Few shows have managed to take television by storm the way Breaking Bad did. Vince Gilligan’s neo-Western crime drama gave the world one of the most iconic antiheroes of all time and constantly raised the bar with each season. For all its strengths, though, Breaking Bad is also a very specific kind of show. It often leans into the spectacle of violence, carefully engineered payoffs, and a central character arc that takes over the narrative most of the time.

There’s no denying that the show is as gripping as it gets, but it’s not the only way to tell a great crime story. Here is a list of six crime shows that take a less spectacle-esque approach to the genre, with writing that feels much more layered than Breaking Bad.

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‘Bosch’ (2014–2021)

Image via Prime Video

Crime dramas love to promise realism, but very few of them actually deliver it. Bosch is definitely the latter, and in doing so, it set a standard that very few series in the genre have managed to reach. The show, based on Michael Connelly’s iconic novels, follows homicide detective Harry Bosch (Titus Welliver) as he takes on impossible cases. Each episode follows a simple crime-of-the-week formula, but underneath that, the narrative is constantly building up to something bigger. Bosch is a masterclass in storytelling and builds a world that genuinely feels lived-in and real.

The show never rushes toward twists and does a great job of weaving Bosch’s personal arcs with the cases that he is juggling. The protagonist isn’t written as the perfect hero either. However, he is presented as someone who is unwilling to compromise on justice, even if he has to challenge the very system he is trying to protect. Bosch is a show that trusts its writing and rewards the audience for their patience. It’s not really trying to reinvent the genre, but instead, it attempts to refine it to a point where nothing feels unintentional.

2

‘Happy Valley (2014–2023)

Image via BBC

Happy Valley is easily one of the most underrated crime thrillers of modern times. The show is set in a small English town and wastes no time in establishing its extremely high stakes. The series follows police sergeant Catherine Cawood (Sarah Lancashire) as she grieves her daughter’s suicide, raises her grandson, and is ultimately forced to confront the man responsible for destroying her family. Things begin with a kidnapping case that quickly spirals into something personal, with every investigation pulling Catherine deeper into the chaos.

The show doesn’t treat crime as some puzzle to be solved but as a vehicle that exposes the emotional fallout beneath it all. Catherine and Tommy Lee Royce’s (James Norton) tense dynamic is the fuel of the story, and this central conflict only gets more intense with time. Happy Valley isn’t an easy show to watch, and the characters are pushed to their limits in ways that feel uncomfortably real. However, that is what gives the show its integrity. This is a crime drama that refuses to rely on constant escalation and lets the character arcs take center stage.

3

‘Broadchurch’ (2013–2017)

Image via Patrick Redmond / © ITV/BBC America / Courtesy: Everett Collection

Broadchurch begins with a fairly simple premise when the body of 11-year-old Danny Latimer is found on the beach in a small coastal town. However, that kicks off an intense investigation led by Alec Hardy (David Tennant) and Ellie Miller (Olivia Colman). From there, the show evolves from a simple murder mystery to a haunting exploration of grief and how crimes like these can poison an entire community. Broadchurch stays closely tied to Danny’s family, especially his mother Beth, played by the brilliant Jodie Whittaker.

Every episode builds on the central mystery, and the viewers slowly uncover long-buried secrets beneath the town’s perfect exterior. The narrative expands beyond just finding the killer as friends and family members turn on each other, people’s private lives become fodder for the media, and even the detectives find themselves entangled in all the drama. The storytelling feels layered and immersive, even when the show moves beyond Danny’s case. Broadchurch understands that the mystery is only part of the story, and what truly stays with the audience is the aftermath.

4

‘Gomorrah’ (2014–2021)

Image via Fandango

Gomorrah is an Italian crime drama that drops the viewers right into the Neapolitan underworld. The series follows Ciro Di Marzio (Marco D’Amore), a loyal member of the Savastano crime clan led by Pietro Savastano (Fortunato Cerlino). At first, it’s clear that Pietro’s son, Gennaro (Salvatore Esposito), is being groomed to take over. However, that power structure collapses when Pietro is arrested, and Ciro and Gennaro find themselves on opposite sides of a full-blown civil war. Gomorrah feels brutally authentic in its portrayal of this kind of violence. No character in the show is black-and-white, and the audience has to sit with that discomfort.

The show lets every little beat unfold with extreme precision as relationships fracture and reform over time instead of relying on quick and constant action. Even secondary characters are given enough depth that their rise or fall feels important to the overall story. At the same time, though, none of them come with any kind of plot armor, which adds to the show’s constant sense of unpredictability. The series is one of the most grounded takes on the genre. It’s unpredictable and honest about the consequences of power, which is why it resonates in a way most crime dramas don’t even attempt.

5

‘The Sopranos’ (1999–2007)

Image via Anthony Neste; HBO, Everett Collection

Everyone can agree that The Sopranos changed crime television forever. The HBO series pushed boundaries and laid the groundwork for the kind of character-driven storytelling that shows like Breaking Bad would take inspiration from. The show follows New Jersey crime boss Tony Soprano (James Gandolfini), as he balances the demands of his criminal empire with his responsibilities as a husband and father. Now, that premise is immediately complicated because the story begins with Tony seeking therapy with Dr. Jennifer Melfi (Lorraine Bracco) to deal with his panic attacks and the constant pressure he is under. That allows the story to move between Tony’s mob operations and his internal conflicts.

As the show progresses, the narrative expands beyond just that and explores power shifts within the crime family, tensions between crews, and the protagonist’s increasingly blurred professional and personal lives. The Sopranos doesn’t just follow all this — it also examines the cost of the life Tony has chosen to live. The writing isn’t always easy to understand, but the audience has to pay attention to the subtext and gray areas. The Sopranos never aims to shock its audience or stay ten steps ahead of them. The show takes a restrained, thoughtful approach to storytelling that remains unmatched to this day.

6

‘The Wire’ (2002–2008)

Image via HBO Max

The Wire is yet another genre-defining crime drama and one of the most realistic stories ever told on television. The show is set in Baltimore and begins with Detective Jimmy McNulty (Dominic West) leading a police investigation into the city’s drug trade. However, The Wire is way more than the typical cop-versus-dealers story where the good guys take the bad guys down. Instead, the narrative paints a larger picture of how the city’s drug trade isn’t an isolated problem because of how different political systems and institutions shape and sustain this cycle.

Each season expands this ecosystem and shifts focus to a new part of the city while still tying everything back to the same idea: systemic failure is the catalyst for just about everything. The approach is effective because of how deliberately the writing leans into bureaucratic constraints that the detectives have to work against. The police work is constantly slowed down by paperwork, personal grudges derail investigations, and people are forced to compromise just to survive. The show layers these small details over time until the larger problem becomes impossible to ignore. This kind of nuance is exactly what has helped The Wire stand the test of time.

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The Wire

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Release Date

2002 – 2008-00-00

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HBO

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Directors

Ernest R. Dickerson, Ed Bianchi, Steve Shill, Clark Johnson, Daniel Attias, Agnieszka Holland, Tim Van Patten, Alex Zakrzewski, Anthony Hemingway, Brad Anderson, Clement Virgo, Elodie Keene, Peter Medak, Rob Bailey, Seith Mann, Christine Moore, David Platt, Dominic West, Gloria Muzio, Jim McKay, Leslie Libman, Milcho Manchevski, Robert F. Colesberry, Thomas J. Wright

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Lori Loughlin is officially moving to end her marriage to Mossimo Giannulli after nearly three decades together.

The actress filed for divorce months after the pair confirmed they were living separately, bringing their lengthy union another step closer to its conclusion.

Lori Loughlin and Mossimo Giannulli’s relationship had endured major challenges over the years, including the college admissions scandal that resulted in both serving time behind bars.

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Loughlin took the legal step towards ending her marriage on September 4, filing for divorce from Giannulli after the pair spent 28 years as husband and wife.

Her paperwork listed August 31, 2025, as the date they separated and cited “irreconcilable differences” as the reason for the breakup.

The couple had already publicly confirmed their separation in October 2025. By then, they were living apart and had sold their Hidden Hills mansion for $12.65 million. According to a report, those within their circle had been aware that the marriage was struggling long before the split became public.

“This isn’t a shock to people around them,” the source said, adding that Loughlin was “devastated” by how things had unfolded.

Loughlin initially believed that taking time apart might give their relationship a chance to recover.

However, the former couple could not find common ground, with an insider saying they were “not on the same page.” Giannulli was said to have begun dating following the separation, while Loughlin remained single.

About Lori Loughlin’s Spousal Support Request Amid Her Divorce

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With divorce proceedings underway, financial matters between Loughlin and Giannulli will also need to be settled.

Court documents revealed that the pair entered into a prenuptial agreement before their marriage, which was later amended on August 11, 2015.

Loughlin has asked the court to leave the issue of spousal support open for a future determination rather than immediately establishing an amount. She is also seeking a division of their outstanding property, financial assets, and outstanding debts.

Another part of her filing concerns the cost of the divorce itself. She has requested that Giannulli cover her legal fees as they work through the dissolution of their marriage.

The financial negotiations mark the latest stage in the separation of a couple who married in 1997 and went on to have two daughters, Olivia Jade and Isabella Rose.

‘College Admissions Scandal’ Contributed To The Ruin Of Their Marriage

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Years before their separation, Loughlin and Giannulli faced one of the biggest crises of their marriage when they became caught up in the 2019 “Operation Varsity Blues college admissions scandal.”

The couple was accused of paying $500,000 to secure their daughters’ admission to the University of Southern California as part of the crew, even though neither participated in the required sport.

Both eventually pleaded guilty in 2020. Loughlin spent two months in jail before her release, while Giannulli served five months before release.

Lori Loughlin Reportedly Blamed Mossimo Giannulli For Their Woes After The College Admissions Scandal

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Their legal troubles apparently left lasting resentment between them. A Star Magazine source claimed Loughlin held Giannulli responsible for the decisions that landed them in such serious trouble.

“Lori blames Mossimo and maintains it was his greed that put them in that position, and he accuses her of the same thing,” the insider said.

Rather than putting the ordeal completely behind them after serving their sentences, the disagreement apparently remained a source of tension. The insider described years of blame going in both directions, suggesting the scandal created wounds within the marriage that were never fully resolved.

Lori Loughlin’s Longtime Friend Blames Giannulli For Her Woes

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Loughlin’s longtime friend and co-star John Stamos has been really vocal about the troubles she encountered in her marriage. He said, “She put up with a lot over the years with this guy.”

Speaking on the “Good Guys” podcast, Stamos fiercely criticized Giannulli and defended the actress, whom he has known for decades.

“He’s a terrible narcissist,” Stamos said of the fashion designer. When discussing the college admissions scandal, he went even further, insisting, “I know for a fact it was all him.” He also defended Loughlin’s role in the ordeal, declaring, “I know she didn’t.”

Stamos suggested his opinion was shaped by what he witnessed and learned during his years of friendship with Loughlin. “I know a lot, and I was by her side through a lot of it,” he explained. A source also told Star that Loughlin frequently confided in him about problems within her marriage and that Stamos believed Giannulli exerted an unhealthy level of control over her.

His criticism extended to the eventual collapse of the marriage. Stamos said Loughlin had endured plenty during her years with Giannulli, adding, “Whatever he did to her, it busted her up to the core.”

It takes a special kind of canonical classic to feature a line of dialogue so memorable that anyone could identify what movie it comes from without any context. “You either die a hero, or live long enough to see yourself become the villain,” uttered by Harvey Dent (Aaron Eckhart) in The Dark Knight, fits the bill. In what is likely to remain his culturally definitive and most popular movie, Christopher Nolan, for better or worse, changed the film landscape forever by making a superhero movie feel like an American epic about crime, justice, and society’s belief in costumed vigilantes as religious dogmas.

While often celebrated for his visual panache and as a groundbreaking pioneer of IMAX photography in narrative films, Nolan writes every one of his movies. However, his clunky and on-the-nose dialogue is a point of contention for many critics, but there’s no denying the power of Dent’s line in The Dark Knight. There’s one problem: Nolan didn’t write that line—it was his brother, Jonathan Nolan, and the director is still haunted by him stealing his thunder.

Jonathan Nolan Wrote ‘The Dark Knight’s Most Iconic Line

Image via Warner Bros. Pictures

Christopher Nolan is a singular, uncompromising visionary, but Jonathan Nolan is frequently right by his side as a co-writer, contributing to the source material for Memento, and the scripts for The Prestige, The Dark Knight, The Dark Knight Rises, and Interstellar. It rounds out the family enterprise nature of Nolan’s filmography, as all his movies are produced by Christopher’s wife, Emma Thomas. Since their last collaboration, Jonathan has developed his own autonomous career as the creator of Person of Interest and Westworld on television, as well as producing and directing Prime Video’s Fallout.

No contribution will ever match the legacy of one line of dialogue in an early scene in The Dark Knight, where Harvey Dent, Rachel Dawes (Maggie Gyllenhaal), and Bruce Wayne (Christian Bale) discuss the legality and morality of Batman’s existence as a vigilante crime-fighter roaming the streets of Gotham. For anyone in a position of power, whether a Caped Crusader or Gotham District Attorney, there are only two destinies: die with honor, or live in infamy.

Which MCU Hero Are You?

In an interview with Nolan and his longtime collaborator and Oppenheimer star, Cillian Murphy, the director revealed that the “die a hero or live enough to see yourself become the villain” quote was actually coined by Jonathan Nolan. “I’m plagued by a line from The Dark Knight, and I’m plagued by it because I didn’t write it,” Nolan said, especially because the line was the one that “most resonates.” When Jonathan first conceived Dent’s line, Christopher admitted that he was puzzled by it, but the latter’s skepticism was proven wrong, expressing that it “kills” him that he can’t claim authorship of the line. “In this story, it’s absolutely that. Build them up, tear them down. It’s the way we treat people,” Nolan continued.

It’s easy to overlook him, but Jonathan Nolan’s understanding of genre mechanics and elaborate concepts, as demonstrated in his television shows, helped turn his brother into a commercial juggernaut with mass critical appeal. With films like The Prestige and Interstellar built around ornate ideas and executions, Christopher could’ve easily gotten lost in his own orbit, but Jonathan grounded these structures while maintaining their innate grandeur.

The Underlining Thematic Impact of This Famous Line from ‘The Dark Knight’

No one would think twice about who wrote the film’s most iconic line, as it feels very much in tune with Christopher Nolan’s style of dialogue. Characters in The Dark Knight, between Alfred (Michael Caine) analyzing the Joker’s (Heath Ledger) anarchic plan or the Joker himself sharing his philosophy on chaos, often sound like viewers and critics discussing the meaning of the film and its themes, which leads to a fair share of didactic moments where the message is conveyed with little subtlety, such as “Some men just want to watch the world burn,” and “This town deserves a better class of criminal.”

Complain about them all you want, but there is no denying the enduring, instantly recognizable magic of these lines. Nolan’s dialogue may not always be the most natural, but is that what we should expect from a movie about a billionaire dressed as a bat fighting crime? These lines, particularly when delivered with conviction by Eckhart, Caine, and Ledger, are poetic treatises about the mythos of superheroes and the disillusioned sentiment of America in a post-September 11th world.

Without Aaron Eckhart’s austere, earnest delivery, “You either die a hero, or live long enough to see yourself become the villain,” would’ve been an awkward line. It is also saved by the fact that it is the succinct thesis of The Dark Knight and its central thematic figure in Harvey Dent, who secretly dies disgracefully but is remembered fondly by the city of Gotham.

The Bold and the Beautiful gives what looks like Forrester Creations is teetering on the brink of serious financial issues and it’s all down to things that Ridge Forrester (Thorsten Kaye) and Steffy Forrester (Jacqueline MacInnes Wood) have done in recent months and other things they may do soon on The Bold and the Beautiful.

Forrester Creations is already suffering a loss of reputation. They’re losing customers and they may be circling the drain if Ridge and Steffy don’t change course. We’re going to talk about how Ridge and Steffy’s poor decisions are ruining things at Forrester Creations.

Bold and the Beautiful: Ridge’s Bad Decisions Started it All

So, the decline of Forrester Creations honestly started when Eric Forrester (John McCook) left not of his own free will. You know, he went to Logan and then him coming back to Forrester didn’t undo the damage, especially since by then Hope Logan (Annika Noelle) had left.

And the fashion war between them and Logan is hitting Forrester really hard. And it looks like things are about to get much worse, especially because of new official Fall spoilers. They say for the first time in the history of The Bold and the Beautiful, the Forresters have taken punches to the head. That’s a direct quote.

The Bold and the Beautiful spoilers say the Forresters are reeling and they’re dealing with more financial concerns and worries for the future of their family company. So, this could be a struggle for the actual existence of Forrester Creations.

It looks like despite their big plans for this youth line that RJ Forrester (Brayan Nicoletti) came up with things are going to keep getting worse for Forrester Creations and it really all stems from questionable decisions and actions from Steffy and Ridge. So, let’s talk about how this father and daughter duo have Forrester Creations on the road to ruin.

Ridge Cans Eric on B&B

First, what really kicked off all these troubles was when Ridge forcefully retired Eric. Call it what you will, but Ridge basically fired his father. And that sent Eric running over to Katie Logan (Heather Tom) saying he wanted revenge on Ridge and Brooke Logan (Katherine Kelly Lang) for ousting him from his own company. And that wrecked Forrester‘s reputation. Even though Eric tried to back out of the deal and even though he later went back to Forrester, the damage was already done.

And it’s all thanks to Ridge. The shock waves are still being felt from all of this because Bill Spencer (Don Diamont) told the press the truth about what Ridge did. Bill told all the reporters and influencers that Ridge forced his dad out of Forrester and that is still affecting the company even now.

Eric’s return then had Ridge taking a gamble. He felt guilty over driving Eric away and Ridge wanted revenge on Katie for supposedly using his dad. So, Ridge plowed a huge pile of money into Eric’s new couture line. Carter Walton (Lawrence Saint-Victor) warned Ridge it was risky and was the most expensive line in their history and the collection didn’t perform like they needed it to.

Bold and Beautiful: Logan Steals FC’s Thunder

Plus, Logan overshadowed Eric’s launch, which affected sales even more. Bottom line, Ridge retiring Eric was ground zero for disaster. Plus, Ridge also pushed Katie aside. Of course, he had Brooke’s help and that led to the creation of House of Logan, which might not have otherwise happened.

So, that was all kicked off by Ridge, but a lot of it’s on Eric, too, because instead of just talking to Ridge, he lashed out by running to Katie and basically forced her to let him be her lead designer, and Eric’s now just lying about everything.

Second, Steffy pushed Hope too far one too many times. Steffy enjoyed flexing her power over Hope. She liked to kick her around. Steffy put Hope’s line on the shelf so many times, and it was Steffy’s fault that Hope went to Logan. Granted, Liam Spencer (Scott Clifton) and Katie enticed Hope, but it was Steffy who laid the groundwork with years of using Hope as a punching bag at work.

That triggered the humiliation of Katie scoring another epic blindside against Forrester, which caused the press and influencers and the public to question Forrester Creations culture. Eric ran away first, followed by Hope. So, it was really bad optics with Eric and Hope going.

And while Steffy always griped about Hope for the Future sales not being good enough, it sold gangbusters over at Logan. Katie and Bill were absolutely thrilled. Plus, Hope’s debut derailed Eric’s launch. So, it’s a domino effect leading to Forrester Creations ruin.

RJ’s New Line Creates Disaster on B&B

Another thing that could hit hard is Ridge greenlighting RJ’s new youth line. Seems like a good idea, but the execution could cause some problems because it looks like Ridge may let RJ take the lead on the line. And if Ridge does that and sidelines Zende Forrester (Delon de Metz), that could be disastrous. If RJ gets to be the boss of the youth line, Zende may follow the same path Eric and Hope and Katie did when they were frustrated

Zende may go over to Logan, which would make Forrester look so much worse. Another family member heading to Logan would be an absolute disaster in the eyes of the press and the public because that would be the fourth person to go. Katie was first because Ridge took away her job basically by hiring that outside PR firm and telling Katie they were just trying to help.

And that led Bill to fund Logan for Katie so she wouldn’t have to answer to Brooke, Ridge or any Forresters. Again, this is all ground zero for the problems they’re having. After that, Eric left, then Hope, now possibly Zende. So that would look absolutely awful for Forrester Creations. And Eric weaseling out on the deal he made with Katie and tucking tail to run back to Forrester doesn’t change the fact that he left.

Bold and Beautiful: Ridge’s Controlling Demands

So, the next event on the road to Forrester Creations‘s possible ruin came when Ridge told Electra Forrester (Laneya Grace) she had to make a choice between Will Spencer (Crew Morrow) and her family. Eric and Ridge both demanded that Electra dump Will and so she did, which allowed Melissa Dylan (Sydney Bullock) to get a crack at Will. This is important because these are all dominoes.

And then Electra went psycho on Dylan. Even though Electra is finally changing her tune now, it’s too late. She admitted that Dylan’s not to blame and she was wrong for how she treated Will. But the damage was done. And then speaking of all of this, Electra slapped Dylan, assaulted her at the office over Will over what Electra now realizes are her actions that are to blame.

And Ridge and RJ keep going on about how important it is to keep the new youth line secret. So obviously, it’s going to leak out and it might be Dylan who’s still salty about getting slapped and she tells Will or Katie about the new youth line named for Electra. That way Logan can be prepared. They can make moves and outshine or undermine RJ and Electra’s big launch. And the sales Forrester needs could be hit. They might not manifest if Logan knows.

Steffy’s Cheating Bombshell on Bold

The last thing to consider is Steffy’s latest mistake that could be bad for Forrester Creations. She drunk sexed Carter and even worse, Steffy may turn up pregnant with Carter’s child. And when Daphne Rose (Murielle Hilaire) finds out they slept together, because you know she will, I expect her to blow up at Steffy.

Daphne could expose Steffy to the fashion community for doing her dirty and sleeping with her husband. That would be a level five PR catastrophe. On top of all the other hits to Steffy and Ridge’s personal and professional reputation, outing Steffy as a home wrecker could be the final nail in Forrester Creations‘s financial coffin because it could finish wrecking their sales.

So, Steffy and Ridge want to gripe and complain about Logan. They want to blame Katie and Hope for all the bad things that are happening to them. Ridge is trying to blame all the Forrester Creations financial and PR problems on Katie and Hope. But Steffy and Ridge need to look in the mirror instead of putting blame on others because really it’s the two of them making poor decisions that have a domino effect.

Steffy and Ridge have taken no responsibility for the moves they made that led them to the situation they’re in. And things are going to get worse for Forrester Creations soon. And as far as I can see, Steffy and Ridge are ruining the family business.

When you’re a big TV fan, it’s par of the course to receive some bad news every once in a while in between seasons. From shocking show cancellations to cast exits with little to no explanation, the TV world can be as unpredictable as it is entertaining. That’s been especially the case for CBS shows, as the network recently made some bold moves to its lineup, which is leaving audiences as nervous as ever.

Despite drawing in millions of viewers in its first two seasons, Matlock got some not-so-great news from its network. For starters, not only will the series premiere only in early 2027 and skip the fall 2026 schedule altogether, but Season 3 will be significantly reduced to only 13 episodes. The news is discouraging, especially for a series that has been doing so well, and the pressure is now certainly on for Season 3.

‘Matlock’ Received a Major Downgrade Before Season 3

While Season 1 of Matlock had 19 episodes, and Season 2 had 16, Season 3 will be its shortest yet with only 13 episodes. As for its schedule, Matlock will be joining other beloved CBS shows, including NCIS: Origins and Fire Country, as it gets pushed to early 2027. And while the push alone might justify the shorter season, both decisions from CBS go hand in hand. According to Deadline, the decision to push the series is for creative reasons alone. Per the outlet, the team behind the show needs more time for a “creative revamp after wrapping the major Wellbrexa storyline that dominated the first two seasons.”

Plus, with other shows receiving the same fate, it seems CBS is changing their strategy altogether. Instead of this being a targeted downgrade to Matlock directly, there’s a notable change in the network’s planning. After a record number of new scripted shows in 2025–2026, the network is reportedly trying to fit them all in a way that feels steady and cohesive.

‘Matlock’ Is One of the Best New Shows on CBS

The news of Matlock‘s shorter and delayed season might come as a surprise to fans and critics alike. After all, not only does the series hold an impressive 93% from critics on Rotten Tomatoes, but it was high in the ratings too, making it the all-around best new show on the network. Per The Wrap, the Season 2 premiere of Matlock brought in 11.9 million multiplatform viewers after one week of viewing, according to Nielsen big data plus panel viewing data. That was up 2% from the 11.7 million viewers averaged by Matlock’s first season.

But the series wasn’t just successful – it was great TV too. Matlock, which follows Kathy Bates as Madeline “Matty” Matlock as she manages to finagle her way into a job at the law firm Jacobson Moore, sees Bates in one of the best roles of her career, per Collider’s Season 1 review by Carly Lane. “Bates’ character might give off a very specific energy at first, but she’s also an observer, and, when paired with her utterly disarming personality, this allows her to notice things about people and figure out how to speak to them in a way others might overlook,” Lane wrote. “But Matty’s not always sage words of wisdom and pocketfuls of hard candies, either; she gets to express sadness, frustration, grief, anger, and everything in between.” The role went on to award Bates with a Critics Choice Award for Best Actress in a Drama Series.

All that said, while Matlock had plenty going for it in Season 1 and Season 2, the series has been receiving some discouraging and disappointing news. But considering that Season 3 is still underway, the CBS hit has a chance to continue to bring in viewers, prove its place in the network’s lineup, and continue to show just how magnetic Bates is onscreen.

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Release Date

September 22, 2024

Directors

Kat Coiro, Brad Silberling, Gina Lamar, Hanelle M. Culpepper, Jennifer Lynch, Jude Weng, Tessa Blake, Yangzom Brauen, Marie Jamora, Daniel Willis

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Writers

Nicki Renna, Jeffrey Lieber, Sara Rose Feinberg

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  Kathy Bates

  Madeline ‘Matty’ Matlock

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  Skye P. Marshall

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  Olympia Lawrence

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Netflix has one of the most impressive streaming libraries. The platform is basically known for turning a new series into the biggest thing on television practically overnight. The only problem is that a lot of other promising titles get buried under all that noise. It would make sense if these forgotten shows were nothing special, but plenty of shows on the streamer deserved more recognition than they got.

In hindsight, the strangest thing about revisiting them is realizing how little their quality had to do with how long they stayed relevant. These six Netflix shows may no longer dominate the conversation, but they are just too good to be forgotten.

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‘Santa Clarita Diet’ (2017–2019)

Image via Netflix

Santa Clarita Diet is downright ridiculous, but it works. The Netflix comedy follows suburban real-estate agents Sheila (Drew Barrymore) and Joel Hammond (Timothy Olyphant), whose painfully ordinary life in Santa Clarita turns upside down when Sheila suddenly dies, comes back to life, and develops an appetite for human flesh. Instead of immediately turning the story into a traditional zombie comedy, the series explores how Joel tries to help his wife navigate her new condition without completely destroying their family in the process. Their dynamic is arguably the most important part of the show.

Sheila’s transformation gives her a new sense of confidence and freedom, but Joel becomes increasingly stressed trying to keep up with the bodies, lies, and absurd problems piling up around them. Despite that, the show grounds itself in the fact that these two truly love each other and are willing to go to borderline insane lengths to make their relationship work. Santa Clarita Diet is over-the-top, but the violence and chaos never take away from the central family dynamic at the core of the story. The series deserved far more than three seasons, and its cancellation still feels like a knife in the back.

2

‘Alias Grace’ (2017)

Image via Netflix

It’s impossible to believe that a show like Alias Grace just faded away despite its gripping premise. The miniseries, based on Margaret Atwood’s novel and inspired by a real 19th-century murder case, follows Irish immigrant and domestic servant Grace Marks (Sarah Gadon), who has spent years in prison after being convicted of murdering her employer Thomas Kinnear (Paul Gross) and his housekeeper Nancy Montgomery (Anna Paquin). Now, Grace claims to have no memory of these murders, so psychiatrist Dr. Simon Jordan (Edward Holcroft) begins interviewing her in hopes of determining what actually happened. This means that everything the audience knows essentially comes through Grace herself.

She tells Jordan about immigrating to Canada, working as a servant, her friendship with Mary Whitney (Rebecca Liddiard), and her eventual arrival at Kinnear’s household. What’s interesting is how the series keeps recreating these memories for the audience without ever guaranteeing that Grace is telling the whole truth. She can appear vulnerable yet calculating in the same breath, which prevents the viewers from ever fully trusting her. This looming uncertainty is far more interesting than a simple whodunit. Eventually, Jordan and the audience realize that everyone around Grace has created their own version of her, but the truth is that she can never be reduced to just one of them. Six episodes later, the case definitely feels clearer, but Grace remains just as difficult to pin down, which is the brilliance of the show.

3

‘Lady Dynamite’ (2016–2017)

Image via Netflix

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Lady Dynamite is definitely one of the strangest sitcoms Netflix has ever made, but it stands out because of how unique it is. The series stars comedian Maria Bamford as a fictionalized version of herself returning to Los Angeles after spending months away recovering from a mental breakdown. Maria wants to restart her comedy career, date again, and build a new life, but the show doesn’t tell that story conventionally. Lady Dynamite jumps between different versions of Maria’s life. This includes the overly ambitious Maria before her breakdown and the present-day Maria trying to figure out what her boundaries are.

These periods even look and behave differently because her changing state of mind is part of the show’s structure. Episodes feature fourth-wall breaks, fake sitcoms, celebrity cameos, and bizarre fantasies. However, all these seemingly bizarre things make it easier for the audience to understand Maria. Despite all its quirks, Lady Dynamite has a clear character arc as Maria spends two seasons learning and embracing who she really is. To this day, no other Netflix comedy has felt this authentic to its protagonist’s way of seeing the world.

4

‘Sense8’ (2015–2018)

Image via Netflix

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Sense8 came way before Netflix developed a reputation for its ambitious productions. The show, created by Lana and Lilly Wachowski with J. Michael Straczynski, was far ahead of its time and told a story that feels unique even today. Sense8 follows eight strangers living across the world who suddenly become mentally and emotionally connected. At first, they don’t understand why they can suddenly see, feel, and even physically experience what the others are going through. This confusion lays the foundation of the show, as it keeps finding clever ways for all of these characters to collide. Eventually, it stops telling eight parallel storylines because the group begins living one enormous shared life and stepping into one another’s situations whenever someone needs help.

The larger conspiracy involving the Biological Preservation Organization gives Sense8 its thriller plot, but the reason the series is still remembered so fondly is the cluster and their connection. The series is flashy and has its sci-fi moments, but its strength lies in the emotional arc of the cluster, individually and as a whole. Some of Sense8’s best moments come when all eight characters effectively occupy the same moment, which is a testament to the cast’s brilliant chemistry. Netflix canceled Sense8 after two seasons, but fan backlash was strong enough that the story returned for a feature-length finale. That ending isn’t perfectly neat, but it gives the cluster the emotional sendoff they truly deserved.

5

‘Anne with an E’ (2017–2019)

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Anne with an E had all the ingredients to become one of Netflix’s defining coming-of-age shows before the world just decided to forget all about it. The series, based on Lucy Maud Montgomery’s Anne of Green Gables, follows imaginative 13-year-old orphan Anne Shirley (Amybeth McNulty), who is mistakenly sent to live with siblings Marilla (Geraldine James) and Matthew Cuthbert (R. H. Thomson) on their farm in Avonlea. The Cuthberts had actually requested a boy who could help Matthew with the farm, so Anne arrives only to learn that the closest thing she has found to a home could also be taken away from her. From there, the story gradually expands as Anne starts school, befriends Diana (Dalila Bela), and repeatedly gets herself into trouble because of her wild imagination.

At the same time, she continues to prove just how smart she actually is. Matthew and Marilla slowly stop thinking of Anne as the orphan they accidentally received and start treating her as their daughter, which is the most heartwarming part of the series. By Season 3, the story completely reverses its original premise. Anne prepares to leave for Queen’s College, and her long-running relationship with Gilbert also finally moves forward when the two admit their feelings for each other. That progression is what makes the cancellation sting so much. Anne with an E spends three seasons watching a girl desperately searching for somewhere she belongs, only to end just as her world was becoming bigger than ever.

6

‘The Baby-Sitters Club’ (2020–2021)

Image via Liane Hentscher / ©Netflix / Courtesy Everett Collection

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The Baby-Sitters Club is an underrated Netflix gem. The series, based on Ann M. Martin’s novels, follows Kristy Thomas (Sophie Grace), who comes up with the idea of starting a babysitting business with her friends Claudia (Momona Tamada), Mary Anne (Malia Baker), Stacey (Shay Rudolph), and Dawn (Xochitl Gomez/Kyndra Sanchez). Little do they know, though, that their way to make some quick bucks will completely reshape their lives. Every babysitting job Kristy and the others take on becomes its own little problem to solve. The show grounds all of this in the characters’ personal lives, which makes their work feel like an extension of what each girl is already dealing with.

Mary Anne is trying to become more independent from her overprotective father, Stacey is hiding her diabetes because she does not want it to define her, and Kristy is struggling with the changes in her family after her mother gets remarried. Even the club itself constantly runs into disagreements over money, leadership, friendships, and who gets to make the decisions. This emotional depth is what makes the series much more interesting than its premise suggests. By Season 2, The Baby-Sitters Club starts reshaping the group in the best way. None of their storylines are magically solved by the end of the episode, which makes Stoneybrook feel like a place where these girls are genuinely growing up rather than just moving through babysitting adventures. It’s a shame that the show was canceled just as its story started getting bigger.

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The Baby-Sitters Club

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Release Date

2020 – 2021-00-00

Showrunner

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Rachel Shukert

Directors

Melanie Mayron

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Writers

Ann M. Martin

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The glamorous side of being an influencer is easy to see, but Erzabel says building a successful online career takes far more work than followers might realize.

The 30-year-old Southeast Asian influencer has built an international audience while creating a lifestyle that allows her to travel regularly. However, she exclusively told The Blast that the freedom came with an unexpected problem: learning how to stop working.

For Erzabel, even a vacation could quickly become another content opportunity.

“I used to be in work mode all the time,” Erzabel exclusively told The Blast.

That mentality followed her even when she traveled somewhere she was supposed to enjoy.

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“Even when I travel, like, ‘Okay, I have to take pictures. Okay, I have to make content,’ instead of just enjoying the moment, the holiday,” she explained.

That’s one reason Erzabel is skeptical that building a career as an influencer is as effortless as it can appear from the outside.

“It seems easy, but it’s not so easy,” she said. “You have to be 100% into it, like focus on it.”

Erzabel had wanted to become a model since childhood and began working with local brands while attending university. She eventually shifted her attention toward creating content online and has since attracted an international following, with her largest audience based in the United States.

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However, getting an audience is only part of the challenge. Keeping that momentum means constantly adapting.

Erzabel Reveals The ‘Hardest’ Part Of Growing Her Audience

For Erzabel, there is no permanent formula for social media success.

“The hardest is to get more [followers],” she told The Blast. “It means that I have to actively create content, try new stuff.”

That can mean experimenting with entirely different platforms when her existing strategy stops delivering the results she wants.

“For example, this week I tried TikTok, and then if it doesn’t work, I have to try another platform,” she explained. “Just keep trying, just keep creating. That’s the hardest part.”

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The uncertainty hasn’t shaken her confidence. Asked whether she has struggled with imposter syndrome as her profile has grown, Erzabel answered immediately.

“No, I always know that I’m going to be successful,” she declared. “That’s always been my goal.”

She applies the same certainty to anyone hoping to turn influencing into a serious career.

“You cannot do it 50-50,” she said. “You have to be 100% into it.”

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Traveling The World Created An Unexpected Work-Life Struggle

Travel is one of the biggest rewards Erzabel has gained from her career, but her desire to explore the world existed long before influencing became her job.

“Since I was little, that was one of my dreams. That was my biggest dream, actually,” she recalled.

Once she began earning her own money, seeing new places became more important than buying possessions.

“Instead of buying materialistic things when I had money, the first thing in my head was, ‘I need to travel because now I have my own money,’” Erzabel said.

She now tries to travel every month, sometimes alone and sometimes with friends or her assistant.

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The trips also serve another purpose. Erzabel says staying in one place too long can leave her bored and searching for fresh motivation.

“When I travel, I get more inspiration,” she explained.

Switzerland, Iceland and Peru remain on her wish list, while she also hopes to return to China for an experience far removed from the typical influencer getaway.

Erzabel wants to attend a Kung Fu retreat. “Do something different,” she said of the idea.

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Erzabel Says Financial Independence Gave Her ‘Full Freedom’

Erzabel’s current lifestyle is dramatically different from one of her earlier experiences abroad.

Before becoming an influencer, she spent eight months working as an au pair in the Netherlands and caring for three young children.

She recalled the arrangement becoming difficult when she felt her host family was overworking her, including expecting her to participate in family weekends that were supposed to be her time off.

Today, being able to control her own schedule and finances has changed what success means to her.

“It’s really good when you have your own money, to become independent,” Erzabel told The Blast. “You have full freedom, you get to meet people when you travel.”

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She believes that independence is particularly valuable for women.

“Now you can depend on yourself,” she said. “You can do whatever you want. You don’t have to depend on a guy or somebody.”

Meeting people from different backgrounds has become another important part of that freedom.

“I feel like people are open books, so you get inspiration from people, from new places,” she explained.

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Erzabel Already Has Her Eye On Life Beyond Influencing

Influencing may be Erzabel’s career now, but she isn’t limiting her ambitions to social media.

Her interests have expanded into psychology, mindset and spirituality. She practices meditation, yoga, and breathwork, and says she enjoys learning how people think.

“I’m really into spirituality,” she said. “I like to learn more about psychology and mindset and spirituality.”

There’s also a considerably more sparkling business idea on her mind.

“I really like diamonds, so I really want to open a diamond business,” Erzabel revealed.

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For now, however, she remains focused on the career she has already built and the constant experimentation required to sustain it.

The beautiful destinations and freedom may be what audiences see on their screens, but Erzabel says the work behind that lifestyle never succeeds with half-hearted effort.

“You cannot do it 50-50,” she emphasized. “You have to be 100% into it.”

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Hoda Kotb and ex-fiancé Joel Schiffman are celebrating their daughters’ new school year.

“It’s here! First day of school💥. 4th and 2nd grade! Whaaaatttt?” Kotb, 62, wrote via Instagram on Tuesday, September 8, alongside photos of herself and Schiffman, 68, walking daughters Haley, 9, and Hope, 7, to school.

In one photo, Kotb and Schiffman stood between their kids outside their home as the family of four smiled at the camera.

Kotb and Schiffman began dating in 2013 and adopted Haley in 2017, followed by Hope in 2019. The pair got engaged later that year.

In January 2022, Kotb revealed on the Today show that she and Schiffman had amicably ended their engagement.

Related: Today’s Hoda Kotb Celebrates Ex-Fiance Joel Schiffman’s Birthday

Hoda Kotb is celebrating a special man who will always be part of her life. Over the weekend, Kotb, 61, reunited with ex-fiancé Joel Schiffman for an intimate birthday gathering with their two daughters. “Happy bday to the best DAD!!! 🎂,” Kotb wrote via Instagram on Sunday, March 22. In the photos, Schiffman, 68, posed […]

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“Joel and I have had a lot of prayerful and meaningful conversations over the holidays, and we decided that we are better as friends and parents than we are as an engaged couple, so we decided we are going to start this new year on our new path as loving parents to our adorably delightful children and as friends,” she said at the time. “It’s not like something happened. They say sometimes relationships are meant to be there for a reason, a season or a lifetime; this was for a season.”

Despite their split, Kotb and Schiffman have remained committed to coparenting their daughters. In April 2022, the former Today host exclusively told Us that they had an “easy” dynamic.

“He sees the kids,” she said at the time. “He takes them to school some, and he sees them on weekends. We’ve got a really nice, easy situation.”

Kotb added that she and the financier were trying their “best” to make the situation work.

Related: Hoda Kotb and Ex Joel Schiffman’s Relationship Timeline: Coparenting and More

Hoda Kotb and Joel Schiffman have remained on good terms after their split. The couple met and started dating in 2013. As their relationship progressed, the TV personality was often asked whether she wanted to walk down the aisle again. Kotb was previously married to Burzis Kanga from 2005 to 2008. After Kotb adopted daughter Haley in […]

“We make sure that the kids get plenty of him and plenty of me,” she concluded.

Later, Kotb opened up about the reason behind their split, admitting that they were “growing at different paces.”

“Joel is one of the best people I know, and he really is a great human being,” she explained on “The Jamie Kern Lima Show” in August 2024. “And I feel like I’m a pretty great human being, but sometimes two great human beings together isn’t quite enough to make it work.”

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Kotb further broke down their split in her September 2025 book, Jump and Find Joy: Embracing Change in Every Season of Life.

“There was no cheating, no scandal, no big crisis. It sounds cliché, but truth is, we were just growing apart,” she wrote. “There wasn’t the drama you hear about in all the great country songs. The no-good, two-timing, whiskey-loving heartbreakers. It simply wasn’t us.”

Kotb was previously married to tennis coach Burzis Kanga from 2005 to 2008.

Detective shows have spent decades asking some version of the same basic question: what really happened? Yet somehow, the genre keeps finding completely different ways to make the search for that answer exciting. That’s because detective fiction is surprisingly experimental. A single show can mix mystery with comedy, romance, psychological drama, family conflict, or even horror without ever losing sight of the investigation at its center.

That freedom keeps the genre from feeling repetitive, even when the setup stays the same. It also means that two great detective shows can look almost nothing alike, as long as they make the audience desperate to see where the investigation goes. These six masterpiece detective shows do exactly that, with wildly different approaches to the genre, each one being 10/10.

1

‘True Detective’ (2014–Present)

Image via HBO

True Detective begins with a standard murder investigation but evolves into something much more unsettling. The anthology series tells a different story each season, but Season 1 remains the benchmark. The story follows detectives Rust Cohle (Matthew McConaughey) and Marty Hart (Woody Harrelson), who are assigned to investigate the ritualistic murder of a woman in rural Louisiana, only for the case to stretch across years and slowly reveal connections to disappearances, powerful people, and secrets that were never meant to come out. The investigation is gripping on its own, but the real tension comes from watching Rust and Marty lose their sense of self while trying to search for answers.

This personal angle is why True Detective stands out from typical procedurals. Rust and Marty’s partnership drives the story forward because their conversations, disagreements, and even failures become essential to the central mystery. The Louisiana setting only adds to the show’s identity with its empty roads and isolated communities. Later seasons of True Detective have taken the series in different directions, each with its own interpretation of what a detective story can be. Season 1, however, remains the perfect introduction to the show’s experimental approach, featuring complicated investigators and non-linear storytelling.

2

‘Mindhunter’ (2017–2019)

Image via Netflix

Mindhunter is another detective show that breaks away from the genre’s conventions. The series is set in the late 1970s and follows FBI agents Holden Ford (Jonathan Groff) and Bill Tench (Holt McCallany), along with psychologist Wendy Carr (Anna Torv), as they begin interviewing imprisoned serial killers in an attempt to understand how violent criminals think. Through this premise, the series covers the early days of criminal profiling. Now, the hook here doesn’t come from watching detectives put puzzle pieces together to figure out a killer’s identity or adrenaline-fueled chases through dark alleys — Mindhunter builds its tension purely through conversation. Watching Holden and Bill sitting across a table from some of the most disturbing criminals imaginable and trying to understand them is the real horror of the show.

The series fictionalizes real-life serial killers including Ed Kemper (Cameron Britton) and Charles Manson (Damon Herriman), but it never turns these appearances into mere shock value. Instead, each interview becomes another piece in a much larger experiment that would go on to redefine the world forever. This historical angle makes Mindhunter feel more real and urgent than most other thriller shows. It really is a shame Mindhunter ended after just two seasons because the series still had so much room to expand its profiling work and establish itself as a true game-changer in the genre, especially with the BTK storyline. However, the fact that it still managed to leave such an impact despite its unfinished story says a lot.

3

‘Dept. Q’ (2025–Present)

Image via Netflix

Dept. Q breathed new life into the detective genre just when things were getting a little boring. The series follows Edinburgh detective Carl Morck (Matthew Goode), who returns to work after a shooting leaves one officer dead and his partner, James Hardy (Jamie Sives), seriously injured. Carl might be okay physically, but he is full of anger and guilt. Naturally, the department decides to give him charge of a newly created cold-case unit in an attempt to give him some time for things to blow over. However, Carl’s first case revolves around prosecutor Merritt Lingard (Chloe Pirrie), who disappeared from a ferry four years earlier and was presumed dead. He initially approaches the assignment with no enthusiasm, but the little inconsistencies in Merritt’s case quickly get under his skin.

On the other hand, the audience learns that Merritt is actually alive and being held hostage, which immediately raises the stakes of this already intriguing investigation. The suspense in the show is not only about figuring out what happened. It also comes from watching Carl slowly catch up to information the viewers are already in on, which turns Dept. Q into an extremely immersive experience. At the same time, the show doesn’t shy away from showcasing Carl’s worst qualities. That messiness is exactly what gives the series so much character. The central mystery is compelling, but Carl is exactly the kind of detective viewers just can’t get enough of, especially when he gets down to work.

4

‘Columbo’ (1971–1998)

Image via NBC/Everett Collection

Columbo was ignoring genre conventions way before modern TV made it the new cool. The series throws out the biggest rule of detective television and reveals the murderer to the audience right off the bat. Most of the show’s episodes begin by following the murderer as they carefully plan the crime, cover their tracks, and convince themselves they have gotten away with it. Then, the audience follows Lieutenant Columbo (Peter Falk) as he begins his seemingly harmless investigation.

The show hides Columbo’s true thoughts and intentions until the very end. He quietly notices tiny inconsistencies, circles back several times, and makes the culprit believe that he is an absent-minded oldie, while being the exact opposite of that. Columbo’s inverted whodunit structure still feels fresh today. The show is definitely simpler than the darker, more complicated detective shows that have taken over TV screens today. However, its episodic structure, slower pacing, and almost theatrical acting are part of the charm.

5

‘Broadchurch’ (2013–2017)

Image via ITV

Broadchurch is hands-down one of the greatest mystery shows of all time. The series begins with 11-year-old Danny Latimer (Oskar McNamara) being found dead on a beach in the small coastal town of Broadchurch. Detective Inspector Alec Hardy (David Tennant) and Detective Sergeant Ellie Miller (Olivia Colman) are assigned to the case, but soon enough, they realize that their suspect pool is messier than they initially thought. Turns out everyone in this small town is connected in strange ways, which essentially makes everyone feel suspicious. On the other hand, the press around the case is brutal, and Danny’s family is forced to grieve while every detail of their life is publicized for the world to see. Broadchurch doesn’t work with its central mystery in isolation.

The show sheds light on what really happens in situations like these where every new clue carries real consequences for the people involved. That gives Broadchurch a level of emotional weight that most mystery shows never even aim for. Hardy and Miller also make an excellent pairing because they approach the case from completely different positions, and this dynamic becomes the heart of the show. By the time Broadchurch reaches its answers, the mystery has already done permanent damage to the town, and that’s why the payoff lands harder than ever.

6

‘Bosch’ (2014–2021)

Image via Prime Video

Bosch is proof that when a detective show gets the fundamentals right, it doesn’t really need anything else. The series, based on Michael Connelly’s novels, follows LAPD homicide detective Harry Bosch (Titus Welliver), who has a reputation for doing things his own way and very little patience for anyone who gets in the way of a case. Each season usually revolves around one major investigation, but Bosch is never dealing with just one problem at a time. Old cases resurface, department politics complicate his work, and his personal life keeps bleeding into the job, which makes things even harder.

Through all this, Bosch attempts to show the actual process of detective work, where there is a lot of bureaucracy, paperwork, and leads that essentially go nowhere. That sounds pretty boring, but watching the protagonist slowly build a case piece by piece is pure satisfaction, especially when all that hard work pays off.

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Bosch

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Release Date

2015 – 2021-00-00

Network

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Prime Video

Showrunner

Eric Ellis Overmyer

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Directors

Alex Zakrzewski, Ernest R. Dickerson, Patrick Cady, Aaron Lipstadt, Adam Davidson, Daisy von Scherler Mayer, Kevin Dowling, Neema Barnette, Tim Hunter, Zetna Fuentes, Christine Moore, Jim McKay, Laura Belsey, Matt Earl Beesley, Phil Abraham, Roxann Dawson, Sarah Pia Anderson, Stephen Gyllenhaal, Tara Nicole Weyr, Thomas Carter, Hagar Ben-Asher

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Former Real Housewives of Beverly Hills star Brandi Glanville has some answers amid her ongoing health struggles.

“I’m finally ready to tell you what I’ve actually been fighting and to start sharing some of my worst moments leading up to finally getting diagnosed,” Glanville, 53, wrote via Instagram on Tuesday, September 8. “I’ve been diagnosed with highly resistant ESBL Klebsiella and Enterobacter with biofilm, Coccidioidomycosis (Valley Fever), Demodex dermatitis and Mononucleosis.”

The reality star continued, “I also have a fungal ball in my face that needs to be removed. I have to get the metals from old dental work out of my mouth, my breast implants need to come out, and I’m looking at 4–6 months of daily IV treatment.”

According to the National Library of Medicine, biofilm production in ESBL-producing Klebsiella and Enterobacter can contribute to antibiotic resistance and make bacterial infections more difficult to treat.

Related: Brandi Glanville Reveals Daily 18-Hour IV Regimen, Drastic Weight Loss

The Real Housewives of Beverly Hills alum Brandi Glanville has shared insight into her ongoing health battle. “I know I’m so skinny right now. I can’t eat because the things I do … decreases my food. I feel like death. I look like death,” Glanville, 53, told fans in a Sunday, September 6, Instagram video […]

Meanwhile, the Centers for Disease Control and Prevention states coccidioidomycosis is a lung infection from a fungus in soil in parts of the United States.

Demodex dermatitis is caused by a facial mite that lives in hair follicles, according to Cleveland Clinic. Meanwhile, the Mayo Clinic states mononucleosis is an infectious disease that spreads through saliva. Patients can get it through kissing or by sharing a glass or food utensils with someone who has mono.

“The treatment has NOT been easy, and so far I’ve had very little improvement. I still have a couple of surgeries ahead of me and months of treatment to go,” Glanville said about her current health plan. “Even with insurance, this is costing me around $3,300–$6,000 a month. I’m not able to work right now other than my podcast, and I honestly don’t know how I’m going to do this mentally or financially.”

When sharing her latest diagnoses, the “Brandi Glanville Unfiltered” podcast host also included videos of what her face looks like up close as she tries to get better.

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Related: Brandi Glanville Got Vaginal Rejuvenation Surgery to ‘Be a Virgin Again‘

Brandi Glanville still hasn’t forgotten about her vaginal rejuvenation surgery after becoming a mom. “I was with Dr. [David] Matlock. He was the pioneer for the surgery,” Glanville, 53, claimed on the July 2 episode of her “Unfiltered” podcast. “He was the original doctor to do it.” The former Real Housewives of Beverly Hills star […]

“I’m sharing some really bad moments, and I know I don’t look good in these videos,” she said. “Honestly, I don’t care. I feel terrible, and this is what being sick looks like for me right now. So please be nice in the comments. I’m already fighting enough.”

Soon after sharing her diagnoses, Glanville received suggestions from hundreds of followers. When one user claimed her health struggles are the result of breast implant illness, Glanville replied, “It’s not and everyone is on here assuming they know what it is.”

“I just want this s*** OUT of my body. I want my health back,” she proclaimed. “I want my life back. I want to feel like me again. I’ll be sharing more of what I’ve been going through, the treatments, the surgeries and hopefully eventually the other side of this. 🤍#brandiglanville #mystory.”