Entertainment
25 Best Folk Horror Movies of the 2020s (So Far)
Folk horror has only recently been recognized as a distinct subgenre, even though some of its most famous works—including Witchfinder General, The Blood on Satan’s Claw, and The Wicker Man—came out in the late 1960s and early 1970s. Many folk horror movies focus on isolated communities that get swept up in dangerous superstitions, while others highlight the darkness in aspects of folk culture, such as music, stories, and rituals. Over the decades, what was once considered a British phenomenon has flourished into a worldwide fascination.
The 2020s, in particular, have seen an explosion of new folk horror movies. It’s hard to say exactly what inspired the trend, but the popularity of Ari Aster‘s Midsommar (2019) and rising interest in folklore seem to be contributing factors. The folk horror movies of the last few years have proven that the genre is more than just pagans and stone circles; from the glacial valleys of Iceland to the ancestral burial grounds of South Korea, the settings of modern folk horror are more diverse than ever.
25
‘Keeper’ (2025)
On a weekend getaway to celebrate their first anniversary, medical doctor Malcolm (Rossif Sutherland) brings his painter girlfriend Liz (Tatiana Maslany) to his secluded, peaceful cabin in the woods, hoping for peace and relaxation. But, for Liz, an uneasiness seems to follow her everywhere in the house. Soon, she fears something supernatural is stalking her, leading her to suspect Malcolm may have alternative motives for bringing her to the cabin in the first place.
From Osgood Perkins, the wildly unique mind behind The Monkey and Longlegs, Keeper is his slow-burning 2025 mystery folk horror thriller that is booming with bizarre, unsettling terror. It keeps the audience constantly on edge, wondering just what is about to happen, what exactly is haunting the cabin, and just who Malcolm really is. It culminates in a shocking twist and horrifying third act that will have viewers questioning just what they really experienced. —Daniel Boyer
24
‘Saloum’ (2021)
Set during a coup in 2003, a group of African mercenaries and the man they’ve been hired to protect seek refuge in a remote region of Senegal. As they hide out at an isolated resort, they start to learn about the spiritual significance of the place as well as their leader’s painful history with the owner of the resort. Soon, a curse breaks free, and everyone at the resort must fight for their lives as they’re swarmed by spirits that kill by sound.
Saloum is a refreshing bit of folk horror that mostly plays as a fantasy adventure mixed with a scary crime thriller. The mythology and folklore related to the surroundings provide an interesting backdrop for a story that touches on the real-life horror of child soldiers in West Africa. The ancient terrors that plague the group throughout the film provide a poignant parallel to the trauma the main character still grapples with as an adult. The pacing of the film is a highlight; viewers are dropped into the action right away and are barely given time to breathe.
23
‘Dark Harvest’ (2023)
Every year, teenage boys in a small Midwest town must compete in the Run and kill a dangerous creature called Sawtooth Jack before it can reach the church in the center of town. The prize for winning the Run is a one-way ticket out of town, a prize so coveted that the boys would die for it–and many of them do. Most of Dark Harvest takes place on the night of the Run, but a portrait of the town starts to emerge as a place that’s bleak, stagnant, and full of secrets. The shadowy Harvesters Guild that oversees the town may be a bigger threat than Sawtooth Jack.
Critics might dismiss Dark Harvest as a teen version of The Purge films, and the film is held back by some hammy acting and a premise that’s hard to swallow. However, the depiction of the nameless town as an isolated, regressive place has some interesting things to say about the urban-rural divide, as well as generational warfare. The supernatural figure of Sawtooth Jack might push the film into fantasy territory, but the folk horror themes ground it in real concerns that make the characters’ predicament relatable.
22
‘You Are Not My Mother’ (2021)
In the Irish horror film You Are Not My Mother, Char is a teenage girl who is already facing plenty of problems well before her mother, Angela, goes missing. Angela clearly has depression, is unable to take care of herself and her daughter, but when she returns from her disappearance, something has changed. More than depressed, she seems possessed, and Char wonders if the person who came back might be something else altogether.
A significant number of horror stories deal with the theme of mental health, creating ambiguity about what is real and what is delusion. Where You Are Not My Mother takes a turn to folk horror is through the introduction of magic and the folklore of changelings. A changeling is a kind of fairy creature that has been sent to the real world as a replacement for someone who was taken. Often, the changeling takes the form of a child, but it can look like an adult as well. When Char suspects that her mother’s behavior might be related to the supernatural, she turns to magic for a possible solution.
21
‘The Medium’ (2021)
The South Korean producer of The Medium, Na Hong-jin, directed the hit folk horror film The Wailing in 2016, so it’s no surprise that Na’s follow-up project showed a similar fascination with demon possession and shamanic rituals. The Medium is a mockumentary that takes place in Thailand and follows a local medium who claims to be inhabited by the spirit of a goddess. The spirit must be passed to the next person in line through an elaborate ritual, and the medium claims that her niece has been chosen to host the goddess. However, the plans to transfer the spirit go awry, and the family appears to be cursed for their failure.
The documentary format of the film is part of what makes it successful, conveying realism despite the supernatural occurrences. The Medium is also known for being quite scary; the things that happen to Mink, the niece, are brutal and terrifying. Another thing that makes the story frightening is the idea of inviting a spirit into one’s body. The character of the medium has faith that the spirit is a goddess, but there’s also a chance that she might be inviting in evil spirits that have managed to hide their true nature.
20
‘Candyman’ (2021)
A sequel to the 1992 slasher classic, director Nia DaCosta’s Candyman also serves as a reboot that brings the franchise into the modern era. In the original film, Candyman was a figure out of an urban legend who had once been a man named Daniel Robitaille, killed for being a Black man in a relationship with a white woman. The 2021 Candyman examines the way that the urban legend has evolved, with the story focusing on a different wronged man depending on the era. Like Robitaille, protagonist Anthony is an artist whose life is still affected by racism more than a hundred years later.
The film examines the effects of gentrification, as the Cabrini-Green public housing project, which served as the focal point for the original film, has been demolished to make way for luxury apartments. Folk horror is usually associated with rural spaces, but urban areas can also be a rich source of folklore and history. An urban legend, such as the one about Candyman, is tied to a specific place, and its impact can still be felt by the people who venture there. The past and present collide in ways that can be fascinating—and terrifying.
19
‘Wrong Turn’ (2021)
Folk horror, with its suggestion that rural isolation can make people a bit twisted, is often in danger of falling into hicksploitation, a subgenre that mocks country folk as ignorant and dangerous. Earlier films in the Wrong Turn series focused on inbred cannibals living in the Appalachians, but the seventh installment, also known as Wrong Turn: The Foundation, offers an interesting twist that’s closer to Midsommar than The Hills Have Eyes. The movie follows a group of hikers on the Appalachian Trail that runs afoul of a remote community called the Foundation.
The Foundation has kept itself separate from society since before the Civil War, and they will do anything to protect their chosen way of life. Periodically, they accept and initiate new members to sustain the community. The film is surprisingly thoughtful in its presentation of the conflict between modernity and tradition as well as the culture clash between so-called civilization and barbarity. An early scene, in which the hikers treat a local man with cruel condescension, reveals that the movie will be flipping the script on the usual hicksploitation tropes—a promising beginning to a strong story.
18
‘In the Earth’ (2021)
Director Ben Wheatley (The Meg 2: The Trench) is practically a veteran of the folk horror genre, having made Kill List and A Field in England prior to 2021’s pandemic-themed In the Earth. Although the virus is only tangential to the plot, the social-distancing-induced isolation enhances the film’s sense of alienation. In the movie, a scientist and a park scout venture into a dangerous forest to look for a researcher who has disappeared. They find that both the researcher and her ex-husband have gone mad trying to communicate with an ancient woodland spirit.
Like Wheatley’s A Field in England, In the Earth is a surreal, psychedelic journey that will leave many viewers scratching their heads. However, the film’s eco-horror elements will resonate with viewers concerned about climate change. The message seems to be that there are some forces—whether natural or supernatural—that should be left alone. One character attempts to use science and technology to unravel the mysteries of the world, while another uses occult rituals. In the end, both approaches are shown to be misguided.
17
‘Moloch’ (2022)
In the Dutch horror-fantasy movie Moloch, Betriek and her young daughter move into her parents’ house after her husband dies. However, the place where Betriek grew up is unsettling rather than comforting. The house is on the edge of a peat bog where archaeologists have been digging up the bodies of several women who were apparently killed in a ritual sacrifice. Even worse, the women are all discovered to be Betriek’s ancestors.
Folk horror is often about the ways that cycles repeat themselves, especially the cycle of death and rebirth. This is why human sacrifice has become a reliable folk horror trope, with villagers spilling blood in exchange for a bountiful harvest. But sacrifice can also be a powerful symbol of generational trauma. The older generations perpetuate harmful practices that the younger generations try–and often fail–to reject. Betriek in Moloch finds herself caught up in this same terrifying cycle.
16
‘She Will’ (2021)
She Will is a fresh take on the witch subgenre that deserves much more attention than it’s gotten. In the film, Veronica Ghent (Alice Krige) is an aging film star who goes on a retreat in Scotland to recover from a mastectomy. Veronica and her nurse Desi, discover that the retreat is located in a region where countless women were once burned as witches, and the land is now contaminated by the ashes. Veronica and Desi both experience nightmares that connect their personal traumas with the historical persecution of women.
Krige gives a powerful performance as a woman marked by childhood abuse and grappling with her lost youth. She Will, at times, feels more like a drama than a horror movie, but the moody, Gothic atmosphere delivers enough dread to interest horror fans. The barren, wooded landscape is beautifully filmed to emphasize the way that places create a connection between the past and the present, which is an enduring theme in folk horror movies.
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Entertainment
Apple TV’s New Horror Series Gives the Perfect, Bone-Chilling Toast in New Sneak Peek [Exclusive]
Apple TV’s acclaimed new series Widow’s Bay has brought both the chills and the laughs so far with its exploration of the titular weird little seaside town. Despite the insistence of put-upon mayor Tom Loftis (Matthew Rhys) and his attempts to boost tourism, there are horrors that lie underneath the New England locale’s surface that prove the residents aren’t just superstitious and that the place is, in fact, cursed. Now, in Episode 4, the haunts are about to intensify even more, and they’re going to crash a party. Ahead of tomorrow’s new installment, Collider can exclusively share a sneak peek featuring a toast delivered by Kate O’Flynn‘s oddball assistant, Patricia, that is much less perfect than it initially seems.
Patricia looks to set the party off on the right note by opening up a book and flipping to “The Perfect Toast.” The speech is a light-hearted, thankful speech celebrating the present company and expressing hope for new beginnings. As the camera pans around the room at all the smiling faces enjoying the moment, it seems like a joyful, peaceful occasion in the otherwise deeply abnormal town. However, those warm fuzzies fade into pure dread when looking into the mirror behind the guests and seeing their visages twisted into horrifying stares with mouths unnaturally agape. It’s a sign that something is about to go terribly wrong on this night, but for now, nobody even notices that anything’s amiss.
The synopsis for the new episode, “Beach Reads,” teases, “Make sure you pack a good read for the beach! (We do not recommend self-help books on the island).” There’s not a ton to glean from that, but each little episode preview has featured a hint at the kind of eerie happenings about to plague Widow’s Bay. Patricia’s book, for instance, contains a few curiosities, as opposite her perfect toast is a disconcerting passage about making conversation in a blink-and-you’ll-miss-it moment. Those smaller spooks that exist within the periphery and other everyday horrors are what the series thrives on, in addition to its more direct haunts. Creator Katie Dippold told Collider during our Exclusive Spring Preview earlier this year that the goal was to capture an air of “fun dread” by marrying big and small scares alike.
“There are some moments when there’s a lot of dread. But I know this is a weird thing to say, and my definition of fun is different than other people’s definition, but I would call it fun dread. Like, the anticipation. It’s not a lot of gross-out horror because that’s never really been my cup of tea. I respect it when done well, and I like watching it when done well, like I love The Texas Chain Saw Massacre. But it’s more like I would say I always loved American Werewolf in London, where it’s really grounded by everything that’s happening, but there are still very fun, surprising moments. Also, when I think about the tone, a lot of it is about horrors, both big and small. Like, for example, I’m just making this up, this example, but there could be something horrifying lurking outside the building, but then there’s also the small horrors of life, of you’re in an elevator, and you say goodbye to someone, but then it takes 30 seconds for the elevator door to open, and that awful silence for 30 seconds. So, this show explores both of those kinds of horrors.“
‘Widow’s Bay’ Has Been a Terrifying Hit With Critics
2026 isn’t even halfway through yet, but Widow’s Bay has already earned a reputation as one of the best and most unique television series of the year, beginning as a spec script that helped land Dippold a job on Parks and Recreation before being fleshed out into a compelling horror mystery. It owns a stellar Certified Fresh 97% score from critics on Rotten Tomatoes, along with an also strong 94% score from audiences. Collider’s Emily Bernard gave it a 7/10 in her review, writing, “At first, you might not be so sure that you’ve chosen the right travel destination, but Widow’s Bay becomes a haunting, deeply rewarding, and oddly charming series if you stick with it.” Rhys and O’Flynn are joined in the titular town by Stephen Root, Kingston Rumi Southwick, Kevin Carroll, and Dale Dickey, with Hiro Murai directing.
Widow’s Bay Episode 4 premieres on Apple TV on Wednesday, May 13. Check out our exclusive sneak peek in the player above.
- Release Date
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April 29, 2026
- Network
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Apple TV
- Showrunner
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Katie Dippold
- Directors
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Hiro Murai
- Writers
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Katie Dippold, Kelly Galuska
Entertainment
“The View” star, ex-White House staffer Alyssa Farah Griffin admits she 'set up one of these Trump accounts' for new baby
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Griffin previously worked for President Trump and Vice President Mike Pence.
Entertainment
Infamous Director’s Extremely R-Rated Action Comedy Succeeds In Offending Absolutely Everybody
By Robert Scucci
| Published
Growing up, we all had that one edgelord friend who would say the most offensive things possible whenever the opportunity presented itself. Their entire goal is to clear the room with the things they say and do, and when you grow up, you start distancing yourself from this kind of person for reasons that don’t really require much justification. You don’t want somebody like this showing up to your job and getting you fired, or saying the wrong thing in front of your significant other because the tradeoff for their perpetually tasteless humor is sleeping on the front lawn.
If you’re looking for that guy in movie form so you can get your fill without having your life ruined, you can find it in Uwe Boll’s action comedy disasterpiece, Postal (2007), which, in my opinion, is grossly misunderstood and severely underappreciated.
Don’t get this twisted, Postal is problematic, reprehensible even, and that’s the entire point. But for some reason, this doesn’t come off like an edgelord being offensive just to get a rise out of people, like 2013’s InAPPropriate Comedy. This is Boll adapting yet another video game series to film, but instead of taking himself seriously and failing miserably like he did with films like Alone in the Dark (2005) or BloodRayne (2005), he leaned into camp, egregiously offensive humor, and total chaos instead.
I’m here to argue, however, that he didn’t fail miserably, despite what the nine-percent critical score on Rotten Tomatoes would lead you to believe.
Postal Is Built Differently
Postal kicks off with a recreation of the September 11 attacks and somehow manages to get exponentially worse across its 100-minute runtime (114 minutes if you can secure a copy of the director’s cut). From there, we’re introduced to our protagonist, simply billed as The Postal Dude (Zack Ward), five years later. The Postal Dude lives in a dilapidated trailer home in Paradise, Arizona with his morbidly obese, emotionally abusive, cheating and thieving girlfriend, simply billed as B**** (Jodie Stewart). He’s looking to leave Paradise, and start his life over, because his present situation is hardly doing him any favors.
Now, you may be wondering what the opening sequence has to do with The Postal Dude’s character arc, but it all starts to make sense when he’s contacted by his Uncle Dave (Dave Foley), the leader of a religious death cult that owes the IRS over a million dollars in back taxes. Dave recruits The Postal Dude to run a scam involving a missing shipment of plush toys known as Krotchy Dolls, whose likeness resembles the exact pieces of male anatomy that they sound like. Basically, Dave wants Postal Dude to use a mail truck to locate and secure the missing dolls so they can sell them online for money. That’s the entire plan. That’s as far as they think it through before acting on it.
Meanwhile, Osama Bin Laden (Larry Thomas) and his network of terrorists, who all just so happen to operate out of Paradise, Arizona, are also trying to secure the Krotchy dolls, but for a far more nefarious reason. Instead of flipping them for a quick profit, they want to infect them with a rare strain of bird flu, resulting in a nationwide pandemic when unsuspecting children play with the dolls after they’re distributed all over the country. Unbeknownst to Dave, his right-hand man Richie (Chris Coppola) is on the terrorists’ side because the fictional bible Dave wrote includes a prophecy about the end of days, which Richie takes literally and wants to help facilitate.
Along the way, The Postal Dude befriends a barista named Faith (Jackie Tohn) and a bunch of other smokin’ hot babes in miniskirts and bikinis who all conveniently know how to use machine guns. They join forces and rack up an absurd body count, sparing nobody in their pursuit of shutting down Al-Qaeda and restoring peace, resulting in an unthinkable amount of collateral damage, bloodshed, and dead bodies.
The Most Tasteless Movie Of The 2000s
Listen, you need to be a very special kind of person to enjoy movies like Postal. I’m not saying it’s not in poor taste or bad faith because it absolutely is. What sets it apart from other “offensive” comedies, though, is its fearless commitment to the bit. So much so that every joke lands when you consider the source material, who’s directing it, and what it’s trying to accomplish.
Every single character in Postal is reprehensible, and that’s the point. Personally, I’m willing to forgive everything everybody says and does in this movie because it’s a movie, but also because everybody rightfully gets what’s coming to them, and they all deserve it. Postal has to go all in because if it didn’t, none of it would feel earned.
Uwe Boll, who’s notorious for his love of filmmaking despite his complete ineptitude as a filmmaker, was originally asked by Vince Desiderio, the CEO of Running With Scissors, the studio responsible for the Postal video game series, to come up with a much darker, grittier adaptation. He rejected the pitch and instead decided to lean fully into camp, satire, extreme violence, and offensive humor to get his point across.
I think this was the right move because the video game series, which also aims to be as politically incorrect as possible, benefits from being turned into a slapstick endeavor thanks to Boll’s writing and direction. If you still have that edgelord friend who you just can’t seem to quit, this movie is tailored to their sense of humor while simultaneously undermining it every step of the way, almost as if to say, “Yeah, this is funny, and you can laugh at it, but we’re also laughing at you.”
Postal succeeds in offending every single sensibility you could imagine, and it does so unapologetically. Like most Uwe Boll efforts, it’s built differently and truly a sample size of one. Objectively speaking, it’s not a great film. But since I assess most things I watch based on whether execution meets intention, I’ve got to say “job well done” here. Boll accomplished exactly what he set out to do here, whether you like it or not.
Postal is “one of the movies of all time,” and can currently be streamed on Tubi for free in all of its disgusting, offensive, and stupid glory.
Entertainment
After 32 Years, ‘The Crow’ Remains the Iconic Gothic Revenge Thriller Against Which All Others Are Judged
The Crow, director Alex Proyas‘ towering baroque spectacle, immortalized itself into a pop-culture touchstone almost instantaneously. A true artifact of its generation, teens donned black eyeliner and pretended to race across rooftops, while wearied adults recognized the somber life pulsing underneath the cult classic’s hyper-stylized sensibilities — the moody noir iconography, the straightforward mythology, and the trauma layering every frame. Creator James O’Barr‘s comic of the same name was born out of his fiancée’s tragic death, while Proyas’ 1994 movie is eternally haunted by Brandon Lee‘s accidental on-set passing.
No matter how low or high your tolerance for melodramatic aesthetics, these motifs lend The Crow‘s agonized rage a sense of true gravity and substance. It’s a superhero revenge epic built not upon the cynical scaffolding its cultural reputation occasionally suggests, but a vigilante fantasy about exacting what bare-minimum justice remains when the world’s on perpetual fire and our loved ones have been swallowed up by the flames. The Crow‘s familiarity with visceral grief resonates with even more emotional truth than perhaps ever before.
‘The Crow’ Is a Stylistic Triumph
A familiar descriptor it may be, but The Crow‘s rendering of Detroit, Michigan turns said setting into a living character overrun by police corruption and greed-driven criminals. Random violence and senseless depravity provoke Eric Draven’s (Lee) revenge spree against the four men who murder him and his fiancée, Shelly Webster (Sofia Shinas). Except for a handful of daytime scenes, impenetrable shadows and artistically timed rainstorms drench every moment. Whether it’s production designer Alex McDowell and art directors John Marshall and Simon Murton‘s miniature buildings, grimy apartment interiors, or cramped, smoke-filled bars, the design’s distinct details craft a story. As much as the manufactured cityscape evokes a menacing quality, like some upside-down nightmare reality, Detroit also feels prone to shrieking in despair.
The Crow‘s heightened suspension of disbelief never rings hollow or satirically self-conscious. Proyas has a rock-star music video vision, and cinematographer Dariusz Wolski‘s dreary yet lyrically beautiful edge embraces unrepentant theatricality — black leather, composer Graeme Revel‘s grunge guitar riffs, lightning crackling above romantic Gothic architecture — without descending into outright farce. No, Eric doesn’t need to flip his rain-soaked hair in slow motion any more than a car should veer into the river before exploding into a gaseous fireball. It still makes for a spectacular tableau. Each avant-garde characteristic supports Proyas’ structure, which, in turn, infuses Eric’s righteous quest with high-octane energy.
Brandon Lee’s Astonishing Performance Anchors ‘The Crow’
Beyond the hypnotic aesthetics, The Crow‘s skeleton key will forever be Lee’s spellbinding, utterly soulful commitment. Eric claws out of his grave into the soaking mud and screams raw anguish. When he revisits his apartment and recalls the fatal attack, the frenzied montage slices like a dozen metaphorical glass shards. Yet for all Eric’s searing fury and avenging-demon makeup, he hops onto tables and cackles, vindictively toying with his prey as often as he prowls with murderous intent. Balanced against his earlier maelstrom of mourning, his gleeful satisfaction reflects the duality of a tormented heart better than an entirely brooding man. No character with a moral compass holds any qualms about Eric dispatching his assailants, either — nor, despite The Crow‘s action-heavy reputation, does he devote more effort to their deaths than minimal martial arts. They deserve their fates, but rather than flashy gore, Eric achieving satisfactory closure is the focus.
The moments when The Crow‘s stumbles aren’t deal-breakers: occasional threadbare dialogue, a lack of character depth, and Shelly’s fate, the latter playing straight into the tired cliché of a man motivated by a brutalized woman. The film’s transformative pathos onscreen and offscreen has ensured The Crow‘s continual resurrection for over three decades. Sarah (Rochelle Davis), Eric and Shelly’s surrogate daughter, temporarily believes that the world reduces anything joyful or lovely to ashes. Eric, of all people, counters her nihilism with bittersweet hope. His posthumous resolution emphasizes the ways love endures despite heartbreak. Some may find that too sentimental, but the main points stand: an ode to surviving grief not by overcoming it, but living alongside its existence, and how a community of abandoned outcasts can become one another’s salvation. After 30 years, The Crow‘s earnest, wounded heart remains vividly ambitious, imaginative, and cathartic.
The Crow
- Release Date
-
May 11, 1994
- Runtime
-
102 Minutes
- Writers
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David J. Schow, John Shirley
-
Brandon Lee
Eric Draven / The Crow
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Entertainment
Sebastian Stan confirms he’s expecting first baby with Annabelle Wallis: ‘I want to be a good dad’
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Stan and Wallis sparked romance rumors in 2022 but became more public with their relationship in 2024.
The first season of Off Campus is focused on Hannah and Garrett’s love story — but will Ella Bright and Belmont Cameli return for future seasons of the show?
“I totally understand your concern,” Cameli, 28, exclusively told Us Weekly about each season of the Prime Video show being focused on a different fictional couple. “We will be along for the ride the whole time.”
Bright confirmed the plan is for them to be “sticking” around before Cameli, 19, added, “We’re excited to see what season 2 holds for [us].”
Based on the Off Campus book series by Elle Kennedy, the show, which premieres Wednesday, May 13, follows an elite ice hockey team — and the women in their lives — as they “grapple with love, heartbreak, and self-discovery — forging deep friendships and enduring bonds while navigating the complexities that come with transitioning into adulthood,” read the official synopsis.
Prime Video’s Off Campus follows different love stories at Briar U — but which couples end up together in the books? Based on the Off Campus book series by Elle Kennedy, the show follows an elite ice hockey team — and the women in their lives — as they “grapple with love, heartbreak, and self-discovery […]
Season 1 is centered around the “sexy and fun ‘opposites attract’ romance between quiet songwriter, Hannah, and Briar University’s all-star hockey athlete, Garrett.”
For Bright and Cameli, the experience of introducing the Off Campus universe was made easier because of their quick offscreen friendship.
“Doing a job like this would be so miserable if you didn’t like your costar,” Cameli shared. “We are so lucky. Ella and I are really, really good friends. We get along so well and we spend a ton of time together on set.”
Bright was just as grateful to have Cameli as her onscreen partner in crime.
Prime Video is investing in love with a wide variety of steamy rom-coms, star-studded TV shows coming this year— and a fan event to celebrate the upcoming YA titles. The streaming service announced on Thursday, April 30, that Prime Video was branching out with Obsessed Fest, which is described as “an inaugural summer tentpole event […]
“Honestly, we just have so much fun. It’s so cool to be able to go on this journey with everybody who just cares so much about this show and these characters,” she gushed to Us. “Everyone is here for the same reason. It definitely loosens the pressure a lot, because you’re sharing it with all these really great and talented people.”
Cameli pointed out that he and Bright have a seamless bond. “We just told you, that our faces literally hurt right now. We just sat here unmoving and laughing all day,” he noted.
While season 1 will make fans fall in love with Hannah and Garrett’s story, the show introduces characters played by Mika Abdalla, Antonio Cipriano, Jalen Thomas Brooks, Josh Heuston and Stephen Kalyn as well.
Prime Video has already been renewed for another season — but the next leads have yet to be confirmed.
Off Campus premieres on Prime Video Wednesday, May 13.
Jamie Foxx has been linked to Alyce Huckstepp since 2022. Their relationship was then confirmed in August of the following year. Now, according to new reports, the two are expecting a child in the coming months. This comes as the beloved actor is attached to multiple upcoming movie roles, including the yet-to-be-released “All-Star Weekend,” which he directed.
TMZ reported on May 12 that Foxx, 58, is set to become a third-time dad as his girlfriend, Huckstepp, 31, is expecting.
Currently, it’s unclear how far along the former fitness model is in her pregnancy. The baby’s gender is also unknown at this time.
Foxx’s first child, Corinne, was born in 1994, while his second, Anelise, arrived in 2008.
The Two Previously Broke Up
Foxx and Huckstepp were first spotted together in August 2022 at the “Day Shift” premiere. Reportedly, their relationship then kicked into high gear the following year, and they were later spotted at the Nobu Hotel in Los Cabos, Mexico.
It’s also worth noting that the expectant parents had broken up around the end of 2024, with it being confirmed in January of the following year. Notably, per The Blast, Foxx joked about being single in his Netflix special, “Jamie Foxx: What Had Happened Was,” which was released in December 2024.
Fans Congratulate The Star On The Baby News
Now that Foxx and Huckstepp are rumored to be expecting a child, fans are offering their best wishes to the couple.
One person said on X, “Jamie Foxx is going to be a dad again! This is the kind of positive energy we love to see. Wishing Jamie and Alyce nothing but the best on this journey!”
Someone else said, “Whoa, that’s a big personal milestone for him. Jamie Foxx has had quite a journey.”
Jamie Foxx Previously Opened Up About Health Issues
The world rallied around Foxx in April 2023 after he suffered a severe medical complication in Atlanta while filming Netflix’s “Back in Action” alongside Cameron Diaz. Later, he revealed the nature of the medical emergency, revealing that he’s endured a brain bleed.
He made his first public appearance after the incident in December of that year at the Critics’ Choice Awards. According to Good Morning America, he gave an emotional speech, saying, “I want to thank everybody. I’ve been through something. I’ve been through some things. You know, it’s crazy, I couldn’t do that six months ago, I couldn’t actually walk.”
Foxx added, “So it feels good to be here. I cherish every single minute now. It’s different. I wouldn’t wish what I went through on my worst enemy, ’cause it’s tough, when you almost – when it’s almost over. When you see the tunnel. I saw the tunnel, I didn’t see no light. It was hot in that tunnel.”
Per ABC News, the actor also opened up about the day the incident occurred in July 2024 while speaking to fans in Phoenix, Arizona. Foxx told the crowd, “April 11 last year, bad headache, asked my boy for an Advil. I was gone for 20 days. I don’t remember anything.”
He went on, “So they told me, I’m in Atlanta, they told me — my sister and daughter took me to the first doctor. They gave me a Cortisone shot. The next doctor said there’s something going on up there. I won’t say it on camera.”
Foxx Has Multiple Projects On The Horizon
Despite the recent health complications, Foxx has multiple films and shows in various stages of development. This includes projects where he’ll star as well as films where he serves as a producer. Among his upcoming films is Netflix’s “Fight for ’84.” As of now, the film has no release date but is expected in late 2026 or early 2027.
That is not all. According to Deadline, he was cast in 2021 to lead an upcoming miniseries about Mike Tyson, in which he’ll play the legendary boxer. This will be the second limited series about the sports icon, with this one being produced by Antoine Fuqua and Martin Scorsese.
Additionally, he still has his unreleased comedy “All-Star Weekend,” which he filmed in 2016. The movie included Jeremy Piven, Robert Downey Jr., Benicio del Toro, Gerard Butler, and Eva Longoria. However, despite the A-list cast, the movie has remained shelved.
Chile! Blueface and Chrisean Rock have the internet on fire after unexpectedly linking up over the weekend and seemingly afterward. First, Blue brought out Rock as a special guest during a Seattle show, and they also kicked it in his trailer. Then, on Monday, a video surfaced of them play-fighting, with her offering to train him in boxing.
RELATED: Social Media Reacts After Blueface Appears To Suggest That Chrisean Rock’s Late Ex Ronny Is Chrisean Jr.’s Father (VIDEOS)
Blueface Brings Out Chrisean Rock During Seattle Show
Chrisean Rock had the crowd going in Seattle when she popped out on stage to perform ‘Yahweh.’ The invite was courtesy of her on-and-off boyfriend, Blueface. Despite previously claiming she was staying away from his “circus,” Chrisean was super chill in the footage of them in a trailer. It appears Blue was streaming with nearly 3,000 people, as she later refused to say hi to his “chat,” when he asked her to.
SWIPE BELOW TO SEE BOTH VIDEOS.
Chrisean Rock Shares Boxing Video With Blueface
Meanwhile, on Snapchat, Chrisean Rock posted a video of her and Blueface play boxing. She told the camera that Blue fights backwards, and she offered to train him. He previously lost a boxing match on March 14 against another streamer, Chibu. Meanwhile, Rock recently won her professional boxing debut against Zenith Zion on April 25, a moment that she emotionally applauded afterward. In the Snapchat video Chrisean posted, she added the caption “Chrisean parents,” referring to her son Chrisean Jesus. Interestingly enough, last weekend, the internet was also chatting after Blueface doubled down on not being Chrisean Jesus’ father, which he has also said in March.
WATCH THE VIDEO BELOW.
RELATED: Fans Think Chrisean Rock & HoodTrophy Bino Are Rekindling Their Romance After He Surprised Her With Early Birthday Gifts (VIDEOS)
What Do You Think Roomies?
Sebastian Stan and Annabelle Wallis have been one another’s biggest fans since they started dating in 2022.
Stan and Wallis kept their romance tight-lipped until making their red carpet debut at the 2025 Golden Globes. After Stan won the award for Best Performance by a Male Actor in a Motion Picture — Musical or Comedy, he gave Wallis a romantic shout-out during his acceptance speech.
“Annabelle, I love you,” the Marvel star exclaimed.
Stan — who previously dated the likes of Leighton Meester, Jennifer Morrison and Dianna Agron — has long been candid about his dating experiences.
Annabelle Wallis was Sebastian Stan’s No. 1 fan when he won his first-ever Golden Globe trophy on Sunday, January 5. After it was announced that Stan, 42, won the trophy for Best Performance by a Male Actor in a Motion Picture — Musical or Comedy, Wallis, 38, leaped to her feet to congratulate her beau […]
armor,’ the hero complex over on the masculine side which, obviously, I think is a big part of the toxic masculinity that kind of develops,” Stan said on “The Jess Cagle Podcast” in March 2022. “But this idea of ‘knight in shining armor’ and this idea that we often see sometimes in Disney movies and narratives growing up.”
He added at the time, “Sometimes we just have to reevaluate [those ideals] and just understand how those narratives subconsciously influence us as we meet people because we often meet people and we’re looking for evidence of certain things we know or we’ve heard of.”
If Stan’s continued romance with Wallis is any indication, his remarks clearly struck a chord. Keep scrolling to look back at their full romance journey:
May 2022
Stan and Wallis, who previously dated Chris Pine, were first romantically linked in May when they were spotted together at Robert Pattinson’s birthday party. According to a since-deleted Instagram snap from photographer Myles Hendrik, Wallis stood close to Stan and nearly bit his bottom lip.
The following August, Stan was spotted celebrating his 40th birthday with a trip to Greece with a handful of friends and Wallis.
January 2025
They made their red carpet debut nearly three years later at the Golden Globes. After Stan won for his role in A Different Man, he sweetly packed on the PDA with Wallis before taking the stage.
“Annabelle, I love you,” Stan closed out his speech as she looked on in awe.
February 2025
Wallis was proudly on Stan’s arm at the 2025 EE BAFTA Film Awards, where he was up for Best Leading Actor for his performance in The Apprentice. While he looked dapper in a classic black tux, Wallis shimmered in an off-the-shoulder silver gown.
March 2025
Stan brought Wallis and his mother, Georgeta Orlovschi, to the 97th annual Academy Awards when he was up for Best Actor in a Leading Role. Despite losing to Adrien Brody, he had his loved ones’ tireless support.
Ahead of the ceremony, an eyewitness told Us Weekly that Wallis kissed Stan for luck before leaving the Roosevelt Hotel.
October 2025
Stan and Wallis twinned in black for the 2025 Academy Museum Gala, in which they walked the red carpet together.
May 2026
Stan confirmed in an interview with Deadline that Wallis is pregnant with the couple’s first child.
“I want to be a good dad,” the Thunderbolts actor said, adding, “I’m feeling the responsibility of being a good father. And not to mention a good man. I’m 43 and I feel, in a lot of ways, I’m just starting to learn now. It’s just crazy to me.”
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Take one look at runways, city streets and rich mom wardrobes — polka dots are totally back, and they work magic in the polish department. Our 17 favorite dresses, blouses and skirts nail the trend, channeling sophisticated vibes every step of the way. These chic designs should cost hundreds. . . but luckily, they don’t!
Our top classy, polka-dot picks work just as well for school pickups as they do for client lunches. Whether you prefer tiny pin dots or bold graphic spots, you’ll find them below. Each elevated piece adds personality to your wardrobe without trying too hard.
17 Polka-Dot Pieces to Look Effortlessly Polished
Polka-Dot Dresses
1. Our Favorite: When you’re trying to look put together, this ruffle-hem maxi does the heavy lifting. The wrap style flatters every figure, while the ruffles add gentle movement.
2. Beach Babe: Spaghetti straps keep you cool while pockets stash your keys, phone and sunscreen. It’s hard to believe this beachy maxi dress is only $15.
3. Sunny Yellow: Yellow on yellow makes this bright, buttery sundress fresh instead of busy. Dark yellow dots add just enough contrast.
4. Quiet Luxury: Appear mega expensive in Verdusa’s simple black-and-beige midi dress. Wear it with a blazer and you’ll be the office envy — guaranteed.
5. Wedding Guest: This polka-dot dress is classier than most, thanks to the oversized dots that feel both stylish and luxe. The stretchy top means no squeeze!
You don’t need a Hamptons-dwelling aunt to imagine the effortlessly luxe aesthetic. These gals carry themselves boldly and confidently, which is probably because they wear chic raffia sandals that make them feel their best. We’re copying the rich aunt look from just $12! Woven, breezy and expensive-looking, these classy finds pair as easily with white […]
6. Wrapped Up: Sleeveless dresses can feel too exposed for office settings, but this blue wrap design has ruffled cap sleeves that split the difference.
7. Polka-Dot Princess: Toss this flowy vacation dress in your weekender for a beach-town getaway. It packs without wrinkling and is just as stunning with flip-flops as with wedges.
Polka-Dot Blouses
8. Our Favorite: A tie-neck detail elevates Dokotoo’s chiffon blouse from basic to boardroom-ready. It’s a staple you’ll reach for weekly.
9. Yacht Wife: Long-sleeve shirts can feel stuffy, tank tops too revealing. This cap-sleeve number sits right in the middle.
10. CEO Status: An oversized ruffle runs down the front of this elegant blouse, adding drama without bulk. The chiffon fabric keeps it light.
11. Boutique Find: Short puff sleeves and a peplum hem give Cicy Bell’s boutique-like top real shape, the kind that defines the waist without clinging.
12. Puff-Sleeve Princess: This refined top features puff sleeves that do the styling work for you while quietly concealing your upper arms. It’s an easy yes!
13. Everyday Outfit: A V-neck lengthens while flutter sleeves soften. Together, they make this flutter-sleeve top one of the most universally flattering pieces.
Polka-Dot Skirts
14. Our Favorite: Trends come and go, but this black and white skirt will still be ‘in’ come 2036. It pairs perfectly with every color and style.
15. Smocked and Ready: A tee and sneakers in spring, a tank and flip-flops in summer. This smocked maxi skirt stretches across seasons as easily as it stretches at the waist.
16. Nice Stretch: Shapewear under a skirt is a sticky mess. Thankfully, this elastane-blend skirt is masterfully smoothing, no extra layer required.
17. Maxi Maven: Pencil skirts feel too restrictive, and mini skirts are tough to move in. This polka dot maxi offers length and ease with a romantic tiered shape.
Everyone’s going somewhere this spring or summer. Whether you’re jetting to Europe or your in-laws’ place in the Midwest, the right outfit makes you appear effortlessly sleek and polished. A two-piece set feels like loungewear yet reads so elevated, perfect for those who refuse to choose between comfort, class and style. Better yet, the chic pieces […]
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