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Forget ‘Michael,’ Watch This 91% RT Rock Classic Taking Over Free Streaming

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Some movies don’t just feel nostalgic. They feel like memory itself. Cameron Crowe’s 2000 film captures fandom, youth, music obsession, and emotional growing pains with a warmth that never tips into sentimentality. It’s a coming-of-age movie, a backstage drama, and a love letter to the kind of rock-and-roll mythology that can completely take over your life when you’re young.

Almost Famous sticks around because of how human it feels. Patrick Fugit (Gone Girl, First Man) is great as William Miller, but the movie is packed with performances that have only grown in stature over time, while Crowe understands that the allure of this world is inseparable from the loneliness inside it, and that tension gives the movie real emotional weight.

Fugit plays 15-year-old William Miller, who lands the opportunity of a lifetime writing for Rolling Stone magazine following touring rock band Stillwater. Set in the 1970s, it’s a perfect representation of the era’s rock culture as it takes viewers on William’s adventures on the road. The story is inspired by Crowe’s own experiences as a teenage journalist, and his work on the film won him an Academy Award for Best Original Screenplay. Almost Famous earned widespread praise from critics too, also nabbing a Golden Globe for Best Motion Picture – Musical or Comedy.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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Who Stars in ‘Almost Famous’?

Alongside Fugit, the cast includes Kate Hudson (How to Lose a Guy in 10 Days, Glass Onion: A Knives Out Mystery) as Penny Lane, Billy Crudup (Watchmen, Big Fish) as Russell Hammond, Frances McDormand (Fargo, Three Billboards Outside Ebbing, Missouri) as Elaine Miller, Jason Lee (Vanilla Sky, Chasing Amy) as Jeff Bebe, Zooey Deschanel (Elf, 500 Days of Summer) as Anita Miller, and Philip Seymour Hoffman (Capote, The Master) as Lester Bangs.

One of the best things in Almost Famous is its unforgettable soundtrack, which includes instantly recognizable hits from legends like Led Zeppelin, Elton John, and David Bowie. The soundtrack brilliantly captures the essence of the 1970s rock scene, which enhances the film’s story and provides quite a treat for music lovers. Adding to the thrill, the film also includes original songs performed by the fictional band Stillwater, with “Fever Dog” emerging as a fan favorite.

Almost Famous is streaming now on Pluto.


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Release Date

September 15, 2000

Runtime
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124 minutes

Director

Cameron Crowe

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Vanessa Bryant Marks Late Daughter Gianna’s Birthday

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Vanessa Bryant is commemorating her late daughter Gianna’s birthday with a poignant post.

The widow of Kobe Bryant took to Instagram on Friday, May 1, to mark what would have been her daughter’s 20th birthday.

“Happy birthday to my sweet baby angel, Gianna. Words can’t express how much I love and miss you mamacita,” Vanessa, 43, captioned the post, which featured a throwback image of herself kissing her daughter. “Mommy loves you so much! #HappyBirthday #20 💕💕”

Followers flocked to the comments section to share their support. LeBron James, Kim Kardashian, Kelly Rowland, La La Anthony, Kris Jenner, and Gianna’s older sister Natalia were among those who commented on the post with their love.

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Kobe and Gianna – along with seven others – were tragically killed in a January 2020 helicopter crash while on the way to his Mamba Sports Academy for a basketball game. Kobe and Gianna were 43 and 13 respectively. (Kobe and Vanessa also shared daughters Natalia, 23, Bianka, 9, and Capri, 6.)

Each year, Vanessa remembers Gianna and Kobe on their respective birthdays.

“Happy birthday, Gigi! Mommy loves and misses you more than I could ever express. I love you Gianna. ❤️19 ♉️ 5/1 #Mambacita,” posted Vanessa last year.

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(Photo by Harry How/Getty Images)

In 2024, Vanessa reflected on what could have been as she marked what would have been Gianna’s 18th birthday.

“Happy birthday to my gorgeous girl, Gigi! I love you. I miss you. I’m so proud of you,” she wrote via Instagram at the time. “2024 was your year. You would’ve been graduating high school and choosing which college to go to. (I would’ve been trying my hardest to convince you to stay close to home).”

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Vanessa Bryant and Daughters Honor Kobe Bryant at Handprint Ceremony


Related: Kobe Bryant and Vanessa Bryant: A Timeline of Their Relationship

A lasting love. Kobe Bryant and Vanessa Bryant’s decades-long romance came to a tragic end when the NBA legend died on January 26, 2020. Despite their relationship’s heartbreaking conclusion, their romance was filled with many highs over the years. The love between Kobe and Vanessa began not long after the duo first met in November […]

Meanwhile, Vanessa shared an emotional tribute to Kobe in August 2025 to mark what would have been the NBA star’s 47th birthday.

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“We love and miss you and Gigi so much,” Vanessa wrote via Instagram alongside a photo of the couple sharing a kiss. “Sending our love to you. Happy birthday, baby. @kobebryant ❤️.”

Vanessa and Kobe first met on the set of Eastsidaz’s “G’d Up” music video in 1999, where Vanessa was working as a backup dancer. They tied the knot in 2001 before welcoming their daughters.

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Following Kobe and Gianna’s deaths, Vanessa sued Los Angeles County for invasion of privacy and negligence after Sheriff’s Office and Fire Department employees took and distributed photos of the helicopter crash. In August 2022, she was awarded $16 million in damages. The following year, she settled for nearly $29 million, all of which was donated to the Mamba & Mambacita Sports Foundation.

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Conservative pundit Scott Jennings has F-bomb meltdown while debating Iran war with Gen Z panelist on CNN

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“Get your f—ing hand out of my face,” snapped Jennings after Adam Mockler asked him to “name one political concession.”

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Why Are CBS Shows Facing Changes? Fall Lineup Explained

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Everything to Know About RHOSLC Alum Jen Shah's Legal Drama

The fall 2026 lineup is going to look a little different for CBS after some shows went through surprising changes.

CBS announced its schedule on Wednesday, April 15, with viewers noticing some substantial changes. Ghosts, Matlock and NCIS: Sydney received a shakeup by having their premieres moved to 2027 for midseason. They will join the new show Einstein, which is finally premiering in 2027 as well.

Matlock‘s timeslot will be given to Elsbeth to allow Cupertino to premiere on the same night. NCIS: Sydney, meanwhile, is moving to midseason as NCIS: Origins — which received a shorter episode order — takes over to pair off with NCIS: New York. Fire Country also received a smaller episode order.

The network originally announced a spate of early renewals in January, with only Watson and DMV left in limbo. CBS ultimately renewed 12 dramas for its next season, including all four freshman shows: Marshals, CIA, Sheriff Country and Boston Blue. The network also previously picked up two new shows for 2026-27: Robert and Michelle King’s Cupertino and Matthew Gray Gubler‘s Einstein.

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In March, Watson and DMV were canceled after Eternally Yours and The Tillbrooks were expected to proceed beyond the pilot stage. The Tillbrooks, however, ultimately didn’t receive a series order.

CBS also found success with new additions such as Yellowstone spinoff Marshals, which was picked up for season 2 after its premiere was watched by 20.6 million viewers within seven days. It marked the most-watched network original series premiere without a football lead-in since 2017.

Why Did CBS Cancel Watson and DMV? TV Changes Explained


Related: Why Did CBS Cancel ‘Watson’ and ‘DMV’? Changes Explained Before Finales

CBS is going through some changes after canceling two shows. News broke on Friday, March 27, that Watson wouldn’t be returning for season 3, while DMV was canceled after one season. Their series finales will air May 3 and May 11, respectively. The update came a week before the network was planning to unveil its […]

“Marshals delivered a breakout performance, capturing a massive audience across platforms and quickly establishing itself as one of TV’s most powerful new series,” CBS Entertainment president Amy Reisenbach said in a statement. “The overwhelming viewer response speaks to the strength of the Yellowstone world, the bold, character-driven storytelling from the creative team and the dynamic cast performances led by Luke Grimes.”

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According to a press release, CBS had several wins with Marshals and Justin Hartley‘s Tracker. Both shows came out as the top two most‑watched during their premiere week. The debut of Luke Grimes‘ spinoff, meanwhile, ranked as CBS’ most-streamed episode ever on Paramount+.

Boston Blue and Sheriff Country also scored quick season 2 pickups, with Sheriff Country averaging 7.6 million viewers and Blue Bloods bringing in 8 million viewers and winning “every Friday night in total viewers.”

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Fire Country Cuts Episode Count After Showrunner Change, Cast Exits

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Fire Country is going through a massive change when it returns for season 5.

The CBS drama received a 13-episode order, which is down from its usual 20 episodes. It is joining NCIS: Origins and NCIS: Sydney — and Matlock — as shows with a reduced episode order. Deadline reported that the change comes after the network expanded its scripted roster for the fall 2026 TV season.

Fire Country, which premiered in 2022, follows inmate Bode (Max Thieriot) as he attempts to shorten his prison sentence by volunteering for the California Conservation Camp Program. By the third season, Bode is out of prison and determined to prove himself at Cal Fire.

The hit series previously went through a shakeup when news broke in April 2025 that budget cuts led to Billy Burke and Stephanie Arcila‘s exits. (Burke has yet to address his departure.)

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Fire Country


Related: Which ‘Fire Country’ Stars Are — And Aren’t — Returning for Season 5?

Fire Country has experienced cast — and showrunner — departures amid budget cuts, so which cast members are and aren’t returning for season 5? The CBS series, which premiered in 2022, introduced Us to the town of Edgewater after inmate Bode (Max Thieriot) returned home and began volunteering for the California Conservation Camp Program. By […]

“I had no idea ever. But at the same time, I know that this is the nature of the industry that I’m in, and I have accepted the flow of release and acceptance throughout my journey and knowing that when one door closes, another one always opens,” Arcila exclusively told Us Weekly in April 2025. “We have this beautiful eternal door of revolving desires in what we love in life. I believe that if we put resistance towards that, sometimes it stops us from fulfilling other things that we love.”

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Showrunner Tia Napolitano, meanwhile, defended the decision.

“It’s a fire show. Anyone can go at any time,” she told Us in October 2025. “But in terms of losing people, we’re also adding some really fun guest cast. It’s a revolving door of people from Sharon’s past and new faces that are exciting to bring conflict and secrets and twists and turns.”

Napolitano teased how the show will have to balance “really spicing it up” while still walking a “fine line” of paying tribute to the loss.

“What we’ve done is really thread the needle of honoring — especially Vince — because Gabriella is gone, but she’s gone to a happy and successful life. She’s still out there. But we really walk this line of honoring Vince while also finding hope rather quickly,” she noted. “Looking forward, the theme of the season is rising from the ashes and recovery.”

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Related: How Many ‘Fire Country’ Stars Have Left the CBS Series Over the Years?

Fire Country has faced numerous surprising cast — and crew — changes over the years. The CBS series, which premiered in 2022, introduced Us to the town of Edgewater after inmate Bode (Max Thieriot) returned home and began volunteering for the California Conservation Camp Program. By season 2, a backdoor pilot set up the world […]

Napolitano continued: “How do you recover from something like this? And we’re really going to see everybody rise to the occasion, in celebration of Vince, of his life and in honoring the sacrifice that he made.”

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Napolitano has since exit the show and won’t be returning for season 5.

“I am beyond proud of the past four seasons of Fire Country,” she said in a January statement. “All of my gratitude to our cast, crew, writers, producers, fans, and of course CBS and CBS Studios. It’s been a beautiful ride!”

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Fire Country returns to CBS on Fridays at 9 p.m. ET. New episodes will be streaming the next day on Paramount+.

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Adam Scott auditioned for“ Hellraiser 6” after dying in “Hellraiser 4:” 'Maybe they won't notice'

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“I’m like, ‘Screw it.'”

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Landman’s Paulina Chavez Speculates on Season 3 Story Lines

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Just because Paulina Chávez is in the dark about season 3 of Landman doesn’t mean she can’t speculate wildly with Us about possible story lines.

“We don’t know anything,” Chávez, 23, who plays Ariana, exclusively told Us Weekly while celebrating the National Pork Board’s new Explora Todo El Gusto Del Pork campaign. “Obviously, I do assume that we’re gonna really get into more of the nitty-gritty of these character dynamics.”

Chávez has hopes for where her character will fit in now that Tommy (Billy Bob Thornton) is striking out on his own, adding, “Obviously, we have never seen how Ariana fits into the Norris family, and she’s never really interacted with [Ali Larter‘s] Angela. So I’m excited to see that.”

As Chávez is “eagerly waiting” for scripts for the hit Paramount+ series, she indulged Us by weighing in on all the possibilities when it comes to Ariana. Fresh off an engagement to Cooper (Jacob Lofland), Chávez could see them hitting another major milestone.

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Related: Which ‘Landman‘ Stars Are — And Aren‘t — Returning for Season 3?

Taylor Sheridan‘s hit series Landman was renewed for season 3 — but which stars are and aren’t returning after that shocking firing? Inspired by the “Boomtown” podcast series, Landman is focused on the West Texas oil industry with a specific focus on crisis executive Tommy Norris and his family. The Paramount+ show, which premiered in […]

“A small wedding [must be] coming. But I also feel like this is a great opportunity for Ariana to maybe do something that her family has never done before, which is maybe go to college or maybe take some night classes,” the actress noted. “Especially if she is going to take more time with the baby and figure out the relationship with Cooper further.”

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Chávez continued: “But she is also helping him with his goals and in the family business. I think that Ariana is going to want to do something for herself and to really help. Honestly, I see her being mentored by Rebecca, and maybe she’s following in the footsteps of making sure that they are protected legally.”

Chávez noted that Ariana would want a “small” wedding — but her future mother-in-law would not.

Landman
Emerson Miller/Paramount+

“Cooper and Ariana, they can hold off on it a little bit, but we’ll see. Maybe we will be in preparation for the wedding, but you won’t see it until it happens,” she noted. “Mexican weddings tend to be over the top. Angela is like a Latina mom by heart because she’s just so loud and free and open. She would want to go very extravagant with the wedding. … Maybe they’ll just go to the courthouse.”

The idea of bringing their families together sounded appealing to Chávez, who added, “I would love for Cooper to also see the dynamic between Ariana’s parents and her. I also would love to see both families meeting and see how that’s going to unravel.”

Despite planning a future together, there is one relationship milestone Chávez isn’t in a rush to explore. Chávez, whose character already shares a baby with her late ex-husband, expressed hope that Ariana and Cooper wouldn’t rush into expanding their family.

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“Sometimes when you move super fast, sometimes there’s no need to [move as fast in other areas of the relationship]. There’s so much for them to still fortify and still work on their relationship and on themselves too,” she explained. “Either way, it’ll be a ride.”

Chávez also weighed in on Us‘ theory that creator Taylor Sheridan could bridge the worlds between some of his currently airing shows. From Yellowstone spinoffs Dutton Ranch and Marshals to The Madison, there are plenty of options when it comes to shows that could intersect with Landman.

“Definitely Dutton Ranch. That would be super, super cool to see — as a person who watched Yellowstone,” Chávez told Us. “That would be very interesting.”

Before Chávez returns to film the third season of Landman, she is serving as the face of Explora Todo El Gusto Del Pork, which is a new lifestyle food brand from the National Pork Board.

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“This comes at a time where it’s such a fun way to show people our culture and in the way we love through food. Pork is something that is a big staple in our dishes that we make, and I feel like this is just going to pay homage to all the Latinas that have come before us and our grandmas,” she shared with Us. “I’m excited to share some of my grandma’s recipes and show the younger generation how to keep that culture going.”

She continued: “I feel like we didn’t really have much. And my sister — thankfully — sat down with my grandma and she wrote a cookbook with some of our favorite recipes. My top favorite is pozole. It’s a stew, and it’s just so yummy, and it’s just comfort food. Every year we also make tamales rojos, but on the side of that, we also make chilucas.”

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For Chávez, the best meals come from her mother, whose cooking is “superior.” She adds, “I just love being home. I do like cooking when I have to. If not, I love to eat my mom’s cooking.”

Landman is currently streaming on Paramount+.

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Teen Mom’s Jenelle Evans Shares Update on Son Jace

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Teen Mom alum Jenelle Evans appears to be working hard to put her past troubles with her son Jace behind them.

Posting via Instagram on Friday, May 1, Evans, 34, shared a carousel of photos and videos that showed her with Jace, 16, as they spent quality time together at a “parents weekend.”

Evans shared a selfie of the mother-son duo together as well as snippets from a kayaking adventure they embarked on together.

“Therapy and kayaking with my best friend. Both working on ourselves at the same time 💓🥹 #ParentsWeekend #MentalHealthAwareness,” the reality TV star captioned the post.

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Teen Mom Jenelle Evans Shares Behind the Scenes Update on Son Jace


Related: Teen Mom’s Jenelle Evans Shares Behind-the-Scenes Update on Son Jace

Teen Mom alum Jenelle Evans is assuring fans that her 16-year-old son Jace is in good hands. “I’ll let you know something that I haven’t told anyone,” Evans, 34, shared on the Monday, April 13, episode of the “La Femme Talk” podcast. “You know I’ve been very quiet online, and behind the scenes, I’ve been […]

Evans — who shares Jace with ex Andrew Lewis, Kaiser, 11, with ex Nathan Griffith, and Ensley, 9, with David Eason — also shared drawings from the weekend via her social media, which appeared to be parenting exercises.

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One piece of paper read “emotional hijack” and included practical steps to take such as “Do things they enjoy. Respect their feelings”  and “Build the relationship.” Evans captioned the post, “#Parenting101.”

Evans’ followers voiced their support for the family update in the comments section.

“Precious, but make sure Jake is on board with you postings😉🤔 Hope All is well with you both🫶🫶,” one wrote, while another added, “Good job momma. ❤️”

Meanwhile, another follower wrote, “He looks good. Am glad he is doing well. So proud of him.”

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Jenelle and Jace Evans.
(Photo courtesy of Jenelle Evans/Instagram)

 

In March, news broke that Jenelle’s mother, Barbara Evans, filed for emergency custody of Jace after the teen allegedly pulled a gun on his relatives in February. (Jace was living with Barbara in North Carolina at the time, while Jenelle is based in Las Vegas with her younger two children.)

Barbara’s motion was denied but Lewis started a GoFundMe page to raise money for “medical and legal” expenses for his son, which Evans later slammed as a “scam.”

Evans previously shared an update on Jace on the April 13, episode of the “La Femme Talk” podcast.

“I’ll let you know something that I haven’t told anyone,” Evans said on the podcast. “You know I’ve been very quiet online, and behind the scenes, I’ve been actually getting help for my son as needed, and he’s in a safe place [in a] holistic approach.”

She continued, “I think that’s the most important thing. A lot of people, they think since I’m being so quiet that I might not be doing anything and not taking action. But just know that if I’m quiet, I’m up to something.”

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Victoria Woods Pops Off On GloRilla, Latto, Drake & Soulja Boy

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Rihanna Seemingly Addresses Baby Rumors, Talks "Little Pouch"

Victoria Woods, also known online as BroRilla, has finally shared her take on ‘GOMF,’ which is her sister GloRilla‘s new song with Latto. Woods popped off on both rappers, taking shots at their talent and personal lives. Soulja Boy and Drake also caught stray jabs from Victoria for supporting the record and its official video. For context, ‘GOMF’ doesn’t name Victoria. However, in the song’s chorus, GloRilla takes aim at a “freaky stud,” which fans speculated was a dig at her sister.

“Get out my face, ho (Ho), beggin’ for change, ho (Yup). Get you a hustle and get that p*ssy out your face, ho (Yup). You coulda been anything, it’s a million ways to get paid, ho (Yup). But you ain’t sh*t but a freaky stud that’s laced,” GloRilla raps.

RELATED: Wayment! Fans React As GloRilla Appears To Diss Sister Victoria Woods & Teases Future Baby In ‘GOMF’ Track

Victoria Woods Goes OFF On GloRilla, Latto, Drake & Soulja Boy Over ‘GOMF’

In her response video, Victoria Woods wasted no time sending a big F-U to GloRilla, Latto, Soulja Boy and Drake. As a matter of fact, that’s exactly how the circulating BroRilla clip starts. Then Woods starts running down a list of insults for each person.

“Latto, you not even getting claimed in public by your baby daddy, b*tch. Like, h*e you pregnant by a married man while you wanna sit here and put Glo on a record,” Victoria Woods said, accusing Latto and Glo of running behind another female rapper’s “crown.”

Additionally, Woods called out Drake for “suing a motherf*cker over dissing the sh*t” out of him.

“You’s a b*tch any motherf*cking way, cause you mad cause Kendrick Lamar got on yo a** since you wanna sit here and applaud Latto, b*tch.”

To clarify, Drizzy has not sued Kendrick Lamar. However, he did sue Universal Music Group (UMG) and Interscope Records in January 2025 for allegedly engaging in a “false and malicious” campaign to promote Lamar’s diss record, ‘Not Like Us.’ A judge dismissed the defamation lawsuit in October 2025. In April 2026, Drake reportedly filed a brief in his appeal against the dismissal.

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“Soulja Boy your outfit still big as f*ck ever since youuuuuuu and you lame as f*ck and can’t rap. I’m coming for all y’all heads, f*ck all y’all and anybody who like that motherf**king song and has stamped it…” Victoria said in her video.

Why Did Drake & Soulja Boy Catch Strays In BroRilla’s Clapback?

With ‘GOMF’ being featured on Latto’s album, it’s obvious why Victoria Woods came for her baby bump and more!

As for Soulja Boy, he seemingly caught heat from Woods for approving the sample song used in ‘GOMF,’ which is his 2007 hit, ‘Yahhh.” He confirmed in a series of tweets on April 27 that he’s been clearing samples for the last two years. His approval list also includes ‘Wanna Be’ by Megan Thee Stallion and GloRilla, ‘Stomp Stomp’ by 41, Kyle Ricch, Jenn Carter, Tata and Dee Billz and ‘Dunk’ by Cash Cobain. Soulja Boy also makes an appearance in the official video for ‘GOMF.’

As for Drizzy, it doesn’t appear he’s directly involved with the production or promotion of ‘GOMF.’ However, he’s shown public support of Latto’s career in recent years. For example, in November 2024, he attended her show in Toronto, encouraging the crowd to show her love. Fast-forward to this month. The rapper publicly acknowledged ‘GOMF,’ and Latto even shared a personal text from him that complimented her lyrics.

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“Ghost a n*gga if he ain’t a eater just like Pac-Man is a f*cking BARRRRRRRR,” Drake texted Latto.

In her album’s first single, ‘Business & Personal,’ Latto rapped about how honored she is by people likening her rap skills to Drake’s. According to Complex, there were rumors that he ghost wrote for her last album, ‘Sugar Honey Iced Tea.’ “Oh, they think Crodie wrote it, (Pfft, well that’s a compliment,” she raps in the second verse.

Was Woods Recently In A Car Accident?

Victoria Woods’ clap back comes amid viral photos that seemingly depict a person who resembles her. The photos show the look-alike sitting on another person’s lap in the driver’s seat with the door open. The car in the photos appears to have sustained damage, including major scratches and dents, on both car doors. It’s unclear whether a car accident occurred. At this time, Victoria has not addressed the photos. Additionally, no police reports citing her name and a car accident have surfaced yet.

RELATED: Lexie Brown Speaks Out After Klay Thompson & Megan Thee Stallion Fail To Clear Her Name In Cheating Allegations

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The 19 best war movies streaming on Netflix

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War is hell, and these movies don’t shy away from it.

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Say Goodbye to Sam Raimi’s 87-Minute Creature Feature on Paramount+

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CRAWL, Kaya Scodelario, 2019. ph: Sergej Radovic / © Paramount Pictures / courtesy Everett Collection

Hollywood is sleeping on creature features. All it’ll take for audiences to stop sneering at these movies is Ari Aster filming a hive of caterpillars crawling up someone’s nose. But as long as they keep making knowingly unhinged films about sharks and murderous fish, viewers will keep tuning in — ironically, of course. Not too long ago, Netflix delivered a major hit with Thrash, in which Phoebe Dynevor punches a shark in the face during a hurricane. In 2024, the bonkers French film Under Paris captured a similar energy, bottled it up, and threw it in the audience’s face. There was a time when creature features would make a killing at the box office. Remember The Shallows, where Blake Lively is stranded on a rock being circled by a great white? The film grossed over $110 million worldwide in 2016. Only three years later, another creature feature did excellent business at the box office and received positive reviews.

This movie was helmed by Alexandre Aja and produced by horror-comedy maestro Sam Raimi. The film was headlined by Kaya Scodelario, who’d just made an unsuccessful attempt to replace Keira Knightley as the female lead of the Pirates of the Caribbean series. Funnily enough, they’d go on to work together on the 2025 Netflix thriller The Woman in Cabin 10. In the 2019 creature feature, Scodelario played a young woman trapped along with her father in the crawl space of their home during a hurricane. Survival becomes even tougher for them when they’re surrounded by alligators.

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Collider Exclusive · Horror Survival Quiz
Which Horror Villain Do You Have the Best Chance of Surviving?
Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky

Five killers. Five completely different ways to die — if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.

🏕️Jason

🔪Michael

💤Freddy

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🎈Pennywise

🪆Chucky

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01

Something feels wrong. You can’t explain it — you just know. What do you do?
First instincts are the difference between the survivor and the first act casualty.





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02

Where are you most likely to find yourself when things go wrong?
Setting is everything in horror. Where you are determines which rules apply.





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03

What is your most reliable survival asset?
Every survivor has a quality the villain didn’t account for. What’s yours?





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04

What kind of fear is hardest for you to fight through?
Knowing your weakness is the first step to not dying because of it.





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05

You’re with a group when things start going wrong. What’s your role?
Horror movies are brutally clear about who survives group situations and who doesn’t.





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06

What’s the horror movie mistake you’re most likely to make?
Honest self-assessment is a survival skill. Denial is not.





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07

What’s your best weapon against something that can’t be stopped by conventional means?
Every horror villain has a weakness. The survivors are always the ones who find it.





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08

It’s the final scene. You’re the last one standing. How did you make it?
The final survivor always has a reason. What’s yours?





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Your Survival Odds Have Been Calculated
Your Best Chance Is Against…

Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.

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Camp Crystal Lake · Friday the 13th

Jason Voorhees

Jason is relentless, but he is also predictable — and that is the gap you would exploit.

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  • He moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.
  • Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
  • The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
  • You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.


Haddonfield, Illinois · Halloween

Michael Myers

Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.

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  • But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
  • Michael’s power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
  • Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
  • You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.


Elm Street · A Nightmare on Elm Street

Freddy Krueger

Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.

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  • You are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.
  • The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
  • Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
  • Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.


Derry, Maine · It

Pennywise

Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.

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  • The Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
  • You ask the questions others avoid. You look directly at what frightens you rather than turning away.
  • That directness — the refusal to let fear fester in the dark — is Pennywise’s worst nightmare.
  • It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.


Chicago · Child’s Play

Chucky

Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.

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  • You don’t have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
  • Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
  • Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
  • Against Chucky, not laughing is already winning. You are very good at not laughing.

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Here’s How Long You Have Left To Watch Kaya Scodelario’s Creature Feature

We’re talking, of course, about Crawl. The film grossed more than $90 million worldwide against a reported budget of $15 million — this sort of result would be difficult to replicate today, especially with the emergence of streaming. Crawl received mostly positive reviews and is now sitting at a “Certified Fresh” 84% score on the aggregator website Rotten Tomatoes, where the critics’ consensus reads, “An action-packed creature feature that’s fast, terrifying, and benefits greatly from a completely game Kaya Scodelario, Crawl is a fun throw-back with just enough self-awareness to work.” Also featuring Barry Pepper, the film is currently streaming in the United States on Paramount+, but it’ll be removed from the platform on June 1. Stay tuned to Collider for more updates.


crawl-movie-poster.jpg
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Release Date
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July 11, 2019

Runtime

87 minutes

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Director

Alexandre Aja

Writers
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Alexandre Aja, Michael Rasmussen, Shawn Rasmussen

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