Entertainment

General Hospital 2-Week Spoilers Feb 16-27: Lulu Spirals into Panic & Ric Applies Pressure

Published

4 weeks ago

16 February 2026

General Hospital Spoilers: Lulu Spencer (Alexa Havins Bruening) - Ric Lansing (Rick Hearst)

General Hospital 2-week spoilers for February 16 -27, 2026 divulge that Lulu Spencer (Alexa Havins Bruening) panicking and Ric Lansing (Rick Hearst) pushing.

General Hospital Spoilers Monday, February 16: Drama at Wyndemere and the Axe Range

On Monday, February 16th, we’ve got Carly Corinthos Spencer (Laura Wright) catching up with Jason Morgan (Steve Burton). Looks like they’re at the Brown Dog Bar. Carly is ranting about Ric, and she tells Jason she doesn’t buy it. Even though Sonny Corinthos (Maurice Benard) insists that he and Ric are getting closer and Sonny says Ric doesn’t have an agenda, Carly is skeptical. We’ll find out if she’s right. Obviously, her beef with Ric is totally understandable.

Out at Wyndemere, Marco Rios (Adrian Anchondo) realizes that Lucas Jones (Van Hansis) walked up on his phone call. Now the question is how much he heard, but Marco was talking about how he wants rid of Sonny. So Lucas has heard enough between this and what he eavesdropped on earlier, which Pascal (Mark Forget) knows he overheard because he saw him. It’s just too much.

Lucas & Marco Showdown

Lucas wants to leave and he tells Marco, “No more,” and he tries to get away. But then it gets physical with Lucas, and Marco grabs him and tells Lucas he is not going anywhere. The good news is that he does get away from Marco and runs off. He’s going to talk to somebody who can help. You know Elizabeth Webber (Rebecca Herbst)] already advised Lucas to move out of Wyndemere, so I’m guessing moving boxes are next.

Also, Maxie Jones (Kirsten Storms) is stunned. Felicia Scorpio (Kristina Wagner) told her on Friday that Nathan West (Ryan Paevey) is alive, and we’ll get more of Maxie’s shock and disbelief as the week begins because obviously, this wasn’t on her radar.

Elizabeth and Ric’s Valentine’s Day date is over at the axe range. She was all dressed up for something fancier, but they’re having beer and throwing axes. It’s not terribly romantic, but maybe it’s a good choice in case Liz is skittish about this first date with Ric; maybe he didn’t want to overwhelm her with anything too romantic. Liz wants to know if Ric’s saying she doesn’t know how to have fun. I ship them. I’m excited about this. I hope we get more “Li-Ric.”

Harrison Chase (Josh Swickard) promises Brook Lynn Quartermaine (Amanda Setton) a Valentine’s Day to remember, but are things going to head downhill? Jacinda Bracken (Paige Herschell) seems to have pulled one over on Michael Corinthos (Rory Gibson). They’re also at the axe range, and she tells him there’s one born every minute—as in a sucker. So, I wonder if Jacinda tramples Michael at the axe range.

Liesl Obrecht’s Bombshell and Tension Between Sonny and Ric on GH

Over at the Metro Court restaurant, Molly Lansing-Davis (Kristen Vaganos) is all wound up and telling Alexis Davis (Nancy Lee Grahn) she’s got something to tell her. It could be about the book deal offer or about Cody Bell (Josh Kelly) and his issues with her book. That’s why Molly doesn’t have a date with him for Valentine’s Day.

Britt Westbourne (Kelly Thiebaud) is stunned by Nathan telling her that Anna Devane (Finola Hughes) suspects Cesar Faison (Anders Hove) is alive. That went from Friday and it’s going to carry over. Britt, of course, seems very skeptical. Nathan is as well. So neither of them seem to think their dad’s alive. Britt thinks Anna is having a nervous breakdown, and Nathan says if Anna had any proof, she didn’t get it from Faison.

Before they can say anything more, Liesl Obrecht (Kathleen Gati) rushes in and drops the bombshell on Nathan that Maxie is awake from her coma. Nathan looks like a deer in the headlights—complete and utter shock. Of course, this has everybody wondering because we’re not entirely sure if he is who he says he is.

Britt Takes a Big Risk

Britt risks everything in this conversation she is having with Liesl after Nathan exits. So, this could be about Anna thinking Faison is alive, or it could be about the mess that she’s made of her own life. Britt tells Obrecht she has no idea what she’s asking right now. I really hope she comes clean to her mom and tells Dr. O about Ross Cullum (Andrew Hawkes) Sidwell (Carlo Rota) and all that.

On Tuesday, February 17th, Britt and Jason have a Valentine’s Day run-in this week. We’ll see if it’s Monday or Tuesday. I don’t see a lot of hearts and flowers in their future, though. Tracy Quartermaine (Jane Elliot) has something to say to Sidwell—maybe about Deception, maybe about Maxie, or maybe about him being out with Lucy Coe (Lynn Herring) and Ava Jerome (Maura West).

General Hospital Spoilers: Alexis Shocked by Laura

Laura Spencer Collins (Genie Francis) surprises Alexis. She’s up at Laura’s mayoral office this week. Their talk may be about Danny Morgan (Asher Jared Antonyzyn) and Charlotte Cassadine (Bluesy Burke) and the cousin loving. We’ll see. Sonny is questioned by Ric. He’s trying to understand Sonny’s motives. Now, this may be about sicking Lucy on Sidwell or what’s going on with Michael in the PCPD investigation.

Lucas is adamant about something, and I believe that is about him moving out of Wyndemere and getting off Spoon Island after being manhandled by Marco. Lucas talks with Carly at the Metro Court, and she may insist he take a room there. She’s not going to want Lucas on Spoon Island or back at Ava’s place. Dante Falconeri (Dominic Zamprogna) admits something to Michael on Tuesday, and it may be about the PCPD investigation into him on General Hospital.

Maxie Returns to Port Charles and Lulu’s Secret Confession on General Hospital

Wednesday, February 18th, Willow Tait (Katelyn MacMullen) tells Nina Reeves (Cynthia Watros) something important. I doubt she’s going to confess what she did to Drew Cain Quartermaine (Cameron Mathison). Although, I don’t think Nina would care if Drew dropped dead; she just doesn’t want Willow to go to jail.

Damian Spinelli (Bradford Anderson) gets some advice from BLQ probably about Maxie and Nathan. I hope that Brook Lynn doesn’t mention that Lulu and Nathan are crushing on each other, but she might. Hopefully not, though. Lulu makes another confession to Laura, and Lulu may tell her mom that Brook Lynn said she’d lose Maxie over the Nathan thing.

Kristina Corinthos-Davis (Kate Mansi) tries to encourage Cody. I’m sure it’s to give Molly another chance. Nathan confides in Dante, probably about his anxiety about seeing Maxie after all this time. I don’t think he’s going to tell him about Lulu since, you know, Dante’s her ex-husband. Thursday, February 19th, Willow has big news for Drew, and it may be about Michael.

Or maybe about Scout Cain (Cosette Abinante). Spinelli is there to welcome Maxie home. She’s out of the Boston facility and back in Port Charles. Meanwhile, Ric makes a shocking claim by the end of the week. Alexis takes notice of something, and it could be about Charlotte and Danny, or maybe about Willow. Michael finds himself in the hot seat on Thursday, and I wonder if the cops are going to find the key to Drew’s house on Michael’s key ring by then.

A Special GH Tribute Episode for Luke Spencer and Anthony Geary

Friday, February 20th, is a special standalone episode dedicated to Luke Spencer (Anthony Geary). The whole town of Port Charles is going to be remembering the character of Luke and also the actor Anthony Geary, who passed away suddenly in December from complications of a routine surgery.

General Hospital February Sweeps: Maxie and Nathan Face-to-Face

The week of February 23rd through the 27th is the last week of sweeps. It wraps up on the 25th. Maxie is trying to settle back into her life, but a lot has changed. Nathan’s resurrection is huge. I can’t wait to see Maxie and Nathan face to face. Lulu’s conflicted and afraid she’ll lose Maxie if she finds out she and Nathan were crushing.

Willow keeps making Drew miserable. Yay, I’m all for that. Things are going to get more intense at their house. Michael is in a tough spot. The PCPD are going to want to know about that key on his ring. Hopefully, Wiley Quartermaine Corinthos (Viron Weaver) speaks up and says the keys were in Chase’s hands, which would probably at this point get him fired.

Spinelli is terrified that he’ll lose Maxie. Of course, Spinelli is worried she is going to want to get back with Nathan, but the feelings may not be there anymore on either side. At least not right now. Maxie’s fallen for Spinelli, and Nathan’s smitten with Lulu Spencer. It’s been seven years. We’ll see.

Jacinda and Michael get in deeper. Valentin Cassadine (James Patrick Stuart) and Carly may realize Wyndemere and Sidwell could be a dead end since Cullum is involved. Cody and Molly have a talk that could get them back on track. Sidwell revels in the competitive attention of Lucy and Ava, at least for now. He may come to regret that later.

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10 Years Later, Netflix Removes the Most Ruthlessly Review-Bombed Movie Ever

Published

12 minutes ago

15 March 2026

NewsAdmin

It appears that most review-bombing has been motivated by sexism. Is it a result of the Manosphere exerting its influence in a space that has always been vulnerable to attack? In recent years, the MCU film Captain Marvel and the Star Wars show The Acolyte were both ravaged by so-called fans who couldn’t bear to see some representation on screen. The same people had their pitchforks out for HBO’s The Last of Us, having seemingly taken offense to something as basic as casting and queer relationships. This trend began over 15 years ago, but truly metastasized around a decade after that with a movie that’s currently available on Netflix. But it’s not going to remain on the streamer for too long.

In 2008, angry fans began directing hateful messages to the minority of critics who had posted negative reviews of The Dark Knight on the aggregator website Rotten Tomatoes, thereby lowering its official score. The website enacted basic housekeeping measures to prevent this sort of thing, but the review-bombers wouldn’t stop. A few years later, in 2016, they launched an all-out attack on a movie that suffered greatly because of it. The hate campaign, which was seemingly rooted in misogyny, began when the film’s trailer received a record number of downvotes. The backlash impacted the film’s box-office performance, and it ended up underperforming with less than $230 million worldwide against a reported budget of more than $150 million.

From Broadway to Hollywood — The Collider Movie Quiz!

Plenty of movies were based on plays. So whip out your program and find your seat because the quiz curtain is about to rise.

Here’s the Patient Zero of the Review-Bombing Epidemic

The movie in question is the 2016 Ghostbusters reboot, which was headlined by Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, and Chris Hemsworth. Directed by Paul Feig, the movie earned positive reviews from critics — it currently holds a “Certified Fresh” 76% score on Rotten Tomatoes — but was dismissed by audiences predisposed to disliking it. The website’s consensus reads, “Ghostbusters does an impressive job of standing on its own as a freewheeling, marvelously cast supernatural comedy — even if it can’t help but pale somewhat in comparison with the classic original.” It holds a 49% audience score on Rotten Tomatoes.

The Ghostbusters franchise was rebooted by Jason Reitman with Ghostbusters: Afterlife, which was followed by Ghostbusters: Frozen Empire — both movies grossed more than $200 million worldwide against budgets that were less than half of the 2016 reboot’s. Feig, on the other hand, recently delivered his biggest hit, the psychological thriller The Housemaid, which grossed nearly $400 million worldwide.

You can watch Ghostbusters on Netflix until March 29. Stay tuned to Collider for more updates.

Release Date: July 14, 2016
Runtime: 117 minutes
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Director: Paul Feig
Writers: Katie Dippold
Producers: Advertisement

Ivan Reitman, Joe Medjuck, Michele Imperato Stabile, Tom Pollock, Ali Bell, Amy Pascal

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WWE Fans Risk Losing Streaming Access in April Without This Switch

Published

25 minutes ago

15 March 2026

NewsAdmin

For years, Peacock was the default answer to one simple question in the U.S.: Where do I watch WWE’s biggest shows? WrestleMania, Royal Rumble, SummerSlam — all of them lived there, and fans got used to that setup fast, but now, that setup is over. Disney and WWE announced last year that all WWE premium live events in the U.S. would move to ESPN’s new direct-to-consumer streaming service beginning in 2026, with ESPN becoming the exclusive streaming home for events like WrestleMania and SummerSlam.

That means fans who stay put with Peacock alone are going to lose access to the company’s biggest streaming events. ESPN’s new service launched in late 2025 and is now the platform WWE fans in the U.S. need if they want the full premium-event experience. MMA Fighting reported the WWE deal covers all premium live events on ESPN’s streaming product, while AP described it as the U.S. home for those tentpole shows. So if you are a WWE fan and you have not made the switch yet, April is the kind of month when that becomes a real problem instead of an abstract rights-deal headline. Peacock is no longer enough.

Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!

Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.

What’s Coming Up in WWE?

Right now, we’re in the “season finale” part of the WWE calendar, with the next major event to take place being WrestleMania, the biggest show of the year. Following John Cena‘s retirement in December, there is a vacuum for who will be the face of the company going forward, and the two world champions on the men’s side appear to be battling it out to fill that void. Cody Rhodes beat Drew McIntyre on Friday to become a three-time WWE Champion, while on the Raw brand, CM Punk has stepped up to lead the red team, and he will go one on one with Roman Reigns, the company’s biggest star, in the main event of WrestleMania.

WrestleMania Card

Confirmed Matches

Brock Lesnar vs. TBD

Singles match

This will be an open challenge.

Jade Cargill (c) vs. Rhea Ripley

Singles match for the WWE Women’s Championship

Night 1 (April 18)

Stephanie Vaquer (c) vs. Liv Morgan

Singles match for the Women’s World Championship

Cody Rhodes (c) vs. Randy Orton

Singles match for the Undisputed WWE Championship

Night 2 (April 19)

CM Punk (c) vs. Roman Reigns

Singles match for the World Heavyweight Championship

Key: (c) indicates the champion heading into the match.

Card subject to change.

WWE WrestleMania will take place as a two-night event on Saturday, April 18 and Sunday, April 19, 2026.

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Ranking the 30 most memorable Best Actor-winning performances in Oscar history

Published

39 minutes ago

15 March 2026

NewsAdmin

The stars who made Hannibal Lecter, Atticus Finch, Daniel Plainview, and more into unforgettable movie characters.

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24 Years Later, Henry Cavill’s Forgotten Literary Adaptation Lands on Free Streaming

Published

51 minutes ago

15 March 2026

NewsAdmin

michael-chiklis-the-shield-collider-quiz

Classic literature and iconic pieces of cinema will forever go together. Our case in point is solidified by looking no further than down the calendar a few months to July, when Christopher Nolan’s The Odyssey sets sail into theaters around the world. Stacked with an impressive cast that includes Matt Damon, Zendaya and Anne Hathaway, the Tenet filmmaker makes his return to the craft with an adaptation of one of the world’s most iconic pieces of Greek literature. Considering just how much money Nolan’s last flick, Oppenheimer, earned at the global box office (not to mention the multitudes of awards that followed), we’d say it’s more than likely that he’ll knock it out of the park again with The Odyssey.

Beyond literary classics and notable pieces of the past, there’s nothing Hollywood loves more than a good adaptation. Over the next several months, audiences will have the chance to feast their eyes on numerous on-screen remakes of their favorite titles. From episodic productions like Apple TV’s Imperfect Women and Netflix’s Pride and Prejudice to feature-length undertakings of titles such as The Hunger Games: Sunrise on the Reaping and Project Hail Mary, the next few weeks and months will be overflowing with plenty of options for book lovers.

Of all the beloved literary classics to get remade into on-screen tellings, The Count of Monte Cristo is up there at the top with the most adaptations. Since Alexandre Dumas first had his book published in 1844, it’s been a favorite among fans as well as producers and filmmakers who long to delve into its emotional themes of isolation, revenge, and adventure. While there are plenty of adaptations out there to watch, one will soon be coming into port on a free streamer when Kevin Reynolds’s 2002 film The Count of Monte Cristo arrives on Tubi on April 1. Starring Jim Caviezel (The Passion of the Christ) as the titular protagonist, the film largely stays in line with Dumas’ writing — although it takes some liberties along the way.

Eruption of Corruption: Flashing Back to The Shield — The Collider TV Quiz!

The Shield premiered on this date in 2002. Even if you never watched it, you might do better on this quiz than you think. The show changed television.

Who Else Is in Kevin Reynolds’s ‘The Count of Monte Cristo’?

Along with Caviezel, the 2002 feature-length take on one of literature’s most notorious tales also boasts top-tier performances from names like Guy Pearce, James Frain, Richard Harris, Luis Guzmán, James Frain, Helen McCrory, and a young Henry Cavill in what was one of his very first big acting gigs. From there, it would be a full decade before Cavill transformed into the world’s most popular superhero in Man of Steel, with a lot of duds in between, but The Count of Monte Cristo undoubtedly laid a foundational building block in the framework of the actor’s career.

Head over to Tubi on April 1 to stream The Count of Monte Cristo.

Release Date: January 23, 2002
Runtime: 131 Minutes
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Director: Kevin Reynolds
Writers: Alexandre Dumas, Jay Wolpert

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Apple TV’s 3-Part Sci-Fi Space Opera Quietly Rebelled Against the Books It’s Based On

Published

1 hour ago

15 March 2026

NewsAdmin

Any book-to-screen adaptation poses certain challenges. Beyond how factors like budgetary constraints and runtime flexibility (i.e., a feature film versus a multi-season TV show) affect the outcome, it’s inherently tricky to shift between radically different formats with radically different needs. And although no perfect 1:1 adaptation is possible, there’s no guaranteed path to success, either. Certain products benefit from creators who follow the source material to the letter, whereas others improve upon their origins while still hewing to the tale’s overall spirit.

Isaac Asimov‘s Foundation books are a defining work of hard sci-fi that once seemed untranslatable, no matter how many high-profile companies took their swing over the decades. What made adapting the Hugo-winning bestsellers such a Sisyphean task? The sheer intergalactic scale, substantial philosophical cadences, Asimov’s anthology format, and a timeframe spanning several millennia. For three seasons, David S. Goyer and Josh Friedman‘s Apple TV series has forged its own way through Asimov’s epic with severe adjustments that could seem antithetical to the author’s intent, but instead offer a masterclass in adapting for ethos over beat-by-beat faithfulness.

‘Foundation’s Changes Streamline the Source Material Without Sacrificing Its Themes

During her 2023 interview with Goyer for Collider, Foundation executive producer Robyn Asimov described her father as more of an ideas man than an expert at viable flesh-and-blood creations. Although some stand-out exceptions have earned their lasting reputations, the majority of his characters are vessels conveying his commentary about history, social habits, and the repercussions they expose. She also discussed how previous adaptation attempts either found themselves stymied by Foundation‘s anthology-style or tried to inject the stories with unnecessary action. The key to a successful live-action Foundation production, then, meant achieving a minor miracle: transmuting the saga’s philosophical essence without simplifying the themes, yet also injecting them with emotional gravitas by demonstrating their direct impact on the humans involved.

The Apple TV sci-fi drama does just that. It is a show that prizes character depth as much as plot-driven dilemmas. Goyer’s structural changes are both inspired by the existing text and act in service of the characters. The series fleshes out underserved perspectives, expands fascinating kernels of potential, bakes in Asimov’s plot developments from the chronological start, and gives a face to both sides of his war for the galaxy’s soul — not to mention the innocents caught in the middle. Those recurring characters provide the audience with the anchor points serialized shows need to establish emotional connectivity, which itself goes a long way toward smoothing out bumpier aspects or early growing pains.

‘Foundation’ Author’s Other Cult Classic Sci-Fi Title Is Dominating Streaming in America

The 22-year-old saga remains a classic.

The reverse applies with just as much fervor and success. Foundation‘s ensemble cast, both the television-only inventions and those original to the short stories, are re-envisioned (and thus re-invigorated) to reflect modern sensibilities. Therefore, the series embodies Asimov’s grimly grand conceits — autonomy, individuality, arrogance, cult followings, cumulative social habits versus individual impact, and reality versus propaganda. Whether they resist tyranny or perpetuate suffering, Foundation‘s individuals must confront their own personal existential crises while an extinction-level catastrophe forces them to step outside themselves. Witnessing the soulful sacrifices accompanying crisis after crisis, be they permanent deaths or fractured relationships, amplifies Asimov’s ideas from fascinating theory into terrifyingly vivid resonance.

Apple TV’s ‘Foundation’ Is a Masterclass in Achieving the Impossible

Jared Harris staring boldly ahead in Foundation

Foundation is a study of human nature. The same breadth of experience that, at its worst, plunges civilization into an inescapable futuristic Dark Ages, is also a testament to courageously empathetic endurance. And a series that functions as an introspective character piece and a battle between forward progress and regressive collapse gives Foundation‘s impeccable cast of multi-generational talents ample room to play, which is never a bad thing.

Even though the show is not flawless and sometimes falls victim to occasional meandering, the overall shape of Foundation‘s equation is mathematical precision: an ideal merging of creative license and faithfulness. Goyer’s brand-new creations even become the show’s selling point, and that’s something one can rarely say about even the strongest adaptations. By embracing evolution over limitation, Foundation soars into an era-defining space opera as revolutionary as Asimov’s original intent.

Foundation

Release Date: September 23, 2021
Network: Advertisement

Apple TV+
Showrunner: David S. Goyer
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Directors: Alex Graves, Roxann Dawson, Jennifer Phang, Mark Tonderai, Andrew Bernstein

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A Brutal April Exit Looms for Taylor Sheridan’s 8-Part Spy Thriller

Published

1 hour ago

15 March 2026

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Taylor Sheridan’s TV universe has sprawled so far that it is easy to forget Lioness is still one of his sharpest streaming hits. It is slicker, meaner, and more overtly high-stakes than some of his ranch-and-oil dramas, which is part of why it found such a strong audience when it premiered. It is also why the upcoming access change is going to sting a little.

Based on the Prime sample-window change, Lioness is another title that will no longer be casually available in April. The series’ main home remains Paramount+, where Season 2 originally rolled out in late 2024. The cast is led by Zoe Saldaña as Joe, with Laysla De Oliveira as Cruz Manuelos, Nicole Kidman as Kaitlyn Meade, Michael Kelly as Byron Westfield, Morgan Freeman as Edwin Mullins, and Genesis Rodriguez as Josephina Carrillo.

The show remains one of Paramount+’s most recognizable Sheridan brands, even if it sometimes gets overshadowed by the louder Yellowstone-adjacent titles. So yes, the devastating part here is simple: If Prime’s sample access is your route into Lioness, that shortcut is about to disappear. From April on, Paramount+ looks set to be the only real home base for Joe’s war.

The Truth Is In Here — The Collider TV Quiz!

This week, X marks the spot. Eight conspiratorial questions to see if you’re a real X-Files fan… or if you’re an alien posing as an agent.

Is ‘Lioness’ Worth Watching?

Collider’s review, by Michael John Petty, stated that Lioness Season 2 justified its own existence more than expected, even if it didn’t quite match the self-contained power of the first installment. After Season 1 ended on an emotionally devastating note for Joe (Saldaña), the new season expanded the scope of the narrative while doubling down on the show’s core tension: the impossible balance between duty to country and duty to family.

“Lioness is based on the real-life team, after all, and while the series differs from the true story, its commitment to examining the genuine psychological effects of these operations is both admirable and daunting. As civilians, it can be challenging to try to understand the sorts of hardships those in the U.S. Armed Forces face, and Lioness does its best to show how all of that plays out — both in the field and off it. Season 2 is certainly a step in the right direction for this series and leads us to hope Sheridan will pursue more thriller projects in the future.”

Lioness streams on Paramount+.

Release Date: July 23, 2023
Network: Paramount+
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Directors: John Hillcoat, Anthony Byrne, Paul Cameron, Stephen Kay, Taylor Sheridan

Laysla De Oliveira
Cruz Manuelos

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NBA’s Glen Davis Breaks Silence After Early Prison Release

Published

2 hours ago

15 March 2026

NewsAdmin

GettyImages-110644919 Glen Davis Breaks Silence After Early Prison Release

Former NBA star Glen “Big Baby” Davis has broken his silence over securing an early prison release after serving 17 months behind bars for fraud.

“They tried to hold me down,” Davis, 40, said in a video posted via X shortly after his release on Thursday, March 12. “You know what I’m saying? But I’m back, man. I’m back, baby.”

Davis was originally sentenced to 40 months behind bars in May 2024 for allegedly filing false medical claims with the NBA Players’ Health and Benefit Welfare Plan. The basketball player has always maintained his innocence.

Former U.S. Attorney Damian Williams announced in November 2023 that more than 20 people — including Davis — were convicted of a scheme that allegedly generated more than $5 million in illegal profits with fraudulent chiropractic and dental receipts.

“Moments ago, a Manhattan jury convicted former NBA players Ronald Glen Davis and William Bynum of a criminal scheme to defraud the NBA Players’ Health and Benefit Welfare Plan,” Williams, 45, said at the time.

The former U.S. Attorney went on, “While many of the more than 20 defendants convicted in this case were well-known NBA stars, their conduct was otherwise a typical fraudulent scheme designed to defraud the NBA’s health care plan and net the defendants over $5 million in illicit profits. Today’s conviction exemplifies that despite notoriety or success in sports or any other field, no one is exempt from criminal charges if they engage in fraud.”

Davis is now required to spend four months living in the Long Beach Residential Reentry Management Office, a halfway house, to help him successfully transition from imprisonment to living among the general public.

“He used his time [in prison] productively while serving his sentence and took many programs during that time,” Davis’ attorney, Brendan White, said to The Athletic on Friday. “He’s ready to become a productive member of society again.”

Davis will take part in financial management classes and undergo drug treatment, as required by his sentence. He is scheduled to be released from the Long Beach Residential Reentry Management Office on July 9.

The former NBA player was originally set to begin his 40-month prison sentence on September 1, 2024, but a judge allowed him to delay serving his time until October 22, 2024.

Davis’ attorneys requested the delay so the athlete could finish filming a documentary about his life. His attorneys argued that money generated from the film could help Davis pay back the $80,000 he owed in restitution.

His lawyer previously described Davis’ dire financial situation during a sentencing hearing in May 2024, revealing that he’d asked her for $800 so he could pay his phone bill.

“I’ve been struggling because basketball was taken from me,” Davis told the judge at sentencing. “That’s all I know. I was [an] expert at that. But when I lost basketball, I lost myself.”

Davis played college basketball for the Louisiana State University Tigers from 2004 to 2007 before turning pro. He played for the Boston Celtics for four years, during which time he was part of an NBA Championship team in 2008.

He later spent time with the Orlando Magic and the Los Angeles Lakers before being sidelined with left ankle surgery in September 2015, per ESPN. Davis attempted a comeback with the St. John’s Edge of the National Basketball League of Canada before retiring in 2019.

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Taylor Sheridan’s 10-Part Epic Western Proves Why It’s His One True Masterpiece

Published

2 hours ago

15 March 2026

NewsAdmin

Hit-maker Taylor Sheridan released his latest Paramount+ series this week to mostly positive reviews and typical viewership success. The new show, titled The Madison, was initially supposed to be a sequel to Sheridan’s career-defining hit, Yellowstone. However, closer to The Madison‘s release, it was revealed that the show would not be a part of the Yellowstone universe. One possible reason is that Sheridan has severed ties with Paramount, signing a lucrative deal with NBCUniversal that will commence in a few years. However, his tenure at Paramount has been nothing but extraordinary. Sheridan not only delivered Yellowstone but also created a handful of other hit shows, many of which have aired multiple seasons over the years. His work, to put it simply, is sustaining an entire streaming platform. This is clear from even the briefest of glances at the Paramount+ viewership charts, which typically feature multiple Sheridan titles vying for the same positions. Now, one of his most acclaimed series has passed a major milestone.

The series was released five years ago in 2021, and for it to still be drawing audiences even though it ran for only 10 episodes is quite remarkable. It served as the first of Sheridan’s two official prequels to Yellowstone, and traced the origins of the Dutton family’s Montana ranch. It followed the great-grandfather of John Dutton III, played by Kevin Costner in Yellowstone, as he journeyed across the Wild West with his family. The show featured several protagonists, but was primarily told from the perspective of Elsa Dutton, the grandmother of Costner’s character. Sheridan is largely known for his work in the neo-Western genre, but this gave him an opportunity to do what he had always wanted: to make a sprawling, old-fashioned Western. He was given a reported budget of nearly $170 million to realize his vision. It starred Sam Elliott, Tim McGraw, Faith Hill, and breakout star Isabel May as Elsa. The show also featured cameos from Tom Hanks, Billy Bob Thornton, and Sheridan himself.

Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!

Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.

Taylor Sheridan’s Yellowstone Universe Is Set to Expand

The show we’re talking about, of course, is 1883. It is now sitting at a “Certified Fresh” 89% score on the aggregator website Rotten Tomatoes, where the critics’ consensus reads, “1883 can feel too overdetermined to be a properly rough-hewn Western, but viewers will want to saddle up for Sam Elliott’s commanding star turn.” 1883 was followed by the second Yellowstone prequel, the equally beloved 1923. A third show, tentatively titled 1944, is in the works. According to FlixPatrol, 1883 has now spent more than 50 days on the domestic PVOD charts over the last year. Stay tuned to Collider for more updates.

Release Date: 2021 – 2022-00-00
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Network: Paramount+
Showrunner: Ron Burkle

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How Is The Madison Connected to Taylor Sheridan’s Yellowstone Universe

Published

2 hours ago

15 March 2026

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Fans of Landman, Tulsa King and Mayor of Kingstown are gearing up to watch Taylor Sheridan‘s new TV show The Madison — but how is it connected to his Yellowstone franchise?

Paramount+ offered a glimpse at the upcoming show in January, which introduced the fictional Clyburn family. After originating from New York City, the Clyburns relocate to the Madison River valley of southwest Montana for emotional recovery following a tragedy that shattered the family.

Michelle Pfeiffer and Kurt Russell lead the cast of the highly-anticipated series, which also includes Patrick J. Adams, Elle Chapman, Matthew Fox, Beau Garrett, Amiah Miller, Ben Schnetzer and Kevin Zegers. Rebecca Spence, Alaina Pollack and Danielle Vasinova make up the rest of the cast — with a guest appearance from Will Arnett.

While the plot of The Madison likely doesn’t sound familiar, the show has been in the works for a number of years. It originated as a Yellowstone spinoff after Sheridan’s critically acclaimed series premiered in 2018 to resounding success.

Paramount Network officially greenlit an untitled Yellowstone follow in May 2023 after announcing the OG show’s end. ViacomCBS president Chris McCarthy confirmed to The Hollywood Reporter that the spinoff would star Matthew McConaughey, which came in the midst of Yellowstone lead Kevin Costner not returning for the second half of the final season to shift his focus to directing and acting in Horizon: An American Saga.

Followers of the show were familiar with speculation that Costner, 71, and Sheridan, 55, had a falling out over the direction of the show. Sheridan, for his part, slammed claims he was at odds with Costner.

The Madison First Look — Emerson Miller /Paramount +

The McConaughey spinoff was titled 2024 — with Yellowstone stars Kelly Reilly, Cole Hauser and Luke Grimes potentially reprising their roles. One year later, the project was dead and got replaced with The Madison.

Reilly, 48, and Hauser, 50, are now expecting to be at the center of Paramount’s Dutton Ranch. CBS, meanwhile, has its own spinoff with Grimes, 42, titled Marshals, which premieres on March 1. Amid various delays and changes, Yellowstone fans are also still waiting for the previously teased 6666 spinoff — which was set to follow Jimmy Hurdstrom (Jefferson White) during his time at the Four Sixes ranch in Texas.

Sheridan previously addressed his multitude of ongoing projects — including those not connected to Yellowstone.

“Because Paramount trusts me and gives me the time to go shoot 10 to 14 days for a television episode, we can treat it like a movie, and it looks like a movie,” Sheridan told Deadline in January 2022. “We can take the time to rehearse it and light it and build these set pieces. And if I call them and say, ‘I need two helicopters in one day,’ they just go, ‘Alright.’”

He added: “At the end of the day, to go to some of these locations where most people have never been, where you’re opening up a new world, and all of these places or characters in the story, to me, it’s fascinating.”

News broke in October 2025 that Sheridan’s programming would be going through more changes now that he closed a film and TV deal with NBCUniversal. The five-year overall deal for film, TV and streaming is set to begin January 1, 2029, after Sheridan’s TV deal with Paramount — which goes through 2028 — officially ends.

Paramount will retain the rights to Yellowstone and the other franchises Sheridan created under his deal with the company, so he is expected to create brand new IP for NBCUniversal. Sheridan’s move comes after Paramount’s recent merger with Skydance. The change led to the exit of Paramount Global co-CEO Chris McCarthy, who worked closely with Sheridan.

The Madison premiered Saturday, March 14, on Paramount+.

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