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General Hospital shocks as sketchy new guy Hudson Tucker (Troy Lennon Appel) is really close to stumbling upon the truth about what happened to his and Delilah Wilson’s (Lily Cardone) child.
Remember, Ethan Lovett (Christian Howard) lied right to his face. But with Hudson on the property and Brook Lynn Quartermaine Chase (Amanda Setton) and Harrison Chase (Josh Swickard) out with Phoebe Chase (Lucia and Luna Creighton), it’s all about to kick off.
Ethan tried to convince Hudson that the baby died, but he bugged Ethan’s room, knows she’s alive, and this week, Hudson finally lays eyes on his kid. We are going to talk about what happens after Hudson comes face to face with his baby girl.
All right, so right now, Chase and Brook Lynn think everything’s settled. They did a closed adoption after the alleged bio signed over his parental rights. And of course that was Ethan. They’re settling in with Phoebe. They’re planning the future, but it’s all about to go off the rails for Chase and Brook Lynn because Ethan told Hudson when he tracked him down in Norway big lies and none of that is selling.
We know, of course, the baby did not die and she is Phoebe and Brook Lynn and Chase just adopted her. But if you recall when Ethan found out Delila died, he vowed at the time nobody would ever know her secret. And of course, Ethan was referring to nobody ever knowing who Phoebe’s bio father was.
So, Ethan lied and told Alexis Davis (Nancy Lee Grahn) that he was Phoebe’s dad because Ethan’s rationale was Hudson’s a scary and dangerous guy and Delilah wanted to get away from him. That’s why she ran to Port Charles to start with.
So, Ethan stole a DNA sample presumably from a case some arrest that Hudson was involved in at the PCPD and then he used that sample to cheat the paternity test so Alexis could move the adoption forward. That’s also why Ethan insisted on a totally closed adoption that could never be opened so that hopefully nobody would ever know who Phoebe’s real dad was.
He was adamant about that with Alexis and Ethan also swore Ava Jerome (Maura West) to secrecy. She was skeptical, but after Ethan took a bullet for her, Ava was convinced to protect the kid, keep the secret. And then when Hudson showed up in Port Charles, Ethan freaked when he saw him, and just ran away. So, Hudson had been hunting for answers about Delilah and the baby. And after he followed Hudson to Norway and beat him up, he finally said, “Okay, look, Delilah died,” which was true.
And Ethan also said the baby died. That part was a big fat lie. And Hudson warned if Ethan lied, he would go after his mom and sisters. If you remember, Hudson planted a bug in the hotel room and then he overheard Ethan calling Ava back in Port Charles. And Ethan had her swear that she won’t give up the secret about the baby. But Ethan and Ava never used Phoebe’s name.
That’s helpful. So, Hudson’s not going to immediately see Brook Lynn and Chase’s kid and hear her name and know, “Oh, that’s my kid.” And even though Brook Lynn’s adoption of Phoebe is official, it can absolutely be undone if Hudson can prove he’s the dad. He can allege that somebody scammed the system.
He could even say Brook Lynn and Chase paid a con man for his baby, which would look bad. And with Hudson on the Quartermaine grounds this week, he’s going to see Brook Lynn, Chase, and Phoebe. And Hudson may just be curious because he knows he should have a baby right now, and he may ask Josslyn Jacks (Eden McCoy) some just passing questions like cute kid, how old is she?
Hudson’s there trying to get Joss to take that CEO job at JJ. Carly Corinthos (Laura Wright) sent him over to the Q estate to see Joss, but it’s really all because they needed Hudson there to set the stage for him to see Phoebe and this to move forward. So, Hudson tells Joss he’s got this job to do. He won’t leave until it’s done. And then while talking to Joss, Hudson’s going to ask questions. Maybe he even notices something in the baby’s face that reminds him of himself or Delilah and he gets a tingling suspicion.
So, I’m wondering if Hudson starts asking questions about Brook Lynn and Chase’s baby because spoilers say Joss inadvertently says too much. So, she may tell Hudson when Phoebe was born that the little girl’s adopted and that her birth mother died and it was so tragic. Any and all of that is too much info. He doesn’t need it. But to Joss, it would probably seem like innocent, commonly known info on General Hospital.
And if Hudson asks what happened to the dad, Joss can honestly say they don’t know who it is. It was a closed adoption. He signed away his rights. And from there, I think alarm bells are going to go off in Hudson’s mind because Ethan lied to him about Delilah and the baby. So, thanks to Ethan’s frantic call to Ava, we know that Hudson knows Ethan was keeping some sort of secret about the baby.
And the big question is what comes next? Where does Hudson go once he sees the baby on the Quartermaine estate and has these suspicions? I suspect Hudson might initially play it cool and get as much info as he can from Joss. You know, Hudson may even say hi to Brook Lynn and Chase, say cute kid, and then go start figuring things out because he needs to gather evidence to support his suspicions.
And if true, that same evidence would support his claim in court to take Phoebe from Brook Lynn and Chase. So, Hudson might steal her pacifier or Phoebe’s little baby hairbrush, something with some DNA on it so that Hudson can have it tested against his DNA to confirm a paternity match.
And then, you know, he could just go directly and confront Chase and Brook Lynn. But I think it’s smarter to get that DNA evidence first. And I’m also wondering if Hudson is going to go after Ava because Ethan put a target on her by involving her in the cover up and then calling her. Of course, he didn’t know his room was bugged.
But Ava doesn’t have a lot of info to help Hudson. She knows the basics. Ethan lied. Said he was Phoebe’s bio dad when he’s definitely not. But the bottom line is I don’t think Hudson’s going to walk away from his daughter.
Everything we’ve seen of him so far shows he’s both determined and dangerous, which makes it seem smart that Delilah and Ethan were trying to keep Phoebe away from Hudson. But the question is, does he want to be a father to Phoebe or is Hudson just mad that Delilah ran off with his baby? And it’s about control.
I’m expecting Hudson to go after custody. And from there, I expect Brook Lynn and Tracy Quartermaine (Jane Elliot) might try and buy Hudson off. Just pay him to go away, leave the baby with them. But Ethan seems to think Hudson is a bad guy. So there’s no telling what he might do. He beat Ethan brutally in Norway.


So, protecting Phoebe seems like a smart idea. Hudson right now is acting like a legit businessman while he’s in Port Charles. But he’s a bad guy. I kind of wonder if that means this JJE stuff has some illegalities in it we don’t know about yet because why would Jax have a psycho like Hudson managing affairs for him? Either way, looks like Chase and Brook Lynn are soon in Hudson’s crosshairs.
And if he’s that bad of a guy, that could be real trouble. And there’s even more trouble ahead for Brook Lynn. She’s still keeping the secret that she’s the second driver in the accident Jordan Ashford (Tanisha Harper) caused. And she framed Willow Tait (Katelyn MacMullen) for it. Chase let the framing slide, but if he finds out the other part, that’s a deal breaker. And if this Hudson and Phoebe thing blows them up, that’s going to be even harder.
We’ll see how it plays out, but I’m certain Hudson won’t go away quietly. I doubt the Quartermaines can buy him off. All he needs is a DNA test and he can get a lawyer to go to court and unravel that adoption and snatch Phoebe back. Unless Brook Lynn and Chase can somehow prove he’s unfit, criminal, or dangerous, they’re going to lose Phoebe. And with Ethan gone, nobody else in town seems to know that Hudson’s a really bad guy except for Ava because Ethan warned her. And I could actually see her intervening to protect Phoebe because Ava’s all about the kids. So, this could get really messy for a lot of people really soon.
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Vanessa Hudgens found an accessory that can make even the simplest fall date night outfit feel instantly more glamorous. A sparkly silver bag adds just enough shimmer to jeans and a cute top, a little black dress or even a cozy sweater-and-skirt combo. And while her version looks seriously luxe, you can recreate the vibe for $24 on Amazon.
Hudgens was spotted in Hollywood on August 13, 2026, wearing a satin contrast maxi dress with glittering heels and a sparkly rhinestone shoulder bag. The shimmering accessory caught the light with every step, giving her otherwise sleek ensemble a playful finishing touch. Consider it proof that sometimes all a date night outfit really needs is one statement accessory.
Get the Yuwita Sparkly Rhinestone Purse for $24 at Amazon! Please note, prices are accurate at the date of publication, August 18, 2026, but are subject to change.
The Yuwita Sparkly Rhinestone Purse makes it surprisingly easy to get Hudgens’ look without the celebrity price tag. It comes in a similar shimmering silver shade, along with pink, gold and black options, so there’s a version for practically every going-out outfit.
Beyond its glamorous rhinestone design, the purse has knotted shoulder straps, a compact build and this slouchy design that still looks elevated due to the shiny exterior. Despite the small shape, this pick is the perfect evening bag since it has just enough space to stash your evening essentials, and keep ’em secure via the zipper closure. Regardless of how you style it, the sparkly purse is equipped to dress up everything from fall wedding guest dresses to your favorite denim.
Over 1,000 shoppers gave the purse a five-star rating, with one buyer saying it looks “a lot more expensive than it is” and is “perfect for a night out or dinner.” Another customer praised its “great space” for holding a phone and other necessities, and called the zipper “very durable.”
Between dinner dates, rehearsal dinners, holiday parties and every other dressy event creeping onto the fall calendar, Hudgens’ sparkly bag is convincing Us that silver might just be the season’s most useful going-out pick. For $24, this Amazon lookalike delivers the same glamorous finishing touch without requiring a special-occasion splurge. Pair it with your favorite dress, heels and a little jewelry, and consider date-night dressing handled.
Love Hudgens’ sparkly date-night bag? Shop more Amazon lookalikes below!
Shop more sparkly rhinestone bags that we love:
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The New York Times is a true institution, one of the last outlets that still commands widespread respect and whose opinion pieces and recommendations can still impact the broader cultural landscape on a massive scale. A major cornerstone of its content is the Best Sellers list, which compiles the most successful and talked-about books in different genres, acting not only as a recommendation guideline but as a stamp of quality. The books there are the best in the market, and hardly anyone can deny it.
Some books have the fortune of becoming mainstays on the Best Sellers list, as word of mouth spreads and eager audiences embrace them. Such is the case for The Calamity Club, arguably the greatest historical book of 2026 and a strong contender for the title of Best of the Year. The book has spent a whopping 14 weeks on the New York Times Best Sellers list, and it’s still at number 3. Furthermore, it doesn’t look like it’s going anywhere anytime soon, making it the perfect time for you to jump into it if you haven’t already.
The Calamity Club is a historical fiction story with strong themes of sisterhood, found family, female liberation, autonomy, and resistance. Set during the Great Depression in Oxford, Mississippi, the plot centers on three characters, each one facing a struggle. Eleven-year-old Meg Lefleur was abandoned on Christmas Eve and now struggles to survive in an orphanage as one of the oldest and seemingly unadoptable children there. Meanwhile, unmarried bookkeeper Birdie Calhoun arrives in town hoping to ask her sister to help her struggling family. Soon, her path crosses that of Charlie, a down-on-her-luck woman, and Meg, and the three will form a strong bond, all while Charlie forms a plan to help her take control of their lives.
Described by Amazon as “an epic testament to underestimated women who know that calamity can be the spark of new beginnings,” the book is one of 2026’s biggest sensations. Author Kathryn Stockett is best known for her 2009 debut, The Help, which was eventually turned into a movie starring Viola Davis, Emma Stone, and an Oscar-winning Octavia Spencer. With The Calamity Club, Stockett revisits familiar themes in a similar setting. However, as she did in her 2009 debut, she injects her story with such vibrancy that it becomes nearly impossible to put it down.
The trio of main characters is by far the book’s strongest asset. Individually, each one is strongly defined, although the bold and outspoken Birdie is the highlight. However, The Calamity Club finds its true magic in the bond that blossoms between the three characters. Both Birdie and Charlie act as surrogate mothers to Meg, and all three come to confide in each other. The dynamic is not without its bumps, but Stockett keeps the emotional core firmly grounded in the connection born between three resilient figures who help each other in far deeper ways than they initially realize. The theme of found family is strong throughout the story, with each character eventually not only admitting their want and need for belonging but embracing it once it’s there.
As she did in The Help, Stockett uses a dark, biting sense of humor to critique, satirize, and often outright mock outdated social customs, beliefs, and behaviors. Birdie’s POV is perhaps the strongest in this sense. As a 24-year-old, unmarried, cynical, and pragmatic woman, she offers her thoughts with acerbic wit, employing a welcome sarcastic tone that makes her chapters stand out. Yes, there’s more than a bit of 21st-century in her personality that makes her not quite fit the setting, but that’s both on purpose and an inevitable necessity, an appeal to connect with modern readers. Also, as a side note, and probably because of the shadow of The Help, I kept picturing Emma Stone while reading Birdie’s narration.
Sure, the book has several elements of heavy melodrama, akin to the movies from the ’40s and ’50s that would star the likes of Joan Crawford or Barbara Stanwyck. The tonal shift in the middle is well-handled, neither too abrupt to discombobulate nor needlessly slow to bore. That said, the truth behind Charlie is rather expected, if not necessarily telegraphed. As in Stockett’s debut novel, the antagonists are borderline cartoonish figures so detestable that you’ll find it hard to ignore the vile in your mouth as you read their deeds. Whether that’s a strength or a hindrance to the overall story will be up to each reader to decide, but I’m inclined to say it’s the latter. A story like this one benefits from overt antagonistic figures, and Stockett sure knows how to write them.
Some books are so good that they compel a revisit once you reach the last page; The Calamity Club is one. There’s a remarkable accessibility to the book, a level of sheer, unadulterated entertainment that makes it almost impossible to put down. Stockett’s prose is relaxed yet quite insightful, flowing effortlessly between strong character work, vivid descriptions, and engaging, relatable insights into her protagonists’ thoughts, fears, wishes, and joys. The narrative is not straightforward, but Stockett’s writing is, resulting in an incredibly approachable novel, a masterclass in accessibility that makes it the perfect book for avid and casual readers alike.
If you like these types of stories about strong, compelling women defying the status quo through sheer courage, then you simply can’t afford to skip The Calamity Club. Trust me, the book really does live up to the praise. The New York Times called it “pure, hell-raising entertainment“; such raves don’t happen to any book, especially in today’s landscape. Don’t wait until the inevitable movie adaptation; make sure to read The Calamity Club now before Daisy Edgar-Jones plays Birdie on the big screen.
The Calamity Club is available to buy on multiple platforms, including Amazon and Audible.
Riley Burruss hasn’t had the best season on Bravo’s “Next Gen NYC” so far in her second year on the show. This is the case following her arguments with castmates Georgia McCann and Ariana Biermann. Now, in a new interview with Gia Giudice, Burruss is opening up about the backlash she’s faced while also calling out harmful comments she’s received.

Burruss appeared on Giudice’s “Casual Chaos” podcast in August 2026. While on the show, she was asked about the “hate” she had experienced, with Giudice noting the “toll” it must have taken on Burruss to not only see negative social media posts about herself but also receive hateful messages.
Giudice then led the conversation, telling listeners that “hate is never the answer.” Burruss responded, “I think for me, I got a lot of hate,” before mentioning how Biermann had said on “Watch What Happens Live” that she had not heard from Burruss since their verbal altercation. In explaining why she hadn’t spoken to her “Next Gen NYC” costar, she claimed her number had been leaked and that she turned her phone off for a week as a result.
She then said, “Personally, for me, it’s okay to call me certain things. I get it, the way I showed up on TV was really not okay, and I get some of the comments, but when it comes to, like, race, all of those things, the microaggressions, that’s not okay.”
From there, Burruss said she could understand why she’d be called “a spoiled brat,” saying, “I did look like a spoiled brat. I’m not gonna lie, I agree.”

After taking accountability, Burruss then turned her conversation back to the more hateful aspects of the backlash she faced. According to her, “But I don’t appreciate the texts about me being a black B-word or the N-word, like, that’s not cool.”
During the conversation, Giudice also disavowed the hateful comments Burruss had received that were targeted at her for her race or that referred to her by derogatory names. The “Casual Chaos” host then stated, “The biggest cowards are the ones behind the screen.”
Burruss continued, “That’s true. I haven’t heard any of that to my face.” After that, she stated that when people met her and others from her cast, they were “surprised by how nice and caring we are, and then they go on social media and see a clip or two, and they make all these assumptions.”
In episode four of “Next Gen NYC,” the women on the show decided to have a girls’ night. However, after drinking alcohol, Burruss became angry and emotional, with multiple of her co-stars attempting to calm her down. During the verbal spat, she even accused McCann of using katameme and made a classist joke, stating that her Bravo costar couldn’t be included in a toast as she couldn’t afford a Birkin.
A bit part of the reason for the backlash is that Burruss then accused Biermann of not defending her or attempting to de-escalate the situation. However, it should be noted that Burruss later retracted the comment that McCann could not afford a Birkin handbag.

Riley’s mother, Kandi Burruss, has been vocal about her support for her daughter’s career in reality TV despite previously wanting her to attend law school. Recently, she mentioned the backlash Riley has faced on a recent episode of her “Speak On It” podcast.
The former “Real Housewives of Atlanta” star said, “I hate it for my baby,” before stating that Riley has received “hate mail,” “racist text messages,” and that people have referred to her as a “black b-tch” and accused her of “making the show bad.”
After that, the singer-songwriter noted that Riley had “let that stuff get to her.”
According to Bravo, the cast of “Next Gen NYC” sat down with Andy Cohen in New York City on July 30 to film the reunion. Notably, despite this being the show’s second season, it serves as its first reunion, as the first installment ended with its finale.
As of this writing, Bravo has not announced when the “Next Gen NYC” season 2 reunion will air or how many parts it will include.
Callum Turner and Dua Lipa are officially navigating a new chapter in their lives together, and Turner is spilling all the tea on what’s to come.
After sparking romance rumors in early 2024 and confirming their engagement the following autumn, the couple recently made headlines with an intimate civil ceremony at London’s Marylebone Town Hall.
The duo opted for a small ceremony surrounded by their loved ones, while also planning for a larger celebration in Italy.

In a recent interview, Turner reflected on the whirlwind of public attention surrounding his wedding to Lipa and expressed his joy.
“It was amazing, and it was… it was the most beautiful day of my life,” Turner shared. “We went to the park yesterday, and everyone who walked past said, ‘Congratulations.’ It was pretty surreal.”
Addressing the unusual nature of having a deeply personal milestone played out across international headlines, Turner noted that while it feels “weird,” he has learned over time to tune out public noise.
Looking ahead to what he wants from the next decade, the 36-year-old actor revealed his desire to expand his family. When asked if building a family was his “priority,” he told Esquire Magazine, “Obviously, yeah, I’m 36. I’d like to have a family and raise some kids.”
As the couple enjoys their newlyweds era, Turner is keeping busy professionally as well. Next up, he is working on a remake of “Possession,” while simultaneously tackling the personal goal of learning French.

Building on Turner’s candid reflections about family priorities, his partner has similarly shared her perspective on the future.
Long before tying the knot, the “New Rules” singer confirmed her desire for children, stating, “I’d love to have kids one day.”
However, the global pop star didn’t shy away from discussing the many sacrifices required to balance motherhood with a demanding international music career.
Despite those professional concerns, the Grammy winner maintained a hopeful outlook, trusting that family milestones would align naturally over time. “It will happen when it happens,” she noted, per The Blast.
Her practical approach to the realities of balancing a high-profile career with future parenthood earned widespread praise from fans and commentators alike.

Almost a year after sharing her thoughts on motherhood, Lipa walked down the aisle and made her commitment to Turner official in a low-key setting in London.
The couple officially tied the knot surrounded by close family, which served as the precursor to a star-studded wedding celebration that later took place in Sicily.
According to The Blast, the singer opted for modern bridal elegance, wearing a custom Schiaparelli, a Bulgari necklace, and a dramatic hat, while her new husband rocked a tailored navy suit.
The intimate ceremony lasted approximately 30 to 40 minutes. Following the service, the newlyweds celebrated in relaxed, classic London style, hopping into an iconic black London cab as family members cheered them off.

The quiet London ceremony gave the newlyweds “exactly what they wanted”: a private, deeply personal moment to mark their commitment before stepping back into the international spotlight.
Following their nuptials at Old Marylebone Town Hall, a source close to the pair revealed that Lipa “couldn’t be happier.”
The informant noted that an intimate civil service was paramount for the couple before hosting their larger, multi-day festivities because they wanted the event to be meaningful, according to The Blast.
The source also revealed that they wanted to enjoy the intimacy of a small wedding and the bigger celebration in Sicily. After exchanging vows, Lipa and Turner enjoyed a small post-ceremony gathering with close friends and family, with insiders noting they were “so excited for what’s still to come.”

Although Lipa and Turner eventually had their big celebration in Sicily, it did not go without a hitch. The extensive street closures and heavy security surrounding the private event sparked notable pushback from Palermo residents.
Discontented locals voiced their frustration over the disruption of public spaces by hanging protest signs from balconies and tagging slogans across neighborhood walls. According to The Blast, community members also argued that public areas should remain accessible to everyone rather than being privatized for high-profile events.
One slogan read, “Palermo is not for rent. Public spaces belong to everyone,” and another stressed that Palermo was not exclusive to “rich” people alone.
Lindsay Clancy’s former mother-in-law, Susan Clancy, claims her former daughter-in-law was “begging for help” in the months leading up to the brutal killing of her three kids in January 2023.
“Lindsay was struggling — we were all concerned,” Susan, who is the mother of Lindsay’s ex-husband, Patrick Clancy, testified in court on Tuesday, August 18, while discussingLindsay’s alleged behavior in the months before she allegedly strangled her three young children, according to the Associated Press.
Susan said that she and Lindsay, 36, were close, and she added that her former daughter-in-law was a “wonderful mother” who was “very nurturing” and “very loving.”
She said that Lindsay was open with her about her mental health struggles and that she often turned to her for help.
At one point during the testimony, the jury was shown text messages exchanged between Lindsay and Susan. Lindsay told Susan that she developed a dependence on benzodiazepines, adding that she could not fall or stay asleep without taking the drugs.
“I’m not okay and I’m terrified of taking meds tonight,” Lindsay texted Susan on November 30, 2022, per the outlet. The message was sent just two months before the killings.
Lindsay is currently on trial for allegedly killing her kids Cora, 5, Dawson, 3, and Callan, 8 months, on January 24, 2023.
Her attorney, Kevin Reddington, has not denied that the mother of three killed her children. Instead, he is arguing that Lindsay should not be held criminally responsible for the children’s deaths because she had postpartum psychosis at the time of the killings.
Reddington has also said that his client has bipolar disorder and that she was prescribed antidepressants to treat her postpartum depression that ultimately made her condition worse.
Prosecutors are arguing that Lindsay intentionally killed her children after she sent Patrick, 36, to run errands, purposefully removing him from the home so she would be alone with the children when she strangled them. After she killed the kids, Lindsay jumped from the second-story of her home in an apparent suicide attempt.
Susan testified in court one day after Lindsay’s mother, Paula Musgrove, took the witness stand on Monday, August 17. While testifying in court, Musgrove claimed that Lindsay’s mental health started to decline in October 2022, while the jury was shown a concerning text message Lindsay sent to Musgrove prior to the killings.
“Mom, will you please come up and stay with me for a bit? I’m really sick. Something is wrong,” Lindsay wrote. “I had horrible insomnia all night, and I just don’t know how I am going to get through the day. … It’s just really scary, and I don’t want to be alone.”
Musgrove also recalled that her daughter appeared nervous during an incident in December 2022, in which she told her and Patrick that she “had thoughts of harming the children.”
Lindsay’s sister, Allison Ozga, also testified on Monday and opened up about a phone call she had with Lindsay in December 2022. Ozga testified that Lindsay admitted to having suicidal thoughts every day for a month at the time of the call.
If you or someone you know is pregnant or just had a baby and is in crisis, help is available. Call or text the National Maternal Mental Health Hotline for free, confidential support 24/7 in English and Spanish at 1-833-TLC-MAMA (1-833-852-6262).
More details about the last few months of Hayden Panettiere‘s life before her tragic death are coming to light. According to a new report, the “Remember the Titans” actress reportedly told friends that she was nervous that “dangerous” people from her past may have been upset with her over things she wrote about in her book, “This Is Me: A Reckoning.”

Panettiere released her headline-making memoir in May 2026, and in it, the “Heroes” actress wrote about her strained relationship with her mother, being forced into acting as a child, her struggles with addiction, and even candidly opened up about the time she was placed into bed with a naked man when she was a teenager.
Sources told TMZ that Panettiere was nervous that she’d get pushback from her “dangerous” former friends over what she’d written. Insiders also said Panettiere felt she was barred from mentioning her ex-friends by name for legal reasons.
According to a previous report from The Blast, Panettiere touched on the terrifying experience she had at just 18 when a former friend of hers placed her in bed with a much older man who was naked and told her to perform sex acts on him.
“The fact that I was 18, even though I’d lived such a huge life and I thought I was oh so mature at 18 … scientifically, your frontal lobes don’t develop until we’re what, 25, 26?” she said. “I wasn’t capable of being fully aware of what was going on around me.”
Panettiere recalled being extremely hurt by the situation because she trusted her ex-friend, who put her in that dangerous situation. “It was led by somebody that I had grown to trust and see as a protector and somebody who had my back,” she said. “When you really find somebody that you trust, you hold on to them for dear life, and you feel so lucky.”
While she spoke bravely about her experience, sources told TMZ that revisiting these moments was “torture” for Panettiere.
The sources’ revelations aren’t surprising, considering Panettiere said herself that she chose to keep names out of her book for fear of repercussions.
“I wanted to tell my stories without dragging anyone else in the mud, through the mud,” she told Tamron Hall, per The Blast. “As much as I want to call people out, this is still an industry that I have to exist in.”
Panettiere also said she could’ve been dragged to court by “very pissed off famous people” if she had included identifying details in her book. “it was to protect me and my company from being sued,” she shared.

Panettiere died at age 36, according to The Blast. A rep from her team issued the following statement on Sunday, August 16: “It is with profound sadness that we share the tragic passing of our beloved Hayden. She was an incredible light and a force of nature who brought immeasurable love and joy to all who knew her — and to the millions who watched her onscreen.”
The details surrounding her death are still unknown; however, first responders shared that Panettiere was found “unresponsive” at a South Carolina residence, and she received “advanced cardiac life support measures” before she was pronounced dead.
Solange via instagram:
rest in peace hayden
in peace, because you are so deserving of it
we had so many parallels in our lives, and the world watched u so courageously live in your radical truth telling your story. we watched your endless quest for vulnerability; and healing
i… pic.twitter.com/KxpIUZwW0K— solange hourly (@solangehourly) August 18, 2026
Panettiere has been honored over the last two days by celebrities who have reflected on their relationships with the actress. One of them is Solange Knowles, who starred alongside Panettiere in the 2006 film “Bring It On: All or Nothing.”
“Rest in peace, Hayden,” Solange captioned a picture of herself and Panettiere. “In peace, because you are so deserving of it. We had so many parallels in our lives, and the world watched you courageously live in your radical truth, telling your story. We watched your endless quest for vulnerability and healing.”
Solange finished, “I salute your journey, and I honor the work we created together that became something that really means something to people. Reaching people we couldn’t have ever imagined at the time, as two young girls trying to keep looking to the light. The light surrounds you now. Rest easy, Hayden.”
Letterboxd’s highest-rated movie of 2025 is the latest bonkers anime adaptation of the hit Japanese manga series, Chainsaw Man. The new movie, Chainsaw Man — The Movie: Reze Arc, continues the storyline where the anime series last left off, showcasing Denji (Kikunosuke Toya), aka Chainsaw Man, in one of his wildest fights ever. It’s time to find out why everyone on Letterboxd is raving about this madcap anime adaptation.
The anime movies created for the One Piece, Naruto, or My Hero Academia franchises are typically filler storylines — specifically, stories created solely for the cinematic experience, using a unique storyline that the original manga creator or artist never depicted in the source material. The great thing about Reze Arc is that it’s not a “filler” storyline. Rather, the movie adapts a canonical storyline in the original manga series created by Tatsuki Fujimoto.
Reze Arc also eschews the usual format for theatrical anime adaptations based on popular manga series; instead, Studio MAPPA adapts a major storyline from Fujimoto’s manga and brings it to life in a feature-length format. It’s great to see that anime studios are experimenting with this trend more — Ufotable took a similar route with the Demon Slayer anime series, starting with the Mugen Train movie in 2021, and more recently with the Infinity Castle feature, which was a smash hit at the global box office. For Reze Arc, it was nice to see the Chainsaw Man anime franchise return with such an impressive big-screen feature, since the first season concluded in December 2022, over two years before the movie’s release. Although it was a long wait for Reze Arc, Studio MAPPA resumed the Chainsaw Man saga in a new movie filled with glorious animated visuals and a canonical story.
Reze Arc starts with a slow burn as the Public Safety devil hunter Denji meets and falls in love with a girl named Reze (Reina Ueda). Reze appears outwardly nice and sweet at first, but she harbors a dark secret. Once that secret is revealed, the plot becomes wildly unhinged and chaotic, as Denji is plunged into a fight for his life, with wild devils unleashing their powers to capture them. Denji is a half-human, half-devil hybrid, empowered by his former pet, Pochita, a devil that embodies people’s fear of chainsaws. Pochita’s power allows Denji to transform into the avenging devil hunter, Chainsaw Man. However, the minions of other factions, devils and humans alike, want Denji’s power for themselves, making him a valuable target.
Once the action in Reze Arc begins, it becomes a non-stop cavalcade of insanity, such as the car chase with the Bomb Devil and the jaw-dropping fight with the Typhoon Devil. Studio MAPPA was game for the task, as the animators crafted some of their most impressive animated sequences ever throughout the movie. The extra time and money the studio was given to adapt the story into the theatrical format certainly pays off. The wait for Reze Arc was long, but the movie did not disappoint in terms of its eye candy factor.
Despite its moments of unhinged violence, the genuine heart and emotions present throughout Reze Arc‘s narrative elevate the movie beyond mindless entertainment. Part of what makes Denji such a likable character is that despite everything he’s experienced, he’s oddly nice and naive (perhaps excessively so), and he’s merciful to a fault. There’s also Denji’s partner in the Public Safety devil hunting division, Aki Hayakawa (Shogo Sakata). Throughout the series and movie, Aki typically puts on a tough front, acting incredibly aloof and stoic. However, there’s a major moment in Reze Arc where Aki lets his mask slip, and you see through his usually cool veneer. The story reveals how Aki deeply and genuinely cares for his friends, and he becomes emotional at the loss of more of his comrades.
The narratively complex Reze also lets her mask slip at key moments in the story, proving the profundity of her relationship with Denji. For all of Chainsaw Man’s copious violence and gore, a genuine bittersweet sadness surrounding the characters grounds the narrative and adds emotional depth to the sometimes bizarre storyline. The way Fujimoto writes and depicts his characters, showcasing their emotional pathos, becomes the special sauce of Chainsaw Man. Chainsaw Man takes place in a morally ambiguous, decadent world where the main characters routinely face depressing hardships, yet they display grounded emotions, imbuing the story with fantastic emotional depth and stakes.
On that note, it’s easy to see why Chainsaw Man and its movie sequel became so beloved. The Chainsaw Man anime and the Reze Arc movie are available to stream now, subtitled and English-dubbed, on Crunchyroll in the U.S.
For Brenda Song, feeling confident in her body has been a journey.
“I think when you’re a parent, you just don’t have the time to think about your own personal style or to think about yourself anymore,” Song, 38, exclusively told Us, while promoting her partnership with Marshalls for the Fall Fashion Field Guide. “So it took me, actually, a minute. I actually really struggled the first couple years after having two kids because my body had changed, what was important to me in my wardrobe changed, and there was a second there where I was like, ‘I don’t feel confident in my body, I’m just gonna wear sweats.’”
She continued, “I realized that that was a mindset. I was like, ‘OK, let me find comfort. Is it possible to find comfortable clothing that feels accessible, that still feels trendy, that feels fashionable?’ And that was what it really took, was sort of me kind of breaking down, ‘What do I like now? What fits my body?’ I can’t wear what I was wearing when I was 27. I’m 38 now. My body has changed, and my lifestyle has changed.”
The mom of two explained that it was “really trial and error” to see what worked best when it came to her wardrobe. (Song shares sons Dakota, 4, and Carson, 3, with longtime partner and fiancé Macaulay Culkin, whom she got engaged to in 2022.)
“It was me trying on a million different things, trying on these different archetypes to see what felt the most to me,” she said, revealing there were particular items in her closet that looked fabulous and buoyed her spirits. “And knowing that I can’t follow all the trends, but I can find ways to incorporate it into my wardrobe and still feel hip and cool.”
After adjusting her own collection of clothes, Song has now partnered with Marshalls to launch its Fall Fashion Field Guide, a shoppable edit full of high-quality finds for every style and budget.
“When this came about, I felt, first of all, so honored because I have been a Marshalls shopper my entire life. There was nothing like making a stop that turned into a two hour shopping excursion with my mom in Marshalls,” Song told Us. “Fall is also my favorite fashion season because I love layering, I love accessories, and when we were kind of going through these sort of archetypes, I realized, ‘Wait, these are all just different versions of Brenda’s mood throughout the day, depending on how I feel.’”
Song hopes that shoppers “pull inspiration from these vibes” from the Fall Fashion Field Guide and put their own spin on it.
“It’s not about finding that exact jacket. It’s about finding a version of that jacket you feel confident in, that you like and that suits your lifestyle,” she explained. “I just want to make it easy for women and people to still feel confident and still feel on trend, but accessible.”
From our grandmothers purchasing mass-market paperbacks in the grocery store to contemporary readers devouring romantasy in record-breaking droves, the romance genre has been a lucrative publishing staple for decades. For television viewers who were unaware of historical romance’s specific charms, Bridgerton has conducted a winsome crash course in its guarantees: women protagonists expressing their desires, triumphant happy endings, luxurious gowns, and the trappings of antiquated social etiquette. Netflix’s competitors have sought their Bridgerton equivalent for years, yet the period drama has failed to produce another undeniable cultural phenomenon.
It’s somewhat surprising that streamers haven’t followed Shondaland’s suit and snatched up the rights to other period drama bestsellers. In fact, they needn’t look further for runaway-success material than one of Bridgerton author Julia Quinn‘s peers. The name Lisa Kleypas elicits hushed awe from the countless readers who consider her a treasured mainstay, if not historical romance’s definitive monarch. Her breakout series, The Wallflowers, is an idyllic option to translate to the small screen. Not only is the format a studio’s dream, but the legendary quartet personifies the sub-genre’s crucial hooks and illuminates the craft-related strengths by which Kleypas ascended to her revered status.
Although Kleypas’ prolific works don’t reinvent the wheel — straying from romance’s defining structure would defeat the purpose — her perspective, voice, and distinct niche have refined said wheel’s every component since 1987. The Wallflowers, a career highlight set in the Regency era, follows four social outcasts who reclaim their rejection and their futures by securing safe marriages for each other. Eldest daughter Annabelle Peyton seeks a wealthy husband to protect her financially imperiled family, whereas Lillian Bowman, a fiery and outspoken American heiress, couldn’t care less about English propriety. Daisy, Lillian’s younger sister, prefers her bookish imagination over her father’s suitor-related meddling. As for the soft-spoken and determined Evie Jenner, she rescues herself from her living hell by proposing to London’s most notorious rogue.
Connecting a romance series through female friendship was a rather revolutionary concept for the early 2000s. The Wallflowers was inspired by Kleypas’ high school experiences — ignored by, in her words, “the popular boys” — as well as her observation that “I haven’t really seen a lot about female friendships [in historical romances].” Kleypas’ mesmerizing execution honors her sensational idea.The titular Wallflowers’ life-changing bond is authentically infectious, a gravitational center of sparkling camaraderie, empathy, protectiveness, and unwavering loyalty that’s as empowering and meaningful as their respective erotic dalliances.
Kleypas’ career-wide magic touch, forged through instinct, practice, and artistic care, masters romance’s enduring value: engrossing prose, adroit wit, comforting escapism, painstaking historical accuracy, and a range of intellectually mature characters who reckon with their insecurities, shortcomings, fears, and traumas. Her sheer finesse prevents archetypes and dynamics like the reformed rake, enemies-to-lovers, or marriage of convenience from being diluted into copy-paste repetition. Likewise, her commitment to dissecting her characters’ formative pasts and charting their evolutions invigorates her heroines and antiheroes into vibrantly unforgettable genre icons. The Wallflowers’ leading ladies are capable, competent, and ambitious forces of nature; their dashing husbands wield their venomous silver tongues and scandalous reputations before their humbling vulnerability and ferocious devotion set the redemption-arc standard.
Like pieces of an assembling puzzle, Kleypas’ evocative characterizations are inseparable from how she constructs her irresistible relationships. A symbiotic foundation of internal honesty and sensual intimacy, rooted in mutual admiration, equality, and understanding, infuses every love affair with riveting freshness and to-die-for chemistry. High-intensity emotion fires on overdrive, but realistic plots needn’t apply when the operatic twists match the conflicted tension, feverish lust, and clashes between aristocratic hierarchies, self-made entrepreneurs, and women’s suffrage. Kleypas sells it all with every swirl of her pen.
From a strategic standpoint, The Wallflowers’ streamlined nature is its strongest selling point. Bridgerton‘s eight installments have proved intimidating and time-consuming, a conundrum each season’s lengthy production cycle and expansive ensemble cast have amplified. Comparatively, four main books starring a smaller group of recurring characters offer an entirely feasible budgetary and timeline scope.
The Wallflowers’ healthy limitations don’t exist at the expense of the series’ long-term potential, however. Several installments in Kleyplas’ seven-part Victorian saga, The Ravenels, depict the love-struck journeys of the central couples’ adult children. Following a Wallflowers show, The Ravenels both pulls on established emotional through lines and introduces new narrative opportunities: i.e., catching up with how the original eight leads have mellowed with time and tracking how the next generation overlaps with another eccentric family.
The first book, Cold-Hearted Rake, opens with the working-class Ravenel brothers — one a known scoundrel, the other happily irresponsible — inheriting their late relative’s neglected estate. The title includes the Earl’s icily defensive widow, Kathleen, and three wonderfully unconventional sisters: Helen, reserved but iron-willed, Pandora, a career-driven trailblazer, and Cassandra, precocious and entrancing. These connections cement the Lisa Kleypas Literary Universe as an effectively realized world enriched by narrative momentum, affectionate bonds, and animosities that inform the romances but exist independently of them.
A faithful adaptation of The Wallflowers can fulfill audiences’ longing for period dramas by following Bridgerton‘s blueprint of big-hearted earnestness and playfully modernized glamour, while always evoking Kleypas’ distinct sensibilities. The secret lies in capturing the novels’ timeless spirit in all its glory and including astute adjustments in line with Kleypas recognizing and rewriting her internalized sexism. Between pitch-perfect romantic gestures and indomitable women nurturing their unbreakable friendship, the soaring world of Lisa Kleypas is a win-win for fans and the industry — a polished diamond just waiting to be greenlit.
A mother in Miami was arrested after she poured hot, melted candle wax onto her two daughters and set a fire inside of her home during an incident she captured on camera.
Meliza Campos-Sanchez was taken into custody on Monday, August 17, and charged with first-degree arson, child abuse and two counts of child neglect, according to arrest affidavits viewed by People.
The investigation into Campos-Sanchez, 26, was launched after Miami-Dade Fire Rescue responded to her home after receiving a report of a kitchen fire on Sunday, August 16.
After looking into the situation, a fire investigator ultimately determined that the fire had been intentionally set with an open flame, ignitable liquids and combustible materials.
Campos-Sanchez posted two videos to her Instagram account at the time of the fires.
One video showed her using lit candles to pour melted wax onto her own leg before spilling it into the hands of her two daughters. The second video captured Campos-Sanchez wearing a silver mask as she sprayed an unknown liquid onto clothing on the kitchen floor. She then set the clothing on fire with a red lighter.
Fire investigators searched the home and found burnt materials, as well as minor damage on the tiled kitchen floor. Investigators also found the silver mask, the red lighter and a clear plastic bottle with a yellow cap, which reportedly contained liquid believed to be rubbing alcohol.
Campos-Sanchez’s husband, Yusniel Cue, spoke to investigators following the fire and said they had been experiencing marital issues. He explained that he had been staying with his parents for about a week when the fire occurred.
Cue added that he learned about the incident when one of Campos-Sanchez’s friends called him to tell him about the videos, and they told him to call the police.
He arrived at the home after Miami-Dade Sheriff’s Office deputies and Miami-Dade Fire Rescue got there and took custody of his daughters. Meanwhile, Campos-Sanchez was transported to a hospital for evaluation and treatment.
Additionally, Cue told investigators that Campos-Sanchez allegedly attempted suicide during an earlier occasion. He said he contacted the sheriff’s office one week earlier due to his concerns for their children.
Investigators also spoke to Campos-Sanchez’s eldest daughter, who said that she and her younger sister were in the laundry room when they saw their mother setting the clothes on fire in the kitchen.
She added that her mother threw a glass mug onto the floor while she was dancing near the flames, and she eventually used a bowl of water to put out the fire.
Additionally, the daughter told investigators that her mother had brought her and her sister into the kitchen and started pouring hot wax from the lit candles onto the three of them.
An officer later went to a nearby hospital to interview Campos-Sanchez, but she was sedated and unable to speak prior to her arrest.
It is not currently clear whether Campos-Sanchez has entered a plea or retained legal counsel following her arrest.
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