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Brooke Hogan has been very open about her relationship with her father, Hulk Hogan, following his July 2025 death, and in a recent interview, the former reality star shared more insight into what caused their years-long estrangement.
As the one-year anniversary of her father’s death nears this summer, Brooke Hogan revealed the fractured nature of their relationship that led to a complete separation of the once close father-daughter duo.

In an exclusive interview with Us Weekly, Brooke Hogan opened up about how Hulk Hogan’s inner circle led her to decide to distance herself from her father for two years before his death.
“He said, ‘You go this way, I go that way,’” she told the outlet. “That hurt. I could see what was happening with him with the people around him. I could also see his potential and see how life could be. And he just wasn’t there. I was pregnant with my twins. I was newly married. I just had to take a break.”
The married mother of two continued, “I don’t know if we would have ever reconnected, even if he were alive, because of the mindset he was in. He would have had to have a change of mindset and a change of company. I don’t know if he was there. I don’t know if he was willing to do that.”

She shared with Us Weekly that Hulk Hogan was in severe pain prior to his death, and that she is at least happy that he is no longer suffering.
“I’m glad he’s out of pain. I know he was in a lot of pain,” the singer said of her wrestling legend father. “In a weird way, I feel like I have a better relationship with him now. I find myself just talking to him and saying all the things I wish I could have said.”
“He was kind of tough. It was hard to have tender moments with him because he just didn’t want to talk about it,” she said.

On March 31, Brooke Hogan released a new song called “Wanna Go Back,” which captures the loss of losing her father.
A clip of the song’s mournful lyrics was posted on Instagram.
“I don’t wanna go back, ’cause you were my world, and I was your girl,” she sings. “Daddy, you lying there made a fool out of me…what you did to me.”

In September 2025, two months after Hulk Hogan’s death, Brooke Hogan revealed that although she was left out of his will and cut off from his multi-million-dollar estate, it was at her request.
“It’s what I asked for, I stand by it with no regrets. My dad knows I’m a hard worker, and I have been surviving without his money for a long, long time,” she said at the time.
However, she did express her concern for ensuring her father’s estate, intellectual property, and trademarks are handled responsibly. Per TMZ, her focus has never been on financial gain, but on wanting more of her father’s “time, honesty, and love.”

In a lengthy Instagram post, Brooke Hogan explained her decision not to attend her father’s funeral, noting that Hulk Hogan “hated the morbidity of funerals,” and she was sure he did not want one.
“My Dearest Daddy, You were my everything, and I will always be your girl,” her message read. “I am PROUD to be your daughter—for all the love, light, and goodness you brought into this world. Thank you for choosing me in this lifetime, and for loving me so deeply.”
“Our bond is eternal. That truth brings me comfort and hope, even in your absence. I love you more than all the stars in the sky, 4LifeAfterLife. Forever yours, Brooke,” she added.
She also shared that she appreciated the events and celebrations organized to honor him, but she chose to do so privately.
Princess Diana’s unforgettable 1996 Met Gala appearance is back in the spotlight amid claims that she helped inspire Anna Wintour to transform the event forever.
The late Princess of Wales attended the famous fashion fundraiser during one of the most scrutinized periods of her life, instantly turning heads with a bold outfit that is still discussed decades later.
Now, fresh claims suggest Wintour’s drive to reshape the Met into “fashion’s biggest night out” may have been fueled by Diana’s star power after the Vogue matriarch reportedly missed the chance to host the princess herself.
In a chat with The Times, former American Vogue senior accessories director Filipa Fino claimed that Wintour’s fashion rival, Elizabeth Tilberis, played a key role in bringing Diana to the gala in 1996.
The princess’s attendance was a major coup for Tilberis and reportedly left Wintour frustrated that her competition had beaten her to such a high-profile royal moment.
That frustration was allegedly deepened by the fact that Wintour never got a chance to host Diana herself, as the princess died months after the outing. However, Fino claimed the missed opportunity became part of Wintour’s motivation to elevate the Met Gala into the global fashion spectacle it is today.
“This seed of Anna never being able to host Diana at the Met, and her vision of what it should be like, worthy of a princess, is what drove her from 1996 to today. She took on the Costume Institute Ball as her own personal project,” she said.
Diana’s appearance at the event wasn’t the only thing that caught attention. Her dress, designed by British designer John Galliano, also drew significant interest in a manner that even surprised the designer himself.
In the Hulu docuseries “In Vogue: The 90s,” Galliano described being approached to dress the late princess and saw the opportunity as “a blessing.” Work on the gown began in earnest, ultimately resulting in a blue, lingerie-inspired, bias-cut slip dress with lace straps, originally designed with a corset.
However, just at the event, Diana made a personal adjustment by removing the corset Galliano had included in the design.
“Fast-forward to the event, and I just remember her getting out of the car,” the designer said, per Newsweek. “I was like [shock]. I couldn’t believe it. She’d ripped the corset out.”

According to Galliano, Diana’s last-minute alteration carried a deeper meaning, seemingly reflecting her sense of freedom following the end of her marriage.
“She didn’t want to wear the corset,” he said. “She felt so liberated. She’d torn the corset out.”
The change also transformed the feel of the gown, making it far more “sensuous” than originally intended. It intensified the attention around Diana as she arrived at the fashion event, with paparazzi swarming to capture the moment.
“The cameras went mental. The paparazzi was blinding, which made the dress really bling and the jewels and everything,” Galliano added.

Wintour also reflected on Diana’s magnetic appeal in the same docuseries, recalling how strongly people were drawn to the late princess at the time.
According to Wintour, Diana “captivated” people, and her love for fashion only heightened the attention around her while boosting her global appeal.
“I think all of us were so captivated and fascinated by Princess Diana,” Wintour shared. “At that time, she was the most famous woman in the world. She was enjoying fashion and the spotlight that she put on, particularly British designers.”

After delivering a show-stopping appearance at the Met, Diana slipped away before midnight, just as the after-party dancing was about to begin.
Looking back at the event, fashion designer Mica Traynor claimed her absence was felt by many who were hoping to see her take to the dance floor.
“I didn’t feel she was actually here. I just wanted to see her dance once, but no luck,” she said.
Debutante Crickett Richards also noted the same eagerness from attendees to see Diana at the after-party.
“They paid to see her, and, to all intents and purposes, she did not show up,” Richards added.
Star Wars: Episode I — The Phantom Menace had such high expectations that it seemed like there was nothing George Lucas could do to appease the fans, and the film ended up being considered to be a major disappointment. While there were multiple aspects of the story and filmmaking that were divisive, the most significant amount of backlash went to the character of Jar Jar Binks, the clumsy Gungan played by newcomer Ahmed Best. There was a notable lack of Jar Jar in the next two films in the trilogy, as he had only two speaking scenes in Star Wars: Episode II — Attack of the Clones and only appeared for a brief cameo in Star Wars: Episode III — Revenge of the Sith. However, Jar Jar was part of a mysterious deleted scene from Revenge of the Sith that has not been included on any of the home video releases.
According to an interview that Best conducted with the Heroes Journey podcast, Revenge of the Sith included a scene set after the creation of the Galactic Empire in which Jar Jar was thanked by Emperor Palpatine (Ian McDiarmid) for his role in helping to take down the Jedi Order. Although a plethora of deleted scenes from the first six films in the Star Wars franchise were included on a 2012 Blu-Ray release, the sequence that Best referred to was not among them. Jar Jar has been given a bigger role in some of the subsequent Star Wars comics and novels, but none have mentioned the connection that he shared with Darth Sidious. However, Jar Jar’s potentially villainous role isn’t all that surprising when considering how he was manipulated over the course of the prequel trilogy.
Jar Jar attracted a lot of criticism upon his debut because it seemed implausible that a goofy, rambunctious character would keep getting opportunities, as he is considered to be a hero after the Battle of Naboo in The Phantom Menace. However, Lucas included a fair amount of political commentary in the prequels, and it makes sense that Jar Jar would be made a representative in the Galactic Senate by Palpatine, as they share a home planet. In Attack of the Clones, Jar Jar is manipulated into calling a vote in favor of giving emergency powers to the Supreme Chancellor when he is tasked with taking Padme Amidala’s (Natalie Portman) place in the Senate when she is dispatched home to remain safe. It’s because of this vote that Palpatine is given newfound authority, which allows him to create the Grand Army of the Republic using the Clone Troopers from Kamino. In Revenge of the Sith, he sends out a message to the clones that calls for them to executive “Order 66,” which means that they must kill all of the Jedi.
Jar Jar was obviously not aware of this plot, as he is friends with Obi-Wan Kenobi (Ewan McGregor) and Anakin Skywalker (Hayden Christensen). However, Palpatine has taken advantage of the greed of the Senate to make himself more powerful, as he convinces them to applaud him when he decides to initiate the Galactic Empire. Since Jar Jar never makes contact with any of the other Jedi after Order 66 is called, it’s possible that he believed the conspiracy Palpatine started about the Jedi Order had attempted to take over the Republic. Jar Jar is also never made aware of the true identity of Darth Vader, and thus believed the story that Palpatine told about how Padme died. The only subsequent detail learned about Jar Jar is that he was exiled by his people for inadvertently helping create the Empire, but the secretive Revenge of the Sith scene might suggest that he had more agency than originally believed.
It’s not clear how much Lucas’ plans for Jar Jar changed after the reaction to The Phantom Menace, as it’s possible that he was originally intended to have a bigger role before receiving so much hate. However, Jar Jar’s story arc is an important part of the Star Wars saga because he showcases the power of influence that both the dark and light sides of the force have. It’s after Qui-Gon Jinn (Liam Neeson) praises Jar Jar that he helps to broker the deal between the humans and Gungans in The Phantom Menace, but Palpatine was able to take advantage of his gullibility by convincing him that he was acting in good faith.
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There doesn’t seem to be any immediate plans to reveal more deleted scenes from Revenge of the Sith, especially since nothing was announced during the film’s 20th anniversary in 2025. However, Jar Jar’s story still feels unfinished because he hasn’t been given the chance to atone for his mistakes in any of the films or shows. Although Best hasn’t played the character since providing his voice for a few episodes of Star Wars: The Clone Wars, he appeared in the third season of The Mandalorian as a new Jedi character. Given that the Star Wars prequel trilogy has experienced a resurgence in popularity now that those who grew up with the films have become more vocal, there is perhaps some reason to hope that the saga of Jar Jar isn’t quite over.
M.I.A. is no longer part of Kid Cudi’s “Rebel Ragers Tour” following a controversial onstage moment that quickly sparked backlash. The “Paper Planes” artist was removed from the lineup after delivering a politically charged monologue during a tour stop in Dallas, where she spoke about immigration and her political views, drawing a mixed reaction from the crowd.

During the performance, M.I.A. addressed the audience directly, saying, “I’ve been canceled for many reasons. I never thought I would be canceled for being a brown Republican voter,” before being met with boos.
She also claimed she couldn’t perform her 2010 track “Illygirl,” which centers on the spirit of migrants and immigrants, suggesting that “some of you could be in the audience.” Clips from the moment quickly circulated online, prompting strong reactions from fans.

Shortly after the footage went viral, Kid Cudi addressed the situation and confirmed M.I.A.’s removal from the tour. “TOUR UPDATE: M.I.A. is no longer on this tour,” he wrote on Instagram. “I told my management to send a notice to her team before we started the tour that I didn’t want anything offensive at my shows, cuz I already knew what time it was, and I was assured things were understood.”
He continued, “After the last couple shows, I’ve been flooded with messages from fans that were upset by her rants. This, to me, is very disappointing, and I won’t have someone on my tour making offensive remarks that upset my fanbase. Thank you for understanding.”
M.I.A. had been scheduled as one of the opening acts on the 33-date tour, alongside Big Boi, who remains on the lineup. Her exit marks a sudden shift for the tour as it continues without her.
Following the backlash, M.I.A. took to X to respond directly to a viral post criticizing her onstage comments, and she didn’t hold back. The post claimed the crowd turned on her after she spoke about politics and immigration, but M.I.A. pushed back, arguing her words were being taken out of context.
“I WROTE ‘ILLYGIRL’ ON THE ‘MAYA LP,’ A SONG FROM 2010,” she wrote. “I STARTED THIS INTRO TO THE SONG WITH THE STATEMENT SAYING I’M ILLEGAL, AND I SAID MY TEAM HASN’T GOTTEN VISAS YET. THEN PLAYED A SONG THAT HAD LYRICS SAYING ‘F-CK THE LAW’, WHICH I STILL BELIEVE, IF THE LAW IS UNJUST F-CK IT.”

She went on to accuse critics of misrepresenting her message. “DO NOT GASLIGHT MY WORDS. THAT IS THE WORK OF SATAN,” she exclaimed, also pointing to her long history of addressing immigration and identity in her music, saying she had been tackling these issues long before they became mainstream talking points.
“I WROTE ‘BORDERS’ AND ‘ILLYGIRL’ AND ‘PAPER PLANES’ BEFORE YOU THOUGHT IMMIGRANT RIGHTS WERE COOL,” she continued. “I’VE HAD THESE BATTLES BY MYSELF WITHOUT THE HELP OF MILLIONS OF FANS BACKING ME. I DON’T NEED THIS VIRTUE SIGNAL ERA TO ALL OF A SUDDEN ERASE AN ENTIRE LIFE I’VE LED.”
She ended her message with a broader reflection on faith and justice. “JESUS WAS AN IMMIGRANT AND A REBEL. I HAVE NO APOLOGY FOR THE JUDGMENTAL, THE WICKED, AND THE IGNORANT,” she continued in her fiery rant. “JESUS RETURNS TO LEAD THE WORLD JUSTLY BECAUSE THERE IS INJUSTICE IN THIS WORLD. IM PROUD OF THOSE WHO FIGHT FOR IT EVERYDAY. GOD BLESS YOU.”
“GO LISTEN TO M.I.7,” she concluded.

M.I.A., whose real name is Mathangi Arulpragasam, first rose to fame with her 2005 debut Arular and became known for her progressive stance early in her career. In recent years, however, she has taken a different direction, publicly aligning herself with conservative voices and speaking out on a range of political topics. In 2024, she voiced support for Donald Trump and made additional comments about political figures and movements that have drawn attention.
Despite the backlash, M.I.A. has previously addressed criticism head-on. “Every single person who’s ever criticized me or thrown mud at my name, they’re doing it out of jealousy or some other thing that’s making them do that,” she said in a past interview.
She has also pushed back on being labeled politically, saying, “I’ve been around long enough to see what the left was 20 and 30 years ago and what the left is now, and I’ve seen the left get hijacked.”
Dolly Parton was forced to make the difficult decision of postponing her highly anticipated Las Vegas residency in October 2025. This came as the global superstar had been plagued with health issues. Now, several months later, the 80-year-old “Jolene” singer has canceled the engagement.

Parton took to her official social media channels on May 4 to post a more than five-minute-long video. She began, “Well, hey there, it’s Dolly, and I’m here to give you an update on a few things going on in my life.”
From there, she shared that the news was “concerning [her] health, before saying, “I have some good news and a little bad news. But the good news is I’m responding really well to meds and treatments, and I’m improving every day.”
Regarding the “bad news,” Parton stated that “it’s gonna take me a little while before I’m up to stage performance level because some of the meds and treatments make me a little swimmy-headed, as my grandma used to say.”
The music icon went on to mention the demands of her show, the heels and heavy wardrobe, before comparing her health to a classic car that “can better than ever,” after being “restored.”

As the video continued, the singer spoke candidly about her health. According to her, “I’ve told you before that I’ve always had problems with my kidney stones. Lord, they dig more stones out of me a year than the rock quarry in Rockwood, Tenn. But seriously, my immune system and my digestive system got all out of whack over the past couple of years, and they’re working real hard on rebuilding their strength.”
After that, she admitted that her humor in the video was an attempt to remain positive. Parton said, “Anyway, I know I’m being silly, but I’m just tryin’ to keep everything light and airy.”
Later, Parton stated that she was “truly sorry” to those who had tickets to the Las Vegas residency and hoped they could make it to New York to see her upcoming musical.

Parton has experienced quite a bit over the last few years in addition to her health concerns. Notably, her husband, Carl Thomas Dean, passed away in March 2025. Because of this, she’s received a ton of support from her fans following the announcement that she has canceled her Las Vegas residency.
One person said on X, “The stage can wait, take care of your health, and everything else will take care of itself. Bless you.” Someone else wrote, “You are the only person in the world who could turn medical news into something sweet and hilarious. God bless you, Dolly.”
A different social media user stated, “Always prioritize your health first, Dolly! Never feel bad for that, we love you!”
Lastly, another fan wrote, “Sending you all the love and hugs I can muster and praying for a complete healing for you, my dear!”

Elsewhere in Parton’s May 2026 video, she mentioned her late husband, noting the support she’s received and how difficult life has been without him.
She said, “A lot of you have been concerned about me and Carl, and you were so great about that. But after going through a year of firsts, I mean the holidays, and especially our wedding anniversary, and the date of his death, March. 3, that was hard for me.”
Parton went on, “But I will always love him, and I will always miss him, but you would be surprised how much your love and concern meant to me during that time. Lord, my house and my porch looked like the botanical gardens….from the bottom of my heart I thank you; you have been a big part of my healing.”

Parton’s story will soon be told on the Broadway stage in the production “Dolly: A True Original Musical.” The show premiered in Nashville in the summer of 2025. Now, it’s expected to open on the Big White Way either later in 2026 or early in 2027.
According to the show’s official website, three actresses portray Parton across three periods of her life. They are: Katie Rose Clarke, Carrie St. Louis, and Quinn Titcomb. The show is being directed by Bartlett Sher.
By Joshua Tyler
| Published

Predators wants to be the sequel that John McTiernan’s 1987 movie Predator deserved, and while it’s better than many of the earlier sequels it got, I’m not sure that’s saying much. After Predator 2 and the AvP movies, the bar was pretty low.
Still, give director Nimrod Antal’s 2010 take on the franchise some credit: It tries. It really does. That’s more than you can say for some prior efforts. There’s an obvious affection for the iconic alien hunters in the material, and even more affection for the original film, which they’re aiming to be a direct successor to. It’s enough to make it worth watching, but at the time, it was not as much as this franchise’s audience deserved.

Unlike all the other attempts at resurrecting Predator, this one at least had a good idea for a story. It starts with an unconscious man, free-falling from a great height. He awakens in mid-air and starts screaming.
It’s a genius way to start a movie, or it would be, if this scene were even remotely scary. The camera falls with him, plummeting at an insane pace through whipping wind and dizzying heights. This scene should be terrifying. Or if it isn’t terrifying, it should at least be thrilling. It is neither, and it’s just the first of many scenes that seem like they should really work on paper, but somehow, when they actually end up on screen, don’t.

Part of the reason the original Predator is so good is that it’s flat out scary. It’s a horror movie more than an action movie, and though you never get to know the characters in it intimately, you’re rooting for them to survive.
It’s a brutal film, full of gore and violence, which only serves to heighten the thing’s gritty reality. You believe that Dutch and his crew are being stalked by some sort of ultimate, unstoppable killing machine, and it’s utterly terrifying. You care about Dutch not because he has a lot of heartfelt talks with his soldiers, but because he’s simply that badass. Predators tries desperately to duplicate all of that and can’t.

There’s not a single edge-of-your-seat moment anywhere in Predators. It’s not scary. Not even a little. It never gets any better than that opening freefall: crazy things keep happening on screen, things which seem like they should be thrilling, but somehow never are.
Antal doesn’t really seem to have a knack for this sort of storytelling. He points his camera at what’s happening, but he’s either incapable or uninterested in doing anything to build tension.

It’s obvious from the beginning what’s going to happen. Take the plot of the original Predator, add a few more aliens, and make the human characters less sympathetic, and you have Predators.
On paper, it shouldn’t be this similar. We’re told repeatedly throughout the film that this plot is different. The original movie was about special forces soldiers dropped into a jungle where they encounter a lone Predator. This one is about a group of killers, kidnapped and dropped on an alien planet where they’re hunted for sport.

But aside from the occasional bout of mania, the killers act pretty much like any military unit, and aside from a single scene in which we see a bunch of weird moons, the alien planet looks exactly like that same Earth jungle we saw Dutch running around in back in 1987.
Predators contains more than one Predator, and that should be different. Except we rarely see more than two of them on screen at any time. Most of the movie’s battles pit a single Predator against a single human.

Predators sets out to pay homage to the original movie by echoing it, but instead it mostly ends up duplicating it. It’s a well-made film, but you won’t be thrilled by it, excited by it, or scared by it. Adrien Brody is a surprisingly convincing badass, and the sets are actual constructs rather than just a lame explosion of CGI. That’s nice, but a lot of it feels dated in a way the original 80s movie still doesn’t.
In spite of these issues, if you’re a Predator fan, if you missed it the first time around, I’d recommend streaming Predators. A brief appearance by Laurence Fishburne gives the movie enough life to keep you interested, and even if it’s not shot in a way that’s all that exciting, the movie has a few good ideas.

Predator versus Samurai? It’s every sci-fi fan’s dream. You’ll see it, enjoy it, and forget about it. Good enough.

Predators is currently available to stream on Hulu.
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Two of Hollywood’s most enduring leading ladies have a beauty secret in common — and it’s not a $300 serum or some bespoke facialist on speed dial. Reese Witherspoon and Julianne Moore both reach for the same humble drugstore staple when packing for a flight. The cleanser sitting in their suitcases? Plain old Cetaphil, the bottle your dermatologist probably recommended back in the ’90s and is still recommending today. That pump bottle is famous to anyone who has ever battled blemishes or irritation, and while the 16-oz size is usually a reasonable $17, it’s currently discounted to $12 during Amazon’s Summer Beauty Event.
Back in 2019, Witherspoon revealed to Refinery29 that the budget-friendly product is one of her favorites. I use the face wash, and I travel with it,” she told the publication. That same year, Moore also explained why this classic earned permanent space in her toiletry kit in a Vogue Beauty Secrets video. “I travel a lot, so I need something I can get kind of all over the world. I use a pretty standard face wash, Cetaphil,” she told the camera, adding that she lathers up with an exfoliating washcloth for optimal results.
Get the Cetaphil Face Wash for $12 (originally $17) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.
The genius of two A-listers cosigning a $12 cleanser is that it confirms what good skin tells us anyway: consistency beats novelty. Witherspoon and Moore could rinse their faces with literal liquid gold if they wanted. Instead, they’re loyal to a fragrance-free formula that won’t throw a tantrum after a red-eye, a long shoot day or a week of recycled hotel-room air. That’s the kind of low-drama beauty pick that ages well, just like its famous fans.
Cetaphil’s Daily Facial Cleanser earned its dermatologist-recommended reputation by doing one thing exceptionally well: cleaning your face without wrecking it. The hypoallergenic formula skips parabens and sulfates, which is part of why sensitive, reactive and mature skin types tolerate it so beautifully. It’s also soap-free, so it won’t leave that tight, squeaky feeling that signals you’ve just stripped your moisture barrier into next week. Instead, it reinforces that barrier and balances the skin while still delivering a deep clean. Translation: makeup, sunscreen and the day’s grime go down the drain. Your glow stays put.
Aside from getting two very glamorous endorsements, the tried-and-true formula has been hyped up by Amazon shoppers, too. It’s currently rated 4.7 stars on the site, and over 30k bottles have been purchased in the past month — a number that only solidifies its cult status.
“My favorite facial cleanser ever!” one reviewer wrote. “It left my skin feeling clean and soft after one use, and I’m hooked. I use this every morning and every night before bed. No more breakouts and cleans off makeup and residue from the day!
“One bottle has lasted me over a year,” said another happy customer, who called the wash a “gentle, affordable” option. “I have oily, acne-prone skin, and since using this, I’ve gotten multiple compliments on my skin. Buy this!!!!”
If your skincare shelf is overdue for an edit, swapping in this classic feels less like a downgrade and more like a smart return to basics — something your favorite leading ladies have known for years. Whether you toss it in your weekender bag or keep it easily accessible on your bathroom counter, the Cetaphil Daily Facial Cleanser plays nicely with retinols and acids and currently costs less than a decent glass of wine.
Drugstore find, celebrity-approved and on sale? That’s a triple word score in beauty lover terms! Grab a bottle now!
Get the Cetaphil Face Wash for $12 (originally $17) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.
Not what you’re looking for? Shop other face washes on Amazon and don’t forget to check out Amazon’s Daily Deals here!
The OG Real Housewives of New York City stars are ready for their second act — and, yes, there will be fighting involved.
Fans got a first look at Dorinda Medley, Luann de Lesseps, Ramona Singer, Sonja Morgan and Kelly Bensimon in the debut Golden Life teaser, released by E! on Monday, May 4. While the reality stars moved to Florida for a more “zen” life, it seems they still have that New York spark.
The trailer showed the women writing a letter to their comrades in Manhattan, explaining how things have changed over the past few years.
“We’ve been mostly keeping quiet,” Dorinda, 61, said. “Things here move at a slower tempo.”
Sonja, 62, added, “We don’t stir things up anymore.”
Both statements appeared to be wildly untrue, as the clip teased what’s to come.

LuAnn de Lesseps, Dorinda Medley, and Sonja Morgan. Getty Images (3)
“Do not call me names,” Kelly, 58, could be heard telling Sonja at one point in the teaser. Sonja hit back, adding, “I need to get a mocktail, and in the meantime, shut up!”
Ramona, 69, also did not give up her “turtle time” — and neither did the other cast members. “Why are you lying?” she could be heard yelling repeatedly at Luann, 60, as the trailer continued.
“I went to burp and I threw up a little,” Sonja told Luann. “Do you smell it on my breath?”
Ramona also told viewers that “it’s been great meeting people our own age” before Sonja was shown talking to a much younger man.
“I can’t do 22 again; it’s exhausting. I had to teach him everything he knows,” Sonja said. “Like I don’t get on top.”
Luann made it clear to viewers that she’s living her “best life” in Florida. It appears the other women are too.
“Consider this your invitation,” they all said, concluding the trailer. While a release date was not revealed, the show is set to premiere on E! in the fall.
News broke in February that some of the OG RHONY women would be returning to TV for the Golden Life. Jill Zarin was initially set to join the cast, but she was fired shortly after the casting announcement due to her comments regarding Bad Bunny’s Super Bowl LX halftime show.
“I don’t speak Spanish. I would’ve liked to have known the words he was saying. To me, it looked like a political statement because there were literally no white people in the entire thing. I’m not taking a side, one way or the other,” she said, in part, in a video that has since been deleted. “I think it was an ICE thing. I think that the NFL sold out, and it’s very sad.”
Days later, producers confirmed to Us Weekly that Jill would no longer be involved with the show.
“They didn’t even give me a chance,” Jill told In Touch on February 10 about the firing. “I took it down right away. People make mistakes. I’m human.”
Anna Camp isn’t just playing a trad wife — who churns butter — on Elsbeth but her character is also being accused of murder.
In Us Weekly‘s exclusive first look at the Thursday, May 7, episode of the hit CBS show, Camp, 43, can be seen churning butter while Elsbeth (Carrie Preston) grills her about a director’s recent death. Camp’s character distracts from her possible guilt by convincing Elsbeth to join in on her trad wife activities.
According to the official synopsis, the episode —directed by Pamela Adlon — follows a case in which “an ambitious filmmaker dies in a suspicious cleaning accident.” Elsbeth then “focuses on the subject of her final documentary: a ‘trad wife’ whose from-scratch lifestyle included a deadly ingredient.”
Elsbeth, which premiered in 2024, reintroduced the title character after she originally appeared on The Good Wife and The Good Fight. The first two seasons showed Elsbeth becoming a de facto detective who assists the NYPD investigating cases. Preston stars alongside Wendell Pierce and Carra Patterson.
Season 2, however, ended with Patterson, who plays Kaya, departing the show as a series regular.
“It’s been in development since the beginning of season 2,” Preston exclusively told Us in May 2025. “We wanted to honor her and elevate her to detective. So it was very exciting when that happened for the character. Not as exciting for us though because we love Carra. I love Carra and I obviously love playing with her.”

Preston promised that wasn’t the last fans would see of Kaya, adding, “She’s still on the show — it’s just in a different capacity. It’s nice because it adds some conflict and it adds some stuff for Elsbeth to wrestle with. It’s going to deepen my character.”
During season 3, Elsbeth has been paired off with various cop characters — and detectives — before Kaya returned earlier this month.
“With Elsbeth having to deal with this person not being there who she really leans on, it’s a real testament to the writers that they did it in such a gradual and beautiful way,” Preston told Us. “It’s the good thing about Elsbeth, [she] is so positive and never met a stranger.”
The actress didn’t rule out potential “growing pains” as Elsbeth adjusts to “flying solo” in season 3, saying, “The writers have already started introducing other uniformed officers that Elsbeth really relies on to get onto the crime scene. The way our show is structured, it’s not the same detective with Elsbeth on every case.”
Preston continued, “So that always adds a little breath of fresh air as well by having different points of views and different people for her to either partner with or go head to head with in the pursuit of justice.”
More recently, Preston opened up about how the show was able to expand for its third season.
“It suddenly feels like, ‘Oh, right. The NYPD has lots of people and it’s not just this small group.’ It made the show feel in some ways bigger,” she told Us in February. “I wasn’t altogether sure how we were going to do that without it seeming like we were trying to replace Carra — and yet we did and we still get to have Carra back. It’s been the best of all worlds.”
Elsbeth airs on CBS Thursdays at 9 p.m. ET. New episodes stream the next day on Paramount+.
Cameron Diaz is a proud mom to three kids with husband Benji Madden.
The pair welcomed their first baby, daughter Raddix, in January 2020.
“Happy New Year from the Maddens!” the couple, who wed in 2015, captioned their Instagram reveal at the time. “We are so happy, blessed and grateful to begin this new decade by announcing the birth of our daughter, Raddix.”
The couple expanded their family in March 2024 when they welcomed son Cardinal. In April 2026, Diaz and Madden surprised fans with the birth of baby No. 3, another boy, whom they named Nautas.
“Cameron and I are Happy, Excited, and feeling so BLESSED to announce the birth of our third Child, Nautas Madden. Welcome to the world Son!!👊❤️,” Madden captioned an Instagram post.
Keep scrolling to see Diaz’s best quotes about motherhood amid her parenting journey.
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