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Disney Speaks About Airing Taylor Frankie Paul‘s ‘Bachelorette’

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Taylor Frankie Paul

Taylor Frankie Paul has officially avoided formal charges in the domestic violence case involving her ex-boyfriend Dakota Mortensen, leaving fans wondering if her season of “The Bachelorette” will finally see the light of day.

Disney recently addressed the future of the scrapped season and there may be some hope for it in the future.

Taylor Frankie Paul
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In an exclusive interview with Deadline, Disney’s reality television chief, Rob Mills, spoke about the possibility of Taylor Frankie Paul’s season of “The Bachelorette” airing at some point.

“The day all of that stuff happened, really our first sort of concern was really for Taylor and the family and everyone involved in that, it was really more on a human level,” he said.

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“Now, we’re sort of taking it a day at a time,” Mills said, after “The Secret Lives of Mormon Wives” star avoided domestic violence charges. “I think her season is a wonderful season, by ‘Bachelor’ standards. If it gets seen, I’m sure people will absolutely enjoy it.”

There have been rumors that if Paul’s “Bachelorette” season doesn’t air on ABC, as it has since its inception, it could possibly stream on Hulu instead. However, neither option has been confirmed.

Paul’s Future On ‘Mormon Wives’ Is Up To Her Following End of Domestic Violence Investigation

Taylor Frankie Paul
LISA OConnor/AFF-USA.com / MEGA

Per The Hollywood Reporter, the “Mormon Wives” production team is letting Taylor Frankie Paul take the lead on when (and in what capacity) she wants to return to the show.

An inside source close to Paul also revealed to the outlet that production continues to remain supportive of Paul, and is ready to film with her at her own pace “if and when she is ready.” 

Paul previously shut down claims from PEOPLE that the show would resume production without her, writing in the Instagram comments of the post, “Interesting, that’s not the call I got.”

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The Reality Star Admitted She ‘Cried’ After Learning The Outcome Of The Domestic Violence Case

Taylor Frankie Paul
MEGA

Per Us Weekly, on April 14, Paul took to her Instagram Stories to respond to the news that local Salt Lake City prosecutors decided not to press charges against her in a pair of incidents involving Mortensen.

“Cried when I got the call. THANK YOU to those that have stood with me,” she wrote in a post that featured a floral arrangement and a card.

Taylor Frankie Paul
LISA OConnor/AFF-USA.com / MEGA

“After reviewing reports and evidence submitted to the Draper Police Department and West Jordan Police Department, the Salt Lake County District Attorney’s Office has declined to file charges against Taylor Frankie Paul,” the statement read, per Deadline.

“The complainant in these cases reported several incidents – some of which occurred more than three years ago,” the statement said. “Any incidents of misdemeanor offenses which are alleged to have occurred more than two years ago are barred by the statute of limitations. Incidents which are alleged to have occurred within the statute of limitations have also been reviewed.”

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Taylor Frankie Paul Was Recently Granted Temporary Restraining Order Against Ex

Mormon Wives
River / MEGA

On April 8, Paul was granted a temporary restraining order against Mortensen, alleging that he was physically abusive toward her, which is the same claim he made when filing the same protective order against her that was also granted by a judge.

According to the court documents, Mortensen is not allowed within 100 yards of Paul until their next court hearing later this month.

The documents also reveal that Mortensen cannot email, text, call, or otherwise communicate with Paul. During the upcoming court hearing, the court will determine if a permanent restraining order should be put in effect against either of them.

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Disney Exec on Whether Bachelorette Season 22 Will Air on ABC

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Disney’s unscripted and reality TV chief, Rob Mills, is sharing an update on whether Taylor Frankie Paul’s Bachelorette season will air on Disney-owned ABC — or perhaps elsewhere.

“Everything with that is one day at a time,” Mills said in a Wednesday, April 22, interview with Variety.

ABC shelved season 22 of The Bachelorette starring the Secret Lives of Mormon Wives star back in March, just days before it was set to premiere. The decision came after TMZ published footage of a domestic violence incident involving Taylor, 31, and her ex-boyfriend, Dakota Mortensen, that took place in 2023. (Taylor pleaded guilty to felony aggravated assault over the incident in exchange for other charges against her being dropped.)

“The day all of that stuff happened, really our first sort of concern was really for Taylor and the family and everyone involved in that … it was really more on a human level,” Mills said in an interview with Deadline on Wednesday.

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Related: Is ‘The Bachelorette’ Replacing Taylor Frankie Paul? ABC’s Plans Revealed

The future of one of ABC’s hit reality TV shows is up in the air after the network decided to cancel Taylor Frankie Paul’s season of The Bachelorette amid domestic violence allegations. A source exclusively tells Us Weekly that the network does not currently have plans to bring in another Bachelorette as a replacement for […]

At the time, Utah’s Draper and West Jordan police departments were also investigating Taylor in connection with two further alleged domestic violence disputes between her and Dakota, 33. Earlier this month, the Salt Lake City District Attorney’s Office declined to press charges against Taylor after reviewing evidence submitted by the respective police departments.

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In light of the development, Mills reiterated to Deadline that, “Now, we’re sort of taking it a day at a time.”

Will The Bachelorette Season 22 Still Air After Taylor Frankie Paul Domestic Violence Dispute

Taylor Frankie Paul.
Disney/Sami Drasin

“I think her season is a wonderful season by Bachelor standards. If it gets seen, I’m sure people will absolutely enjoy it,” he added.

The Bachelorette is produced for ABC by Warner Horizon Unscripted Television, a division of Warner Bros. Television Studios. After ABC pulled the plug on the latest season, there was some speculation that Warner Bros. could attempt to license the episodes elsewhere.

According to Deadline, Mills denied any conversations with Warner Bros. about that prospect.

“I think if there’s something that absolutely says very clearly, one way or the other, that points in that direction, you’ll know,” he said. “But right now, there’s really just nothing to say other than it is a great season, and I hope that, at some point, Bachelor Nation gets to see it.”

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While the status of The Bachelorette season 22 remains up in the air, Hulu confirmed on Tuesday, April 22, that The Secret Lives of Mormon Wives season 5 is set to resume production. Filming previously paused following an alleged incident between Taylor and Dakota that took place in February.

“The producers and cast have welcomed Taylor to return to this year’s filming,” a source exclusively told Us Weekly on Wednesday. “It is still unclear whether she will come back this year, but she is expected to be back in the future.”

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Dakota, meanwhile, “will not be involved” in the show going forward, a source added.

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Kelly Dodd Slams Caroline Manzo Sexual Assault Claim

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Kelly Dodd at the Brent Shapiro Foundation Summer Spectacular

“Real Housewives Ultimate Girls Trip: Morocco” has been in limbo since 2023 after Caroline Manzo accused Brandi Glanville of sexually assaulting her during production. Andy Cohen has said the show might air, but it’s currently being held up by an ongoing lawsuit. Now, “Real Housewives of Orange County” alum Kelly Dodd is defending Glanville against the allegations.

Kelly Dodd at the Brent Shapiro Foundation Summer Spectacular
@parisamichelle / MEGA

Dodd recently hosted an Instagram Live session. During it, a fan mentioned Manzo, who appeared on “The Real Housewives of New Jersey” for the first five seasons. Upon seeing Manzo’s name, the “RHOC” alum said, “Ew, Caroline Manzo, ew.”

After that, she mentioned “RHUGT: Morocco” and Manzo’s lawsuit. According to her, “By the way, they all told me that Caroline Manzo, the people that were there, told me that Caroline Manzo was trying to get it on like Donykong with [Brandi].”

After that, she wondered about the status of the lawsuit against NBCUniversal regarding the alleged incident.

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Kelly Says She Wants To See ‘RHUGT: Morocco’

Caroline Manzo Sues Bravo Over Alleged Sexual Harassment During 'Ultimate Girl's Trip'
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Dodd continued discussing the situation, saying that she “can’t stand that Brandi Glanville, she bugs, but Gretchen and Vicki swear that Brandi did nothing wrong. They both said that she did nothing, nothing wrong. And I want to watch that one. I want to see exactly what went down.”

After that, she said, “I just think that was a money grab. I think,” seemingly referring to Manzo’s lawsuit.

Regarding the yet-to-be-released “RHUGT: Morocco,” Manzo filmed the season in January 2023, alongside Phaedra Parks, Camille Grammer, Alex McCord, Eva Marcille, Vicki Gunvalson, and Glanville. In typical situations, the season would have aired months after filming rather than being shelved.

‘Housewives’ Fans Think The ‘Orange County’ Alum Is Right

'RHOC' Star Kelly Dodd BLASTS Heather DuBrow Calling Co-Star A 'Pretentious' B-Word!!
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Following Dodd’s comments going viral, “Housewives” fans weighed in, with many noting that, while not perfect, the “RHOC” alum isn’t known for lying.

One person wrote, “Kelly is many things, but she’s never been a liar. I think she’s right here.” Another X user stated, “Justice for Brandi Glanville.” After that, someone else called out Manzo, writing, “If you rewatch ‘RHONJ,’ you can really see how diabolical Caroline is, especially knowing what she did to Dina and Lexi.”

However, someone else defended Manzo. They said, “So two people who were not involved in the complaint say Brandi did nothing wrong? Was Kelly there? I guess ‘believe the victim’ is only a thing sometimes. How about we just listen to the two people involved, and then you believe who you want to.”

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Lastly, a different ‘Housewives” fan stated, “No one’s been ‘vindicated’. This woman is repeating secondhand information she heard from former cast members of a show she still isn’t over being off of. That’s all.”

Brandi Glanville at Andy's Legends Ball Red Carpet at BravoCon
Steven Bergman/AFF-USA.COM / MEGA

Glanville has been open about how much the toll Manzo’s claims against her have had on her personal and professional life. Notably, she hasn’t appeared on a reality television show since the alleged incident. Recently, in October 2024, she took to social media to not only suggest that Manzo is a lesbian, but to vent her overall frustrations.

Glanville posted to X, “Happy Sunday funday! It’s been almost 2 yrs now since a lying,short red haired closeted old lesbian ruined my life. Girl, lean into [the rainbow] that’s a beautiful space. When you come out ur family will be able to finally speak their own obvious truths.”

It’s worth noting that multiple cast members have defended Glanville. As mentioned, “Real Housewives of Atlanta” star Parks was also on the cast. She spoke to US Weekly in November 2023 about the alleged incident.

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Parks, who is also an attorney, said, “Absolutely nothing [happened]. So, let’s roll the tapes! I was there, and honey, I was sober. Sober, sober. I really don’t drink, so I saw it all.”

Regarding what happened between the two, Parks recalled, “It was a Harlequin romance. Love was winning.”

Brandi Says She’s Been Pushed To The Limit

Brandi Glanville and others celebrate the opening of GoGlow in Sherman Oaks
Snorlax / MEGA

Glanville appeared on Tori Spelling‘s “MisSPELLING” podcast in April 2025, detailing the struggles she’s faced since being accused of sexual assault by Manzo. Additionally, she’s been impacted by several health issues, including facial disfigurement.

She said, “In the midst of all of this, I’m not working. All my jobs are canceled because of the Caroline work. The narrative when we got back from Morocco was I was fired for being inappropriate with Caroline Manzo. And I wasn’t… It’s ruined my life.”

The “Housewives” alum continued, “I got sick six months later. But those six months, I was in a fetal position on my couch, like, contemplating suicide, being called horrible things. It’s so crazy that the press has so much power.”

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Chris Brown Reacts To Video Dissing His Character & Music

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Chris Brown Reacts Video Dissing Character Music Women History Karrueche Tran

Chile! What started as a compliment for a HAWT stranger has turned into a clap back session between Chris Brown and a video creator. After Breezy went viral for sliding into a woman’s comment section, a man accused the artist of “thirsting” over her. Additionally, he claimed that women are praising the compliment despite Chris’ violent history and “bullsh*t” music. After peeping the creator’s comments, Brown didn’t let his insults slide and threw a few jabs of his own!

RELATED: Another One! Social Media Users Can’t Stop Mentioning Karrueche Tran After Chris Brown Slides In Woman’s Comment Section (VIDEO)

What Did The Video Creator Say About Chris Brown?

Two words: Karrueche Tran. That’s who social media users were nonstop mentioning after Chris Brown slid into the comment section of a Blasian baddie named Destiny. Comment sections flooded with debates and thoughts about the resemblance between the beauty influencer and Tran and Breezy’s preference in women. All this was sparked by several fire emojis Chris left on Destiny’s pixie cut review video. Even Bow Wow weighed in, joking that Breezy “must be stopped.”

Well, one video creator on Instagram (@doliestv) didn’t find Chris Brown’s comment or the reactions to it funny. Instead, on April 22, he described Breezy complimenting Destiny as the artist “thirsting over random woman that looks like Karrueche.” In a video, @doliestv called Chris Brown lame, criticized his music and blasted the singer’s female fans.

“…I keep telling y’all that these women weak as hell…We see the history that he got under his belt and women still don’t care. That’s why I keep saying bro, do not try to be a good dude out here. Everything that women say they hate they actually love. That’s why I’ll never understand why dudes is taking their girlfriends to Chris Brown concerts. All he gon try to do is take your girl and she gon end up leaving you. And dude don’t care if your girl in a relationship, he get a thrill out of doing it,” the man said in his video. “That’s how you know dude a terrible a** n***a. Y’all supporting dude bullsh*t a** music and he don’t even care for y’all. Ion care what nobody says, dude ain’t good at all.”

For context, it appears the male creator is referencing Chris Brown’s 2009 domestic violence case involving Rihanna. These days, Rihanna is dating A$AP Rocky and co-parenting their three children together. Her relationship with Brown is unclear.

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Additionally, in 2017, Karrueche Tran filed a restraining order against the singer. A judge granted a five-year order after Tran testified about threats of violence, harassing messages and stalker-like behavior. Last year, cameras captured Tran and Breezy seemingly interacting at Coachella. She’s now dating Deion Sanders, while Breezy prepares to release a new album next month and launch a joint tour with Usher.

RELATED: Secure That Man, Sis! Social Media Reacts To What Karrueche Tran & Deion Sanders Said About Their Relationship

Chris Brown Slams Video Creator In Comment Section

After Breezy peeped the harsh feedback, he popped off in @doliestv’s comment section. He critiqued the creator’s nose, writing, “GET THAT YAM OFF YA FACE N*GGA” with laughing emojis. Chris also seemingly posted a reference photo showing a different man holding a yam to his nose during a livestream. The creator responded to Breezy with allegations of drug use. He wrote, “@chrisbrownofficial go do that [snowflake, nose emojis] like you been doin boy. Dats why you not gone ever perform at the Super Bowl lil dude keep dreaming you gone forever be cancelled.” 

In another reply, Chris Brown added a bunch of laughing emojis and said: “You sound hurt my boy. I’m lame but you thought this was real news to make a post about another n***a. Better be lucky I ain’t tryna crack ya mom.” 

Meanwhile, in his IG Stories, @doliestv tagged Chris Brown in a multi-video clap back. He called the singer a b*tch, a “known colorist” who puts “snow up [his] nose. Additionally, he said Brown has no talent and is a wannabe Michael Jackson. “I would beat the f**k out of you,” he claimed, adding that Breezy and his music fell off and he has to use Usher to go on tour.

Also, in a separate video, the video creator responded to Chris’ “yam” comment by comparing his nose to Ari Fletcher’s. The correlation remains unclear.

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Woman Breezy Complimented Clears The Air

Meanwhile, early Thursday, Destiny hopped on Instagram Stories to greet the new faces on her page! Her surge in followers likely came following Chris Brown’s compliment on her pixie cut video.

RELATED: Fans Are Ready For Chris Brown & Usher To “Take Their Money” After Announcing Joint R&B Tour (REACTIONS)

What Do You Think Roomies?

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Another Classic ’90s Reboot Is Officially Dead

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This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.

When all else fails, turn to the classics. That seems to be the mantra for studios more often than not, with reboots, revamps, reimaginings, sequels, threequels, and franchises continuously popping out of the woodwork and reviving some of our favorite characters and storylines from years before. And that’s not to say that we’re complaining. Just look at the box office numbers for Scream 7 or the pushback that Buffy the Vampire Slayer fans have been giving Hulu since its follow-up series was unceremoniously canceled last month.

Last year, it was announced that another beloved title from the 90s would be making a comeback when Peacock picked up a Clueless series that would serve as a continuation of the Amy Heckerling-helmed rom-com from 1995. Fans around the world were thrilled that not only would we be getting more Clueless, but that Cher Horowitz herself — Alicia Silverstone — was on board. While major details were kept under wraps, we knew that the new project would follow Cher years after she had a change of heart thanks to her half-brother Josh (Paul Rudd) and her school’s new girl, Tai (Brittany Murphy).

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Sadly, the return of Cher Horowitz is back to being a dream as a recent report shared the tragic news today that Peacock has chosen not to go forward with the series. That’s right, yet another 90s favorite has been stopped dead in its tracks, with audiences everywhere wondering how this keeps happening. As far as Clueless is concerned, the initial report revealed that there was still potential for it to make it to television screens as CBS Studios and Paramount continue to be eager for what could be — meaning they’ll likely attempt to shop the project around.































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

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☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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How to Cope with Peacock’s ‘Clueless’ Cancelation

It’s true that so many of us out there of a certain age were still reeling from the news that the Buffy the Vampire Slayer reboot, which had Sarah Michelle Gellar attached, was given the ax. So, how will we deal with the news that the Clueless series has been delivered the same fate? Well, while we wait to hear if CBS Studios and Paramount can scrounge up another home for the project, we’re going to turn our eyes and ears to the recent works of Silverstone. Yes, she will always be Cher Horowitz to us, but there are plenty of other newer pieces of content for fans to sink their teeth into. Last year alone, she was in three brand-new productions, including Justin Kelly’s erotic thriller, Pretty Thing, Yorgos Lanthimos’ sci-fi thriller Bugonia and Steve Carr’s holiday rom-com, A Merry Little Ex-Mas.

Stay tuned to Collider for any updates about the Clueless series.


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Release Date

July 19, 1995

Runtime
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97 minutes

Director

Amy Heckerling

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Writers

Amy Heckerling

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Nicole 'Snooki' Polizzi says her kids keep asking her if she's dying amid her cancer journey

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The mother of three recently revealed that she has stage 1 cervical cancer and will get a hysterectomy.

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Why Is Matlock Season 3 Moving to Midseason? Change Explained

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Matlock is returning for a third season — but will go through a schedule change after a “complete reset” for the show.

“I asked for it with the network. We had a talk,” creator Jennie Snyder Urman told TV Insider ahead of the second season finale on Thursday, April 23. “I just feel like we had so much stuff to think about because we really landed the plane on this, and we really thought that was important because we didn’t want to keep dragging out the same story, and the characters have to get to someplace real emotionally.”

Urman confirmed that season 2 would wrap up the Wellbrexa story line, which meant a complete “reset” for the series.

“When we took this two-hour finale and really paid a lot of things off, what came with that was I’m going to need time after that to really build the architecture so that we have it for the next seasons,” she teased. “I’m excited about it, but I am also grateful because we needed a little bit of time.”

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Yellowstone's Marshals Tops Tracker as CBS' Most-Watched Show


Related: Why Are Many CBS Shows Facing Major Shakeups? Fall Lineup Changes Explained

The fall 2026 lineup is going to look a little different for CBS after some shows went through surprising changes. CBS announced its schedule on Wednesday, April 15, with viewers noticing some substantial changes. Ghosts, Matlock and NCIS: Sydney received a shakeup by having their premieres moved to 2027 for midseason. They will join the […]

Urman addressed possible disappointment from viewers, adding, “Sad for audiences, but actually really good for me and the writers because I want us to plot this new mystery and make sure it’s airtight.”

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She continued: “We had a lot of pieces going in, so we really had to create this new piece of it. I feel lucky that the network’s giving us time to get it right because I don’t want the quality to drop.”

According to the official synopsis, the season 2 finale will follow the team as they confront “an unexpected final hurdle they need to overcome to bring Senior to justice for his role in the Wellbrexa cover up. Meanwhile, they defend an airport ramp operator accused of safety negligence in the death of a passenger.”

CBS previously announced its schedule on April 15 with viewers noticing some substantial changes. Ghosts, Matlock and NCIS: Sydney received a shakeup by having their premieres moved to 2027 for midseason. They will join the new show Einstein, which is finally premiering in 2027 as well.

Matlock‘s time slot will be given to Elsbeth to allow Cupertino to premiere on the same night. NCIS: Sydney, meanwhile, is moving to midseason as NCIS: Origins — which received a shorter episode order — takes over to pair off with NCIS: New York.

Matlock airs on CBS Thursdays at 9 p.m. ET.

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30 Years Later, ‘Sleepers’ Proves Why Mid-Budget Thrillers Still Matter Today [Exclusive]

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Thirty years later, Sleepers is a definitive part of a genre that seems to be dying in Hollywood. Directed by Barry Levinson and adapted from Lorenzo Carcaterra’s book, the 1996 crime drama moved between coming-of-age heartbreak, prison trauma, revenge, and courtroom tension with a confidence that now feels strangely rare. It was serious without being self-important, starry without feeling like stunt casting, and mature without ever sounding like it was apologizing for that. Watching it now, it’s hard not to feel like it came from a version of Hollywood that was far more willing to back difficult stories aimed at adults.

That feeling only gets stronger when you look at the kind of movies that now dominate the studio system. Big-budget franchise movies that revolve around intellectual properties, effects-heavy crowd-pleasers, and “four-quadrant” titles fronted by the same handful of stars are everywhere, and the space for adult dramas and thrillers has thinned out significantly. The kind of film Sleepers represents — mid-budget, prestige-driven, and built around moral messiness rather than spectacle — just doesn’t seem to have the same place anymore in theatres, it would appear, and according to Levinson, that shift is very real.

When Collider spoke with the Oscar-winning filmmaker for the film’s 30th anniversary as part of our retrospective Collider Rewind series, the conversation turned to how much the industry has changed since Sleepers arrived in 1996. Asked whether a studio film like this would be made as straightforwardly now as it was then, Levinson was candid about the uncertainty hanging over the business. “These are difficult times in terms of what the film business is,” revealed Levinson.

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It’s a complicated time, and I think a lot of people are like, I’m not sure. We know about these high-concept pieces that are done, and all of that kind of filmmaking that goes on that has a lot of bells and whistles to it. It’s part of the business, for me personally, at times, but it so dominates the business,” he explained. “It works to one sector and not necessarily to a wider band that someone might enjoy these types of films, and these types of films, and then there’s this type of film.” It’s not that Hollywood has stopped making these movies altogether, obviously. It’s that the range has narrowed. Studios still make massive event movies, and streamers sometimes step in for more adult material, but the broad middle ground that once gave films like Sleepers room to breathe feels a lot shakier now than it did in the ‘90s.































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

Advertisement

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

Advertisement

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





Advertisement

02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





Advertisement

03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





Advertisement

04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





Advertisement

05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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Barry Levinson Thinks the Studio System Is “Collapsing”

Levinson went on to explain that the real issue is not just what gets made, but how many kinds of movies the business still seems willing to support at once. “I think at times now, we’re sort of collapsing that, somewhat, and we don’t quite have the variations and the different types of films that we’re making,” explained Levinson. “Now the streamers pick up a certain thing,” he continued. “It’s a business that’s in real flux right now as to where is it going or how do we sort of stabilize where we are? I don’t think I can give you a good answer, except that I think a lot of people are going, I’m not sure what it is they want to make.”

It’s a strikingly honest answer because Levinson doesn’t pretend there’s an easy fix. A lot of people in the industry have spent the last few years talking around this problem, but Levinson gets right to it. There’s uncertainty everywhere, and that uncertainty makes it harder for films like Sleepers to get through the system in the first place. These are the kinds of movies that depend on trust — trust in the director, trust in the cast, trust in adult audiences showing up for a compelling story. What made Sleepers work, of course, was that it never felt engineered. It had big stars, but it didn’t rely on movie-star swagger. It was a crime thriller, but it wasn’t interested in easy catharsis. It asked difficult questions about trauma, justice, revenge, faith, and loyalty, and it trusted the audience to sit with the discomfort. That sort of confidence now feels almost radical.

Sleepers 30th Anniversary Edition is available to buy now on 4K UHD and Blu-ray. Stay tuned for more from Collider Rewind.

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Release Date

October 18, 1996

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Runtime

127 Minutes

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Lena Dunham breaks down crying in public after memoir hits 'number f—ing 1' on “New York Times” best-seller list

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“Screaming, crying, throwing up,” the “Girls” creator-star wrote of the moment she learned “Famesick” reached the top spot.

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‘The Pitt’ Just Set Up 9 Unexpected Season 3 Mysteries

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Dr. Robby (Noah Wyle) standing inside a door frame on 'The Pitt'

Spoiler Alert: This list contains spoilers for The Pitt Season 2.The Pitt Season 2’s final episode had tons of highs and frantic moments, but ended in a perfectly anticlimactic way, with a little bit of quiet disclosure contrasted by loud karaoke. There are a lot of questions that Season 3 needs to answer, and a few that will hopefully be explored through the already confirmed continuation of the series.

This season centered heavily on Robby (Noah Wyle) and his mental health journey. But there were other main characters facing their own personal crises, as well as a few patients whose situations haven’t yet been resolved. There’s no shortage of material to work with in the ongoing storyline for Season 3, even as it inevitably introduces a whole new selection of patients.

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Does Dr. Robby Go On His Trip?

Dr. Robby (Noah Wyle) standing inside a door frame on 'The Pitt'
Dr. Robby (Noah Wyle) standing inside a door frame on ‘The Pitt’
Image via HBO Max

The big question throughout the entire second season of the gripping medical drama was what would happen on Robby’s big motorcycle trip. We now know from his candid conversation with Duke (Jeff Kober) that he was flirting with the idea of never returning, not only to the job but also to life. This was a tragic realization, but in saying it out loud, Robby made a big step towards healing.

While he was nowhere near being better, his conversation with Baby Jane Doe suggests that Robby might be rethinking his decision, or at least the finality of it. Fans want to know once the show resumes with an inevitable time jump, short or long, if Robby ever did go on that trip. Most importantly, if he did, did he wear his helmet?

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What Happened To Robby’s Mom?

Dr. Michael Robinavitch (Noah Wyle) looking sad on 'The Pitt'
Dr. Michael Robinavitch (Noah Wyle) looking sad on ‘The Pitt’
Image via HBO Max

During a quiet conversation while soothing baby Jane Doe, Robby spills his heart out. He tells her that though she has had a rough start, there’s so much for her to see and do, and people who will love her. He mentions that he understands her plight since he was abandoned when he was eight years old. He mentioned this to Dana (Katherine LaNasa) in an earlier episode as well, and her shock confirmed that she didn’t know, which suggests no one did.

This opens the door to learning more about what happened in Robby’s childhood, and most importantly, if he ever reconnected with his biological mother and if she’s even still alive. Even if she’s never shown, hearing him reveal what happened to him as a child would be therapeutic and an important part of his backstory.

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Will Dr. Al-Hashimi Be Back?

Dr. Baran Al-Hashimi (Sepideh Moafi), one of the best new characters this season, sadly seemed to recognize that she can’t safely work the way she wants to, and probably shouldn’t even be driving her car. This is evidenced when, after a fight with Robby, she gets into her car only to drive a few feet in the parking lot, then stops and breaks down crying. It has to be devastating to not only deal with the seizures but also know that this condition holds you back from doing important work that you’re good at.

It’s evident that Robby won’t leave Al-Hashimi in charge given her condition, so he either stays or someone else takes the reins during his absence. This brings up whether she will return in Season 3 at all, either working at the hospital or visiting in some capacity.

How Will They Explain Dr. Mohan’s Absence?

Dr. Samira Mohan (Supriya Ganesh) looking worried on 'The Pitt'
Dr. Samira Mohan (Supriya Ganesh) looking worried on ‘The Pitt’
Image via HBO Max
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It has been confirmed that Supriya Ganesh will not be returning to the show as Dr. Samira Mohan, which surprised viewers who adored the character. Her trajectory seemed to be setting her up to leave. She was distracted at work and planning to move to be closer to her mother anyway. When that plan imploded, she argues with Robby one too many times, her heart clearly no longer being in the work or that hospital.

It would be easy to suggest that she left to pursue a career in geriatrics somewhere else, an area for which she clearly had an affinity and desire. Much like when Tracey Ifeachor departed after Season 1 as Dr. Heather Collins, Samira will likely get a brief mention, so fans get closure for the character. Considering The Pitt is the type of show that could go on forever, we suspect she won’t be the last to go from one season to another.



















































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Collider Exclusive · TV Medicine Quiz
Which Fictional Hospital Would You Work Best In?
The Pitt · ER · Grey’s Anatomy · House · Scrubs

Five hospitals. Five completely different ways medicine goes sideways on television — brutal, chaotic, romantic, brilliant, and ridiculous. Only one of them is the ward your instincts were built for. Eight questions will figure out exactly where you belong.

🚨The Pitt

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🏥ER

💉Grey’s

🔬House

🩺Scrubs

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01

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A critical patient comes through the door. What’s your first instinct?
Medicine under pressure reveals who you actually are.





02

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Why did you go into medicine in the first place?
The honest answer says more about you than the one you’d give in an interview.





03

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What do you actually want from the people you work with?
Who you want beside you under pressure is who you are.





04

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You lose a patient you fought hard to save. How do you carry it?
Every doctor who’s worked a long shift has had to answer this question.





05

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How would your colleagues describe the way you work?
Your reputation on the floor is usually more accurate than your self-image.





06

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How do you feel about hospital protocol and procedure?
Every institution has rules. What you do with them is a choice.





07

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What does this job cost you personally?
Nobody works in medicine without paying a price. What’s yours?





08

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At the end of a long shift, what keeps you coming back?
The answer to this question is the most honest thing about you.





Your Assignment Has Been Made
You Belong In…
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Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.


Pittsburgh Trauma Medical Center

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The Pitt

You are built for the most unsparing version of emergency medicine television has ever shown — one that puts you inside a single fifteen-hour shift and doesn’t let you look away.

  • You need your work to be real, not romanticised — meaning over drama, honesty over aesthetics.
  • You find purpose inside the work itself, not in the chaos surrounding it.
  • You’ve made peace with the fact that this job takes from you constantly, and gives back in ways that are harder to name.
  • Pittsburgh Trauma Medical Center demands exactly that kind of person — and you would not want to be anywhere else.


County General Hospital, Chicago

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ER

You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential.

  • You show up, do the work, absorb the losses, and come back the next day without needing the job to be anything other than what it is.
  • You care about patients as individual human beings, not as cases to solve or dramas to live through.
  • You believe in the system even when it fails you — and you understand that emergency medicine is about holding the line just long enough.
  • ER is television about endurance. You have it.


Grey Sloan Memorial Hospital, Seattle

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Grey’s Anatomy

You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door.

  • You feel things fully and form deep attachments to the people you work with.
  • Your personal and professional lives are permanently, chaotically entangled — and that entanglement drives both your greatest disasters and your most remarkable saves.
  • You understand that extraordinary medicine often happens at the intersection of clinical skill and profound human connection.
  • It’s messy at Grey Sloan. You would not have it any other way.


Princeton-Plainsboro Teaching Hospital, NJ

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House

You are drawn to the problem above everything else — the symptom that doesn’t fit, the diagnosis hiding underneath the obvious one.

  • You’re not primarily motivated by the patient as a person — though you are capable of caring, even if you’d deny it.
  • You work best when the stakes are highest and the standard answer is wrong.
  • Princeton-Plainsboro exists to house one extraordinary, impossible mind — and everyone around that mind is there because they’re smart enough to keep up.
  • The only way forward here is to think harder than everyone else in the room. That is exactly what you do.


Sacred Heart Hospital, California

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Scrubs

You understand that medicine is tragic and absurd in almost equal measure — and that the only sane response is to hold both of those things at the same time.

  • You are warm, self-aware, and funnier than most people in your field.
  • You use humour to get through terrible moments — and at Sacred Heart, that’s not a flaw, it’s a survival strategy.
  • You lean on the people around you and let them lean back. The laughter and the grief are genuinely inseparable here.
  • Scrubs is a show about learning to become someone worthy of the job. You are still very much in the middle of that process — which is exactly right.

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Does Dr. Javadi Pursue Psychiatry?

Robby talking to Victoria in The Pitt.
Robby talking to Victoria in The Pitt.
Image via HBO Max

In a surprising move, Victoria (Shabana Azeez) has an epiphany while talking to Dr. Dennis Whitaker (Gerran Howell). She seems to have a passion for mental health, so maybe she should pursue a career in emergency psychiatry. She runs this idea by Robby, who surprisingly says something nice, noting that she can do anything she puts her mind to.

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It’s likely, however, that her surgeon parents would frown upon her going into this field, given how critical they already have been of the young prodigy. This decision will likely play into the character’s arc next season, especially if Victoria confirms this path and begins to pursue it against her parents’ wishes. This would also leave a hole to be filled with a potential new character tending to patients needing physical medical care.

Does Robby Go to Therapy?

Dr. Robby crying while Whitaker sits next to him in 'The Pitt' Season 1.
Dr. Robby crying while Whitaker sits next to him in ‘The Pitt’ Season 1.
Image via HBO Max

Robby has clearly never opened up about his past on the perfect TV drama, and he harbors a lot of trauma from that based on the revelations about his mother. While we always thought it was the death of his friend and mentor during the COVID-19 pandemic that pushed him over the edge, clearly Robby had a lot of emotional pain even before then. The tragic loss of his friend, compounded by the pressures of his job and being surrounded by death and loss, just piled on top of that.

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Hearing all the kind words from his friends and co-workers like Jack (Shawn Hatosy), Dana, Frank (Patrick Ball), and Duke, even people he doesn’t know well, like Baran, must be ringing in his ears. Considering every single person who cares about Robby has been urging him to get help, it’s a wonder if he will prioritize that over his motorcycle trip. The hope is that once the timeline resumes in Season 3, Robby will have begun therapy, seeing Dr. Caleb Jefferson (Christopher Thornton) or another therapist to work through his issues.

What Happens to Duke?

Duke walking down a hallway with Robby in The Pitt.
Duke walking down a hallway with Robby in The Pitt.
Image via HBO Max

Duke made Robby the perfect deal: he would come back for the procedure he needed if Robby would meet him there and let him ride his motorcycle. This is his roundabout way of saying he wants Robby back from this trip in one piece. It sounds like he has decided to pursue the surgery rather than do nothing and risk likely death.

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It’s unclear if the character will appear again in the next season. But if not, the hope is that Duke’s fate will at least be mentioned. Given how integral he was to encouraging Robby to finally face his own dark thoughts, he deserves at least a cameo.

Will Dr. Whitaker’s Situationship Last?

Dennis and Robby standing outside of the hospital talking in The Pitt.
Dennis and Robby standing outside of the hospital talking in The Pitt.
Image via HBO Max

Dennis seems to be enamored with the widow of a former patient, despite friends like Dr. Trinity Santos (Isa Briones) and Robby telling him that he should distance himself from her. At the end of the episode, Dennis is talking to Robby outside when she shows up in a truck alongside her baby. Dennis hops in like he’s dad, and Robby’s expression suggests he might have a change of heart in how he feels, seeing how Dennis truly cares for this woman and her child.

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That said, it’s unclear if their relationship is romantic, or if she is simply using him as a companion and a helping hand around the farm. Further, it’s unclear if Dennis has real feelings for her, or whether he has simply latched on because he was not able to save her husband and feels a sense of guilt. Season 3 should dive deeper into this relationship if it’s still going strong once the show and its stories resume.

What Happened to Baby Jane Doe?

Dana holding Baby Jane Doe and showing her face to Robby in The Pitt.
Dana holding Baby Jane Doe and showing her face to Robby in The Pitt.
Image via HBO Max

Baby Jane Doe was introduced early in the season, a baby abandoned at the hospital. The staff searched to find the mother to no avail. Kept in the pediatrics room through the entire 15-hour shift, the baby was cared for, and all relevant tests run to ensure she was healthy or treated for whatever illness she might have. Through the day, she was tended to by nurses as needed and as staff went about their day.

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As the shift switched from day to night, Jane Doe was still there awaiting her fate. She has a pivotal role with Robby in the final scene, becoming his sounding board. Dana tries to see if any of the nurses are willing to take her home for the night, but no one is. It’s unlikely baby Jane Doe returns in Season 3 as it’s likely she will have been moved to foster care by then. But we definitely need to understand what happened to her.


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The Pitt


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Release Date

January 9, 2025

Network

Max

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Showrunner

R. Scott Gemmill

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Directors

Amanda Marsalis

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    Noah Wyle

    Dr. Michael ‘Robby’ Robinavitch

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    Tracy Ifeachor

    Dr. Heather Collins

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Hilary Duff Was Spotted In Petite-Friendly Adidas Track Pants

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Hilary Duff Was Spotted In Petite-Friendly Adidas Track Pants

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One of spring’s most unexpected trends is the return of track pants — and if you’re confused on how to style them outside of the gym, Hilary Duff has just given Us some ideas. The singer showed off her laid-back, cool mom style in a black and white pair. My favorite thing about the look? At just 5’2”, Duff proved that track pants can be a perfect pick for petites, no tailoring required.

Duff was recently spotted in the comfy pants while walking in Los Angeles. She turned the casual, sporty look into chic athleisure by pairing the pants with a cozy knit sweater, slim white sneakers and sleek designer accessories. Since I’m only 5’0”, I knew I needed to find them for myself. A little searching revealed what I think might be the same pair (or at least a pair that looks like hers, which is just as good): the Adidas Originals Essentials 3-Stripe Parachute Pants, which cost less than $50.

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Get the Adidas Originals Essentials 3-Stripe Parachute Pants for $40 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change. 

These Adidas track pants look nearly identical to Duff’s, with a similar loose, wide leg fit and the classic three-stripe design down the legs. They’re just as comfy and functional, too, featuring an adjustable elastic waistband for a perfect fit and three pockets to stash small essentials.

While the pants don’t come in petite sizes, Duff proves that this style can work for those of us on the shorter side. This pick appears to hit at the ankle, which means that for a petite person like myself, they’re basically the ideal length. I love the idea of being able to buy these without having to also pay to get them hemmed. And if you’re not petite, don’t worry — the pants still look super stylish with the slightly cropped fit.

Get the Adidas Originals Essentials 3-Stripe Parachute Pants for $40 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change. 

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Shoppers rave about how comfortable these bottoms feel. One titled their review, “absolutely LOVE these pants,” and wrote, “I expected the fabric to be stiffer and was pleasantly surprised to find they are lightweight track pant fabric that is soft and flowing.”

Another reviewer called them “perfect for traveling,” while someone else praised the petite-friendly design. “As someone with a long torso and short legs, these are the perfect length and especially with the bungee cords at the ankles, I don’t need to get anything hemmed,” they noted.

Soft, lightweight and flowy, these track pants are bound to be a staple in your spring and summer wardrobe. Snag them while you can — sizes are going fast!

Get the Adidas Originals Essentials 3-Stripe Parachute Pants for $40 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change. 

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More Hilary Duff-Inspired Track Pants 

Looking for something else? Explore more track pants here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

https://www.amazon.com/deals?&linkCode=sl2&tag=usw-hilary-duff-comfy-chic-track-pants-apr-2026-jb-20&linkId=669ef70b0bb8ba7d74e4774b660acc4b&language=en_US&ref_=as_li_ss_tl

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