By Jonathan Klotz
| Published 8 seconds ago

Sci-fi movies have a history of bombing so bad at the box office that they take down entire studios. It makes sense given the average budget is hundreds of time higher than a horror film, and even two to three times more than a slow burn drama. The risk for sci-fi is high but Disney decided that Robert Zemeckis, the mastermind behind Back to the Future, Who Framed Roger Rabbit, Forrest Gump, and Castaway was worth the gamble. What they received in 2011, was Mars Needs Moms, an overstuffed animated feature that is still in contention for the biggest box office bomb in history. Instead of taking down Disney, it scared Disney away from exploring new IP and put a freeze on original sci-fi from the House of Mouse. 

Mars Needs Moms Is A Historic Disaster

Mars Needs Moms imagines a universe where subterranean Martians abduct Earth moms to suck out their “mother-ness” to power their automated nanny-bots raising the next generation of Martians. The process to do so kills the human, making this immediately one of the darkest animated movies to have Walt Disney Productions attached. Seth Green provided the motion capture for Milo, a 9-year-old boy whose mother (Joan Cusack) is abducted. He launches a rescue mission to the Red Planet, coming across friendly Martians and uncovering the ancient history of the aliens in the process. 

Part of the problem with Mars Needs Moms is that to follow the plot, you need to get past the awkward animation style. Robert Zemeckis took the process used in Beowulf and The Polar Express, involving extensive motion capture combined with CGI animation layered on top. It’s rotoscoping, but taken straight to the uncanny valley. 

Disney Changed Their Approach To Sci-Fi

From the reactions to the very first trailer, Disney executives were bracing themselves for a catastrophic bomb. Mars Needs Moms was one of the first films to be savaged on nascent social media networks. The animation style, combined with the corny plot, turned off adults and most importantly, parents. The end result was a final box office total of $39 million, far short of the $150 million production budget, and that’s without mentioning the marketing. 

By the time it was all said and done, Mars Needs Moms cost Disney $144 million. The immediate impact was felt by John Carter of Mars, which became John Carter, and then the best movie to be considered a box office flop. The then-Disney CEO Bob Iger made the call to “mine the IPs” after the failure, making John Carter the last original sci-fi film from Disney. Everything since has been tied to a franchise, and the fallout was so radioactive, that even other studios have been hesitant to pursue original sci-fi. The Creator was marketed heavily as being an original story, and when that can be used as a selling point, you know the genre’s going through a tough time. 

Robert Zemeckis has had a, well, “mixed” run of movies might be a little generous, but for all its faults, Here was at least creative. Since Mars Needs Moms bombed, few films have come close to matching it, but Eli Roth’s Borderlands in 2024 managed to earn less money ($33 million), and it cost more. Thanks to tax credits and creative accounting, Lionsgate only lost $80 million, putting Disney’s staggering deficit of $144 million ahead of it. If it wasn’t for Mars Needs Moms, we could be on our sixth John Carter film by now.

Mars Needs Moms is currently streaming on Disney+, but before you watch it, ask yourself if that’s really how you want to spend your limited time on Earth.

You’re Killing Me’s season 1 finale left fans with more than one cliffhanger, including a massive roadblock in Allie and Jack’s budding romance — and a “monstrous” season 2 is already in the works.

Warning: Spoilers below from season 1, episode 6, of You’re Killing Me.

“I knew a little, which was great. I knew about it beforehand,” Tom Cavanagh, who plays detective Jack Kerrigan, exclusively told Us Weekly of the shocking romance twist that came to light during the Monday, June 22, episode of the hit Acorn TV series.

During the finale, Jack finally kissed romance author-turned-ameatur sleuth Allison “Allie” Chandler (Brooke Shields) at her and Gen Z podcaster Andrea “Andi” Walker’s (Amalia Williamson) book party.

Allie pulled away as Jack leaned in, causing him to tell her it was a “mistake” and they should just “forget” it ever happened, to which she agreed. However, Allie started to second guess her action during a restless night.

“They’re adults, right? Like, it’s Brooke Shields, they’re not kids,” Cavanagh, 62, told Us of the main characters’ road to romance. “They’ve gone through all these different iterations of romantic life [and] nothing’s going to necessarily intimidate them.”

He noted, “It’s lovely that they’re worthy opponents” and there’s a “will they, won’t they” dynamic between the two.

Fans held out hope for a “will they” moment after a drunk Allie decided to confess her feelings for Jack during the episode’s final minutes. In order to make it to Jack’s cabin, Allie had to wake Andi up from her guest house and convince her to drive, which she reluctantly did.

Once at the cabin, Allie tried and failed to have a Say Anything moment, holding her cellphone up over her head and screaming for Jack to come outside.

A mystery woman came to the door, which prompted Allie to say, “You’re not Jack.” The woman responded, “I’m Natalie, Jack’s wife. And you are?”

Allie gripped her chest as if to show the physical heartbreak she was experiencing in that moment before leaning over and throwing up on Andi’s shoes. The screen then faded to black and the credits rolled.

Looking back and Jack and Allie’s trajectory from season 1, Cavanagh told Us, “Jack’s hesitant for a very good reason that isn’t divulged right away, but if you [watch the] campfire scene [where Jack and Alli nearly kiss while drinking wine], you’re wondering, ‘Well, why are they just, you know, going forth?’”

He continued, “Now you realize, ‘Oh!’ And that it’s an adult reason for the way that it got played. As opposed to just dragging the viewer along.”

Cavanagh admitted that the wife twist — or perhaps Natalie is his ex-wife and a potential divorce is not finalized — comes at just the right time to leave fans looking for answers.

“There’s real impetus, and then you kind of drop that bomb at the end, like, “Hi, I’m the wife,’ you’re like, ‘Wait, what?’” Cavanagh said of the shocking cliffhanger. “It’s again well done on the writer’s part.”

Shields, meanwhile, exclusively told Us that she was just as surprised by Jack’s secret wife, confessing, “We have no idea what situation that is.”

Williamson, 27, teased, “No we don’t. Not yet.”

As the show gears up for season 2, Shields, 61, added, “We have an idea of what might be happening. But we just are [unsure].”

She revealed, “But I love to play a character that has this just catharsis, and this, like, ‘Oh, it’s all going to be [good when she] comes forward and then [she’s] slapped on her face.’”

The romance hitch, however, isn’t the only question left unanswered during the season 1 finale.

The majority of the episode centered around Andi’s hunt for her mother, who disappeared 15 years prior. After Andi and Allie’s car broke down on their road trip to New York, park ranger Melissa Grant (Natalie Brown) showed up at the right moment and offered to drive them.

Jack, however, soon discovered that Melissa was not a park ranger, instead she was a hitwoman searching for Andi’s mom.

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After Andi and Allie found the exact location of her missing mom, Melissa rushed off ahead of them, getting to the house first. When Andi and Allie arrived, they heard a gunshot before running in to find Jack and other police with a wounded Melissa in custody and Andi’s mom nowhere to be found.

There was, however, a hard drive with Andi’s name on it with a video message from her mother. In the video, Andi’s mom revealed she knew things about some “dangerous” people she worked for and made a deal to keep it secret to protect Andi and her father.

Now that one of the bad guys is getting a retrial, Andi’s mom is considered a loose end so she had to run once again — and she pleaded with her daughter not to try and find her.

“You know [with] that arc something even more monstrous is maybe out there that you don’t see at all,” Cavanagh teased to Us of the threads that will continue to be pulled next season.

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The actor explained that there were “such high stakes” throughout the finale, but it was presented as “a melodramatic plot point for Andi” without any indication of the deeper mystery.

“There’s a giant through line that is in every episode, and you don’t even necessarily know that it’s in every episode,” Cavanagh said. “And then the culmination of that is like, ‘All right, no, we all have to be as serious as we can and save somebody’s life or people’s lives here, right?’”

You’re Killing Me was renewed in May for season 2. Season 1 is currently streaming on Acorn TV.

Criminal Minds star Paget Brewster issued an apology after receiving backlash for publicly slamming a show critic.

“Hi guys, I was mean to Shealyn Scott last night and I profoundly regret it. Shame on me for insulting a human being for doing their job. I’m very sorry, Shealyn,” Brewster, 57, wrote via X on Sunday, June 21. “And I’m sorry to those who follow me that you saw me behave like that. Turns out, last night, I sucked.”

The actress initially shocked social media users when she took to X on Saturday, June 20, to call out an article Scott wrote for ScreenRant.

“Hello critic Shealynn Scott. You’re young. You don’t know that bad pics and bad reviews can lead to 350 people losing their jobs,” Brewster wrote in the since-deleted post. “Sell vintage. Work at a shelter. Do something better than what you do now. Because right now you suck.”

Fellow journalists and Criminal Minds fans came to Scott’s defense, with many pointing out that the article praised the show despite Brewster alleging it was a bad review.(The opinion piece also made the argument that there should be more than 10 episodes a season for the hit Paramount+ series.)

Scott, for her part, clarified on her own social media that she received a private apology from Brewster following the TV star’s public message.

Brewster currently leads Criminal Minds in the role of Emily Prentiss, which she has played since 2006.

Earlier this year, Brewster recalled her brief exit from the show. (Emily was initially killed off in season 7 before it was revealed to be a fake-out. Brewster, however, was not on the show for two seasons, returning as a guest star for two more before officially being main cast again in season 12.)

During an April episode of the “Are You a Charlotte” podcast, Brewster claimed a backdoor pilot for a potential spinoff show was filmed before former CBS president Les Moonves axed the idea. According to Brewster, she decided to leave the show after season 7 because she was “so mad” at CBS despite being offered to keep her full-time role.

Related: ‘Criminal Minds’ Cast: Then and Now

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“I really did hold on to that anger for too long,” she shared on the podcast. “It was an unhealthy thing to hold onto. Because A.J. and I were like, ‘We were early, we knew our lines, we never got into fights.’ We were really angry. I held onto the anger for too long, and after four years, I finally thought, ‘Why am I not [on the show]? I love everyone there. I just don’t like Les Moonves, and I never have to see him because he doesn’t care about this show.’”

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Brewster ended up returning for season 12 after Thomas Gibson‘s exit. She claimed she had to fight to get her “episodic fee close to what the men were making” because she and the other women “were always paid less.”

“I was like, ‘Well, I kind of have them over a barrel. They need me more than I need this show.’ So, I got my episode fee way up from what it was,” she continued. “Then, when the other female cast members, their contracts were up, so I said, ‘This is what I got. Go get more.’ So then, they went in and they got big raises.”

Criminal Minds: Evolution airs Thursdays on Paramount+.

Penn Badgley‘s wife, Domino Kirke, poked fun at the reality of marriage with a divorce joke in her Father’s Day tribute.

“When you grow up with a childlike father, you learn not to expect much. You brace yourself for disappointment over and over,” Kirke, 42, captioned an Instagram post on Sunday, June 21. “You make excuses for their behavior and convince yourself you don’t deserve much more.”

Kirke, who welcomed son Cassius, 16, in a previous relationship, recalled finding it “easier” to “parent alone” before she met Badgley, 39.

“Truth is, I felt like I had more ‘control’ as a single mum,” she wrote. “That’s all that was. I needed to run the show and keep everything where I could see it. I know now that control is an illusion. Even on the days I think I can do this better alone, even with all that muscle memory to back it up, I know now in my bones that I can’t.”

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While reflecting on their lives as a family of six, Kirke publicly praised Badgley as a dad. “Sure, twins. Sure, we’re finally outnumbered,” she added. “But it’s more than that. Time takes time, and 13 yrs later, I realize we’ve always had a child in tow. Always a child in our bed, even one that wasn’t your own.”

She continued: “‘Four kids! You wanna know what it’s like to have a fourth? Just imagine you’re drowning, and someone hands you a baby.’ ~ Jim Gaffigan. Thank you for riding every wave with me and for not agreeing to a divorce every time I ask for one. Happy Father’s Day, @pennbadgley; we’re the lucky ones.”

The couple, who got married in 2017, are also parents to son James, 4, and 9-month-old twin boys. Before expanding their family, Kirke gushed about how Badgley took over the role of stepdad to her eldest son.

“He’s a really good stepdad,” Kirke exclusively told Us Weekly in 2019 of Badgley. “He doesn’t have to be ‘dad,’ so he can have more fun with him. It’s really nice. The stepparent thing is definitely uncharted territory for me ’cause I didn’t grow up with one, but … he takes care of him really well.”

Kirke spoke to Us about watching Cassius grow into his own, saying, “Boys at 10 have the same amount of testosterone as they will have when they’re 18, so there’s a sass, but when I speak to him on the phone, he’ll be like, ‘Hey mom, you sound tired. You should go to bed.’ And I’m like, ‘Yeah, OK, thanks.’ Like, ‘Whoa, who am I talking to?’”

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Badgley has also discussed adjusting to being a stepfather.

“I was curious [how] my new fatherhood would influence my experience with Joe and acting with him,” he told Access Hollywood in 2021, referring to his role on the Netflix series You. “But sometimes, it was almost not helpful because I was having such a light and joyful experience [and] still am, and Joe was, like, so petrified and so scared. Of course, I can identify with the fear, but he’s just so morbid in his obsessive self-preservation and primal instinct that sometimes I almost found it harder.”

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At the time, Badgley reflected on becoming a first-time “biological father” amid the COVID pandemic, telling InStyle, “It’s just been us, my wife and I, taking care of [our son]. And as a result, in some ways, we’re thrilled, there’s a beautiful joy and lightness to our connection with him. He seems to reflect that. And at the same time, it’s so hard.”

Badgley further explained how he found himself connecting to his character on You, who welcomed a son during season 3.

“I certainly had the great bounty of drawing on my own experience, becoming a new biological parent, and that was quite natural,” he told Elle in October 2021. “There are some definitely sweet moments where I was able to do that, but I think by and large, [Joe’s] paternal instinct is at best primal. I think to be a good father or a parent, you need to really rise several orders above primal, but he’s at least primal, I guess.”

Nearly 20 years after the last installment, Ice Cube and Nia Long are reuniting for a third film in the “Are We There Yet?” franchise. But not everyone is excited about the revival, with some fans taking to social media to voice their skepticism and accuse Ice Cube of trying to recapture past success.

According to Deadline, Ice Cube and Nia Long have partnered with Skydance Sports almost 20 years after the last “Are We There Yet?” film to create a third movie titled “Are They Gone Yet?”

Don’t forget, the first movie, which also starred Aleisha Allen, Philip Daniel Bolden, Tracy Morgan, and others, grossed nearly $100 million at the box office in 2005. Two years later, they teamed up for the sequel, “Are We Done Yet?,” which grossed nearly $60 million.

While the plot for the third film is still unclear, Deadline reports that in the new movie, Ice Cube and Long’s characters will face their “biggest challenge yet… grandkids.”

Ice Cube Opens Up About Filming A New ‘Are We There Yet?’ Movie With Long Two Decades Later

Speaking to Deadline about the new film, Ice Cube expressed his excitement to get back in front of the camera and bring his iconic Nicholas “Nick” J. Persons character back to life.

“We built something special with this franchise. Audiences grew up with Nick Persons, and now Nick’s got grandkids. Time flies,” he said. “Partnering with Skydance to bring this story to a new generation is exactly the kind of move CubeVision was built for, and I am excited for the new partnership.”

The success of the first two films spawned a TBS sitcom of the same name starring Terry Crews, Essence Atkins, Coy Stewart, and Teala Dunn. The series aired for 100 episodes between 2010 and 2013.

Fans Aren’t Here For The New ‘AWTY?’ Movie As They Slam Ice Cube For Apparently Living In The Past

The news of a third “AWTY?” really is no surprise, as streaming platforms and production companies have partnered together over the last several years to revive some of the world’s most beloved shows and movies.

“The Fresh Prince of Bel-Air,” “Full House,” and “Freaky Friday” are just a few examples. But unlike those revivals, Ice Cube’s latest project hasn’t exactly been met with widespread enthusiasm.

On Reddit, one user said the rapper “seems like he’s trying to relive his glory days,” pointing out that he’s also working on a third “Ride Along” film and sequels to “Friday” and “22 Jump Street.”

Another commenter joked, “We’re bringing literally anything back,” while a third user questioned the need for a third film, citing the sequel’s underwhelming plot. “Some things don’t need to be recreated two or three times,” they said.

Long Discussed Working With Cube In 2007

In 2007, Long spoke with Black Film about returning to work with Ice Cube for a second “Are We There Yet?” movie. She shared how grateful she was to be joining forces with the multi-hyphenate at the time, saying, “He has truly evolved into an entrepreneur. He’s an artist, but he’s also doing a fantastic job building an empire for himself and diversifying his portfolio as a actor and an artist.”

How Did Long Enjoy Playing Her Character, Suzanne Kingston-Persons, In The Second Film?

Elsewhere during the interview, the esteemed actress discussed what it was like to play Suzanne Kingston-Persons, a loving newlywed who would do anything for her children and her husband.

“It’s good! It’s good because it’s familiar. There’s a sense of safety and kind of knowingness in terms of what you are getting yourself into, which is always comforting. ‘Are We Done Yet?’ was so much fun to work on because I was just a happy mom,” she said at the time.

Long continued, “I was optimistic, very nurturing with no attitude. It’s interesting what that does to your attitude when you have to play that every day. I found myself very happy all the time.”

Another reason Long enjoyed playing Kingston-Persons is that she resonated closely with the fictional character. “I’m pretty easy going person. I can be intense, and I definitely like my ‘me’ time, but I’m pretty happy,” she said.

The first images from Klara and the Sun have finally arrived, giving audiences a glimpse at what could be one of the most emotional and unexpected science fiction films of 2026.

Directed by Taika Waititi, the adaptation of Kazuo Ishiguro’s acclaimed novel stars Jenna Ortega as Klara, an Artificial Friend designed to ease loneliness in a futuristic society. The newly released images showcase Ortega in a role unlike anything fans have seen from her before, trading the dark and sarcastic energy of Wednesday for a character filled with warmth, curiosity, and innocence.

In an interview accompanying the first look, Waititi described Klara and the Sun as perhaps his “most dramatic film” to date. The filmmaker, known for balancing humor and heart in projects like Jojo Rabbit and Thor: Ragnarok, admitted he initially thought adapting the novel would be simple.

“I thought this would be maybe the easiest film I’d ever make,” Waititi explained. “The more you read the book and delve into the relationships, the more complicated it gets.”

The story follows Klara, a solar-powered Artificial Friend who is purchased by a mother, played by Amy Adams, to become a companion for her daughter Josie, portrayed by Mia Tharia. As Klara becomes part of the family, she develops a deep understanding of love, sacrifice, and what it truly means to be human.

The film’s world is also unique. Waititi revealed that he imagined a future where humanity had grown tired of technology and intentionally moved backward in certain ways. The production design combines retro aesthetics with futuristic concepts, creating a world that feels familiar yet strangely unsettling.

Klara and the Sun [credit: Sony Pictures, Vanity Fair]

For Ortega, the role offered a chance to explore a very different kind of character. The actress said Klara’s kindness and optimistic outlook stand in stark contrast to many of the darker roles she has played in recent years. Rather than portraying an emotionless machine, Ortega and Waititi worked together to make Klara feel deeply relatable and emotionally authentic.

The themes explored in Klara and the Sun feel particularly timely. The story asks difficult questions about artificial intelligence, grief, loneliness, and whether love itself can be programmed. Waititi said he was fascinated by the idea that humans may someday form genuine emotional bonds with artificial beings, adding that the film does not offer easy answers.

With its emotional storytelling, stunning visuals, and a career-defining performance from Jenna Ortega, Klara and the Sunis shaping up to be one of the most intriguing science fiction films of the year.

Klara and the Sun is scheduled to arrive in theaters on October 23, 2026.

Madonna is gearing up for the release of her milestone 15th album, “Confession II,” a sequel to her highly regarded 2005 LP, “Confessions on a Dance Floor.” Now, weeks before the new body of work is set to be released, the 67-year-old is opening up about her failed biopic, which was scrapped in 2023 despite Julia Garner being tapped to play the music legend.

Madonna opened up to Interview Magazine in June 2026 about the movie and why it failed to materialize. She discussed her involvement with the film, saying, “I was supposed to make a movie about my life. I worked on my script for two years and spent two years at Universal Studios with the line producers doing budgeting and casting.”

Regarding why the movie didn’t move forward, the “Express Yourself” singer said, “We had a falling out, me and Universal, regarding budget because I needed — I’ve had an extraordinary life. I’ve had a huge life, so I needed a big budget. You know what I mean?”

She then stated that the executives at the movie studio “couldn’t get their heads around” the budget she felt would be necessary to properly tell her story.

The ‘Confessions II’ Singer Wanted to Find Ways To Decrease The Budget

Madonna didn’t provide figures regarding the planned budget for her still-unfilmed biopic. However, she said she was willing to make changes to the production to reduce its cost. Namely, the icon stated she wanted to find “a way to make it for less money in Serbia.”

According to her, “Maybe they just didn’t believe in me. One of their first reactions was, ‘We don’t believe you’d stay in Serbia more than four days.’ And I said, ‘Did you read the script?’ My whole life has been survival. I’m not going there for a holiday. But anyway, I was in limbo when that fell apart, and then Netflix reached out to make a series.”

Regarding Netflix, she stated, “That was a whole other long process, because I couldn’t use the script I had with Universal unless I bought it from them for an extortionist’s price, even though I wrote it. Don’t ask.”

In reflecting on the situation, Madonna said, “That’s just the way it goes.”

Fans Still Want To See Madonna’s Story Told

Madonna is among the most influential pop stars of all time. Because of this, as well as the recent success of “Michael,” fans think the movie will still happen. However, others believe her life is so big that perhaps a multi-part mini series would be in order. Still, some wonder what she would have seen as a viable budget.

One person said, “Madonna certainly has a story that spans decades, genres, and cultural moments. It’s easy to see why she’d feel a traditional biopic would need a major budget to capture the full scale of her life and career.”

Someone else wrote, “That’s an unfortunate setback for fans who were eager to see her story on the big screen. Few artists have had an impact like Madonna, and telling that story properly would be an ambitious undertaking.”

A different Madonna fan chimed in, writing, “So huge she should know it needs to be a mini series with possibly 2 to 3 seasons. Not a film.”

Julia Garner Opened Up About The Madonna Biopic In 2025

Garner was offered the role of Madonna in 2022. After accepting, the actress underwent a rigorous preparation process, including a grueling boot camp. In July 2025, years after the movie was announced as scrapped, Garner told the “SmartLess” podcast that it was still set to be produced.

According to her, “That’s supposed to still happen.” Regarding going for the role, Garner revealed, “I kind of just wanted to see if I could do it, because I wasn’t a trained dancer and I had to learn how to dance and then dance in front of her and convince her that I can dance, basically, and sing. And sing with her!”

It’s worth noting that Garner may have been referring to the Netflix series Madonna mentioned, which is not currently in the works.

The Music Legend’s New Album Arrives In July

Madonna officially announced “Confession II” in April 2026 after signing a new contract with Warner Records in September 2025. From there, the first taste of the album arrived with the song “I Feel So Free,” released on April 18.

Since then, Madonna has released the singles “Bring Your Love,” a duet with Sabrina Carpenter, and the most recent offering, “Love Sensation.” The album will be released on July 3.

One day after a fan died at their Madison Square Garden concert, rock band Goose held a moment of silence during their Central Park show on Sunday, June 21.

“In moments like this, you realize life is so fragile, we’re so lucky to have an incredible community here around us,” band member Peter Anspach told the crowd at their Central Park SummerStage show in New York City on Sunday. “Everybody, if you’re struggling with something, please don’t be afraid to reach out to somebody in your life or send us a message.”

Anspach, 33, added, “We got to help each other out. That’s why we’re here. People are meant to talk and be with people, so thank you everybody for coming tonight, and we really appreciate you guys so much. We love you.”

The group — which consists of Anspach along with Rick Mitarotonda, Trevor Weeks and Cotter Ellis — held a moment of silence following the “tragic” death of 51-year-old Paul Kueker and sent their “deepest condolences” to his family and friends.

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The New York Police Department confirmed that Kueker died at the band’s MSG concert on Saturday, June 20, after falling from an “elevated position” inside the arena just before 10 p.m. local time. Police responded to a 911 call and found Kueker unconscious and unresponsive with injuries indicating a fall. He was seated in Section 300 of the arena, authorities confirmed.

Kueker was pronounced dead after being transported to Bellevue Hospital. While police do not suspect foul play, there is an ongoing investigation into his death.

“While we await the police report on the tragedy at last night’s Goose concert, we are deeply saddened by the loss of a fan’s life at Madison Square Garden,” the venue shared in a statement. “Our hearts go out to the family and friends of the concertgoer.”

Goose also took to social media on Sunday with a statement addressing Kueker’s death.

“We are deeply saddened and heartbroken to learn of the tragic event that occurred at tonight’s show,” they wrote. “We extend our deepest sympathy to everyone affected. Thank you to the emergency personnel and venue staff who stepped in with care and support.”

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In a separate Instagram post on Sunday, Goose told fans that they “considered” canceling their Central Park show. However, they decided that the “best thing” they could do was bring their fans together.

All proceeds from Sunday’s show went to the Western Sun Foundation’s fan support fund.

“We are all reeling following the events that occurred at last night’s show. Getting off stage to learn that news was devastating for us and our crew, and we cannot imagine how some of you left the show feeling last night,” they wrote on Sunday. “This week we are working to host community gatherings with licensed therapists and grief counselors present, offering support with guided breathwork, space to share, and smaller breakout circles.”

By Jonathan Klotz
| Published 12 seconds ago

David Lynch will forever be remembered for his unique, dreamlike movies and the exceptional, generational series Twin Peaks. Most of his work could be hard to follow with its reliance on a skewed sense of logic, though ultimately, they ended up making sense and coming together. That’s why, when Joss Whedon showed Lynch the pilot episode of Dollhouse, and David Lynch’s comment was that it was “too confusing,” Whedon knew he had a problem on his hands. The solution, reshooting the pilot, didn’t make things any better. 

The Strange Concept Behind Dollhouse

The premise of Dollhouse is, on the face of it, incredibly skeevy and creepy. People have their minds wiped and replaced with fake personalities for clients, clandestine missions, or corporate interests. Eliza Dushku is Echo, who in the pilot episode that aired on Fox in 2009, “Ghost,” takes on the persona of a negotiator to save a kidnapped child. It’s a straight forward, action-focused episode that explains who the Dolls are, what they do, the Rossum corporation, and touches on the dark side of the Dolls. 

It’s also not the original series pilot. “Echo,” the original pilot, was pulled for being, as David Lynch mentioned, too confusing. In this episode, we see from the get-go how dark the series was going to get. Echo and FBI Agent Paul Ballard (Battlestar Galactica’s Tahmoh Penikett) have their fight where Echo reveals her mission to save the Dolls and bring down Rossum, a scene that airs much later in Season 1, as does another scene where the Rossum staff realizes the Dolls are showing signs of being self-aware. It’s a lot for a series pilot. 

Even after filming “Echo” twice, it was chopped into pieces with the scenes inserted into later episodes. Once fans were able to watch the unaired pilot as part of the Dollhouse Season 1 box set, they realized they watched it all. The drip feed of information, revelations, and betrayals that fans received throughout the first season made it a hit, at least enough for Fox to air a second season, seemingly unheard of when it comes to high-concept sci-fi shows on the network. That’s despite some minor executive meddling that confused viewers. 

Dollhouse Aired Out Of Order

Dollhouse did not air in the intended order. The second episode, “The Target,” was moved up a slot. If you watched the episode, and wondered who Alpha was after the Rossum staff started talking about his meddling, you were right to be confused. “Gray Hour,” the original second episode, aired fourth, and its in that episode we learn who Alpha is, and why it’s surprising he’s out there making life hard for Rossum. It’s hard enough keeping track of who’s who without dealing with executives adjusting the order because “The Target” is a take on The Deadliest Game and he thought that was cool. 

Watching Dollhouse after Joss Whedon’s history came to light can be difficult. Eliza Dushku left acting because of what it was like working for him, but on the other hand, she did an amazing job as Echo. The cast, filled with familiar faces from the world of sci-fi, including Firefly and Buffy alums, is an absolute joy to watch them work. Be prepared to be a little confused as the series reveals itself, partly because of the twisted mystery, and partly because no one knew how to sell the concept to viewers, so they make you jump in headfirst. 

Both seasons of Dollhouse are available for purchase on Amazon Prime Video. 

This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.

Everything’s coming up Ice Cube when it comes to the rapper-turned-actor’s beloved comedy franchises. Earlier this month, news broke that he was in talks to reprise his role as Captain Dickson in a long-awaited third installment of the 21 Jump Street franchise, titled 24 Jump Street, alongside Channing Tatum and Jonah Hill. This year also brought word that Cube was also discussing a reunion with Kevin Hart for another Ride Along film, after writer Daniel Gold delivered a script that finally got the team excited for another shift in the buddy cop series. Even the Friday franchise has been making steady progress towards its return following the reveal that Last Friday would finally conclude the ever-quotable smash hit after two decades and, hopefully, bring back as many familiar faces as possible.

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According to a new report, yet another Ice Cube-centric comedy is now mounting a comeback. 19 years after the last installment arrived in theaters, Are We There Yet? is officially in development through Skydance Sports, with both him and Nia Long back in the fold as Nick and Suzanne. Chris Hazzard and Mike Fontana, the duo behind the live-action Teddy Ruxpin movie announced last year, are penning the screenplay for Are They Gone Yet?, which will follow the couple as they now welcome grandkids into the fold. It’ll be a new chapter and a much greater challenge for the couple that Cube is excited to navigate for a new audience, saying in a statement:

“We built something special with this franchise. Audiences grew up with Nick Persons, and now Nick’s got grandkids. Time flies. Partnering with Skydance to bring this story to a new generation is exactly the kind of move CubeVision was built for, and I am excited for the new partnership.”

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Collider Exclusive · Universe Personality Quiz
Which Iconic Universe Do You Belong in the Most?
Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek

Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.

🚀Star Wars

💍Lord of the Rings

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🧙Harry Potter

👑Game of Thrones

🖖Star Trek

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FIND YOUR UNIVERSE →

01

What gives your life its deepest sense of meaning?
Every universe is built around a different answer to this question.

ABeing part of something larger than myself — a cause, a rebellion, a fight for freedom that outlasts me.
BThe journey itself — the places I’ll go, the companions beside me, the world I’ll discover on the way.
CLearning — unlocking what I’m capable of, understanding the world’s hidden mechanics, growing into something more.
DLegacy — the name I leave behind, the power I build, the mark I make before the world moves on without me.
EUnderstanding — exploring what exists beyond the horizon and asking what it means to be alive in a universe this vast.

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NEXT QUESTION →

02

Which kind of world do you most want to inhabit?
The environment shapes who you become. Choose carefully.

AA galaxy of planets, each with its own culture — connected by conflict, trade, and the Force.
BAncient lands of breathtaking beauty, deep history, and a creeping darkness at the edges.
CA world hidden inside our own — full of wonder, community, and magic waiting to be learned.
DA brutal, beautiful continent where power is everything and every alliance is a calculation.
EA future where humanity has reached the stars — and must decide what kind of species it wants to be.

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NEXT QUESTION →

03

How do you prefer your conflicts resolved?
The shape of a world’s conflicts tells you everything about its soul.

AThrough sacrifice and courage — someone has to make the impossible choice so others don’t have to.
BThrough fellowship — the impossible becomes possible when the right people walk the same road.
CThrough growth — confronting what you fear, understanding what you lack, and becoming equal to the challenge.
DThrough strategy — outthinking, outmaneuvering, positioning yourself so the outcome was never in doubt.
EThrough dialogue — finding the third option, the peaceful resolution, the answer that doesn’t require a body count.

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NEXT QUESTION →

04

Who do you want beside you when things get difficult?
Your ideal companions reveal the world you were made for.

AA small crew — a pilot, a rogue, a warrior — each broken in their own way, unbeatable together.
BA fellowship of different kinds of people, bound by purpose and deepened by the long road.
CFriends who grew up alongside me — who knew me before I knew myself, and stayed anyway.
DAllies whose loyalty I’ve earned — and tested — and whose ambitions align with mine, for now.
EA crew of brilliant, curious, principled people from every corner of known space.

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NEXT QUESTION →

05

What is your relationship with power?
How you seek, wield, or resist power is the map of who you are.

AI want to use it to protect — and I’m terrified of what I might become if I’m not careful.
BI distrust it. The most important power in this story is the courage to give it up.
CI want to earn it — through knowledge, through effort, through becoming someone worthy of it.
DI want to wield it. Preferably before someone else decides to wield it against me.
EI want to understand it — its structures, its limits, its ethical dimensions. Power without accountability is the real threat.

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NEXT QUESTION →

06

How does your universe treat good and evil?
A world’s moral architecture tells you more about it than any map.

AThere is a dark side and a light side — and the choice between them is always present, always personal.
BEvil is real and ancient and patient — and goodness, however small, is the only thing that can undo it.
CGood and evil are real, but they live inside people — and people are complicated, always capable of both.
DGood and evil are mostly a matter of perspective and proximity. Power is the only honest currency.
EEvil is usually the result of ignorance, fear, or broken systems — and understanding it is the first step to solving it.

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NEXT QUESTION →

07

What role would you naturally fall into?
Every universe has archetypes. Which one fits you without trying?

AThe reluctant hero — ordinary origins, extraordinary moment, changed forever by the choice to act.
BThe unlikely carrier — the one nobody expected to matter most, quietly bearing the weight of everything.
CThe student — not yet who I’ll become, learning through every mistake, growing into something the world needs.
DThe player — sharp enough to see the game for what it is, ambitious enough to try to win it.
EThe explorer — drawn to the unknown, driven by curiosity, most alive when standing somewhere no one has stood before.

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NEXT QUESTION →

08

What do you ultimately believe about the future?
The answer to this is the clearest window into which universe already lives inside you.

AThat hope is real — that even in the darkest galaxy, a new hope is always possible.
CThat even the smallest person can change the course of the future, if they have the courage to try.
CThat love and friendship and doing what’s right will matter in the end, even when everything says otherwise.
DThat the wheel keeps turning — that power shifts, winters end, and what endures is those willing to fight for it.
EThat humanity — or whatever we become — is capable of extraordinary things, if we choose to be.

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REVEAL MY UNIVERSE →

Your Universe Has Been Chosen
You Belong In…

Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.

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A Galaxy Far, Far Away

Star Wars

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You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.

• You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
• You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
• Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
• The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.

Middle-earth

Lord of the Rings

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You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.

• Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
• You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
• Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
• Those are not burdens to you. They are simply how you move through the world.

The Wizarding World

Harry Potter

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You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.

• The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
• You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
• Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
• That choice — made quietly, without guarantee — is something you understand completely.

Westeros · The Known World

Game of Thrones

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You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.

• Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
• You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
• Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
• Winter always comes. You are already prepared.

The United Federation of Planets

Star Trek

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You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.

• Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
• You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
• The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
• You don’t just hope that’s possible. You think it’s the only thing worth working toward.

↻ RETAKE THE QUIZ

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Where Did ‘Are We There Yet?’ Leave Off?

Exact plot details for the next adventure of Nick and Suzanne’s growing unit are unknown at this time, but it’s bound to bring a new level of familial chaos to the table like its predecessors. Kicking off in 2005, the original Are We There Yet? followed Nick as he attempted to win over recent divorcee Suzanne by agreeing to take her kids Lindsey (Aleisha Allen) and Kevin (Philip Bolden) to their grandmother’s house. Following a mishap at the airport, however, what should’ve been a simple flight quickly devolves into a nightmare road trip in Nick’s precious Lincoln Navigator. Against all odds, though, they end up bonding, and Nick and Suzanne get together, leading into Are We Done Yet? in 2007, which takes the happy family to the suburbs where their hopes of owning a dream home are complicated by an eccentric contractor (John C. McGinley).

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Release Date

January 21, 2005

Runtime

95 minutes

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Director

Brian Levant

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Cast

• 
• 
• 

  Aleisha Allen

  Lindsey Kingston

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• 

  Philip Bolden

  Kevin Kingston

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This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.