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There’s something very satisfying about a show that knows exactly what it’s doing from the start. You don’t have to worry about a weak season or a disappointing ending, which happens more often than you think. But I love when I can just settle in and trust that the story is going somewhere, and more importantly, that it will get there properly. That kind of consistency is rare, especially with long-running shows.
Most series start strong and then lose focus along the way. However, the HBO shows on this list stand out. They don’t feel like they are figuring things out as they go. They build slowly, they follow through on their ideas, and they actually respect the time you invest in them. By the end, it feels like you have just watched something good. Let’s get into the list.
What makes Deadwood stand out is how fully it commits to its story from the very beginning. It does not try to ease you into things or simplify anything. Instead, it drops you straight into a rough, growing town where power is still being shaped and nothing is stable. The tone of the show stays consistent throughout, which is a big reason why it never loses its grip.
The story follows figures like Seth Bullock (Timothy Olyphant) and Al Swearengen (Ian McShane), whose interests often clash as the town develops. Their interactions drive much of the tension, though the show also gives attention to the wider community. Over time, their personal relationships shift, and alliances change. Even the town slowly takes a different form. The writing, however, is complete because everything builds just naturally. Their conflicts are never forced, and the characters are allowed to grow without sudden changes in the storyline.
Six Feet Under takes a very different approach, though it is just as consistent in what it sets out to do. The show talks about everyday life, but it does so through the lens of a family that runs a funeral home. From the start, it deals with heavy themes, though it presents them in a very different way that is more honest and overwhelming.
The Fisher family, including Nate (Peter Krause) and David (Michael C. Hall), steer through personal struggles while managing the business their father left behind. Each episode often begins with a death, which then connects to the emotional state of the characters. As time passes, the show builds a deeper understanding of grief, relationships, and change. The standout point of the show is how carefully it develops its characters. Their character arc is very real, their growth feels earned, and the story moves forward without losing focus.
Historical shows often feel distant, but Rome keeps everything grounded in people and their choices. It does not just focus on major events. Instead, it shows how those events affect individuals who are trying to survive, gain power, or simply hold on to what they have. That balance is what keeps the show engaging from start to finish.
The story moves through the fall of the Roman Republic, following figures like Julius Caesar (Ciarán Hinds) and Mark Antony (James Purefoy), while also staying close to soldiers like Lucius Vorenus (Kevin McKidd) and Titus Pullo (Ray Stevenson). Their paths cross in ways that connect personal lives to political shifts. As power changes hands, loyalties are tested, and their consequences feel realistic. The writing stays consistent because it never loses focus on how big events shape individual lives.
Some shows give you clear answers, but The Leftovers works in the opposite way. It slowly builds its story around uncertainty and sticks to that idea from the very beginning to the end; nothing changes. Instead of trying to explain everything, it highlights how people react when they are left without answers. That approach gives the series a strong sense of direction, even when everything just feels unpredictable.
The series begins after a sudden event where a portion of the world’s population disappears without explanation. Kevin Garvey (Justin Theroux) tries to maintain order in his town, while Nora Durst (Carrie Coon) deals with personal loss in her own way. As the story moves forward, different characters search for meaning, each in their own way. What keeps the show consistent is its focus on the emotional truth of every individual and those gray areas that do not need explanations.
Power struggles can easily become repetitive, but Succession keeps things sharp by constantly shifting the balance between its characters. The show starts with a clear idea, which is a family that is fighting over control of a media empire, and then it keeps finding new ways to explore that conflict without losing its focus in the middle. Every season builds on what came before, so nothing feels reset or ignored.
Logan Roy (Brian Cox) sits at the center of it all, while his children — Kendall (Jeremy Strong), Shiv (Sarah Snook), and Roman (Kieran Culkin) — circle around him, each of them trying to secure their position. Alliances form and break, though the emotional damage always carries forward. The writing works because every move has a consequence, and even those consequences stay with the characters instead of randomly vanishing after a few episodes. By the end, the story feels complete because it follows its own logic all the way through without taking easy shortcuts.
It is easy for long-running shows to lose direction, but The Sopranos never really does. From the beginning, it knows what it wants to explore, and then it stays committed to that idea even as the story expands. The show mixes crime, family life, and personal struggle in a way that is consistent across all seasons.
Tony Soprano (James Gandolfini) balances his role as a mob boss with his personal life, including his sessions with Dr. Melfi (Lorraine Bracco). What makes the writing stand out is how it allows contradictions to exist without trying to resolve them neatly. Tony can be both controlled and impulsive, caring and destructive. He has all these realistic shades. As the story moves forward, relationships shift, though the core themes remain steady. And because of that, the show feels complete.
The Wire is one of the best shows that stays amazing and consistent throughout, while also expanding its scope. Each season looks at a different part of the same system within the city of Baltimore, and it does not feel redundant at all, though everything connects in a way that was planned from the start. The show does not rush its storytelling, and it does not simplify complex issues.
Characters like Jimmy McNulty (Dominic West), Omar Little (Michael K. Williams), and Stringer Bell (Idris Elba) are part of a much larger picture that includes law enforcement, politics, education, and the media. As the focus shifts from one area to another, the story keeps building on previous events. Nothing is ignored, and nothing feels added just “for effect.” I felt the show to be very complete, especially in its storyline and character development. It does not change its tone or direction to chase attention, which is why it holds together so well from beginning to end.
2002 – 2008-00-00
HBO
Ernest R. Dickerson, Ed Bianchi, Steve Shill, Clark Johnson, Daniel Attias, Agnieszka Holland, Tim Van Patten, Alex Zakrzewski, Anthony Hemingway, Brad Anderson, Clement Virgo, Elodie Keene, Peter Medak, Rob Bailey, Seith Mann, Christine Moore, David Platt, Dominic West, Gloria Muzio, Jim McKay, Leslie Libman, Milcho Manchevski, Robert F. Colesberry, Thomas J. Wright
Actor Harrison Ford has been in the entertainment industry for decades. Best known for his roles in “Indiana Jones and “Star Wars,” the 83-year-old actor has been best known for his movie roles until recently. Over the past several years, he has starred alongside Helen Mirren in the “Yellowstone” spin-off “1923” and opposite Jason Segel in “Shrinking,” where he plays a psychiatrist diagnosed with Parkinson’s disease. Following the season 3 finale, Ford reflected on his start in Hollywood and the current state of the entertainment industry.

Following the season 3 finale, which sees his character retire and move to Connecticut, Ford opened up on the “serious sh-t” the show covers in an interview with The Hollywood Reporter’s Awards Chatter podcast.
Throughout the season, Ford shared several scenes with Michael J. Fox, who was diagnosed with Parkinson’s disease in 1991. “Here I am now, playing a guy with Parkinson’s, and I’m sitting next to Michael J. Fox,” Ford said. “This is serious sh-t, man. This is not insignificant for me.”
“I find it really fulfilling doing what I do, and I enjoy it as much as I ever, ever could possibly have imagined,” he continued. However, he admitted that he “never thought” that he would be filming a TV show, let alone a comedy.

Even though he never expected to be starring in a comedy series, he did say that the work is “fun” for him.
“You work faster, and that’s fun for me,” he explained. “I like getting there, getting the work done and going home. I love the challenge. I love the danger, if you will, of the work that I’m able to do. And I like the company.”
He went on to explain that he “always wanted to be a character actor,” adding, “I had never thought that I would be a leading man … I got to play leading parts because the films I was in had success, and that success carried me along.”

Even though he has been in many successful blockbusters, Ford admitted that he is “terribly concerned” about the future of the entertainment industry.
“I came up at a period of time when the movie business was at its zenith, when the movie business captured the zeitgeist of a culture, and there was a transference, a cross-feeding, and the culture captured the zeitgeist of the movies,” he explained. “There is no zeitgeist anymore.”
“We’ve been disassociated. We’ve been purposefully disaggregated into serviceable political economic units,” he continued. “There is an empty center that needs to be filled, to bring the culture back together, to bring the culture and the movie business back together, for the movie business to be useful in the consciousness of an audience, a culture, a community.”

Before he became a household name, Ford recalled living in a single room in college and rarely venturing out. “I would get up out of my single bed, go to a phone, order a pizza, go back and lay down in bed until the pizza came,” he recalled. “I would eat the pizza, throw the wrappers in the corner, go back to sleep.”
Things changed when he took a class called “Drama” without reading the full description. He was interested in analyzing plays, but he didn’t realize he also had to act in them. Although it was a “surprise,” he realized that he actually “found [his] place” through the class.
“I’d never done anything like that,” Ford admitted. “And I was surprised that the people that I had considered to be fellow geeks and misfits were, in fact, some of the most interesting people I knew. They were doing something that I hadn’t really understood, and they were telling stories about life, and some of them were exceptional in their capacity to understand human behavior. And so I think I simply found my place amongst storytellers. It really changed my world, changed my life.”

In a June 2023 interview with The Hollywood Reporter, costar Jason Segel revealed that his “Shrinking” costar is actually “really, really good” at improv.
“With Harrison Ford, there was a moment when I saw him register and was like, ‘Oh, we’re doing this now.’ And he was good at it. He’s really, really good at it,” Segel said. “There was a whole potato run, where I end up eating these potatoes. [He said] ‘Do whatever you want with them. Boil them, bake them.’ That was a riff that came out of his mouth. He is really smart, he’s really funny and he really understands acting.”
“There’s a reason he’s Harrison Ford,” he added.
All three seasons of “Shrinking” are available on Apple TV+. The show has been renewed for a fourth season, with the main cast set to return.
Among the modern masterpieces are rare gems that transcend the title of great and achieve flawless status, such as The Godfather. These are the films where every gear in the machine, the pacing, the choreography, the stakes, and the character arcs work in total harmony. From the moment the first frame hits the screen until the final credits roll, there isn’t a single wasted second.
Out of all the genres in cinema, action is by far the furthest-reaching spectacle. Action-packed drama and daring stunts combine to create a riveting experience of fights and thrills that define the genre. While many films have revolutionized the industry, only a handful can claim to be airtight from beginning to end. This list highlights ten action movies that are practically perfect, based on their narrative structure, visual storytelling, and the sheer adrenaline they provide without ever losing their footing.
Many fans claim that the superhero genre has gone downhill, but it is true that there hasn’t been a better film in this genre than The Dark Knight. Batman (Christian Bale) now faces his toughest challenge yet with the Joker (Heath Ledger) trying to prove his psychotic philosophy. This race against time pits the two against each other, leaving Batman with an impossible choice.
From the opening bank heist to the flipping of the semi-truck, the action feels heavy and tangible. Christopher Nolan eschews heavy CGI in favor of practical stunts, giving the film a gritty realism that has taken over the superhero genre. With frantic pacing that moves from one crisis to the next, The Dark Knight never loses sight of its complex themes among the chaos, but that is exactly why it is an intellectually stimulating, adrenaline-pumping action masterpiece.
Most flawless movies are groundbreaking classics, but some modern hits also prove to be perfect, including John Wick: Chapter 4. The titular character has his final battle against the High Table, hoping to get out of the industry for good. Moving from city to city, John (Keanu Reeves) will face challenges unlike anything he has faced before.
The original John Wick is more influential, but there is no denying that John Wick: Chapter 4 is the most riveting. Redefining the genre with its gun-fu and return to tactile combat, this movie uses gorgeous set pieces and innovative fight scenes to create an exhilarating experience that has a stranglehold on the viewers’ entertainment from start to finish. John Wick: Chapter 4 is a breathless epic that concludes in poetic fashion.
Steven Spielberg and George Lucas are two of the most legendary creators in the industry, and they teamed up to create the ultimate tribute to 1930s adventure serials. Raiders of the Lost Ark introduces Indiana Jones (Harrison Ford), a globe-trotting archaeologist racing against Nazis to recover the biblical Ark of the Covenant.
Indiana Jones is one of the greatest adventure franchises, and this film is its magnum opus. The film is a series of escalating challenges, each one more creative than the last. Whether it’s the opening boulder escape or the truck chase, the action is always driven by wit and desperation. Raiders of the Lost Ark never wastes time or effort, simply creating a flawless template for action-adventure movies.
Some of the greatest action movies are foreign productions, and while the first Raid was a masterclass in minimalist action, its sequel, The Raid 2, is an ambitious crime saga that expands the world without losing the visceral impact. Rama (Iko Uwais) goes undercover in a ruthless crime syndicate to root out corruption, resulting in plenty more blood-pumping fights and drama.
The film features some of the most complex and brutal choreography ever captured on film, including a muddy prison-yard riot and a climactic kitchen fight that is widely considered one of the best 1-on-1 duels in history. The cinematography is absolutely stunning, synchronizing movement to create an exhaustive feel in the best way possible, making The Raid 2 a must-watch action movie.
Three decades after the previous films, George Miller returns to the wasteland with what many consider the greatest action film of the 21st century. Mad Max: Fury Road follows the titular character played by Tom Hardy, as he reluctantly becomes entangled with Furiosa (Charlize Theron), a rebel leader fleeing a tyrannical cult leader with his five wives in tow. What follows is essentially a two-hour-long chase sequence across a scorched desert.
What makes Mad Max: Fury Road flawless is its commitment to visual storytelling, as Miller strips away any unnecessary exposition. The film is a masterclass in pacing; even when the vehicles stop moving, the tension never dips. With its heavy reliance on practical stunts, vibrant color palette, and a percussion-heavy score that beats like a heart, Mad Max: Fury Road is a relentless, beautiful, and perfectly tuned engine of a movie.
Sequels often struggle to live up to the original, but James Cameron’s Terminator 2: Judgment Day didn’t just meet expectations, it obliterated them. Eleven years after the original film, a new Terminator, also played by Arnold Schwarzenegger, is sent back in time, but this time his mission is to protect a young John Connor (Edward Furlong) from the liquid-metal T-1000 (Robert Patrick).
Terminator 2: Judgment Day is a perfect loop of emotion and action, balancing groundbreaking CGI with stunning visual effects. Featuring some of the greatest scenes in action movies, including the hallway shootout at the mall and the final showdown in the steel mill, the stakes are constantly escalating. There isn’t a single scene that doesn’t serve the plot or the characters, making Terminator 2: Judgment Day the definitive, perfect blockbuster and standout action sensation.
Right after one James Cameron action masterpiece is another action-packed sequel that defines its franchise. Aliens takes place 57 years after the first, spending that time in cryosleep. Ellen Ripley (Sigourney Weaver) returns to the planetoid LV-426 with a team of Colonial Marines to investigate a lost colony, facing ten times the challenge as before.
Aliens took the haunted-house-in-space from the first one and built on it, creating a slow-burning tension that culminates in unbearable dread. It is an explosion of action that never lets up, introducing fan favorite characters that make their fate that much more painful. Aliens is a well-constructed action phenomenon that climaxes in a legendary moment that went down in cinematic history.
John Woo is an iconic director who has pioneered the action genre, particularly through his magnum opus, Hard Boiled. When a gang kidnaps his partner, a cop must now go undercover in order to take down a powerful triad leader while trying to save his friend.
Hard Boiled moved action away from typical hard-hitting grittiness in favor of a ballet of bullets that made gunfights elegant and thrilling. This visually stimulating action movie features exploding environments and dual-wielding pistol fights that accentuate its fast pace. Hard Boiled is a badass classic that is a feast of technical coordination, making it one of the most important action movies.
Keanu Reeves is an action icon, and one of his best movies is arguably The Matrix. Neo is a computer programmer who realizes that he and the rest of humanity are living in a simulation. Learning that robots control the world, he joins the revolution but must choose between an ideal fantasy and a harsh reality.
The film’s bullet time effects and wirework choreography became instant staples of the genre, but what makes The Matrix flawless is how it integrates these elements into its philosophy. Neo grew as a character with every minute, making every shootout and action sequence feel earned. The Matrix is a perfect fusion of philosophical sci-fi and revolutionary action that hasn’t gone out of style since 1999.
Reeves has not one, not two, but three flawless action movies that never lose a step throughout, with the best being Speed. Jack Traven is a cop who finds himself in a tricky situation: the bus he is on is rigged with a bomb, and if it drops below 50 miles per hour, it will explode. With the help of the passengers and other cops, they try to keep the bus at a high speed while finding a way to defuse the bomb.
Everyone needs to breathe, but Speed will leave viewers breathless, forcing them into a constant state of shock with its non-stop, high-octane exhilaration. The tension is constant, forcing the characters to solve increasingly impossible problems at high speed. Speed is a tightly focused movie that uses its cramped feeling on an open highway to create suspense unlike anything felt before, proving it is a perfect action movie from start to finish.
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Now that it’s finally warm outside, we’re ready to stock our wardrobes with spring and summer pieces. But that doesn’t mean we’re dropping hundred-dollar bills. We scoured the internet to find the best deals happening this weekend, and it turns out top brands are on secret sale — we’re talking Madewell, Steve Madden, Dr. Scholl’s and more. Our favorites start at just $6!
Whether you’re searching for chic sandals, a classy bag, comfy jeans or anything in between, there’s a deal with your name on it below. Crowd-loved pieces are selling out in real time, so don’t dillydally!
Our Favorite: Nordstrom’s End of Season Sale is in full swing! We’re taking the opportunity to score this Vince Camuto paisley sundress that screams ‘Lilly Pulitzer,’ but costs a fraction of the price — was $70, now $48!
Our Favorite: We’re tired of jeans! These breezy lounge pants look like linen, but feel even comfier, thanks to the stretchy material. They come in striped and gingham-print varieties, so we’re grabbing at least two — was $30, now $20!
Our Favorite: A-listers are wearing Mary Jane flats nonstop lately, including Katie Holmes and Gwyneth Paltrow. This sophisticated pair from Madewell boasts a sleek silhouette, cloud-like padding and a gold chain strap — was $168, now $80!
Our Favorite: You can’t go wrong with Levi’s shorts, especially with these high-rise denim shorts that cinch your midsection without squeezing. With a smocked waistband, structured fabric and flattering A-line shape, they’re already in the cart. Psst: all five colors are on sale! — was $55, now $38!
The historical epic has quietly become one of the most popular genres of movies and TV shows over the last 25 years. While many fans would argue that this dates back to Peter Jackson’s early work with The Lord of the Rings franchise, it truly goes back even further to acclaimed epics like Lawrence of Arabia. However, the advancement in modern technology has added an enhanced sense of realism to some of the later modern epics, like Game of Thrones, the hit HBO series inspired by the A Song of Ice and Fire novels by George R.R. Martin. The rise of shows like Game of Thrones has also paved the way for biblical historical epics like The Chosen to take over the zeitgeist and become some of the most popular projects in the world.
One recent show that perfectly bridges the gap between Game of Thrones and The Chosen is House of David, the historical epic that premiered on Prime Video early last year before it returned with its second season less than nine months later. Prime Video has not only renewed House of David for a third season, but the streamer has explicitly confirmed that Season 3 will premiere before the end of this year — an impressive turnaround time for a show this ambitious. Before the Season 3 return of House of David later this year, the show has charged back into the Prime Video global top 10, sitting at #8 at the time of writing. This is especially noteworthy, considering the Season 2 finale aired all the way back in November. Fans refuse to quit on Prime Video’s hit historical epic/faith-based series.
The House of David cast consists of Michael Iskander as David, Ali Suliman as Saul, and Stephen Lang as Samuel, among others. The official synopsis for House of David reads as follows:
“House of David tells the story of the ascent of the biblical icon, David, who becomes the most famous king of Israel. The series follows the once-might King Saul as he falls victim to his own pride. As Saul loses his power over his kingdom, David finds himself on a journey to discover and fulfill his destiny, navigating love, loss, and violence in the court of the very man he’s destined to replace.”
Check out the first two seasons of House of David on Prime Video, and stay tuned to Collider for more updates and coverage of Season 3.
February 27, 2025
Prime Video, Wonder Project
Jeff T. Thomas, Jon Gunn, Jon Erwin, Lynsey Miller
Jon Erwin, Jon Gunn, Jonathan Walker, Bekah Hubbell, Nathan Andrew Jacobs, Laura Kenar, N.D. Wilson
Alexander Uloom
King Achish
Amanda Batula appears to have reunited with West Wilson just hours after issuing a public apology for the romance drama.
In a photo shared by a fan account via social media on Friday, April 10, Amanda, 34, and West, 31, could be seen at the Blind Tiger Alehouse in New York City. According to the Instagram account, the photo was snapped at around 7p.m. EST. Celebrity gossip account Deux Moi also shared snaps of Amanda and West looking cozy via Instagram.
It is unclear at this stage whether Amanda and West were out and about by themselves or whether they had been joined by friends for the outing.
The sighting comes just hours after Amanda shared an apology via her Instagram Stories earlier on Friday.
“Hi guys, l’ll keep this short and sweet,” Amanda wrote. “I’ve obviously been MIA, but I wanted to come back on and say that I’m truly sorry to everyone I’ve disappointed and hurt, especially those I know personally who I’ve reached out to individually.”
Amanda vowed to “try to start living life with some sense of normalcy,” a decision she said was “for the sake of my mental health.”
She added, “If you see me out or posting online, please know that this still weighs very heavily on me. I’m not ignoring what’s happened or what’s unfolded.”

Amanda Batula. (Photo by Jamie McCarthy/Getty Images for SiriusXM)
The reality TV star said she planned to clear up any lingering questions at the upcoming Summer House reunion.
“I’ll be at the reunion and will be addressing any and all questions honestly and directly there,” she concluded.
Amanda and West previously addressed the nature of their relationship via an Instagram statement made on March 31 after speculation mounted that the Summer House costars were hooking up amid her split from Kyle Cooke.
“We’ve seen the growing online speculation, so while this is still very new, we wanted to provide some clarity,” read an Instagram statement on March 31. “It was never our intention to purposely hide anything. Given the complicated relationship dynamics involved and the scrutiny that comes with being on a reality show, we needed a little space to process things privately before speaking on it.”
Amanda and West further explained how their relationship dynamic changed.
“We’ve shown up for each other as friends over the years, through all the highs and lows, and what’s developed recently was the last thing either of us expected,” they continued. “Our connection grew out of a genuine, longstanding friendship, which made it especially important for us to approach this with care.”
The pair faced backlash for their burgeoning relationship due to West previously dating Amanda’s best friend and Summer House costar, Ciara Miller, in 2023.
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“I get it on my chest, get it on my tummy. It’s really everywhere,” the actress said.
One of the most hotly anticipated movies of 2026, there are now eight months until Denis Villeneuve‘s stunning adaptation of Frank Herbert‘s Dune novels comes to an explosive end with Dune: Part Three. Paul Atreides (Timothée Chalamet) and Chani (Zendaya) will return alongside an all-star cast when the film drops on December 18, joined by the likes of Florence Pugh, Josh Brolin, Rebecca Ferguson, Javier Bardem, Anya Taylor-Joy, and more.
Of this cast, alongside Zendaya, Ferguson is having an incredibly busy year. Starting with the eventual box office flop Mercy, an AI-based sci-fi thriller that co-starred Chris Pratt, Ferguson then released two projects in quick succession, joining a stacked ensemble in the long-awaited Peaky Blinders: The Immortal Man, followed swiftly by The Magic Faraway Tree, the new fantasy film based on the 1939 children’s novel. With Ferguson having an impressive year, it is perhaps less surprising that another of her many movies is back in the U.S. streaming charts.
The film in question is The Girl on the Train, the 2016 adaptation of Paula Hawkins’ best-selling novel that starred Emily Blunt as Rachel. Unlike the upcoming Dune: Part Three, which is expected to earn close to $1 billion at the box office, The Girl on the Train earned a respectable $174 million against a reported budget of just $45 million. A decade on, and viewers have returned to the often overlooked adaptation, as it ranks as one of the ten most-watched movies on Starz in the U.S., at the time of writing.
Despite earning a promising box office haul, The Girl on the Train was less successful with critics. On review aggregator Rotten Tomatoes, the movie received a 44% score, with the consensus reading, “Emily Blunt’s outstanding performance isn’t enough to keep The Girl on the Train from sliding sluggishly into exploitative melodrama.” In Perri Nemiroff‘s review for Collider at the time, she was slightly more positive in her response, saying:
“Taylor needed to knock it all out of the park in order to deliver a winning adaptation. Even the slightest misstep is going to be magnified in this type of film and threaten the credibility of the narrative, and unfortunately that is what happens here.”
The Girl on the Train is streaming on Starz. Stay tuned to Collider for all the latest streaming stories.
October 5, 2016
112 minutes
Erin Cressida Wilson
Celia D. Costas, Frank Marshall, Kathleen Kennedy, Marc Platt
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Stars of the MTV reality show reunite in a new TV special to mark 20 years since it ended.
Love on the Spectrum’s Abbey Romeo and David Isaacman have broken their silence on their split.
“Abbey and David spent four and a half years together and truly value the time they shared and each other,” Abbey, David and their families said in a joint statement to People on Friday, April 10. “At this point, they want different things and have decided to go their separate ways, but they remain friends wishing each other the best.”
Multiple outlets reported on Thursday, April 9, that Abbey, 27, and David, 31, had called it quits after nearly five years together. (The Sun was the first to report the news.)
Abbey and David met on a blind date in July 2021, as seen on season 1 of Netflix’s Love on the Spectrum in May 2022. The duo quickly became a fan-favorite couple and went on to appear in seasons 2 through 4.
During the season 4 premiere earlier this month, Abbey teased that she and David might take their romance to the next level.
“What if he gives me a wedding ring?” she asked her mother.
While some fans took the comment as a sign that Abbey and David would be headed down the aisle together, other eagle-eyed followers noticed that the now-exes have not appeared on each other’s social media of late.
David was most recently featured on Abbey’s social media in December 2025, when she documented their trip to Universal Studios and shared a highlight reel of moments from the past year. Meanwhile, Abbey appeared in a Christmas photo with David.
“I hope everyone has a great holiday with family, friends and loved ones,” he wrote alongside the snap.
Abbey and David previously teased their desire to get engaged in an exclusive interview with Us Weekly in October 2024.
“We [are] gonna get engaged someday,” David said at the time. “[Abbey] likes all the things I like and she tries new things too. She is loving and kind … and she is beautiful and makes me feel like a prince.”
Abbey added, “[We’ll] get engaged someday … [right now] we’re having a blast.”
One year later, Abbey shared an update on their relationship.
“We have fun together and do things we both love like going to the Los Angeles Zoo and Griffith Observatory,” she exclusively told Us in October 2025. “We want to take our time getting married because I don’t want to be a divorced lady like my mom.”
Abbey also admitted that she and David sometimes faced obstacles in their romance.
“We are working on our communication skills because we have different kinds of autism,” she explained. “I am a Gestalt learner and think in memories, and he is very patient with me, and we are still working hard on understanding each other.”
Despite their problems, Abbey said she was proud that she and David could inspire other couples.
“Fans say that David and I inspire them and that we help them believe in love,” she continued. “That is amazing. There was a time when I didn’t think I would ever be with someone and those days are over. I want everyone to find love.”
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The former couple met on the first season of the Netflix dating series and reappeared on all four seasons.
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