By Joshua Tyler
| Published 15 seconds ago

In an era where Star Trek has become a televised disaster with embarrassing, franchise-destroying products like Starfleet Academy and Star Trek: Discovery, you wouldn’t expect to get any good new Star Trek video games. But somehow, that’s exactly what’s happening. Star Trek: Voyager – Across The Unknown has just been released on most major gaming platforms, and it’s everything fans have been waiting for. 

As much as Trekkies enjoy Star Trek: Voyager, it’s also always been viewed as something of a missed opportunity. A show about a ship stranded far from home is the perfect opportunity for complex survival-focused storytelling. Star Trek: Voyager had the kind of premise that could have made it Battlestar Galactica-level engrossing, as each week the ship struggled to find food and energy while dealing with a malfunctioning vessel and the other problems inherent in being lost, with nowhere to refuel.

Across The Unknown Improves The Television Show

Unfortunately, with a few exception episodes like “Year of Hell,” Voyager mostly ignored its own premise and acted like any other Star Trek show. Stories about the realities of being stranded were rare, and such problems were easily resolved with hand-waving.

Star Trek: Voyager – Across The Unknown corrects that mistake with a game that lets you play through Voyager’s entire journey back to Earth, but from a survival perspective where you’re the one in charge of sorting out the difficult logistics, all the things the series glossed over, all the details of how to keep a ship flying when you’re lost and there’s no one to help.

Change Voyager’s Fate With Your Decisions

The game is structured like a space-faring version of the classic base-building sim Fallout Shelter. Instead of building and maintaining a bunker, you’re repairing and maintaining the USS Voyager as Captain Janeway tries to get her crew home.

Along the way, you help Janeway make critical decisions, with the ability to make totally different choices from the ones she makes on the show. My USS Voyager, for instance, currently has a Kazon tactical officer. And I could have kept Tuvix as part of my crew instead of splitting him back into Tuvok and Neelix, but screw that guy, I never liked him.

Better Ship Battles Than Any Modern Star Trek Show

The game’s graphics are well done. The map screen is beautiful, with the ability to seamlessly zoom in up close on ships and zoom out for a sector view. Cut scenes are rare but well executed when they surface. Battles are stunningly rendered, though don’t expect to do a lot of shooting yourself. Across the Unknown is an RPG, which means your role in both combat and away missions is mostly to make choices.

In space battles, you get to see those choices play out, with ships zooming around, firing torpedoes, and executing maneuvers you direct. On Away Missions, the results of your choices are reported back via text popups telling you the outcome of what you had each member of your landing party do.

Several Star Trek: Voyager actors lent their voices to the game. You’ll especially hear a lot from Tim Russ as Tuvok. Mostly, though, the game is about reading text and managing Voyager from a static side-view screen where you build, repair, and can zoom in and out on compartments.

That side-view screen is something of a wonder, though. Zoomed out, it’s just an MSD of Voyager. However, if you zoom in, you can see inside each room to watch crew members working, moving around, and living. It’s a detail they didn’t have to include; it has no impact on gameplay, but it does add to the game’s immersion and lets you feel like you’re really there, peering inside the ship as you decide whether to spend your resources on a warp core upgrade or on repairs to the aero shuttle.

Star Trek Sings When Freed From Alex Kurtzman’s Clutches

Across the Unknown works seamlessly and breathes new life into the seven seasons of Voyager you’ve already seen. It’s better, narratively, than anything Star Trek has produced since the cancellation of Star Trek: Enterprise and it’s exactly what Trekkies need, right now, in Trek’s darkest moment.

There’s a reason it’s good, and it’s probably because current Star Trek boss Alex Kurtzman had absolutely nothing to do with it. Instead, the game was developed by German studio gameXcite and published by Daedalic Entertainment. They licensed the IP from Paramount and then went off to do their own thing.

It’s further proof that the problem with modern Star Trek isn’t Star Trek itself, but the people in charge of it. When freed from their clutches, Star Trek snaps back to form.

A Pathway To A Bright Future For Star Trek

If this works, and I hope it does, they’ve established a perfect model to use on other Star Trek shows. Imagine playing through Deep Space Nine’s Dominion War arc, with the ability to change the fate of the entire Alpha Quadrant, should you decide to make choices different from the ones made by Benjamin Sisko.

There’s infinite potential in what Star Trek: Voyager – Across The Unknown has done here, but even if it’s just one off, be thankful it exists. The game’s a rare ray of light in Star Trek’s darkest of dark ages.

ACROSS THE UNKNOWN REVIEW SCORE

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Andrew Mountbatten-Windsor was not immediately removed from the line of succession after his arrest.

Andrew is eighth in line for the British throne, of which his brother King Charles III currently reigns. The former Duke of York was stripped of all royal titles and honorifics in October 2025 months before he was arrested on suspicion of misconduct in public office.

“I have learned with the deepest concern the news about Andrew Mountbatten-Windsor and suspicion of misconduct in public office,” Charles said in a February 2026 statement issued by Buckingham Palace. “What now follows is the full, fair and proper process by which this issue is investigated in the appropriate manner and by the appropriate authorities. In this, as I have said before, they have our full and wholehearted support and cooperation.”

Keep scrolling to learn more about Andrew’s place in the line of succession amid his arrest:

Where Is Andrew Mountbatten-Windsor’s Place in the Line of Succession?

Andrew Mountbatten-Windsor is the second son of Queen Elizabeth III and Prince Philip. Upon his 1960 birth, he became second in line for Elizabeth’s crown behind now-King Charles III. Andrew’s position shifted once Charles had children and grandchildren.

Charles’ firstborn son, Prince William, is currently the direct heir, followed by his eldest child, Prince George. The lineup continues with William’s younger children, Princess Charlotte and Prince Louis, all of whom he shares with wife Princess Kate Middleton. Charles’ younger son, Prince Harry, follows ahead of his kids, Prince Archie and Princess Lilibet, who directly precede Andrew.

Andrew’s two daughters, Princess Beatrice and Princess Eugenie, are No. 9 and No. 12 in the line of succession, respectively, in between their own children.

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Related: How Many Other Royals Have Been Arrested Before Andrew Mountbatten-Windsor?

Andrew Mountbatten-Windsor is the first member of the British royal family to be arrested in almost 400 years. Andrew was arrested on his 66th birthday in February 2026 on suspicion of misconduct in public office. “I have learned with the deepest concern the news about Andrew Mountbatten-Windsor and suspicion of misconduct in public office,” the […]

Could Andrew Mountbatten-Windsor Be Removed From the Line of Succession Amid His Arrest?

King Charles III, as the reigning monarch, has yet to make a decision about Andrew Mountbatten-Windsor’s future as an heir.

“He likely won’t be removed from the line of succession until he’s convicted of a crime,” royal expert Gareth Russell exclusively told Us Weekly in February 2026. “If parliament did so before that, they could be accused of prejudicing the case against him. Any action between arrest and charges, or charges and trial, has to be very carefully considered, in case it’s used by the defense to weaken the case against Andrew.”

According to Russell, Andrew could be removed if he’s convicted of a crime.

“It’s completely untrue that you can’t be removed from the succession,” Russell told Us. “There are laws going back centuries that allow parliament to do that, the first time they did it was in 1326 and 1327. They also did it in the early 20th century, so there’s no reason that it couldn’t be done again.”

The BBC reported several days after Andrew’s arrest that the government is “considering” introducing legislation to remove the former prince from the line of succession.

“[This is] something that I hope will enjoy cross party support,” Defense Minister Luke Pollard told the outlet. “It’s right that that is something that only happens when the police investigation concludes.”

There has not yet been a formal decision about Andrew’s place in succession.

Why Was Andrew Mountbatten-Windsor Arrested?

Andrew Mountbatten-Windsor was arrested on his 66th birthday in February 2026 over alleged misconduct.

“Following a thorough assessment, we have now opened an investigation into this allegation of misconduct in public office,” Thames Valley Police Assistant Chief Constable Oliver Wright said in a statement. “It is important that we protect the integrity and objectivity of our investigation as we work with our partners to investigate this alleged offense. We understand the significant public interest in this case, and we will provide updates at the appropriate time.”

The Thames Valley police department further told the BBC that they were investigating claims that Andrew shared confidential information with late disgraced financier Jeffrey Epstein while serving as a U.K. trade envoy. No charges have been revealed as of publication nor has Andrew addressed the accusations.

Based on the popular book series by Lee Child, this series stars Alan Ritchson as former U.S. Army Major Jack Reacher. A force of nature with an unyielding sense of justice, Reacher roams the country, tackling various dangerous situations as he unravels conspiracies and corruption. The gritty, suspenseful tone of the show makes it an unmissable part of Amazon’s crime library — as do its thrilling action sequences, which allow Ritchson to flaunt his formidable physicality.

Supporting cast members include Malcolm Goodwin as Chief Detective Oscar Finlay, Willa Fitzgerald as Roscoe Conklin, and Chris Webster as former soldier-turned-private investigator, Paul Hubble. In the first season, Reacher arrives in the small town of Margrave, Georgia, where he quickly becomes embroiled in a murder case.

For fans of the novels, the series is quite a faithful adaptation. For newcomers to Reacher, the show has tight plotting, intriguing character dynamics and complex mysteries. 

Clint Bentley and Greg Kweder have an interesting creative partnership in which they write and direct films together, but trade off taking on the director’s position. Kweder earned unanimous praise for his extraordinary work on the prison drama Sing Sing, but Bentley proved he was just as talented with Train Dreams, which earned an Academy Award nomination for Best Picture. Although there is a shared dedication to realism present in both filmmakers’ styles, Bentley’s projects tend to be more ethereal and, at times, experimental. Bentley made his underrated directorial debut with Jockey, a stirring drama about an aging horse rider facing a reckoning within his career.

Jockey stars Clifton Collins Jr. as Jackson Silva, a legendary racer who has suffered several serious injuries that threaten his future prospects in competitions. Despite having broken his back on three separate occasions, Silva is courted by the horse trainer Ruth Wilkes (Molly Gordon) to ride the thoroughbred Dido’s Lament, which she feels could go all the way. Jockey also features a remarkable performance by Moisés Arias, best known for his performance on Fallout, as the young jockey Gabriel, who has reason to believe that Silva could be his father. Jockey isn’t a traditional inspirational sports film, but a thoughtful character drama about whether one’s achievements define their career.

‘Jockey’ Is a Methodical, Deeply Felt Psychological Drama

As was the case with both Sing Sing and Train Dreams, Jockey was made with authenticity in mind because it showed an incredible amount of respect for the community that it was depicting. In addition to being shot at the real Turf Paradise racetrack in Phoenix, Jockey employed many non-actors who made the film feel even more like a slice-of-life. While there is an original story being told about a specific character, what Silva experiences is similar to what many real jockeys go through, particularly when it comes to the all-consuming nature of the profession. The film finds an interesting way to characterize Silva’s journey because he is no longer at the point in his life where he could do anything else; for better or worse, he’s dedicated so much time to the practices required of a jockey that it would be impossible for him to pick up a new career or alter his routine.

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Jockey doesn’t necessarily glamorize the rigors of horse riding, as there is surprisingly little footage of the races themselves. Much of Jockey is set within the sidelines, stables, tracks, and local taverns where Silva spends his days, as he can never be too far away from the competition. There’s a beauty to how insular his world is, as he’s found a community that is willing to support his way of living, even if it would be considered a risk to an outsider. Bentley isn’t interested in defending or condemning the choices that Silva made because the point of the film is that he has to live with them; while there are gorgeously rendered images, some of which have the naturalist beauty of a Terrence Malick film, everything in Jockey is fragile and could disappear at any given moment. It’s an appropriate tone to craft for a film that is so indebted to neo-Western dramas, which creates a timeless quality to the depiction of the profession. As Silva becomes keen to teach Gabriel, the training and riding of horses has been done the same way for centuries, and there’s little that contemporary technology could do to modify the practice.

‘Jockey’ Has the Best Performance of Clifton Collins Jr.’s Career

Given how challenging it can be for independent films to find an audience, Jockey deserved more credit for the strength of Bentley’s directorial vision and its uncompromising approach to the material. Collins is an actor who has been giving great performances for decades, but Jockey finally allowed him to show what he could do as the lead; as for Bentley, his ability to make something both unconventional and emotionally rewarding is deserving of praise, especially given how much groundwork it laid for what he and Kweder would eventually do with Sing Sing and Train Dreams. There aren’t many films about horse racing that are as interested in the minutiae as Jockey is, but it’s also rare to see a film so blunt and mature in its depiction of aging. Bentley certainly seems like he is on his way to becoming one of the most interesting American independent filmmakers of his generation, and Jockey should be remembered as the film that first showcased his potential.

Jockey is available to stream on Starz in the U.S.

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Release Date

December 29, 2021

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Runtime

94 Minutes

Director

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Clint Bentley

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Looks like Desmond Scott is out here living his best life and letting the world watch. On Sunday, February 22, the influencer and chef hit Instagram with a photo and video dump, giving fans a peek at exactly how he’s spending his downtime. And, of course, folks are dying to know the recipe to this vibe.

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Desmond Scott Is Out Here Living While The Internet Watches

In the photo dump, Desmond Scott is all smiles, captioning the post “good food and moving slow” as he seemingly travels through paradise. Palm trees, hillside houses, blooming flowers, stunning beach views, and gorgeous sunsets set the scene as he laughs and enjoys himself, looking effortlessly suave. Whether he’s dining, strolling, or just soaking in the scenery, it’s clear Desmond is soaking up every moment of his peaceful escape. Peep his post here.

Fans Go Off Over Desmond’s Island Photo Dump

As soon as Desmond Scott dropped scenes from his tropical vacation, fans flooded his Instagram comments and acted UP. Some raved about how his aura points are clearly going through the roof, while others were just happy to see him looking peaceful and content. And, of course, a few couldn’t resist asking for recipes ahead of their upcoming date nights.

One Instagram user @angi.denise commented, “The peace in all this 🙌🏽”

Instagram user @nikkiladeen said, “Man I’m soo proud of you, finding you and doing what YOU like 🙏🏼🙏🏼🙏🏼💯‼️”

This Instagram user @faithfultofreedom added, “Good seeing a good man happy 🙃🙃🙃🙂‍↔️🙂‍↔️🙂‍↔️🙂‍↔️🙂‍↔️😎”

And, Instagram user @slickmo7 shared, “All right brother look cool but you got to school us how to cook for this ladies.“

Then Instagram user @terrence615 said, “Mans put the pots down and stepped out for the weekend 🔥🔥🔥🔥”

Likewise, Instagram user @chipworldxtra revealed, “Brother I’m happy for you and all but I need recipes gotta date next weekend 😂”

Desmond Isn’t The Only One Moving On

Desmond isn’t the only one making moves and finding his groove—Kristy Scott is clearly out here reclaiming her life. Recently, she hit Instagram to share a candid clip with her followers, opening up about building her “social life from scratch” and how challenging it can feel after being consumed by the early years of parenting.

Kristy admitted that even stepping out the door used to give her anxiety, but she’s been pushing herself to say yes more, pursue her hobbies, and actually make time for what she wants. “It’s so hard for me to leave the house… Lowkey, it gives me a little anxiety,” she said. But now? She’s making it work, attending quality gatherings, and slowly shaking off the pandemic-era social anxiety while showing fans that she’s healing just as much as Desmond is.

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One of the greatest perks of the streaming era is the sheer volume of content available at any given moment. But that abundance comes with a downside: with so much content to watch, even genuinely strong series can slip through the cracks. Launched with far less fanfare than Netflix’s splashier crime hits in 2022, the six-episode Swedish miniseries Clark quietly became one of the platform’s most entertaining and unconventional explorations of criminal psychology, anchored by a performance from Bill Skarsgård that deserved far more attention than it received. Critics responded warmly, earning the series an impressive 85% on Rotten Tomatoes. If you’re looking for something stylistic, darkly funny, and short enough to finish over a weekend, Clark is an easy recommendation.

What Is ‘Clark’ About?

Clark tells the wildly exaggerated, semi-fictionalized story of Clark Olofsson (Skarsgård), a career criminal whose good looks and undeniable charisma made Sweden fall in love with him in the 1970s, despite a rap sheet that included robbery, drug trafficking, jailbreaks, and attempted murder. Olofsson famously participated in the 1973 Norrmalmstorg robbery, a hostage crisis that helped inspire the term “Stockholm syndrome.” Created by Jonas Åkerlund, the series traces Clark’s life from his troubled childhood to his evolution into a serial bank robber, media sensation, and unlikely cultural icon in Sweden.

Rather than presenting a straightforward crime drama, the show leans into Clark’s unreliable narration loosely inspired by Olofsson’s autobiography. Skarsgård frequently breaks the fourth wall, glamorizing his exploits and reframing failures as triumphs. The tone shifts rapidly, blending outrageous visuals with a bold soundtrack that heightens the absurdity of Clark’s self-mythologizing. Flashbacks dig into his formative years, offering context for how he became the criminal he did, giving the series a swaggering energy reminiscent of Goodfellas or Catch Me If You Can.

But while the robberies and jailbreaks drive the plot, the real focus is Clark’s insatiable need for admiration and control. Beneath its chaotic, stylized exterior, Clark is less concerned with the mechanics of crime and more interested in how criminals become celebrities — and how easily media attention can warp reality. By allowing viewers to see the cracks in Clark’s carefully constructed legend, the series takes on a far more character-driven approach. That shift not only makes it endlessly bingeable, but also gives Skarsgård the space to deliver one of the most compelling performances of his career.

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Bill Skarsgård Is Magnetic and Unrecognizable in ‘Clark’

Image via Netflix

Bill Skarsgård is the kind of actor who can truly disappear into a role. Audiences most likely associate him with his chilling turn as Pennywise in the IT films or, more recently, as Count Orlok in Nosferatu. But Clark gives him the space to showcase an entirely different side of his range. Here, he’s all charm, bravado, and reckless magnetism. With shaggy ’70s hair and an exaggerated swagger, Skarsgård fully commits to Clark’s narcissism while allowing flickers of insecurity to break through.

What makes the performance so compelling is its duality. Clark is charming, manipulative, and often outright appalling, yet Skarsgård makes him impossible to look away from. He understands that the character’s appeal lies in contradiction, as Clark sees himself as a hero even as he spirals deeper into criminality. In quieter moments, when the bravado finally cracks, Skarsgård lets vulnerability seep through, hinting at a man who was never given a choice to be anything but a criminal.

The show’s stylized direction gives Skarsgård room to go big, and it’s easy to tell he’s having fun with those moments. But even at his most theatrical, he never loses control of the character. Even as the editing turns frantic or the tone veers into dark comedy, he anchors the series with a performance that ranks among his best work and remains far more unknown than it should be. It’s one of his most versatile turns to date, proving he’s far more than a horror icon and more than capable of carrying an entire series by sheer presence. In a streaming landscape crowded with formulaic crime content, Clark stands out as something riskier and more playful. Anchored by Skarsgård’s fearless performance and Jonas Åkerlund’s kinetic direction, it’s a reminder that the most fascinating crime stories aren’t always about the heist.

All six episodes of Clark are available to stream on Netflix.

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Release Date

2022 – 2022-00-00

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Netflix

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  Bill Skarsgård

  Clark Olofsson

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  Kolbjörn Skarsgård

  Young Clark

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  Lukas Wetterberg

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  Teen Clark

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  Vilhelm Blomgren

  Tommy Lindström

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