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Emmy Award winner Jon Hamm is probably best known for his role as Don Draper in Mad Men, but lately, he’s found a new passion within the industry. While talking with Collider’s Steve Weintraub about Pixar’s new comedy adventure, Hoppers, Hamm was discussing the magic of animation and how he’s been fortunate to lend his unmistakable voice to several animated projects now. “I’ve been animated,” he says proudly, “and I like it.”

In Hoppers, Hamm voices Mayor Jerry Generazzo, who’s taken hostage by a group of animals on a mission, rallied by a 19-year-old animal-lover named Mabel (voiced by Piper Curda). Disney and Pixar’s latest takes audiences on a hilarious adventure when Mabel borrows a new technology to “hop” into the body of a robotic beaver, allowing her to infiltrate the animal kingdom. By doing so, she manages to convince King George (Bobby Moynihan) and the others to take a stand against a looming threat.

Check out the full conversation in the video above or the transcript below, where Hamm breaks down the animation process to turn him and fellow castmates, Dave Franco, Vanessa Bayer, Moynihan, and more, into their Hoppers characters, and which Pixar movies are his favorites. He also shares his favorite films from directors Christopher Nolan and Steven Spielberg.

How Does Pixar Always Leave Us All a “Weeping Mess”?

Jon Hamm shares his favorite Pixar movies.

Image via Pixar Animation

COLLIDER: I heard you haven’t seen this yet.

JON HAMM: I have not. I’m looking forward to seeing it at the premiere in front of a ton of kids and a packed audience. I’m very, very excited to see it.

I’m going to give you a spoiler warning: the movie is incredible.

HAMM: Good.

It is easily my favorite Pixar movie in years. It is tremendous. You have no idea what you’re about to get yourself into.

HAMM: I’m very excited. I have some idea. I did make it and read it. I have a lot of trust in the people who had their hands on it, so I’m very excited to see what they’ve done.

I’ve been asking this of everyone at every Pixar junket, but do you have a favorite Pixar movie?

HAMM: It’s hard to pick one.

I know. The answer is Ratatouille.

HAMM: [Laughs] It’s hard to pick one. Ratatouille is great. Obviously, Patton [Oswalt]’s work in that was so spectacular, but also the message of the film and the idea of the critic is so… as you may or may not have an opinion on that yourself. I love WALL-E. I love how the story was told without, really, any voices, just sounds and images. It’s a really elegant, beautiful way to tell a story. Toy Story, my god. I mean, the amount of times I’ve sat on a plane and watched that movie, those movies, and am completely a weeping mess, to the point where stewardesses were getting worried. [Laughs]

What Pixar does, their history of doing this, is combine an incredibly well-told story with deeply, deeply funny, humorous elements, and really connect emotionally. All the movies that we mentioned do that incredibly well, and I think this is certainly worthy of that lineage.

By the way, I would also accept WALL-E as an answer for my favorite Pixar.

HAMM: Yeah, man. It’s great.

It’s incredible.

Jon Hamm Explains Pixar’s Animation Process

Have we seen Mayor Jerry somewhere before…?

So when they came to you to play Mayor Jerry, did the design always look like that, or when you got cast, all of a sudden he morphs to look a little bit like you?

HAMM: It’s hard to tell which is the chicken or the egg. But I certainly think that what the animators do incredibly is that as you continue, as you start laying down the tracks, and as you get through the scripts and as they get rewritten and as they get roughed in and animated a little bit, they definitely start taking all of the footage that they have of you in the booth and they start using that as a kind of guide track for the characters’ facial expressions, for their physicality, for sure. As you go through the movie and you start watching it, you really start to see Bobby [Moynihan] in King George, and you see Vanessa [Bayer] in Diane, and you really start to see Dave [Franco] in Titus. You really start to see these people. They kind of come out through the animation. It’s very cool.

So, I don’t know how. I think it’s magical. I cannot draw a lick, so I think it’s incredible what these guys can do. It’s very cool. I’ve been fortunate enough to be in quite a few cool animated films, whether it’s Shrek or Minions or now this, or even Grimsburg on Fox. I’ve been animated, and I like it.

Oh, I can’t imagine, truthfully.

Jon Hamm Discusses His Favorite Films From Christopher Nolan and Steven Spielberg

“Wait, what did I just watch? What just happened?”

Image via Newmarket Films

I’ve been asking this of a lot of people I’ve been interviewing recently. Do you have a favorite Christopher Nolan movie?

HAMM: Favorite Christopher Nolan movie? I’ll go back to the source material and say Memento. I think that one showed his incredible attention to detail and the incredible acuity that he has with telling a very complicated story. And it was a story that I don’t think a lot of people were prepared for. It was almost like the first time you saw The Usual Suspects, and you’re like, “Wait, what did I just watch? What just happened?” It’s just so creative with the storytelling. I thought that was the one that really established him as someone to watch.

The other thing I’ve been asking everyone is what’s your favorite Steven Spielberg?

HAMM: Holy moly. That’s a tall order. But I guess if I’m going to go with one, I’d say Jaws.

That is a very common answer with a lot of people. It’s a masterpiece and flawless.

HAMM: Yeah. And the most amazing thing about it was Jaws was, what, ‘77, ‘76?

I almost want to say ‘75.

HAMM: Maybe it was. Maybe it was around there. To then kind of the next major thing be E.T. is such a genre shift.

I think he did Close Encounters.

HAMM: Close Encounters in between, but to tell a story, that deeply terrifying blockbuster that Jaws was, and then to come back on the other end of the spectrum and you tell E.T.? And you’re right, Close Encounters in between, but holy moly, what a what a gifted storyteller.

Hoppers is in theaters now.

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Release Date

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March 6, 2026

Runtime

105 minutes

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Director

Daniel Chong

Writers

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Daniel Chong, Jesse Andrews

Producers

Nicole Paradis Grindle

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  Piper Curda

  Mabel Tanaka / Mabel Beaver (voice)

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Tom Sandoval
Hints at Victoria Lee Robinson Relationship News

Published
March 6, 2026
2:00 AM PST

Grey’s Anatomy just had Kevin McKidd and Kim Raver‘s characters sign their divorce papers — only to show Owen and Teddy’s shocking hookup.

During the Thursday, March 5, episode of the hit ABC series, Owen supported Teddy as she contemplated another risky heart surgery on a patient. It was ultimately successful, which the former couple discussed at the end of their shift when Teddy came to pick up the kids.

Owen and Teddy admitted they were both still adjusting to their new normal before they decided to sleep together again. Their relationship status remained unclear as the episode wrapped up without a conclusion.

Earlier this season, Owen dealt with the end of his marriage to Teddy as she moved on with Cass (Sophia Bush). Owen had his own romantic development when he went out to dinner with Nora (Floriana Lima) before they eventually broke up.

Related: Every Star Who‘s Left ‘Grey‘s Anatomy‘: Where Are They Now?

The night … was March 27, 2005. Television titan Shonda Rhimes knew what she had just created — but audiences still had no idea. Thank You! You have successfully subscribed. Subscribe to newsletters Enter your email Please enter a valid email. Subscribe By signing up, I agree to the Terms and Privacy Policy and to […]

“A couple of scripts came in [recently] and I was like, ‘Oh, my God.’ It gets messy and it is so Grey’s Anatomy. I just love it so much,” Raver, 56, exclusively told Us Weekly in January.

The actress learned what is to come with the rest of the cast.

“We’re all reading what’s happening [during a table read], and I love it,” she shared. “Some of us are in scrubs, some of us are in our street clothes. Then when we find out the information, it’s a shock and a surprise to all of us. We are like the audience, too, and then we look at each other like, ‘This is really happening.’”

Raver, who has played Teddy since season 6, promised “really great” Grey’s Anatomy story lines — and revealed whether she has any concerns about her character’s fate.

“That’s the life of an actor,” she noted. “It’s really just about trying to be present and doing the work and following the amazing story lines that the writers are given. Especially with how now we’re always having these incredible cliffhangers. No one ever knows.”

Raver promised that the audience would be “riveted” by what’s to come, adding, “There is a cliffhanger, so I think that that’s going to be really surprising. … I love being able to go every day and be able to tell these stories from a director’s point of view. Each story line leaves us with that quintessential Grey’s Anatomy vibes where you are crying, laughing and the residents are so good. There’s a lot of shenanigans going on with them. It’s a really exciting episode.”

Raver continued: “I feel like every time I direct a new episode of Grey’s, there are more things [I learn] because there’s a different format or a different way to shoot it. But I think maybe my confidence in how I want to tell this story and where I want to put the cameras [has gotten better]. TV moves so fast, so I feel like the more I do, the more comfortable I am with the speed that you need to go through it. I am just getting more and more comfortable with the craft of it, which allows me to then really enjoy the process.”

Grey’s Anatomy airs on ABC Thursdays at 10 p.m. ET before streaming the next day on Hulu.

When Steven Spielberg‘s Jurassic Park came out in 1993, it changed the way we looked at dinosaurs. No longer were they drawings in a book or stop-motion in a cheesy movie. Thanks in part to the genius of Industrial Light & Magic, dinosaurs felt alive like never before. Now, the iconic director and visual effects studio are back together again for another dino story. This time, instead of the world of fiction, with dinosaurs impossibly living amongst modern humans, Netflix‘s The Dinosaurs is a four-part docuseries that goes back millions of years to show the rise and fall of their era — and if the story’s jaw-dropping visuals aren’t enough of a selling point, it’s all narrated by Morgan Freeman.

What Is ‘The Dinosaurs’ About?

Steven Spielberg, Morgan Freeman, Industrial Light & Magic, and Netflix have actually worked together before on the 2023 Netflix docuseries Life on Our Planet. The eight episodes covered the history of life on Earth from the very beginning to the animals of today. This was done through a combination of live-action footage, when possible, and CGI when needed, with the technology coming in handy for episodes that covered the reign of the dinosaurs.

The Dinosaurs covers the days of Tyrannosaurus Rex and company in four detailed episodes, but rather than only depicting big names like the T-rex or a Triceratops, Netflix’s docuseries succeeds by digging deep and covering four distinct eras and what came from them better than most history lessons ever could. “Rise” focuses on the beginning, where small dinosaurs from 235 million years ago fight for survival in a new world. In “Conquest,” dinosaurs grow, only for many to be wiped out by the Ice Age. “Empire” is aptly titled because dinosaurs are now giants and the rules of an ever-changing Earth. Lastly, “Fall,” as the name implies, takes us all the way to the end, with an asteroid like a ticking time bomb to the end credits.

‘The Dinosaurs’ Is Treated Like a Brutal Nature Documentary

Image via Netflix

The Dinosaurs is not only built on the passion of Spielberg and Amblin Entertainment, but also on the know-how of Silverback Films, the creators of wildlife documentaries such as Secrets of the Bees, Ocean with David Attenborough, and Secret Lives of Orangutans. Their influence shows heavily in the best of ways, taking The Dinosaurs out of the realm of stuffy history lessons and narrowed scope. In a large world with fantastical figures from before our time, The Dinosaurs takes an emotional approach, with its subjects fighting to live in a world where only finding food and making it to the next day matters. Each episode plants the audience in the daily life of a little Marasuchus, a mammoth saurpod, or a terrifying carnivore in a world that’s eat or be eaten.

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The viewers are moved in herds. They really are moved in herds.

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Dinosaurs might be one of the first things kids are fascinated by, but The Dinosaurs is probably not for the little ones. The docuseries is brutal and unforgiving. It sucks you in with the warm blanket of Morgan Freeman’s voice, but he’s narrating a vision of hell and even tells us so. Each episode is one scene after another of getting to know a dinosaur, one usually all alone, before its life is either snuffed out by a predator, a sudden fire, or the inability to adapt to a world that keeps evolving. A few scenes are hard to watch because The Dinosaurs does such a phenomenal job of taking these prehistoric creatures and turning them into three-dimensional beings with personalities and fears who only want to make it through another day.

Industrial Light & Magic Brings ‘The Dinosaurs’ to Life

Image via Netflix

Industrial Light & Magic, which was co-founded by George Lucas in the mid-1970s, has made the impossible possible in movies such as E.T. the Extra-Terrestrial, Poltergeist, and Who Framed Roger Rabbit, before reinventing itself in the early ’90s thanks to CGI. Jurassic Park changed the game, putting the possibilities of our imagination on the screen in a way that felt lifelike. In The Dinosaurs, ILM isn’t there to supplement an existing film; they are the movie. The detail is there in every speck of sand, crack of dirt, and lush vegetation needed to thrive. Some of it resembles the world humanity knows right outside our door, while other scenes might as well be an alien planet. It’s the attention to detail of the dinosaurs themselves that puts the docuseries above anything else like it. CGI is good at making living things seem more alive in the dark. However, The Dinosaurs depicts its subjects right out in the open, blending them seamlessly with the world around them.

The only flaw of The Dinosaurs is the repetitive nature of its episodes. A dinosaur is introduced, it’s shown struggling to survive and eat, then it’s wiped out, and it’s on to the next. What begins as a heavy emotional impact in early episodes starts to become not only predictable but numbing by the end. The series doesn’t overstay its welcome, though. At four episodes of nearly 45 minutes each, The Dinosaurs gets it right. It’s dark and at times all too much, but the mastery of ILM and Morgan Freeman guiding the audience through hellscapes of another era helps the series rise above its limitations. The Dinosaurs will rip your heart out, but it wisely ends on a note of hope and respect. These dinosaurs don’t talk or devour people; they only live and die as they were, their ends brought to life millions of years later through the evolution of humanity, and thanks to Netflix, you’ve never seen them like this before.

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Release Date

March 6, 2026

Network

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Netflix

Directors

Nick Shoolingin-Jordan

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Pros & Cons

• ILM’s technology makes the dinosaurs look more real than ever.
• A lot of time is spent with dinosaurs you’ve never heard of, not just big names like the T-rex.
• It’s a wise choice to tell stories with the dinosaurs so that we care about them.

• The episode structure is the same throughout, leading to less emotional impact later on.

Congressman Tony Gonzales
Calls It Quits After Staffer’s Suicide

Published
March 6, 2026
12:53 AM PST

Britney Spears
Fired Sober Coaches Before DUI Bust

Published
March 6, 2026
1:00 AM PST

Aaron Rodgers put FBI director Kash Patel on blast after he was seen partying with Team USA’s hockey team at the 2026 Winter Olympics.

Speaking about the controversial moment during a Wednesday, March 4, appearance on ESPN’s The Pat McAfee Show, Rodgers, 42, slammed Patel, 46.

“Can we get that one guy out of the locker room and get him working on something else?” Rodgers said, adding, “That’s a bad look. Come on, have some awareness.”

Last month, Patel raised eyebrows during the 2026 Milan Cortina Winter Olympics when he chose to celebrate with the men’s team after their win over Canada.

Related: Dave Portnoy Says Only Psychopaths Are Upset at Trump’s USA Hockey Comment

Dave Portnoy is weighing in on the controversy surrounding President Donald Trump’s alleged “joke” about the USA women’s hockey team after both the men and women took home 2026 Winter Olympics gold against the Canadians. “People are mad, they’re going nuts. ‘How could the [USA men’s] hockey team laugh, why are they talking to the […]

In footage that circulated via social media, the FBI director could be seen drinking beer and cheering with the athletes inside a locker room as part of the team’s lively post-victory celebrations.

Patel, a longtime hockey fan, also joined the athletes in singing a rendition of Toby Keith’s “Courtesy of the Red, White and Blue.”

In response to the backlash, Patel defended his actions via a social media post shared on February 22.

“Yes, I love America and was extremely humbled when my friends, the newly minted Gold Medal winners on Team USA, invited me into the locker room to celebrate this historic moment with the boys,” he wrote via X. “Greatest country on earth and greatest sport on earth.”

NHL star Jack Hughes scored the winning goal in Team USA’s hockey game against Canada, which went into overtime on February 22. The United States won against their rivals with a final score of 2-1. The victory was the first time in 46 years that Team USA has won gold in men’s hockey since the famous “Miracle on Ice” win in 1980.

Rodgers is not the only person to publicly criticize Patel’s decision to party with the hockey team following the gold medal win.

Dani Bensky, who said she suffered abuse from Jeffrey Epstein between 2004 and 2005, also slammed Patel for celebrating when he could have been doing his job.

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Related: Stephen A. Smith Clashes With FBI’s Kash Patel Over NBA Gambling Scandal

Stephen A. Smith is not afraid to go up against anyone, and that apparently includes FBI Director Kash Patel. On the Thursday, October 23, episode of ESPN’s First Take, Smith talked about the recent NBA gambling scandal that saw Portland Trailblazers head coach Chauncey Billups and Miami Heat star Terry Rozier arrested as part of […]

“Why is the FBI director out there partying like a college kid when he should be investigating the vast criminal enterprise?” she asked in a news conference hosted by the Democratic Women’s Caucus on February 24. “This administration needs to do better. How can anybody feel safe in this country when our president’s sympathies are going to the former Prince Andrew and not to survivors?”

She continued, “There are a few things that really need to be done immediately versus the release of all of the files, which we know. Next is to hold accountable those who continuously exploit. And the third is to pass Virginia’s bill. We need to pass Virginia’s bill because justice should never ever expire. Release the damn files.”

Virginia’s Law is named after Epstein accuser Virginia Giuffre, who died by suicide in 2025. It was introduced by senate Democrats last month and aims to end the statute of limitations for civil sexual abuse cases.