Ain’t no way we forgot about lover’s day! TMZ’s got you covered with the cutest custom cards — Hailee Steinfeld, Tate McRae and more hot stars are ready to spice up your Valentine’s Day!

Whether you’re ridin’ solo, cuffed up, or have your eye on a special someone … no need to run out to the store, ‘cuz these crafted cards are ICONIC!

When you find your perfect match, click the link to download a printable version!

By Robert Scucci
| Published 4 seconds ago

Working as an office drone is the worst possible way to spend your time, especially if your doppelganger is showing up for work, running circles around you, and tarnishing your good name. Not only does Jesse Eisenberg’s doppelganger do all of these things in 2013’s The Double, nobody else at work seems to notice that his primary antagonist is his exact body double. It’s a bleak reminder of how little your coworkers actually pay attention to things like who they’ve been working with for the past seven years, what they look like, and what they do for a living.

After thinking about it for a minute, it’s not even that far-fetched of a scenario. Having to wear a shirt and tie, commute to a central office, and sit in a cubicle inside a windowless room, all while attending meetings that could have been an email, only to be rewarded with a slice of room-temperature pizza left over from yesterday’s sales meeting, is more than enough to suck the soul right out of you and turn you into a shell of a man who locks in without soaking in their surroundings.

While The Double is clearly an unrealistic story, what’s depicted here doesn’t feel that far removed from what office culture could easily devolve into over the next decade. 

An Office That Makes Office Space Look Like A Beach Paradise

Set mostly in oppressively dank apartment buildings, corner offices, and cubicles, The Double centers on Simon James (Jesse Eisenberg), an office drone of the highest order who’s wandering aimlessly through life. Though everyone at the office works for a cold-hearted authority figure known only as The Colonel (James Fox), it’s never made entirely clear what anyone actually does for a living. It’s obvious they’re clerks for some wide-reaching, dystopian government agency, but beyond that, your guess is as good as mine.

This level of impersonality in The Double feeds directly into its central conflict. Simon frequently forgets his ID badge and is never recognized by the security guards or his coworkers. He has to sign a visitor’s form just to go to work, as if he barely exists. Simon feels this same kind of invisibility when it comes to his coworker Hannah (Mia Wasikowska), who lives in the apartment building across from him but doesn’t even know he’s there. He admires her from afar, often collecting her torn-up art projects and saving them in a notebook for himself.

It’s a lonely existence for Simon James, until he meets his doppelganger, James Simon (also Jesse Eisenberg), who appears out of nowhere and suddenly starts working at the same office.

James Simon is everything Simon James is not in The Double, which immediately creates a number of problems. Simon is shy, reserved, and lacking confidence, content to blend into the background and quietly move through life. James, on the other hand, is charming, assertive, and instantly recognized as a standout employee, despite doing similar work to Simon, who barely gets acknowledged by anyone. Slowly but surely, James begins intruding on Simon’s life, eventually earning Hannah’s affection, much to Simon’s dismay. To make matters worse, nobody at the office seems to notice that Simon James and James Simon are identical, calling Simon’s grip on reality into question.

As Simon spirals, he gets to know James better, and the two even swap places on occasion in an attempt to live in each other’s shoes. These exchanges usually backfire, further straining their already toxic relationship and forcing Simon to question what it even means to be alive.

Sounds Like Another Movie That Came Out At The Same Time

Based on the 1846 novel of the same name by Fyodor Dostoyevsky, The Double shares a similar premise with 2013’s Enemy, starring Jake Gyllenhaal. While it might be tempting to chalk this up to parallel development, the coincidence is actually stranger than that. Enemy is based on a completely different novel from 2002, also titled The Double, written by José Saramago.

Both films explore what happens when two perfectly identical men occupy the same space, and the personal fallout that follows when one’s likeness is used by someone else with questionable intentions. While they tell very different stories, they make for an interesting double feature if you want to see how two doppelganger narratives released in the same year end up echoing each other in unexpected ways, as if they were each other’s doppelgangers all along.

Strangely enough, both films also exist within liminal, brutalist environments, trapping their protagonists in fluorescently-lighted spaces as their identities fracture and their personal lives collapse while they try to figure out where they belong in the world.

As of this writing, The Double is streaming for free on Tubi. Enemy, which explores similar themes and came out the same year, is currently streaming on Max.

Kelly Clarkson Is Leaving ‘The Kelly Clarkson Show’ After Seven Seasons

Kelly Clarkson’s Ex-Husband Brandon Blackstock Passed Away Last Year

‘The Kelly Clarkson Show’ Began To Feel ‘All-Consuming’

Clarkson Wants To Go Back To Making Music

Senator Raphael Warnock
I Welcome Celebrity Endorsements

Published
February 12, 2026
1:00 AM PST

Amanda Bynes and Jennie Garth reminded fans of all the reasons they love the actresses during their run on What I Like About You.

The duo starred as sisters Holly and Val Tyler, respectively, on the WB sitcom from 2002 to 2006. For four seasons, they cracked up viewers alongside their costars Nick Zano (Vince), Leslie Grossman (Lauren), Wesley Jonathan (Gary) and Allison Munn (Tina).

As often happens in the realm of television, Bynes and Zano began dating in 2003 as their characters did the same on screen. Although the pair split in 2004, she spoke highly of the actor in 2005, telling CosmoGirl! that she “learned so much” from their relationship and he “helped me get back to where I was.”

More recently, the She’s the Man star has made headlines for her personal struggles. She has been under a conservatorship since 2014 following mental health and substance abuse issues. She sought treatment multiple times since What I Like About You ended.

“I tried reaching out to her and I haven’t been able to reach her,” Garth told Us Weekly in October 2012. “My heart feels for whatever she is going through and I love her dearly.”

Garth revealed in October 2019 that she was still not in contact with the What a Girl Wants actress, but she would be open to reviving their show at some point. “Wouldn’t that be great? That was my favorite job. Just being able to do comedy, multi-camera comedy like that, I loved it so much,” she told Entertainment Tonight at the time. “[It was a] half-hour sitcom, it was a great experience and I would love nothing more than to revisit that show.”

Scroll through the gallery below to see what the cast of What I Like About You — from Bynes to Garth and more — has been doing since the series wrapped.

White House To Ilhan Omar
Stop Inciting Violence!!!

Published
February 12, 2026
1:00 AM PST

By Jonathan Klotz
| Published 1 minute ago

For 15 years, CSI reigned on CBS as one of the highest-rated shows after perfecting the procedural formula. Every now and then, the series broke its formula, from “Lab Rats” focusing on the side characters to “4×10” telling a series of short stories, but none shattered viewer expectations quite like Season 11’s “Sqweegel.” The night-shift team was trying to figure out the motives and identity behind the gimp-suit-clad serial killer, leading to the most unexpected ending of the entire series: They failed. 

The Bad Guy Wins

Every now and then, there’s an episode of CSI where the villain’s triumphant, going back to Season 1 that occur din “Chimera,” except the doctor with twisted DNA eventually was brought to justice in a later episode. Sqweegel, named after the noise a little girl heard in a carwash, is never arrested, his identity is never uncovered, and he’s never seen again. When the episode starts, viewers know something is off about what they are about to see by the way the killer moves through a posh, upscale Las Vegas home. Slipping in through a window is one thing, but the way he walks up the stairs in a strange, herky-jerky motion that’s also inhumanly smooth and fluid is immediately unsettling. 

The team, led during this era by Catherine Willows (Marg Helgenberger) and Dr. Raymond Langston (Laurence Fishburne), starts piecing together Sqweegel’s motive when they realize each victim was a hypocrite. The first was a disability-rights advocate who killed her son, but she admitted what she did and was allowed to live. Of the rest of the victims, a firefighter who starts fires to be a hero, and a cheating wife who serves on the Family Values Committee. As far as motives go, it’s par for the course for the procedural. It’s also the only part of the episode that’s normal. 

The visual of Sqweegel stalking his victims and slipping into spaces too small and tight for a normal human is somehow more disturbing than the usual dead bodies. Sqweegel’s final shot, lacing up the gimp suit and saying, “I am no one,” is more dark and more haunting than you’d expect from a network show. After the episode first aired in 2010, CBS didn’t outright ban it; instead, the network quietly pulled it from the regular rotation, but it’s available today wherever CSI is streaming. 

A Killer From A Different Series

“Sqweegel” felt like an episode from another series dropped into CSI. That’s essentially what it was. Series creator Anthony E. Zuiker wrote a series of novels alongside Duane Swierczynki called Level 26, which featured Sqweegel as the villain. The episode’s release date coincided with the release of Level 26: Dark Prophecy. Disturbingly, Sqweegel in the book was even darker and more disturbing than what was shown on network television. 

The character was brought to life by Daniel Browning Smith, a talented contortionist, who also co-hosted Stan Lee’s Superhumans. Smith has hypermobile Ehlers–Danlos syndrome, which allows him a superhuman degree of flexibility. On the one hand, knowing that a real human was performing Sqweegel’s stunts and they weren’t special effects may make them worse, but on the other hand, Daniel Browning Smith also performs comedy and hasn’t killed anyone. 

Corporate synergy is the real horror of CSI’s most disturbing episode. Because Sqweegel wasn’t created for the series, there was never going to be a resolution. Instead, he managed to kill, traumatize a child, and get away into the night, not because he was a criminal mastermind, but because of corporate licensing. Millions of fans were left wondering when he’d return, never realizing that they’d only learn his fate if they took a look, because it’s in a book. 

A retired police sergeant from Phoenix, Arizona — just a two-hour drive from where Nancy Guthrie lives in Tucson — says there are plenty of fresh clues to dissect in the newly-released images from her Nest doorbell camera.

“Overall, it’s a huge break in the case,” Troy Hillman, a retired cold case homicide sergeant with Phoenix Police Department, exclusively tells Us Weekly as the search for 84-year-old Guthrie continues.

The FBI has released six black-and-white photos and three video clips showing a potential subject involved, who was wearing a mask, black gloves and a backpack when approaching Guthrie’s residence on the night of her disappearance.

“You’ve got a lot of clues just baked in these, what seems to be a short amount of video,” Hillman notes to Us. “You’ve got the ski mask, you’ve got the eyebrows are distinctive. You’ve got what appears to be a mustache. You’ve got a height, a weight, they can guesstimate.”

“They can kind of get biometrics on the facial features,” he points out. “There’s just a ton of information, the backpack, the way he wore his gun, what type of holster it is, what type of gun it was. The type of gloves he had on.”

Hillman spoke to Us hours before news broke on Wednesday, February 11, that FBI agents recovered a black glove from a roadside about one and a half miles away from Guthrie’s house, as first reported by The New York Post.

Authorities believe that Nancy, who is the mother of Today show host Savannah Guthrie, was taken from her $1 million home against her will after being dropped off at her home on the evening of January 31. She was reported missing on the afternoon of February 1 after she did not show up for virtual church services with a friend.

Savannah, 54, has pleaded for her mother’s safe return alongside her siblings, Annie Guthrie and Camron Guthrie, imploring anyone with information to come forward.

Meanwhile, the FBI has offered a $50,000 reward for information leading to the recovery of Nancy.

Related: Former FBI Agent Reacts to Photos of Potential Suspect in Nancy Guthrie Case

A former special agent with the Federal Bureau of Investigation (FBI) is sharing her assessment after investigators revealed new surveillance photos of a potential suspect in Nancy Guthrie’s ongoing disappearance. “A couple of things that stand out to me [are] you don’t see a vehicle in the background,” Tracy Walder, also a former CIA officer, […]

A man was detained in connection with the case on Tuesday, February 10, but he was released by police soon after, stating that he had no knowledge of Nancy’s disappearance while vehemently maintaining his innocence.

Hillman told Us that authorities are likely hopeful that with the public’s help, they will discover another lead in the case. The Pima County Sheriff’s Department has received nearly 18,000 calls to its tip line since February 1, and 4,000 calls in the last 24 hours, according to a new update on Wednesday, February 11.

“You can kind of assess all those things [in the footage] and then begin to kind of put those out and then you’re gonna get input from the community,” the Chasing Down the Zombie Hunter author shared. “Someone’s gonna say, ‘Oh, I know that guy’ or ‘Joe wears that particular jacket, and he fits the make and description of that particular person.’ So, it’s just a huge, huge break.”

“It doesn’t mean it’s solved,” Hillman clarified. “It doesn’t mean Nancy’s home safe, but it means it’s a break in the case.”

Editor’s Note: This article contains spoilers for Star Trek: Starfleet Academy Episode 6, “Come, Let’s Away.”This week’s episode of Star Trek: Starfleet Academy sends our cadets on their first official away mission, and unfortunately for Holly Hunter‘s Captain Ake, things go terribly, horribly wrong when her cadets are intercepted by a terrifying race of cannibalistic aliens. With her cadets held hostage on the remains of a fallen starship, Nahla is forced to call on her biggest nemesis, Nus Braka (Paul Giamatti), if she wants to get them back alive. Unfortunately, making a deal with the devil never really works out, and the cadets suffer a serious loss as one of their War College comrades is killed, SAM (Kerrice Brooks) is left glitching, and Tarima (Zoe Steiner) falls into a coma after saving her friends.

I recently sat down with Hunter and Giamatti to dig into this tense and devastating episode of Starfleet Academy. During our conversation, Hunter spoke about how she embodies Nahla and what needed to happen in this episode to leave her truly betrayed by the end. Giamatti also spoke about how easy it was to have Hunter as a scene partner, before they both spoke about the simmering tension of filming this episode’s intense one-on-one sequences. Finally, the duo teased what to expect from their next showdown later this season. You can read our full conversation below or watch it in the player above.

COLLIDER: Holly, I have to start off by saying Nahla has instantly become one of my favorite Star Cadet captains in the franchise, and I love the choices that you make with her physicality, like flopping into the chair to stop Braka from taking it, or sitting on tables and flopping down in the elevator. When you were establishing the character, what about her lent itself to that sort of movement for you?

HOLLY HUNTER: That was something that kind of organically happened when I read it. I was thinking about a physicality that I wanted to explore with her. Then, when I got to the set, wow, they just invited it for me. And the more sets that I was introduced to, the more my mind opened to the possibilities of going over the back of a couch. I mean, it just became like, “Ooh,” like a new world opened up for me that I found really enticing. I was really kind of turned on by the whole idea of being somebody who lived like that, and then it just manifested.

Holly Hunter and Paul Giamatti Break Down Their “Odd Attraction” in That Tense Nus vs. Nahla Scene

“I always thought that maybe I was going to kiss him.”

Image via Paramount

I love that so much. For both of you, your characters have this very intense and magnetic antagonistic chemistry, and in Episode 6, Nahla has to ask for his help at a great cost to herself. What was it like to turn the tables on that dynamic and add another layer to that relationship and that palpable hatred?

PAUL GIAMATTI: Exciting. Exciting that the whole thing takes a turn there. And it was a very well-written scene. I think they accomplished it really well on the page in a way that was kind of easy to begin to play out. But she discovered this great thing in that scene, which is the moment when she comes back, and she starts to kind of hit me to try to get me to comply, which I remember thinking, “This is brilliant because this is really going to fool people into thinking that I’m going to play along.” I thought, “What a brilliant, interesting choice to find.” But the script had that room where you could find all kinds of interesting things in it, like that.

HUNTER: I also think that it was really important so that I would really, truly, truly, truly be double-crossed.

GIAMATTI: Yes, and it was a brilliant way of doing it.

HUNTER: That Nahla would really take the freaking fall. Not kind of halfway, “Oh, well, I suspected it.” No, I mean to really, hook, line, and sinker, be devastated.

GIAMATTI: To almost sell it in a comedic moment, too, was kind of brilliant because then it’s just like, oof! So when the turnaround comes, it’s even more brutal. Yeah, it was great.

Absolutely. When working with these very intense one-on-ones, can you each recall something, like having her in his face, that each of you did that surprised you and unlocked another layer of your performance?

GIAMATTI: I kept being surprised at how much I wanted to get close to her, kind of get right up on her, and I kept thinking, “Why am I doing this? Why am I getting so strangely like…?” And at that point, there were certain shots that we did, I don’t think it’s in it, where I was almost kind of resting my head on her, and it was like, “What am I doing?” It was interesting because I thought, “What does he really want out of this?” It was odd.

HUNTER: Well, I always thought that maybe I was going to kiss him. I thought there might be a kiss, and I thought, “I cannot betray my crew.” Because it was so bizarre! It was so bizarre. It came out of nowhere.

GIAMATTI: There was an odd kind of attraction.

HUNTER: I was like, “Wow, why didn’t I obey that? I wish I had.” That would have been really horrible to obey it.

GIAMATTI: Interesting.

HUNTER: I had terrible conflicts.

GIAMATTI: Yeah. Very strange. There was a lot of that stuff. The physical thing where I kept wanting to get on her was weird. I was like, “Why am I doing this?” It was interesting.

Well, I mean, love and hate are two sides of the same coin, so that chemistry is very there.

Paul Giamatti Teases a “Very Grand Gesture” Ahead of His Final ‘Starfleet Academy’ Face-Off With Holly Hunter

“I come back with a big move at the end.”

Image via Paramount+

Advertisement

What do you think has changed for Nahla in the 100 years since she lost her son that makes her willing to make such a huge sacrifice for Caleb and the rest of the kids now, that she couldn’t do 100 years ago?

GIAMATTI: Wow.

HUNTER: Well, I think she makes a mistake that she can’t live with. The Federation is a severe outfit at the beginning of this show. At the beginning of Starfleet Academy, they are still recovering from The Burn and from some of the restrictions that they instilled after The Burn. But nevertheless, I think Nahla really takes some of those steps that she was responsible for when she quits. And I think that child, she feels compelled to make that right, as mysterious as that is to search the galaxy for a person who is orphaned, possibly. I love the mysticalness of that, and I love that there was something deeply mysterious about that search. We all make mistakes. I don’t know.

I love that. At the end of this episode, Braka gets away again, but now he’s got a huge, huge price on his head. Can you guys tease what we can look forward to from your next face-off?

GIAMATTI: I come back with a big move at the end, towards the end. I do come back.

HUNTER: A grand gesture.

GIAMATTI: Yeah, with a very grand gesture at the end.

HUNTER: Yeah. And that’s all we could possibly say.

GIAMATTI: That’s all we can possibly say.

Starfleet Academy is available to stream on Paramount+. Stay tuned at Collider for more.

Advertisement

Advertisement

Release Date

January 15, 2026

Network

Paramount+

Advertisement

Showrunner

Alex Kurtzman, Noga Landau

Advertisement

Directors

Douglas Aarniokoski

Writers

Advertisement

Alex Taub, Tawny Newsome, Kirsten Beyer, Jane Maggs, Kiley Rossetter

Advertisement

Advertisement

Advertisement