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Pitchfork and its senior writer, Alphonse Pierre, had Team Breezy heated on Tuesday (May 12) following a review of the ‘BROWN’ album. Pierre gave the project a 1.3 score, calling it “a real piece of sh*t.” While he hasn’t addressed the viral backlash to the review, Chris Brown finally broke his silence! Tank, whose Team Breezy all the way, also threw a lil’ shade at Pitchfork.
The question really should be…what DIDN’T he say?! Alphonse Pierre held nothing back, choosing to analyze Chris’ entire history in the music industry rather than just the album ‘BROWN.’ From the beating of Rihanna in 2009 to Chris Brown’s attempts at public redemption since, it’s all in there. More than 2,000 words trashing ‘BROWN’ less than one week after its release on May 8. The summary line alone, which opens the Pitchfork article, goes HAM. It reads, “Chris Brown’s soulless, hit-chasing new album doesn’t justify his return to the public eye.”
In the copy, Pierre said Brown has positioned himself as the “victim of the media conspiring against him.” Simultaneously, Pierre claims the singer uses his fans’ “nostalgia for his youthful innocence” and his “cool…backflips” to convince them of “his version of history.” The senior writer emphasized that Chris has used the “battering of Rihanna” to “give his music an emotional complexity it didn’t have before the incident.” That’s been the case in all his music since 2009, including ‘BROWN,’ Pierre argues. Being a Chris Brown fan turned into rooting “for a talented Black man to triumph, regardless of the truth.”
“It was to view his physical abuse of women as a rite of passage on the journey to becoming a man,” Alphonse Pierre wrote. Adding, “All of the overstuffed albums and Billboard hits he’s racked up since then are tainted with that context. None more than BROWN, which isn’t romantic or funny or sexy or sultry or dancey or soulful or vulnerable or honest or creative or inspired whatsoever. It’s soulless, hit-chasing music with nothing going for it if you aren’t personally invested in the Chris Brown culture wars.”
All that said while also being the first time Pitchfork has reviewed the singer’s music in at least 6-7 years? Skipped over at least three projects to land on the idea that “Not every musical legend deserves to be a martyr.” Those are facts that Team Breezy is holding on to and calling out! Meanwhile, Pitchfork has been radio silent on the backlash, while continuing to promote the article on X with captions like, “This album is a real piece of shit,” and “Soulless, hit-chasing music with nothing going for it.”
Alphonse Pierre also hasn’t stepped up to defend the words he wrote. On X, he pushed it out once with the caption, “Went a little long on 20 years of Chris Brown and his new album, ‘Brown.’”
Before Tuesday was over, Chris Brown broke his silence on what Pierre had to say. And if anyone was expecting a sad message from Breezy? Don’t. “F*ck that,” is what the singer said.
“We kicking a*s goddammit. We ain’t letting up, imma keep my foot on their neck and we ain’t stopping,” Chris Brown said, mentioning his and Usher’s upcoming R&B tour and other secret projects. “I don’t give a f*ck what these n*ggas talking about. I know exactly who my fans is and I know exactly who hearing this album. If you not my fan, I don’t want you to listen to my sh*t.”
He ended his clap back by suggesting that his non-fans listen to someone like Zara Larsson, a Swedish R&B singer and songwriter.
Like Chris Brown, Tank had similar energy for Pitchfork and its ‘BROWN’ review. On X, he responded to a tweet asking whether he had cussed the publication out yet for the 1.3 rating. Tank replied, “Pitch who?..” adding laughing emojis.
Fans were expecting him to go off, given that just last week he heavily defended Chris after a social media user claimed Breezy needed to be challenged, saying “CB is a musical genius if you’ve really followed the music. This style isn’t new to him it’s only new to you..lol.”
SWIPE BELOW TO SEE REACTIONS TO THE ALBUM REVIEW.
What Do You Think Roomies?
Roomies, the internet thinks Big Mama has officially entered motherhood after a viral video showed her sitting in a rocking chair while celebrating Mother’s Day. Latto honored new and expecting moms with her first annual Big Mama Day celebration, gifting more than 150 mommies some special items. In a video shared on her Win Some Give Some Foundation’s social media page, Latto looked relaxed and cozy in a chair, and now fans are speculating that she has welcomed her first child.
In a now-viral video, Latto wished expecting moms and new moms a Happy Mother’s Day while her foundation celebrated its first annual Big Mama Day. Fans instantly jumped into detective mode after spotting her sitting in a rocking chair in the clip. Some folks even pointed out that her calling it her “first Mother’s Day” basically gave away that she officially entered her mommy era. Meanwhile, others swore they could hear sweet little baby coos in the background. Peep the video below.
Latto’s Win Some Give Some Foundation’s comment section was flooded with reactions from fans. Plenty of folks said they just know her baby is here because Big Mama was definitely giving new mom energy,
Instagram user @thee_original_smiley wrote, “The baby is here!! I hear the little baby sounds. ❤️❤️ congratulations! Especially the ‘it’s my first mother’s days.’”
Instagram user @_chynese_ wrote, “She in a rocking chair sounding exhausted she definitely had her baby 😍”
While Instagram user @prettyboiimikey.__ wrote, “BIG MAMA DONE GAVE BIRTHHH🥹❤️ !!! Omggggg !!! Im so emotionalll.”
Then Instagram user @fineassjayluh wrote, “she had that baby she been too MIA and that belly was large 😂”
Another Instagram user @prettyricantx wrote, “Oh baby our little baby has been born , I know I see you Ina rocking chair and I know what I heard 🥹🥹🥹🥰🙏🏽”
Instagram user @kewlgurlkellz wrote, “Thought Y’all Were Being Delulu At First But I Definitely Heard The Baby Too Awww 😭”
While another Instagram user @emilynkohara wrote, “I knew she already had her baby 😭😭 I already know she’s going to be the best mommy to her baby 🤍”
Then another Instagram user @amor_bella_ wrote, “The baby is definitely here 😍”
Finally, Instagram user @___.soblessed.___ wrote, “We know that rock baby is here.”
Although Latto hasn’t shared too many details about her pregnancy, she did give fans a peek at their drip and special gifts from her famous aunties and uncles. Back in April, the rapper shared a video showing all the sweet gifts she received from close friends like Flo Milli, Sexyy Red, G Herbo, T.I. and Tiny Harris, Usher and his wife, Jennifer Goicoechea, and Angel Reese. Listen, they did NOT play about her mini-me one bit. As Latto said herself, they came “overly loaded” with designer items, icy jewelry and toys for her little one.
What Do You Think Roomies?
By Chris Snellgrove
| Published

Euphoria, the HBO teen drama, has been responsible for launching some pretty big careers. Without this show, Zendaya probably wouldn’t be a beloved Marvel movie star, and Jacob Elordi wouldn’t be an Oscar-nominated horror icon. Of course, the breakout Euphoria star the internet loves the most is Sydney Sweeney, someone whose buxom beauty has made her the internet’s favorite fantasy lady. Unfortunately for this blonde bombshell, the show that helped make her career is now trying to break her career in the most humiliating possible way.
Her Euphoria character, Cassie, has a current story arc where she makes money on OnlyFans. That’s not so crazy on paper. Every day, more young, well-endowed women are using this platform to make cold, hard cash. But this plotline is just a thinly veiled excuse to put her into a number of strange situations that seem like the barely concealed fetishes of the showrunner. As degrading clips from Euphoria continue to go viral, we are left with only one conclusion: Sam Levinson is deliberately using his hit TV show to humiliate Sydney Sweeney.

Since you’re probably not watching Euphoria, here’s a quick breakdown of what’s been happening to Sydney Sweeney’s character, Cassie. In short, she is trying to pay for her expensive wedding to Jacob Elordi’s character (Nate), so she turns to OnlyFans as a way to raise the $50,000 she needs.
With the help of former friend turned current manager, she begins carving out some weird, kinky niches for herself on OF. This includes dressing and acting like a dog and dressing and acting like a baby. Recently, she even acted like a giant, complete with a scene of her stomping all over town, Godzilla style.

Even if you’ve never watched Euphoria, you’ve probably seen some of the viral images, GIFs, and memes centered on her character and asked, “What in God’s name is Sydney Sweeney doing?” The simple answer is that she’s doing whatever she is told. She doesn’t write the scripts or choose her character’s arc. Instead, the actor must obey Sam Levinson, the acclaimed showrunner of Euphoria.
Why is Levinson making his hottest actor do all of this crazy stuff, though? My pet theory (unlike Sweeney, it doesn’t have ears or a tail) is that he is doing so to humiliate her, effectively flooding the internet with degrading images of her.

All of these bizarre things Sydney Sweeney is doing as part of her OnlyFans character arc correspond to very specific kinks. Dressing and acting like a dog is part of pet play, where a submissive acts like an animal and a dominant pretends to own them. Dressing like a baby is part of infantilization. Even her recent, kaiju-style hijinks correspond to a giantess kink (also known as macrophilia), in which Titan-sized women tease, overpower, crush, and even kill submissive, standard-sized men.
Now, I’m not here to kinkshame anyone. There’s no problem if you’re into any of the stuff that Sweeney is doing on Euphoria, and you’re probably really digging seeing clips of the world’s hottest leading lady making niche content for mainstream television.
For Sweeney, though, that’s the real problem. Scenes and images of what she is doing on Euphoria keep getting shared, without context, online. When normies search “Sydney Sweeney” on the internet, these images are some of the first things they see. Meanwhile, when kinksters search for things like “pet play” or “giantess,” you guessed it … these images are some of the first things they see!

Again, there’s nothing wrong with any of this, but mainstream audiences generally find the things Sweeney is doing on Euphoria now to be weird and degrading. By making her do one weird thing after another, Sam Levinson has consistently humiliated Sydney Sweeney, associating her acting (possibly permanently) with degrading things.
That would be bad enough for any young actor, but it’s particularly bad for Sweeney, someone who (through movies like Christy) is fervently trying to be seen as a serious actress and not just a body. Unfortunately, her name is now synonymous with some of the wildest acts this side of Eyes Wide Shut.

Obviously, there’s no proof that this is Levinson’s intent. But it’s worth noting that some of the stuff (like her acting like a baby) is strictly forbidden by OnlyFans in real-life, so none of this adds to the verisimilitude of the plot. All it does is drag down a rising star in a kind of bizarre humiliation ritual that does very little but objectify her in front of increasingly horny audiences. If Sweeney isn’t down with things like onscreen pet play in Euphoria, then all of this is just weird and degrading. If she is into it, though, then there’s not much left to say.
Except, of course: “Who’s a good girl? You’re a good girl!”
Decades before becoming the schlockmaster behind movies like 2026’s Deep Water, Renny Harlin crafted many of the great works of 1990s action filmmaking. Besides Die Hard 2, the Finnish filmmaker also directed the amnesiac spy classic The Long Kiss Goodnight and the genre-killing Cutthroat Island, but his finest work was 1993’s Cliffhanger. A Sylvester Stallone vehicle set among the mountains, Cliffhanger had everything: magnificent vistas, avalanches, and an internationally organized theft of U.S. Treasury bonds during a Dark Knight Rises-esque plane hijacking. Cliffhanger might be “Die Hard in the mountains,” but Harlin got the most from the setting and its star.
Compared to Die Hard’s famously vulnerable portrayal of then-comedy star Bruce Willis, Sylvester Stallone’s 1980s run of action films had turned him into an invincible cartoon character. With massive muscles, immaculately coiffed hair, and a seeming inability to lose any fights onscreen, Stallone’s only real competition for the title of ‘80s action king was the similarly unbreakable Arnold Schwarzenegger. Even movies punctuated by sentiment or pain, like Rocky and First Blood, grew into franchises where those qualities were gradually phased out in favor of (mostly pretty awesome) adolescent power fantasies. But Cliffhanger was almost a classy take on the traditional Stallone character, with a screenplay that received the actor’s traditional rewrites.
Despite being best known as an action star, Sylvester Stallone has a strong history of writing and directing his films as well. From his mainstream breakthrough with writing and starring in 1976’s Rocky, Stallone took all creative elements of filmmaking seriously. It’s hard to miss his writing credits on ‘80s movies as varied as Rhinestone, Cobra (one of Stallone’s most brutal films), and Over the Top (as well as every entry in the Rocky and Rambo franchises). He could use his script-rewrite privilege on certain films to give himself more to do as an actor — bigger action scenes, punchier one-liners — while making sure the movies fit his public image as an actor. But by the early ‘90s, Stallone’s career was seeing as many lows as highs, especially in comedy films where he had little to no creative influence. Cliffhanger had been slowly brewing all the while. Before Cliffhanger came together, Renny Harlin and Carolco had spent years developing Gale Force, which would have cast Stallone as a man defending a seaside town against marauders at the peak of a hurricane.
As a film from the Carolco company that had produced all three Rambo films, it would have been right up Stallone’s wheelhouse. According to Entertainment Weekly, after spending nearly $2 million on scripts and treatments, Carolco scrapped Gale Force in favor of Cliffhanger.
Gabe is a classic Stallone character — stoic, isolated, and capable.
9 Kickass Movies That Pretty Much Just Copied ‘Die Hard’
With ‘Die Hard’ turning 30 this week and Dwayne Johnson doing his best John McClane in ‘Skyscraper’, we’re taking a look at the best movies that totally cribbed from ‘Die Hard’s playbook.
Cliffhanger’s long development and rough road to production (including multiple production stops due to Carolco’s failure to pay crew, according to the June 1993 issue of Spy magazine) followed several poorly performing movies for Sylvester Stallone. His attempts at branching out into comedy with movies like John Landis’ surprisingly funny flop, Oscar, and 1992’s notorious naughty old lady comedy Stop! Or My Mom Will Shoot (a ’90s so-bad-it’s-good classic) revealed his limits. Cliffhanger, casting him as a tough and reliable mountain ranger fighting thieves in icy caves, reminded audiences of what made him such an effective action hero. In the movie’s vertigo-inducing prologue, we see what makes Gabe Walker tick, and why he walked away from the mountain ranger lifestyle, as his decision-making inadvertently leads to the death of his best friend Hal’s (Michael Rooker) girlfriend. As ridiculous as the scene can be, it announces the movie’s massive sense of scale and lets Stallone’s emotions anchor the whole film.
With a script majorly rewritten by Stallone, you might expect Cliffhanger to feature numerous scenes of Gabe Walker as an untouchable killer with remarkable survival instincts. And you’d be right — the reveal that he survived an avalanche plays like a gag. But the movie’s strength is spending time with its ensemble. Besides Stallone’s future Guardians of the Galaxy co-star Rooker, John Lithgow’s villainous Qualen is a great Hans Gruber type, and his henchmen are memorable too. Cliffhanger’s generosity of spirit, disaster movie energy, and excessive touches ensure that while Stallone comes off best, the entire film clicks as an ensemble action thriller. Considering how the ‘90s had gone for him up to that point, Cliffhanger’s a redemption story for Stallone, one he had to write for himself.
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Edge-of-your-seat suspense, unforgettable left turns, and hidden gems are waiting to hijack your night.
By Robert Scucci
| Published

I love watching Steven Seagal movies. Under Siege (1992) is Die Hard on a boat, and it’s actually a great watch thanks to the supporting cast involved, especially Tommy Lee Jones. Hard to Kill (1990) is amazing because the most badass thing Seagal says in the entire film happens when he’s alone in his bedroom, muttering about taking the evil senator on his TV to the blood bank. And how could we talk about Steven Seagal without mentioning On Deadly Ground (1994), a cautionary tale about corporations destroying the environment that somehow involves Seagal, the good guy, blowing up half of Alaska?
At face value, these movies are tremendously entertaining, but not for the reasons you’d think. Most of the entertainment value comes from Seagal believing he’s a living, breathing legend, even though most of the fight scenes involve him talking tough, running awkwardly, and wiggling his hands around. But if you really want a Steven Seagal punisher that could double as a drinking game, it has to be 2006’s Attack Force.

And what would that drinking game be, you ask? Every time Seagal opens his mouth and it sounds like a Martin Sheen impersonator is dubbing over the dialogue, you take a sip of whatever you’ve got. Be warned: you’ll probably need your stomach pumped if you actually commit to this bit.
As of this writing, I’ve written 1,945 articles for this site, most of them movie reviews. Usually, I’ll knock out a quick summary, talk about the themes, break down intention versus execution, and figure out who the movie is actually for. Attack Force finally broke me. This movie isn’t about anything or for anyone, but I’d be lying if I said I didn’t laugh my face off the entire time I watched it.

To the best of my understanding, Attack Force follows Steven Seagal’s Commander Marshall Lawson, who, as expected, suffers from a terminal case of “Damn, he’s good” syndrome. On this mission, however, a commander is only as good as his team, and his squad gets wiped out almost immediately by a stripper named Reina (Evelyne Armela O’Bami). Marshall, with help from his girlfriend Tia (Lisa Lovbrand), discovers that Reina murdered his team while high on a new party drug called CTX, which Tia co-developed alongside corrupt nightclub owner Aroon (Adam Croasdell).
Though Tia helped create CTX, she wants nothing to do with Aroon’s comically evil plan to taint Paris’ water supply with the drug because it turns anybody who takes it into a bloodthirsty maniac with an insatiable appetite for flesh, or something close to that. There’s a lot of dialogue about animal instincts and violent mammalian impulses, but none of it really clarifies anything. There are also reports that earlier versions of the film involved aliens, so who the hell knows what happened here?

Long story short, Steven Seagal wears these weird talon gloves that let him punch and slash people at the same time, a bunch of people die, and then the movie abruptly ends with zero explanation or closure. I’m trying to make it make sense, but I’m a writer, not a miracle worker.
The most insane thing about Attack Force is the sloppy overdubbing. Legend has it that there were so many rewrites after production wrapped that entire chunks of dialogue had to be replaced in post. The problem is nobody was available for reshoots, so a healthy percentage of Seagal’s lines were redubbed by a guy who sounds more like Martin Sheen than the actor he’s supposed to be portraying. We’re not talking about little touch-ups either. There are scenes where Seagal switches between two completely different voices within the same conversation. He’ll start speaking normally, the next few sentences are dubbed over, and then the exchange suddenly snaps back to his real voice like nothing happened.

To add insult to injury, the hand-to-hand combat sequences in this movie are ridiculous. Most of Seagal’s fighting at this point in his career involves him glaring intensely, waving his hands around like he’s performing interpretive dance, and relying on frantic camerawork to disguise the fact that a past-his-prime action star is basically doing the Macarena while people fling themselves across the room after running into him. I wish I was exaggerating, but if you watch Attack Force for any reason, I hope it’s to study these production disasters for the love of the game because the movie has absolutely nothing else going for it.
Attack Force may genuinely be the worst movie I’ve ever seen. I say this as somebody who once gave Buttcrack (1998) a five-star review. At least Buttcrack knows exactly what it is. It’s a bunch of people trying to make the dumbest movie imaginable and somehow landing a distribution deal in the process. I can respect that, and I do respect that. Attack Force, by all appearances, was a legitimate attempt at a sci-fi action thriller, but there’s barely any sci-fi, no thrills whatsoever, and action scenes that feel like they’re on life support waiting for somebody to pull the plug. I respect none of this.


As of this writing, you can stream Attack Force for free on Tubi. Seriously, don’t pay for this one.
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Here’s the latest on the once-prominent South Carolina lawyer accused of murdering his wife and son.
Roommates, it looks like a new chapter may be loading for one Hollywood heavyweight — and let’s just say the timing has fans deep in their feels. After weathering one of the most difficult periods of his life in the public eye, Jamie Foxx has been keeping things lowkey, focusing on family, gratitude, and what’s next. Now, sources close to the actor say his future is getting even brighter… and a little louder too.
According to reports, Jamie Foxx and his girlfriend, Alyce Huckstepp, are expecting their first child together. The exciting news comes after the couple quietly built their relationship away from social media and public attention following dating rumors that first surfaced back in 2023. Fans also spotted Alyce supporting Jamie during his emotional return to the spotlight after his serious health scare, standing proudly beside him in a video shared by Gayle King as he celebrated his comeback.
Jamie stepping into this season of life hits differently for supporters who watched him battle through his medical emergency and emotional recovery over the last few years. While the actor has always kept his romantic life private, he’s never hidden how deeply he loves being a father. From co-hosting ‘Beat Shazam’ with his eldest daughter Corinne to sharing heartfelt moments about his youngest daughter Anelise helping him during his hospitalization, Jamie has consistently shown the world that fatherhood is one of his proudest roles. Now, at 58, the Oscar winner is reportedly preparing to embrace the newborn stage all over again.
Chileeee — didn’t Jamie Foxx swear off dating white women during his Netflix special? While reflecting on surviving the 2023 brain bleed and stroke that nearly took his life in ‘What Had Happened Was…,’ the comedian suddenly broke into song telling the crowd, “I’ve been cured… no more white girls,” before joking, “I’m back on the Black side of town!” The comments instantly had fans bringing up his past relationships, including his years-long romance with Katie Holmes and previous relationship with Connie Kline, the mother of his oldest daughter Corinne Foxx. While many took the moment as classic Jamie Foxx comedy, social media is now debating whether the actor was joking or dead serious, especially given this alleged pregnancy news! He and Alyce have not addressed the TMZ report or made any official announcements.
What Do You Think Roomies?
Andy Cohen is offering some clarification regarding Lisa Kudrow’s viral comment about The Real Housewives of Beverly Hills.
“It blew up that people were saying she was calling me out on fakery on the show,” Cohen, 57, explained during the Wednesday, May 13, episode of SiriusXM’s Andy Cohen Live.
Cohen explained to cohost John Hill that the scene in question was when Dorit Kemsley stranded Erika Jayne and Kyle Richards following their “huge fight” in a “little” Italian town.
“Dorit said, ‘Screw you,’ and got in the Mercedes van and left,” Cohen explained. “What Lisa was pointing out was there was another Mercedes van there, so they weren’t stranded.”

Cohen noted that they reached out to the showrunner about the second van. (It’s also important to note that Dorit actually told Kyle and Erika to “go f*** yourselves” before leaving them.)
“I remember hearing from production, like, ‘Whoa, Dorit stranded them in town,’” he said. “The other car was the crew vehicle that was taking the crew somewhere else and took the crew somewhere else.”
Cohen added, “So Kyle and Erika then called the house to ask for a ride back. They called the house and that’s why the van that had just dropped off the crew then returned to get Erika and Kyle.”
He said that Erika and Kyle “walking on the street” waiting for a car “was real,” explaining that the women were waiting “for some time” since the van had to drop off the RHOBH crew before returning.
“It’s not even that interesting,” Cohen concluded. “I’m sorry to bore you guys, but that is what happened.”
The RHOBH episode, which originally aired in March, has been dissected on social media with several fans bringing up the two-van theory.
Kudrow, 62, appeared to hint on the Monday, May 11, episode of Watch What Happens Live With Andy Cohen that she believed Kyle and Erika getting stranded was a scripted moment.
“I saw the Beverly Hills [episode] — you don’t want me to discuss it. I am telling you right now,” she said. “I am just going to say Black Mercedes sprinter twins. I caught that, I’m sorry.”
The Italy fight came as Kyle and Dorit’s continued to fracture. By the RHOBH season 15 reunion, which concluded earlier this month, the two women still haven’t reached a resolution.
The Real Housewives of Beverly Hills season 15 is now streaming on Peacock.
Whew, Roomies! Folks online aren’t the only ones who have thoughts on Chrisean Rock linking up with Blueface. Jaidyn Alexis has entered the chat and weighed in on their viral hangout too! Although fans think Chrisean’s popping out on tour with him ruffled her feathers, she’s clearing the air on where she stands and how she feels about their chill sessions.
Recently, LiveBitez dropped clips from Jaidyn Alex’s livestream, where she seemingly reacted to Blueface and Chrisean Rock hanging out. If you’ve been out of the loop, viral clips showed Chrisean popping out on Blueface’s tour, with other videos capturing her on his tour bus after the show. During the stream, Jaidyn made it clear she was not surprised that they were back to linking up. “Don’t y’all see what he do,” she said in the clip. Jaidyn’s friend, who also appeared on the stream, cracked jokes about Rock and Blue’s chill session, saying a circus usually brings out special acts. Jaidyn responded by saying, “So bring out all your acts, babe. Additionally, she said people probably thought she would be crashing out over them, but she “doesn’t really give a f**k.”
The internet was flooded with reactions after viral videos showed Chrisean and Blueface kicking it together while he was on tour. Chrisean even posted a Snapchat video of them play boxing and offering to train him for his next fight. Fans know Blue previously lost his fight to Chibu, while Rock made her professional boxing debut against Zenith Zion on April 25 and won.
After social media was flooded with reactions to her hangout with Blue, Chrisean hopped online to set the record straight and let folks know she’s not spinning the block or tapping back into her old ways. In a lengthy Instagram Story message, ther rapper said she just wants peace and chose respect over resentment when it comes to him.
“I forgave because I value peace more than carrying anger. No, we are not together I just choose respect over resentment. I’ve learned that not every battle is meant to destroy you. Some are meant to grow you. I prayed, faced things head on and left it in Yahweh’s hands.”
Rock also told fans she’s in a different space in her life now and that old version of her doesn’t exist anymore. “Y’all keep saying ChriseanRock was with Blueface No No No Chrisean was with Johnathan the old Chrisean died. Don’t let that go over your head. -Holy Hands”
What Do You Think Roomies?
By Chris Snellgrove
| Published

When James Gunn’s Superman premiered, it leapt fan expectations in a single bound and did the seemingly impossible: made us care about DC movies again. It was perfectly cast, had plenty of action and humor, and generally felt like a fun, lived-in superhero universe. As a result, most audiences loved this film, but it did leave tights-and-flights fans with a seeming plot hole. Namely, if Lex Luthor created a clone of Superman, how the heck did he not know that Clark Kent was secretly the Man of Steel?
Recently, James Gunn took to Bluesky to answer this question. According to the Superman director, Clark Kent uses “Hypno Glasses” to fool those around him, plus Lex Luthor would never assume that a godlike alien spends his time walking among humans in a secret identity. Finally, he claimed that Luthor, like most brilliant people, still has blind spots even his genius might overcome. While these explanations work on paper, some in the fandom are disappointed because Gunn accidentally made Superman unethical and Luthor downright stupid.
What’s wrong, exactly, with James Gunn’s answers here? Let’s start with the Hypno Glasses. Gunn didn’t invent this concept. It’s actually been part of Superman comic lore since the late ‘70s. The glasses don’t give the Man of Steel broad hypnotism powers or anything. Instead, they simply keep people from making the connection that Clark Kent is actually Superman. This helps explain why the award-winning journalists who work with Clark every day and regularly have contact with Superman (like Perry White, Jimmy Olsen, and even Lois Lane at first) can’t figure something so basic out.
However, some fans find the idea of Hypno Glasses to be a bit icky. Superman is always presented as this moral exemplar, but it seems more than a bit unethical for him to constantly hypnotize the people he cares about by using creepy alien technology. It’s even weirder when you consider that he spent a fair amount of time hypnotizing Lois Lane, basically making her fall in love with the man she sees in the glasses and not the real thing. Also, did Lois simply figure out his secret identity on her own? It’s unclear in the film, but if so, that means these glasses are about as effective as they are unethical.

As for Lex Luthor, James Gunn claims that just because the man is a genius doesn’t mean that he can’t “miss basic things,” and that Lex was so worried about an alien trying “to take over the world” that he never considered a human identity. However, this explanation arguably makes the franchise’s genius supervillain look like something of an idiot. He knows how to fight Superman because he has studied him for years, but he can’t figure out that the guy who keeps disappearing for eight hours a day has a job? Also, he can hack the entire Fortress of Solitude, but he can’t figure out some tricked-out alien glasses?
Of course, I’m being a bit hard on James Gunn here. Superman’s titular character is a kind of modern myth, and his secret identity is part of the mythology. The idea that a guy completely obscures his identity with a pair of glasses has never made much sense in a real-world context, and, if we’re being honest, it never will. Unfortunately, Gunn’s attempt at an explanation makes Superman look like a creep, and Lex Luthor look like an idiot. At the rate the bar is lowering, the booze-swilling, party-hearty Supergirl may end up being the real role model of this entire franchise!
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