Josh Duggar has expressed deep resentment toward his family while serving time for federal crimes, claiming he felt abandoned by almost all of his siblings. 

Despite his frustration, correspondence has revealed that one of his sisters, Jessa Duggar Seewald, did make an effort to reach out during his time in a local detention center. 

Meanwhile, Josh also lashed out at his parents in explosive messages, accusing them of prioritizing their public image amid the fallout that occurred as a result of his legal issues. 

Jessa became the only one of Josh’s nine sisters to contact him while he was held at the Washington County Detention Center in Arkansas. Following his conviction on federal charges for possessing child sexual abuse material, Jessa sent her brother a short message on his 34th birthday. 

Writing on behalf of her family, she wrote, “Happy birthday, Josh! We love you and are praying for you! Love, The Seewalds.” 

Josh responded within hours, expressing his excitement at hearing from her but also complaining that she was the only sibling to send him a note that day. He thanked her for being an encouragement to his wife, Anna, and their children, while also asking if her ministry could donate specific Bibles to the facility. 

People Magazine reported that Jessa replied kindly, assuring him that God was looking after his family and promising to look into his request for the books.

However, the tone of the family communication shifted dramatically following Josh’s 151-month prison sentence. Two days after his sentencing, Josh sent a message to his father, Jim Bob Duggar, intended for the family group chat, in which he blasted his 18 siblings for their lack of support. 

He wrote, “It is shameful that I have received only 1 message from one of my siblings,” and directly told them, “With all due respect, shame on you that you didn’t reach out.” 

Josh Duggar Accused His Parents Of Trying To Protect Their Image Amid His Legal Battles

This ongoing frustration with his siblings was also part of a larger, more explosive conflict Josh has had with his parents, Michelle and Jim Bob. Shortly after being sentenced to over 12 years in federal prison, Josh sent a series of heated messages accusing his parents of contributing to his legal downfall. 

In these texts, the former reality star claimed that his mother and father consistently prioritized their public image and the survival of their television career over genuine family support. According to The Blast, he expressed deep disappointment, writing that he felt they refused to acknowledge actions that have directly affected his life.

Throughout the exchange, he remained defiant about his conviction, insisting to his mother that she did not know the “truth” and blaming an unnamed individual at his car dealership for the crimes.

Josh Duggar Revealed That Mom Michelle Privately Supported Him

Along with blaming his parents for his legal troubles, Josh expressed deep hurt over how the family seemingly continued their lives while he remained incarcerated.

In a message sent to his mother from jail, he admitted that Michelle had supported him “privately,” for which he felt “grateful,” as noted by The Blast.

However, he lamented that this quiet support did not make up for the feeling that “there were 18 kids and life went on” without him. Josh shared that it was incredibly difficult to be an inmate while his family seemingly moved past his absence without concern for his well-being. 

He specifically noted that things had been “especially hard in light of how things have been since May 2015,” referring to the public exposure of his past teenage misconduct.

The Former TV Star Will Be In Prison Longer Than Originally Planned

While Josh feels the family has moved on without him, his own actions behind bars have ensured he will remain away from them for even longer than originally planned. The disgraced reality star had his federal prison sentence extended for a third time following a rules violation at FCI Seagoville in Texas. 

As reported by The Blast, two months were added to his time, officially pushing his release date to February 2, 2033. 

This setback followed a previous extension that occurred after he was caught with a contraband cell phone earlier in his sentence.

Anna Duggar Faces Pressure To Leave Josh

The ongoing extensions to Josh’s sentence have only increased the pressure on those he left behind, particularly his wife, Anna, who is now being encouraged to start over. 

As her husband remains at FCI Seagoville, Anna has faced intense scrutiny and growing pleas from her own inner circle to end her marriage.

A source shared that several relatives have had difficult conversations with Anna, strongly encouraging her to reconsider her future and leave Josh behind, per The Blast. 

Despite the heavy influence of her family to move on and rebuild her life, Anna continues to focus on her children while navigating the reality of her husband’s prolonged absence.

Apple TV’s acclaimed new series Widow’s Bay has brought both the chills and the laughs so far with its exploration of the titular weird little seaside town. Despite the insistence of put-upon mayor Tom Loftis (Matthew Rhys) and his attempts to boost tourism, there are horrors that lie underneath the New England locale’s surface that prove the residents aren’t just superstitious and that the place is, in fact, cursed. Now, in Episode 4, the haunts are about to intensify even more, and they’re going to crash a party. Ahead of tomorrow’s new installment, Collider can exclusively share a sneak peek featuring a toast delivered by Kate O’Flynn‘s oddball assistant, Patricia, that is much less perfect than it initially seems.

Patricia looks to set the party off on the right note by opening up a book and flipping to “The Perfect Toast.” The speech is a light-hearted, thankful speech celebrating the present company and expressing hope for new beginnings. As the camera pans around the room at all the smiling faces enjoying the moment, it seems like a joyful, peaceful occasion in the otherwise deeply abnormal town. However, those warm fuzzies fade into pure dread when looking into the mirror behind the guests and seeing their visages twisted into horrifying stares with mouths unnaturally agape. It’s a sign that something is about to go terribly wrong on this night, but for now, nobody even notices that anything’s amiss.

The synopsis for the new episode, “Beach Reads,” teases, “Make sure you pack a good read for the beach! (We do not recommend self-help books on the island).” There’s not a ton to glean from that, but each little episode preview has featured a hint at the kind of eerie happenings about to plague Widow’s Bay. Patricia’s book, for instance, contains a few curiosities, as opposite her perfect toast is a disconcerting passage about making conversation in a blink-and-you’ll-miss-it moment. Those smaller spooks that exist within the periphery and other everyday horrors are what the series thrives on, in addition to its more direct haunts. Creator Katie Dippold told Collider during our Exclusive Spring Preview earlier this year that the goal was to capture an air of “fun dread” by marrying big and small scares alike.

“There are some moments when there’s a lot of dread. But I know this is a weird thing to say, and my definition of fun is different than other people’s definition, but I would call it fun dread. Like, the anticipation. It’s not a lot of gross-out horror because that’s never really been my cup of tea. I respect it when done well, and I like watching it when done well, like I love The Texas Chain Saw Massacre. But it’s more like I would say I always loved American Werewolf in London, where it’s really grounded by everything that’s happening, but there are still very fun, surprising moments. Also, when I think about the tone, a lot of it is about horrors, both big and small. Like, for example, I’m just making this up, this example, but there could be something horrifying lurking outside the building, but then there’s also the small horrors of life, of you’re in an elevator, and you say goodbye to someone, but then it takes 30 seconds for the elevator door to open, and that awful silence for 30 seconds. So, this show explores both of those kinds of horrors.“

‘Widow’s Bay’ Has Been a Terrifying Hit With Critics

2026 isn’t even halfway through yet, but Widow’s Bay has already earned a reputation as one of the best and most unique television series of the year, beginning as a spec script that helped land Dippold a job on Parks and Recreation before being fleshed out into a compelling horror mystery. It owns a stellar Certified Fresh 97% score from critics on Rotten Tomatoes, along with an also strong 94% score from audiences. Collider’s Emily Bernard gave it a 7/10 in her review, writing, “At first, you might not be so sure that you’ve chosen the right travel destination, but Widow’s Bay becomes a haunting, deeply rewarding, and oddly charming series if you stick with it.” Rhys and O’Flynn are joined in the titular town by Stephen Root, Kingston Rumi Southwick, Kevin Carroll, and Dale Dickey, with Hiro Murai directing.

Widow’s Bay Episode 4 premieres on Apple TV on Wednesday, May 13. Check out our exclusive sneak peek in the player above.

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Release Date

April 29, 2026

Network

Apple TV

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Showrunner

Katie Dippold

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Directors

Hiro Murai

Writers

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Katie Dippold, Kelly Galuska

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By Robert Scucci
| Published 13 seconds ago

Growing up, we all had that one edgelord friend who would say the most offensive things possible whenever the opportunity presented itself. Their entire goal is to clear the room with the things they say and do, and when you grow up, you start distancing yourself from this kind of person for reasons that don’t really require much justification. You don’t want somebody like this showing up to your job and getting you fired, or saying the wrong thing in front of your significant other because the tradeoff for their perpetually tasteless humor is sleeping on the front lawn.

If you’re looking for that guy in movie form so you can get your fill without having your life ruined, you can find it in Uwe Boll’s action comedy disasterpiece, Postal (2007), which, in my opinion, is grossly misunderstood and severely underappreciated.

Don’t get this twisted, Postal is problematic, reprehensible even, and that’s the entire point. But for some reason, this doesn’t come off like an edgelord being offensive just to get a rise out of people, like 2013’s InAPPropriate Comedy. This is Boll adapting yet another video game series to film, but instead of taking himself seriously and failing miserably like he did with films like Alone in the Dark (2005) or BloodRayne (2005), he leaned into camp, egregiously offensive humor, and total chaos instead.

I’m here to argue, however, that he didn’t fail miserably, despite what the nine-percent critical score on Rotten Tomatoes would lead you to believe.

Postal Is Built Differently

Postal kicks off with a recreation of the September 11 attacks and somehow manages to get exponentially worse across its 100-minute runtime (114 minutes if you can secure a copy of the director’s cut). From there, we’re introduced to our protagonist, simply billed as The Postal Dude (Zack Ward), five years later. The Postal Dude lives in a dilapidated trailer home in Paradise, Arizona with his morbidly obese, emotionally abusive, cheating and thieving girlfriend, simply billed as B**** (Jodie Stewart). He’s looking to leave Paradise, and start his life over, because his present situation is hardly doing him any favors. 

Now, you may be wondering what the opening sequence has to do with The Postal Dude’s character arc, but it all starts to make sense when he’s contacted by his Uncle Dave (Dave Foley), the leader of a religious death cult that owes the IRS over a million dollars in back taxes. Dave recruits The Postal Dude to run a scam involving a missing shipment of plush toys known as Krotchy Dolls, whose likeness resembles the exact pieces of male anatomy that they sound like. Basically, Dave wants Postal Dude to use a mail truck to locate and secure the missing dolls so they can sell them online for money. That’s the entire plan. That’s as far as they think it through before acting on it.

Meanwhile, Osama Bin Laden (Larry Thomas) and his network of terrorists, who all just so happen to operate out of Paradise, Arizona, are also trying to secure the Krotchy dolls, but for a far more nefarious reason. Instead of flipping them for a quick profit, they want to infect them with a rare strain of bird flu, resulting in a nationwide pandemic when unsuspecting children play with the dolls after they’re distributed all over the country. Unbeknownst to Dave, his right-hand man Richie (Chris Coppola) is on the terrorists’ side because the fictional bible Dave wrote includes a prophecy about the end of days, which Richie takes literally and wants to help facilitate.

Along the way, The Postal Dude befriends a barista named Faith (Jackie Tohn) and a bunch of other smokin’ hot babes in miniskirts and bikinis who all conveniently know how to use machine guns. They join forces and rack up an absurd body count, sparing nobody in their pursuit of shutting down Al-Qaeda and restoring peace, resulting in an unthinkable amount of collateral damage, bloodshed, and dead bodies.

The Most Tasteless Movie Of The 2000s

Listen, you need to be a very special kind of person to enjoy movies like Postal. I’m not saying it’s not in poor taste or bad faith because it absolutely is. What sets it apart from other “offensive” comedies, though, is its fearless commitment to the bit. So much so that every joke lands when you consider the source material, who’s directing it, and what it’s trying to accomplish.

Every single character in Postal is reprehensible, and that’s the point. Personally, I’m willing to forgive everything everybody says and does in this movie because it’s a movie, but also because everybody rightfully gets what’s coming to them, and they all deserve it. Postal has to go all in because if it didn’t, none of it would feel earned.

Uwe Boll, who’s notorious for his love of filmmaking despite his complete ineptitude as a filmmaker, was originally asked by Vince Desi­derio, the CEO of Running With Scissors, the studio responsible for the Postal video game series, to come up with a much darker, grittier adaptation. He rejected the pitch and instead decided to lean fully into camp, satire, extreme violence, and offensive humor to get his point across.

I think this was the right move because the video game series, which also aims to be as politically incorrect as possible, benefits from being turned into a slapstick endeavor thanks to Boll’s writing and direction. If you still have that edgelord friend who you just can’t seem to quit, this movie is tailored to their sense of humor while simultaneously undermining it every step of the way, almost as if to say, “Yeah, this is funny, and you can laugh at it, but we’re also laughing at you.”

Postal succeeds in offending every single sensibility you could imagine, and it does so unapologetically. Like most Uwe Boll efforts, it’s built differently and truly a sample size of one. Objectively speaking, it’s not a great film. But since I assess most things I watch based on whether execution meets intention, I’ve got to say “job well done” here. Boll accomplished exactly what he set out to do here, whether you like it or not. 

Postal is “one of the movies of all time,” and can currently be streamed on Tubi for free in all of its disgusting, offensive, and stupid glory.

The Crow, director Alex Proyas‘ towering baroque spectacle, immortalized itself into a pop-culture touchstone almost instantaneously. A true artifact of its generation, teens donned black eyeliner and pretended to race across rooftops, while wearied adults recognized the somber life pulsing underneath the cult classic’s hyper-stylized sensibilities — the moody noir iconography, the straightforward mythology, and the trauma layering every frame. Creator James O’Barr‘s comic of the same name was born out of his fiancée’s tragic death, while Proyas’ 1994 movie is eternally haunted by Brandon Lee‘s accidental on-set passing.

No matter how low or high your tolerance for melodramatic aesthetics, these motifs lend The Crow‘s agonized rage a sense of true gravity and substance. It’s a superhero revenge epic built not upon the cynical scaffolding its cultural reputation occasionally suggests, but a vigilante fantasy about exacting what bare-minimum justice remains when the world’s on perpetual fire and our loved ones have been swallowed up by the flames. The Crow‘s familiarity with visceral grief resonates with even more emotional truth than perhaps ever before.

‘The Crow’ Is a Stylistic Triumph

A familiar descriptor it may be, but The Crow‘s rendering of Detroit, Michigan turns said setting into a living character overrun by police corruption and greed-driven criminals. Random violence and senseless depravity provoke Eric Draven’s (Lee) revenge spree against the four men who murder him and his fiancée, Shelly Webster (Sofia Shinas). Except for a handful of daytime scenes, impenetrable shadows and artistically timed rainstorms drench every moment. Whether it’s production designer Alex McDowell and art directors John Marshall and Simon Murton‘s miniature buildings, grimy apartment interiors, or cramped, smoke-filled bars, the design’s distinct details craft a story. As much as the manufactured cityscape evokes a menacing quality, like some upside-down nightmare reality, Detroit also feels prone to shrieking in despair.

The Crow‘s heightened suspension of disbelief never rings hollow or satirically self-conscious. Proyas has a rock-star music video vision, and cinematographer Dariusz Wolski‘s dreary yet lyrically beautiful edge embraces unrepentant theatricality — black leather, composer Graeme Revel‘s grunge guitar riffs, lightning crackling above romantic Gothic architecture — without descending into outright farce. No, Eric doesn’t need to flip his rain-soaked hair in slow motion any more than a car should veer into the river before exploding into a gaseous fireball. It still makes for a spectacular tableau. Each avant-garde characteristic supports Proyas’ structure, which, in turn, infuses Eric’s righteous quest with high-octane energy.

Brandon Lee’s Astonishing Performance Anchors ‘The Crow’

Beyond the hypnotic aesthetics, The Crow‘s skeleton key will forever be Lee’s spellbinding, utterly soulful commitment. Eric claws out of his grave into the soaking mud and screams raw anguish. When he revisits his apartment and recalls the fatal attack, the frenzied montage slices like a dozen metaphorical glass shards. Yet for all Eric’s searing fury and avenging-demon makeup, he hops onto tables and cackles, vindictively toying with his prey as often as he prowls with murderous intent. Balanced against his earlier maelstrom of mourning, his gleeful satisfaction reflects the duality of a tormented heart better than an entirely brooding man. No character with a moral compass holds any qualms about Eric dispatching his assailants, either — nor, despite The Crow‘s action-heavy reputation, does he devote more effort to their deaths than minimal martial arts. They deserve their fates, but rather than flashy gore, Eric achieving satisfactory closure is the focus.

The moments when The Crow‘s stumbles aren’t deal-breakers: occasional threadbare dialogue, a lack of character depth, and Shelly’s fate, the latter playing straight into the tired cliché of a man motivated by a brutalized woman. The film’s transformative pathos onscreen and offscreen has ensured The Crow‘s continual resurrection for over three decades. Sarah (Rochelle Davis), Eric and Shelly’s surrogate daughter, temporarily believes that the world reduces anything joyful or lovely to ashes. Eric, of all people, counters her nihilism with bittersweet hope. His posthumous resolution emphasizes the ways love endures despite heartbreak. Some may find that too sentimental, but the main points stand: an ode to surviving grief not by overcoming it, but living alongside its existence, and how a community of abandoned outcasts can become one another’s salvation. After 30 years, The Crow‘s earnest, wounded heart remains vividly ambitious, imaginative, and cathartic.

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The Crow

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Release Date

May 11, 1994

Runtime

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102 Minutes

Writers

David J. Schow, John Shirley

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• 

  Brandon Lee

  Eric Draven / The Crow

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The first season of Off Campus is focused on Hannah and Garrett’s love story — but will Ella Bright and Belmont Cameli return for future seasons of the show?

“I totally understand your concern,” Cameli, 28, exclusively told Us Weekly about each season of the Prime Video show being focused on a different fictional couple. “We will be along for the ride the whole time.”

Bright confirmed the plan is for them to be “sticking” around before Cameli, 19, added, “We’re excited to see what season 2 holds for [us].”

Based on the Off Campus book series by Elle Kennedy, the show, which premieres Wednesday, May 13, follows an elite ice hockey team — and the women in their lives — as they “grapple with love, heartbreak, and self-discovery — forging deep friendships and enduring bonds while navigating the complexities that come with transitioning into adulthood,” read the official synopsis.

Related: ‘Off Campus’ Casts Logan’s Love Interest Grace Ahead of Season 2

Prime Video’s Off Campus follows different love stories at Briar U — but which couples end up together in the books? Based on the Off Campus book series by Elle Kennedy, the show follows an elite ice hockey team — and the women in their lives — as they “grapple with love, heartbreak, and self-discovery […]

Season 1 is centered around the “sexy and fun ‘opposites attract’ romance between quiet songwriter, Hannah, and Briar University’s all-star hockey athlete, Garrett.”

For Bright and Cameli, the experience of introducing the Off Campus universe was made easier because of their quick offscreen friendship.

“Doing a job like this would be so miserable if you didn’t like your costar,” Cameli shared. “We are so lucky. Ella and I are really, really good friends. We get along so well and we spend a ton of time together on set.”

Bright was just as grateful to have Cameli as her onscreen partner in crime.

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Related: A Guide to Prime Video’s New Steamy Rom-Coms, Shows — And Book Adaptations

Prime Video is investing in love with a wide variety of steamy rom-coms, star-studded TV shows coming this year— and a fan event to celebrate the upcoming YA titles. The streaming service announced on Thursday, April 30, that Prime Video was branching out with Obsessed Fest, which is described as “an inaugural summer tentpole event […]

“Honestly, we just have so much fun. It’s so cool to be able to go on this journey with everybody who just cares so much about this show and these characters,” she gushed to Us. “Everyone is here for the same reason. It definitely loosens the pressure a lot, because you’re sharing it with all these really great and talented people.”

Cameli pointed out that he and Bright have a seamless bond. “We just told you, that our faces literally hurt right now. We just sat here unmoving and laughing all day,” he noted.

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While season 1 will make fans fall in love with Hannah and Garrett’s story, the show introduces characters played by Mika Abdalla, Antonio Cipriano, Jalen Thomas Brooks, Josh Heuston and Stephen Kalyn as well.

Prime Video has already been renewed for another season — but the next leads have yet to be confirmed.

Off Campus premieres on Prime Video Wednesday, May 13.

Jamie Foxx has been linked to Alyce Huckstepp since 2022. Their relationship was then confirmed in August of the following year. Now, according to new reports, the two are expecting a child in the coming months. This comes as the beloved actor is attached to multiple upcoming movie roles, including the yet-to-be-released “All-Star Weekend,” which he directed.

TMZ reported on May 12 that Foxx, 58, is set to become a third-time dad as his girlfriend, Huckstepp, 31, is expecting.

Currently, it’s unclear how far along the former fitness model is in her pregnancy. The baby’s gender is also unknown at this time.

Foxx’s first child, Corinne, was born in 1994, while his second, Anelise, arrived in 2008.

The Two Previously Broke Up

Foxx and Huckstepp were first spotted together in August 2022 at the “Day Shift” premiere. Reportedly, their relationship then kicked into high gear the following year, and they were later spotted at the Nobu Hotel in Los Cabos, Mexico.

It’s also worth noting that the expectant parents had broken up around the end of 2024, with it being confirmed in January of the following year. Notably, per The Blast, Foxx joked about being single in his Netflix special, “Jamie Foxx: What Had Happened Was,” which was released in December 2024.

Fans Congratulate The Star On The Baby News

Now that Foxx and Huckstepp are rumored to be expecting a child, fans are offering their best wishes to the couple.

One person said on X, “Jamie Foxx is going to be a dad again! This is the kind of positive energy we love to see. Wishing Jamie and Alyce nothing but the best on this journey!”

Someone else said, “Whoa, that’s a big personal milestone for him. Jamie Foxx has had quite a journey.”

Jamie Foxx Previously Opened Up About Health Issues

The world rallied around Foxx in April 2023 after he suffered a severe medical complication in Atlanta while filming Netflix’s “Back in Action” alongside Cameron Diaz. Later, he revealed the nature of the medical emergency, revealing that he’s endured a brain bleed.

He made his first public appearance after the incident in December of that year at the Critics’ Choice Awards. According to Good Morning America, he gave an emotional speech, saying, “I want to thank everybody. I’ve been through something. I’ve been through some things. You know, it’s crazy, I couldn’t do that six months ago, I couldn’t actually walk.”

Foxx added, “So it feels good to be here. I cherish every single minute now. It’s different. I wouldn’t wish what I went through on my worst enemy, ’cause it’s tough, when you almost – when it’s almost over. When you see the tunnel. I saw the tunnel, I didn’t see no light. It was hot in that tunnel.”

Per ABC News, the actor also opened up about the day the incident occurred in July 2024 while speaking to fans in Phoenix, Arizona. Foxx told the crowd, “April 11 last year, bad headache, asked my boy for an Advil. I was gone for 20 days. I don’t remember anything.”

He went on, “So they told me, I’m in Atlanta, they told me — my sister and daughter took me to the first doctor. They gave me a Cortisone shot. The next doctor said there’s something going on up there. I won’t say it on camera.”

Foxx Has Multiple Projects On The Horizon

Despite the recent health complications, Foxx has multiple films and shows in various stages of development. This includes projects where he’ll star as well as films where he serves as a producer. Among his upcoming films is Netflix’s “Fight for ’84.” As of now, the film has no release date but is expected in late 2026 or early 2027.

That is not all. According to Deadline, he was cast in 2021 to lead an upcoming miniseries about Mike Tyson, in which he’ll play the legendary boxer. This will be the second limited series about the sports icon, with this one being produced by Antoine Fuqua and Martin Scorsese.

Additionally, he still has his unreleased comedy “All-Star Weekend,” which he filmed in 2016. The movie included Jeremy Piven, Robert Downey Jr., Benicio del Toro, Gerard Butler, and Eva Longoria. However, despite the A-list cast, the movie has remained shelved.

Chile! Blueface and Chrisean Rock have the internet on fire after unexpectedly linking up over the weekend and seemingly afterward. First, Blue brought out Rock as a special guest during a Seattle show, and they also kicked it in his trailer. Then, on Monday, a video surfaced of them play-fighting, with her offering to train him in boxing.

RELATED: Social Media Reacts After Blueface Appears To Suggest That Chrisean Rock’s Late Ex Ronny Is Chrisean Jr.’s Father (VIDEOS)

Blueface Brings Out Chrisean Rock During Seattle Show 

Chrisean Rock had the crowd going in Seattle when she popped out on stage to perform ‘Yahweh.’ The invite was courtesy of her on-and-off boyfriend, Blueface. Despite previously claiming she was staying away from his “circus,” Chrisean was super chill in the footage of them in a trailer. It appears Blue was streaming with nearly 3,000 people, as she later refused to say hi to his “chat,” when he asked her to.

SWIPE BELOW TO SEE BOTH VIDEOS. 

Chrisean Rock Shares Boxing Video With Blueface

Meanwhile, on Snapchat, Chrisean Rock posted a video of her and Blueface play boxing. She told the camera that Blue fights backwards, and she offered to train him. He previously lost a boxing match on March 14 against another streamer, Chibu. Meanwhile, Rock recently won her professional boxing debut against Zenith Zion on April 25, a moment that she emotionally applauded afterward. In the Snapchat video Chrisean posted, she added the caption “Chrisean parents,” referring to her son Chrisean Jesus. Interestingly enough, last weekend, the internet was also chatting after Blueface doubled down on not being Chrisean Jesus’ father, which he has also said in March.

WATCH THE VIDEO BELOW. 

RELATED: Fans Think Chrisean Rock & HoodTrophy Bino Are Rekindling Their Romance After He Surprised Her With Early Birthday Gifts (VIDEOS)