.

Gina Carano’s next move is a return to the fighting ring against Ronda Rousey for a Netflix event in May. Carano made a beautiful frontier belle, but she is too good a fighter to pretend to be an amateur. It’s a pity the other project didn’t work out, because that would have been really good. Meanwhile, since Lucasfilm has recently changed leadership, will Star Wars fans get a revival of Cara Dune?

Terror on the Prairie is streaming on Daily Wire+.

Spider-Noir is a groundbreaking moment in the Spider-Man franchise. Not only will it be Nicolas Cage‘s first television role, but it’s also the first Spider-Man series to be rated TV-14, per The Direct. That also means this is the first Spider-Man series that will tackle mature content, with the trailer even featuring Ben Reilly (Cage) drinking, smoking, and laying a brutal beatdown on criminals. It’s hard to imagine a Spider-Man show that could go to those dark places, especially given the restrictions that Marvel and Sony placed on live-action depictions of the web-slinger.

Those restrictions were revealed during the infamous 2024 Sony hack, which revealed what filmmakers can and can’t do with Spider-Man. These “character integrity obligations” state that Spider-Man cannot smoke, drink alcohol, torture or kill. It also laid out strict rules for Peter Parker, including that he had to be a Caucasian, heterosexual male and the standard origin story of being bitten by a radioactive spider while being driven to heroism by the death of his Uncle Ben. On the one hand, these rules make sense. Unlike Wolverine or the Punisher, Spider-Man isn’t a jaded antihero who drowns his pain in alcohol and murder. On the other hand, these restrictions limit the type of Spider-Man stories that could be told on screen. Spider-Noir aims to change that.

‘Spider-Noir’ Has The Chance to Tell A Unique Spider-Man Story

Image via Prime Video

The stifling effects of Sony and Marvel’s “character integrity obligations” can be best felt in The Amazing Spider-Man films. Prior to Andrew Garfield being cast as Peter Parker, the Internet suggested that Donald Glover should be Peter Parker, using the #Donald4SpiderMan hashtag on Twitter. Given Glover’s energetic performance as Troy Barnes on Community, it wasn’t a stretch to imagine him bringing that same commitment to Peter Parker…yet probably due to the Sony/Marvel contract, a host of Caucasian actors were considered instead of Glover. There is a silver lining: the campaign inspired prolific comic writer Brian Michael Bendis to help create Miles Morales, and Glover even voiced Miles in an episode of Ultimate Spider-Man.

Spider-Noir is taking its own steps to skirt the Sony/Marvel restrictions, starting with the fact that Nicolas Cage isn’t playing a version of Peter Parker. Noir being Ben Reilly is both a nod to the fan-favorite Scarlet Spider and a clear sign that this is a darker, more psychologically tortured Spider-Man. It’s also more in line with the original Spider-Man: Noir comics by David Hine and Fabrice Sapolsky; while that version of Spider-Man was Peter Parker, he fought cannibalistic criminals and Nazis, and even carried a gun (and wasn’t shy about using it.) Spider-Noir has creators that aren’t afraid to go in the same direction, as producers Phil Lord and Christopher Miller laid out how this is a very different Spider-Man than fans are expecting:

“This character’s very different from the Peter Parker from the movies. He’s older and jaded, and not afraid to punch a guy in the face drunkenly…He already had his Chinatown disillusionment moment that happened years and years ago.”

Related

Nicolas Cage’s ‘Spider-Noir’ Leaves the Door Open for Season 2 and Beyond [Exclusive]

Cage is “a spider pretending to be a person” in the upcoming live-action series.

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If ‘Spider-Noir’ Is A Success, Marvel & Sony Can Do Darker Versions of Spider-Man

By opening the door to a darker version of Spider-Man, Spider-Noir could set a trend for more mature Spider-Man stories in film and television. Sony is looking to reboot its Spider-Man film universe; if it brings in a different version of Kraven the Hunter, this could allow a filmmaker to finally bring the iconic “Kraven’s Last Hunt” storyline where Kraven shoots and drugs Spidey, then buries him alive before taking his identity. Other Spider-Men who, like Noir, walk on the dark side of the street are Hobie Brown, aka Spider-Punk, who’s slated to get his own spinoff, and Kaine Parker, a clone of Spider-Man who takes up the Scarlet Spider mantle and has no problem with grievously wounding or killing his foes.

Spider-Noir is making its debut in a big year for Spider-Man projects, but there’s more to this series than adapting a fan-favorite character. It’s a show that can remind Sony, Marvel, and fans that there’s more than one way to tell a Spider-Man story.

Spider-Noir premieres on Prime Video on May 27, 2026.

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Release Date

May 27, 2026

Network

MGM+

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Showrunner

Oren Uziel, Steve Lightfoot

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Young and the Restless 2-week spoilers for March 02 – 13, 2026 reveal Kyle Abbott (Michael Mealor) is absolutely enraged and Sally Spectra (Courtney Hope) horrified as Victor Newman (Eric Braeden) takes things way too far with a shocking kidnapping. Let’s dive into what’s coming up in Genoa City.

Young and the Restless Spoilers Monday, March 2nd: The Newman Women Worry and Sally Gets Romanced

On Monday, March 2nd, Nikki Newman (Melody Thomas Scott) and Victoria Newman (Amelia Heinle) talk about Nick Newman (Joshua Morrow) being off and still in a lot of pain. Nikki says she and Victor noticed. Victoria says Nick is running through pills way too fast and at the same time, determined to take down Matt Clark (Roger Howarth) alone when he’s in no shape to do so.

Nikki hates that Phyllis Summers (Michelle Stafford) is running Newman Enterprises and gloating. Victoria is certain they’ll get it all back. Nikki says even if they get it back, maybe she and Victor should retire because they’d spend the rest of their lives rebuilding.

Young and the Restless Spoilers: Victoria’s Vow

Victoria vows to never give up until they get back everything Cane Ashby (Billy Flynn) and Phyllis stole. I love that none of them are blaming Victor, which is insane. He’s not a victim, he’s the cause of all this misery.

Kyle and Claire Grace Newman (Hayley Erin) chat and she says she didn’t get the dirt on Audra Charles (Zuleyka Silver). But Claire thinks Audra robbed an art gallery owner and then she and Holden Novak (Nathan Owens) made him disappear. Kyle thinks Claire should let it go but she insists that Audra’s up to something.

Kyle says Audra’s got a new job with Sally that’ll keep her busy—she’s not worried about Claire, so leave it. She tells Kyle he was right about Holden—he’s not right for her. Claire tells Kyle that Holden’s keeping secrets so Claire broke up with him.

Holden tells Audra that Claire didn’t find anything in LA. Holden catches Audra up on Victor losing everything and thinks it’s karma for using the AI on Cane’s company. Audra advises not to trash Victor in front of Claire. Audra also worries Claire won’t stop digging.

Young and the Restless Spoilers: Holden is Impressed

Holden’s impressed with Audra’s new job with Sally. Holden says Claire dumped him for keeping Audra’s dirty secret. He thinks Claire’s finally ready to let it go.

Sally has dinner with Billy Abbott (Jason Thompson) and he set up a romantic evening to win Sally back. Billy tells Sally he loves her and says they can separate personal and professional. She tells Billy about picking her dad up over and over and Sally doesn’t want to play that part with Billy.

When Sally cries and says her dad chose other things over her and Billy did the same with Chancellor, he keeps at it till he convinces Sally to take him back. She caves and kisses Billy.

Y&R Spoilers Tuesday, March 3rd: Sharon Questions Daniel and Phyllis Swaps Threats with Cane

On Tuesday, March 3rd, Sharon Newman (Sharon Case) has questions for Daniel Romalotti (Michael Graziadei) about him and Tessa Porter (Cait Fairbanks). I suspect Sharon might want Daniel away from Tessa. Sharon may tell Daniel he needs to give them a chance to reconcile. Tessa wants Daniel and may not like Sharon interfering.

Phyllis and Cane swap threats. Cane wants Phyllis to give back Newman stuff or pretend to so he can save Lily Winters (Christel Khalil). Phyllis sees that Cane legit thinks they’re in danger but Phyllis is certain Victor’s bluffing. Cane tries to tempt Phyllis and says he has something she wants so badly she can’t refuse. I’m thinking it involves her kids.

Claire and Kyle clear the air. A reunion might be coming now that Claire’s done with Holden.

Young and the Restless Spoilers, March 4th: Victor Gets the Upper Hand on the Abbotts

On Wednesday, March 4th, Victor gets one up on the Abbotts. Looks like he snatches Jack Abbott (Peter Bergman). Nick and Sharon get a message that has them very worried. No doubt from Matt.

This week, Noah Newman (Lucas Adams) and Sharon worry about Nick. An upset Noah wants to know if Sharon’s heard from Nick because his dad’s not answering calls or messages. Sharon hasn’t heard from Nick either and she doesn’t like it.

Cane strikes back with a low blow. I bet against Phyllis if she turned down his offer.

Thursday, March 5th: Victor Traps Billy as the Abbotts Learn Jack’s Been Taken

On Thursday, March 5th, Victor has Billy in a tight spot. Diane Jenkins (Susan Walters) and Kyle are shocked when Billy shows up at the Abbott mansion and tells Diane and Kyle that Victor told him if he doesn’t hand back Chancellor by the end of the day, they’ll never see Jack again.

Kyle makes a move. Does he try to get Jack back at all costs? I suspect he turns to Claire. Someone gives Jack a rude awakening. I’m sure wherever he’s being held by Victor.

Friday, March 6th: Jack’s World is Rocked and Diane Takes Extreme Measures

On Friday, March 6th, Jack’s world is rocked. He was not expecting to be collateral damage and kidnapped. Phyllis tries to make amends with Daniel. Will she offer him a job?

Diane takes extreme measures to get Jack back. Diane loves Jack dearly and she’ll do anything to save him. I wonder if Diane unleashes on Nikki because of what Victor’s done. Jack had nothing to do with this.

Week Two: March 9th-13th – The Race to Save Jack

During the second week, Diane, Kyle, and Billy race against time to find Jack. They’re outraged that Victor took him when Jack did nothing and in fact, Victor was planning to attack Jabot.

This is too much. Billy’s in a tough spot. Will he give back Chancellor or hope that Victor won’t hurt Jack? And will the Abbotts ever forgive Billy if he refuses to save Jack?

Daniel stands his ground with Phyllis. He won’t forgive her. Nikki’s furious with Victor over Jack’s kidnapping. Will she help Diane and Kyle? Claire may try and help Kyle but there’s no talking reason to Victor. Lily returns soon. She’s due back in March.

Will Devon Hamilton Winters (Bryton James) and Nate Hastings (Sean Dominic) find her? And if Victor changed her voluntary kidnapping to a real one, will all of Genoa City turn against him?

Young and the Restless Spoilers: Mariah’s Fate

Mariah Copeland (Camryn Grimes) awaits her fate. I’m not expecting a trial—Christine Williams (Lauralee Bell) may work a plea bargain. Sally is back with Billy but if he doesn’t give back Chancellor to save Jack, I expect Sally to be horrified and she and Billy may be over again already since Sally really likes Jack—she used to have a crush on him. Audra and Holden get closer. Sienna Bacall (Tamara Braun) is in danger soon. That’s your Young and the Restless two-week spoiler outlook.

By Chris Snellgrove
| Published 1 minute ago

In Star Trek: The Original Series, we got small glimpses of how characters in the far future were still obsessed with art and literature from their distant past. The Next Generation took this storytelling trope to the next level, primarily through the character of Captain Picard: when he’s not commanding the starship Enterprise, Picard likes to read Shakespeare and listen to classical music. But his most beloved form of entertainment is the last thing you’d expect: he likes to visit the holodeck and recreate gumshoe detective adventures from the 1940s.

Intellectual Sadism (noun) – the tendency to derive pleasure from demonstrating one’s mental superiority by exposing, correcting, or humiliating an inferior person’s perceived ignorance or errors.

You see, Picard is a huge fan of Dixon Hill, a private investigator who solved crimes in 1941 San Francisco. Most fans treat this as a fun affectation, one that gives the stodgy captain some much-needed personality and texture. But on one occasion, a veteran Star Trek director called out Picard’s hobby for what it is: throwing his advanced intellect around with a bunch of virtual cavemen.

Captain Picard, The Gumshoe Detective

Rob Bowman directed “Manhunt,” a Season 2 episode of Star Trek: The Next Generation, where Picard faces something much more dangerous than the Borg: an extra-horny Lwaxana Troi (she’s currently going through “the Phase,” which makes her Betazed people especially randy) is on the prowl for a new husband. She sets her sights on Picard, who decides to do the grown-up thing and go hide out on the holodeck. There, he once again recreates one of the Dixon Hill stories he loves so much, donning a hat and trenchcoat to look the part of a hard-nosed private investigator.

This is a mostly lighthearted episode that fans generally like, but they might change their minds after hearing what the director had to say. As published in the tenth issue of The Official Star Trek: The Next Generation Magazine, he noted how weird it is to have “characters that are several hundred years in the future from where we are now” revisit the ‘40s in such a robust way. He particularly called out Captain Picard, “who is so far advanced intellectually,” for how he wants to deal “with what are, essentially, cave people.”

Captain Picard Versus The Cavemen

Personally, as a nostalgic man with many quirky hobbies of my own, I found the director’s observation quite funny. But he makes a really great point here: it’s downright weird that Picard and others are so fixated on the past that they go out of their way to recreate it on the holodeck. Sure, it makes for great television (who doesn’t love seeing Data as Sherlock Holmes, for example?), but in-universe, it’s strange that characters who are so advanced would want to digitally slum it around with primitive people.

Ironically, Star Trek emphasizes this point whenever the holodeck isn’t involved. In Star Trek IV: The Voyage Home, Kirk reveals that humanity has moved past the use of money, and Dr. McCoy compares ‘80s medicine to “the Dark Ages.” First Contact further emphasized humanity moving beyond capitalism, with Kirk saying, “The acquisition of wealth is no longer the driving force in our lives. We work to better ourselves and the rest of humanity.” Furthermore, shows like Star Trek: The Next Generation often portrayed people from the 20th century and earlier as idiots, as evidenced by the antics of those weird, unfrozen hillbillies in “The Neutral Zone.” 

Is Future Humanity Really All That Advanced?

At almost every single turn, Star Trek points out that characters in the far future are so advanced that they barely recognize or understand the way of life for those in the 20th century. Why, then, does Picard want to spend his spare time hanging around with virtual versions of people from over 300 years in the past, ones who would seem like knuckle-dragging cavemen? One has to wonder if this is like a weird power trip for Picard, or maybe just an excuse to turn his brain off and let his hair down (so to speak).

Rob Bowman’s observation doesn’t make the Dixon Hill episodes any less fun, of course, but it does forever change how I will view everyone’s fixation on the past in Star Trek: The Next Generation. These are characters who are trained to never interfere in the development of undeveloped worlds, but they spend all their spare time hanging out with primitives on the holodeck. It could be worse, though: they could, like me, spend all their time writing about TV shows that went off the air over three decades ago!